Indieterria meets Nic Evennett

Nic Evennett – A Song to a Siren

 

Nic is also a skilled photographer doing all her publicity shots herself.

Welcome to the new chapter of Indieterria, where we profile artists on the unsigned/independent circuit that bring something new to the audiences. We want to introduce you to incredible artist, poet, photographer and composer based in Kent – Nic Evennett.

Nic not only records and mixes her own compositions, staying true to DIY ethics of the genre. She also built quite an impressive profile as a studio based artist. She is not touring, not playing the popularity games on social media. And yet appears on national radio and enjoys a wide network of collaborators. She is passionate and driven. Talking to her was a privilege. Please read on.

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You have the most unconventional biography we have ever seen. It reads: “I bash the piano and stuff”. We were expecting few home-made demos but found a whole catalogue of songs, an established artist who have been on national radio and comparisons to Kate Bush. Not exactly just piano bashing! Would you like to introduce yourself to the readers of Indieterria?

Nic Evennett: Well, firstly, thank you so much for interviewing me! I’m all flustery and excited! It’s a real honour, and it’s my very first proper interview.

I remember Tom Robinson saying something about the “I bash the piano and stuff”, commenting that is was self-deprecating, and I think self-deprecation sums me up quite well! Your question is one that always makes me (pauses) clam up, somewhat. I find talking about me incredibly hard. I doubt that’s uncommon. It’s much easier for me to just quote what somebody else has said about me. But I’ll have a go here: I am Nic, a singer-songwriter from Kent, United Kingdom. I’ve been bashing the piano since I was 7, studied music for a while, had a long break, and then really only turned to song-writing about five years ago, or so. I also love photography, being out in nature, listening to Buddhist talks,  meditations, and eating cake, in no particular order. There. I did it. (laughs)

Nic Evennett through her own lens

Your song “Outside” debuted in January 2017 on BBC Introducing Kent  to very favourable reviews.  Listeners described it as “outstanding” and “mesmerising”, while BBC staff was also visibly impressed. Not a bad start of the year. Did you expect such reactions?

Nic Evennett: No, not at all, and certainly not for that particular song. It was a lovely surprise, and I am so grateful to Abbie McCarthy at BBC Introducing Kent for including me in that show. It’s funny. Many of my songs are kind of dredged up from some depths – something that needs exploration, then gets twisted and turned into music and poetry, trying to find some resolution, and then splattered out into song. And I come out the other side thinking, whooof, I needed to get that stuff out of my head. “Outside” didn’t work that way, which is very rare for me. I just liked the riff! And I think it was the riff that got me a foot in the door. I think my music generally tends to be more meandering, more spacious, and that doesn’t always lend itself well to radio play. But this one is a bit livelier. And yet, I reckon it’s probably in my own bottom three! Funny how it works.

“Outside” also found itself on the rotation at the Channel Radio and Strange Fruit Radio. Your next offering – “Hurry” – went even further and was voted “Song of the Week” at the Strange Fruit at the recommendations from listeners.  We know it was a digital release but we will still call it a beautifully crafted ballad. Any inspiration behind that song?

Nic Evennett: “Hurry” is much, much more from the heart. Like all my songs, well, bar “Outside”, they really are little windows into my heart and mind. And as somebody who loves words, loves playing with and manipulating language, and somebody who in many ways is quite private, my lyrics tend to be deliberately ambiguous. I suppose it’s a little safety net for me in some ways – only those who truly, truly listen can see through the windows. But also I love the idea that the songs can be whatever you want them to be about. Once they are out in the world, I really don’t see them as my songs any more. They just float about for people to borrow and use and sink into when they need to. So some people have questioned the lyrics to “Hurry” – mainly asking what in the world does it all mean. Which is a good question that I’m not sure I have the answer to! I think it’s about somebody reaching a point where they want somebody else to intervene; take away bad memories, tough stories. “Hurry” has a funny time signature too, which is meant to depict waves rolling in and out. The sea features quite a lot in my songs. Or rather, nature does. Sea, rivers, the moon, the seasons, the sky, trees. I can’t think of a song that doesn’t mention nature, actually.

Collages created by Nic often include poetry or lines from her lyrics.

You have been featured several times on national radio BBC 6 Music (singles “Somehow” and “Where We Are The Forest”) and by Tom Robinson himself. Now this is not just mere luck. It is quite hard to get through all the vetting for the “MixTape Show”. You did it more than once.

Nic Evennett:  I think that Tom is just blimming lovely and kind! In fact, that was a lovely surprise too because neither “Somehow” nor “Where We Are The Forest” got short-listed! It was picked by a few people, but not enough, and I felt thoroughly deflated. But I think Tom ultimately decides what he wants to broadcast and added me both times, which was so lovely of him. It’s people like him that truly help the likes of me. I think there are two strong divisions in music – those who will push hard at the self-publicity bit and have a lot of confidence in what they do, and then folk like me, where none of that comes naturally or comfortably at all. I worry that the folk in the latter never get heard, never get found. There is a difference between being confident and wanting to be heard. An artistic voice can be so, so important for people who lack confidence, self-esteem, or who just struggle generally. So having a platform where you can submit songs and they are judged in their own right, without the need for self-promotion or long-winded bios, is essential. And wonderful. The Fresh Net team do a superb job. Love ’em.

You have about sixteen songs on your Bandcamp and Soundcloud profiles and they are produced and recorded to highest quality. Moreover, we see that certain songs are mixed by other artists. Are they really home recordings or have you invested in professional studio?

Nic Evennett:  Well, that made me beam! Know why? Mixing is the bane of my life! I never feel I get it right. Or I think I have got it right, and find it’s completely wrong. My ‘studio’ is the spare bedroom and I share it with drying laundry, stuff that should be in other rooms that I haven’t got round to putting away, and the dog. In most recordings you can hear the birds in the tree outside. Most songs have had a few dozen takes after bikes decide to whiz up and down the road, or somebody has slammed a front door, or somebody has yelled at somebody else, and then there is much quiet swearing from me and we go again. I tell myself that there is something…lovely and organic in home recordings, which in truth I think there is, but that only seems to apply to everybody else but me. I really love listening to songs with other sounds going on in the background. I love listening to songs where the mix isn’t perfect and there is a rawness to it. But if a bird has tweeted out of place, or I have made a vocal tick somewhere, I am very hard on myself about it all. So to hear that is wonderful. I shall try not to give myself such a hard time from now on.

Besides your solo compositions, you are involved many collaborations, two main projects being Return To Mountain (with Steve Gleason) and Silent Reasons (with Frank Cable).  Would you like to tell us more about them?

Nic Evennett:  Ah, I love working with Steve and Frank. I suppose they are two I work more regularly with and I feel a deep musical connection with. They are both gorgeous souls all round, and that is important to me. I have done work with quite a few folk, though. Robert Pabst, from Cinematic Dance Music, is a genius and did a super Bond-style remix of my song “Hold On”. We have done other projects together that I have loved working on. And I also work with a chap called UNJAY, who is big on his Future Bass – a genre so far from what I do and yet I find so interesting to do the vocals for. Not to mention other fabulous musicians I have been honoured to work with. I am very lucky to have these folk encouraging me and inspiring me.

Your back catalogue is available on US based streaming platform Pandora. The service describes you to their subscribers as “delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry”.  This is the very first time we have seen an indie artist being compared to Kate Bush and we have to wholeheartedly agree. Are you able to  tell us how well are you received on Pandora?

Nic Evennett: Being compared to Kate Bush is just crazy, isn’t it? I can’t get my head around that one. Kate is in a league of one. She truly is an astounding musician, poet, artist, woman. So my name in the same sentence as hers makes me feel both thrilled and baffled. And maybe even a bit scared. And Andee Conners from Pandora, was the very first person to write a review on me and for that I love him to bits. What an amazing first review. It’s something I read when I am feeling anxious about my music…so I read it a lot. I’m so grateful to Andee for that. As for how I am received, I have no idea! We can’t get Pandora in the UK and nor can I access any listening figures or anything. Actually, I quite like it that way. It is a little mystery. I have no idea when or if my music is being played.

It is quite hard to describe your music. There are piano based ballads, but also loops, possible samples, elements that remind us of trip -hop. If you were to give yourself a label, what genre would you subscribe to?

Nic Evennett:  It is hard, isn’t it?! I never know where to stick myself, category-wise. Something might jump out at you as trip-hop in style, and then a choir will burst into life (well, just me really, layered up a hundred times) and throw you off the scent. It throws me too! The term ‘alternative’ gets used a lot by folk who have no real home and who travel between genres, so I tend to opt for that one. ‘Odd’ is another one. Or ‘a bit mixed up’. Any of those could apply to me (laughs).

Recently you spoke about limitations imposed on artists due to health reasons. You said: “Folk with chronic conditions need to be heard in more ways than one. I often feel sidelined for not being able to give a gig list or tour dates. I can’t be alone.”  We would like you to elaborate a bit more on the topic, because we think there are still many people in the music industry who do not know how to handle artists with chronic conditions or disabilities.

Nic Evennett:  This is a BIG one for me. Personally I have two main conditions that sort of take over my world quite a lot. One is PMDD, which is a devastating condition that few have heard about. Basically, think PMS multiplied infinitely! The second is Fibromyalgia. And other than that, bipolar and other mental health stuff. What a combo! All ‘invisible’ conditions, so like many out there, you’d never know it if you met me. But these things, and mental illnesses like depression or  anxiety are so isolating for many. You may not feel able to leave the house, you may not be even able to get out of bed. So musically, just standing up and recording is an issue for me. My voice is temperamental and reflects how bad things are. Gigging and touring is certainly out the window. I have no doubt I am one of a vast amount of people who love making music, love singing, love playing but hate performing! I am not a performer. And I think in this day and age we shouldn’t need to be. I think it can silence people with, say, mental health illnesses who think that in order to be successful they must be a certain way. They must be the ‘whole package’. Well, personally, this package is dented! It’s rattling around with smashed pieces inside and the paper is all torn! But I still want a voice. I still want to share my songs. I still want to connect to people through music. And I really want others to feel the same, because it just so happens that some of the most beautiful, most moving, truest music I have heard has come from people who struggle in this way; people who have hardly any followers on Soundcloud, say, or few listens. How they use their experiences to create is astounding. We need so, so much more of that out in the world.

