Indeterria meets Elly Bailey

Dear Readers,

Vanadian Avenue is on a mission to shed a light at the girls in the music indystry. We call it “The Girls Who Can” and we try to introduce you to the amazing women who makes things happen. They write, they book, they build stages, run lights, think of marketing campaings, sell tees and tickets at the doors. They are reps and managers, promoters, bookers and everything inbetween. Yet, despite doing a stellar job, having successful careers, they not always receive a fair share of attention and recognition. And we want to change that.

After speaking to Sahera Walker in May this year, we now had the pleasure to sit down with Elly Bailey, a photographer and journalist extraordinaire to discuss recent opportunities for women, her brand new photo-zine Why Generation? and photographic equipment. Please read on (and share) and Elly raised several  very important points in her interview and gives a sound advice to all young girls thinking of entering the business professionally.

Photographer, journalist, promoter and a writer – that’s a very impressive resume for a 22 year old. Please introduce yourself to the readers of Indieterria. Every career has to start somewhere.

Elly Bailey: Thank you! My name is Elly Bailey, I live in London. As you said, I am a photographer and journalist, mainly focusing on music. I write for sites such as The Zine, Gigslutz and This Feeling. I starting taking photos in 2016, originally shooting on film and then in 2018 I moved onto DSLR or digital photography.

 Tell us what inspired you to chose this particular career path? Was it a certain gig you attended or an album you listened to? Or maybe something completely different?

Elly Bailey: I attended the Academy of Contemporary Music, studying Music Business. ‘I think it was being surrounded by so many musicians and also attending so many of my friends gigs that made me want to start taking photos. I’ve always been very into documenting everything I do (I currently have over 29,000 photos on my phones camera roll!) and it was great to be able to document doing what I love best, e.g. attending gigs.

Elly at work

Music business is very male orientated but recently the tide is turning and women are getting noticed and praised for their contribution. There are also more opportunities for young females who want to enter the music business professionally. Last year you took part in the Music Venue Trust and PRS “Fightback Grassroots Promoter” for women. In your opinion, how important are schemes like this? Do they offer any real chance to learn the skills needed in this industry?

Elly Bailey: Taking part in the MVT and PRS venue fight back scheme was amazing as it gave young women the opportunity to put on their own live music event without having to worry about the money, as the scheme completely covered any costs, such as hiring the venue or equipment. I think schemes like this are incredibly important as they help to give young women the confidence boost they may need to take that first step into the music industry and also helps to give them hands on experience whilst making sure that they will be successful.

As a journalist you have worked for the popular GigSlutz website, The Zine and you run your own Youtube channel. If you could offer a piece of advice for girls who would like to follow in your footsteps, what would that be?

The cover of first issue of Why Generation zine

Elly Bailey: Websites such as Gigslutz, The Zine and many others are always looking for writers, so if you’re interested then just email away and ask! Taking that first step towards doing what you want to do can always seem incredibly daunting, but once you’ve done it, then that’s it, you’re on your way! Also everyone I’ve ever worked with have all been so lovely, which makes it so much easier to talk and network with people and find new work.

2019 is a ground breaking year. You have covered Wilkestock and Reading Festivals, interviewed The Sherlocks, False Heads, Sleaford Mods among others, reviewed high profile events such as This Feeling tours. What was the best gig you have seen so far?

Elly Bailey: This has definitely been a crazy year for me, so far I’ve somehow managing to attend 11 festivals, and still have more to go! I was feeling pretty low at the beginning of the year and also got pretty sick, so seeing FIDLAR at House Of Vans at the beginning on February was the perfect cheer up for me, seeing one of my favourite bands in such an intimate setting was the best. Festival wise, The Great Escape was so much fun, I discovered so many new bands that weekend. Also Download Festival was just non-stop laughter from beginning to end, the bands were amazing and the weather was horrendous and we had a sick time! And of course Truck Festival, my hometown festival, was a lovely weekend, surrounded by so many friends, I think we all really enjoyed it.

We need to ask about your new enterprise – a photo zine called Why Generation? You have teamed up with three other female journalists and photographers to create it. Tell us more about it. How did this idea come to be? Who are your co-workers? Is Why Generation a single issue release or are you planning to turn it into monthly/bimonthly magazine? Are you planning to keep it in this format or extend it to contain reviews and interviews in the future?

Why Generation editorial team

Elly Bailey: After I got home from Truck Festival, I went to an exhibition by Nan Goldin at the Tate Modern and saw that she started off making photo-books of her work and decided that I wanted to do something similar. I decided to stick with film photography to give the zine more of a niche and also felt that I have some great 35mm photos that I wanted to print. I contacted the other three photographers, slightly on a whim, and after the positive responses I got from them on the idea, I just jumped in head first and decided to just got for it!

When I first made the zine I wasn’t sure where it was going to go but I know now that I would like to do another issue with articles alongside the photos this time, and also potentially create my own website. After years of working for other people, it’s been great and also slightly scary to be completely in charge of what I’m doing, so who knows what will happen!

There is a launch party scheduled for 23rd of September to celebrate the release of Why Generation. Who is playing and what can we expect? Are tickets still available?

Why Generation? Event launch poster

Elly Bailey: Yes! It’s a free entry gig on 23rd September at The Monarch with three amazing bands playing: Ric, SPIT and Scary Lemons. Each are guaranteed to put on an amazing show. It’s definitely going to be something to liven up your Monday evening.

The famous last question – let’s imagine you can get your dream photography kit absolutely for free. What equipment is going into your shopping basket?

