Indieterria Photo Review – The Blinders at Glastonbury 2019

Dear Readers,

Performing at Glastonbury Festival, the biggest festival in the world, is a dream come true for all musicians. The Blinders have been invited to join the official line up at the last minute after Sam Fender was forced to cancel his apperance at the Worthy Farm due to illness. Their accouncement that they will play the politically charged Leftfield Stage as the main support act for the singer/songwriter KT Tunstall, sent massive shock waves throughout their social media. The band performed on Saturday, 29th of June between 7:30 and 8:30 pm. They shared the scene with a fantastic group of other artists including Fontaines D.C., Billy Bragg, Queen Zee and Dream Wife to name just a few.

Set list (not in this particular order): “Gotta Get Through”, “Brave New World”, “L’Etat C’Est Moi”, “Ramona Flowers”, “The Writer”, “Lunatic With A Loaded Gun”, “Wither”, “ICB Blues”, “Rat In A Cage”, “Hate Song” and “Et Tu/Berlin Wall/Brutus”. Their set lasted about 50 minutes.

Glastonbury artwork and releases:
Once The Blinders have been confirmed, the festival marketing machine went into its standard mode and all social media have been updated to include the Doncaster trio. Within hours, The Blinders name appeared on official websites, posters and an announcement has been issued.

Official social media:
https://www.instagram.com/glastoleftfield/
https://www.glastonburyfestivals.co.uk/areas/left-field/
https://twitter.com/glastoleftfield
https://www.instagram.com/glastoleftfield/
https://www.facebook.com/glastoleftfield

Official pictures and videos:
As usual, on the next day after the gig, The Blinders uploaded a set of official pictures taken by Sam Crowston of Sam Crowston Imagining/Nasty Man Creations.
Sam has been working as an official visualizer for the band since 2016 and is responsible for all videos, pictures and videography.

 

Fan pictures:
Indieterria is proud to say that The Blinders have some of the most beautiful fans in existance! They are not only willing to travel all over the country and abroad to attend their shows, but they always share pictures, videos with those who couldn’t be there. When fans realized that the BBC Glastonbury coverage sadly didn’t cover LeftField, they immediately shared their own recordings and photos. We have teamed with Alan Wells, Bob Wallis and Liam O’Farrell to bring you a great selection of pictures/videos from their Glastonbury set! Thank you so much guys! Please respect the copyrights and if you’d like to share those pictures, please provide full credit to the authors.

Bob Wallis gallery:
Bob can be contacted at: https://www.facebook.com/bob.wallis.75

The Blinders before their show at the Leftfield Stage. Picture by Bob Wallis. Used with permission (and with a guest apperance from Photographer, Alan Wells)

Thomas Haywood of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Thomas Haywood of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Charlie McGough of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Matty Neale of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Matty Neale of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Liam O’Farrell gallery:
Liam Can be contacted at: https://www.facebook.com/liam.ofarrell.16

Fan Videos:
The Blinders are known for their atmospheric and energetic live performances and their show at Glasto was not an exception. The tent was packed and everybody had good time, danced, pogo’ed and sang along. You will notice that during the set, drummer, Matty Neale, sustained a hand injury but kept on playing! This has earned him a massive respect from everyone in the audience. We have to say, we are very impressed. We also hope that the injury is not serious and Matty will recover in no time.

“The Writer” and “Brave New World” filmed by Bob Wallis:

Another (short) video clip of The Blinders performing “Brave New World” taken by Alan Wells:

“Brutus” (without “Et Tu”/”Berlin Wall”) has been filmed by gorillaprint:

Articles:
There are few interesting articles about The Blinders playing at Glastonbury, so please knock yourself out if you still haven’t had enough 🙂 !

https://www.nme.com/festivals/glastonbury-2019/political-pilton-heres-guide-everything-political-glastonbury-2019-2512338
https://www.doncasterfreepress.co.uk/news/people/doncaster-band-the-blinders-set-to-play-glastonbury-alongside-kt-tunstall-and-billy-bragg-342369
https://www.thestar.co.uk/news/people/doncaster-band-the-blinders-set-to-play-glastonbury-alongside-kt-tunstall-and-billy-bragg-342369
https://offthehookmusic.com/festival-highlights

Thank you again to those who made this post possible. You are absolute rock and roll stars.
We will be monitoring the internets and if something else pop ups, then we will let you know (but of course)!