The last question is traditionally reserved for future plans. What can we expect from Nic Evennett in the coming months?

Nic Evennett:  Ooo, like any question about the future, I say ‘who knows?’! I have some plans of eventually getting a little EP together, but money is tight, obviously, so I need to find ways of doing this on a budget. Certainly more songs, and I’ve thrown my music into various competitions out there. I would LOVE to have a song used in TV or film. I think music and drama can be such a magical partnership, so I am trying to find ways of doing that at the moment. If anybody out there knows how, please come chat to me! But I am very much a ‘in the moment’ person, so I just live hour by hour, day by day. That way magical things can happen that you just weren’t expecting!

Through her own lens #2

 

Nic Evennett can be found online at:

Facebook: https://www.facebook.com/nicevennettmusic/
Twitter: https://twitter.com/NicEvennett
Soundcloud: https://soundcloud.com/wingless-night
Bandcamp: https://nicevennett.bandcamp.com/
Youtube: https://www.youtube.com/channel/UCiCT_99Cy3p1w0RMCuv1SBA

Return to Mountain ( collaboration with Steve Gleason)

Soundcloud: https://soundcloud.com/returntomountain
Soundclick: http://www.soundclick.com/bands/default.cfm?bandID=540680 (Steve`s page)

Silent Reasons (collaboration with Frank Cable)

https://soundcloud.com/silentreasons
https://soundcloud.com/orionstarband (Frank`s page)

We would like to thank Tom Robinson of 6 Music for introducing us to Nic`s music.  And big kudos to Nic who was patient with us for publishing this interview.  We are hoping to make quite a few updates to this interview in the coming months.

Until the next time.

Mal+Rita

*** Update 01/02/2018***

We are following up our awesome (and highly popular!) interview with Nic! After we wrapped the talk, we still had some questions. We wanted to know what the artists will release this year. And boy, we were lucky. After a bit of nagging, Nic  revealed that her new digital single will be called “Ribbons” and you can listen to it online!

Nic Evennett: There are two versions of this track – this one includes the birds outside Nic’s house.

During our post interview exchange, we also learned that Nic is an advocate for mental health and well-being.  In September 2016,  she released an experimental EP “Three” from which half of proceeds go to charity Mind. The EP includes seven compositions, all recoded during the same week. It was basically a challenge: one song a day while stepping outside comfort zone and using  instruments and arrangements that Nic not used before.

Nic Evennett:  The EP is free to download on Bandcamp, though people can give money if they like and 50% goes to the charity Mind. Might be worth a mention. In fact all my music is free to download, in truth, but we won’t mention that! (giggle)

Three EP cover

You can access the EP from the link below:

https://nicevennett.bandcamp.com/album/three

Nic you are the very definition of awesomeness and a proper legend!

Mal+Rita

*** Update 03/02/2018***

Bone and Thirst EP cover

We knew there was something in the air, when we followed up our interview with Nic. She mentioned EPs and singles. We should have seen it coming really! The hard life of a music writer – you try to nail everything, have the artist in a box, fully explained and  leaving no mystery uncovered. And then this happens – a brand new EP! Dropped in the middle of the night! Ah!

Artists are such incredible beings – they constantly reinvent themselves, they are masters of creativity and no matter how hard you try to figure them out, they are two steps ahead of you. And we love them for it, to be honest.  They keep us on our toes.

We can picture Nic Evennett smiling like mythical Sphinx when she dropped her new EP – “Bone and Thirst” at 4:00 am yesterday.

But we will admit -we are very lucky. We got our interview just at the right time. We won`t complain.

So what can you expect from “Bone and Thirst”? Three songs:  the title track, lead single “Ribbon” and a brand new composition – “Jagged Boy”, incredible poetic lyrics and  two digital photographs.  Nice package.

“Bone and Thirst” is the most experimental of the tree tracks – it blend trip hop and electronica with  mesmerizing vocals, it is full of loops, samples and strange noises in the background that create quite a dark and nervous atmosphere. Nic is shining in this track, her voice just flows and overwhelms you. This composition reminds us a bit of Sarah McLachlan or Paula Cole – it is very cinematic, neurotic and mysterious.

Ribbon digital single cover

On the other hand – “Ribbon” is completely opposite. Nic sings nearly a-cappella accompanied just by a piano and chirping birds. You read it right. There are birds singing in the background though out the track and this is used like accompanying instrument to the piano. What a strangely beautiful duet! Vocals are stripped but in the lead, providing a focal point of the composition. We`d think “Bone and Thirst” would make the lead single, with all the production that went into the track, but choosing  “Ribbon” Nic Evennett proved to be very brave, experimental and adventurous artist.

“Jagged Boy” continues with the acoustic feeling. But there is something gospel about it. It feels almost religious, like it was recorded in a cathedral instead of a studio. Nic`s voice is at times multiplied, creating a choir effect. The lyrics is unsettling and mysterious, a lamentation even. If this song won’t give you goose-bumps, please consult a GP. You may be deaf. In both ears.

The EP can be bought from Nic’s Bandcamp page and half of the proceeds will go to Mind charity.

https://nicevennett.bandcamp.com/album/bone-and-thirst

You know what to do, dear readers. Go and get yourself a copy of the EP.

A comment from Tom Robinson!

Also, thank you Tom Robinson for your feedback. We are blushing. It is a great honour as we consider ourselves fans of your music and we have always held your lyrics and writings in high esteem. Much power to you too Sir!

Mal+Rita

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Indieterria celebrates Independent Music Week 2018

Dear Readers,

Between January 29th and February 4th 2018 we celebrate Independent Venue Week. This national campaign was set up five years ago to shine a light on local music venues, cultural hubs, parish halls and arts centers that give prominence to young and upcoming bands on the indie circuit.

Worcester had participated in the scheme since last year and 2018 is no different.  There will be plenty of gigs at our local independent music venue – Marrs Bar. To celebrate a whole week of music delights, new bands and DIY ethos we took few figures from our scene on the side and asked them questions.

 Welcome to Indieterria IVW18 special.

 

 James Willis
(The Marrs’ Bar manager)

Marr’s Bar logo

You have some high profile gigs scheduled this year, involving leading local talent. Can you tell us in brief what can we expect from Independent Venue Week 2018 in Worcester?

James Willis:  We have 3 shows booked for Independent Music Week this year. The first gig is HVMM, The Soviets, Juniper Nights and Malvern newcomers Dead Dads Club. It will take place on Thursday, February 1st. On Friday, 2nd of February we have Gaz Brookfield and The Company of Thieves. Gaz is a great friend of the Marr’s Bar, we always love having Gaz performing on our stage. He first came to us while supporting Nick Harper and now nearly sells the place out. On Sunday, February 4th, we have a great concert by the best bands of the Worcestershire scene: Soeur, Nuns of The Tundra, Navajo Ace, Esteban and As Mamas. It is a collaboration between two great local promoters, The Task In Hand and Surprise Attacks. These guys love putting things on that try to push the musical boundaries a bit. All info on the mentioned shows can be found at http://www.marrsbar.co.uk

Marrs Bar has been participating in IVW before. How did the initiative change over the years?

James Willis:  This is our second year participating, but I love how Independent Music Week continue to push awareness all over the country and advertise how important grass roots music venues are.

After losing so many iconic venues, the music community is pushing back – Agent of Change gets a second reading in Parliament and Music Venue Trust (MVT) is set up. Do you think such measures will have a lasting effect on safety and well-being of music venues

James Willis: It sounds like it! It already has started saving music venues from closing due to complaints, but venues are also closing due to decreasing numbers of visitors and less money being spent at the bar. It is very important we keep going to see live music and keep drinking! (laughs)

Marrs Bar is itself going through a lot of changes. Can you give us any details about it?

James Willis: We cannot reveal anything yet at this moment but watch this space!

From where you stand – what can be done to help music venues and local scene in Worcestershire?

 James Willis:  The more venues Worcester has that are willing to put on live music, and the more locals we have that get involved and put shows on, the stronger the music scene will be.

James was also interviewed by BBC Hereford and Worcester on 3rd of February 2018 regarding the campaign and this is what he had to say:

https://vocaroo.com/i/s0VOWhjrRYq5

If you would like to learn more about the venue please read below:

General Info:
The Marrs Bar

Technical Info:
The Marrs Bar Tech Spec 

 

Christian Burton
(promoter, Surprise Attacks)

Surprise Attacks logo

As a promoter, what is the best thing about having an independent venue in town?

Christian Burton: Local independent venues support local music, which is essential for any city’s music scene. Whether it’s live music, DJ sets or open mic nights there is something on pretty much every night of the week. The independent venues in Worcester recognize that variety is vitally important and this can only encourage both the established and the new bands and artists.

As a local promoter for the last 5 years, keeping it DIY, believing in local acts and taking risks in bringing touring bands to Worcester has been key to putting on varied genres. We often put on music which is fairly experimental or leftfield too, and having the support of the independent venues is really important. The venues support the local scene as much as the locals support the venues. That’s the ideal existence for any town!

I think in the last couple of years this two – way support has really come to life with the existing promoters building loyal followers and new promoters being inspired to start up too. This is a great thing for Worcester especially as the student population is growing, and also great for existing and new bands.

New bands need the support of the promoters, who are able to take a chance and put them on because they have the support of the venues, who in turn provide that environment for the crowds and bands alike. So for us as promoters it’s all about community and creating a social hub and everyone seems to be doing the right thing in creating a vibrant and growing scene.

