Indieterria Photo Review – The Blinders at FIB Benicassim and Super Bock Super Rock

Hola!

The summer festival seasons is in full swing and The Blinders are having one of the busiest periods in their history. They have been on a massive tour since April that has taken them all over UK and Europe.  Due to popular demand, we are keeping our hand on the pulse and we are trying to bring you the best festival coverage as it happens. We can travel to many shows on our own, but if the distance is too far, we team up with our special correspondents for pictures, videos and information.

So far we have covered the main tour for 2019. Please allow few minutes for the blog to open as it is one of the longest and most complex we have ever written.
https://cocamidemea.wordpress.com/2018/11/16/the-columbia-tour-continues-anno-domini-2019/

Glastonbury performance at LeftField stage:
https://cocamidemea.wordpress.com/2019/07/03/indieterria-photo-review-the-blinders-at-glastonbury-2019/

Today, we would like to cover two recent festivals, The FIB Benicassim (19th of July) and Super Bock Super Rock (20th of July). Thank you to those who work closely with us to help cover this summer tour and we hope you will enjoy the review. We will try to update it with reviews and pictures as they become available.

Enjoy!

FIB Benicassim Festival, Madrid, Spain

FIB Festival poster

Set List (not in this particular order): “L’Etat C`Est Moi”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “ICB Blues” and “Brutus/Et Tu/Berlin Wall”, “Where No Man Comes” and “Rat In A Cage”,
Time: 30 minutes
Stage Times: 20:20 (original time) and 9:00 (after delays)
Stage: Carefour  Stage

Reviews:
“The Carrefour Stage may be just one out of several stages at the festival but they have prepared a very interesting line up. Among the acts we just had to see this year were singer/songwriter Almendralejo (Hache Retamar), punk rockers The Blinders whose songs contain a huge dose of political criticism, a 19 year old singer Yellow Days that played blues, jazz and soul inspired music, Scottish singer/songwriter Gerry Cinnamon and the Spanish folk and rock and roll septet, La m.o.d.a.” – HOY Magazine
https://www.hoy.es/almendralejo/cantautora-hache-retamar-20190721002044-ntvo.html

“We started the afternoon off with powerful performance from The Blinders. Their music is a mixture of punk and psychedelia and lyrics are loaded with political messages” – text and pictures by Iñaki Espejo-Saavedra for Muzikalia Magazine 
https://muzikalia.com/cronica-del-viernes-del-fib-benicassim-2019

FIB Benicassim 2019

FIB Benicassim 2019

Viernes del FIB Benicassim 2010

 

Sam Hoy, our special correspondent at FIB sent us the pictures below. Please do not share without his permission!
You can follow Sam at: https://www.facebook.com/sam.hoy7

 

 

You can can see more media from the festival below:

Artist profile at the festival:
https://fiberfib.com/en/artist/5c73b9ea0f726

Festival information and social media:
http://fiberfib.com
http://www.fiberfib.com/entradas.php
http://www.fiberfib.com/en/entradas.php
http://www.facebook.com/fibfestival
http://www.twitter.com/fiberfib
http://fiberfib.tumblr.com/
http://instagram.com/fiberfib/
https://www.youtube.com/user/fiberfib
https://open.spotify.com/user/fiberfib

 

SUPER BOCK SUPER ROCK Festival, Lison, Portugal 

EDP stage at Super Bock Super Rock Festival

Set List (not in this particular order): “Gotta Get Through”, “L’Etat C’est Moi”, “Rat In A Cage”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “Ramona Flowers” “ICB Blues” and “Brutus/Et Tu/Berlin Wall”
Time: 40 minutes
Stage Times: 4:45 CET
Stage: EDP Stage

Media Reviews:

“The Blinders are power alternative rock trio from Doncaster, UK. The band members were red hot on stage and gave an inspirational, enthusiastic show. Firm bass line, heavy drums, distorted fuzzy guitars and torn yet poetic lyrics makes them one of the best garage bands out there. There is more to them and we want to see them again and again!” – Fernando Araujo (text) and Stefani Costa for SAPO Magazine
https://mag.sapo.pt/showbiz/artigos/uma-mistura-de-ritmos-e-grandes-emocoes-no-ultimo-dia-de-super-bock-super-rock

Large photo review is also availabe at SAPO MAGAZINE:
https://mag.sapo.pt/showbiz/fotos/de-profjam-a-the-blinders-o-ultimo-dia-do-super-bock-super-rock-em-fotos#&gid=1&pid=25

Our Review:
We have asked our special correspondent, Fábio Pais, how did the show go and this is what he had to say: “People really liked their show. The Blinders played a 40 minute set and were the opening act for the festival’s secondary stage. It started with just a dozen of people but the audience kept on growing and growing. By the end of their gig, there might have been hundreds of people in attendence. I think The Blinders really captured their attention. The band seemed to enjoyed their concert. In my opinion, they were really, really great! I hope they return to Portugal soon”

After a very stressful show at FIB on Saturday, Sunday proved to be very good day for the band. They entered the stage exactly on time and there was no technical difficulties that marred their shortened set in Spain. Surprisngly, the change of image, forced by their late arrival, survived overnight and the band decided to perform without the war paint and the black clothing. Thomas wore a white slevless tee, black trousers with stripes and had a plaid shirt wrapped around his waist. As usual, Charlie wore a grey suit and long sleeve light shirt (he took off his jacket in the middle of the show) and Matty opted for a white top and blue jeans. The change in their apperance was noticed by the Super Bock Super Rock Radio Station who praised their “casual style” on their social media, calling their performance “What a blinder!”

All following images and videos (Brave New World) are courtesy of Super Bock Super Rock social media team:

All pictures taken at Super Bock Super Rock in the gallery below belong to Fábio Pais. Please do not use it without his permission. Gracias.
You can follow him at: https://www.instagram.com/fabiopais8/ 

You can see more media from the festival:

 

Videos: A recording of “The Writer” is available on Youtube:

You can see the entire festival schedule at: https://www.instagram.com/p/BzfyERYBrNj/

Festival information and social media:
https://www.facebook.com/events/342954059851119/
https://www.superbocksuperrock.pt/concertos/the-blinders/
https://www.facebook.com/sbsr/
https://twitter.com/sbsr
https://www.instagram.com/superbocksuperrock/

If you have any pictures or videos you’d like to contribute to this review, please let us know!
You can always email as at vanadianavenue@gmail.com

We will be more than happy to add good quality materials. Have fun and watch this space as the coverage is (truly) never ending!
Love and indie,
Rita and Malcia Dabrowicz

Indieterria meets The Cosmics

Dear Readers,

The Cosmics has been shaping West Midlands music scene for three years now. They announced their arrival on the local scene with a punkadelic anthem “Johnny” and do not show any signs of slowing down. It does not happen often that so early in their career a band will achieve best of both worlds – cult status in their home town and respect of their musical peers.Ask anyone in West Midlands and they will tell you – The Cosmics are unlike any other band. Not only in sound but how quickly they progress from one stage to another, like they have found a secret formula to make it in the music business. We can only think of one other act in the last four years with such distinctiveness, influence and uniqueness – The Blinders.