Elly Bailey: I do love my camera and have managed to get so many great photos out of it, but I will be the first to admit it’s nowhere near the best model on the market. With shooting gigs, you’re not allowed to use flash photography in bigger venues or at festivals, so you need a camera that lets in a lot of light, and annoyingly the best cameras for this are the more expensive ones, so one of those would definitely be going into my shopping basket.

Also a lens with a better zoom would be amazing, I’ve done a lot of standing on my tip-toes trying to get closer to the artist playing to make up for my lack of zoom.

You can follow Elly online:
https://www.facebook.com/EllyBaileyPhotography
https://www.instagram.com/elly_bailey_
https://www.facebook.com/profile.php?id=100000978271449

Buy copy of Why Generation? online:
https://www.ellybailey.com/product-page/why-generation-zine

Contact: ellybailey27@gmail.com​

Why Generation? Event:
Event page: https://www.facebook.com/events/235155047375183/
Doors: 8 PM – 11:30 PM
Admission: Free Entry
Address:
The Monarch, 40-42 Chalk Farm Road, NW1 8BG London, United Kingdom

Stage times:
Ric – 8:30pm
SPIT – 9:15pm
Scary Lemons – 10:15pm

Big thank you’s to Elly for answering the questions and if you are attending the event tonight, please send us your pictures or videos. We will gladly update the entry with your snaps!

Support your scene and have fun!
Rita and Malicia

Indieterria meets The Gulps

Hello!

2019 seems to be the year of The Gulps. Whatever they do, they  do it perfectly, wherever they go, they win new fans. When they participate in an international competition, they easily win it, leaving their competition behind. And each of their tracks released so far is a real banger. If they continue on this stride, next year might see them  going right to the top. And frankly, this is what they deserve.

Lucky break has nothing to do with the results this London based quintet is receiving. They are one of the hardest working people we have met, and at the same time they are down to earth and  just genuinely nice. We sat down with The Gulps’ guitarist, Charlie Green to speak about the band, their influences and the new single entitled “Lola Cola”.

Official bio: 

Based in London and hailing from all different parts of Europe and the Middle East, The Gulps come together with a shared idealism for our times. Playfully reviving the original roots of rock and roll, they are a new wake up call and speak our truth, with enjoyment and optimism.

Lyrically informed poetry, sharing tales from our cities and experiences. With raw energy, The Gulps are a unique take on classic alternative pop, fuelled by the drive of rock music at its best.

The Gulps photographed by Jonathan Hallam.

Please introduce yourself to the readers of Indieterria. 

Charlie Green: The Gulps are a band of vivacious raconteurs who immigrated to London with a Mediterranean ferocity and an uncompromising skill for good music. We are a multi-various quintet who met at the intersection of smoke fuelled house parties and university, where the raw Gulp product was harnessed and the good times played.

Where are you based and who is in the band?

Charlie Green: We are a London based band hailing from different parts of Europe and The Middle East. Harry All is the lead singer, Charlie Green and Francesco Buffone are the guitarists, Simon Mouchard is on the bass and Raoul Khayat is the drummer.

Tell us something about the project – are there any goals that you managed to achieve to date?

Charlie Green: This has already been a huge year for the band, with the recording of the EP and touring. We secured a spot at Madrid’s Mad Cool Festival thanks to the votes of our fans and had the opportunity to play at the Truck Festival. We now have our sights on Space Mountain Festival in Granada and the recording of our first album.

What inspires you? What artists or genres had the biggest influence on you?

Charlie Green: Each of us bring our own biographical discography with us to influence the sound of The Gulps. Primarily, we draw upon the inspiration of rock’s household names such as The Strokes, Rolling Stones and The Clash to ground our compositions.

It`s all about the music – and we want to hear your tunes and how they have been written.

Charlie Green: You can hear all our tunes on Spotify, Soundcloud and watch our amazing videos directed by Sandra Crilo on Youtube. Also, we released the EP on vinyl earlier this year. Most of our songs start with an interesting riff or composition, then either Harry or me pen together the lyrics, based on what is stimulating us at the moment. After that, we take the new material to rehearsals and try it out with the whole band to test its potential.

The portrait of the band by Jonathan Hallam

Name your best song. What can you tell us about it?

Charlie Green: Our best song would be “The Kings House”. This song is about the old apartment where Harry and I used to live in London, on Camden Street. It’s where the magic happened, where we got into trouble with huge house parties and long smoky nights. It is a calling for freaks everywhere to celebrate their opulence, in a space opened to all.

How do you create your unique sound  and write the lyrics? What gear are you using?

Charlie Green:  We aim to write lyrically informed poetry, sharing tales from our cities and experiences. As for the equipment, we use different guitars and bass pedals, playing with distortions, delays, reverbs, to make our sound distinctive from others.

All in all, the marriage of guitars, Simon’s methodical bass, Raoul’s seamless drumming and Harry All’s energizing voice, allows us to celebrate our unique and youthful sound.

 

Are you touring? Where can we see you play live?

Charlie Green:  We have a number of shows lined up and you can catch us on:

Sunday 29th of September, Camden Assembly (London)
Friday 11th of October, Space Mountain Festival (Granada, Spain)
Saturday 2nd of November, Notting Hill Arts Club (London)
And from the 11th to the 15th of March 2020, The New Colossus Festival (New York)!

The Gulps at the pub by Xandru Zahra

Squad goals – where do you want to see the band in five years time?

