Indieterria meets Tin Mole

Dear Readers,

This December Indieterria stops for a while in a port. Kingdom of Mancunia always had the best music and record collections and even  people who did things differently. So for the time being, we will stay in a safe and warm haven of Manchester and will report on new acts coming from the town and its  wonderfully loud venues of  Northern Quarter.

Two years ago we began Indieterria by interviewing Salford`s own Tigerside. This time around, we reopen a new year by chatting to the artist known as Tin Mole.  You probably did not hear about him yet (unless you listen to Salford City Radio 94.4 FM with Zach Peach who was one of the first DJs to play Tin Mole), but surely soon there will be a lot of hype around the artist who mixes samples, indie rock, trip hop and spoken word in a truly innovative fashion.

Tin Mole logo

You may be familiar with Tin Mole`s previous project – Ladies` Dart Night as they delivered their politically charged musical sermons across the North sharing stages with Garden Back or Strange Bones. Sadly, Ladies` Dart Night ended in 2017 and members of the band moved on to other projects.

We discovered Tin Mole  via Tom Robinson`s excellent Fresh on the Net portal and were so impressed with his debut single “Slug Frontier” that we contacted  him and asked for an interview. Tin Mole is an enigma wrapped in riddle, his answers are short, to the point with the usual northern swagger and edge. But you can`t deny him vision, talent and artistic integrity.  He works double hard to put music out there, doing his own PR (press releases, photos, editing) while studying and working at the same time.  Practical, honest and determined –  Tin Mole breaks the mold on Mancunian scene, offering something fresh and unusual.

Read on, listen and tell us what you think.

Tin Mole
?

Ladies` Darts Night logo

Ladies` Dart Night
 Luke Geoghegan (drums, keys)
Nathan Connell-Howard (guitar, bass)
Jonny Sowerby (vox)
Tom Milnes (vox)
Phil Stuttard (vox)

You are not a newcomer on Manchester music scene. Would you like to introduce yourself to Indieterria readers?

Tin Mole: I’m Tin Mole, a producer from Manchester. I’ve been in a couple of bands and done a fair bit of techno DJ`ing on the underground mole scene.

Before Tin Mole, you have been a member of five piece Ladies` Darts Night. You have released EP “Tragedies, Comedies & Histories” in 2017, toured nationally and shared stages with such established young acts as Garden Back and Strange Bones. Then suddenly you called it quits. What happened?

Tin Mole: It was fun while it lasted but it all went to pot after a trip out to Edinburgh. The Irn Bru was strong that day.

Tin Mole in a curious selfie mode?

German blog “Hey Musik” described Ladies` Darts Night as “pulling groovy, fuzzy guitar from The Stone Roses, powerful lyrics with a poetic rhythm like John Cooper Clarke or Morrissey, and pounding drums paired perfectly with a mysterious bass like Joy Division. If you’re into a loud, mesmerizing sound backed with politically infused lyrics, then this 5 piece band are who you need to be listening to”. The writer even travelled to Manchester to see you. Not every band on the Manc scene can say they had interest from foreign journalists.

Tin Mole: Yeah we were doing alright but it is what it is. “Mesmerising sound” is a great compliment, I like that.

You were pulling no punches as a band. “Message for May” is right up there with Shame`s “Visa Vulture”, an attack on PM for her policies. Your other song “Shopkeeper” tackles grooming. I get a feeling, had the band continued, you would be going in the same direction as The Blinders, leading politically charged music onwards.

Tin Mole:  Yeah we were sort of heading that way, just writing about things we were passionate about at the time. I do still write a lot of that type of thing but they’re amongst other more personal topics, like battles with slugs.

In contrast to being in a band, Tin Mole seems to be a solo act.

Tin Mole:  It sort of is. I’ve written and produced some tunes and Nathan Connell-Howard from Ladies` Darts Night has helped out with guitar parts. I’ve got a 6 piece band together now to play the tunes live which I’m well excited about.

Your first single Slug Frontier is a strange mix of trip hop, spoken word and samples. It reminds us of Black Grapes, Sleaford Mods and Tricky. With some incredible poetic lyrics. Is there a story behind the song?