This blog will be longer than others – that is because we wanted to do a proper introduction to the band. We interviewed them, we went to see them on their first European tour and gathered some press coverage of their debut EP.

Ladies and Gentlemen of the indie circuit – please meet a trio that will define the future of music in the UK – The Cosmics.

**** The interview ****

Before the band travelled abroad to play shows in The Netherlands, Belgium and France, we have sat down with bassist and vocalist Erin Grace to talk about the band`s Glastonbury appearance, their EP and working on exclusive pressings of their singles via Flying Vinyl. This is what Erin told us:

The Cosmics photographed by Psychedelic Eye
https://www.facebook.com/psychedelic.eye.photography

Many bands claim that they are as close as relatives. You don’t have to – you are one very talented family.  Please introduce yourself to the readers of Indieterria.

Erin Grace:  Thank you! We are Erin Grace (bass/vocals), Connor Boyle (guitar) and Danny Boyle (drums).

The Cosmics formed in 2015 and within one year gathered incredible support. In 2017 BBC Introducing invited you to play their stage at the biggest festival of all – Glastonbury. Tell us how do you remember that show?

Erin Grace:  Glastonbury was an unforgettable dream come true, it felt very surreal, being on stage, there was huge  feelings of excitement, it’s something we always dreamt of but never thought would happen when we first started the band.

Since Glasto you have been going from strength to strength – the list of your achievements is longer than  life span of many indie acts: rave reviews from Steve Lamacq and Hugh Stephens, radio play on BBC 1, BBC 6, Amazing Radio, Radio X, coverage from BBC Introducing West Midlands. You played Isle of Wight and Reading Festival.  Your ascent to veterans of indie circuit was swift. Do you feel overwhelmed by your own success?

Erin Grace:  We don’t feel overwhelmed by anything, we just appreciate every opportunity we’ve had and we’re grateful for this journey as a band.

You shared stages with Starcrawler, Surfbort, The Murder Capital, Goat Girl and Birmingham finest -Table Scraps. Its equivalent of playing in Premier League of Indie Circuit. Do you book your own shows or do you prefer to use agents or external promoters?

Erin Grace: It depends what kind of show we’re going for, we love DIY shows and we also use promoters that suit us. Sometimes we book our own shows, though if we’re supporting a band or playing outside of Birmingham, we use promoters.

We have to ask you about your unique stage dress code: vintage dresses or costumes inspired by 60s and 70s have become your trademark. You have also been included in Fred Perry Subculture series.  How important is stage attire to you and was this aspect of your shows something that you wanted to explore?

Erin Grace:  Outfits are relatively important, they can express a mood or an era, we all love vintage fashion too so it just feels natural to wear what we love.

Your debut single “Johnny” came out in 2017 on Flying Vinyl – a company specializing in limited releases on vinyl. You returned to working with them last year when you took part in Flying Vinyl`s first compilation “Paranoid Futures”.  We would love to hear how your collaboration began?

Erin Grace:  Flying Vinyl approached us a few years ago when “Johnny” first came put and ever since, we love what they do!

The Cosmics ready for action – photography by Jessica H_Ingram
https://www.facebook.com/jessicahingramphotography

You just released your debut EP. It was recorded by Rory Attwell (Palma Violets, The Vaccines) and produced by Andy ‘Hippy’ Baldwin (Sundara Karma, The Orb, Blur, Oasis). You got to work with some established names. Where was it recorded and how long it took for the EP to be finished?

Erin Grace:  The EP was released on 13th June and we recorded it all in London, we went to record on few separate occasions over the course of a year so each song was written at a different time.

You also launched the EP in London. How did that go?

Erin Grace:  The EP launch went better than we expected, it was great having our friends on the line up. The show was a lot of fun and The Old Blue Last is a great venue.

The record is promoted by single “Eyes” and a very curious video. Cyclops on skateboards. Please tell us where did you film the video. Some part of it look like Digbeth. Who directed it?

Erin Grace:  We filmed everything for the “Eyes” music video in Birmingham, some bits in the city centre and others in suburban areas. Our drummer Danny directed it and filmed the video.

Before “Eyes”, you released “Trust Is Blind”.  We really want to know the story behind this song. In the video you look like a character from Lynch movie – you smile to the camera and yet the viewer has a feeling that any given moment you will break into tears. Then in a blink, you charge on stage where you tear down the decorations in a  fury that would suit Courtney Love at the heights of her Hole days. Like to keep your viewers on their toes?

Erin Grace:  “Trust is Blind” surrounds themes of betrayal and dishonesty, it’s about trust being broken. Yeah, we wanted to add twist into this track, we enjoy experimenting with noise.

We are hearing that the EP has been selling well and you got played on legendary American radio KEXP. So where do The Cosmic go from here? Any plans for the future?

Erin Grace:  We plan to keep gigging in cities and countries we’ve never played before and we’ll continue to make new music!

You can follow the band on their socials:

https://www.facebook.com/thecosmicsband
https://twitter.com/thecosmicsband
https://www.instagram.com/thecosmicsuk/
https://thecosmicsuk.bandcamp.com/
https://www.youtube.com/channel/UCx3KjGaX2RJvXI5e7nljvGA
https://soundcloud.com/user-838453312
https://open.spotify.com/artist/0aocL5HcJzJlZJtAZH6caL?si=OYgzbMbGTZ-TwFXsFRmQ7Q

 

 **** The EP ****

The Cosmics presenting cover and the vinyl of their debut EP

The self titled debut EP has gathered rave reviews across the industry. These are just some of the reactions that we have gathered for the purpose of this blog. There are many more out there ranging from big established brands (The Clash Magazine) to local newspapers and blogs (Birmingham Review, Independent Music News), radio stations (Brum Radio, BBC West Midlands, BBC Introducing). The EP received airplay from Steve Lamacq (BBC 6 Music), Huw Stephens (BBC Radio 1), X Radio, Amazing Radio, KEXP in US among others. No management, no booker, no label or radio plugger. Just the strength of their music.