So many venues have closed down in recent years but with the introduction of Music Venue Trust and Agent of Change, the music community is fighting back. What in your opinion, will be the outcome of this struggle?

Christian Burton: It’s a worrying time. The Agent Of Change principle seems just common sense and it’s frustrating that it doesn’t already exist in UK law. I know that in Australia it’s being put into practice to positive effect.

I think the struggle will always be one of money versus culture, with residential or commercial developers obviously wanting to maximize profit. So the cost of proper soundproofing is left up to venues, which is logical if the venue is the new development next to existing offices or residential buildings!

It makes perfect sense that if homes are built next to or near to an existing venue, the developers should be responsible for the soundproofing. Unfortunately the struggle between money and the arts is a long standing battle.

The outcome? Well I’m hopeful that Agent of Change will be introduced into UK law and the importance of live music is realized to be an essential component of the UK’s culture.

Last year Cardiff nearly lost their famous Womanby Street (a street full of clubs and music venues), now they are UK`s very first City of Music. Worcester is not far away from Cardiff, has its own music festival, periodicals, lively scene. What could be done for Worcester to be properly put in on the music map?

I think Worcester is on the way to greatness with its scene and a great music festival, but it’s main downfall in my opinion is the lack of support of local venues and promoters from the University. It’s very hard to get promotional material within campuses : posters, flyers etc.

There is a huge student population in Worcester. Music scenes in other cities really jump on the opportunities to promote to the students, and have the support of Universities when doing so. It’s certainly something we will be addressing as local promoters.

Aaron Whittaker
(The Americas)

The Americas

You played for Indie Venue Week in London at The Rocksteady on 24th January 2018 How does the America see the campaign for independent venues?

Aaron Whittaker: The 21st century is an endless battle against irresponsible developers building here, there and everywhere. We’ve seen so many beautiful and historic venues forced to close their doors over the last few years because of this.

Independent venues need to be celebrated and cherished and the importance of this week-long festival that shines the spotlight on these magic little places can’t really be overstated.If you care about music then you have to pay attention to and support the spawning ground for its future.

 

Troy Tittley
(Nuns of the Tundra)

Nuns of the Tundra

What do you think about the Independent Venue Week campaign?

 Troy Tittley: I think Independent Venue Week is an important reminder of how crucial these venues are to both musicians and audiences. Most people will have their first proper gigs in these places and it is where you learn to hone your craft. You are surrounded by like minded people, creative minds and people passionate about the arts.

I’ve made a lot of meaningful connections in local independent venues, and without them networking would be way harder. I’ve also witnessed some of the best live shows I’ve ever seen in the Marrs Bar which is a stone’s throw from my house. I remember seeing the Subways there when I was a teenager, more recently Creeper, and I have the privilege of supporting Soeur there as well.

If people aren’t into clubbing or getting wrecked, these venues are a great place to spend a night out even if you don’t know who’s playing.

IVW18 with Soeur & Friends

Worcester will close IVW18 with a concert of mighty Soeur, Nunes of The Tundra, Navajo Ace, Esteban and As Mamas at the Marrs Bar on February 4th 2018.

Now what are you waiting for. Put your dancing shoes on, we are off to the mosh pit.

Mal+Rita

Indieterria: WorcesterWave youngest bands part 3

Hola!

The time has come to run the final chapter of our series showcasing artists from our local music scene in Worcester (and neighboring regions) that will be all over the radars in 2018.  We have saved some absolute gems and proper legends for this entry and we are hoping you will be enjoying this blog. Because we had an absolute ball preparing all the entries and profiles. It was also a lot of work, we will admit but we are absolutely in love with finding new music and bringing it to the audience. That`s what A&Rs are for and we are at your service if you ever need to find new artists to listen and fall in love with!

If you would like to familiarize yourself with previous entries, click on the links below:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/
https://cocamidemea.wordpress.com/2017/12/09/indieterria-worcesterwave-youngest-bands-part-2/

You may also have a look at the Year in Review post where we showcased the biggest players on local scene in 2017:

https://cocamidemea.wordpress.com/2017/11/24/indieterria-year-in-review/

And now dear readers, let us introduce you to a handful of kick-ass artists from our neck of country-side.

Grafton Ash

Grafton Ash

Grafton Ash are known for incredibly energetic performances

Starting off as a duo in 2014, Grafton Ash is currently a four-piece pop/rock group from Bromsgrove. Formed by childhood friends, Dan Roberts and Dan Blake, they were joined by Stephen Ashford and Sam Dimmick in early 2015. The band released their debut EP “Avalanche” in June 2015 and it quickly received very positive reviews from local radio stations. Their title track was named the Track of the Week twice by BBC Hereford and Worcester and Grafton Ash received an extensive airplay over the next 6 months. On 3rd of September 2016, they were officially included into BBC Introducing and recorded a three song session for DJ Andrew Marston alongside the Worcester/Bristol indie rock outfit, Vertigo.

Grafton Ash is touring nationally, frequently to the full-house shows in places such as at Birmingham O2 Institute, London O2 Academy, Islington and Covent Garden’s prestigious Hospital Club. They supported Flye, Tom Walker, Reef, The Feeling, The Fratellis, Racing Glaciers and recently James Blunt on 25th of November during his “Afterlove World Tour” at The Arena in Birmingham,.

Grafton Ash released their second  EP entitled “Existing” in 2017 and  they are currently in the middle of a promo tour that will last until the Spring 2018.

Website: http://graftonash.com/
Facebook: https://www.facebook.com/GraftonAsh/
Twitter: https://twitter.com/GraftonAsh
Soundcloud: https://soundcloud.com/graftonash

Silverlake

Silverlake

Sally-Ann Parker the voice of Silverlake

People behind the indie dance/pop trio, Silverlake are probably the most experienced musicians from the Worcester scene. After the breakup of their previous band, the septet Vivarama in 1998, Robin Dalleway (guitar and chief tunesmith), Tony Sherrard (aka Shez, bass) and lead singer Sally-Ann Parker (aka Miss Smartness) returned to their home town of Redditch to concentrate on a new material. Vivarama’s mix of dance rhythms with indie pop and rock sounds brought them a critical acclaim and led to several music videos being filmed for the band between 1993 and 1998. The most popular of them was “Updoor” filmed inside popular club The Flapper and Firkin in Birmingham. “Updoor” premiered on MTV Dance Night with VJ Simone Angel in 1996 and then entered regular rotation as part of Party Zone and 120 Minutes (hosted by Toby Ames). Vivarama was also supporting Lighthouse Family. The band was also awarded for their video to “Let`s Talk About Love” at Film and Television Festival in Birmingham in 1993.

Even before joining Vivarama, Robin Dalleway already had a successful music career.  In 1977, he became a founding member of jazz-punk band The Cravats (they recorded 5 sessions for John Peel at BBC Radio 1) and in 1982, he formed postpunk quartet, The Very Things with whom he released 6 singles and 3 albums (they all entered Top 40 at UK Independent Chart). The band  played two Peel sessions for Radio 1.

For many years, Silverlake recorded music without releasing it and kept their performances to minimum (appearing only a couple of times, for example at Worcester Music Festival in 2015). Their first song “Twist” still remains unreleased, but in 2010, they issued their debut album “Paradise Place” through Magnet Records. Their most current singles include “Black Ponytail”, “Drop By Drop” and “X (Marks The Spot)”. Silverlake received airplay on BBC Hereford and Worcester, BBC West Midlands and a mention at BBC Introducing.

The band is inspired by soul and funk music, the Coen Brothers and David Lynch movies, groovy Californian Pop, Miles Davis, Jackson Pollack, Roxy Music, and Chill Out/Lounge sounds.

Facebook: https://www.facebook.com/SILVERLAKED/
Twitter: https://twitter.com/silverlake_band


Ewan Pollock

Ewan Pollock

Ewan playing Worcester Music Festival in 2016

Singer/songwriter Ewan Pollock (or as he is known locally “the boy with a guitar”) is the first person on our list that is not native to Worcestershire. He was born in Glasgow but moved to Worcester as a child and adopted The Faithful City as his hometown. He specializes in acoustic folk/rock genre and is inspired by the works of Glen Hansard, fellow Scotsman Paolo Nutini, Frank Turner and George Ezra.

Since 2013, Ewan has performed at many events around Worcester and beyond. In 2014 he reached finals of the nationwide singing competition”Open Mic UK” in Birmingham receiving positive reviews from judges and audience.  He played at Worcester Music Festival three times (in 2014, 2015 and 2016), participated in Free Radio Summer Sessions at the Crown Gate Shopping Centre (where he was chosen the most promising artist) in 2015 and 2016, Worcester Moto Show (High Street stage), Festival at the Fountains (South Quay stage), Worcester Foodie Festival (as part of “Young and Talented” stage on the High Street), Christmas in Worcester (Worcester BID stage) and Severn Sounds Festival‏ at Pavilion in the Park stage. He has also graced the stages of The Old Pheasant, Café Blis (supporting Worcester Soup charitable project), The Marr’s Bar, The Firefly (all in Worcester) and Sunflower Lounge in Birmingham.

Ewan released his first digital standalone single “Home comfort” in 2015 and a demo EP “Make it count” in 2016 (“Lady in the Dark”, Distractions”, “Make it count” and “Too late”).  The leading single “Lady in the Dark” was played on BBC Hereford and Worcester radio and was featured on podcast show by popular online DJ Matt Barker in November 2016 (Matt is a presenter of the MattBarkerRadio and broadcasts on 60+ radio stations worldwide via the Deuce Radio Show).

Ewan is currently working on new music and has several concerts already booked for winter and spring 2018.