Charlie Green:  This is a good question! We want to be touring around the world and playing big festivals such as Glastonbury, Coachella, Reading etc. We also want to go to studios to record new music and make The Gulps a new religion.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Charlie Green:  They can contact us via email at thegulps.london@gmail.com, or just send us a message on one of our social media pages, they are listed below.

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Charlie Green:  We would love to work with the legendary George Martin, or Phil Spector (Beatles producers) but we are extremely happy working with ‘’Youth’’ at the moment. ‘’Youth’’ is a genuine producer with a long CV to his name, giving his soul and life to the music.

You can follow The Gulps at the socials:

https://www.thegulps.com/
https://www.facebook.com/thegulps/
https://www.instagram.com/thegulps/
https://twitter.com/TGulps
https://soundcloud.com/user-209918800
https://amazingtunes.com/thegulps/activity?page=2
https://www.youtube.com/channel/UCiL-v5G2Hnpgyb0it9E6mFw
https://thegulps.bandcamp.com/

Or listen to them on Spotify:

 

 

 

Indieterria review – Eldorado by Avalanche Party

Dear Readers,

After squeezing an un scheduled review of Saytr Play’s new single (“Second Hand Emotion”) earlier this week, we thought that nothing new will interrupt the carefully planned flow of our blog for September. And then we realized that we haven’t covered another super important release that came out almost at the same time as Saytr Play.

The other single is “Eldorado” by Avalanche Party. The song made such a strong impression on both of us, that it would be a crime not to write about it on Indieterria.  So we pushed all other reviews and intereviews a bit to make room for this very unique song. Was it worth it? Please read on.

Avalanche Party – wanted dead or alive?

Released on August 28th, “El Dorado” is the second single after “7” that is promoting Avalanche Party’s upcoming debut album. And while “7” was 2 minute cacophony of  noise, “El Dorado” is nearly 6 minute long experimental ballad with piano and harmonica. At first listen, it seems so different from anything the band has done so far that many listeners voiced their concerns that it was risky to chose this particular track as a single. However, if you keep on listening, it quickly becomes clear that “El Dorado” is simply a logical progression of the band’s musical development. Yes, it is different than previous material, but the band’s unique sound is still there. What’s more important, the new recording is bolder, more ambitious and mature. And we like it a lot.

The songs starts with a semi intro of harmonica and few chords of a piano. It reminds us of “Arizona Bay” by Soul Savers (from their excellent 2003 album “It’s Not How Far You Fall, It’s The Way You Land”). The tempo picks up around one minute mark, the piano becomes stronger, yet the composition remains slow and fluid until its end. It certainly has a western feel to it, maybe inspired by the band’s travels to Texas earlier this year for SXSW. There is a lot of Tom Waits and Johnny Cash influences in this tune as well. And Mark Lanegan, especially from the “Whiskey for the Holy Ghost” era. Other reviewers compared it to the original “Kingdom of Rain” which is an excellent comparison as it brings us again to the Soul Savers who worked closely with Lanegan on “It’s Not How You Fall” (and who did the rendition of “Kingdom of Rain” as well). The dramatic sforzando and dissonant harmonies offers another musical connection, this time to the works of Ólafur Arnalds. Italian music blog “Indie For Bunnies” wrote that “El Dorado” could perfectly fit a movie soundtrack: either a western, or a crime drama and it’s hard to argue with their opinion. Lead singer, Joe Bell has always been a skilled vocalist, but what he does with his voice on this track is a masterpiece. He takes the listener on a rollercoaster of emotions: from a whisper to nearly a scream, from falsetto to poetic declamation, from serenity to a hidden fury. We cannot wait what Joe and the band will come up on their debut album!

El Dorado artwork

“El Dorado” comes with one of the simplest and the most beautiful videos we have seen in a really long time. It is shot in black and white, with subtitles in yellow at the bottom of the screen. It makes you think of an old cowboy movies from 40’s and 50’s.  A lone man wearing western clothing and what seems like a Hackberry Stetson hat on his head is seen walking through an open plain. The skies are heavy and grey, there is not a single soul around him, yet he is stubbornly hiking towards an unknown destination. We know absolutely nothing about the lone hero: what is he looking for, where is he, what happened to him that set him on his journey? Those rhetorical questions are adding to the overall mystery. The simplicity of the video allows the viewer to concentrate on the music, harmonies and the lyrics. And that makes it into a truly goose bumps inducing experience. You cannot take your eyes off it, there is some sense of incoming danger but nothing drastic is happening. The man is just walking and walking, stopping from time to time to take a look around and that’s all. You are left wondering what is going to happen next. Will his story be explained? Continued with another single?

The lyrics to the song are as mysterious as the video itself. Brutal and sentimental, full of longing, poetry and tenderness. They tell a story of suffering, mental anguish, love and loss, while not giving many details away. The band has an obvious love for highly visualistic, dramatic and nearly cinematic music videos to their songs. From the rain-soaked “I’m So Wet”, to the gory “Solid Gold” and abstract “Money”. Pop culture obsessives will quickly notice many references to popular movies or film genres. “Im So Wet” is shot with a blue filter that was famously used in “The Bodyguard” and “Trois Couleurs: Bleu” to create an atmosphere of  overwhelming sadness. “Solid gold” is a nod to the revenge movies  popularized by “Old Boy” and preferred by Tanantino/Rodriguez tag team (“Kill Bill”, “Machete”), while allegoristic “Money” is clearly influenced by David Lunch (“Twin Peaks”) with a flair of 1970’s crime/road movies such as “Vanishing Point”.

