Indieterria presents The Blinders For The Many Tour

Dear Readers,

Every day in music business is different. But if somebody told us that we would be reporting on a tour to raise funds for a political party during election time last week, we would raise our eyebrows. Music and politics is as old as time itself but UK has not seen rock bands tour to support a political party since New Labour movement or at least since Manics dropped their first album.

For The Many Tour poster

Well guess what. We do have a tour to raise funds for Labour Party and yes, we are gonna report on it. With details.  Manchester based trio The Blinders (called by musical press to be the most vocal and important band on the scene in the last three decades) hit the road to fund raise, encourage young people to vote and to push for the social change we all desperately need. Ahead of their For The Many Tour the members have issued this statement:

“All of our lives it has felt like politics has worked against us with election after election seemingly serving the interests of a limited few.
For us, the election on the 12th of December, provides a crucial opportunity to elect a Labour government that we truly believe in.
The For the Many Tour is about using our platform to bring people together, influence change and help create a society in which we are a little bit more equal.
We hope to be joined by as many of our friends and like minded individuals as possible.
IF NOT NOW……. THEN WHEN ?”

The band called upon other musicians, spoken word artists and general audience to join them in creating concerts with all the profits going to local Labour Party chapters, often is constituencies with seats that could challenge the status quo. The answer was shift and within few days seven concerts have been set up across the country, with a leading show at O2 Ritz in Manchester with a star line up.

The is still chance to join the initiative and everyone interested, be it a venue, artists or volunteers  can get in touch with the band via a page that has been set up  for the purpose of the tour: https://forthemanytour.com/contact or they can simply send an enquiry to bands email: management@theblindersofficial.com

*** Tour ***

Show#1 – Blackpool 

Blackpool was the first show on the tour and we have to say the kick off was amazing. With 6 bands and one poet on the bil, the innauguration of the tour went absolutely perfect. Jordan Allen did a solo show to open up the celebration, Nana White Pepper blew everyone away with their set (and made their manager proud!), Filthy Tricks were mesmerazing and Palava and Scarlet rocked the crowd like category 5 hurricane. Please see their video for proof! Afghan Sand Gand and Patrick T Davies are close friends of the Blinders so it was not a surprise to see them on the bill. Bobby Bentham of Strange Bones (who did a lovely DJ set) and the emerging band Those Fucking Snowflakes (be careful! They are an avalanche!), made the gig a memorable night for equality and diversity. It is worth mentioning that the performances were a little bit delayed. As the running order was getting behind the schedule, the Blinders played before Those Fucking Snowflakes and in a really cool turn of events, they ended up headlining the gig! How cool is that!

Blackpool event poster

Date: 30.11.2019
Town: Blackpool
Venue: Bootleg Social
Address: 30 Topping St, Blackpool FY1 3AQ
Door:  7 PM – 2 AM
Tickets: £10
Line Up: The Blinders, Jordan Allen (solo show), Nana White Pepper, Afghan Sand Gang, Filthy Tricks, Palava, Scarlet, Those Fucking Snowflakes, Patrick T. Davies (spoken word), Bobby (Strange Bones)– DJ set
This show is 18+
Event Page    

Pictures:
https://www.instagram.com/p/B5inWMdgHZB/ (Patrick T Davies)
https://twitter.com/MapMove/status/1201139817922416640?s=20 (venue)
https://twitter.com/nanawhitepepper/status/1201221536214126593/photo/1 (Nana White Pepper)
https://twitter.com/nanawhitepepper/status/1200781592307875842/photo/1 (Nana White Pepper)
https://www.instagram.com/p/B5nxUHmnS00/ (Palava)

Palava performing in support of the Labour Party at the Bootleg – pictures by Edgaras Lazurinas

 

Those Fucking Snowflakes pictures by Alysia Mitchell

Videos:

Nana White Pepper


Scarlet (video by Joseph Challender)

 

Show#2 – Manchester

Manchester was the second show on the tour but the biggest one overall. It was dubbed “Socialist Sunday” and its motto was “For the Manny, Not the Few”. Over 1200 tickets were sold in 3 weeks, 12 bands performed and 10 speakers shared their views with the public. There was a new merch stand with amazing t-shirts saying “The Blinders For The Many Tour”, “Tories Out” and “Union Kicking Ass for The Working Class” (that was presented on stage by Charlie McGough of the Blinders and proved very photogenic).

The show was organized by Kallum Nolan (Rochdale Labour Coulcillor) and Ben Taylor (head of events at Jimmy’s Group). It was streamed online in its entirety by The People’s Assembly.

Manchester event poster known as Socialist Sunday

Set list for the night picture by Ben Taylor

Date: 01.12.2019
Town:  Manchester
Venue:  O2 Ritz
Address:  Whitworth Street West, M15NQ
Door:  2 PM – 11 PM
Tickets: £10
Line Up:  The Blinders, Cabbage, Scuttlers, The Rhythm Method, Eccentronic Research Council Space Monkeys, The Pagans S.O.H, Cold Water Swimmers, Ventrelles, Gerry O’Gorman, Dollie Demi, Karl Hildebrandt plus guest speakers Jon McClure (Reverend & The Makers), Maxine Peake, Andy Burham, Tom Keenan (DJ) and more.
Event Page     

Live stream:
https://www.facebook.com/watch/?v=447410862814225 (interview with Maxine Peake)
https://www.facebook.com/ThePeoplesAssembly/videos/2415456978716818 (Part1  – Cold Waters Swimmers, Pagans SOH, Eccentronic Research Council, Loose Articles, Gerry O’Gorman)
https://www.facebook.com/ThePeoplesAssembly/videos/2147855098844652/ (Part2 – Space Monkeys, The Rhythm Method, Scuttlers)
https://www.facebook.com/ThePeoplesAssembly/videos/595952144499283/ (Part 3 –  Cabbage and The Blinders)

Pictures:

