Indieterria meets nth cave

Talent to the nth degree

nth cave posing before their BBC Introducing session Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

They are young, fearless and immensely talented. Appreciated by critics and audience alike, the quintet mysteriously named nth cave is taking the West Midlands music scene by storm.  They are yet to release their debut album and their members may not be old enough to enter the venues they play unaccompanied,  but their music and stage presence are drawing crowds that would make senior or well accomplished acts jealous. SLAP Magazine sat down with brothers,  Hector and Fergus Brazier to learn more about the wunder kids of Worcestershire.

 SLAP: nth cave is a very unusual name. Can you tell us where does it come from?

nth cave: The first period of nth caves existence we went pretty much unlabelled, because we weren’t really regularly gigging and we had no real original material to share with anyone. At this point, our high school music teacher would refer to us as “Danni and the Elements”, which we met with quite a large amount of distain, but we had no real other ideas for band names so we kind of went with it for a bit. After a while we started doing a few gigs and had started to write some original song ideas. At this point we were desperate for any name other than “Danni and the Elements”. We started playing about with some ‘band name generators’ on the internet. After a few hundred attempts it churned out “nth cave” which we all agreed ‘isn’t really too terrible’. And I think that’s how we all feel now. It’s not too terrible but it really isn’t great. It just does its job as a band name. Our music really speaks for itself, I think, and the fact there’s no real “epic story” or anything behind our name represents our rejection of some of the more pretentious and faux-intellectual characteristics that a lot of other bands strive for.

SLAP:  You started out as a 4 piece but expanded by adding Lauren Mulhearn on bass. Your original bassist Alfie Newman moved then to second guitar. How did the line up change affected you musically? Is it easier or harder to play as a quintet?

nth cave:  nth cave was always intended really to be a quintet. We actually started out in high school as a five piece. However the second guitarist just had too many other commitments (jobs and family stuff etc…) and this, combined with a growing amount of musical difference, led to us and him growing apart. So we started gigging as a four piece, but with the majority of the songs and covers being designed for a band with duel guitars, there was a notable ’emptiness’ about our sound. This is when we started looking for a bassist, who appeared in the form of Lauren Mulhearn via Twitter DMs. After a couple of rehearsals she was up to speed with our whole set and we started gigging as a five. This was met immediately with positive responses. With the second guitar adding stability to the foundation of the songs this consequently allows for notably more freedom and expression in both the lead guitar and vocals

nth cave performing at Marrs Bar photo by Duncan Graves https://www.facebook.com/duncan.graves

Homecoming gig at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

SLAP:  Your guitar player Fergus and drummer Hector are brothers. Yay or nay for having your sibling in a band? Is any sibling rivalry involved in the music making process?

Fergus: Nah there’s no rivalry, as long as we’ve both played instruments we’ve jammed together so we’re normally pretty aware of each other’s styles and mannerisms in music.

Hector: There’s no problem with siblings bring in bands together, I doubt that anyone can’t think of a band with brothers or sisters. Oasis, Peace, Cage the Elephant, The Jesus and Mary Chain, and that’s only a few. Oasis may not have ended that well but their initial success or any bands success isn’t hindered by having siblings together in the band.

 SLAP:  You recorded your BBC Introducing session at the Phoenix Theatre in Ross on Wye in April 2016. How do you remember this experience?

 nth cave:  nth cave’s BBC Introducing session was a brilliant opportunity for us, as a band. However I would say that it came about at the wrong time for us. At the time of the session we were still playing as our original lineup and consequently we were musically driven in a fairly different direction to the one which are now. As well as this we still had little to no popularity at all and we had yet to even make a dent in Worcester’s local music scene. This meant that our session (unsurprisingly), as generous as it was from BBC Introducing Hereford and Worcester, went pretty much ignored. Since then we’ve really grown as a band and developed a lot more of a style. Despite this, the most recent music that we’ve sent to BBC Introducing was acknowledged but not broadcast which is a shame because we all really appreciate the work that BBC Introducing do for unsigned artists, and we just wish we could ‘get in on that’.

Still as a quartet – nth cave before expanding photo by Josh Foster https://www.facebook.com/phojf

SLAP:  Sonically you place yourself between Wolf Alice and Nirvana. Who else would appear on your wall of fame?

Hector: Personally I see nth cave as the coming together of a wide array of genres and styles, with band members contributing to our songs based upon their own musical upbringing. With individual influences ranging from jazz to hip-hop to pop punk our music is filled with hyper-subtle references to some of this music. I would like to point out at this point that nth cave are most certainly not a “jazz, hip-hop, pop punk group”. That honestly sounds disgusting.  It is because of this fact, however, that sometimes it can be quite hard to place our “middle ground” musically. Artists such as Wolf Alice and Nirvana are fairly influential to the majority of the band and its because of this that we place ourselves (somewhere) within the “alternative/indie” genre.

Fergus: nth cave’s “Wall of Fame” really does have to include some of the artists that we regularly cover like The Strokes, Pixies and The Wytches. I would say, it’s through covering artists like this that we have really started to improve our own, work taking influence from the upbeat guitar driven pop sound of The Strokes, the intense dynamics of Pixies, and even some of the sonic elements found within the heavy lo-fi surf rock of The Wytches.

While our singer’s voice has been regularly compared with artists such as Broadcast and Stereolab, her largest influence, vocally, comes from the work of Kasabian.

As well as these artists, bands such as Led Zeppelin, Radiohead, Pond and The Velvet Underground, I fact the bands writing style is particularly influenced by the likes of The Velvet Underground and that whole alternative New York scene, as far as I’m concerned Lou Reed, as well as being the ‘god father of punk’ is the father of all worthwhile western music. These artist would all feature nth cave’s ‘Wall of Fame’.

SLAP: nth cave is making a name for itself on national independent scene in record time. You started in late 2013, two years later you were featured on Andrew Marston BBC show. This year you played all important venues between Bristol and Birmingham. You leave your competition far behind.

Homecoming gig at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

nth cave playing live at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

 nth cave: We’re pretty happy with what we’ve achieved over the past year gigging, mainly in Worcester and Birmingham. We’re set to play in Hereford next month but are yet to play in Bristol. The music scene right now is great down there so hopefully we’ll make it. It’s a dream of ours to be able to play in every city in the UK so we have a long way to go yet.

SLAP:  Our favourite track is entitled “Bass”. You even shot a popular video at the Birmingham City University. Can you tell us something about the song? Working with film students must have been a fascinating experience.

 nth cave: So the student who was our main contact for it was Petko who was a technician at an acoustic gig we played. He decided that we were the kind of band he wanted for his music video module so he chose one of our songs and we got an audio recording session and a video recording session at BCU. We’ve had loads of good feedback from it and we were really impressed by how professional it looks so thank you to Petko and his team for making it and thank you to everyone who watched and shared it. We heard from someone recently that part of the most recent Star Wars film was filmed in the same studio as our video which is insanely cool if it’s true. One shame about the video is we didn’t have Lauren in the band when we were working on it; it would have been great.

SLAP:  After a string of successful singles, it is time for a full release. Can you tell us more about your first album?

nth cave:  Well we’re still deciding what would best for us, to release an EP or a full album. Either way we want to go to the studio soon but there aren’t any actual album plans yet, but we do have lots of ideas for its artistic structure and a lot of album name suggestions. For now though we’re happy with working on our material and gigging. We really, really hope there will be an album eventually though.