 

As brilliant as this track is, we do not expect “El Dorado” to receive much of an airplay on national radio. At nearly 6 minutes, it is much longer than other songs that currently dominate the airwaves. It is also an experimental composition, merging several genres into one. It needs time to grow on listeners and demands their concentration and focus. This is not a background music material that can quietly play while you read a book or wash the dishes.

But it is good to see that at least one indie band is willing to experiment and look for new sounds. We need eagerness to explore new routes, to take risks, to create something that will shake the indie genre properly and make a mess.

If Avalanche Party want to take the stick and chase the brit-pop nostalgia out of the country, they have our permission to do this. At least we at Vanadian Avenue will be eternally grateful.

You can follow Avalanche Party on socials:
www.avalancheparty.com
https://www.facebook.com/AvalancheParty/
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ
https://open.spotify.com/artist/2srEewBNMqpGckxpkW8moh

Or subscribe to their channel on Spotify:

 

The next few months are going to be extremely busy for the Avalanche Party. They are going on headlining tour throughout November and December (playing Actress and Bishop in Birmingham on Saturday, 23rd of November) and their debut album “24 Carat Diamond Trephine” will be released a day earlier on 22nd of November 2019. You can also catch them on Wednesday, the 25th September playing for PRS for Music & Yorkshire Music Forum at the LeadMill in Sheffield, (tickets at http://bit.ly/2yOxxoL), Tickhill T-Fest on 28th of September (tickets at: https://www.t-fest.co.uk/tickets), 20th of October at The Waterfront in Norwich (tickets at: https://bit.ly/2m7kpYD) and at 2Q Festival in Lincoln on 9th of November (tickets at https://bit.ly/2lOnY5V).

Avalanche Party headlining tour booked for November and December this year

Tour tickets are on sale now through the band’s website or through the local promoters:

13th November – Preston at The Ferret – http://bit.ly/3465jnQ
14th November – Liverpool at Jimmy’s Liverpool – http://bit.ly/2MInFG5
15th November – Glasgow at Broadcast – http://bit.ly/32bVaUK
16th November  – Leeds at Hyde Park Book Club – http://bit.ly/2HznRDc
20th November – London at The Shacklewell Arms – http://bit.ly/2UiAx6S
21st November  – St Albans at The Horn – http://bit.ly/2ZsHUyn
23rd November – Birmingham at Actress and Bishop (official) – http://bit.ly/2Pkqcbr
29th November  – Newport at Le Pub – http://bit.ly/2ZsH2Je
30th November  – Bath at Moles – http://bit.ly/2NFcoG1

1st December – Milton Keynes at The Craufurd Arms (Live Music Venue) –http://bit.ly/30K3vin
4th December – Sheffield at Record Junkee – http://bit.ly/2ZxfW3E
5th December – York at The Fulford Arms – http://bit.ly/2zxi10Y
6th December  – Hull at The New Adelphi Club – http://bit.ly/2La1N2Y
12th December – Southampton at The Joiners – http://bit.ly/30IbJHP
13th December  – Notthingham at The Angel Microbrewery – https://bit.ly/2kADjqH
14th December  – Middlesbrough at Westgarth Social Club – http://bit.ly/2zsgucu

Support your scene (as usual).

See you soon,
R+M

P. S. A big big thank you to the wonderful James Holt for his help. You sir, are a wonderful human being!

Indieterria meets Pete Eastwood

Dear Readers,

It takes one person with a vision to make a difference. This statement rings  true for Pete Eastwood  – the founder and creator of Confessional  Festival and Night at the Museum in Blackburn. His events showcase the best emerging artists in incredible locations while also putting the town on the musical map. We sat down with Pete to discuss the beginnings of Confessional Festival, his role as a booker and promoter and why this year festival`s theme is a rain forest.

 

Poster for Confessional Festival 2019

Your social media description goes straight to the point: music promoter, booker, venue owner, band manager, film maker, mentor, head of a music festival. Please introduce yourself to the readers of Indieterria.

Pete Eastwood:  Hi, I am Pete, a mod with a punk attitude from The North.

My passion is live music, and in particular young emerging talent. I always strive to book hot new acts that are about to break. I am happy to be just called a booker these days, as that is the area I am most proud of. A friend once asked me why I use the word booker before promoter, but my line ups are what I put the most effort into. I am OCD fussy, and give myself stupid rules, like I never book the same act twice for the same event as I consider this lazy booking. I never understand why some events book the same acts year after year (lack of imagination and effort). I love the challenge of having a blank piece of paper and having to make my current event, better than any previous.

Also even though I get a huge amount of applications for artists to play (which I appreciate) I only ever book off my wish list of acts that have excited me live over the past 12 months. The word promoter comes with the role of a booker anyway, as you need to promote the acts that you are showcasing (along with them of course).

Managing or representing a young act I believe in is where I feel most at home, but I am concentrating on putting on special events these days.

Pete Eastwood himself. In a obligatory rock and roll pose.

On 6th-7th of September, Blackburn will welcome another edition of Confessional Festival. Please tell us about this event. How did it start?

Pete Eastwood: Confessional Festival started when I was offered an old disused grade 2 listed church that closed in the 1980s, as I wanted to do more that just book a gig in a gig venue. I came up with the idea of a music and arts festival once per year and from day one I wanted it to have the wow factor, which I feel we achieve.

The setting for the festival is grade II listed Holy Trinity Church in Blackburn, commonly associated with Chad Varah – the founder of Samaritans. We have to say this is an unique venue to have a music festival in. Tell us why you decided to host the festival in this particular place?

Pete Eastwood:  I got fed up with working for venues or promoters, who didn’t seem to treat the bands with much respect, or even watch the acts they booked .