Official selection of pictures from the event captured by the amazing Trust A Fox.
https://www.trustafoxphotography.com/trust-a-fox-blog/2019/12/3/socialist-sunday-011219-o2-ritz-manchester

https://twitter.com/theblindersband/status/1201555027795611648 (The Blinders)
https://www.instagram.com/p/B5lZtFWJFPB/ (The Blinders)
https://twitter.com/MapMove/status/1200928543611465730 (merch stand)
https://twitter.com/kallumnolan/status/1201497246099034119/photo/1 (mixed)
https://www.instagram.com/p/B5kvo62Ab1F/?igshid=1saj2hfv19odi (Patrick T Davies)
https://www.instagram.com/p/B5kqkjqhkVV/ (The Blinders)
https://www.instagram.com/p/B5kgNxenmqL/ (The Blinders, Cabbage)
https://www.instagram.com/p/B5jR_h6hFWq/(mixed)
https://www.instagram.com/p/B5jLpXMAzGN/ (The Blinders)
https://www.instagram.com/p/B5jJwGlgaWY/ (mixed)
https://twitter.com/ScuttlersINC/status/1201529492868620292/photo/1 (Scuttlers)
https://twitter.com/TrustFox/status/1201478833674891265?s=20 (Cold Water Swimmers)
https://twitter.com/TrustFox/status/1201464249551400960?s=20 (Pagans SOH)
https://twitter.com/TrustFox/status/1201493081595535361?s=20 (Space Monkeys)
https://twitter.com/TrustFox/status/1201486395900092416?s=20 (Gerry O’Gorman)
https://twitter.com/TrustFox/status/1201484341156691968?s=20 (Loose Articles)
https://twitter.com/TrustFox/status/1201474913216929792?s=20 (Dollie Demi)
https://twitter.com/TrustFox/status/1201472507502616582?s=20 (Eccentronic Research Council)
https://twitter.com/TrustFox/status/1201471604003344388?s=20 (Ventrelles)
https://twitter.com/TrustFox/status/1201576129150246922?s=20 (John McClure of Reverend & TheMakers)
https://twitter.com/TrustFox/status/1201607817670643714/photo/1 (Thomas Haywood of The Blinders)
www.facebook.com/shampson3/posts/10156956567352725 (Pagans SOH)
https://www.facebook.com/shampson3/posts/10156957359237725 (The Blinders)
https://www.facebook.com/shampson3/posts/10156956665367725 (Space Monkeys, Rhythm Method and Scuttlers)
https://www.facebook.com/shampson3/posts/10156956362102725 (mixed)
https://www.instagram.com/p/B5lO_nxFtgM/ (mixed)
https://www.instagram.com/p/B5kPiIun_ag/ (Loose Articles)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432495580752604 (The Blinders)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432369810765181 (The Scuttlers)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432326074102888 (The Rhythm Method)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432298250772337 (Space Monkeys)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432263300775832 (Gerry O’Gorman)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=432242337444595 (Loose Articles)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431684000833762 (Eccentronic Research Council)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431603720841790 (Cold Water Swimmers)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431643110837851 (Pagans SOH)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431615794173916 (Karl Hildebrandt)
https://www.facebook.com/pg/neilwinwardphotography/photos/?tab=album&album_id=431537780848384 (Dollie Demi)

Videos:
https://www.instagram.com/p/B5kjjGrHLoR/?igshid=thqer0e9ejc1
https://www.instagram.com/p/B5kPGSkHQdh/
https://twitter.com/Reverend_Makers/status/1201265997472313349?s=20
https://www.youtube.com/user/mancmusic/videos (large collection of videos)

Poetry:
Mancunian (mosh pit) poet laurate – Karl Hildebrandt spoke at the Ritz just before the Pagans SOH gig and addressed the inequality and social injustice with his poem. The piece is still unentitled and it was written about 4 am on the day of the concert! His poetry is really powerful and resonated with the audience. Due to high demand (many people asked us to add it!) we have teamed with Karl who kindly re-recorded it and you can listen to it below:

 

The Blinders went on stage exactly at 10:00 pm and the public quickly greeted them with delight. It was another full house for the trio in one year, as they sold out the venue in April during their Columbia Spring tour. Thomas Haywood spoke to the public convincing them to vote Labour and “finally breaking his silence”. During “Berlin Wall” after singing the famous line “Does my vote count for anything at all?”, he felt prompted to add “Yes, it fucking does!” to huge cheers form the audience. The ending of the gig was a real surprise as members of several Manchester bands – Cabbage, Scuttlers, Saytr Play, and Document, joined The Blinders on stage to perform Cabbage’s infamous track “Terrorist Synthesizer” in a obvious jab at conservative mainstream press often calling Jeremy Corbyn a “terrorist symphatizer” because of his peace negotiations with IRA in the early 1990’s.

Set list:
Gotta Get Through
L’Etat C’Est Moi
Free the Slave
ICB Blues
Where No Man Comes
Something Wicked This Way Comes
Ramona Flowers
Brave New World
Rage
Rat In A Cage
Brutus/Et Tu/Berlin Wall
Encore: Terrorist Synthesizer (with Cabbage and Scuttlers)

After party poster

The party was not over with the lights out at the Ritz. The bands, speakers and many of the audience members moved to the popular night club, The Night People where the good fun continued till early morning. All bar profits were also donated to local Labour North West branch.

Show #3 – Doncaster 

The Doncaster show was the second show on the tour to sell out. The Blinders arrived to spread the message of hope and glory (well we exaggerate, but just a tiny bit) to mostly young audience at their favourite hang-out place, aka The Social. It was good to see the band’s family members and friends who came out to greet them. The show was described as sweaty but amazing. Patrick T Davies again provided a spoken word, Jordan Allen played a another solo acoustic gig under the alias of Gordin Alan (A Tribute act) and Wraiths and Tinfoils raised the temperature to boiling levels. The Blinders were a bit delayed (about half an hour due to late start) but played a full set, just without the encore. The fundraiser was a success and a substancial sum will be given to local chapter of Labour Party. Thank you to all who donated and who came out to support the tour. It is greatly appreciated.