SLAP:  Your future is already looking bright but things will only get better. What can we expert from you guys in the next months to come?

 nth cave:  To be honest we’ve got no set big plans other than the occasional gig. We are however hoping to hear back from a couple of festivals that we’ve applied to play at. As far as our own material goes, it’s just a case of getting some recording sessions done. We certainly have enough original work to put together an album, it just all depends on what opportunities arise for us. We’re hoping to work more with Boneyard Sessions to increase exposure for some of the more talented (yet under-appreciated) bands in the Worcester music scene. So overall we want to get our original material together and get ourselves out there as much as we can, and hey, if someone wants to offer us a sweet record deal? We’d consider it. Hopefully this’ll be the busiest and most progressive year for nth cave and we’ll just keep up what we’re doing and see where it takes us.

Screenshot from Slap Magazine

 You can follow nth cave online at:

https://www.facebook.com/nthcave
https://soundcloud.com/nthcave
https://twitter.com/nthcave
www.instagram.com/nthcave

You can also read this interview online as a part of SLAP Magazine

http://www.slapmag.co.uk/issue-70/june-2017/

Or download this file from here:

issue-70-june-2017

nth cave has been announced as one of the first bands to play this year`s Worcester Music Festival. And we cannot be more excited.

http://www.worcestermusicfestival.co.uk/bands/nth-cave/

Come back again, next edition of Indieterria will be slightly different. For the first time, we will have a solo artist on the hot seat!

xxxooo

Rita +Mal

Indieterria meets Michael Knowles

We go political!

Michael Knowles blows a kiss towards audience at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

Everything`s political as Skunk Anansie song goes. And May issue of Indieterria will be all that and even a bit philosophical.

We are steering back our ship to Worcester shores to introduce you to Michael Knowles – leader of The STDs and one of the most controversial figures in the Midlands. How politically incorrect is Mr Knowles? His new single is called “Theresa May is a cunt” and contains language so strong you may want to dig out your “Cop Killers” and “Straight Outta Comptons” out of the basement instead. We can see you rolling your eyes and ears dear readers. So we will ante up and tell you that besides being potty-mouthed, Michel Knowles has a voice of 4,5 octaves, a pitch perfect hearing and is a trained in music production.

Aha, controversial yet talented – now that is a hard mixture to swallow for some. It is much easier to dismiss musicians and artists as immature and looking for attention when  they are painted as  common nobodies. Much harder to do so when artists are seen as complex humans who have their strengths and exercise the right to freedom of speech.

The current world of pop music has been derived of controversial and outspoken characters to the point that you cant even hear songs on the radio that were in heavy rotation 20 years ago in the middle of the day. Try requesting Nine Inch Nails` Closer nowadays on the radio and see what they will play you.

Indie scene had always a place for counter culture and the obscene and we are happy to report that independent and unsigned artists are stepping in to fill the hole. Shame have fantastic “VISA Vulture” with its libelous video to match, The Blinders paint messages on their guitars and Michael Knowles and The STDs hammer the message nicely from our town.   You may see it as unnecessary and infantile – but we see it a form of balance. Music is broad enough to incorporate Little Mix and The STDs in all their respective popness and cockiness.

Fear not. The interview below is all nice and dandy and you may find out that controversial  figures can have a lot of cleaver things to say. We loved the passion Michael has for his musical heroes. So sit back and read on:

Michael Knowles performing live at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

 

Michael Knowles – a stream of consciousness

Technology is a wonderful thing. For example, it allows you to interview artists even late at night from the comfort of your own office. You type the questions into instant messenger and wait for the answers to arrive. Piece of cake. On the downside, technology can`t replicate that old fashioned feeling of excitement that every music journalist feels when meeting a new and promising act in person. And you need to know Michael Knowles surely earned himself a name to be regarded as exciting and controversial in equal measures. He fronts a band called The STD`s, dresses like it`s 1980s and is known for performances that are politically incorrect yet hilariously funny. No journalist would pass  the opportunity to see what makes Michael tick and we are no exception.

This is what we have found out:

Tell us about the band. How many of you and how did you start?

There were only three of us to start with: Steve Church, Dean Thomas Carter and myself. Steve and I had worked together in the past on an album I never released. Dean and I had played together in the house band of The Flag in Worcester (back then known as The Tap). One day we went to this kid`s backyard studio and we all fit really well so we started looking for a bassist as at the start Steve was on guitar.  Over time we’ve had some great musicians join us on – George, James or Tadd. They have come and gone to find new projects. Right now the line up is Steve on bass, The Jack (Tad Jones) on guitar, Dean on drums and myself on vocals. Plus I play guitar too.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

So four guys in a rock and roll band that is nothing like Worcestershire ever seen.

This is true.

You have a very distinct image – very 80s classic rock. On purpose or is it just how you guys roll?

To be honest,  we’ve only really dressed up for gigs a few times but now I mean we don’t really want to have to look through stuff to wear!

So there`s image change on the cards? You know you have already made yourself a name of new Steel Panther in town!

It depends where we shop next (laughs) and really I thought we had the reputation of a noisy bunch.

Noisy yes. But people rather see you as classic rock revival. Quite an interesting twist on David Lee Roth and Poison.

Well, that wasn’t our intention.

What was your intention then?

Just to be noisy and chaotic.

We could add early Alice In Chains to the influences you represent.

There was never really a plan. Still isn’t.

You still evolving sonically?

We’ve got a lot of new stuff in the pipeline. We always do.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

If you were to describe new songs- what would you say? Shall we buy earplugs in advance?

Possibly. There’s  material about some dark times and then whatever we write in the meantime. Plus a concept album.

So no more comic rock and songs about female attributes?

Probably not. But who knows? Let’s face it there’s no plan.

You said that world doesn’t need love songs anymore. That world needs anger.

This is true. I think a lot of anything I’ve written that could be considered “love songs” are usually bitter sweet. With a hint of sarcasm and a lot of anger.

Well, Ledbury Song is very angry but at the same time hilariously funny. You have audience roaring with laughter.

It is less of a song, more of a rant really.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

We don’t know if you agree- but we see your lyrics as a mix of Tenacious D with Morrissey-esque cynical humour and playing with words.

I doubt I could ever be compared to Morrissey. I’m never that poetic (laughs)

The Ledbury Song has the same motif as Everyday Is Like A Sunday:  dislike for a small town that is becoming like a prison for a young person. Moz also wants to bomb the town and he is not poetic about it.

I haven’t heard it but I agree with him.

You come from a small place?

A small town. Small in size and small minded. Hard to be anyone there.

Do you think you would be different if you were born in London?

I’ve been to London and I hate that place. Too big and far too busy. Everyone in a hurry to go nowhere.

So perhaps there`s a positive side of being born in a small town?

I think the point is everyone hates where they are from eventually but it’s always where you call home.

Who would you put in your top 5 artists?

I’d say Tool, Amen, early Slipknot and honestly Trent Reznor and Bill Hicks.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

Very broad influences.

I just love their attitudes and way of creating. I love how Bill Hicks was born in the religious South yet could deconstruct the archaic institutions that he was thrust into. I love how angry Slipknot were and to a 13 year old outcast they represented hope that you might be a freak but there was a place in this world for you. Amen taught me that record companies are just stupid. Tool taught me the beauty of feedback and how atmosphere can really make the hairs on your neck stand up. And Trent is just the god of chaos in noise.

You talk so poetically about music. You will put Moz out of business one day.

It’s all I have really. My whole life has been music and everything else has come and gone but there was always solace in music.

You sing, write, compose, play instruments – that’s lot of talents.

I see it as separate parts of one whole encompassing thing that is just me.

Where do you think the music will take you or the band?

It’s less about what music can do and more about how far we take it. We’re not looking to be billionaire rock stars with handlers. Our goals are to play every show and know at least half the audience.

And will that be enough?

It was always enough to have fans to grow with than trying to appease the masses.