I decided to put on my own events, then it was up to me how much effort I put into this. I do it under the umbrella of Fairground Events (very cool Beatles link) with the tag line Amazing Acts in Amazing Buildings. I feel part of the success of these events is the extra effort we put in and the attention to detail.

We have been wondering why the festival is actually called Confessional Festival? Are the artists required to confess something before coming on stage?

Pete Eastwood:  I am more than happy for folk to confess, but no. I remember as soon as I was offered the church, I said yes as long as I can call it Confessional (it just came to me). However a friend of mine tells me he came up with it! (laughs)

The passes for Confessional Festival 2019

The festival started in 2015 and has been going from strength to strength with each edition. What’s your secret for a perfect line up? New talent? Established acts or a mixture of both?

Pete Eastwood: Always new emerging talent, but if I have a chance of booking legends I have always loved, then of course I am going to.

Each year comes with a particular theme as well. 2019 is dedicated to rain forest. Who is behind the décor and how long it takes to prepare the church for the festival?

Pete Eastwood: The theme just comes to me each year, and we don’t do it in a tacky or cheesy way. How it works is I have a vision which I tell to my art manager legend (Kev) initially he laughs and tells me to go away. Then a few days later he calls me asking if I was serious, as he has worked out a way of doing it.

The Rainforest theme is current and very topical. We have tried to also put the effort into being ethical. Expect to see birds of paradise, Aztec temples and waterfalls.

We have worked for the past 9 months on this years event.

Holy Trinity Church from the outside

Holy Trinity Church from the inside during the festival

You have hosted some incredible names at Confessional: Cabbage, Pins, She Drew The Gun to name a few. This year’s line up has Liines, The Blinders and International Teachers of Pop among many others. Which performances would you consider the best of the festival?

Pete Eastwood: I really have liked every single act that has played, but I think Cabbage has to be up there.

Running a festival is a herculean task and few people truly know what it takes to organise one. What would be your advice for those who would like to follow in your footsteps?

Pete Eastwood: Do it for the right reasons (to make something positive happen in your town) not for money. Choose the right trustworthy team who believe in your vision.

Put in the extra effort and attention to detail and don’t book the same acts twice.

Besides Confessional, you also hold bi-annual Night At The Museum in Blackburn. You seem to specialize in finding some truly magnificent places to stage music gigs. Tell us more about Night at The Museum. 

Pete Eastwood: Night At The Museum Live happens twice per year, in a magnificent room surrounded by a 40 million pound backdrop of art, with an Egyptian mummy in the dressing room, and never has more than 120 tickets for sale. Even Jools can’t offer that. All 10 events have fully sold out in advance, so we must be doing something right.

We like our last question to be fun so please tell us, is it true that you are known as Saint Pete of Blackburn, Patron Of The Art among the musicians and concert goers?  

Pete Eastwood:  Ha it should be, but I am probably known as a mad mod that eats, sleeps and breaths music, who tries to sell tickets to every person he bumps into.

Stage times for Confessional Festival 2019

You can follow Confessional Festival online:

https://www.facebook.com/confessionalfestival/
https://twitter.com/confessionalfes
https://www.instagram.com/confessionalfestival

Tickets are still available online so grab them while you can:
https://www.fatsoma.com/confessional/m3ch9qht/confessional-festival-2019

Sister event – Night at the Museum can be found here:
https://www.facebook.com/nightatthemuseumlive

and you follow Pete Eastwood on socials:

https://www.facebook.com/pete.eastwood1
https://www.instagram.com/peteeastwood/
https://twitter.com/NATMPete

Confessional Festival happens this weekend (6th and 7th September) at Holy Trinity Church in Blackburn. See you in the Rain Forest!

Mal/Rita

Indieterria review – Second Hand Emotion by Saytr Play

Dear Readers,

This blog was completely unscheduled but sometimes you just have to accommodate an unexpected release. It landed with barely few days of warning and to be frank we had listened to the single whole three times in total before making a decision that it required a review. So here we are typing at night. If we were lazy, we could tell you that this song is a banger, a real jaw dropper, a proper killer et cetera. Technically it is true but what a lousy writing that would be!

New single from Manchester based five piece Saytr Play entitled “Second Hand Emotion” deserves so much more than few cliché compliments. The band has poured their hearts out into a three minutes track and created a dark anthem for dark times we are living though. We can think of a handful of artists that could do something similar in recent years so it puts Saytr Play in the same league as The Blinders, Strange Bones, Avalanche Party, Sunflower Bean or She Drew The Gun.

Fred Farrell during the video for Second Hand Emotion

Saytr Play photographed by Jack Whiting
https://www.facebook.com/jack.whiting.967

But don`t expect a mosh pit starter. Saytr Play are not Idles, they don`t need to kick the door open to deliver their message. They instead will offer a haunting melody, wonderfully produced and written radio friendly indie track with poetic lyrics. Their strength lies not in angry howls and screams but in how quickly you pick up the song and start singing along with it.  Gigwise – who premiered the video – summed it up this way “the single wouldn’t be out of place blasting out of the speakers at the Etihad stadium” and they are spot on. Well, we can take it from there to say that if the band keeps on putting singles like this – soon they will not only be selling out Gorilla or Ritz. They will sell out Etihad itself. Give them five years, a record deal and watch them fly.

“Second Hand Emotion” brings the same feeling as when “Almost A Kiss” by Blossom came out. You could nearly touch the fact that the band were about to hit it big. The sensation is back. If we are not mistaken then another Manchester band will soon need to find new technical help at gigs. (actually, there will be few vacancies to fill in Columbia since Document are also doing remarkably well).