Tin Mole: Thanks. they’re good acts to be compared to, especially Tricky. As for the story behind Slug Frontier, it’s all true… Every word.

We heard you will be releasing a new track soon. What shall we expect?

Tin Mole: Similar sample based production but a bit slower, slightly less shouty and every word is a lie.

Tin Mole is on a mission to fight slugs.

You once said “I think everyone knows deep down Manchester is Britain’s true second city. Sorry Birmingham.” Do you still feel the scene up north is ahead of everyone else?

Tin Mole:  Yeah I think it is in some ways. There are great bands coming out of Manchester like Duds or Gnod and The Blinders are doing really well. But it always seems that the London bands get more publicity. That’s usually the way with everything in the London-centric Brexit apocalypse.

There is an aura of mystery around Tin Mole – no bio, scarce presence on social media , no agent, no label. It seems that you try to let the music do the talking, rather than drive attention to yourself as an artist.

Promotional image towards Tin Mole`s upcoming single.

Tin Mole:  I talk enough shit in the songs so I don’t feel the need to bombard people with more of it. I’m trying to keep it as DIY as possible and I think the music speaks for itself enough, but no doubt things will pick up on social media in the coming weeks and months.

“Slug Frontier” is easily one of the singles of the year for us. After hearing it for the first time, we immediately started to look for your gigs. And we know we are not the only one. Do you have any concerts planned, and if so – where can we see you in the future?

Tin Mole:  Nice one, I appreciate that! We have a couple of gigs in Manchester confirmed for the new year but don’t think I can say anything until the promoters announce it. But I do know that there’s an exciting new band playing at a venue called Jimmy’s on Saturday 2nd February 2019, so might be worth keeping that date free.

The last (goofy) question. Your bio mentions a strange creature that looks like a monster of the week from Doctor Who: “silvery-white metal, made of tinplate or aluminium with a long muzzle, and small eyes, feeding mainly on worms, grubs, and other invertebrates”. What is Tin Mole and is it safe to keep one as a pet?

Tin Mole:  It’s what it says on the tin really. As long as food and drinks are provided with access to a studio, then yeah of course it’s safe.

Tin Mole as an ice cream vendor.

You can follow Tin Mole on socials:

https://www.facebook.com/tinmole/
https://twitter.com/tin_mole
https://www.instagram.com/tin_mole/
https://soundcloud.com/tinmole

And you can still find information about Ladies` Darts Night online too:

https://ldartsnight.bandcamp.com/
https://www.instagram.com/ladiesdartsnight/
https://twitter.com/ldartsnight
https://www.youtube.com/watch?v=J3fZRpZd-o8&t=172s
https://soundcloud.com/ladiesdartsnight
https://open.spotify.com/artist/0l1QTRDsC00gFoO394cUM1?si=2TOpjOMDRy6d5B1RXG3Dfw

If you fancy some additional reading on the band, check out those links:

https://www.gigmit.com/ladies-darts-night
https://www.manchestereveningnews.co.uk/incoming/boxer-liam-taylor-mates-behind-9646663
http://www.gigslutz.co.uk/ep-ladies-darts-night-tragedies-comedies-histories/
https://heymusikblog.de/2017/07/20/behind-scenes-manchester-uk-music/

The cover to Slug Frontier – Tin Mole`s debut single

In next few weeks Tin Mole should drop a brand new track which we will surely review on this blog. We are very excited about this artist. Nothing speaks to us more than music that is fresh and unusual. Looking back is a waste of emotions – and projects such as Tin Mole offer us a glimpse of what will be hip and trendy in the future. Just what A&Rs love.

All hail the incredible creative potential of Mancunia!

M/R

Indieterria meets Dream Phases

Dear Readers,

Winter, winter on the way and our little music project is now two years old. To celebrate this humble achievement of Indieterria, we have reached over the Big Pond to speak to Dream Phases – a band that brings back the most exciting and creative genre in guitar driven music – psychedelic rock. If you look around carefully, you can notice some sort of renaissance on the psychedelia front happening in the last 12 months – with bands such as The Naked Party and Hooveriii in the States and The Cosmics, The Surrenders or The Strawberries in the UK.