Doncaster event poster

Date: 02.12.2019
Town: Doncaster
Venue:  Social Bar
Address:  28-30 Lazarus Court, Bradford Row, DN1 3NF
Door:  7:30 PM – 11 PM
Tickets: £10
Line Up: The Blinders, Wraights, Tinfoils, Jordan Allen (solo show), Patrick T. Davies (spoken word)
This show is 18+
Event Page  

Pictures:
https://www.facebook.com/theblindersband/posts/2465383860401600 (The Blinders and Jordan Allen)
https://twitter.com/hossfitt/status/1201653341039874050/photo/1 (The Blinders)
https://www.instagram.com/p/B5l-bYnHfMJ/ (The Blinders)
https://www.instagram.com/p/Bc7ugRtnnRO/ (The Blinders)
https://www.instagram.com/p/B5n84vFH_ig/ (The Blinders)
https://www.instagram.com/p/B5n6u3zHDbe/ (Thomas Haywood)
https://www.instagram.com/p/B5n5qkuHh9_/ (Thomas Haywood)
https://www.instagram.com/p/B5npVauhQiM/ (The Blinders and Jordan Allen)
https://www.instagram.com/p/B5nc8FRAjnw/ (Patrick T Davies)
https://www.instagram.com/p/B5nrd8VHeej/ (Wraiths)
https://www.instagram.com/p/B5nCPEFHSRk/ (Jordan Allen)
https://www.instagram.com/p/B5nuVfPnUbR/ (Wraiths)
https://www.instagram.com/p/B5n1YrOnp2u/ (Tinfoils)
https://www.instagram.com/p/B5nysbYHZfj/ (Tinfoils)
https://www.instagram.com/p/B5nxqh0H5uX/ (Tinfoils)

 

Videos:
https://www.instagram.com/p/B5mbcY5gaR2/
https://www.instagram.com/p/B5nttLlgM92/
https://www.instagram.com/p/B5nocm1HKDo/
https://www.facebook.com/bob.wallis.75/posts/10216941080253874

The stage times were as follows (just add 30 minutes to them as there was a delay!):

The Blinders set list:
Gotta Get Through
LE’tat, C’Est Moi
Free the Slave
ICB Blues
40 Days And 40 Nights
Something Wicked This Way Comes
Ramona Flowers
Rage
Brave New World
Rat In A Cage (feat Jordan Allen)
Brutus/Et Tu/Berlin Wall

Show #4  – London

Fourth show on the tour and the merry machine came to the capitol to deliver an intimate show what was probably the smallest gig on the tour. Fans of four bands filled the venue to the last place and it was another sold out show collecting money for the Labour Party. Seasons has only the capacity of 80 people so the show was really up close-and-personal. Band members climbed the instruments and the bar, sat on the floor, walked among the public and they shouted the lyrics back at them. Several bands from all over the UK came to support the line up (including The Novus from Stourbridge, which makes us super proud). IT felt as being back at the beginning of their career – playing tiny venues with dedicated fans. All for a good cause.

Stage times:
Cross Wires: 7.45pm
Couples: 8.30pm
SISTERAY: 9.15pm
The Blinders: 10pm

Woodford Green event poster

Updated poster in collaboration with Kick Up the Jamz

Date: 04.12.2019
Town: Woodford Green
Venue:  Seasons
Address:  215 The Broadway, Woodford Green, Redbridge, IG8 0HL
Door:  7:30 PM -11 PM
Tickets: £8
Line Up: The Blinders, Sisteray, Couples, Cross Wires
Event Page

Pictures:
https://www.instagram.com/p/B5r79FVA1qL/ (The Blinders)
https://www.instagram.com/p/B5sZ-AxHhLr/ (The Blinders)
https://twitter.com/overtimer/status/1202512522529705984?s=20 (The Blinders)
https://www.instagram.com/p/B5sxrgBA8Yv/ (The Blinders)

Couples  photographed by Caffy St Luce

Videos:

The Blinders by Tyla Challenger



The Blinders set list:

Gotta Get Through
Ramona Flowers
Brave New World
40 Days and 40 Nights
Rat in a cage
Free the Slave
ICB Blues
L’Etat C’Est Moi
Brutus/Et Tu/Berlin Wall

 

Show #5  – Newport – happening tonight!

Newport event poster

Date: 05.12.2019
Town:  Newport (Wales)
Venue:  Le Pub
Address:  14 High Street, NP20 1FW
Door:  7 PM – 11 PM
Tickets: £8

Line Up: The Blinders, Al Moses, Jack Perrett, Football FC, Sam J Grudgings (spoken word)

This show is 16+

Event Page       Tickets

Show #6  – Stourbridge

Stourbridge event poster

Date: 06.12.2019
Town:  Stourbridge
Venue:  Green Duck Brewery
Address:  Gainsborough Trading Estate, Rufford Rd, DY9 7ND
Door:  7PM – 11PM
Tickets: £7

Line Up: The Blinders, The Novus, Flares, The Humdrum Express, Jess Silk, Maggie Dunne (Fuzz Box) and Mark Roberts (DOXA) – speakers

This show is 18+

Event Page      Tickets

 

Show #7  – Lincoln

Lincoln event poster

Date: 09.12.2019
Town: Lincoln
Venue:  Labour Club
Address:  Grafton House, 32 Newland, LN1 1XJ Lincoln
Door:  7:30 PM -11 PM
Tickets: £7.50

Line Up: The Blinders, Broken Crown, Mary`s Dream, Gary Rudd, The Pagans S.O.H, The Rills


Tickets

 

Show #8 – Norwich

 

Norwich event poster

Date: 10.12.2019
Town:  Norwich
Venue: EPIC TV Studios
Address:  112-114 Magdalen Street, Norwich, Norfolk, NR3 1JD
Door: 7 PM – 11PM
Tickets: £7

Line Up:
The Blinders, Youth Killed It, Eluders, The Revere, Ducking Punches (Solo Set)

Event Page       Tickets 

 

Show #9  – Stoke Upon Trent

Stoke Upon Trent event poster

Date: 11.12.2019
Town: Stoke on Trent
Venue:  The Underground
Address:  2 Morley St, Stoke-on-Trent ST1 4LS
Door:  7 PM – 11 PM
Tickets: £10

Line Up: The Blinders, Psyence, Pacific, Loose Articles, Afghan Sand Gang, Patrick T. Davies and Filth (DJ set)

This show is 18+

Event Page         Tickets

***Come Together, We Need Each Other***

We strongly encourage everyone to get involved and attend one of the shows above, but there is so much more that one can do – even not moving from one`s sofa. We would like to list few ideas – in case you feel powerless. Because you are not.