Front cover of the EP and A side of the vinyl pressing.

The Clash Magazine:
“New cut “Eyes” is a short, sharp shock, driven by that urgent vocal and those taut guitar lines. The sound of The Cosmics thrashing away in the unholy night, it carries some uncanny reverberations. Tune in now.”
https://www.clashmusic.com/news/the-cosmics-rev-it-up-on-eyes

Circuit Sweet:
“Lead single “Eyes”, taken from the self-titled record,  perfectly encapsulates the kind of 60’s beat that The Cosmics perform with such perfect refrain before collapsing almost entirely into a much more modern take on the garage-fuzz sound. Addictively catchy, the band walk the line between surf and noise effortlessly while showcasing a raw talent for song writing”.
https://circuitsweet.co.uk/2019/04/brand-new-garage-fuzz-from-birminghams-the-cosmics-debut-ep-announced-for-june/

The vinyl pressing of the EP

The 405:
“On this release they’ve perfectly captures the debauchery of their live performances”
https://www.thefourohfive.com/music/article/the-cosmics-capture-the-youthful-grit-and-glamour-of-their-sound-in-the-video-for-eyes-405-premiere-155

Backseat Mafia:
“The thing about The Cosmics is they’ve mastered sounding like they’re from the 60s girl band sound, strained through a messy, edgy garage punk filter. That’s because they have the melodies at heart that could have made it onto a classic soul all-nighter, but instead of organ and bass, they’ve got this frayed guitar sound that leaks feedback and lashes itself to the track. Brilliant stuff.”
http://www.backseatmafia.com/track-the-cosmics-drained/

Travellers Tunes:
“The immediacy of the record is undeniable. Singer Erin Grace co-opts a Shangri-La’s vocal for the verse before effortlessly sliding into a furious punk rock delivery in the chorus.”
https://travellerstunes.com/review/thecosmics-drained

Back cover of the EP and B side of the vinyl pressing.

**** The Tour ****

Before going abroad, The Cosmics played dates in Birmingham, London, Glasgow and Manchester.  As we had to go to continental Europe for a bit ourselves, we have decided to catch up with the band on the road and bring you an exclusive coverage of their gigs though videos and photos. This is what we have found and you can judge for yourselves that The Cosmics had a lot of fun! Tours can be great!

Tour poster

On 20th of June, The Cosmics travelled to Ghent in Belgium to participate in Girls Go Boom, a one day festival organised at a popular Muziekcentrum KinkyStar. Located in the historical (and tourist) city centre of Ghent, the venue has a capacity of 80 people and is known for supporting independent and emerging acts, not only local to Belgium but also from all over the world. In the last two years, nearly 100 bands from Europe, Canada, USA and Australia played at the Kinky Star and majority of their shows are sold out. Manchester darlings, WITCH FEVER (whom we have seen recently at the Albert Square during Manchester International Festival alongside The Pagans SOH and The Blinders) performed for Girls Go Boom in October 2018 and completely blew the audience away. We had a pleasure to speak to one of the organisers of the festival and we were told that the team are big fans of indie/post punk music from the UK. The Cosmics were chosen as their songs caught the team’s eye (and the ear as well) while browsing the newest releases on BandCamp. It is worth adding that Girls Go Boom book only female fronted and fully female bands (including LGBTQ+ artists who identify as females). They are the only promoter in Belgium who does it and their shows comes with a set of quite obvious rules. They include no homophobia, no racism and no sexism, girls in the front, safe space for sexual and racial minorities and no patriarchal bullshit. Everyone is cordially invited  – men, women, non binary or gender fluid persons. Their motto is “It doesn’t matter who you are, you will always be among friends”. We can only applaud their initiative as it was one of the nicest, safest shows we have seen in a long time. The venue was packed to the last place, everybody danced (and pogo’ed), drank beer, sang and had a lovely time. And there was no pushing, no shouting, no aggression, the photographers could work uninterrupted without fear of having their equipment destroyed. Every gig goer received a complimentary badge at the door and the entry was free. We need something similar in the UK as some of the gigs we go to are a parade for bullies and football hooligans. Organisations such as Safe Gigs For Women are doing a splendid job but there is a long road ahead of us.

The Cosmics performed alongside Piss KittiVaginas, what else?, Dragon’s Daughters, DJ’s MOSHI MOSHI and Melissa Juice. Their show started exactly at 22:00 CET (21:00 UK time) and lasted about 40 minutes. The band played their recent singles “Trust Is Blind” and “Eyes” along with fan favourites: “Cundy Come Down” and “Brainfuzz” taken off their self titled debut EP. “Velma”, “Johnny”, “I Quit” and “Inishfree” filled the rest of the set.

It was wild and energetic ride, filled with solid dose of sound distortion and vibrations. Lead singer, Erin Grace, is known for her expressive performance and we could see her falling to her knees, bashing the strings of her bass like her life depended on it and move as in a trance. Twin brothers, Conor (guitar) and Danny Boyle (drums) were closely following Erin’s trail with thunderous beat and aggressive riffs. And the crowd loved every minute of the spectacle, responding with admiration to each song. At the end, the Birmingham based trio received a standing ovation and many cheers for the show. Judging by the reactions, The Cosmics have bright future in front of them. If you haven’t seen them yet, please do as they are on rise and soon they will be playing big stages instead of intimate venues.

 

You can learn more about Kinky Star at: http://www.kinkystar.com/media.php
and Girls Go Boom Festival at: https://www.girlsgoboom.com/0

The performance was live streamed on Kinky’s Star website and you can watch it at: https://www.facebook.com/MuziekcentrumKinkyStar/videos/487192875376482/

Two days later, on 21st of July, we met with the band again, this time in Antwerp. They were about to play another EU show at an independent venue called Cafe Cabron. Sadly, we couldn’t stay for the gig itself, but we have taken them for a small photo shoot around the beautiful The Grote Markt of Antwerp. It is so easy to fall in love with The Cosmics. They come as a full package – not only their music is a killer, but they have the looks, the talent and confidence that will take them far.

The show has been organised by Zing Zang Zong and was to start at 9:00 pm.
The Cosmics were to be supported by Belgian duo, De Batteries.
Form what we have heard – it was another success for the band, but that is a standard outcome for the Birmingham trio.