Facebook: https://www.facebook.com/ewan.pollock.1
Twitter: https://twitter.com/EPollockMusic
Youtube: https://www.youtube.com/channel/UCsgjpmq6Jc4jyl4ES0IZyLQ
Soundcloud: https://soundcloud.com/ewanmusic-1


Elephant Peel

Elephant Peel

Elephant Peel live at Firefly in Worcester on October 19th 2017

Official bio:  A bunch of free-thinking, rock n roll survivalists came together in Worcester and produced a plethora of gorgeous, chin-out songs. Honing their craft, fittingly, in an attic studio above a notorious watering-hole (overlooking their home town of Worcester), they’re great lads but they ain’t here to take nonsense off anyone! Reminiscent of The Kinks, 13th Floor Elevators and sharing elements of your other favourite classic bands. They write a hell of a tune and have a great stage presence to boot.

Formed in 2016, Elephant Peel is a brand new band on Worcestershire scene, but it is quickly making a name for itself. The quintet consists of experienced musicians: Joe Thomlinson (vocals and harmonica), lead guitarist Matthew Randall (aka Randall), drummer Guy Bradnock, bassist Sean Gandy and Matt Crawford (nicknamed Crawford) responsible for rhythm guitar/backing vocals. Before forming Elephant Peel, Joe played in two well known Worcester bands: Virals and Something Men that also featured Matt Crawford and Sean Gandy. Something Men released 4 stand alone digital singles “Mud Brown Mistress”, “Birdy Roof”, “Go Diddley” and “Last Night (Was The Last Time)” that received a lot of airplay on local and internet radio stations. “Birdy roof”/“Mud Brown Mistress” was also released in a physical copy as a double-sided 7’’ single through EZPZ Records in September 2011. It was chosen a Song of the Week by BBC Hereford and Worcester in November the same year.

After Something Men disbanded in early 2012, Joe started working with Matt and Sean again which led to the formation of Elephant Peel. They recently  released a demo single “Universal Stream” and played a string of popular local gigs including headlining two sold out concerts at Heroes (organized by Surprise Attack) and The Firefly (part of Boneyard Sessions). The band is inspired by Syd Barrett, The Kinks, The Beatles, Richard Hell, Jennifer Gentle and Graham Coxon.

2018 will see Elephant Peel in the studio (they are now working on more material to be released in the first quarter) and on the road (concerts are already booked and will be announced soon).

Facebook: https://www.facebook.com/elephantpeel
Soundcloud: https://soundcloud.com/elephantpeelband


Chloë Elliot

Chloe Elliot

Chloe Elliot performing at the Christmas Lights Switch On ceremony in Worcester, November 23rd, 2017

At 16 years old Stourport-on-Severn native, Chloë Elliot is considered a pop star in the making. She started singing as a child and further developed her singing and song writing abilities at performing arts school in Birmingham, where she received classical training in theatre, dance and stage presentation. Of course, she passed every exam with a distinction.

Chloë spends her free time from school either in the studio recording the songs she wrote or performing. In the last year and a half, she performed more than 60 times as a solo artist in Herefordshire, Worcestershire and Greater Birmingham area receiving positive reviews. Her song “One” was selected as the “Song of the week” by BBC Hereford & Worcester which lead to her being interviewed on-air by popular DJ Tammy Gooding.

Her debut single entitled “3 Reasons” was released in early September 2017 and went into heavy rotation on BBC Hereford and Worcester Radio.  It won her the recognitions for the “Song of the Day” and “Song of the week”. It was also named the post popular song among young listeners in November.  Chloe was invited to BBC Introducing at Christmas Lights Switch on in Worcester by DJ Andrew Marston and her performance was seen by thousand of visitors on the High Street.

2018 may be a breakthrough year for the young artist. She has recently preformed for scouts from   two biggest record labels in the world (Universal and Warner) and she is already booked for several shows in the early spring and summer.

Chloë is influenced by John Mayer, Shawn Mendes and James Bay.

Website: http://chloeelliot.com/music/
Soundcloud: https://soundcloud.com/chloepaigemusicxo
Facebook: https://www.facebook.com/chloeelliotmusic
Youtube: https://www.youtube.com/channel/UCzwimF__Wov3WRB-hPpwPPQ
Twitter: https://twitter.com/thechloeelliot
Instagram: https://www.instagram.com/chloeelliotmusic


Winchester

Winchester – photo by Theodore Swaddling

Winchester in black and white

Official bio: Winchester are a new British 3 piece that drags high octane prog, metal and hardcore screaming into the popular arena. Their emotional riff-laden assault course crashes and flows through cinematic soundscapes with no room for boundaries. Drawing from the intense social climate of today, Winchester have nurtured a sound and a concept that rings true with the twists and turns of tomorrow. With a live show that manages to re-create and somehow elevate their epic sound, this is something fresh that you will not want to miss. Life Begins.”

Worcester/Cardiff/Bristol based band Winchester are three piece outfit balancing between progressive rock and old school hardcore à la Biohazard, Pro-Pain or Crowbar with heavy metal inspired vocals instead of rap. The trio consists of producer-turned musician Scott Mahoney (responsible for excellent debuts of Nuns of the Tundra and HEXEN) on guitar, Adam Catalan on lead vocals and bass and Max Edkins on drums.

Winchester was founded in late 2015 and the band deliberately stayed quiet despite touring nationally and internationally (Germany, Belgium France in 2016). Lack of social media presence, stripped contact with the press and performing live resulted in a very raw yet appealing sound that was captured in the studio and perfected by legendary record producer Dan Weller (SikTh, Enter Shikari, Young Guns). Winchester spent more than a month preparing their full debut album entitled “Life begins at these dead ends” and it will premiere on 9th of February 2018. The album is available for pre-order now on all major platforms.

The first single from the album, “Life begins” was released 15th of December 2017 and received positive reviews from online rock magazines and from BBC Wales DJ Adam Walton. It will be followed by second single “Diamond” in late January 2018.

At this moment, Winchester is on promo tour in the UK. On 18th of November, they played  popular club Hobos in Bridgend with As Lions and Greyhaven UK and on 29th of November they headlined sold out show in Bristol’s The Fleece with Holding Absence, Loathe and Phoxjaw. They will play Bristol again on 28th of February along with Loathe and there are talks of their gigs supporting Sever and Time & The Valuator later in the summer.

Winchester draws inspirations from the music of Muse, Biffy Clyro, Fightstar, Northlane, The Architects and Enter Shikari. They are represented by Imperial Music, an artist and event management company based in South Wales.

Website: https://www.winchester.band/
Facebook: https://www.facebook.com/winchesteruk
Twitter: https://twitter.com/winchukband
Instagram: https://www.instagram.com/winchukband/
Youtube: https://www.youtube.com/channel/UCBjfxh5-cDoBgaBsRGFF0Sg
Official management: james@imperialmusic.co.uk


As Mamas

As Mamas

As Mamas performing live at the opening of Paradiddles in Worcester December 15th 2017

Founded over two years ago, Worcester-native psychedelic rock and roll duo, As Mamas consists of Harrison Baird-Whitman (guitar, vocals and harmonica) and Joe Devine (drums and percussion). Influenced by the Californian 60’s music, the group managed to create a very unique style, the-one-of-its-kind on the Worcester indie scene.

As Mamas released their debut self titled EP on 16th of July 2016. It was recorded in an original 60’s caravan (that was turned into a studio) and was produced, mixed and mastered by the band. It included four stand alone singles: “The Lights Are On but Everyone’s Wasted”, “World Wide Blues”, “Mama Moved” and “Zenobia”.  Their single “The Lights Are On but Everyone’s Wasted” received a lot of airplay on Birmingham Radio, Free Radio, BBC Hereford and Worcester, 102 Touch FM (Shakespeare’s County & tThe Vale) and was featured on a compilation album “ENTER THE VOID” released by Donut Records in August 2017.

For the last year and a half, the duo has been touring the UK extensively. Along with The Americas, As Mamas are the only West Midlands acts that appeared on This Feeling circuit. As solo artists, they played Birmingham on several occasions including the Sunflower Lounge with The Whitelights (during their EP launch), Ten Tombs, supported The Cosmics alongside LCKD and Quinn (October) and appeared at Birmingham Blues Fest Saturday at the Big Bulls Head in Digbeth (July). They have also graced the stages in Worcester appearing at the Firefly club supporting Solsara alongside Happy Bones and in Heroes with Elephant Peel and Slumb Party (October and November respectively).

As Mamas regularly performs in London as well, usually to the clubs at full capacity. Their recent sold out shows include gig at Amersham Arms (alongside MONIKA, James Beau Barcley and Spinner) and Reverberation Psych Fest at Victoria Dalston with Strange Cages, Dusty Mush and Insomnichord.

Other notable shows include BBC Introducing Session at The Booth Hall with Raptor and New Revival (April 21st 2017), charitable concert at Alestones in Tardebigge Court in support of Anawim (women’s refugee organization) on October 28th and  supporting popular Nederland group MY BABY on 7th of April.

Their latest video and a new single entitled “19th Floor” were released on September 11th and were directed by Caitlin Setterfield. “19th Floor” will be featured on their next EP “Parte Dois” to be released on 10th of March 2018. The band will play a show to celebrate the launch with a gig at the Sunflower Lounge. Tickets sale date and supports will be announced soon, so stay tuned.

Soundcloud: https://soundcloud.com/asmamas
Facebook: https://www.facebook.com/asmamasband
Youtube: https://www.youtube.com/user/asmamasband
Bandcamp: https://asmamas.bandcamp.com
Instagram: https://www.instagram.com/asmamasband/

Time Of The Mouth (TOTM)

Time of the Mouth

Time of the Mouth perform at the opening of Paradiddles in Worcester on December 15th 2017

Time of the Mouth is Kidderminster based punk rock trio that has been around longer than any of the previous bands we have written about (with the exception of Silverlake). Over the years, the outfit gathered a strong fan base in West Midlands and beyond. It looks like 2018 could be a breakthrough year for them.