The band prepared a whole package to go with the single. In a video  we can see Fred Farrell – charismatic leader of Saytr Play – dressed in immaculate white throwing himself in agony/ecstasy while the rest of the band are shown donning dark clothes like a canvass of darkness. A male figure dances around providing the only other focus point for the viewer. Funnily enough this review contains words “five years” and we can’t stop thinking that there is so much of Bowie in the video. From the elaborate make up (like a modern Nō theatre mask) to unbuttoned shirt to the  trademark black heart tattoo  Fred Farell is a glam rock god from era passed. A Maxwell Demon at his most powerful if we can throw in a movie reference.  There is a sense of mourning as Fred holds a burning candle in his hands.

The video has been directed by Matthew Boone and George Webster of Scruff of the Neck and  they did a bloody good job, let us tell you this.

Speaking to Gigwise leader of Saytr Play said “The track’s image explores the vulnerability I feel in today’s society and this idea that we have a voice. In my opinion we don’t have a voice or at least a voice that will be heard. The abstract nature of the image provokes thought. Whatever that may be is irrelevant because it’s your own unique thought! Your second hand emotion.”

The single comes with a black and white sleeve showing a huddled figure – a striking image by Sabrina Olson.

The cover for Second Hand Emotion with photography by Sabrina Olson

Louder Than War Magazine once described the band as “it’s impossible to bottle lightening, Saytr Play come pretty bloody close”. There is very little to add from us truly.

Fred Farrell, Daniel Crowther, Jamie Vere, Thomas Castrey, Juanan Garcia – you did it. Well done.

You can follow Saytr Play on socials:

https://www.saytrplay.com
https://saytrplay.bigcartel.com/
https://www.facebook.com/Saytrplay/
https://www.instagram.com/saytrplay/
https://twitter.com/SaytrPlay
https://www.youtube.com/user/SaytrPlay
https://soundcloud.com/saytr-play
https://open.spotify.com/artist/169EIOeeLOUF8KPn0hAvzG

Additional reading:
https://www.gigwise.com/news/3359866/first-play-saytr-play-premiere-stadium-ready-single-and-video-for-second-hand-emotion

The video to Second Hand Emotion was made by Scruff of the Neck
https://www.scruffoftheneck.com
https://www.facebook.com/scruffoftheneck
https://twitter.com/scruffoftheneck

Directed and edited by Matthew Boone
Shot and graded by George Webster

Second Hand Emotion is released on band`s own label Lovers Music Records
https://www.facebook.com/weareloversmusic/

Love,
M/R

Indieterria presents Rascalton + guests at Werkhaus, London

Dear Readers,

There are places you need to see during your life time (Paris, New York City, London). There are movies you have to watch (Casablanca, Easy Rider, Metropolis), dishes you need to try and songs you need to hear. And there are concerts you just have to go to. The closest one you have to attend is happening on September the 5th, in London at the newest venue in town: The WerkHaus. The line up is simply so good, it is obvious the event is going to be biblical. And if you miss it, then here’s a suitable quote from the Manual (aka the Bible) that will perfectly sum up your state of mind upon realization of what you have done: “There will be weeping and wailing and gnashing of teeth” (Matthew 13:50).

Event poster

You have been warned.

More information about the event:
https://www.facebook.com/events/422683291684329/
https://www.seetickets.com/event/rascalton/werkhaus/1418645
Price: £6
Admission: 18+ (bring your ID’s!)

Werkhaus is located in East London at 85 Brick Lane, opposite Rough Trade East.  They share the address with Cafe 1001, but are located upstairs. They opened quite recently (just under two months ago) but they haven’t been wasting any time. The large space is now a night club, an exhibition space and a concert venue with DIY ethos focussing on the genres of indie rock, psych rock, post punk and grunge. Recent events they’ve put on have included live sets from bands such as Dutch Mustard, The Gulps, Scary Lemons, After London, Framatics, Mummy and Bikini Bombs, with upcoming bands playing including Juicebox, FILM, JW Paris, BUTE, The Howlers, GURU, Strange Cages, and many more.

Please follow them on socials at:
http://www.werkhauslondon.com/
https://www.facebook.com/werkhauslondon/
https://twitter.com/werkhauslondon
https://www.instagram.com/werkhauslondon/

What’s really special about the Werkhaus is, they are a place that allow female promoters to shire. The person behind the booking, marketing, program and social media is Sahera Walker. We spoke to her few months ago and if you’d like to read the interview, please do so, as it is always a pleasure to speak to a lady that wrote about Calva Louise, Yonaka and The Blinders before anybody else did!
https://cocamidemea.wordpress.com/2019/05/17/indieterria-meets-sahera-walker/

This Thursday, Sahara booked four emerging bands that are making waves on the indie circuit. They are Splinter, SNAYX, SNASH and Rascalton. The gig will start at 8:00 pm and the music will be playing well past midnight (there is a DJ set from Peggy’s World as well), so be prepared for a mad moshpit, tasty drinks and the best music in town. If you haven’t heard of any of the bands yet (seriously??), don’t you worry! Vanadian Avene is here to the rescue with some useful bios, links and stage times.