You can follow Michael Knowles online at:

https://www.facebook.com/MKandSTDs
https://www.instagram.com/michael_knowles21
https://soundcloud.com/michael-knowles-music
https://soundcloud.com/michael-knowles-music/michael-knowles-the-stds

 

At the beginning of April 2017, Michael Knowles and The STDs began recording of their new material using premises at Marrs Bar in Worcester as a studio. The result is album (that still needs to receive a release date) and a single “Theresa May is a cunt”. You can listen it here:

https://michaelknowlesthestds.bandcamp.com/track/theresa-mays-a-cunt

As we said – you may not agree with the bands sentiments but taking into consideration news item such as: HERE  or HERE, it makes us wonder if the song should not be at least six minutes longer. To act as a vent for the anger and frustration, if not anything else.

 

Our interview with Michael Knowles has been kindly reprinted in Slap Magazine and you can see your copy at the link below:

http://www.slapmag.co.uk/slap-issues/issue-69-may-2017.pdf

Or download copy  here:

issue-69-may-2017

Some images for our records if anything else fails:

Slap Magazine feature – May 2017 edition

Photo of the article

Kudos to Andy O`Hare from BBC Hereford & Worcester for allowing us some of his photos.

And if you found this edition of Indieterria too much, bear with us. Next time we are going to the church!

Malicia

**** Update 02/06/2017****

We have awesome news to report. This summer, UK will see a gigantic series of gigs and concerts under banner of “Musicians Against Homelessness”. This initiative was started in 2016 by legendary A&R and founder of Creation Records – Alan McGee. Its aim is simple – to gather funds for Crisis, charity that helps fight homelessness.

Literary everyone involved in the initiative works/plays for free (that includes us as well)  and every penny raised is passed to Crisis. One of MAH events will take part in Hereford at the legendary Booth Hall (Never been? You have only yourself to blame) on July 8th as part of Hereford Punk Festival. If you are in the area, please come down and have fun because Rich Lovell and Minky Cuadra of Underground Revolution did pure magic and got together two sets of pure punk, rock and poetry madness.

Hereford Punk Festival – line up in aid of Crisis

Hereford Punk Festival – MAH event just looks incredible

Michael Knowles is obviously on the bill and that will be just a fantastic opportunity to listen to his new material tested on the stage. He will not play lullabies, we warn you.

If you want  to learn more, here are some links worth checking:

Musicians Against Homelessness
https://www.facebook.com/mahgigs/

The Booth Hall
https://www.facebook.com/TheBoothHallHereford

Rich Lovell
https://www.facebook.com/rich.lovell.37

Minky Cuadra
https://www.facebook.com/profile.php?id=100010293331172

Underground Revolution
https://www.facebook.com/groups/undergroundrevolution/

Crisis
https://www.crisis.org.uk/

 

Oh and STD`s album launch happens one month before  the gig in Hereford on June  9th at Marrs Bars in Worcester. So get your copy and you will be set up for sing a-long. It will be also one day after the snap elections, so you know J

https://www.facebook.com/events/1786676631644926/

Xxxooo
Rita+Mal

Indieterria meets The Fidgets

Hello Dear Music Explorers,

The Fidgets are not worse than Lisa Loeb. They have some fashionable glasses as seen in the band`s logo

Indieterria has retreated to more familiar waters . Once a month we will be giving exposure to a local artist from music scene in Worcester- acts that we believe have original sound, work hard and bring something new to the sonic table. First on our list are The Fidgets – jangle pop duo that may put our city on a musical map quicker than you are able to say Sgt. Pepper’s Lonely Hearts Club Band.  Mixing influences ranging from The Beatles, Chuck Berry, The Rolling Stones to The Kinks and The Byrds, The Fidgets begin where Cast and The LA`s have left in the 90s. That makes them unique on the whole indie scene at the moment.  The newest act with similar sound are The No-Ones (project that  includes Peter Buck of REM), so you can see how high is the bar for Max and Ryan.

Not only we sat with The Fidgets for an interview, but also got to hear their new single.  We tell you – this town has some amazing scene and we are here to chronicle it!

Move along people – much to see below!

Max and Ryan photographed by Josh Foster https://www.facebook.com/joshf627

From buskers to cathedral town heroes

These days, it is hard to imagine the High Street in Worcester without two distinctive figures busking around. With their signature glasses on,  guitars in hands and voices in perfect unison – The Fidgets have become an important feature in Worcester.  A ray of hope to put the town back on a music map. With a vision and passion, The Fidgets cultivate pop melodies and vocal harmonies placing themselves in a league on their own on an indie scene saturated with noise and postpunk rebellion. We`ve met the band to see what they have got in store for 2017.

You are one of the most prolific bands in West Midlands at the moment. But for those who may not be familiar with your history, please introduce yourselves.

Hi! We’re The Fidgets!! The two of us – that would be Ryan Skidmore and Max Stockin – met in 2012 when Max answered an ad placed by Ryan on http://www.joinmyband.com for musicians inspired by ‘60s pop music, and especially The Beatles. We played live for the first time in March 2013 (coming up for four years!) and we’ve played God knows how many times since then – the 500th gig was early last year.

Your music is a mix of classic rock, blues, northern soul and mod revival. Quite unusual for today`s pop music climate. Who are your sonic heroes?

The Beatles, of course! Everything comes back to them, it’s been nothing short of an obsession for years! Around that, our influences are really varied, we both love ‘50s and ‘60s pop in general and the two of us each have our own little avenues. Max is very into Blues and Country music, he’s a big fan of Teddy Thompson, and he’s a huge fan of Chuck Berry. Ryan is a very big fan of modern pop and is currently very much into The 1975 and Ed Sheeran. We both love loads of stuff, but the bulk of our influence definitely comes from the ‘60s.

Looking into the future.
photography by Josh Foster https://www.facebook.com/joshf627

The band seems to be moving on up at incredible speed. Your first EP (“I`m Alright”)came out in 2015 to local acclaim and well attended gigs . You followed last year with another EP “Its Only You” and immediately were invited to do BBC Introducing session. It must have been a quite an experience.

I suppose things are moving a bit fast! It never looks that way from the inside, you don’t have time to think about it, everything just goes by in a bit of a blur, it’s only when you look back that you realize what you’ve done. 2016 was big for us! We did a handful of things for the BBC which was exciting! Of course, The Introducing session was fantastic, and the crowd at the Christmas Lights Switch-On was amazing.

BBC Hereford & Worcester placed you at no 7 of the best bands for 2017. Slap Magazine previously described your music as “brilliant”. With such a strong support from local audience and the press, The Fidgets truly are on a brink of better things to come. Does the band feel it too?

Honestly we don’t know what’s going to happen! It definitely feels like things are getting bigger now, but we’ve been in the game a lot longer than anyone remember us for! We’re very excited for the future, but we try not to get cocky!

Recently Worcester News ran a controversial article about new busking scheme to be introduced in town, placing you on the front cover of the paper. Are you getting used to attention?

Definitely, yeah. We’ve been well known around Worcester since the tail end of 2015 and it’s rare for us to go out without being recognized now. It has really picked up recently though! Around Christmas time we were chased through Crowngate Shopping Center by a teenager and her mum for a signed CD and a hug! That kind of thing is getting quite common. It’s brilliant, but it hasn’t stopped being strange!

Sometimes you expand for your performances. Would you tell us about the musicians you work with?

We’ve put together a backing band! Dave Whittaker, our bassist, was a friend socially first, we saw each other a lot at the Marr’s Bar on Wednesday open mic nights and he’s a great player. He was the natural choice. Our drummer Jack Bowles went to Sixth Form with Ryan in Bromsgrove, and Ryan had his eye on him from a band even before he was in one. He’s amazing.