TOTM was formed at the beginning of 2010 and went through different line ups changes. Since 2015, the band consists of Chris Jones (vocals and lead/rhythm guitar), Ash Greenway (bass and backing vocals) and Jake Fox (drums and backing vocals). Their back catalogue can only be described as the most impressive. They released their first EP “Third Time lucky” in May 2012 (including singles “Amy”, “The Only Way Out”, “Tears” and “Take Me With You”). “The Only Way Out” proved to be so popular that it was played not only on local BBC Hereford and Worcester radio, but also in America, Australia and Japan. Their second EP “Snorkeling with Jesus” was published on May 2nd 2014. It was a 5 single EP containing “Lost”, “6 Feet Under”, “Snorkeling with Jesus”, “Euphoria” and “Another Level”. Again, two singles “Euphoria” and “Lost” received a lot of radio airplay on BBC Hereford and Worcester, Birmingham Radio and Touch FM. Their stand alone single “Urgent Joe” released in 2013 was named the single of the week by BBC Hereford and Worcester.

Their newest EP entitled “What Would Dave do” was released on August 11th 2017 and contains 4 singles: “Going Back”, “My Disguise”, “Too Obvious” and “ELG3”. A promotional video to “My Disguise” was filmed at Shredder Live Lounge Studios in Birmingham.  A stand alone single “Miss The Madness” was also released on May 26th 2017.  It is worth adding that its music video features a popular actress Eleanor Ham known from BBC series “The Doctors”, “The 4 O’Clock Club” and theater productions of “Les Miserables” and “Cinderella”.

TOMT is known from very energetic live show and frequently tours nationally. They have performed in London, Birmingham (at prestigious The O2 Academy Birmingham & the LG Arena Birmingham), Bristol (Louisiana), Nottingham, Sheffield, Cardiff, Worcester (The Marrs’ Bar, Paradiddles), and Manchester among many other places. They also perform at many summer festivals between May and October (including Tower Stage at Drunken Monkey Festival). The band is inspired by Less Than Jake!, Reel Big Fish, Green Day, Spunge, Fall Out Boy, The Used, Placebo and Bowling For Soup.

 Facebook: https://www.facebook.com/pg/TimeOfTheMouth
Twitter: https://twitter.com/TimeoftheMouth
Youtube: https://www.youtube.com/channel/UCCjoLeUVunGSrq6YZyYKN2Q
Soundcloud: https://soundcloud.com/timeofthemouth

And it`s a wrap our dear readers. Three long chapters full of bands that will rock your socks off and make you dance in your kitchen in the coming 12 months are yours to enjoy.  We will hopefully see you somewhere at a local gig, next to the speakers. If we meet – come and say hi and tell us if our predictions were correct

There will be more to come on Indieterria in 2018 but we we will be changing our format a bit to get more interesting. You will see 🙂

Till then, stay beautiful

Mal&Rita

Indieterria: WorcesterWave youngest bands part 2

Hello again!

Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/

Part three can be found under this link:

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City?  We hope so, as we have  some superb artists to show you!

Happy Bones (Iggy Cuthbert)

Happy Bones playing live photo by Alex Knight

Happy Bones (aha Iggy Cuthbert) by Josh Foster

Official bio:  Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.

 Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.

Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”

As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.

Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.

Facebook: https://www.facebook.com/iggyhappybones
SoundCloud: https://soundcloud.com/iggyc
Bandcamp: https://happybones.bandcamp.com

Benjamin Dallow

Benjamin Dallow

Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz

Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.

He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.

Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack.  As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.

Facebook: https://www.facebook.com/benjamin.dallow
Worcester Music Festival:
  http://www.worcestermusicfestival.co.uk/bands/Benjamin-Dallow/

Becky Rose Seabright

Becky Rose promo picture

Becky Rose live

 At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.

 In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.

Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016.  Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).

She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.

Youtube: www.youtube.com/beckyrosemusic
Reverbnation: www.reverbnation.com/beckyrose
Myspace: www.myspace.com/thisisbeckyrose

RVRMN

RVRMN posing for promo picture in Worcester

RVRMN up on the roof

Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.

RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.

RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna

Website: http://rivermanofficial.wixsite.com/page
Facebook: https://www.facebook.com/RivermanPage
Twitter: https://twitter.com/RivermanPage
Instagram: https://www.instagram.com/_riverman_/
Soundcloud: https://soundcloud.com/rivermanpage
Spotify: https://open.spotify.com/album/3d2jDGHN6UP2CrGsWV7Q8v

Neil Ivison and Stone Mountain Sinners

Stone Mountain Sinners promo1

Stone Mountain Sinners promo2

Official bio: Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.

Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.

Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity.  Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).

Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.

Stone Mountain Sinners
Website: https://www.stonemountainsinners.co.uk
Facebook: https://en-gb.facebook.com/stonemountainsinners/
Twitter: https://twitter.com/StoneSinners  

Neil Ivison
Facebook:
https://www.facebook.com/neil.ivison
Facebook: https://www.facebook.com/NeilIvisonMusic/
Instagram: https://www.instagram.com/neilivison
Twitter: https://twitter.com/neilivisonmusic

HEXEN

HEXEN promo picture1

HEXEN promo picture2

Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.

Ren has worked closely with several notable Welsh and Worcester musicians.  She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).

She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.

Scott Mahoney has nothing but praises for HEXEN for their work together:

“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.

Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.

HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.

Facebook:  https://www.facebook.com/itshexen
Twitter: https://twitter.com/itshexen
Instagram: https://www.instagram.com/itshexen/
Bandcamp: https://itshexen.bandcamp.com

Vertigo

Harry Lee Jones – the mastermind behind Vertigo

Cover for the single “Breath”

Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.

Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!

Website:  http://harryjoneslfc.wixsite.com/vertigo/vertigo
Facebook: https://www.facebook.com/harryjones27
Facebook: https://www.facebook.com/Vertigo-1710755979198462
Soundcloud: https://soundcloud.com/vertigodada
Soundcloud (new demo for “Gucci”) https://soundcloud.com/vertigodada/gucci-the-first-demo
Soundcloud (“Breath”): https://soundcloud.com/vertigodada/breathe
Youtube: https://www.youtube.com/channel/UCj0K77SGJnPWsz417sYERKw

Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.

It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!

Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.

Indieterria meets Mutant-Thoughts

Hello, hello!

It’s the middle of the month and Indieterria is now back with another cool band you just have to know. Usually people like us here at Vanadian Avenue (professionally known as Artist and Repertoire or A&R’s for short) are sailing the vast waters of the world wide web in search of another talent to bring it to the surface for your enjoyment. It is a hard, ungrateful task at times but once a truly talented band or a musician is found, a long and successful career can begin.

Mutant-Thoughts logo

Sometimes we don’t have to search at all, the bands approach us themselves and all we can do is to sit, listen and admire as they are excellent at their craft. Our latest guest, Mutant-Thoughts found us on social media and we had to invite them to Indieterria as they are truly unique band!

Official Bio: Mutant-Thoughts is an experimental synth-rock band formed by Han Luis Cera (vocals and synths), Joshua Lennox-Hilton (bass and backing vocals) and Tom Pearmain (drums). Their unique sound combines traditional rock music with electronic sounds, eerie vibes and beautiful melodies. Mutant-Thoughts’ live shows are a spectacle that cannot be missed – it is equally energetic and emotional, filled with odd time signatures, crazy electric signals, heavy bass lines, eclectic vocal harmonies and to the listener’s surprise, no guitars. Using synths, drum machines and other special effects, Mutant-Thoughts is able to transform their surroundings into a completely new, detailed musical reality. The band released their first album in 2016. Their latest EP entitled “Is This Me?” was released in September 2017.

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Mutant-Thoughts

Han Luis Cera (vocals and synths),
Joshua Lennox-Hilton (bass and backing vocals)
Tom Pearmain (drums)

We are sure all music journalists can wholeheartedly agree that looking for a new, interesting band to write about can be tricky. Among millions of self released singles, YouTube videos and EP’s filled with repetitions or (in worst case scenarios) bad cover versions, discovering a true gem sometimes feels like mission impossible. Yet the hours spent listening to home-made demos are rewarded when you come across a band that captivates you with their music within seconds. We all know that feeling: the music starts, you close your eyes and a beautiful sound landscape unravels its mysteries to you through lyrics, tempo changes and fuzzed guitars. Good things do come to those who wait and we are really lucky to discover Bristol based trio that calls themselves Mutant-Thoughts. Vanadian Avenue sat down with their lead singer, Han Luis Cera to discuss their beginnings, unusual name and growing up in Latin America.

Mutant-Thoughts promotional shoot #1 by  Igor Tylek Photography

We have interviewed many bands with unique names, but yours is one-of-a-kind. It could be the title of the next Marvel superhero blockbuster. Where did it come from?

Han Luis Cera: (laughing) I admit, it does sound a bit like the next Marvel/DC psycho-thriller! That’s a film I’d like to watch. The actual name came from a very dramatic break up of my previous band. The whole thing left me in a situation in which I started having thoughts I didn’t recognize as my own, hence the name, Mutant-Thoughts. I thought it would no logger be possible for me to play with a band again. I started writing songs as some sort of personal therapy. However, when I moved to Bristol, I felt a lot better, and was happy to play with others again. I found Joshua Lennox-Hilton (our bassist), and Tom Pearmain (drumer), and I’m very happy and lucky to play with these two guys.

We are interested in learning more about Mutant-Thoughts. When and how did you meet?

Han Luis Cera: I moved to Bristol in 2014 but even before then, I was already looking for musicians to collaborate with. After a while, I met Josh, as he responded to a post I wrote online looking for a bass player. Around the same time, I befriended Pablo, an Argentinian drummer that played with us for the first year; sadly he had to leave us as he moved abroad. He basically transformed all the electronic songs I have written on my own into proper rock music as no band could ever play them in their original version (laughing)! After Pablo left, we played with another drummer named Tobias for about half a year, and he left for personal reasons. Then we auditioned a few drummers. Tom was the first one we heard that day and we were so impressed, that the decision was easy. He just understood immediately what we were doing and it was very easy to get along and work with him.