It was a pleasure to interview Brandon Graham – vocalist and mastermind behind Dream Phases. Great story teller, meticulous in his answers and his enthusiasm for music is contagious. We hope you will like this chapter of Indieterria. Read on and dig it.

Band logo and European tour poster by Lucy Faery
https://www.facebook.com/lucyfaery

Dream Phases

Brandon Graham (vox, guitar)
Shane Graham (drums)
Keveen Baudouin (guitar)
Dylan Nelson (bass)
Anthony Marks (keys)

Brandon Graham – the voice of Dream Phases
Photo by Michael Haight

Dream Phases are recognized as one of the hottest new psychedelia acts in America. Obscure Sound  described you as “hypnotic melodies of vintage psych-folk and rock with a contemporary pop charm”. Please introduce yourself to readers of Indieterria.

Brandon Graham (Dream Phases) : Thank you. I’m Brandon Graham and I write, record and produce the Dream Phases music as well as sing and play guitar live. We are a group of close friends playing rock n roll based out of Los Angeles. The band is comprised of myself, my brother Shane Graham on drums, Keveen Baudouin on guitar, Dylan Nelson on bass and Anthony Marks on keys.

You have toured Europe in September this year; playing 12 dates across seven countries, with three shows in the UK accompanied by The Blank Tapes. How do you remember the tour? Any stories to tell?

Brandon Graham: Yeah the tour was fantastic, I know we all would like to come back as soon as possible. Everyone in the band was really happy to be travelling around Europe, it was some of my band mates first time in Europe and was quite the experience. There was definitely a lot of highlights and fond memories but one of the funniest was playing a show in northern France. I’m not going to be specific about names but we played a small city in France, that was really beautiful. They don’t get a lot of rock bands, let alone bands from Los Angeles, so everyone was extra excited. The owner of the place we played and stayed at was especially excited, and he treated us fantastic. We probably had the best meal of tour that night. Anyway as soon as we arrived the owner started pouring us drink after drink after drink, and also having them himself as well. As the night wore on he told us, ‘just wait until we close the bar, then the real party will start’. So we are waiting and wondering what is going to happen, but about 5 minutes later we found him totally passed out, and well before he was supposed to close the bar. It was awesome and hilarious, that was a great night. Another memory is that my brother and I literally walked around Paris all night long after our show, it was beautiful to see the city that way. One of the most special parts of the tour was going to visit Keveen’s parents home. Keveen is French and grew up in the northern part of south France. We’ve been playing music together, in different bands, for over 8 years and it was awesome to see where he grew up and to meet his family. We stayed at his parents` house for 2 and a half days and his mom made us two four-five course meals a day. It was unbelievable.

Ready to take over the world? We hope so!
Photo by Michael Haight

We are impressed by how quickly the band works on new material. You started in 2017 and that year seen release of your debut EP “Maybe Tomorrow” on March 28th. In 2018 you have released a standalone single “Easy Love” on April 20th and quickly followed up by another EP “Clear Skies” on September 4th.  Each release comes also in different formats: CD, vinyl, cassette, digital download.  You must be the hardest working band in US!

Brandon Graham: I don’t know about that, but yes we do try to work as hard as we can, mostly so we can continue recording and making more music. The goal is to constantly evolve what we are doing and to try different things. By the time we put something out we are probably onto something else entirely. It can take a while before the music actually hits the public, especially with vinyl releases. We have two albums of material right now that will be coming out over the next several months, one at the end of this year and our proper debut album in spring. We’ll be getting the vinyl version of “Clear Skies” anytime now, and it is combined now with, “Maybe Tomorrow”. The vinyl should be out within a few weeks on Nomad Eel Records.

Brandon, you are known for your work with other bands – Avid Dancer, Blank Tapes, Nacosta. Do you think being involved in so many different project had a positive influence on Dream Phases?

Brandon Graham: It definitely has. It’s opened my eyes to so many different styles and songs, and ways to go about working. It’s also helped keep me focused and budget my time accordingly, to juggle playing in a lot of bands. I’ve learned something valuable from every band that I’ve played with. It has also helped me as a musician enormously, by learning so many different writers songs and parts.