– No brainer but register to vote. It takes few minutes and it is the most direct and efficient tool in any elections. Take part. Vote. You have time till midnight on Tuesday 26th November.

https://www.gov.uk/register-to-vote

-Encourage your friends to register. Nothing beats a personal example.

– Give your local party chapter a call – they may need volunteers, canvassers, even people who prepare  letters. A bit of activism goes a long way.

– Share the posters or events for the tour on your socials, stories or chat groups. Inform your friends.

– Print a poster for the tour and put it in your student hall or on a community board (where it is allowed).

– Maybe make leaflets – it`s cheap and very effective.

– Let local press, bloggers or radios know. They are always looking for new stories to tell. Or write an article or blog yourself.

– If you know a venue that could host a gig to raise funds – you don’t even need The Blinders to do your own gig. Team up with few other artists and do it. It is easier than you think. And besides bringing social change it will also give you real skills how to do events. And how to meet new people.  Win -win.

Media coverage:
http://indiemidlands.com/the-blinders-coming-to-green-duck-brewery/
https://louderthanwar.com/news-socialist-sunday-all-dayer-at-the-02-ritz-december-1st-2019
https://ryanwrites99.wordpress.com/2019/11/24/the-blinders-and-friends-present-for-the-many-stourbridge
https://www.getintothis.co.uk/2019/11/the-blinders-cabbage-the-rhythm-method-and-more-join-forces-for-socialist-sunday
https://www.manchestertheatres.com/event/socialistsunday-manchester-for-a-labour-government-with-the-blinders
https://newsoundsmag.co.uk/2019/11/25/the-blinders-announce-pro-labour-for-the-many-tour-ahead-of-uk-general-election
https://www.thestar.co.uk/news/doncaster-rock-band-blinders-announce-uk-tour-support-labour-party-1321546
https://morningstaronline.co.uk/article/c/charlie-mcgough-bass-player-blinders
https://morningstaronline.co.uk/article/why-im-voting-labour-daniel-connolly-musician-sisteray
https://www.skiddle.com/news/all/The-Blinders-set-off-on-politically-charged-For-the-Many-tour/54623
https://www.expressandstar.com/entertainment/music/2019/11/30/stourbridges-the-novus-join-the-blinders-in-hometown-for-gig-to-support-labour
https://www.manchestereveningnews.co.uk/whats-on/citylife-seven-days-manchester-events-17312341
http://www.maximumvolumemusic.com/peak-blinders/
https://www.rhonddacynontaff.com/2019/12/the-blinders-2/
https://www.southwalesargus.co.uk/news/18081899.labour-backing-band-performing-newport-tonight/

Gig Reviews:
https://www.eventhestars.co.uk/2019/12/socialist-sunday-blinders-cabbage.html


Tour Updates:

The band is not only playing nine shows across November/December but also canvassing on behalf of Labour. Just one of the images we have seen:

Support your
Mal/Rita

 

Indieterria presents Weimar

Dear Readers, 

We have said it before, but Vanadian Avenue is always on the look out for unusual bands, unique musical styles or new trends in music. Sometimes we find interesting artists on our own, sometimes we receive a tip or sometimes the artists take their time to contact us themselves.

And this is how we learnt about Manchester quartet called Weimar. Last week, lead singer of the band, Aidan Cross sent us an email asking if we would be interested in  reviewing his newest double A single. After listening to both songs, and seeing the accompanying videos we had to say yes!

Weimar is a Manchester-based band consisting of singer-songwriter and rhythm guitarist Aidan Cross (The Bacillus, Black Light Mutants), lead guitarist Stephen Sarsen (Frank Is Dead, The Bacillus, Playground), bassist John Armstrong (The Speed of Sound) and drummer Anthony Edwards (The Deceased).

Weimar Republic of Mancunia by Zac Gale

Official bio: “Combining a range of influences and naming themselves Weimar after the German Weimar Republic of the 1920s in which experimental art, music and cabaret saw a boom, Weimar combine an eclectic range of influences, with their songs containing elements of Art Rock, Post-Punk, Cabaret, Chanson, Prog Rock, Funk, Alt Folk, Gothic Rock, Music Hall and Dark Circus. Lyrically they cover themes of the dark side of culture and human nature, drawing on a socio-political awareness as well as historical inspiration. In the spirit of the Weimar Republic itself, the emphasis is on the need for freedom of expression and rebellion in the face of political and social oppression. In the current turbulent political era, which has already sparked talk of ‘Weimar Britain’, this approach has a profound relevance to contemporary culture”.

The songs “Marvel to the State” and “Undesirable Master” were released on 22nd of November 2019 and they feature the guest vocals of Rose Niland, singer with Rose & the Diamond Hand and Poppycock. The Double A side single was also released digitally on German Shepherd Records, and on CD via Weimar’s own label Marlene’s Hat.

So what can we say about the singles? First thing that comes to mind is that Weimar is reviewer’s real nightmare when it comes to classification. We can easily imagine that if those songs were released back in the 1990’s, Steve Lamacq would tear all his hair out trying to come up with a name for what they do. This is a real mixture of genres – from the classical French chanson, to pop to rock and alternative. There is a lot of Divine Comedy, a lot of the Smiths, The Fall and a bit of a cabaret. To complicate the matters even further – we can swear that “Marvel to the State” has been ispired by 1920’s and 1930’d european jazz. And if we throw trip hop and pop into the cauldron, then we have a real bomb ready to go off.