More information about the gig:
https://www.facebook.com/events/858188711217531/
https://www.facebook.com/zzzgarageclub/
https://www.facebook.com/CafeeCabron/

We are hoping to catch the band at another show this tour so watch out this space for additional content and more compliments regarding the band. If you still haven`t noticed West Midlands has the best scene and we are so happy to be part of it.

See ya down the front? You bet!

M/R

Indieterria meets Dario Distasi

Dear Readers,

Do you remember the hit song by White Lies called “Tokyo” with the famous chorus line “every place has a China Town”? Of course, Manchester has its own China Town (a big tourist attraction) but it seems that we discovered Mancunia’s musical Little Italy! After speaking to Federico Cossu, the lead singer of Shiva May Care in March and Pietro Blanca in June, we are proud to introduce you to another Italian born talent that is making a name for himself on the Manchester scene. Ladies and Gents, let us welcome singer/songwriter Dario Distasi to our humble “Manchester, come on in!” project.

Dario Distasi

Dario was born and raised in Italy and attended Saint Louis College of Music in Rome. He has been fascinated by music since childhood and picked up a guitar at the age of 12. As he admits himself, he instantly fell in love with the sound of the instrument and spent years mastering his craft. In 2015, he decided to move to Manchester as the city always had a special place in his heart. Since the move, Dario recorded his debut EP “Nowhere Avenue”, played at the legendary venues such Night & Day Cafe, Gullivers, Castle Hotel, formed his own band and received an universal acclaim from independent music press. With a CV like this (and recording his EP with an award winning producer in Nashville!), we are more than happy to spread a word about his accomplishments.

We have caught up with Dario to ask him several short questions about music, influences and shows.

Please introduce yourself to the readers. Where are you based and who is in the band?

Dario Distasi: (laughing) Hey there! What’s up? My name is Dario Distasi and I am a solo artist based in Manchester. I could be classified as a singer/songwriter but during live shows, I am backed by a proper rock band. Our live performances combine anthemic guitars with punchy drums. Except for me, my band consists of Chris Taylor (backing vocals, lead guitar), Damon O’Leary (backing vocals, bass) and Steve Redmond (drums). I play the guitar and I sing.

The full band on stage

What was the best review of your music you have received so far?

Dario Distasi: An online magazine, A Look Into Music, wrote about our EP: “The result is a sound so tempting, you can’t help but get your body moving to the beat as you listen to the ultimately genuine lyrics travel through your mind uncontrollably”. I like really that!

Tell us something about the project – are there any goals that you managed to achieve? 

Dario Distasi: Recording my new EP entitled “Letting Go” in Nashville with Drew Middleton (Steven Cade, MuteMath, Merdith Lee) a BMI awarded producer, has been a blast. He instantly realised where my musical influences and background come from and gave my songs a distinctive sound. We have recorded four tracks: “Letting Go”, “Again”, “Stuck In Here” and “Where The Lights Go Down”. The two last songs were released as stand alone singles.

I own and I’m in love with so many albums that have been recorded in Nashville, it is a very special place to me.  I’ve also already recorded a few tunes in Manchester, another magical musical city. Next step: recording in Seattle, maybe? (laughing)

Letting Go single cover


What inspires you? What artist or genre had the biggest influence on you?

Dario Distasi: Usually, I’m inspired by life, good books and music.

During interviews, I’m often asked to mention artists that have or had the biggest influence on me as an musician. Chris Cornell, Pearl Jam and Foo Fighters are three of my biggest influences. However, I’m also into singers/songwriters – that kind of stuff always give me the chills. And I cannot forget that guitar music is a big part of what I do. It literally put me on a musical map, where I am today.  So I listen to a lot of instrumental music, a lot of great guitar players, a lot of guitar solos. The guitar music is always in the background, whatever I do. All band members are big grunge aficionados as well – even though that’s not exactly our style, I guess you can hear that it has been hugely inspirational for us.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Dario Distasi:  My newest single is called “When The Lights Go Down” and it is a song about many things we fear. The fear itself. The abandonment. Refugees. Civil wars. All those things that really shock us every day. Please watch the video to this song. It represent the track very well and has been directed by the amazing Mat Johns.

Are you touring? Where can we see you playing live?

Dario Distasi:  Yes we tour and play gigs in the North West regularly. Recently, we performed at The Abbey in Leigh for Buzzcock’s frontman Pete Shelley Memorial on 15th of June and at the Gullivers in Manchester on 29th of June. We supported Hypnumb from New Zealand!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Dario Distasi: (laughing) Social media! It’s the best way to get a hold of me! Please use:

www.facebook.com/dariodistasi
www.instagram.com/dario_distasi
www.twitter.com/dariodistasi

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Dario Distasi: (laughing) I think, Steve, our drummer would be the best person to answer this question! Should we ask him?

Steve Redmond: Alice In Chains! These guys are immense. Their grooves, melodies and harmonies speak to me on every level. Some of my band mates might be shocked by this coz I idolise Chad Smith!

Dario Distasi: I’m not shocked at all! You both have a great groove, however I think he’s not as loud as you are! Hahahaha!

Follow Dario on social media:
https://dariodistasi.bandcamp.com/
https://www.youtube.com/channel/UC31smdE1t5gtbiqHkNedy0w

 

You can purchase his music at:
Google Play: https://bit.ly/2W1qK4w
Amazon https://amzn.to/2JdQnO1
iTunes store https://apple.co/2HnOdd5
Apple Music https://apple.co/2Jg0Mcc

Articles:
https://originalrock.net/2019/05/31/interview-dario-distasi/
https://www.loud-stuff.com/interviews/2018/07/interview-dario-distasi/
https://www.gbhbl.com/music-news-dario-distasi-releases-music-video-for-when-the-lights-go-down/
https://alookintomusic.com/2019/04/30/an-interview-with-dario-distasi/
https://www.moshville.co.uk/feature/botd/2019/07/band-of-the-day-dario-distasi/
https://www.gigstarter.it/blog/dario-distasi-note-italiane-nella-musica-di-manchester (Italian)

Thank you so much Dario! It was a pleasure to speak to you (and to Steve as well). We wish you all the best in your musical endeavours!