Thank you for listening and enjoy the summer festival season.
M+R

Indieterria meets The Howlers

Drear Readers,

As music scounts, the team at Vanadian Avenue, is always looking for new talents and exciting new music. We hunt high and low to bring artists with potential to the light and present them to our community. Sometimes we have to go to the dive bar to descover a gem, sometimes we receive an email with a great tip and in many cases, we hear from others in the business. Photoghraphers, managers, writers, bloggers, label owners – they all have their eyes opened as well and a word can spread quickly if a new talent is found.

The Howlers, a trio from London, were introduced to us by our good friends at These Bloody Thieves Records and after hearing their new single, “La Dolce Vita” we quickly understood why the label was praising them so highly. We sat down with vocalist, Adam Young to ask him about their music, background and their influences to learn more.


Adam Young (vocals and guitar)
Guus ter Braak (bassist)
Cameron Black (drums)

Official bio: Formed in May 2018, London’s Desert Rockers The Howlers have gone on to receive critical acclaim for their ferocious live performances and determination to uproot the current foundations of popular music, and are quickly emerging as one of the UK’s must see bands. Their debut single entitled “La Dolce Vita” is vailable to stream and download on all digital platforms. You can order the limited edition 7” heavy weight vinyl & “orange” casette at: https://smarturl.it/thehowlers

Clash Magazine says The Howlers have confidence of Arctic Monkeys and animalistic charms of The Cramps. Please introduce yourselves to the readers of Indieterria.

The Howlers picture by Rob Blackham

Adam Young: The Howlers are Adam Young on vocals and guitar, Guus ter Braak on bass and Cameron Black on drums. We have coined the term “Desert Rockers” as a description of who we are.

We have to say the band is having a month that other acts can only dream about:  you signed to These Bloody Thieves Records, released a single and the video debuted though The Clash website smashed 10 000 views in less than 48 hours. The Howlers did not just take off – you sky rocketed!  Are you able to catch up with everything that has been happening around you?

Adam Young:  It has been about 4 days since we released our debut single and we’ve achieved so much with Radio 1, Radio X, Clash Magazine and others. The views our video has racked up, everything has been a bit surreal. I have to admit, it has been a bit of a struggle to keep up with everything but were lucky enough to have a team around us of amazing people who are as much part of this band as we are.

The video to “La Dolce Vita” shows you being observed while playing in an empty theatre. It has a very dystopian feel to it. It was directed by Sam Crowston (The Blinders, The Pagans S.O.H, The Surrenders). How do you remember making of the video?

Adam Young: All I remember is it being an incredibly long and exciting day. We filmed the video in Sheffield so we drove up there and then back to London in the same day in order to try get to a gig that evening. The theatre was an amazing space that Sam found but I’m still washing chalk dust off my equipment (laughing). Sam is incredible. He’s one of the best content creators out there at the moment and a great lad too. He made the day a good laugh and he works his little northern arse off so we can’t thank him enough.

Your single comes with a striking black cover with an emblem of a cowboy throwing his lasso into the air. Visual presentation of a record is often not appreciated enough. Please tell us who designed the sleeve?

Adam Young: Between Sam, ourselves and a host of illustrators, we must of created 50+ designs and nothing really hit home. We got close but no cigar so in the end, I ended up doing it. I just sat down with my laptop and taught myself everything I would need to do, to get what was in my head onto the page.

“La Dolce Vita” comes with a B side, an acoustic and haunting ballad “My Apologies”. We would love to hear the story behind this track. 

Adam Young: The track is actually a monologue of how my life was at the time. Nothing was going my way. I was struggling with my mental health, financially and I just couldn’t get a break until I met someone who changed everything. They know who they are and that’s all that matters! The song was never meant to be recorded. I finished it the day before and we were about to pack up and leave the studio and I decided to lay this track down live. And it just happened in one take. I tried to do another one and fucked it up so that’s why “My Apologies” has this raw, primal nature (laughing).