Splinter:
Stage time: 20:30-21:00

Splinter

Splinter is a modern punk band, delivering sharp, crunchy riffs tuned with rhythmic, cutting vocal satire. The trio is based in London and consists of  Mark Marven
Will Brown and Jordan Osborne. The drive in the hooks and melodies offer a powerful and catchy variety of songs led by intense, acidic and often humorous lyrics that drill deep into the ills of contemporary western society. No floppy art rock tunes or sentimental messages of heartbreak, more like a refreshing antidote to an ever more beige and vacuous pop culture, intent on promoting and celebrating shallow, vanity obsessed materialism.

https://www.splinterband.com/
https://www.facebook.com/SplinterMusicLondon/
https://www.instagram.com/splinter_gram/
https://splinter-band.bandcamp.com/releases
https://www.youtube.com/channel/UCSn446Ty79bCvQ8pA2q1MnQ

 

SNAYX:
Stage time: 21:15-21:45

Snayx – photo by Leila Rummery https://www.facebook.com/filmandvisual

SNAYX is a punk duo based in Brighton consisting of two friends: Ollie Horner and Charlie Herridge. Formed at the beginning of 2018, the band has played a string of well received gigs, building a solid reputation for wild stage presence and catchy melodies. Their newest single “Deranged” has received backing from BBC Introducing and is available for download on every platform. It comes with a great video so be sure to check them out.

“SNAYX play with so much passion, it will leave you feeling envious of the talent they possess” – BN1 Magazine

https://snayx.com
https://www.facebook.com/SNAYX/
https://twitter.com/SNAYXUK
https://www.instagram.com/snayxuk/
https://soundcloud.com/snayxuk
https://www.youtube.com/channel/UCZj9zhunBOwb8VswrFlMzuQ

 

SNASH:
Stage time: 22:00-22:30

SNASH

Formed in 2017 in Glasgow, Snash (Scottish for Insolence) has been called a “punk rock’s new hope”. SNASH shared the stages with Shady Poets, Strange Bones, Baby Strange, Rascalton, Bute and many others. Their enthusiastic and wild shows won them many a fan and took them on the road to Blackpool, Manchester, London, Liverpool, Cardiff and of course all over their native Scotland. Their new single “Warning” was released on June 3rd. Their music received a massive backing from BBC Introducing Scotland and Amazing Radio (Charlie Ashcroft).

“The latest proponents of muscular and unfiltered punk rock” – Tenement TV

https://www.facebook.com/snash.ruys/
https://twitter.com/SNASH_BAND
https://www.instagram.com/snash.ruys/
https://soundcloud.com/snash-251464477
https://www.youtube.com/channel/UC1cpPzjQUb3af3hrRQch5CA

 

Rascalton:
Stage time: 22:45-23:15

Rascalton – photo by Cameron James Brisbane
https://www.facebook.com/cameronbrisbanephotography

Rascalton are a deafening force of scatty punk vigour, with a sharp mosh-pit inducing edge to their music. Hailing from Glasgow, the punk four piece embed elements of grunge and dirty punk rock’n’roll in their sound, and are a force and half on stage. They have recently played with artists like Strange Bones, Calva Louise, and The Blinders, as well as playing packed out sets at Camden Rocks Festival and Deer Shed festival.

https://www.facebook.com/Rascalton/
https://rascalton.bigcartel.com
https://twitter.com/RSCLTN
https://www.instagram.com/rascalton/
https://soundcloud.com/rascalton
https://www.youtube.com/channel/UC01Jrq4HP-gPk4eu7oJ5NkA

 

DJ Set: Peggy’s World
Stage time: midnight till late

London based Presenter, MC and Promoter always on the scout for fresh sounds and a Big Day Out.

Peggy’s World – photo by Sandy K. Moz
https://www.facebook.com/runninglibertine

Show: Every Friday, 11am-1pm
https://boogalooradio.com/

Radio submissions and booking inquiries:
peggypresents@gmail.com

https://www.facebook.com/PeggyFromEarth/
https://twitter.com/PeggyFromEarth
https://www.instagram.com/peggyfromearth
https://www.mixcloud.com/BoogalooRadio/peggys-daylight-rockery-feat-little-grim-300819

You are now ready to go! After reading this guide, we are sure you will be singing each song like from a hymn book at the Sunday service.
And amen to that!

See you there,
R+M

Indieterria presents – a secret Birmingham concert with The Novus

Dear Readers,

Early this year we introduced you to The Novus – a Birmingham band that is gathering a lot of interest around the country for their music and commitment to art.  The Novus take no prisoners, do not hold back and precisely direct their anger. They play instruments like lives depend on it and wear slogans on their tees with pride. This shoot straight and speak the truth attitude is winning them fans so quickly that even BBC 1 is paying a close attention. Today we return to speak to the band about their biggest show to date – at a 500+ capacity mystery venue in Birmingham. Yes, you heard it correctly – a band found a brand new place to play in the capital of West Midlands and are throwing a party of the year. Everybody`s invited. Not only a new space is being introduced, there will be a killer line up, an exhibition, a special DJ set, one band will play their final set, another one will have their debut one. Its all DIY. We sat down with Tyla Challenger – the bass player for the band to learn more about the concert, preparations and how you can secure yourself a pass for this event.

The poster for a secret gig in Birmingham on 20th September 2019

You have been on Indieterria before.  Just in case somebody recently discovered The Novus  – please tell us who is in the band and where are you based?

Tyla Challenger: In the band is Euan Woodman (drums), Tom Rhodes (guitar), Connor Hill (vocals) and Tyla Challenger (bass). The 3 of us were born in the same hospital, and went to school and college together in Stourbridge, but have since adopted Birmingham as our musical home – and meeting Euan along the way.

On  20th September  you will play a gig at an undisclosed location in Birmingham. Joining you is a fantastic line up of guests. Can you introduce the bands that will support you?