Best regards,
R+M

Indieterria meets Ben Taylor

Dear readers,

It is always a pleasure to write about new bands and emerging talent. Equally, it is good to support new initiatives on our independent music circuit. Be it a new zine, a new club night, a new promoter setting up or opening of a brand new venue. These things are not always spoken about, yet they should be celebrated and the word should be spread far and wide. We don’t have to tell you why it is vital to keep the good news going. Not only it lifts our spirits in the times where almost everything we got used to is being sold out, destroyed or falling to bits, but it helps us cherish small successes of our fellow professionals. Those people work harder than most of us realize. They put in hundreds of unpaid hours, their own money trying to build something new, just for the love of music.

Mr Ben Taylor himself

And that’s why we are shinning a light on them on Indieterria. We have sat down with Ben Taylor, the director of events at Jimmy’s to talk about their new venue opening soon (Jimmy’s Liverpool), all the cool gigs they have booked and how exactly his job looks like, day in and  day out.

You are very well known person on the Manchester music scene, but not everyone in West Midlands may be familiar with your accomplishments. Say few words about yourself (and maybe a hello to the readers of Indieterria). 

Ben Taylor: Hey everyone! My name’s Ben Taylor. I’ve ran music venues in Manchester for the last 17 years, including Night & Day Cafe, Roadhouse, Sound Control and currently I’m the events director at Jimmy’s. We’re about to launch our new venue in Liverpool.

Your job title at Jimmy’s says “director of events”. What does director of events do? How does a typical day at the office look like?

Ben Taylor: I programme all events for both sites, Manchester and Liverpool as well as external events around the country. My day can be built up by phone calls, emails, meetings, and hitting up shows to catch new and exciting music.

Jimmy’s we all know and we all love (to bits)

Before joining Jimmy’s, you have been a promoter at popular Manchester club, Sound Control (located just off Oxford Road). Sadly it closed in 2017 and the building has been demolished. A similar fate befallen our beloved Ruby Lounge. In your opinion, is there anything that the venues can do to save themselves and their musical heritage?

Ben Taylor:  I get asked this a lot and it’s not always a case of the venues decision. The Sound Control owner, unfortunately, had been offered a sizeable sum to sell, and he took that. I’m a big believer that venues will keep popping up despite circumstances. Too much good music and too many people invested in keeping that alive.

The times for venues may be hard but it doesn’t prevent you from opening a new venture – Jimmy’s Liverpool! Tell us where the new place will be located and how is it going to look like? Are you going for similar design to the Manchester branch or for something completely different?

Ben Taylor:  We’re so excited for this! We’re at the top of Bold Street opposite the Bombed Out Church. For me, that’s the best area in the City, we couldn’t have landed anywhere better. It’ll have the classic Jimmy’s look, with some added extras which you’ll love.

Do you have an opening date for Jimmy’s Liverpool and when will you be booking first acts?

The first show booked and it is sold out!

Ben Taylor:  We open on August 1st with The Coral. They were my number one choice to open the venue, so I’m very excited we made that happen.

We are afraid to ask, but please confirm that the outside sign announcing the gigs will be also included in the new office? It is one of the most recognizable features of Jimmy’s in Manchester!

Ben Taylor: (laughing) I can confirm the light box will be a feature at the front of the venue.

Jimmy`s is known not only for regular gigs and parties, but also for a line of absolutely amazing gadgets: tees, long sleeves, craft beers, bee pins. Your merch line has been very popular with patrons. Will you be introducing new items in the foreseeable future?

Ben Taylor:   Absolutely, keep you eyes peeled for new merchandise.

You are the creator and founded of You Are Not Alone – a festival in support of local independent mental health charity Manchester Mind. First edition of YANA took place on 30th March 2019. Please tell us something about the festival and when can we expect the next year’s edition? 

Ben Taylor:  Mental health is such a huge issue for many people and I feel a lot more needs to be done to make people aware. I wanted to make a fun day, whilst raising that awareness. And I’ll continue to do so. We’ll be adding more venues this year in Manchester and you can be the first to know, I’ll be running the event in Liverpool next year too.

Jimmy’s Liverpool opening soon

 If any band or promoter wants to play/rent out Jimmy’s for an event what’s the best way of reaching you?

Ben Taylor: Best way is email, I’m on ben@jimmys.group. A link to some music and a brief background is perfect.

The last (in)famous question: what is the best and the worst gig you have ever put out? Share your knowledge for the benefit of the future generations of  concert promoters.

Ben Taylor: Best show I’ve put on is always a tough one! One of the most memorable would be The 1975 in the 100 capacity room at Sound Control, with Catfish & The Bottlemen opening. And I couldn’t possibly tell you the worst, my lips are sealed! (laughing)

Jimmy’s is known for their very imaginative merch

And when we thought that Ben and the Jimmy’s crew don’t have any more secrets, they come up with another unexpecting but genius idea!
If you’d like to join Jimmy’s family, you can now becoome a share holder. For as little as £25, you can purchase shares in the company. You will receive a lot of perks for joining: brick in the new venue on the ‘Wall Of Legends’, receive discounts for life, get free guest list for life, or you can go as far as have a mural of yourself on the ceiling (think Leonardo da Vinci style!) among others.

You can lean more about this project at:
https://www.crowdcube.com/companies/jimmy-s/pitches/bvPEjl?fbclid=IwAR2NmPSVE87zzMCgwJdP4oshBAOZe2pn9w7A-CznyWTEy_o4vpPEh2HwOFU

 

You can follow Jimmy’s on social media:
https://jimmys.beer/
https://www.facebook.com/JimmysGroup/
https://www.facebook.com/JimmysNQ/ (Manchester)
https://twitter.com/jimmysMCR
https://www.facebook.com/JimmysLPL/ (Liverpool)
https://twitter.com/JimmysLiverpool
https://www.instagram.com/jimmys/

Articles:
https://www.trustafoxphotography.com/trust-a-fox-blog/2019/5/14/have-a-look-around-the-soon-to-open-jimmys-liverpool
http://www.getintothis.co.uk/2019/07/phase-one-stockroom-jimmys-and-sound-where-are-we-with-music-venues-in-liverpool/
https://independent-liverpool.co.uk/blog/what-you-can-expect-from-liverpools-newest-live-music-venue-bar-jimmys/

The next two weeks are going to be very busy for Ben and the team but we know, whatever they plan to do, is surely going to be a huge success. And we need those successes, we need new places to go and new places to play. As usual, support your scene, discover new bands and dream big dreams.

They do come true.