Weimar in black and white by Zac Gale

The PR note released alongside the singles is confirming what we heard for ourselves:

“Stylistically, both new songs are significantly different from Weimar’s previous single. ‘Marvel To The State’ is written as a celebration of female figures throughout history who have stood up in the face of oppressive politics. It is a duet between Weimar’s frontman Aidan Cross and Rose Niland, set to a jazz-funk inspired backing, with a more upbeat and pop-oriented feel than the previous single. ‘Undesirable Master’ meanwhile, is a romantic torch song with an ethereal backing vocal from Niland. Both songs are accompanied by promo videos directed by Nikos Pavlou. Niland co-stars in the video for “Marvel” while the “Undesirable Master” video guest stars screen thespian Indigo Azidahaka, also vocalist with Granola Suicide.”

We are not the only ones impressed with both songs. Other reviewers were also truly generous with compliments:

“You know when you get that chill up your back when you hear music that is genuinely different and exciting…..? The most important band to come out of Manchester since Magazine.” – Bob Osborne, Aural Delights Blog

“What makes Weimar stand out from so many other guitar bands is their emphatic execution of highly observant songs informed by life’s surreal and unnerving experiences, underpinned by instrumentation which is accomplished – almost oblivious to how good it actually is. Guitars jangle, jolt and drive emotion in equal measure, matched with point-hitting drums… with enigmatic singer and musician Aidan Cross captivating the crowd.” – Emily Oldfield, Louder Than War

We have to admit that Weimar is one of the most unusual bands we have discovered this year and it will be a pleasure to watch them grow. The band is currently working on their debut album while continuing to gig regularly. The album is scheduled to be released in the spring of 2020.

Weimar in black and whte (again) by Zac Gale

You can follow the band on their socials:
https://weimarbanduk.com/
https://www.facebook.com/WeimarTheBand/
https://twitter.com/WeimarBandUK
https://www.instagram.com/weimarbanduk/
https://soundcloud.com/weimartheband
https://www.youtube.com/channel/UCRVRYJayyyN0Q46AA_74Aig

 

With bands such as The Blinders, Dirty Laces, Scuttlers, The Document, Saytr Play, The Red Stains, Witch Fever, Liines, Gloves, The Membranes, The Battery Farm and many others (we could go on forever!) Manchester music scene is one of the best in the world. Keep your eyes and ears open as the Kingdon of Mancunia is four steps ahead of everyone.

Xoxox
Rita and Malicia D.

Indieterria meets Avalanche Party

Honourable comrades!

Avalanche Party is one of the most important new bands on the indie scene at the moment. Formed in 2014, AP (as they are known to their fans) built an impressive resume in a relatively short period of time. They travelled throughout the UK and mainland Europe, performed in NYC and at the famous SXSW in Texas, recorded at the desert studios somewhere in the Death Valley in California. They also played at all the important summer festivals and shared stages with the best of the best in rock music.

The band is known for its wild, mesmerizing shows, full of drama, sweat and hypnotic music. And for their specific, dry, half-sarcastic, half-abstract sense of humour. Just few days before their gig in Birmingham and the release of their debut album, we sat down with vocalist and front-man, Jordan Bell to discuss their videos, trips to America and what can we expect from the Avalanche Party in 2020.

Avalanche Party photographed by Jason Ferdinando

BBC Radio 1 calls you “The most exciting rock & roll band in the UK right now.” But let’s take things to the very beginning. How and where did Avalanche Party form?

Jordan Bell: Keep an open yoghurt in your kitchen fridge for long enough and over time, it will morph and grow into something quite remarkably different from the yoghurt you once knew. Until you can no longer bear to keep it in your refrigeration station and have no choice but to toss it out into the big bad world. It was kind of like that. We’re from North Yorkshire, if it makes a difference. Where the wild things are and the OneStops aren’t.

You managed to keep the news of your debut album completely under wraps. There were no mentions, no leaks, no warnings and then on 27th of August a bomb was dropped. In the era where people lead their entire existence online, did you think it was important to keep your fans unaware of what was coming?

Jordan Bell: Definitely and that’s something which extends past fans and straight into the band itself. Two members didn’t even know the album had been recorded and our manager still doesn’t. Keep it to yourselves.

The album “24 Carat Diamond Trephine” is finally due on 22nd of November. We are intrigued by the title? Trephine are commonly used in bone surgery and dentistry, but we are certain that NHS cannot afford a 24 carat ones. Where does the title come from? Is there a particular meaning behind it?

Jordan Bell: Trephines are still knocking around but the album title is based on the more primitive versions used for trepanning – the old practice of cutting holes in the head to let out the evil spirits responsible for strange behaviours. There seems to be some kind of parallel between that and listening to music which makes sense. It’s a 24 carat diamond one because, it’s not just any old Trephine. This one’s special, it cuts right to the heart of the matter. As far as we know, a 24 Carat Diamond Trephine is the only reliable Trephine for evil spirit excavation, these days.

Avalanche Party by Jason Ferdinando

To promote your debut, the band released three singles in span of four months: “7”, “El Dorado” and “Rebel Forever”. They are completely different from each other: “7” is two minute cacophony of noise, “El Dorado is an experimental ballad of 6 minutes and “Rebel Forever” is quite a catchy, mainstream, radio-friendly track. The upcoming album seems to be very varied in terms of genres and song length. What can we expect from it? Was it a conscious decision to make it as variable as possible?

Jordan Bell: Well yeah it is, we’ll give you that one. We made a conscious decision to attempt as many different genres as possible, because Kane’s uncle, Simon said, we need to try and be like a band that appeals to a massive audience. Like Swedish House Mafia or Catfish & The Shottybottlemen. We went away and thought about it for a bit. Next time we saw him, he said, “Well? Who have you chosen with a massive audience in a particular musical genre that you can be like? Preferably a genre with a long musical history, so you can appeal to the mams and dads and grandies, too?” “Yes”, we said. “Who is it? Miley Cirrhosis? Post Maloon?” “Both”, we said. He nearly fell off his whippet.

Buy it and see.