This Californian five piece is regarded by blogs and music journalists as one of the most important bands of the genre at the moment.
Photo by Michael Haight

We want to ask you about our favorite track  – “To Walk Away”.  It has this Beatles-sque quality to it and such moving lyrics. Tell us where was this song recorded  and what is it about?

Brandon Graham: To Walk Away was recorded a couple of different times. Although this is not what it is about, I wrote the song actually as a reaction to when Tom Petty died. I had been listening to his music a lot right before he died, and learning more and more about the simplicity of his lyrics and music. He was an idol of mine growing up, and I was lucky enough to work with him a couple years ago with a band I was filling in with. For a very short time he was a mentor. Right after he died last year I wrote that song and one more, that I have yet to record. The lyric is dealing with the end of a long relationship I was in, and facing the fact that I had to move on, that it was time to let go and to walk away from it. Most of the “Clear Skies” EP is dealing with that time, both shortly before and after the break up. Heartbreak definitely does inspire, I wrote a ton of songs about that.

Dream Phases are sometimes compared to the Naked Party. Are you familiar with their repertoire? Would you agree that there are similarities between both bands?

Brandon Graham: I actually am not familiar with them, but now I’m definitely curious and will look them up. I’m kind of excited to hear them!

We know you have debut album to be released in Spring 2019. Are there any secrets that you can reveal for this interview? What can we expect from the record?

Brandon Graham: We’ve actually been working on it on and off since last December when we recorded most of the basic tracks, and some of the songs date back to my original demo album from two years ago now. We are about to record all the final overdubs and then start mixing it at the beginning of January. Most of the songs, but not all, have been in our live set for a while now, so anyone that has seen us will know some of them. It’s about time to get those songs on tape. The music will encompass similar territory as what we’ve put out so far, but there will be a few dips into some noise pop and shoegaze. Lyrically it is dealing with similar themes as the “Clear Skies” EP, as well as an influence of living in Los Angeles and playing in the local music scene. I can’t wait to finish it!

There is certainly a psychedelic revival on the indie circuit in the UK with  acts like The Surrenders, Raptor, As Mamas or The Cosmics leading the way. Would you like to recommend some new bands from across the Big Pond for our readers? Who is on your psychedelic rock play list at the moment?

Brandon Graham: Yeah I’m stoked that there are so many rad bands making music right now, seemingly everywhere. Some of my favorite local Los Angeles, or California bands are Sugar Candy Mountain, Levitation Room, Cosmonauts, Vinyl Williams, Send Medicine, Cool Ghouls, Hooveriii, and Maston just to name a few. There is seriously no shortage of rad bands operating at this moment. A couple British bands I love are TOY and Ulrika Spacek.

The band in monochrome
Photo by Michael Haight

This will be the most unoriginal question you will hear all week – but we got to ask. If you could record a song with anyone alive or dead – who would you choose for the task?

Brandon Graham:  That’s actually a really tough one because there are some many people I’d love to record with. I guess it would be a toss – up between Elliott Smith and Jimi Hendrix, I love both of them and their studio work and they were both going further and further out in the studio when they died. Also Joe Meek, we could of made some tripped dark voodoo-isa rock `n` roll. For someone today I’d really like to work with Nicolas Vernhes for his work with Deerhunter and Animal Collective. Also would of been amazing to have Geoff Emerick engineer a song, and also be produced by Gary Usher and Curt Boettcher would of been incredible. This is the toughest of these questions for sure!

We are hoping that once your album comes out you will return to the UK for more live shows. But in the mean time – where can people see you play? Any upcoming tours?