Love to our spiritual home (Jimmy’s)
xx
Rita and Malcia

Indieterria Review – “Red Hot Military Audition” by The Garage Flowers

Dear Readers,

They have been described as “explosive, dark and sexy” but that would be an understatement. The Garage Flowers are the most riotous, creative and bold four piece that London has seen since The Manics` infamous stay in the capital. In the era of safe pop music and forgettable starlets, The Garage Flowers have all qualities of proper rock stars: swagger, nonchalance, determination, perseverance and real, raw talent. On the record or on stage the band will hypnotise you, will grab your attention before you can blink and will leave you being absolutely, hopelessly in love with them. Had it been 1970`s The Garage Flowers would be Gods. Or maybe they were and now returned to show all the lads in parkas in the North how to do rock and roll properly.

The Garage Flowers in bloom. Photo by Sophie McCarthy https://www.facebook.com/sofielaurenmccarthy

2019 has already been very busy for the band. They have released acoustic version of their older single “Miss Maggie May” and premiered a proper belter “Panic Street Again”. They toured both internationally and on domestic front. Now they return with “Red Hot Military Audition” – their new single. On the cover you can see The Garage Flowers dressed in military attire that make one think of Manic Street Preachers (in the Holy Bible period) or The Clash. And we have to give it to the band  – they know exactly what they are doing. “Red Hot Military Audition” has the punk attitude of The Clash, with energy of Guns n Roses and melody line that James Dean Bradfield would love to claim as his own. There are even samples – something that Manics practised a lot on The Holy Bible. And yet, the song does not feel like a mash up of influences. It doesn’t feel dated either. It`s fresh, modern day indie record that you have on repeat and will sing to yourself without even realising it. Oh NME where are you in your large print format? We need your pages at the newsagents every week so bands like The Garage Flowers can look at us from every stand and remind us that rock and roll is still alive and kicking.

Give The Garage Flowers a year or two and you will see them on SXSW and touring large venues.

We have been lucky enough to be able to sit down with  Joe Capaldi – the voice and front man of the band and ask him few questions regarding the new single. You have no idea how busy and in demand those guys are!

Its only rock and roll but we like it! Photo by Eric Mouroux https://www.facebook.com/eric.mouroux

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Joe Capaldi:  The Garage Flowers are

Joe Capaldi on vocals/guitar from Kings Cross, London
Mike Serapinas on bass/backing vocals from Chiswick, London
Jonny Webber on guitar/backing vocals from Finsbury Park, London
Norea Persson on drums/backing vocals from Bethnal Green, London

Tell us something about the project – are there any goals that you managed to achieve?

Joe Capaldi: Our goal is as it always was:  to have a documentary made about us and have it narrated by Alan Clayson.

What inspires you? What artist or genre had the biggest influence on you?

Joe Capaldi:  In college I’d wear cardigans (whatever the weather) and keep a bottle of red wine with me all the time. Taking swigs from it when the teacher would leave the room to get much needed attention. I also started messing my hair up consciously – with hair gum (before I wisened to hairspray) to look more like my obsession at the time – Bob Dylan. I loved the whole myth of him. Would religiously listen to his music, watch the few interviews that were on YouTube and screen “No Direction Home” endlessly.

The sleeve to Red Hot Military Audition single

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Joe Capaldi:  I put together the riff before the band was even formed, and played it for Jonny one of the first times we ever met up. It was a lot faster then and had no singing. I always loved the title but everyone used to loathe it, I eventually won them over though, or just tired them with my stubborn way.

Are you touring? Where can we see you playing live?

Joe Capaldi:  We’ve actually got some very exciting dates we’re finalising now. I’m not yet allowed to announce them though. “All apologies”  as Kurdt Kobain said in 1993.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Joe Capaldi:  You can contact us directly through our email address – thegarageflowers@outlook.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Joe Capaldi:  Ooooh great question! For me I’d say Tom Waits, at the moment I’m into putting instruments together that don’t normally go together, and creating atmosphere as well as great songs. I think he’d be great for painting a dark, demented atmosphere. VIVA WAITS.

Future looks bright. Photo by Elly Bailey https://www.facebook.com/EllyBaileyPhotography/

You can follow The Garage Flowers on social media at:

https://www.thegarageflowers.co.uk/
https://www.facebook.com/thegarageflowersband/
https://twitter.com/garageflowerss
https://www.instagram.com/the_garage_flowers/
https://soundcloud.com/thegarageflowers
https://www.youtube.com/channel/UCLTq_hTLgIq9HqMO78PkRng
https://open.spotify.com/artist/0GaTRMQodNVTRtNblmPIQW?si=c8GjOaFNScaFnjydYBRsfQ

We will update this blog in few days as there will be a video coming and we want to show you what the band has prepared! And obviously there will be tour dates to announce so please watch this space!

R/M

Indieterria meets Dave Haslam

Dear Readers,

The summer festival season is now in full bloom. Many great events are now behind us (Glastonbury Festival, Isle of Wight, Camden Rocks) and many are yet to take place. One of the festivals that we have been looking forward to for a long time, started on the 4th of July and will last until 21st July. It is of course the Manchester International Festival – a biannual celebration of music, art, theatre and film.

Thousands of people are expected to visit Manchester to participate in more than 250  presentations, art exhibitions, talks and concerts throughout the city.  We are of course interested in the musical part of the event the most and the MIF LIVE is looking extraordinarily good. With gigs from Janelle Monáe (already sold out), Queens of the Electronic Underground (showcase of  the best female DJs and producers in electronic music presented by BBC6 Music’s Mary Anne Hobbs) to free public concerts at Albert Square, there is nothing to complain about. Fans of rock, funk, soul, dance, jazz and even spoken word will have plenty to choose from. We have sat down with Manchester music legend, Mr Dave Haslam, to speak about his involvement with MIF, curating the Albert Sqauare stage and his newly released book “Life in thirty five boxes”.