Avalanche Party always had incredible videos – cinematic, pop culture inspired with complicated, sometimes brutal storylines. The video to “7” shows what only can be described as some sort of illegal experiment, “El Dorado” takes the viewer to America for a mini road movie where nothing really happens and “Rebel Forever” is a dream-like, kaleidoscopic drug-induced nightmare. How important is the visual side of storytelling for you? Are you going to use the videos on tour in some way?

Jordan Bell: “El Dorado” is actually a live video we shot at our last gig in Birmingham! (laughing)

Let’s stick to the videos for a while longer – Bobby Bentham, lead singer of Strange Bones and your personal friend, plays the subject of the experiment in “7”. How do you recall working with him on the set? We have to say he’s terrifyingly convincing.

Jordan Bell: Bobby was perfect for the role given he is THE method acting champion of the world. It was a very, very nice afternoon requiring very little direction or instruction, which began with him floating east by the medium of transpennine express and peaked with me serving him watermelons through the air to flamboyantly slice with a samurai sword in slow motion. He fucking nailed it. And the knife throwing. His gran was in the Yakuza for a bit, so he picked up some stuff. When the zombie apocalypse comes, he’ll be fine. In fact, I’m moving into his house. He’s a great friend and Strange Bones are the fucking dons. He taught me how to swim, but that’s another story.

Jordan Bell live, picture by Jason Ferdinand

Few days ago, the band announced that NHS professionals have a free entry to your gigs on this tour. That’s a very generous way of supporting the National Health Service. Is this your way of protesting against the cuts and showing the solidarity with the workers?

Jordan Bell: It’s a nice thing to do for people, who give a lot, working insane hours and dealing with insane shit for fuck all. The harrowing stuff they have to see and do on a daily basis is truly incredible and they have saved the lives of many, many people near and close to us all.

2019 was a breakthrough year for the band. First SXSW and American festivals, then a session for legendary radio station KEXP for The International Clash Day in London. You recently returned to US to play more gigs. And you are about to embark on a 19 dates long national tour. It must be both incredibly exciting time, but also a challenging one.

Jordan Bell: Big up KEXP. Yeah, but we can see the progression in our music and in ourselves and it’s easy to keep going. It feels far more exciting than challenging. And as our tour manager, Jimmy Mac says – you can sleep when you’re dead! Or in his case, whenever he hits the nice straight bit going past that house in the middle of the M62.

After the UK tour is done and a well deserved Christmas break, can we expect an EU tour in the spring of 2020?

Jordan Bell: No, Brexit means Breakfast (laughing). Joke, it’s a joke! Yeah, we’re going back to the mainland, maybe even sooner than spring. We always have a great time over there and it feels like it’s been too long since we last went, so lets see which way the wind blows.

Debut album – track list

The famous last question – trips to US, especially to SXSW are known to be culinary adventurous. We heard stories of the UK bands being hospitalized after trying the nuclear hot Austin sauce or having margaritas for every meal. What was your diet like at the conference? 

Jordan Bell: I ate great. Have you seen the size of the carrots over there? Superb. I survived for 3 days on just one single Carrot. Apart from that, I can see why people could struggle but personally – absolutely no problems.  Our friends in Trail Of Dead took us for the full Austin BBQ experience, our hosts made amazing blueberry pancakes, showed us Cookie Dough and made great egg foo young. And at the festival, we grabbed everything free & edible that wasn’t nailed to Lady Gaga!

Follow Avalanche Party on their socials:
https://www.avalancheparty.com/
https://www.facebook.com/AvalancheParty
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ

 

And while we are waiting for the debut album, the band released a fourth single to a song called “Howl”. You can watch the AP guys perform in some sort of distorted version of “Top of the Pops” below:

“24 Carat Diamond Trephine” is released in three days time, but several influential websites, zines and blogs already listened to it and gave it fantastic reviews. We have gathered several of them for your reading pleasure:

24 Carat Diamond Trephine is an eleven track joyride that veers from the poetic and introspective to a ferocious barrage of explosive energy. Brimming with their infamous live urgency, it’s a masterfully curated album that ranges from full-throttle sonic assault (7, HAHA) to refrained moments of cool clarity to catch your breath (Hey Misdemeanour, Every Last Drop). The legendary James Aparicio (Grinderman, Spiritualized) was the man tasked with taming the beast and it’s a production that does no such thing. It’s an album barely contained, constantly teetering on the edge of insanity but is completely alluring throughout.

24 Carat Diamond Trephine is undoubtedly a fist-raising crowd pleaser, but like contemporaries Fat White Family, Viagra Boys or The Blinders, they’ve used it as an opportunity to enforce their own birds-eye view of the world. They tackle hefty themes of anger and fear, the capitalist machine that drives us ever closer to the great flaming End, cloak-and-dagger corporate greed, the environment, lyrics of love, death and an individual’s walk through a world they were spat into, laughing as they go” – Rough Trade Magazine
https://www.roughtrade.com/gb/avalanche-party/24-carat-diamond-trephine/

“‘24 Carat Diamond Trephine’ is an album of transformation, just as the process that turns leaves to coal, and coal to diamonds. ‘Cruel Madness’ is less At The Drive-In, more The Mars Volta and the kind of theatrical rock the likes of Alex Turner and Muse might favour, the ‘new day, new dawn’ lyric a blatant burn but also a statement of the company this band now sees itself in. Closer, ‘Rebel Forever’ is an instant classic revisiting ‘Howl’’s giddy and unexpected high points and reprising the ‘El Dorado’ theme in the lyrics; and with just enough Psycho Killer energy that should see it become a restless reference point for the band; a moment in time, a place, a memory…” – Steve Spithray for God is in the TV Zine
http://www.godisinthetvzine.co.uk/2019/11/18/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“There’s so much to explore on this album and it’s likely to take a few listens before it starts to really blossom into its true form. But there’s no escaping this is an extremely impressive and ambitious debut that aside from a few nods to influences is unlike anything else out there. The band have managed to showcase their genre-bending best and sewn it all together to create a Frankenstein’s monster of an album that’s indicative of their terrifying potential” –  Richard Cobb for Little Indie Blog
http://littleindieblogs.blogspot.com/2019/11/album-review-avalanche-party-24-carat.html