Tyla Challenger:  This show is entirely DIY, almost guerrilla if you will. We have built it from the ground up, even having to build the stage, sound system, and more ourselves – as well as hopefully building a small prop set to make this show like no other. A big part of this is of course, picking the bands. Since the success of the last secret show we’ve been spoilt for choice having more bands than we can name wanting to get involved which is truly humbling – but we managed to get it down to the unreal line-up that is The Assist – council pop powerhouses from Walsall, Echo Beach – a female fronted indie outfit, Pretty Vile – an exciting young punk duo. For every show we do we like to ‘introduce’ a band to the world, delving right into grassroots music and giving them their first ever gig and often a bigger platform than a lot of bands can get for their first gig – almost in an attempt to give them a head start and beat that struggle of trying to get gigs as a brand new band. Last show it was Watermark and they have gone on to do some great shows. This time it’s the wonderful Sterling.

We heard  that a DJ set will also take place. Are you able to say who will overtake the decks?

Tyla Challenger:  There is a DJ set taking place, it hasn’t been announced officially yet but there are fly posters we have had put up around Digbeth and Birmingham city centre stating the DJ and the secret location (go find`em!) The DJ set is from no other than Btown legends!

Connor Hill unleashing his fury on stage

The Novus on stage

We do not recommend messing with The Novus.

This is going to be your second secret gig in the city. In April you held a show at a mystery venue that turned out to be Muthers Studio.  It sold out before you revealed the location of the gig. Do you think a degree of secrecy keeps audience interested in the show?

Tyla Challenger:  We definitely think the secret location keeps people interested in a show. Part of the reason we do this is to make things more of an experience. We never just want to play a ‘gig’. We want everything we do to be providing an experience, a service to and for our fans. And if we can have some fun with it, then even better.

And what draws the band to pick up the venue for the gig?

Tyla Challenger: There are so many factors that go into picking a venue for these kinds of things. Last time with Muthers Studio it was a lesser known venue, and has since become a commonly used Brum venue which was part of the aim. It’s a cool, quirky venue with great sound and aesthetic, which is easily accessible and definitely deserves to be on the Birmingham map.

For this new venue  – Quantum Events Centre –  the capacity was always a factor as this time its triple the capacity of the last venue. But also it is ticking the box of being different, making it a new experience for everyone and we’re pretty sure no one has played here before. At least not in the scene we’re in. As I say we’re having to build everything from the ground up.

We could’ve easily gone for the standard progression of small venue (Sunflower Lounge) and then work our way up the O2 venues in capacity order – but we don’t want to follow the classic blueprint.

Posters advertising the show have been posted around Birmingham guerrilla style

The Novus on the cover of new issue of Ryan`s Gig Guide for Birmingham

Your recent performance for Sonic Gun Weekender at Castle and Falcon turned into a riot, with band members throwing themselves into the audience and large mosh pits erupting. What can be expected this time?

Tyla Challenger: The Sonic Gun Weekender was class yet again. This was our biggest performance to date and for our upcoming show we are hoping for more of the same on a much, much larger scale. We aim to make it so that years from now people are still saying “I was there” and those who weren’t are saying “I wish I was”.

We know tickets for 20th September are still available. How much do they cost and how can they be obtained?

Tyla Challenger:  Tickets are starting at £5/6 and going up to £7/8 depending on how soon the person buys them. They’re available at http://bit.ly/TheNovusSeeTickets  or  http://bit.ly/TheNovusSkiddle as well as a physical tickets being available from all the bands at only £5 each – a bargain considering the line up.

If anyone wants to get in touch with the band – what`s the best way to do it?

Tyla Challenger:  Anyone wants to get in touch with us about the show or any general enquiries – all our social medias are @thenovusband and our email is thenovusband@gmail.com

You can follow the band on social media at the following links:

https://www.facebook.com/thenovusband
https://twitter.com/TheNovusBand
https://www.instagram.com/thenovusband/
https://soundcloud.com/thenovusband
https://www.youtube.com/channel/UCCRt2uOIvTYDQ8vYaoPEX-w
https://open.spotify.com/artist/3mPpz1sdOXNi3vLokDVbHm?si=JvlBswE-QYap-6PJ7emuww

And check the bands on the bill:

The Assist:

https://www.facebook.com/TheAssistBand/
https://twitter.com/TheAssistBand
https://www.instagram.com/theassistband/
https://www.youtube.com/user/theassistband
https://soundcloud.com/the-assist
https://open.spotify.com/artist/7uO6bPS0yAUPm3jjm1aitC?si=NkaC482eQ16T1ceCOzamOg


Echo Beach!
(playing their final gig)

https://echo-beach.uk/
https://www.facebook.com/echobeachbandtptr/
https://www.instagram.com/echobeachband/
https://soundcloud.com/echo-beach-music
https://open.spotify.com/artist/0Sji449s443fjzjPsLyy5R?si=DE_YYlKlQj6exERWf-6q1w


Pretty Vile

https://www.facebook.com/PrettyVileMusic/
https://twitter.com/PrettyVileUK
https://www.instagram.com/prettyvilemusic/
https://www.youtube.com/channel/UCb6ui5ACqFIIAF2cF4ddTbw
https://open.spotify.com/artist/5Yh27rfCowqKiM3nKRRjUO?si=fpZz4TkoTwK37m0-i2MDjw

And introducing brand new arrival on the Birmingham scene:

Sterling
https://www.instagram.com/wearesterling/

We are hoping to interview few more artists taking part in the secret party. So stay tuned and grab your tickets as they are flying out!

Love
M/R