There are two distinctive releases of the single: 7 inch vinyl via Rough Trade Records and an orange limited cassette via Brutalist Records. We can’t believe you bring cassingle back!

Adam Young (laughing): Nothing’s sexier than rewinding cassette though, is there? In all seriousness, we wanted it to be a bit nostalgic and a bit different.

You will be touring relentlessly in support of “La Dolce Vita” around the country. Where can we see you live?

Band picture courtesy of Rob Blackham

Adam Young: Here, there and everywhere! We are playing the length of the country, going back to some of our favorite cities. We are really looking forward to Hull, Liverpool, Sheffield, London as well as the other cities like Manchester, Southampton, Brighton & Nottingham. Those places have always shown us so much support. People in northern cities are some of the kindest we have met so we are looking forward to playing all the dates really.

You have built a reputation as a live band – your shows are wild, unpredictable and fierce.  It would not be an exaggeration to call you one of UK`s must see bands. How do you prepare before the show? Do you have any pre stage rituals or do you prefer to go with the flow?

Adam Young: We do actually. Guus gets shitfaced drunk (god knows how he manages to play) and Cam has his little moment of calm. He warms up and stretches like our very own little Ghandi. I basically act like King Kong banging on my chest getting all pumped up. To be fair, when I start doing that right before we go on, usually one of the boys takes the opportunity to clip me one, giving me a cheeky whack. Bastards!

The Howlers are no strangers to receiving backing from industry heavy weights. BBC Introducing called you “loud and ferocious”, while Jack Saunders of BBC 1 described you as band that is “here to make a difference”.  It must have been a proud moment for you to hear your music on the flag ship program on the Beeb.

The vinyl promo of “La Dolce Vita”

The cover of the single

Adam Young: It was a surreal moment! You know, every band wants to hear their tunes on Radio 1, that’s a given, but to actually achieve it is another animal entirely. We were like excited little school boys. We can’t thank Jack and the BBC enough, as well as John Kennedy for playing us on Radio X. They are all worthy of a few beers in our books.

There is a saying in the music industry that manager is make or break of the band. But having a right label is also critical. Please tell us about your relationship with These Bloody Thieves? You are label mates to some of the best new acts on indie circuit, including another London band that we admire – False Heads.

Adam Young: These Bloody Thieves have been amazing with us! Rob Hirst, the owner, has a heart of gold and he knows we love him. We had a lot of interest in the early days of the band but Rob was the first person we met and spoke with that wore his heart on his sleeve. He gives everything and allows us to be creative in our own way. The first time he saw us, we played the same night as Arctic Monkeys in Sheffield. The venue was dead as a result but Rob stood front and centre. He’s like another father figure alongside our manager Mike. We couldn’t ask for a better bunch of lads to work with. I know our label mates like The C33’s, Feral Family & False Heads all appreciate his hard work. Someone get the man a drink!

In a recent interview with The Line of Best Fit you described “La Dolce Vita” as a song that is about being yourself no matter what. You also spoke about being ridiculed and ostracized for trying to find your own way. If you had a chance to speak to those who did not believe in you in the past – what would you want to tell them?

The casette promo of the single

Adam Young: I wouldn’t want to tell them anything to be honest. I bumped into someone in the pub recently and whilst asking me what I was up to, they turned round to me and said: “You should be thanking me really then, for bullying you at school”! What do you say to that? Guess that sums up my home town very well. There’s an old saying round here that goes “strong in arm, thick in head”. I never understood the meaning until that moment I stood in a ropey boozer with a second rate pint…finally all clicked! (laughing)

Last (in) famous question. We have some tough competition for the next PM recently. If you were able to govern the country for one day – what would you do? What policies would be important to you?

Adam Young: That’s a good question. I really wouldn’t want to govern to be honest. Inevitably, whoever comes to power, never lives up to what they promise. As a working class member of society, I’d say leveling the playing field a bit would be a good place to start. There’s no need for corporate bigwigs to get million pound bonuses when there are queues at the dole office and we have teachers and doctors using food banks. I guess I would go full Robin Hood. Green leggings and all!