Mutant-Thoughts promotional shoot #2 by Igor Tylek Photography

Han, you are Colombian native. Can you tell us about your life in Latin America.  What type of music you grew up listening to?

Han Luis Cera: I grew up in Barranquilla, a port city in Northern part of Colombia. I was exposed to lots of types of music, but mostly Latin. Barranquilla has one of the biggest carnivals in the world, so we are used to listening to a lot of music, all day and every day. It is quite interesting to live in a society where music plays such an important role in our culture. Also, Barranquilla is located on the Caribbean Coast of Colombia; our music is hugely influenced by African music, with heavy emphasis on rhythm. That is the reason why the rhythmic section is so important for Mutant-Thoughts and why we put more fluid stuff on top of it. I enjoyed growing up in Colombia. I think that Latin America has a very interesting way of dealing with problems. People seem to be happy regardless of the situation. And I think it takes a lot of courage to see life like that.

Moving to the other side of the world can be a great adventure or a traumatic experience. How do you find the life in the UK? Was it easy for you to get accustomed to a new reality or did you experience any cultural shocks?

Han Luis Cera: I lived in Amsterdam before moving to Bristol, so I had my fair share of culture shocks when I moved there! Coming to the UK was definitely a lot easier. There are a few things that I find interesting in British culture, (like wearing shorts in the middle of the winter), but I really love living here. I’ve met very interesting and talented people, and I’m doing what I love!

We can imagine that music scene in Colombia and in the UK are completely different. What do you think about the music scene in Bristol? Should we even compare those two?

Han Luis Cera: I think British people generally have great interest in live music. That helps the music scene a lot and it gives the musicians a chance to grow. There are multiple small venues and places where musicians can play and reach new listeners. We only have a handful of venues in Barranquilla where you can see a live band play. Most Colombians tend to listen to music from records or on the radio, rather than live but that means the music is everywhere, even on public transport. During the Carnival season, there are gigs everywhere though.

Your music has been likened to Pink Floyd, Faith No More and Caspian. We hear UNKLE, a bit of Nine Inch Nails and Radiohead. Also, we are not the first ones to point out that when you sing, you sound like Tom Yorke or Davie Bowie from his Ziggy Stardust and the Spiders from Mars era.

Han Luis Cera: Some of the artists you mentioned have indeed influenced us. We all have different tastes in music and we bring them into the band. We give each other the space to experiment and grow. All of the bands that we are likened to are incredible and we can only see that as a huge compliment. I personally think we sound different to them, but if I could ever play together with any of those bands, I’d probably go into some form of a shock not being able to believe my luck!

Mutant-Thoughts promotional shoot #3 by Igor Tylek Photography

 Mutant-Thoughts use a lot of odd time signatures, tempo changes and you are not afraid to experiment with sound. It is not so common these days but reminds us the golden days of the progressive rock: early Genesis, King Crimson, Van Der Graaf Generator. You have learnt from the best!

Han Luis Cera: To be absolutely honest, I don’t really listen to progressive Rock, apart maybe from Porcupine Tree, and Pink Floyd, (if you can call them progressive rock). I don’t really listen to music with odd time signatures that much either. I just have a fascination for rhythm, contrast and I enjoy doing the opposite of what other people are doing. I’m not trying to be interesting or cool or anything like that.

I just think that if something has been done before, there is no need for me to do it again. I’m not sure if we’re succeeding at that, but that’s the idea. I could say that my fondness for rhythm comes from Latin music. There was a lot of jazz influence in 70’s salsa. On the other hand, my fascination with sound experiment streams from feeling limited with the possibilities of keyboard based instruments. As much as I love the sound of a piano, or an organ, the synthesizer is the instrument I seem to be able to express myself most intimately with, but I do still check my parts on a piano though.

Last month, you have released your latest EP entitled “Is This Me?”. It is a beautiful piece of music, very well written and perfectly executed. We are especially fond of two songs: the title track and the atmospheric “Alone”. Can you tell us more about them?

Han Luis Cera: Thanks! I’m really happy to hear that. Well, the whole EP is about going through a rough period in life and being able to find a solution to your problems. It has some very dark moments and it has moments which are more up-lifting. The title song “Is This Me?” is about self-analysis. A question to one-self about what we are doing. Is this really what we want to do? Are we acting according to who we are or are we acting on an instinct? Are our action based on what we believe to be true at that moment or do we have the full picture of the situation? It is hard to find the answer to those questions.

I’m unable to explain just two songs without discussing the context of the other songs at the same time. They are all linked together. The second song on the EP is entitled “Chaos and Entropy” which is about going through the actual problem. It is about losing oneself and just tasting every single moment of that path.

The third composition is actually a poem. I have named it “Trying to Make Sense” which I think the title is self explanatory. Then we have “Alone”, which deals with the sense of realization that after the chaos and suffering, we are actually alone. At this stage, we have taken some distance from the world to give ourselves the chance to deal with our problems. And then we close the EP with “Adaptation” which is about changing, “mutating” into a different person that is now able to deal with the problems left in the past.

Mutant-Thoughts performing live at the Bristol’s Louisiana club – photo by Igor Tylek Photography

Mutant-Thoughts appearance on the Bristol music scene was very well received. You have played alongside new prog/math rock talents such as Last Hyena or YOUTH. When can we see you on stage next?

Han Luis Cera: At this moment, we are working hard on promoting our EP and some of the new projects. We are lucky that Bristol has a great music scene with many, very talented bands we have had the pleasure of sharing the stage with.

We will be playing in Bristol again on the 2nd of November at Mr. Wolf’s for the EP launch of “Siblings of Us” who were kind to invite us to support them. Also,  we will travel to London to play at Off The Cuff, the date is going to be confirmed soon. We are looking to add more dates before the end of the year, so please check our Facebook and the official website regularly.

You can follow Mutant-Thoughts at:

Official website: www.mutant-thoughts.com
Soundcloud: https://soundcloud.com/mutantthoughts
Bandcamp: https://mutant-thoughts.bandcamp.com
Facebook: https://www.facebook.com/mutantthoughts/
Twitter: https://twitter.com/mutant_thoughts
Youtube: https://youtu.be/WTfwrTkjqaU

If you’d like to write about them, book a gig or interview the band, Mutant-Thoughts press pack will come in handy!

Interested in seeing them live? Mutant-Thoughts are real musical magicians!

Enjoy the brand new Bristol sound!
xxx
Rita and Mal.

Indieterria meets Nuns of the Tundra

Dear Readers,

We arrived into October not so quietly. Our ears are still ringing from both Worcester Music Festival and Musicians Against Homelessness gigs, but there is no sign of slowing down. Actually, next week we will rock out again – back at the Marr`s Bar for the EP launch of Nuns of the Tundra. The Nuns are from Malvern and they have built themselves quite a reputation in the last few years. It will be a sonic pleasure to see them live and to listen to their new material. We hope you enjoy first installment of Autumn selection of Indieterria.

Nuns of the Tundra logo

Music from the Shire

 

Nuns of the Tundra

Troy Tittley: Guitar
Arran Davies: Guitar
Jim Smith: Bass
Melos Moody: Drums


West Midland quartet, Nuns of the Tundra, is a rare beast. They easily melt American rock tradition with typical British favoritism for distorted sounds and gritty tunes, creating a fresh sound that has a chance of revolutionizing the rusted structures of the indie genre. Vanadian Avenue sat down with Nundra’s (their pet name!) lead singer and guitarist, Troy Tittley, to discuss their newest single “Float Away”, the Hobbits, road movies and composing on top of the Malvern Hills.

Banner with original logo

According to your biography, Nuns of the Tundra was formed nearly two years ago. Can you please introduce yourselves?  Tell us how the band was formed and where did you meet.

Troy Tittley: The band is the brain child of me and my childhood friend, Arran Davies. We’d always be showing each other cool new music we’d found since we were about 10 years old, and in fact were in a band together called RoadKill when we were 13. We’re better hopefully by now. We had all these riffs and song ideas that were floating around not doing anything, and we had a ton of free time. We didn’t take it overly seriously at first; we made songs about swamp monsters, vampires, goblins… The song about killer sex robots from the future actually became our first single. I also have been in a band before Nuns with a producer Curig Huws, and Curig basically taught me some song writing rules that made me feel confident enough to give it a crack myself. So after that band broke up,  Nuns were formed.

You have to admit that Nuns of the Tundra is a very interesting choice of a name for a rock group. We tried to look for possible explanation and this is our theory: You come from Malvern that derives its name from the old Welsh word “moel-bryn” meaning “Bald Hill”. The tundra biome is usually described as barren, treeless or bare. Also, Malvern as a town has been established by Benedictine order in late 10th century. Maybe as a joke, instead of the monks you called yourselves The Nuns. Nuns of the Tundra. Sounds pretty good to us!

The Nuns photographed by Colton Halls
https://www.facebook.com/coltonhalls

Troy Tittley: I absolutely love your theory and I wish we were that clever. I have to disappoint, but Arran loves nuns, my favorite word is tundra. Deep, right? Tundra Nuns sounded too indie, Nun Tundra doesn’t really work, I don’t know why. When I came up with Nuns of the Tundra, it was a joke, but when I said it out loud, it just stuck with me. We were going to be called nilbog (goblin backwards), but I think Nuns of the Tundra is equally as ridiculous and that’s why we love it. We also have some twitter followers using Nundra to save precious characters, and we really dig that name too.

