It is a common knowledge that Wales has a strong connection to music. From Ivor Novello, Shirley Bassey and Tom Jones to Budgie, Funeral for a Friend, Manic Street Preachers and Catatonia, Welsh music has always been a step ahead of everybody else, setting new trends and refining musical tastes for decades.
The money might be in London, but the talent is definitively hidden among the valleys and it’s our pleasure to introduce our readers to the best of new acts that Vanadian Avenue has the privilege to discover.
Our today’s guests, Mudlark hail from the beautiful town of Caerphilly. At the beginning, it is worth mentioning that their name is quite original and what’s even more important, it fits them like a glove. In the 18th and 19th century England (especially in the capitol) people scavenging through the river mud in search of valuable items to sell were called either mud searchers or mud lurkers. Usually they belonged to the city’s poorest residents, yet they enjoyed a great deal of independence, respect among other dwellers and could keep all their earnings to themselves. Nowadays, the term is attributed to treasure hunters, amateur archaeologists and even metal-detectors looking for World Word II souvenirs. When we say the name fits the band well, we mean the listener has to literary “dig” through many layers and intricately constructed melodies to discover and appreciate the true value of their music. Multidimensional and complex creations are Mudlark’s trademarks.
The quintet was formed over two years ago and on the 5th of November 2017, they released their new double track single entitled “Come clean/Swansong”. You may remember them from their September release of an instrumental track “Ruth” that received very warm reviews from independent music websites and online zines. A well made, silent-cinema inspired video (known as “Frankenstein’s Ruth”) also helped to raise the band’s profile. We can promise you that the new release is as good as the previous one and shows that Mudlark are in incredibly great musical shape.
Now let’s sink our teeth into the two new compositions. The first one track “Come Clean” is the shorter of the two, standing at only 2 minutes and three seconds. It starts with a longish atmospheric interlude but blossoms into a dynamic and structured sonic landscape at the end of the first minute. The band lists New York hard-core legends Minor Threat as one of their influences and the heavy, gritty guitars and distorted amplifiers are there but “Come Clean” masterfully covers them with haunting harmonies that reminds us of the classic Tool or maybe even more accurately, The Perfect Circle. Luke Powell’s powerful set of lungs shatter the poetic lyrics into shreds but somehow it goes perfectly well with the music. Our only complaint is that the track is a bit too short, yet it is a matter of individual taste. In our opinion, additional 20-30 seconds would allow the song to develop a bit better and keep its natural flow. It is not a big flaw, rather leave the reviewer wanting more, which is a great thing.
Second song entitled “Swansong” is much longer at 5 minutes and 13 seconds. Again slow beginning, with nearly spoken word vocals, mid tempo that gradually evolves into dramatic and vibrant finish. It is very hard to put it into a single genre – there is a bit of hard-core, a bit of progressive rock, mixture of clean and growl vocals. If we could say, Swancong is something of a Faith No More, meets Fear Factory (Burton C Bell type vocals) with The Streets and a fellow Welsh metallers, Taint thrown into the concoction. Both songs were solidly mixed and produced. In short this is a professionally prepared demo from a band that`s on a good way to great things.
The double single comes with beautiful photographs taken by Alexandru Olteanu and cover art made by Robert Paterson.
Final mark: Highly recommended!
Luke Powell (vocals)
Wesley McCarthy (lead guitar)
Benjamin Morgan (rhythm guitar)
Nick Giles (bass)
Jack Williams (drums)
Bio: Lifelong friends from the Welsh valleys who write melancholic, poetic and dark oddities.
“Swansong/Come clean” two track single
Release date: 05/07/2017
Written and performed by Mudlark
Engineered by Rhys Morgan – https://twitter.com/rhysdrums
Produced by James Minas – https://twitter.com/minassound
Artwork by Robert Paterson – https://www.facebook.com/robertpatersonart/
Photography by Alexandru Olteanu – https://www.facebook.com/not.nanu
Video by Stone Letter Media – https://www.facebook.com/stonelettermedia/
You can find more about Mudlark online:
Booking and interview requests: email@example.com
Frankenstein’s Ruth video:
If you’d like to have your music featured on Indieterria, please send links to your Soundcooud or Bandcamp pages 3 or 4 pictures and a bio to rdabrowicz at yahoo dot com. Please note that Vanadian Avenue do not accept mp3 or zipped files. Also, please give us a week or two to listen to your music and write the review!
Thank you and see you shortly.
Rita and Malicia
After several months of being relatively quiet, our favourite Caerphilly based hard rockers, Mudlark returns with a new digital EP entitled “Canvas”. We are extremely pleased to announce that “Canvas” is even better than “Come clean/Swansong”. We sincerely loved their previous EP and we thought that recording something even better will be hard to beat. We admit, we were wrong!
Instead of four tracks, “Canvas” offers only two new songs: an epic 11-minute long “Stare at the Sun” and nearly five-minuter “Death Lessons”. As before, all songs were written by Mudlark and produced by Rhys Morgan.
The first track “Stare at the Sun” opens with a prolonged beginning with heavy, distorted guitars and melancholic vibes that would make Paradise Lost turn green with envy. Luke Powell’s monotonic, almost spoken-word monologue reminds us of Johan Edlund of Tiamat (circa “Wildhoney”era) that quickly turns into a scream and then morphs into a crystal clear singing. The music is again layered and each layer seems to represent a different genre. You can find progressive rock, metal, heavy metal, college rock, math rock and psychodelic music. All in one yet perfectly mixed into what we can only call a classic Mudlark sound.
In comparison to “Stare at the Sun”, second track, “Death Lessons” is composed with much more simplicity. It has a gothic feel to it and is much more heavier which we liked a lot. It starts slowly, builds up quickly and finishes with crazy guitars, galloping drums and heavy bass line. Mudlark prepared a black and white video to this song which you can watch it below:
We truly hope that the departure of Nick Giles (bass), will not mean the end of the band. Mudlark has a lot of potential and very unique style that is hard to find among post-britpop and alternative rock outfits that dominate the indie circuit.
We keep our fingers crossed and hopefully we will have the pleasure to review further releases from them.
You can purchase/and listen to Canvas online:
Google Play: https://play.google.com/store/music/album/Mudlark_Canvas?id=Bokd5hokn76xetdrxsd5qq22jhi
Malicia and Rita Dabrowicz