You can follow the band on their socials:
https://www.thehowlers.co.uk/
https://twitter.com/thehowlersuk
https://www.facebook.com/thehowlersuk/
https://www.instagram.com/thehowlersuk/

Articles:
https://www.clashmusic.com/videos/the-howlers-share-electrifying-new-single-la-dolce-vita
https://www.thelineofbestfit.com/new-music/discovery/the-howlers-la-dolce-vita
https://www.roughtrade.com/gb/the-howlers/the-howlers-la-dolce-vita/7-inch-plus
https://www.rgm.press/2019/06/13/the-howlers-la-dolce-vita/
http://northern-exposure.co/introducing-the-howlers/
https://gotothetop.co.uk/the-howlers-fiery-desert-rock-debut-la-dolce-vita-brings-an-uplifting-message-about-self-identity/

“La Dolce Vita” is out now on 28th of June and the band will be on tour with shows in Sheffield (Cafe Totem) on June 21st, Liverpool (Jacaranda Records) on June 22nd, their home town (London) at the Macbeth on June 28th, Southhampton (The Heartbreakers) on June 29th and Brighton (Hope and Ruin) on June  30th. July will see them play in Hull, Manchester, Notthingham, Tramlines Festival and many others, so visit their websites for more details.

The summer is very busy for the lads so catch them on the road. We give them a full seal of A&R approval and 4 stars of of 5 (and that’s unheard of). Nah, only kidding! It’s full 5 stars and a hug!

Till next time,
R+M

Indieterria meets Sybling

Hello!  

It is a music journalist’s privilege to speak to some of the most talented people in the world. Some of the artists might be living just two doors down from you, or in the same town, but some of them might be located at the other side of the pond. Not so long ago, we had an undeniable pleasure to discover an American duo named Sybling. Two New York based sisters, stole our hearts withing minutes with their breathtakingly vocals, harmonies and eerie sounds that would make David Lynch look twice over his shoulder on his way home on a dark winter’s night. The duo are represented by the wonderful folks at Marauder Group and we  wrote to them asking if we could speak to both ladies. Much to our delight, the label and the band said yes (thank you)! We discussed their upbringing in a musical family, writing their debut EP and their eclectic musical taste ranging from Nick Drake to the British indie rock sensation, Radiohead.

Band picture by Manny Inoa

Sybling:
Alice Makwaia (vocals, multi-instruments)
Mariana Quinn-Makwaia (vocals, multi-instruments)

Not always we have a pleasure to speak to an emerging artists from the other side of the pond. Please introduce yourselves to the readers of Indieterria.

Sybling: Hello there! We are sisters, Alice Makwaia and Mariana Quinn-Makwaia of the duo Sybling.

You grew up in New York, in a musical family with musician and composer father and mother who is an actress and an acting coach. Did your parents have any influence on you to become an artist yourselves? Have they encouraged you to chose this path, or maybe they were against it knowing how hard it is in this business?

Sybling: Both of our parents are artists. As you already mentioned, our father is a musician and our mother is an actress. We grew up, the four of us, near the poverty line, in a one bedroom apartment. It was totally great (and we mean that in earnest). Our parents weren’t unhappy with the struggling artist lifestyle. They saw no problem in going into the arts. Our parents only encouraged us to do what spoke to us. And, from a young age, music did just so.

Before the creation of Sybling, both of you had an impressive musical resumes: Alice wrote musical scores for theatre and film (“The Snow Queen” by Downtown Art and “Forest Bathing” by Yaara Sumeruk) and Mariana found success as part of R’n’B outfit Smoke & Sugar. What convinced you to form a band together? Have you worked with each other before?

Sybling art by Catya Bastien

Sybling: (laughing) Making the band was an easy decision. We grew up singing together and harmonizing. In many ways, we knew each other musically better than anyone else in the world!

Sybling is inspired by a wide and eclectic range of genres: from traditional folk, to soul, jazz, funk and alternative rock. We can hear Nina Simone, Jeff Buckley, Marianne Faithful and Elliott Smith. And Stevie Wonder! Who is your inspiration?