Dave Haslam – the man himself

Official bio: DJ and writer Dave Haslam DJ’d over 450 times at the legendary Hacienda in Manchester during the late 1980s and has since DJ’d worldwide (including shows in Peru, New York, Berlin, Barcelona, and Italy). He made his debut at the Hacienda on May 1st 1986. Ian Brown, Tim Burgess and the Chemical Brothers all later credited his eclectic Thursday night sets as an inspiration. In 1990 he toured America with Mike Pickering, Graeme Park, and Paul Oakenfold. Since the early 1990s he has hosted a variety of successful club nights in Manchester, including ‘Yellow’ at the Boardwalk. He’s played afterparties for New Order, Gorillaz, and Depeche Mode. He’s is also the published author of “Life in thirty five boxes”, “Sonic Youth Slept on My Floor”, “Life After Dark: A History of British Nightclubs & Music Venues”, “Not Abba; the Real Story of the 1970’s”, “Adventures on the Wheels of Steel: The Rise of the Superstar DJs”, and “Manchester, England”.  In 2012, he co-curated the exhibition “Dreams Without Frontiers” at the Manchester Art Gallery. In 2017 he co-curated a major New Order project for the Manchester International Festival.

Not many people know this, but you were born and raised in Birmingham! At this moment, West Midlands scene is incredibly strong with amazing acts such as Table Scraps, The Cosmics, The Pagans SOH, The Novus, Karkosa and many others. Was it like that when you were growing up?

Dave Haslam: I write about my Birmingham teenage years in my memoir “Sonic Youth Slept On My Floor”. I was lucky enough to be able to see some great bands, many of them local, including the Au Pairs, Steel Pulse, Dexys Midnight Runners, and The Prefects. Birmingham at the end of the 1970s was full of good gigs, and I was already a massive music enthusiast. When I came to Manchester in 1980, I was already trained up to go out looking for exciting new music and the weird stuff.

You are a man of renaissance – an published author, DJ, radio presenter, producer, journalist, legendary promoter. Is there one thing that you regret not doing? If yes, what is it?

Dave Haslam: I don’t think about regrets, really. I probably should have taken more photos and videos etc. In the 1980s not many people did any of that; not like now! But in terms of my work life, I really 100% cannot complain.

So far you have written four books and the fifth one is being released this month. It is called “Life in thirty five boxes”. Can you tell us more about it?

“Life in thirty five boxes” front cover

Dave Haslam: It’s a book about the joys of collecting, specifically vinyl collecting. It’s about how attached we can become to our vinyl; those records are like our best friends, our potent memories. But then the twist at the end I sell them. This was three years ago. And everyone thinks I was mad to do so, but I explain why and I tell the story of what happened to me and the records afterwards. It’s actually a very emotional rollercoaster of a book!

For Manchester International Festival, you are curating a series of gigs that will take place in the Albert Square. There will be nine acts over four days – all performances are free of charge. We love the idea! Was it something you wanted to do yourself or were you approached by the Festival to organize it? 

Dave Haslam: I have done similar things for the Festival before. Way back when I got Everything Everything to play, and also Dutch Uncles, as they were both breaking through, and also Lonelady who I adore and doesn’t play much locally. On the DJ side, I gave Bicep their first ever gig at MIF and now they are mega (their song “Glue” is one of my favourite songs of the last couple of years). So MIF trust my ears, I guess!

You have chosen a mix of legendary acts (Horace Andy) and up-and-coming bands. Some of them proudly represent Manchester (The Blinders, Witch Fever, Liines), other acts come from Birmingham (Pagans S.O.H), Halifax (The Orielles) or Norwich (Sink Ya Teeth). How long does it take to finalize such a varied line up? 

Award winning West Midlands quartet, The Pagans S.O.H debut new single just in time for MIF

Dave Haslam: It took about five minutes to come up with the line-up. I sat down with a pen and wrote the names of six or seven bands I’d like to invite, the ones I’d like to play in an ideal world. Then it took about two months to track everyone down and organise it. But the great thing is, everyone on that first list said YES! Then I was talking to my friend Dom who runs a fabulous sandwich shop in Stockport and DJs playing reggae (he’s basically the Blood & Fire Soundsystem) and I told him I wanted reggae on Sunday evening. He knows so much about reggae, so we threw some ideas together, and then he said, “Oh Horace, might come and get on the microphone”. I asked: “Are you talking about Horace Andy?” and he was. Dom knows everyone! So I agreed: “Yes, Dom, let’s do that. Let’s bring Horace!”.

In February 2018, you published an article in ‘I Love Manchester’ magazine entitled “Women in Manchester music: Are The Times A-Changing?” in which you argued that female artists must be given their rightful place on the Manchester music scene. You mentioned Witch Fever and now you have booked the band for the gig you are organizing. The whole line up is 50% female artists too. It’s refreshing to see somebody actually doing something practical to address the gender gap.  What do you think needs to be do done more to improve the gender equality in the music business?

Dave Haslam: It’s worth remembering that there’s a lack of female representation in many walks of life and in many businesses. Female lawyers, for example, have big obstacles to get through; they work in a very male dominated industry. So there is nothing unique about the gender gap in music. In a way, the answer to your question is in the question itself – it’s about doing practical things. Men need to wise-up and in some cases open their ears. It amazes me how many indie-type lads are totally wedded to the idea that their favourite bands are and will always be basically four boys with guitars. Any deviation from that – either in terms of other kinds of music, or female fronted acts – are too weird for them. And women need to keep nurturing a sense of solidarity, the sisterhood can move mountains!

 

Two of the acts you have chosen played Glastonbury this year: Liines and The Blinders. Are you expecting crowds?

Dave Haslam: I have been organising concerts long enough to know that you can’t guarantee anything, but I’ll be disappointed if we don’t get good crowds because the bands are ace. I like to think some people will come out of curiosity too, knowing these are special events.

If you were to name Manchester acts to watch for in the coming months – who would you recommend? Is any new band catching your attention?

Dave Haslam: I’m actually very excited about the quality of some of the spoken word performers around at the moment. Can I mention Eve Piper? She was at Glastonbury too. She grew up in Chorlton, and she’s a name to look out for. The Manchester band I am kicking myself I didn’t make room for at MIF are Cold Water Swimmers, their new single is called “Burn Your Idols“.

The Blinders perform “Brave New World” at legendary Leftfield Stage at Glastonbury Festival 2019

The last question at Indieterria is usually a bit of a fun. Let’s say you have the opportunity to resurrect Hacienda and to bring it back into the City. Of course the original location is no longer available but you can chose a new place. What’s the new address?

Dave Haslam: Somewhere secret, or at least hard to find. The Hacienda was best before it got commercialised. So many of the best things are under the radar. You can find those places if you look hard enough.