Brandon Graham:  If we have a future, we will return to Europe (laughs). At the moment we are done with shows for the year, but we will be announcing three shows for January, with one on Martin Luther King Day, January 21st at the Los Angeles Contemporary Museum of Art (LACMA), which will be rad one! Then we will do some US touring in Spring once our record comes out.

new psychedelia rising – Dream Phases
Photo Michael Haight

The band can be followed on social media:

https://www.facebook.com/DreamPhases/
https://twitter.com/DreamPhases
https://soundcloud.com/dreamphases
https://dreamphases.bandcamp.com/
https://www.instagram.com/dreamphases/
https://www.songkick.com/artists/8696233-dream-phases
https://itunes.apple.com/us/artist/dream-phases/1215078259
https://open.spotify.com/artist/6TN3btKQrSRW2KG6D7LpID?si=JygSTm0RT4SWseqUMHoEmw

If you fancy additional bit of reading about the band, please check out these excellent articles:

https://www.grimygoods.com/2018/06/20/dream-phases/
http://lastdaydeaf.com/exclusive-track-premiere-dream-phases-clear-skies/
http://larecord.com/news/2018/09/18/video-premiere-dream-phases-to-walk-away

That`s all for now. Vanadian Avenue gives Dream Phases a stamp of approval and we hope that you too enjoyed the music and discovering new acts with us. We can only hope that 2019 will prove to be a lucky year and Dream Phases will once again visit our side of the Pond.

Just imagine them tearing the roof off Sunflower Lounge in Birmingham or Night & Day in Manchester.  Yep, we knew you will all agree with us.

Happy party season,

Mal/Rita

Inditerria meets WITCH FEVER

Welcome again!

 

They are bold, they are loud and they are young. They don’t care what anybody thinks and they are not interested in pleasing anyone. Our today’s guests are truly special. Very rarely, our blog has the pleasure to host a full female band, and we are really happy we can introduce you to WITCH FEVER. The group is known for its strong feminist/equality message, beautifully crafted dynamic shows and excellent music. We caught up with the quartet on the eve of their charity gig, Manchester Punks for West Papua at Alphabet Brewery in Manchester and we spoke about their influences, being catcalled at gigs and playing at the legendary Granada Studios.

The band photographed by Debbie Ellis aka Asupremeshot. Used with permission. https://www.facebook.com/asupremeshot/

Official bio: Manchester based all girl punk grunge band. Angry and honest, bringing grungey riffs, a heavy beat and an eclectic mix of clean and shrieking vocals.

“They are raw, in your face and making a glorious and beautiful racket, are full of explosive and kinetic energy and collapsing new riffs and are going to make a noise musically and culturally” – John Robb for Louder Than War

 

“Imagine the Slits meet Black Sabbath partying with Pussy Riot in Kim Gordon’s angry neighbour’s basement. Drunk. Witch Fever are wonderful.” – Legendary Hacienda DJ, Dave Haslam

“All girl grunge punk band from Manchester with unhinged feral vox and a ramshackle approach yes, but supercool sonics, this band display an undeniable rough-hewn charm.” – Bug Bear Promotions

 

“For a band who were catcalled onstage in Bristol for not being proper punk, they’re near as dammit the epitome of its sound and attitude. So, to paraphrase another great punk band: get outta their way or they’re gonna shove.” – Nightshift Magazine

Amy Walpole (guitar, lead vocals)
Alex Thompson (bass, backing vocals)
Alisha Yarwood (lead guitar, backing vocals)
Annabelle Joyce (drums)

Louder Than War magazine announced Witch Fever`s arrival with the words “deep inside the claustrophobic music scene of Manchester, there is something happening”. Please introduce yourselves to the readers of Indieterria.

WITCH FEVER: We’re Alisha, Alex, Annabelle and Amy. We are WITCH FEVER. We play punk, we’re all women, and we don’t take any shit!

The band describes themselves as punk – grunge but we see your sound as being much broader than that. Would it surprise you if we qualified you as the heavier end of the indie circuit, boldly crossing into metal scene at times? We have been listening to your material and Val.i.um of Pist.On, Karyn Crisis, Jack off Jill or Tura Satana come to mind almost instantly.

WITCH FEVER: We totally see the cross over into metal – a lot of our riffs are pretty doomy and evil. The indie thing, not so much, but we’ll take your word for it! (laughter).

Not only musically, but also lyrically you seem to be much bolder, going further than many of your peers on the circuit. The Blinders use dystopia/literature to deliver their political message. Cabbage, Shame or Strange Bones are known for their strong opinions but none of them are as direct as you. In “Toothless” you scream out “I`m a force to be reckoned with” and everyone knows you mean business. Was it a part of the plan to become such a heavyweight act or did it come together naturally in the rehearsal room?