Sybling: We’re both very inspired by alternative and folk genres. Our top inspirations are Sufjan Stevens, Nick Drake, Feist and Radiohead. Funny fact: we actually wrote “The Grim” for Radiohead! We heard the song in Thom Yorke’s voice.

You have released your debut EP on February 22, 2019. It is promoted by a lead single “Grim” and a video in which a young man is haunted by nightmarish figures with white masks covering their faces. Can you tell us more about “Grim” and the concept behind the video?

Sybling: The concept of “The Grim” video came from a sketch we made some years back. It was about someone on the subway, seated next to a suited man in a deer mask. It came from a thought that the subway is the looniest place we know! People are simultaneously physically close but oblivious to each other. We actually wrote the song when we were in High School, and it deals with the loneliness, and darkness that followed us around a lot then.

We absolutely love the cover of your EP, and the artwork  that is displayed on your social media. Who is the author?

Sybling: The cover of our EP was made by a Texas-based artist Catya Bastian. And we made the cover of our single for “Under.”

EP cover by Catya Bastien

You once said that “If one quote were to sum up the entirety of Sybling, it would be Kurt Vonnegut’s: “He is still very much alive in the past, so it is very silly for people to cry at his funeral.” A lot of your lyrics seem to deal with themes of searching for lost things and the past. The whole EP has this aura of melancholy and some sort of sadness. Perhaps we are mistaken but we feel like this record could be considered as a concept album, rather than just a collection of songs to reflect to?

Sybling: We like thinking of our EP as a concept album! Originally, we didn’t know what songs we were going to release, so it’s a bit of a fluke that they contextually fit together so succinctly!

We want to ask you about our favourite song “She is Alive in the Past”. It has beautifully crafted voice harmonies with catchy, radio friendly guitar riffs and piano. What’s really surprising, it has no lyrics. Please tell us more about it. Is there any particular story behind it?

Sybling: “She is still alive in the past” was very much an experiment. We’d had the tune in our heads for years, no lyrics. Even the finished product is a bit of a dream without a clear story. We think of it as a funeral march. We weren’t planning on recording it. Then one day, with an extra hour at the end of a session, we recorded a draft. Simple, just sparse vocals, guitar, organ, a little piano. Mari had the great idea of adding percussion, giving it that lopsided beat—which immediately reminded us, quite morbidly, of the way a zombie would walk.

“Grim” single cover

Last question – If you were to score a Netflix drama of your choice. What would it be and what songs appear on the soundtrack?

Sybling: We think, we’d have to go with Netflix’s “Russian Doll” to write music for. It takes place in the neighborhood we grew up in. We could see “She is still alive in the past” in there.

You can follow Sybling on their social media:
https://www.syblingmusic.com/bio
https://syblingmusic.bandcamp.com
https://www.instagram.com/syblingmusic
https://www.facebook.com/pg/syblingmusic
http://sybling.maraudergroup.com/

Email: syblingmusic@gmail.com|

Alice Makwaia (as a solo artist):
https://alicemakwaia.bandcamp.com/releases

Smoke & Sugar (Mariana Quinn-Makwaia side project):
https://www.instagram.com/smokeandsugarmusic
https://www.facebook.com/smokeandsugar/
https://www.youtube.com/channel/UC1KsvM0hfcgI1_7DNTW-ptw

Articles:
https://alonelyghostburning.co.uk/interviews/getting-to-know-sybling/
http://ventsmagazine.com/2019/02/21/premiere-sybling-streams-new-self-titled-ep/
https://www.broadwayworld.com/bwwmusic/article/New-York-Folk-Duo-Sybling-Release-Their-Debut-EP-20190301
https://chicagonbeyond.wordpress.com/2017/09/12/mariana-quinn-makwaia-w-smoke-sugar/

Vanadian Avenue would like to say a few “thank you’s” to Sybling manager, Mr Phillipe Roberts and to the Managing Partner/Co-Founder of Marauder Group, Mr Rev Moose for making this interview possible. It was a real pleasure!

It is also worth mentioning that Marauder Group, is responsible for bringing the Independent Venue Week to America! This year, the US edition of IVW will take place on July 8-14, 2019 with more than 60 venues participating. You can find more about the  events here:
http://independentvenueweek.maraudergroup.com/
https://www.independentvenueweek.com/2019/04/independent-venue-week-announces-first-round-of-2019-us-shows-more-participating-venues/

We may try to speak to Marauder about IVW and the difference between the UK and USA versions. Keep your fingers crossed!