You can follow Mr Haslam on social media at:
http://www.davehaslam.com/
https://www.facebook.com/DJDaveHaslam/
https://twitter.com/Mr_Dave_Haslam

More information:
https://mif.co.uk/whats-on/festival-square/
https://www.facebook.com/events/614253139097527/
https://www.facebook.com/events/1453832158075371/ (Book signing event in Stockport)

Manchester International Festival Albert Square Schedule (in bold events curated by Dave Haslam)

Dave Haslam Live poster

New Pavilion Stage at Albert Square.

Capacity:
Tent – 400 people (please show up early as it is first come first serve basis)
Square – 2500 people at one time

Sun 14 July
12.30 – 2pm – NoTTwins present BeeLive with China Lilly, Emanuel J Burton, Maxi Zee, Pablo & ALEKS
3 – 4.30pm – Young Identity & Contact present One Mic Stand
5.30 – 7pm – KYSO
8pm – 12am – Horace Andy Soundsystem set with Blood & Fire

Mon 15 July
12.30 – 2pm – Kara
3 – 4.30pm – Psychedelic DiscoTech plus guests
5.30 – 7pm – Chorus of Others
8 – 10pm – The Orielles & Working Men’s Club
10pm – late – Psychedelic DiscoTech plus guests

Tues 16 July
12.30 – 2pm – Jon Kenzie
2.30 – 3pm – John Robb talks Ballet with Jordan Mooney
3 – 4.30pm – Matthew Whitaker
5.30 – 7pm – The 7:45s
8 – 10pm – The Blinders, Witch Fever & The Pagans SOH
10pm – late – DJ Shell Zenner

Wed 17 July
12.30 – 2pm – Lingua Franca World Music Agency present The Tebu Project
3 – 4.30pm – Hannah Ashcroft
5.30 – 7pm – NoSpace
8 – 10pm – LIINES & Sink Ya Teeth
10pm – late – DJ Jez Kerr ACR

With multitute of shows, concerts and festivals happening over the summer, Manchester is once again emerging as a leader in cultural entertainment. We all could learn a thing or two from our Northern brothers and sisters.

Have a fun and support your local scene!
M+R

Indieterria Review – “May” by Deadwing

Dear Readers,

Don`t fall in love with yet another band…don`t fall in love with yet another band…

Oh, Hello there! We are glad that you have returned to discover new music via our blog. You came in a right moment. We have been here sitting and listening to newest music submissions, when we found a real sonic gem. They are very young, still unpolished and at the beginning of their journey – but there is so much character, talent and potential in this act that we just cant stay still.

The band is called Deadwing and describe themselves as gothic psychedelia. Their debut single “May” came out last month and the quartet had just played their first headlining show at our beloved venue in town- Jimmy`s Manchester. Deadwing may be putting their first steps in the music industry but they present some serious qualifications: they mix prog rock with some hauntingly beautiful vocals, take inspiration from a wide range of artists and try to form their own sound. Also they write poetic and mature lyrics. Additional point for the band here. Imagine later day Anathema fronted by Anneke van Giersbergen, with The Cure,  Siouxsie and The Banshees and Cocteau Twins lending a hand from the off sides – a tasteful combination of gothic rock, cold wave, ambient, metal and shoegaze (or neo-psychedelia if you prefer).  Even the name is spot on – original, mysterious and you can imagine it on future festival posters and in rock n roll encyclopedias that yet have to be written.

You may think we are going (slightly) bombastic here – but A&Rs have this gut feeling when we hear bands that can shape musical futures.  And this is one of those moments – a group of kids that picked instruments and have yet to realise their power.  Will they be determined to continue and develop their potential that is another story. For every band that makes it – 250 do not. One can only hope that they will stand united as a band and will have both luck and perseverance, good managers and a faithful label to help them along the way.

We are gonna say the same thing as NME once said to My Bloody Valentine when they first started out. Hey Deadwing – please promise to meet us on this blog in five years time when you are about to release your highly anticipated second album. We`d love to speak to you before you go on that long European tour, OK?

Deadwing photographed by Spencer Mason
https://www.facebook.com/ArtisticLogistic

Please introduce yourself to the readers of Indieterria.

Ellis Elwyn: We are Deadwing, a four piece gothic psych-rock band from Manchester.

Where are you based and who is in the band?

Ellis Elwyn: We are based in Manchester, with me Ellis Elwyn on vocals, Jake Lafferty on drums, Jack Stanley on bass and Isaac Batty on guitar.

Tell us something about the project – are there any goals that you managed to achieve?

Ellis Elwyn:  We launched at the start of March this year and released our debut single at the end of May. We also organised and hosted our own headline gig to launch the single at Jimmy’s! In terms of venues, we have been lucky enough to play at some of our favourites in Manchester such as The Deaf Institute, Band On The Wall and Jimmy’s.

The poster for band`s debut headlining show at Jimmy`s Manchester

What inspires you? What artist or genre had the biggest influence on you?

Ellis Elwyn: We have a variety of influences! Including Radiohead, The Beatles, Black Sabbath and Jaco Pastorius.  We tend to take inspiration from drama and emotion.

It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Ellis Elwyn: I  wrote “May” after a particularly difficult time last year. The story is so open to interpretation, but I like to see it as a song with two different perspectives/people in it if that makes sense, almost singing to each other. I wrote the song just on my acoustic guitar but took it to the band and they turned it into something huge!

Are you touring? Where can we see you playing live?

Ellis Elwyn: We aren’t currently touring, but at the minute you can catch us playing live in Manchester on the 15th August and in Leeds on the 9th August! Follow our social media’s for all the details when they get announced.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Ellis Elwyn:  Check out our email: thedeadwingband@gmail.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Ellis Elwyn: We’d all probably go for…can we say a band? Because it’d be Pink Floyd in a huge collaborative album! If it just has to be one artist we’d choose David Bowie, at Abbey Road Studios!

Deadwing – a band to have on your radars – photo by Thea Brooks
https://www.facebook.com/photograthee/

You HAVE to follow the band on the socials:

https://www.facebook.com/deadwingband/
https://www.instagram.com/deadwingband/
https://soundcloud.com/deadwingband
https://www.youtube.com/channel/UCznzJHpYbj-4xEp0j0-jYiA
https://open.spotify.com/artist/1qZDjUpnTjsYK1yTslsmHj?si=vJeRiDZNR6mep7VHyv93-w

Deadwing are officially on our “bands to watch for” radar, their single “May” has been added to our Spotify list and we are happy A&Rs as we just spotted another talent. What else? Stay tuned because we are not finished yet and “Hello Manchester” will continue in July with more good music and great bands.

Did we mention how much we like Deadwing?

M&R