“My favourite track at the moment is ‘Howl’ the current single. It is a very Bowieesque slab of prime heavy riff-laden early 70s rock with a gospel-style chorus. If you are not moved to dance to ‘Howl’ then you might well be clinically dead! This is possibly the finest song that the band have released so far. It is also accompanied by a fabulous video which features a cameo appearance on tambourine from the multi-talented Charlie Swainston! The track which proves how great a band Avalanche Party is is the psychedelic rock circus that is ‘Milk And Sunlight Is A Heavy Dream’. Vocals, backing vocals, keys, bass, guitars, and drums all align perfectly and the chorus will not let you go. James Aparicio has captured the essence of what makes Avalanche Party such a great live band in his production. From the massed Panzer Tank Division sonic assault of ‘HA HA’ to the deeply mellow buzz of ‘Hey Misdemeanour’ the former Grinderman and Spiritualized producer does not put a foot or a fader wrong. I can already picture a crowd incursion from Jordan during ‘Playing Field Blues’ using his rock star evil stare to hypnotise his audience into becoming Avalanche Party‘s helpless mosh puppets. It redefines heavy, scuzzy garage blues into something very 21st Century. I never thought that I would see myself finding a U2 influence from Avalanche Party, but ‘Every Last Drop’ is the kind of song that Bono would kill to have written. I can see the lighters and lit up mobile phone screens waving in the air at festivals to accompany this gorgeous modern, dirty power ballad. Dark menace runs through the veins of ‘Cruel Madness’ and draws you into a dark, descent of a dream to a world that might be populated by all your fears and phobias. The album closes with ‘Rebel Forever’ which opens and is underpinned with a warped fairground organ riff which gives the tune a Cockney Rebel feel and in many ways sums up Avalanche Party. They are rebels and I hope they will remain rebellious forever!” – With Just A Mint of Mayhem Blog
https://withjustahintofmayhem.blog/tag/avalanche-party/

“The two most important things to know about Avalanche Party are they write life affirming songs that give you faith guitar music. What’s more they’re hungry and have ideas. ‘24 Carat Diamond Trephine’ is chocked full of both of these. It’s an album that was worth the five year wait as it finally delivers on Avalanche Party’s initial unruly promise of writing a heartfelt vitriolic lament while trying to cave our heads in through viscous indie rock, whilst doubling down on killer melodies” – Nick Roseblade for Clash Magazine
https://www.clashmusic.com/reviews/avalanche-party-24-carat-diamond-trephine

“Most bands are at their best on their first album and spend the rest of their careers trying to reach the same dizzy heights. If this is Avalanche Party’s piece de resistance, then so be it. Its early days, but I feel whatever they do in the future, this will be go down in history as their ‘In Utero’, their very own ‘The Holy Bible’. ’24 Carat Diamond Trephine’ is Avalanche Party’s defining moment, and one of the best debut album of the year.” – Ben Hughes for RPM Online http://rpmonline.co.uk/2019/11/27/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“The wild record is a possessive trip that spits as you as it scuttles past. It’s disgusting but in all the right ways and mirrors a similar disturbance to contemporaries such as Fat White Family and Viagra Boys. Not many bands can capture their live excitement in an album- especially in a debut- however, Avalanche Party have perfectly crafted their unique sound at an early stage and have created something outstanding. Let the Avalanche Party magic bring you along on its hectic ride” – Jasmine Hodge for Jasmine Hodge Reviews
http://jasminehodge.blogspot.com/2019/11/avalanche-party-24-carat-diamond.html

“Welcome the immersive 24 Carat Diamond Trephine, one of the strongest pieces of artwork 2019 has been lucky enough to be graced with. Sharply corrosive, and harrowingly bleak, Avalanche Party’s debut album is a haunting and melodic mix of heavy edged punk, fuzzy psych rock, and shimmery euphoria, and the band have truly excelled themselves, mashing their heavy punk presence with something so stark and chilling that the album conjures up eclectic and dispersed emotions from the very start” – Sahera Walker for Indie Underground Blog
https://indieunderground.blog/2019/11/21/a-hauntingly-harrowing-and-stunning-debut-from-avalanche-party-24-carat-diamond-trephine/

 

We cannot wait to see AP in Birmingham this Saturday.

Support your scene kids!

Malicia and Rita

Indieteria presents The Columbia Exhibition

Dear Readers,

This is the end, sang Jim Morrison, on one of the most popular songs by The Doors and it does look like an end of an era. Not a definitive end of course, nobody is calling it quits and the band is not breaking up, yet we cannot help but feel a certain sense of  profound loss.

In August, The Blinders announced two acoustic shows to celebrate the first anniversary of the release of “Columbia” – their critically acclaimed debut album. The shows were accompanied by a double vinyl live album recorded during their tour in April. “Live At The Ritz” was the band’s gift to the loyal fans and the last stop on their journey before the dystopian gates of Columbia were to be shut tight for the last time.

Originally, the concerts were supposed to take place on 21st of September but due to Thomas Haywood’s illness, they were moved to 2nd of November. Both events of course sold out straight away and fans had to wait patiently for the big day to arrive. A minor inconvenience but the wait was definitely worth it in the end. As they say, good things happen to those who are counting down the days on their calendars.

We arrived at 33 Oldham Street exactly at 13:00 fearing that we have missed some of the show, but luckily the doors opened half an hour  later. We had the time to have something to eat, prepare and charge our recording equipment (aka the faithful mobile phones) and take a small Polaroid session for future PR purposes. Believe us, in the busy lives of the A&R’s, half an hour means forever! At 13:30 sharp, we were allowed into the main performance room and the Q&A session commenced.