Please come back soon, we have a fantastic Mancunian band scheduled to speak to us next week!

Till then,
R+M

Indieterria presents Those To Watch in 2019

Hello!

Oh lala! What a time to be alive! The last two months went like a blur but we are extremely happy! So much is happening on the indie scene, that it is hard to keep your eyes on the wheel and your thoughts at the tasks at hand. Two of our beloved bands, The Blinders and The False Heads, have been on tour and we went out to see them playing live. The Blinders destroyed the stage at the Castle and Falcon in Birmingham and False Heads descended upon Bristol, bringing the crowd gathered at Mother’s Ruin to their knees.  We are also running two large blogs covering The Blinders’ Columbia tour and it leaves us with not enough time to sleep and eat. Just kidding about the lack of food, we only stopped sleeping!

As the famous song says, we will sleep when we are dead. Before that happens, we would like to introduce you to some of the hottest bands that we think, will make a lot of noise on the UK scene in 2019. Since all other blogs we followed, already published their own lists of “The Best of 2018” and “The bands to watch in the New Year”, we thought we would like to join the trend as well. The more the merrier we say and in 12 month time, we will be able to see who was actually right.

So this is Vanadian Avenue’s official “The-Bands-To-Look-Out-For-In-2019” list. Dig it. Or not dig it. The choice is yours. We don’t do countdowns from number X to number 1, so all the artists you see below are equally talented and are mentioned with no particular order in mind.  We just like them, we think they are excellent artists and that’s why we put them here. Have fun discovering the music! And we are going to publish an article like this each month (well, maybe until March or April) so be on the lookout! These bands will take over the world!

Ivory Wave
Birmingham based and founded exactly three years ago, the quintet consists of Luke Morris (bass), George Johnson (vocals), Connor McMinn (guitar), Rob Clarke (synth) and Seb Baldwin (drums). Ivory Wave brings back the old-school, Hacienda-like rave beats and successfully fuses them into Stone Roses/Happy Mondays/Inspiral Carpet Brit-Pop indie. There is nobody else who makes such music anymore and we are grateful that they decided to dust off the magnificent genre. It is long time overdue. This is a solid, dance music inspired alternative rock that gave us the brightest stars in the business: from The Stone Roses and Oasis, to Underworld, The Orb, KLF, Future Sound Of London, The Prodigy, Sven Vath, Orbital, The Chemical Brothers, U.N.K.L.E and others. Of course, The Ivory Wave are doing it with the modern twist. This is not a nostalgia-trip to make the 50 year-olds feel young again. The boys have skills, they have the moves and are not signed yet. The bands spent several months in the studio recently and their new material will be released later this year.

“They’re absolutely fucking colossal. ‘Paradise’ is one of the best singles you’ll hear all year by a new band”. (GIGSLUTZ)
“Mic in hand, eye balling the room, singer George is the classic frontman. Latest single ‘Separate Beat‘ cements their place as a band tipped for great things. Ivory Wave will soon have a venue in the palm of their hands”. (COUNTERACT)

Latest single: “Gold” (released 07.01.2019): http://smarturl.it/ivorywavegold 

Spotify: https://open.spotify.com/artist/42T2AYtDajSQNqgtF52zXA
Instagram: https://www.instagram.com/ivorywaveuk/
Facebook: https://www.facebook.com/pg/ivorywaveuk
Twitter: https://twitter.com/ivorywaveuk
Soundcloud: https://soundcloud.com/ivory-wave 
Youtube: https://www.youtube.com/channel/UCLbEaJZ0E38tBKO_zjFiqAg