Let’s talk about Malvern for a while longer. You describe your music asdirty desert stoner rock from the unlikely Midlands town of Malvern”. However, Malvern always had a strong links to (popular) music. For many years it has been the home of Edward Elgar and Julius Harrison, classical composer and professor of composition at the Royal Academy of Music. Through the 1960s, ’70s and ’80s, Malvern Winter Gardens was a popular venue bringing top rock acts such as Joy Division, The Rolling Stones, Black Sabbaths and many others to West Midlands. It seems that you are continuing the local tradition of crafting good music.

Troy Tittley: Yes, you’re totally right. Malvern just feels like a tucked away music hub. The hills are pretty inspiring; I did a lot of writing up there because you can get away from everything, so Elgar was definitely on to something. It’s basically the Shire and we’re the Hobbits. It’s rather unlikely because I’d kind of expect a rock band to come from Mordor or Isengard. Maybe Sigur Ros lives in Rivendell! (laughs)

Your music has been categorized as a wild mixture of psychedelic, progressive rock, American collage rock, grunge and mainstream harmonies. Fugazi, Stone Temple Pilots, Queens of the Stone Age, Muse and Grant Lee Buffalo have been mentioned as possible influences. Which other artist you would add to the mix and why?

Troy Tittley: As you can see we have a lot of American influence. I love that Fugazi made its way into that list by the way! Live we can be quite raw, but we like to get the layers and intricacies in there too. Really, I want this sound to evolve into something that shifts from chaos to complexity and back, but that’s for another time. Right now, we are very guitar driven, and try our best not to retread ground structure wise or atmosphere wise, so the wild mixture is probably down to that. I’d probably add Nine Inch Nails and Foo Fighters to that list; it’s basically all I listened to growing up.

Nuns debut single “Robot Love” received fantastic reviews from local and online press. It has been championed by Andrew Marston at the BBC Hereford and Worcester. You were also invited to play at BBC Introducing stage at Lakeview Festival at Eastnor Castle in August this year where apparently “you blew the tent poles off” with your powerful riffs. That’s very impressive start, don’t you think?

Troy Tittley: The thing is that’s not the start! We’ve been going at this for a while now and a lot of the feedback hasn’t been so hot. But that gives you thicker skin and if you can get past it, then that’s when the real stuff starts happening. We used to post demos online to public forums, because face to face people often say things that let you off easy. Online anonymity allows people to be complete dicks to you and you just have to deal with it! So, really it started there. We just got our ass handed to us until our “Mind’s Eye” demo took off. We were on the front page of Reddit Guitar Facebook page for a while and it felt amazing. It doesn’t surprise me as “Mind’s Eye” is currently our most popular song.

Second release entitled “Mind’s Eye” only cemented your reputation as a new band to look out for. Overblown Magazine called you “the saviours of mainstream rock”, Worcester Music Festival described you as “dirty drive 100 MPH through the deserts of the wild west” while Born Music gave you the title of “one of the UK’s most exciting upcoming bands”. By now, you must be accustomed to constant praise.

Troy Tittley: It is a good feeling knowing you are on the right track, but it’s important not to rely on positive press because it can make you soft, in my opinion anyway. I think I work harder when people are being harsh. Josh Homme once said “You’ve got to learn to love being hit by rocks” and I think that’s true. But I am deeply grateful for the positive response.

Your latest single, “Dead in the desert” has almost cinematic feeling to it – a certain dark vibe accompanied by an open landscape of fuzzed guitars and distorted echoes. It is easy to imagine surviving members of Velvet Revolver teamed up with Trent Reznor to write a soundtrack for a new road movie directed by David Lynch. I have to admit, it has been one of my favorite tracks this year. Can you tell us more about it?

Troy Tittley: Can I use that description? I love it. I would definitely watch that movie. That song started off as just the bass riff. Originally, it was a guitar line made by Arran. We changed it hugely and made it way more psychedelic. Then we dropped it from our set for over a year, the chorus just wasn’t right. After that, I got addicted to Arctic Monkeys’ “AM” album and it channeled a lot of how I was feeling at the time and the chorus just came together. Finally, the whole song just made sense. The weird sounds and little guitar licks were improvised in the studio. Our producer Scott Mahoney just set me up with this enormous chain of trippy guitar pedals, went out for a smoke and told me to do whatever I wanted. It was a really fun experience, and we were just trying to create the weirdest and most creepy soundscape we could get away with. I’m glad you like it.

Nuns of the Tundra during their BBC Introducing session
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

On the 10th of October, you will release your first EP and a new single “Float Away”.  How many songs will be included? Where was it recorded?

Troy Tittley: The EP is the first 4 songs we recorded at the Funky Bunker in Malvern. “Float Away” will be the new track and all other singles released will be on there too. It’s our first CD and we’re so excited to have something physical. All songs were produced by Scott Mahoney and the current band lineup: me, Arran, Jim and Melos.

Recently, we found out that an animated video to “Float away” was produced by London based indie/alt rock art company YesMan. Its official premiere took place on the 28th of September and it has already been shown to critics at NYC Indie Film Festival where it was included into official festival selection. It will be competing for the main festival award in short movie category on 7 – 13th May 2018. We are very interested in learning more about this unusual collaboration.

Troy Tittley: YesMan caught our attention with his previous work; it has a really different feel to the majority of the stuff out there. We played him a lot of tracks that we’d recorded, and just asked him to pick the one that vibed with him most. We didn’t want any input; we just wanted him to come up with something, to make a song more than a song. “Float Away” is close to my heart, I wrote the main riff when I was very young, probably 13, so a part of me was hoping he’d choose it. And honestly the song works so much better with the video, once you see it, you won’t be able to separate the two. It’s just how I wanted it to be. Plus I get to be the moon!

Nuns of the Tundra are on the (rock and) roll. What are you up to in the nearest future?
Any gigs your fans should be aware of?

Troy Tittley:  We’ve got a few songs that are recorded and ready to go. We like to surprise people, so “Float Away” will be a departure from our main sound. The next batch will hopefully add another element to our repertoire. We have some songs to be yet recorded, a tour through October and big plans for 2018. Also, we’ll be back in the Louisiana in Bristol on the 4th of October, and our EP launch will be held at the Marrs Bar, October 10th. We’re heading back down to London on the 27th of October and we’re playing a special hometown gig in Malvern at the Unicorn too. Can’t wait!

You can follow Nuns of the Tundra online:

http://www.nundra.com
https://facebook.com/nunsofthetundra/
https://twitter.com/NunsoftheTundra
https://soundcloud.com/nunsofthetundra
https://www.reverbnation.com/nunsofthetundra
https://nunsofthetundra.bandcamp.com

That`s all folks. We will see you at Marrs Bar on October 10, for the EP launch.

Mal/Rita

Indieterria meets nth cave

Hello  Dear Readers,

nth cave logo

For June edition of Indieterria we have prepared an interview with another incredible artist from local scene in Worcestershire.  And nothing makes us more happier than to bring good indie music to your attention. But there`s a first to this month`s column. nth cave must be the youngest band we have ever sat down with. It`s both awesome and intimidating experience to witness such young artists with such huge potential. You see them play live a sold out house and you can only imagine how they will develop as musicians and artists. We hope you will enjoy this interview and when we are all old and grey, we can tell our grand children: “we were there, we seen them at the very beginning of their careers”.  And that will not be a lame claim to fame!

Talent to the nth degree

nth cave posing before their BBC Introducing session Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

They are young, fearless and immensely talented. Appreciated by critics and audience alike, the quintet mysteriously named nth cave is taking West Midlands music scene by storm.  They are yet to release their debut album and they may not be old enough to enter the venues they play unaccompanied,  but their music and stage presence are drawing crowds that would make senior or well accomplished acts jealous. We sat down with brothers,  Hector and Fergus Brazier to learn more about the wunder kids of Worcestershire.

 nth cave is a very unusual name. Can you tell us where does it come from?

nth cave: In the first period of nth cave`s existence we went pretty much unlabeled, because we weren’t really regularly gigging and we had no real original material to share with anyone. At this point, our high school music teacher would refer to us as “Danni and the Elements”, which we met with quite a large amount of disdain, but we had no real other ideas for band names so we kind of went with it for a bit. After a while we started doing a few gigs and had started to write some original song ideas. We were desperate for any name other than “Danni and the Elements”. We started playing about with some ‘band name generators’ on the internet. After a few hundred attempts, it churned out “nth cave” which we all agreed ‘isn’t really too terrible’. And I think that’s how we all feel now. It’s not too terrible but it really isn’t great. It just does its job as a band name. Our music really speaks for itself, I think, and the fact there’s no real “epic story” or anything behind our name represents our rejection of some of the more pretentious and faux-intellectual characteristics that a lot of other bands strive for.

You started out as a 4 piece but expanded by adding Lauren Mulhearn on bass. Your original bassist Alfie Newman moved then to second guitar. How did the line up change affected you musically? Is it easier or harder to play as a quintet?

nth cave:  nth cave was always intended really to be a quintet. We actually started out in high school as a five piece. However the second guitarist just had too many other commitments (jobs and family stuff etc…) and this, combined with a growing amount of musical difference, led to us and him growing apart. So we started gigging as a four piece, but with the majority of the songs and covers being designed for a band with duel guitars, there was a notable ’emptiness’ about our sound. This is when we started looking for a bassist, who appeared in the form of Lauren Mulhearn via Twitter DMs. After a couple of rehearsals she was up to speed with our whole set and we started gigging as a five. This was met immediately with positive responses. With the second guitar adding stability to the foundation of the songs this consequently allows for notably more freedom and expression in both the lead guitar and vocals

nth cave performing at Marrs Bar photo by Duncan Graves https://www.facebook.com/duncan.graves

Your guitar player Fergus and drummer Hector are brothers. Yay or nay for having your sibling in a band? Is any sibling rivalry involved in the music making process?

Fergus Brazier: Nah there’s no rivalry, as long as we’ve both played instruments we’ve jammed together so we’re normally pretty aware of each other’s styles and mannerisms in music.