WITCH FEVER: We didn’t plan it. When we started, we knew we wanted to be on the heavier side of things but didn’t really have a specific direction.
Amy found that lyrics are the only place we can be totally honest and angry about anything we wanna be angry about. It’s important to us to dispel any myths about women only being pretty or quiet or delicate – of course women are these things at times but they are not ONLY these things. On stage, we make femininity about anger, power and strength.

All the members of the band come from different parts of the country but study in Manchester. Do you think that being “out of town” gives you an edge of being different and fresh on the scene that is dominated by local lads with guitars?

WITCH FEVER:  We’ve all had quiet different upbringings and lived in totally different places so we suppose the experiences from that come together and make us what we are. We all moved to Manchester expecting it to be amazing for music but it was quite underwhelming. There’s a significant lack of women/non-binary people being given opportunities that men are. We’re here to change that, and hopefully inspire others too.

You have recorded incredible session for Stay Fresh/CITY LIFE at the Old Granada Studios playing two tracks: “Toothless” and “Creeper”. It must have been an experience to play the same room in which the Beatles gave their first ever television performance in 1962.

WITCH FEVER:  We loved doing that, however we had no idea about the Beatles thing! Maybe people will be saying that about us in 60 years 😉

John Robb of Louder Than War/Membranes is not the only fan of your music. Dave Haslam – legendary DJ and journalist also is impressed. In his piece for I Love Manchester (Women in Manchester music: are the times a-changin’?) Haslam mentioned you and Liines as the groups he recommends to other music journalists and your image illustrated the article. Did you expect to have such important figures in your corner when you started out?

WITCH FEVER: Not at all! We’re still surprised by things like that. It’s really encouraging to have prominent men in music on our side, and Dave really is lovely! He’s always championing female artists which is great!

You have toured extensively nationally (Leeds, London, Oxford, Birmingham among others) and internationally (The Netherlands). You have appeared with Cabbage at their Glamour At Thee Ritz. You seem determined to bring your music to the masses. How important is touring?

WITCH FEVER: Very important! We love getting to play new places and meeting so many people. We’d rather not have to do the Megabus thing though!

Amy Walpole photographed by Debbie Ellis aka Asupremeshot. Used with permission.
https://www.facebook.com/asupremeshot/

When speaking about touring, we cannot not ask you about a certain gig in Bristol where you have been though some horrible experience. Would you like to revisit the story for readers of our blog – because in 2018 there are still people out there who do not believe that gigs can be harrowing experiences for artists and the public, especially women.

WITCH FEVER: So, regularly we experience misogyny, sexism and harassment, but Bristol was a gig in which it was so bad that we had to formally complain and ask for CCTV footage. We were being constantly leered over and undermined before and during our set. Men grabbed us, a guy from one of the bands shouted at us to take our tops off, a woman asked us to strip for her friend etc. Throughout the set, we kept repeating that we felt uncomfortable and needed space but nobody listened. Now at most gigs, we make a point of saying that we do not tolerate it at our shows.

On 30th November your debut release double A-side single “Toothless”/”Daddy pt.2” will be released via Brassneck Records. The red vinyl 7” looks magical on promos that we have seen. Can you tell us more about this release?

WITCH FEVER: Its blood red, has a sleeve with 4 individually designed sides, and you summed up the rest! We love it!!!

You will appear at the fundraiser Manchester Punks for West Papua on 1st December 2018 at Alphabet Brewing Company, alongside The Membranes and Modern Family Unit. What can we expect from the set?

WITCH FEVER: Every gig is different and mad in some way! We haven’t played for a couple of weeks so it’ll be a lively one!

You can say that 2018 was a very good year for Witch Fever. What are your plans for the upcoming 12 months.

WITCH FEVER: More records released, new songs, more videos, LOTS MORE GIGS, and a big fuck you to the patriarchy!

Alex Thompson photographed by Debbie Ellis aka Asupremeshot. Used with permission.
https://www.facebook.com/asupremeshot/

The interview wouldn’t be complete if we haven’t had a quick word with the band’s manager, Debbie Ellis. Debbie has been working as a professional photographer and manager for many years and her experience is very valuable. And we are truly proud to have the ability to highlight the wonderful work that women in music do!