Kick The Clown
Kick the Clown are a 4 piece alternative rock/punk outfit from Worcester and Cardiff. The band was formed in 2016 and consists of White Noise (George Ormerod, vocals), Guisseppè (Matt Tyler, guitar), Strange Dog (Joe Cummings, drums) and Sour Mash (Dan McLaren, bass). In the last two years, the band has built a strong following in the West Midlands through constant touring and sharing stages with Karkosa, Soeur, Ivory Wave, The Cosmics, The Dickies, The Ramonas, Fight and Fires, and Straight for the Sun among others. Their presence has been praised as “loud”, “energetic” and “in your face” but it is not enough to fully describe the essence of the group. They combine swagger, rare charisma and DIY ethos to create controlled chaos on stage. The band claims every inch of the floor as their own, bringing wild melodies, shouts, sweat, pain and clown masks to enthral the audience and drags them (kicking and screaming) into an alternative musical dimension. Mixing a variety of genres such as old school punk rock, hip-hop, metal, hard core and even jazz, Kick the Clown are becoming a phenomenon on the indie circuit. They released their debut 6 track EP “Car Bomb” at the O2 Academy in Birmingham in late 2017 and a double A-side single “39 Steps/No Way Out” in 2018. In November 2018, they were featured on Public Pressure’s first “Subcultures #1” cassette tape documenting the best emerging artists in the punk underground. The band is currently working on new material to be released in 2019. Kick The Clown are coming and are getting rowdier with every show. You have been warned!

Facebook: https://www.facebook.com/KTC66/
Youtube: https://www.youtube.com/channel/UC_uY65cmGkTSFVgnQWwrEOQ
Instagram: https://www.instagram.com/kicktheclown_/
Twitter: https://twitter.com/KickTheClown_
Spotify: https://open.spotify.com/artist/6Rv196qnVMHlW1RMaa1k6Q?si=sk26lxg8QSGaNi2R02P8QA
Bandcamp: https://kicktheclown.bandcamp.com/

WITCHFEVER
We have already written about WITCHFEVER on our blog and we absolutely loved their show at the Alphabet Brewery in Manchester in December last year. Seeing how good they are, we had to include them on our list of bands to watch in 2019. If you haven’t read our interview with them yet (it is criminal!) please do it as it is a truly eye opening talk – the girls spoke to us about what it means to be a woman in the male dominated music industry, how often their skills and  expertise are being diminished just because of their sex. Luckily the things are changing for the better and let’s hope this  year will be a breaking through year for more female artists!
https://cocamidemea.wordpress.com/2018/12/01/inditerria-meets-witch-fever/

Quite recently WITCHFEVER announced that they will concentrate of recording new music and expanding their fans base in Europe and we are truly excited to her this. They already have played in the Netherlands and maybe a real EU tour is in the works? Keep your fingers crossed!

Facebook: https://www.facebook.com/witchfever/
Twitter: https://twitter.com/WITCHFEVER
Bandcamp: https://witchfever.bandcamp.com/
Soundcloud: https://soundcloud.com/user-502164447/carpet-asphyxiation
Youtube: https://www.youtube.com/channel/UCsgn5oXDn_IRBjCjIJ1giCw?app=desktop

Avalanche Party
One of the brightest stars of the new wave of British bands, Avalanche Party is a true phenomenon. If you haven’t seen them live yet, then you are committing a crime against rock music. At least put them on your bucket list! Avalanche Party are from Castleton in Derbyshire and they have been going on for  a couple of years. This band is known for its energetic performances, shirts disappear after the first song and Joe, the lead singer crowd surfs and dances among the crowd for majority of the performances. The Band has a massive following in the Yorkshire area and the fans are travelling all over the country to be able to see them, even multiple times on one tour. They are best mates with The Blinders, Strange Bones and Rascalton and we might be seeing the beginning of a new wave of bands that will take over the world. Both The Blinders and Avalanche Party are rumored to tour Europe or even US this year so keep your eyes open. This band is the strongest contender to achieve a true level of stardom. You just watch them going stronger and stronger this year.

Facebook: https://www.facebook.com/AvalancheParty/
Twitter: https://twitter.com/avalanche_party
Website: https://www.avalancheparty.com
Instagram: https://www.instagram.com/avalancheparty/
Youtube: https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ

So these are our picks for January. We will continue next month with another great bands to watch.
Please come back soon, there is an amazing number of artists that are making fantastic music these days!

See you shortly!
Rita and Malicia Dabrowicz

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