David Nolan, an accomplished music journalist and published author started the show by giving the audience his business cards, asking them to text him the questions for the band. The best ones were chosen and the trio was asked to answer them which proved to be a really great move. While asking the question, David looked for the author among the public and it helped the session to have a more intimate feel. The band also seemed pleased that they could interact with the audience. This led to several funny moments where we found out about cringe worthy situations from the early gigs or allowed Matty or Charlie to express their opinions on certain topics such as politics or being in a popular rock group. David also made everybody laugh when he realized there were no chairs for the band to sit on and the group had to stand up (“welcome to the 1970’s!”), except for Matty who sat comfortably on this drum set much to the playful irritation of Charlie and Thomas. What we liked about Mr Nolan the most was the fact that he didn’t sugar coated anything and was not afraid to speak his mind (“your Twitter feed is boring”). He held the lads up to the task and wouldn’t let them skip answering difficult questions, if they weren’t cooperating, he dragged the answers out them! He was a fair and square host, not hired to sing praises but to present the boys as they truly are. And brownie points to the band themselves as they truthfully answered everything. Not everyone would allow to be grilled like this, majority of the bands would probably used this session as a PR stunt, but the Blinders were very honest and real.

Thomas as the front man, spoke the most, explaining the recording process of the first album, telling stories from the road and histories hidden behind his favourite pictures taken by Sam Crowston. The Q&A session lasted for over an hour and afterwards, the band posed for pictures and signed posters and records.

The performance came next and it was a revelation to those who haven’t seen the band in an acoustic setting before. We have seen The Blinders playing at the Night at the Museum in Blackburn so we were prepare for what was coming but it was still a great experience. Thomas’s keyboard skills improved greatly since the summer and he was now comfortably jamming between songs. The Blinders played 9 songs in total, two brand new ones (“I Want Gold” and “Something Wicked This Way Comes”), one from Thomas’ solo repertoire (“Circle Song”) and the rest was composed from the songs  included on “Columbia”.

Matinee event
Date: 2nd of November
Time: 13:30-16:00 pm
Place: 33 Oldham Street
Host (Q&A): David Nolan

Setlist:

L’Etat C’Est Moi
Ballad Of Winston Smith
Where No Man Comes
I Want Gold
ICB Blues
Orbit (Salmon Of Alaska)
Something Wicked This Way Comes
Circle Song
Brave New World

Pictures:

 

Videos:

Q&A Session: 

 

Evening event:

We sadly could only attend the afternoon performance, but the main evening event wasn’t much different from the matinee one. The set list was a bit different (“Ramona Flowers” and “Rat In A Cage” were added) but the Q&A session was again conducted by David Nolan. If you’d like to listen to the entire performance, you are in luck as it was recorded and it is available on Youtube. All the links are attached below.

Date: 2nd of November
Time: 19:00-22:00 pm
Place: 33 Oldham Street
Host (Q&A): David Nolan

Setlist:
ICB Blues
Something Wicked This Way Comes
Brave New World
Orbit (Salmon Of Alaska)
Brave New World
Rat In A Cage
Ramona Flowers
Circle Song
I Want Gold

Videos:
https://www.youtube.com/watch?v=DhN1qup-etI (full show and Q&A)
https://www.youtube.com/watch?v=LxpMoToJZWE (Q&A session)
https://www.youtube.com/watch?v=rEX_2QhA0Nc (Orbit)
https://www.youtube.com/watch?v=9cULZZQfT2g (ICB Blues, Something Wicked This Way Comes, Brave New World)
https://www.youtube.com/watch?v=dVA_s1zR7UM (Brave New World)
https://www.youtube.com/watch?v=BPwk2Bo7mE8 (Rat In A Cage)
https://www.youtube.com/watch?v=UsOotB1ucyY (Ramona Flowers)
https://www.youtube.com/watch?v=iwDLpP8NnOc (Circle Song)
https://www.youtube.com/watch?v=HCnaj8zffMw (Something Wicked This Way Comes)
https://www.youtube.com/watch?v=7Pr9-OUPr6Y (I Want Gold)

 

THE EXHIBITION

After the performance, the guests were free to roam and admire the exhibition that was prepared especially for the ocassion. It was divided into two parts: the photography exhibition taken by Sam Crowston (displayed on the walls), and the costumes, artwork and everything else linked to the band was also presented on the two upper floors of the building.

The Columbia Photo Exhibition was spread on all floors of the 33 Oldham Street. The walls were decorated with over 60 framed pictures – from the main restaurant area on the ground floor, the first floor where the performance and the Q&A session took place, to the top floor sitting area that has been turned into the main exhibition room. Each photograph was given a short description underneath and each floor had their own small story board which explained different periods in the band’s history and shed a bit of a light at the displayed pictures.

The Columbia Era – all pictures by Sam Crowston
https://samcrowstonimaging.com/
https://www.instagram.com/sam_crowston_
https://twitter.com/sam_crowston_
https://www.facebook.com/sam.crowston

You can purchase the prints at:
https://theblindersofficial.com/theexhibition

Time: 2nd – 30th November 2019
Place: 33 Oldham Street, Manchester
Entry: Free

 

The second part of the exhibition was a bit smaller but also impressive. We could see the famed blue boilersuit costumes and pig masks that appeared in the “Swine” video, old promotional posters (All Seeying Eye, You Are Being Observed, Know Your Place, We Are In This Together) created for the first stage of Columbia promo tour and used in the “L’Etat C’Est Moi”short film. There was a short propaganda video displayed on the wall, covers of all four singles released from the debut album (“Gotta Get Through”, “Brave New World”, “Rat In A Cage” and “L’Etat C’Est Moi”) and artworks made out of broken vinyl created by West Midlands based artist, Kirk Whitehouse.

An old type writer took the central stage with the bands lyrics scattered around it and some of the lyrics sheet were also displayed in different parts of the room. To find them all, you had to criss-cross the exhibition several times but it was worth doing.

Outside, two red Columbia flags were battered by the winter winds and rain…

The acoustic shows and the live record (“Live at the Ritz”) closed the first chapter in the band’s history. The second album is now recorded, mixed and will be released sometime next year.

Nobody knows what the future holds for the Doncaster trio. Some shows are already booked for 2020 and the band has no intention for slowing down so we can expect bigger and better things to happen. Let’s keep our fingers crossed.

Please stick with the band to see what’s going to happen next. The ride is going to be  exciting  and it’s worth looking forward to it.

See you soon,
Rita and Malicia