Gracing the covers. The Fidgets in Slap Magazine
Cover photo by Josh Foster
https://www.facebook.com/joshf627

Your new single “Everywhere I Go” comes out in March. It will be accompanied by a video. Can you tell us more about it?

We’ve had to put off the release of the single until later in the month unfortunately (technical difficulties!) We shot the video around the Jewellery Quarter in Birmingham, and we’ve just had a first full draft come through as we speak. We’re very proud of it, it’s a big step up from what we’ve done before and it’s the first of our videos to feature anyone other than ourselves.

The band has been teasing big things to come in 2017. What should we expect? New material? Festival appearances?

Well, we can’t give away too much I’m afraid! But 2017 is already looking like a big one. Yes there will definitely be new material with an EP being released in May and yes we are already booked in for festivals in the summer at Mello Festival and Severn Sounds Festival on the main stage and there’s guaranteed to be more confirmed soon. Watch this space!

Slap Magazine cover
Photo by Josh Foster
Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

You have also been involved in collaboration with Royal Shakespeare Company. Can you disclose any details about this project?

Ah we’re very happy to be a part of it! I’d love to tell you what it is but I don’t have a copy of our contract handy and it’s possible we’ve been sworn to secrecy! Besides, we don’t like to spoil our surprises. When there’s something to know, you’ll know!

The Fidgets went from busking to heroes of a cathedral city. Where do you see yourself in the years to come?

Heroes is a bit strong, but thank you very much! We’re very proud of where we’ve got to already and things can only get better in the future! We’ve got all sorts of big ambitions but everyone knows if you tell wishes they don’t come true!! Just keep an eye on the charts and we’ll see what happens shall we? We like big dreams. Unrealistic is our thing!

Eager to prove themselves but playing cards to their chest – The Fidgets are on their way into promising future. With a new release, a single, home coming gigs and an upcoming festival season – they cannot fail. Here`s to the boys that sing.

***

The Fidgets  – “Everywhere I Go” (single review)

The cover for Everywhere I go single, photo by Josh Foster
https://www.facebook.com/joshf627

Worcestershire based duo, The Fidgets are releasing their new single “Everywhere I Go” this month. SLAP magazine was lucky to hear it first and we can report that this melodious, 60’s inspired love song is going to be a new fan favorite.

“Everywhere I go” opens up a new chapter in the bands history, proving that The Fidgets have evolved and matured considerably since their last release “It’s only you” in 2016 and became a truly unique, pure-blooded rock and roll act deserving their place on the BBC Hereford and Worcestershire list of bands to look out for this year.

The mid tempo, Beatlesque three minute single is filled with perfect harmonies, catchy riffs and will undoubtedly have the crowds swinging and singing along. It also has a distinctive Northern vibe to it, with Max Stockin sounding eerily similar to  Noel Gallagher’s High Flying Birds.

Fans of classic rock, The LA’s and The Cast will have a chance to catch The Fidget rocking the Marrs Bar on March 17th.

Banner for the single release on Spotify

The single is accompanied by obligatory music video:

If you are on Spotify, listen here:

 

***

 

The Fidgets in full line up with Jack Bowles and Young-Dave Whittaker recording a session for BBC Introducing 18.09.2016

If you wan to follow The Fidgets – please use these links:

http://www.thefidgets.com/
https://soundcloud.com/the-fidgets
https://www.facebook.com/thefidgetsband
https://twitter.com/TheFidgets
https://www.instagram.com/the_fidgets/

Part of the band`s charm are the session musicians that support Max and Ryan on stage: drummer Jack Bowler (EMPYRE/Willow Robinson) and  Young-Dave Whittaker. This rhythm section is so powerful, they are locally nicknamed as Worcester`s own  Andy Rourke and Mike Joyce.  Kid you not.  Many a band lined up to work with Dave and Jack but to no avail. Max and Ryan know that you should never change a winning team.

You can follow Young-Dave and  Jack below:

https://www.facebook.com/jack.bowles.520
https://www.facebook.com/youngdave.whittaker

 

Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

 

Slap Magazine interview (page two)
Photography by Josh Foster
https://www.facebook.com/joshf627

You can  see this interview in Slap Magazine for March 2017

http://www.slapmag.co.uk/slap-issues/issue-67-march-2017.pdf

or you can download the copy here:

issue-67-march-2017

That`s all from us for now. We hope you had fun reading.

Mal/Rita

****Update 18.03.2017****

It`s their party and they can rock if they want to!

We have written on our blog before that The Fidgets were to headline a home coming gig on March 17th at Marrs Bar in Worcester. What we have not mentioned to the band is that we planned to treat them to an unexpected cake-and-candles party. See, both Ryan and Max celebrate their bday within one week from each other and it was just too good not to use this opportunity.  So Vanadian Avenue ventured to the gig armed with two huge chocolate torts, candles, napkins, lighters, paper trays and a spatula.

The Fidgets took their headlining duties very seriously and  delivered 1,5h set filled with their original material and covers. Guests came on stage to join the band for certain performances and the entire audience had a wonderful time, one by one slipping into the darkest corner of the venue to sign cards for the birthday boys.

When the last song came to an end  cakes were brought on to the stage and signed cards were handed. Max and Ryan had each a chance to blow the candles and make a wish.  Each member of the public was given a piece of the chocolate tort (you should always bring a spatula to the party) and the audience roared an out of tune birthday song.  Top night. Some pictures for you to enjoy below:

The Fidgets perform at Marrs Bar on March 17th 2017

Performance ends with a bow

Cakes!

Make a wish

Till the next time kids. We are off to find some alka seltzer.

Mal/Rita

Indieterria meets Tigerside

Hello,

 

Tigerside (from left): Riven, Esther, Greggs, John and David.

Tigerside (from left): Riven, Esther, Greggs, John and David.

Welcome to the first week of Indieterria. If you are not sure what we do here, read the intro.

We are on a year-long journey to create an atlas of new sonic landscapes for 2017 by introducing readers to artists that have something original and innovative to communicate. They may not be huge or ready to hit Top 40. Some of them may be on a way to greater things, but we will also look at artists who are unsigned and  still perfecting  their craft. It doesn’t matter how established you are in a long run. If you have got that spark, your own way of doing things or something interesting to show, you may find yourself featured on our musical map.

On the margins, we will also tag venues and other places to give our readers a deeper understanding of the local scene that the band came from.

We begin our travels  with Tigerside- a five piece from Salford, Manchester.  So, welcome everybody to Mancunia – the fabled land that gave us Hacienda & Anthony H Wilson, The Smiths & The Roses, New Order & Joy Division, Es & the baggy pants. Something is definitely in the water in Mancunia as they have more bands per square mile than the capital of grunge!

Paul aka Greegs

Paul aka Greegs

John Nash leading Tigerside

John Nash leading Tigerside

The idea for Tigerside (do not mistake with French  drone/ambient project My Tiger Side fronted by  Rémi Saboul) has been born a decade ago during Glastonbury Festival. It took few more years for  members of the band to relocate to Salford and properly concentrate on the project. Some line up changes occurred but are shrouded now in mystery. Currently the band consist of John Nash (on vocals), Esther Maylor (vocals, harmonies), Paul/Greggs (guitars), Riven (electronics/keyboards) and David Eagle (drums).

If you know Manchester scene a bit, you must be grinning like a Chesire Cat this very moment. If not – let us tell you a secret. Esther Maylor is known in town as  a member of another band with strong following –  b i e d e r b e c k.  She is also the landlady of Eagle Inn pub/venue in Salford.