Hector Brazier: There’s no problem with siblings bring in bands together, I doubt that anyone can’t think of a band with brothers or sisters. Oasis, Peace, Cage the Elephant, The Jesus and Mary Chain, and that’s only a few. Oasis may not have ended that well but their initial success or any bands success isn’t hindered by having siblings together in the band.

 You recorded your BBC Introducing session at the Phoenix Theatre in Ross on Wye in April 2016. How do you remember this experience?

 nth cave:  nth cave’s BBC Introducing session was a brilliant opportunity for us, as a band. However I would say that it came about at the wrong time for us. At the time of the session we were still playing in our original lineup and consequently we were musically driven in a fairly different direction to the one which are now. As well as this we still had little to no popularity at all and we had yet to even make a dent in Worcester’s local music scene. This meant that our session (unsurprisingly), as generous as it was from BBC Introducing Hereford and Worcester, went pretty much ignored. Since then we’ve really grown as a band and developed a lot more of a style. Despite this, the most recent music that we’ve sent to BBC Introducing was acknowledged but not broadcast which is a shame because we all really appreciate the work that BBC Introducing do for unsigned artists, and we just wish we could ‘get in on that’.

One of band members is missing – photo by Josh Foster https://www.facebook.com/phojf

Sonically you place yourself between Wolf Alice and Nirvana. Who else would appear on your wall of fame?

Hector Brazier: Personally I see nth cave as the coming together of a wide array of genres and styles, with band members contributing to our songs based upon their own musical upbringing. With individual influences ranging from jazz to hip-hop to pop punk, our music is filled with hyper-subtle references to some of this music. I would like to point out at this point that nth cave are most certainly not a “jazz, hip-hop, pop punk group”. That honestly sounds disgusting.  It is because of this fact, however, that sometimes it can be quite hard to place our “middle ground” musically. Artists such as Wolf Alice and Nirvana are fairly influential to the majority of the band and it`s because of this that we place ourselves (somewhere) within the “alternative/indie” genre.

Fergus Brazier: nth cave’s “Wall of Fame” really does have to include some of the artists that we regularly cover like The Strokes, Pixies and The Wytches. I would say, it’s through covering artists like this that we have really started to improve our own work, taking influence from the upbeat guitar driven pop sound of The Strokes, the intense dynamics of Pixies, and even some of the sonic elements found within the heavy lo-fi surf rock of The Wytches.

While our singer’s voice has been regularly compared with artists such as Broadcast and Stereolab, her largest influence, vocally, comes from the work of Kasabian.

As well as these artists, bands such as Led Zeppelin, Radiohead, Pond and The Velvet Underground had an impact. In fact the bands writing style is particularly influenced by the likes of The Velvet Underground and that whole alternative New York scene. As far as I’m concerned Lou Reed, as well as being the ‘god father of punk’ is the father of all worthwhile western music. These artists would all feature nth cave’s ‘Wall of Fame’.

nth cave is making a name for itself on national independent scene in record time. You started in late 2013, two years later you were featured on Andrew Marston BBC show. This year you played all important venues between Bristol and Birmingham. You leave your competition far behind.

nth cave: We’re pretty happy with what we’ve achieved over the past year gigging, mainly in Worcester and Birmingham. We’re set to play in Hereford next month but are yet to play in Bristol. The music scene right now is great down there so hopefully we’ll make it. It’s a dream of ours to be able to play in every city in the UK so we have a long way to go yet.

Our favourite track is entitled “Bass”. You even shot a popular video for it at the Birmingham City University. Can you tell us something about the song? Working with film students must have been a fascinating experience.

nth cave: Petko Stankov who was a technician at an acoustic gig we played was a major force behind it. He decided that we were the kind of band he wanted for his music video module so he chose one of our songs and we got an audio recording session and a video recording session at BCU. We’ve had loads of good feedback from it and we were really impressed by how professional it looks so thank you to Petko and his team for making it and thank you to everyone who watched and shared it. We heard from someone recently that part of the most recent Star Wars film was filmed in the same studio as our video which is insanely cool if it’s true. One shame about the video is we didn’t have Lauren in the band when we were working on it; it would have been great.

After a string of successful singles, it is time for a full release. Can you tell us more about your first album?

nth cave:  Well we’re still deciding what would be best for us, to release an EP or a full album. Either way we want to go to the studio soon but there aren’t any actual album plans yet, but we do have lots of ideas for its artistic structure and a lot of album name suggestions. For now though we’re happy with working on our material and gigging. We really, really hope there will be an album eventually though.

nth cave demo that is currently in our music archives

Your future is already looking bright but things will only get better. What can we expert from you guys in the next months to come?

 nth cave:  To be honest we’ve got no set big plans other than the occasional gig. We are however hoping to hear back from a couple of festivals that we’ve applied to play at. As far as our own material goes, it’s just a case of getting some recording sessions done. We certainly have enough original work to put together an album, it just all depends on what opportunities arise for us. We’re hoping to work more with Boneyard Sessions to increase exposure for some of the more talented (yet under-appreciated) bands in the Worcester music scene. So overall we want to get our original material together and get ourselves out there as much as we can, and hey, if someone wants to offer us a sweet record deal? We’d consider it. Hopefully this’ll be the busiest and most progressive year for nth cave and we’ll just keep up what we’re doing and see where it takes us.

Screenshot from Slap Magazine

 You can follow nth cave online at:

https://www.facebook.com/nthcave
https://soundcloud.com/nthcave
https://twitter.com/nthcave
www.instagram.com/nthcave

You can also read this interview online as a part of SLAP Magazine

http://www.slapmag.co.uk/issue-70/june-2017/

Or download this file from here:

issue-70-june-2017

nth cave has been announced as one of the first bands to play this year`s Worcester Music Festival. And we cannot be more excited.

http://www.worcestermusicfestival.co.uk/bands/nth-cave/

Come back again, next edition of Indieterria will be slightly different. For the first time, we will have a solo artist in the hot seat!

xxxooo

Rita +Mal

**** Update 03/09/2017****

We had to catch up with nth cave again for an update.  There is so much to report: the band will be playing a highly anticipated charity gig as part of Musicians Against Homelessness on 22nd of September at Marrs Bar and was featured on BBC 6 Music  by Steve Lamacq himself.  So let`s pass the mic to Fergus and Hector Brazier again. Read on:

Autumn is opening a new chapter for the band. For the first time on the 8th of September, you will be playing a show in Liverpool for Club Babe’s OXJAM WEEKENDER. You must be truly excited.

nth cave: Yeah, we’re looking forward to it. We played Club Babe in Hereford a few months ago with Hedgehog and the Clementines (who are also playing in Liverpool) so we get to play with them again and we’re stoked to return to Club Babe again. Massive thanks to Roscoe for inviting us.

nth cave dedicate a lot of time and resources towards humanitarian projects. You will be playing two charitable gigs for Worcester community in September. First as a part of Worcester Music Festival on September 16th (for St Paul Hostel) and then Musicians Against Homelessness on Sept 22nd (benefit for Crisis). It seems being engaged in the affairs of local communities is very important for you.

nth cave: We try to do what we can. We’ve never really been fussed about making money, we just want to play music and bring people together especially when it’s for a charitable cause. This year is going to be our firs Worcester Music Festival so we want to contribute all we can for Saint Paul’s Hostel. And hopefully we can do more with MAH as well in the future. We’re also playing at Worcestershire Pride in September which is going to be very fun since LGBT is something nth cave really supports and stands up for.

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

You are also heavily involved in the promotion of other acts though Boneyard Promotions. Can you give us some insight into this project?

nth cave: Boneyard Sessions is Hector and Fergus’ project with Iggy Cuthbert (stage name Happy Bones) and we may not be the best promotional company out there but we definitely think we brought some really amazing talent to Worcester like Tom Forbes, Sam Clines, Junior Weeb and Mad Love. One of the main aims of Boneyard is to expand the Worcester music scene but also to provide artists with paid gigs (we pay all our acts) as it’s really important to us to try and give musicians as much support as possible to develop and then move on to bigger things. Boneyard Sessions are running a night at Drummonds for Worcester Music Festival so you can catch us there, and we think our other show in September is going to be amazing so watch out for that.

Fergus was recently offered a job at the Beeb. Congratulations are in order. What else in store? A permanent move to London?

nth cave: For Fergus, yes he will be moving to London for that. We’re hoping this means we can get ourselves further afield than Worcester and Birmingham so we might get some London show soon! The same goes for Danni moving to Chester for University; we’re hoping that that means access to the Liverpool (and maybe Manchester) music scene.

The demo version of your song “Pop Party Princess” has been played by the legendary Radio DJ Steve Lamacq on his show “BBC 6 Music Recommends” on the 4th of August. He praised you saying that he is going to watch the band’s progress. This is huge accomplishment to be played on national radio station among esteemed artists and popular newcomers such as The Big Moon (nominated for this year’s Mercury Prize). You must be very proud.

nth cave: We were totally not expecting it at all! We definitely wouldn’t consider ourselves anywhere close to the level of the other artists played on his show so if people think that we are or will become a popular newcomer is really flattering and we certainly hope we’re making a difference. Getting us on Steve’s radar hopefully represents a step for us being played on Radio 6!

Anything else you’d like to share with us? What can we expect from you in the last quarter of 2017?

nth cave: The last quarter of 2017 might be a bit quiet for gigging but it will definitely involve writing new songs, refining ourselves and spreading our wings to as many cities in the country as possible. We have a handful of gigs in September but after that it might be a while before you see any activity from us. But we do have a little something planned for New Year which you should definitely look out for!

If you want to hear nth cave on Steve Lamacq show, here`s a audio:

https://vocaroo.com/i/s1YaUCFm6gT8

If you want to see nth cave play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Stay tuned for more,

Mal+Rita