Self portrait – picture by Asupremeshot (Debbie Ellis)

How did you start working with Witch Fever?

Debbie Ellis: A few years back, I took up photography. I started out doing gig photos and met a young female photographer who was also in a band. She asked me to go see her band WITCH FEVER and take some pictures. So I did, as I suppose, I’m more intrigued by female artists in general as I was in a band myself and enjoy the dynamic of working creatively with women. I thought they were great and a friend of mine suggested I manage them. The band said yes and now we are here, 3 singles in and there’s a real buzz about the band. They are so talented and driven. They exceed any expectations live. You really have to see them to appreciate their unadulterated power.

Manchester music scene is dominated by guys. Witch Fever  are doing an excellent job causing some ripples and showing that all female bands can be successful as well.You are the only female manager we know! Being a woman, does it make your job harder? Are there any other female managers out there we need to mention?

Debbie Ellis: I know The Moonlandingz have a female manager, which totally makes sense.

AND

Hell YES!

From day one of being in a band to present day of working as a band manager and a music photographer, I have experienced a lot of, mainly negative remarks. Usually with regard to my ability to use technology, write a song, play an instrument, perform on stage. I feel as a manager, my authority is questioned regularly. At quite a few gigs, whether in the role of manager or photographer, I have been asked am I one of the bands mum.

Although on the upside organisations like “Girls I Rate“, “Women in Music” and PRS 4 Music are some I know of that have good support networks. I recently heard about the Keychange initiative set up by the PRS Foundation, which is to encourage festivals to achieve an equal gender balance of performers by 2022 by signing their pledge. To date, many of the big named festivals have signed up, so it will be interesting to see if it comes to fruition. I know Sound City Festival has a lot of women in influential roles and are part of the Keychange Initiative.

Personally for me, the one thing I have always done, is to support and champion other female artists. I love working with women and to be able to give a little back means the world to me, and it goes a long way.

Debbie Ellis photographing Witch Fever

You are not only a manager but also a photographer, again one of only handful of female photographers in rock music. Your pictures are part of the successful “There is a light that never goes out” photography exhibition at Manchester Central Library. Tell us more about it.

Debbie Ellis: The exhibition has been curated by the renowned music photographer, Jill Furmanovsky. She had the foresight to leave one wall of the exhibition clear so she could gather a selection of more recent photographs of contemporary Manchester bands. As the majority of the exhibition features phenomenal images of iconic Manchester bands, such as Oasis, Joy Division, The Stone Roses, The Buzzcocks etc, which have been taken by herself and other acclaimed photographers as Kevin Cummins, Ed Sirrs & Paul Slatery.

As you can imagine I am absolutely thrilled to have two of my images (Blossoms & Witch Fever) included in the exhibition.

I totally think the fact I have been in a band and I’m female works in my favour when working in my photography role, too. I can be so tuned in to how the artist / bands are feeling. My approach is much more creative than technical. Photography to me is a creative process that cannot be rushed, you need to take time to get to know the people you are photographing before you get the results that make for a great image. Irving Penn, the 1950’s master of portraiture, would take over 200 photos on a contact sheet to tire out the subject before he would find ‘truth’ in their face!

You can follow the band on social media:
Facebook: https://www.facebook.com/witchfever/
Twitter: https://twitter.com/WITCHFEVER
Bandcamp: https://witchfever.bandcamp.com/
Soundcloud: https://soundcloud.com/user-502164447/carpet-asphyxiation
Youtube: https://www.youtube.com/channel/UCsgn5oXDn_IRBjCjIJ1giCw?app=desktop

Debbie Ellis:
Website: 
http://www.asupremeshot.com/
Facebook:
https://www.facebook.com/asupremeshot/
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More information:

http://listensd.com/2018/05/23/manchester-punk-festival-2018/ 
https://louderthanwar.com/witch-fever-interview/

Please come back soon as we will have a full review from the gig ready in a couple of days!
It was an amazing show and  we need to tell you all about it!

Take care,
xxx
Rita and Malcia