Examining the  band`s pictures Tigerside look like they just enrolled into university, but don’t let that deceive you. All band members are in their 30s and come with quite an experience on stage and a whole list of musical heroes.  The band grew up listening to Radcliffe and Lard Show on BBC Radio 1 (that`s Mark Radcliffe and Marc Riley if you are not familiar) and quote The Verve, Underworld, REM, Human League and Madchester scene as inspirations. They have been featured on BBC Introducing Manchester twice and sold out domestic venues such as Sound Control, Gullivers, Ruby Lounge (here they were supported by another rising star of Mancunia – The Blinders). Their London gig at Dublin Castle also sold out to the last place we are told. 2017 will see them playing festivals in Sweden and perhaps a steady supply of homecoming gigs.

Riven

Riven

John Nash live

John Nash live

Tigerside also come with an  unique ability to confuse music journalists. They describe themselves as  “postpunkhousepop”. Now try to describe that to your editor or readers. When we asked them for a bio, the band sent us this absolutely brilliant tagline. Let us quote it in full – because it would make early Manics green with envy:

“[Tigerside are]the sound of an afterhours party in a back street Salford boozer where everyone’s in and everybody knows your name. In the gutter and singing at the stars; it`s a baggy thing, a rocking thing but most of all a dancing thing. It`s chaos and a commotion and they’ll be your best friends through it all”.

Guys! Send this to Creation Management and you are guaranteed that Alan McGee himself will walk to your next gig!

If we had to define the sound of Tigerside, we would mention the likes of M83, Bastille, The XX  – so anything within the range of electropop/indie electronic and synthpop if one is to throw around musical labels. But you can`t box this band so easily as you may think.  Surprisingly there is a lot of Madchester sounds and rhythms in there (La La Samba), space and melody that bring Hooky`s The Light to mind (Pen Lea) or …even elements of classic U2 at their height (Song For The  Crow). John Nash channels Ian Curtis on stage with his strange dances and charisma, while Esther Maylor brings an element in harmonies that remind us of Sarah Snow from Maltese/Danish act No Snow/No Apls.

Other reviews we read mentioned Pink Floyd…

Head spin, isn’t it? That’s the real beauty of this band.  Whoever is able to trace all ingredients that go into musical elixir of Tigerside will undoubtedly receive a Mercury Prize or Godlike Genius award .

Some links for you dear readers:

YouTube offers a great live footage of Pen Lea

You may also hear the band though their Soundcloud and other social media quoted below:

https://www.facebook.com/tigerside
https://twitter.com/Tigerside
https://soundcloud.com/tigerside
https://www.reverbnation.com/tigerside

Tigerside are managed by Cathy Gregory and you can book the band via Cathytigerside@outlook.com

We recommend that you do.  Tigerside receives a stamp of approval from Vanadian Avenue and if any of our readers ever has the opportunity to listen to the band live – do not hesitate. You are in for a wild, yet very satisfying ride.

Malicia/Rita

 

Indieterria – all-on-board

All you good, good people – listen to this!

If you are confused, check with the sun

If you are confused, check with the sun

Music on Vanadian Avenue always had a strong presence. Few years ago, we ran a very successful series of interviews: Burton C Bell (Fear Factory/Ascension of The  Watchers), Valerie Kaye (Valium  of legendary  Pist On), Edu Mussi (Echoes and Shadows), John & Brittany or Steve Howard of Arado among others:

https://cocamidemea.wordpress.com/category/interview/

Last year, we used Twitter to start showcasing new bands and discovered gems like Liines, TommyAndMary or The Lucettas:

http://www.weareliines.com/
http://www.tommyandmary.co.uk/
https://soundcloud.com/the-lucettas

This year we want to try something different.  Again.

We will compose our own  alternative/counterculture best of 2017 – by presenting one artist a week  though-out  the year.  We will give MNE a run for their money (they just produced a list of 100 bands to watch this year and most of them have been on the radar for at least two years) and create proper sound of 2017 as it unfolds.

So welcome to our new installment – Indieterria.

This section of the blog takes its name by mashing a famed night club (Danceteria) with a Latin word terra and focuses on the indie music.

We like to think of it as a musical atlas for new sonic landscapes. We`ll allow artists to take us on a journey  and see what we can find. One trip a week. We hope to discover islands, landmasses and  even entire continents.

All entries will be showcased below for easy access:

Week 1: Tigerside (Salford, Manchester)

If you like what we do on Indieterria or you would like to suggest an artist to showcase, you can let us know via blog, email or social media (we are setting those up, we know it’s a high time):

https://www.facebook.com/VanadianAvenue
Mal/Rita

In defense of buskers!

Hello dear readers,

We have 2017 already and first post of the year is actually an open letter. Rita and I would like to say a few paragraphs in defense of buskers and street artists. What`s the story (morning glory) you may ask? Well, Worcester City Council decided to crack down on performers in the city and make their lives more difficult than it is really needed.

Our local daily Worcester News ran the new cultural policy on the front page this morning. First day after Christmas break, we were happily about to deal with our office backlog and then – bang! Who needs coffee if you have news like this.

You can read the story here

http://www.worcesternews.co.uk/news/14993207.Busking_crackdown_to_be_launched_in_Worcester_city_centre/

or enjoy the scans we did so the generations to come can face palm in sheer despair:

Worcester News front page on January 3 2017 Warning: reading may cause spasms to all music fans.

Worcester News front page on January 3 2017
Warning: reading may cause spasms to all music fans.

Worcester News on January 3 2017 - the killer cultural proposal will surely give palpitations to music lovers.

Worcester News on January 3 2017 – the killer cultural proposal will surely give palpitations to music lovers.

We have no idea why culture and arts are under constant attack in West Midlands. Sometimes, it does feel like living out New Model Army`s Small Town England.  But onto the meritum.

The letter below has been sent to Worcester News as our reply to the Council policy, but we decided to also publish it on the blog.

Read on and as Sepultura used to say: Refuse/Resist.

*********************

Dear Worcester News (and Dear Worcester City Council, if you happen to read it – but we do not raise our hopes up)

We are writing this letter in response to the proposed regulation of busking in Worcester. We would love to see said document in full to be able to read into it. Unfortunately it seems, the draft is not available online for the public to see. However points mentioned in Worcester News raise several alarms and we would like to tackle them one by one.

Poppy WS sings in from of Guildhall in Worcester High Street

Poppy WS sings in from of Guildhall in Worcester High Street

Before we do it, allow us to quote some data regarding music and creative industries in the UK, as it is essential. According to MusicWeek magazine and Measuring Music 2016 report, music added £4.1 billion to the economy in 2015. Despite problems, the industry was rising 90% in the last 4 years. GVA (gross value added) for the industry was 17%, outgrowing other branches of British economy by 11%.

British Phonographic Industry (BPI) estimates that music consumption rose 1,5% to 123 million album sales in 2016. 45 billions streams (including 1 billion streams in December 2016 alone), 3.2 million units of vinyl sold. British acts such as Coldplay, Little Mix, The 1975, Rick Astley, Calvin Harris, Jess Glynne, The Rolling Stones and Skepta dominated charts this year. All in all – this is a booming business.

But that’s just one side of 2016. Last year we have lost a generation of  musical icons (David Bowie, Prince, George Michael just to name a few) and independent artists (Viola Beach), many small venues and clubs have been closed (40% of small venues had shut doors in the last decade).

Where does that leave us? A booming business with no big stars but many smaller artists who are trying to compete on the field but have no places to perform.  Enter busking.

Unnamed tightrope walker performs in Worcester. This man tours the country from Manchester to Wales.

Unnamed tightrope walker performs in Worcester. This man tours the country from Manchester to Wales.

Playing in the streets is not a new phenomena. Every artist started out in this manner (even the biggest names), but these days people will see much more buskers than before. Kids getting experience is one explanation, lack of venues is another, access to the public is a third but not a final answer. There are many more reasons why we see an artist performing on every corner. We may like it or not, busking is growing and is becoming not only a chosen way of artistic expression but an important branch of the industry.
There is nothing wrong with regulating busking within the city. London did it and their code is fantastic and user friendly.  Tenbury Wells did it.  Even Transport for London has their own busking scene and licenses. A whole range of tools has been employed by different localities (artists are encouraged to use smaller amps to avoid high levels of noise, special spaces are designed for artists, buskers are required to have public liability cover, curfews are established to ensure that nobody plays at night) and they are working.  Whoever been to London`s Oxford Street and seen iconic TommyAndMary duo perform their punk rock set will admit that even the loudest music can be incorporated into city life with relatively no side effects. If Worcester City Council wanted to draw inspiration for their own regulation, there are many templates ready to use.

Punk Rock duo TommyAndMary perform in London`s Oxford Street in December 2015

Punk Rock duo TommyAndMary perform in London`s Oxford Street in December 2015

However we have our doubts that Worcester City Council wants to regulate busking. It seems like the only agenda behind this regulation is to  eliminate artists in general by making their street performance so hard that they will simply give it up.

Let`s have a look at some of the proposals drafted:

–    No buskers within 50 meters from each other – Worcester on a daily basis is much quieter than other cities. On average we will have two buskers performing at the same time. Even during festivals and carnivals, we can hardly see artists being that close to each other. We can honestly think of 5 spots around the city where buskers play (most common will be in front of Debenhams).  This seems to be a non issue – as we don’t see Worcester becoming Glasto of busking anytime soon.

–    No busking between 9 pm and 8 am – that seems to be fair point and we dont have arguments with keeping a night time peace at all. We had to slightly adjust this part of the blog post as the fantastic Collective 43 pointed out that during Christmas Fayre, they played late slot until 8:45 pm (we checked metadata on the pic and it corresponds). Originally, we thought it was later than that! We truly hope that some exceptions will be however made for carnivals and festivals anyway in the draft, especially in summer when days are longer and music can flow a bit more. Being on the town on Friday night can be a good testament to the fact that many pubs or clubs are much more louder past 9 pm than a person with a guitar and an amp. Also, please note that entertainment part for Christmas Lights Switch On started last year so early (before 5 pm) that most people had to miss it. Music can`t last too long  that is obvious but it cannot start too early- otherwise who will have time to come and see the event?

The Collective 43 playing live at Victorian Fayre in Worcester in December 2016

The Collective 43 playing live at Victorian Fayre in Worcester in December 2016

–    Bans on any sign inviting people to pay money – London Busking Code has this as a rule: “Busking shouldn’t be confused with begging. Buskers put a lot of effort into their act, give a performance and entertain the public”. We are not sure if Worcester City Council has our local artists for beggars or if they have been deceived on the sizes of signs that artists use. Most of them have a hand-made note with their name. Some performers,  like Bristol based Saskia Griffiths-Moore who visited Worcester in September 2016 had a small sign telling people that she was fully independent artist funded by sales of her CDs. Ban on signs is being enforced only in Worcester and seems harmful, if not perverse.  Another point is that Councillors should really peek into the bowls and hats of buskers if they have a chance. They will not see big fortunes unfortunately. This part of the draft should be dropped and forgotten. The fastest, the better.

Bristol based singer Saskia Griffiths -Moore busks in Worcester in September 2016

Bristol based singer Saskia Griffiths -Moore busks in Worcester in September 2016

–    Maximum performance of 45 minutes afterwards artist must leave the area for 2 hours – this rule has only one explanation. To limit performance of musicians as much as possible and to make Worcester even more quiet than it is. Did we forget that Worcester is a market town? By definition it should be lively, bubbly and full of sounds. Worcester is visited by artists from many cities: Birmingham (like Obi Rudo – Belgian/Congolese rapper who calls UK his home) or Bristol (Saskia or Shemakeswar or Rita Lynch) or Oxford (B-Sydes) or even Cardiff.  If an artist is traveling for few hours by train to reach us, why limit them to 45 minutes of performance? Can`t we give them at least one hour? And with so little of good busking spots, and little revenue they get – do we think it will be profitable for artists to visit Worcester? They will just skip us and make us all culturally poorer.

Belgian/Congolese rapper and grime artist - Obi Rudo performs in Worcester

Belgian/Congolese rapper and grime artist – Obi Rudo performs in Worcester

–    An agreement to stop performing  on a request by police, Council workers etc. – So not even 45 minutes is guaranteed.  Because it seems that so many people will have the power to silence artists, it won`t be even possible to play a few songs. Nothing short of censorship in our book. But who needs artists and culture anyway? We have a statue of Elgar on High Street.

–    Complaints from shop owners about the noise – We can`t speak about every shop keeper in town but there seems to be a good relationship between artists and shop/stall owners. CrownGate has a small scene in the middle of their shopping arcade where artists can perform. We have spoken to many buskers and people who listen to street music in the past year and there was only one instance of loud music being complained about (the performer was a dancer and not a musician). Can we know how many complaints about buskers were lodged with the Council in the last year? In summer Worcester welcomed a whole brass band Gugge 2000. They were ace but very loud. Our ears were ringing for two days and it was fine.

Gugge 2000 play in front Guildhall on the High Street, Worcester as a part of Summer Festival

Gugge 2000 play in front Guildhall on the High Street, Worcester as a part of Summer Festival

We love music and had a chance to see not only fantastic local artists (Amie, Stolen Chocolates, Ken Pollock, Neil Ivison, The Fidgets, Jodie Hughes) but respected artists as well (Nigel Clark of Dodgy, Rita Lynch) perform in town. Some of the artists were busking. We acquired a handful of signed CDs. Seen breathtaking art (Richard Price and his paintings, tightrope walker who played a violin). We enjoyed each and every of the performances. We spent countless hours to promote those artists online as well, to put Worcester on a music map. We don’t understand why Council is trying to discourage art and music, instead of supporting it.

Young artist Amie sings on a stage located at the CrownGate Shopping complex in Worcester

Young artist Amie sings on a stage located at the CrownGate Shopping complex in Worcester

There`s so much to be done:

–     On 23 July 2016 London celebrated International Busking Day. 36 cities across UK joined the initiative, additional 100 around the world. But not Worcester. Why not?

–    At the end of January we celebrate Independent Venue Week – seven days of concerts to raise awareness of importance of small venues where artists can play. Worcester is only represented by The Marrs Barr. Is that all we can do?

–    We have The Fidgets – one of the most unique bands on the scene as we speak.  A group that continues the tradition of pure rock mixed with acoustic harmonies. The last band that played this way was Cast and that was 90s. The Fidgets have been on BBC Introducing. They busk around and build their own  fanbase. We wonder if Worcester City Council realizes the potential and opportunities being born from supporting local artists. 1 in every 100 jobs in Liverpool was created by The Beatles. Manchester has Oasis. We are not worse in this regard, we have our own local scene bursting with talent.

Worcester most loved band -The Fidgets play during their BBC Introducing session

Worcester most loved band -The Fidgets play during their BBC Introducing session

–    We won`t mention upcoming artists like Ewan Pollock, Jodie Hughes, Poppy WS or The Jevs – huge talents in their own right, just need some investment. Why can`t we have grants or stipends for artists like them?

–    Busking is not easy. Standing with a guitar in front of the public is one of the bravest acts an artist can do. Sometimes our artists are verbally harassed. We need designed spots where buskers can feel safe and where they can perform. Not the other way around.

Street artist Richard Price inspects his paintings on High Street, Worcester

Street artist Richard Price inspects his paintings on High Street, Worcester

–    Our buskers were freezing while playing during Victorian Fayre in 2016.  Is it really that much to offer them a complimentary tea or a sandwich for entertaining crowds? We are sure it wouldn’t cost a fortune.

–    We have Worcester Music Festival but some genres of music and possible venues are not considered. Not one concert for classical music was organized. St Helen`s Church (which can be a good venue) was standing empty. We would imagine that Council would be co-ordinating or at least contributing towards such initiatives.

We hope our letter won`t be seen as too critical. We are all for regulation but let`s regulate things in a safer, friendlier and  constructive way. Music and art have been bringing huge amounts of revenues and recognition to United Kingdom for decades, but to continue we must invest in them.

Kind regards,
Malicia & Rita Dabrowicz
Vanadian Avenue

Some links to buck up claims in our letter:

http://www.bbc.co.uk/news/entertainment-arts-38487837
http://www.musicweek.com/talent/read/music-makes-4-1-billion-contribution-to-uk-economy-in-2015-report/065919
https://www.bpi.co.uk/home/bpi-official-uk-recorded-music-market-report-for-2016.aspx
http://buskinlondon.com/code
https://tfl.gov.uk/corporate/about-tfl/culture-and-heritage/busking
http://buskinlondon.com/internationalbuskingday

All images taken by us albeit with a mobile phone. Pardon the quality.

*****************************

We will keep you posted once we hear more about this killer cultural procedure.

m/r

********* Update 04/01/2017************

Hello Dear Readers,

An update to our open letter – because we managed to gather more information.

When Worcester News broke the story yesterday, a great thing has happened. People came out and voiced their admiration for buskers and street artists. The story on Facebook had over 200 comments, many of them mentioning  our leading band in town – The Fidgets. It was fantastic to read the praises – we can only hope that there`s no doubt right now what a treasure and ray of joy The Fidgets really are.

Online comments regarding Worcester best band - The Fidgets - http://www.thefidgets.com/

Online comments regarding Worcester best band – The Fidgets – http://www.thefidgets.com/

Many people – like us – were upset because we were trying to find out the text of buskers code in Worcester and nothing was available. Not on the City Council web site or anywhere else. If one had persistence – after hours of pestering  Uncle Google, you could find these and they are not a joy to read.

The undated buskers guide that we have found, page 1

The undated buskers guide that we have found, page 1

Undated buskers guide we found, page 2

Undated buskers guide we found, page 2

It  seems to be a very old (decade old?) code of buskers used by Worcester City Council. The trouble with such finds is very simple. Undated documents  may be old, and  if they are not specific means they can be interpreted in many ways. That is why laws  or codes or T&C usually have to be very precise to be functioning.

The source link is this one

https://www.yumpu.com/en/document/view/51281470/to-download-busking-in-worcester-code-of-practicepdf

Having just one source is not enough. To fully understand what changes are made we still needed the new code for comparison.

So when we went to bed, we were confused just like everybody else.

Thankfully today Worcester City Council stepped up to the task and provided a blog throwing a lot of light on the situation.

You can read it here – it contains the proposed new code and as you can see it is rather user friendly and longish and detailed.  Hear that sound – it’s a collective sigh of relief coming from everyone at Vanadian Avenue.

http://www.worcester.gov.uk/news-alerts/-/blogs/voluntary-busking-code-aims-for-a-lively-city-centre

We had a chat on Twitter with the Councils and we were provided with additional links. The new updated code for buskers was initiated in November 2016 and  is being prepared with Worcester BID and Keep Streets Live! Initiative (http://keepstreetslive.com/)

Please read the links below and if you are a busker or a local musicians, please get in touch and let City Council know what you think of the proposal:

http://committee.cityofworcester.gov.uk/documents/s37564/STREET/PERFORMANCES/CODE/Nov2016.pdf

http://committee.cityofworcester.gov.uk/documents/s37563/buskers/report203.pdf

That’s all for now folks,

M/R

Preperation before the Art in County Hall exhibition

Hello! Hello!

The preparations for “Art in Country Hall” exhibitions are now completed! The glass cabinets have been properly cleaned and polished, the artworks are now  perfectly displayed and everything is ready for the big day! The opening will take place on Friday, the 20th of May at 17:00 pm and the exhibition will be open every working day for the next 8-10 weeks.

Art in County Hall is a joint exhibition bringing several talented artists from Worcestershire together. Rita’s artwork will be displayed in two gabinets in front of the Council Chamber, while the artworks made by The Garage Art Group from Evesham will be proudly displayed on the walls.  Garage Art Group has just celebrated 20 years of promoting health and well being through the mediums of painting, drawing, textile and other visual arts. If you’d like to learn more about this fantastic charity organization, please visit their official websites:

Garage Art Group - biography

Garage Art Group – biography

Homepage: http://www.garageartgroup.com/
Facebook: https://www.facebook.com/garageartgroup/
Twitter: https://twitter.com/garageartgroup

Address:  Vale Art Studio, 4/4a Crown Court Yard, Evesham, Worcestershire, WR11 4RY.
Contact: Pam White (CEO) on 01386 423245 or 07933512210
Email: garageartgroup@live.co.uk

Garage Art Group - exhibit #1

Garage Art Group – exhibit #1

Garage Art Group - exhibit #2

Garage Art Group – exhibit #2

Garage Art Group - exhibit #3

Garage Art Group – exhibit #3

Garage Art Group - exhibit #4

Garage Art Group – exhibit #4

Garage Art Group - exhibit #5

Garage Art Group – exhibit #5

Garage Art Group - exhibit #6

Garage Art Group – exhibit #6

Garage Art Group - full installation

Garage Art Group – full installation

Another artist showcasing his excellent works alongside Rita and the Garage Art Group is Mark Hilsden. Mark has been painting for many years and is very well known in Worcester art circles. He specializes in painting landscapes (especially forest and the sea) but architecture and portraits are also his strong points. Marks artworks are in many private collections including Europe and Australia. He encourages everybody to follow their passion and dare to dream.

Mark Hilsden - picture #1

Mark Hilsden – picture #1

Mark Hilsden - picture #2

Mark Hilsden – picture #2

Mark Hilsden - picture #3

Mark Hilsden – picture #3

Mark Hilsden - picture #4

Mark Hilsden – picture #4

Mark Hilsden - picture #5

Mark Hilsden – picture #5

Mark Hilsden - picture #6

Mark Hilsden – picture #6

Mark is open to commissions, so if you’d like to have your special picture painted, please contact him directly at:

Official website: http://markhilsden.com/
Marks bio: http://artymark.faso.com/page/8606/media-pack-artists-bio-and-cv
Commission guidelines: http://artymark.faso.com/page/7692/commissions
Facebook: https://www.facebook.com/artistmarkhilsden/
Twitter: https://twitter.com/markhilsden

We are very excited to work with so many talented individuals and grateful for having an opportunity to showcase our work to a huge number of visitors. Did you know that County Hall is visited by hundreds of people each week? It is a very busy place and hopefully it will help Worcestershire based artists reach a wider audience.

At the opening, you will have a chance to learn more about Rita and her work. Malicia was very kind to pen a truly professional bio for her and she is very  happy to share it with you all:

Rita’s bio:

Rita Dabrowicz (born October 1979) is a Polish artist currently living and working in Worcester. Although showing interests in art from an early age, she began to exhibit her works publicly during university years after being inspired by abstract artists such as Jackson Pollack and John Squire. Today, Rita works with several different mediums, ranging from paints (oils, acrylics, watercolours, inks), pencils, clay, pottery and ceramics. She is also an apt craft person using upcycling technique to create paper artworks, cards and decorated items like notebooks or book marks for her own “Cat Shop Décor”. She exhibited in her native Poland and in Malta (taking part in Earth Garden Festival five years in a row, twice at Notte Bianca in Valletta and being featured at Malta Artisan Markets).

Outside of her own artistic endeavours, Rita organizes cultural events and promotes other artists though her blog and social media. Teaming up with her sister under the moniker “Vanadian Avenue”, she organized a series of six exhibitions of local artists in Poland and drawing workshops (between 2000 and 2004) and was responsible for bringing prestigious World Press Photo exhibition to Malta in 2007. She was also a member of Silesian Fantasy Club in Poland for which she co-organized a series of conventions dedicated to Japanese comics, art and culture. She worked as cultural journalists for four years and specialized in female comics and presentation of women in pop culture. Three times she took part in Work Camp initiative to help organize Roskilde Festival in Denmark (2003, 2004, 2007).

Rita enjoys music, travels, photography and Japanese culture.
She can be reached via her blog: www.cocamidemea.wordpress.com or her Facebook shop page www.facebook.com/thecatshopdecor

Rita biography

Rita biography

To please the art loving people of Worcester, we prepared three installations. Below, you can find  pictures and short descriptions:

01. The Celestial Theatre installation

Inspired by Japanese traditional Noh dance theatre, this project links human emotions, superstitions with legends and beliefs that are written among the stars and planets. Each masks represent different omote, mask used during the performances. There are 450 different masks in Noh based on sixty types of characters. Rita’s masks are named after six legendary (yet non-existent) planets that influence us and the planet Earth.

Content of glass cabinet #1

Content of glass cabinet #1

Masks and Orbs

Masks and Orbs

Set of masks

Set of masks

Antichthon (Ἀντίχθων) known as The Counter- Earth. Mysterious twin-planet to Earth hidden from our view. It represents mystery, deceitfulness but also protection and bravery. Appeared for the first time in the writings or Pythagorean philosopher Philolaus. Price: £30

Antichthon Mask

Antichthon Mask

Hercolubus also known as the Red Planet. Mythical future destructor of Earth symbolizes power and vitality. Became wildly popular in Latin America thanks to the writings of Colombian author V.M. Rabolu (Joaquin Enrique Amortegui Valbuena, 1926-2000). Price: £30

Herocolubus Mask

Herocolubus Mask

Kolob also known as The Governing One. A star or a planet mentioned in the Mormon’s “Book of Abraham”, it symbolizes greatness, patience and superiority. According to the text, Kolob is the heavenly body nearest to the throne of God. Price: £30

Kolob Mask

Kolob Mask

Nibiru also known as The Crossing Star or The Point of Transition is an ancient Babylonian term of the equinox and its associated astronomical objects. It is also the name of wildly popular “Planet X” that will bring destruction to Earth. The original concept symbolizes tranquillity, serenity and peace. Price: £30

Nibiru Mask

Nibiru Mask

Vulcan also known as the Tenth Planet, is the hypothetical planet in the Milky Way, located somewhere between Mercury and the Sun. The hypothesis for its existence has been formulated by Urbain Jean Joseph Le Verrier (1811 –1877) French mathematician specializing in celestial mechanics. It represents strong mind and mathematical skills but also the physical power. Sadly such planet still hasn’t been found but the concept became popular in 1950’s in America and the planet gave its name to the famous alien race in Star Trek TV series franchise. Price: £40

Vulcan Mask

Vulcan Mask

Serpo also known as Serponia or Seinu is a hypothetical alien planet very popular among American conspiracy theories, UFOs, and faster-than-light travel enthusiasts. According to the urban legends, American government signed a top-secret scientific exchange programs with the planet that still goes on since early 1940’s. Serpo has been mentioned in the original X-Files TV series and represents wit, science but also secrecy. Price: £30

Serpo Mask

Serpo Mask

02. Planet Caravan installation

The Planet Caravan installation has been prepared for Earth Garden in 2011. You can read detailed description about each of the 6 orbs here: https://cocamidemea.wordpress.com/2011/06/02/planet-caravan/

The Orb set

The Orb set

The orbs were priced as follows:

Starlight – The Blue Or
Price: £15

The Orb: Starlight

The Orb: Starlight

Twilight – The Violet ORB
Price: £15

The Orb: Twilight

The Orb: Twilight

Broadlight – The Yellow ORB
Price: £15

The Orb: Broadlight

The Orb: Broadlight

Sunlight – The Golden ORB
Price: £15

The Orb: Sunlight

The Orb: Sunlight

Daylight – The Red ORB
Price: £15

The Orb: Daylight

The Orb: Daylight

Additionally, Rita has decided to add three new items to the installation as they were also linked to the general “water” theme:

Two Water dishes

Water dishes

Water dishes

Two water dishes that can store rain water. The blue one is made from recyclable glass, the red one is made from recyclable plastic. Their legs are made from glass beads, the by-product of glass making that can be used for decorative purposes. Both are hand painted with abstract cat details. Can be used as soap or candle holders.
Price: £10 each or £20 for a pair

The DISC

The Disc

The Disc

Mixed media on plastic. The DISC has two sides – the Light Side and The Dark Side (as visible here). It symbolizes both; the Earth and The Moon as both are described having the light and the dark sides. Maybe it represents us all as well? There is light and darkness in all of us.
Price: £15

The Dream Catcher

The Dream Catcher

The Dream Catcher

Rita’s description for this strange sculpture reads: “Made entirely from natural materials: dry leaves, wooden spheres and long green painted grass. What you cannot see is the inside of the biggest sphere: there are several plastic beads that move when the Dream Catcher is rotating. Imagine you are a Dream champion, somebody who can travel through people’s dreams. You would need some kind of device to enter the Dreamscape. It also shows you the good and the bad dreams people are having. It is very useful – did I mention that it can make anyone fall asleep at once?” Price: £20

03. Zodiak

Zodiak is the biggest abstract art series that Rita has ever done. It was prepared in collaboration with British artist Matt Griffiths (sketches) and took nearly half a year to prepare. 12 pictures were displayed for the first time in the Messina Palace in Valetta as part of Notte Biance celebration in 2011.  The exhibition entitled “Astral Room” was big success. One of the artworks has been purchased to a private collection by member of the German-Maltese Circle.

Zodiac - part one

Zodiac – part one

Zodiac -part two

Zodiac -part two

We  have extensively covered the preparations and the exhibition previously on our blog. Please take a look at the entries below to  see detailed information about each picture and high  res images, taken by Malicia:

https://cocamidemea.wordpress.com/2011/09/26/zodiak-part-1/
https://cocamidemea.wordpress.com/2011/09/29/zodiak-part-2/
https://cocamidemea.wordpress.com/2011/09/29/zodiak-part-3/

Each of the 11 remaining Zodiak signs were priced at £45. Sign descriptions were laminated and presented for the  members of the public to read.

Description of each Zodiac painting

Description of each Zodiac painting

To raise the number of exhibited artworks to 12, Rita decided to add  smaller abstract piece entitled “The Rain Maker”. It has been inspired by Kate Bush song entitled “Cloudbusting”, the second single from 1985’s album “Hounds of Love”.

The Rain Maker

The Rain Maker

Acrylics and mixed media on canvas.
The artwork is professionally framed and signed by the author.
Price: £30

It’s been a very long day for us as the preparations took several hours to be completed. Please visit us tomorrow at 5 pm. Refreshments and finger food will be provided.

Hope to see you all tomorrow evening. Friday night is perfect for art,  remember that!
xxx
Rita and Mal