Indieterria meets Jesse River Dylan Murray

Dear Readers,

JRDM`s heart shaped logo

Let`s take a walk on the wild side.  Our next discovery is not only talented singer-songwriter, with a unique sense of fashion and penchant for poetry.  They also have a list of inspirations long for a mile (William Shatner, Shrek, Ted Hughes, Stefan Raab, David Attenborough, Julian Lennon to name a few), witnessed Eurovision in Vienna and have a whole box of cds from their trip to India. They play rock but their debut EP is called “Classical Music”. Feeling confused? Good, a little vertigo won’t hurt. We have been observing Jesse River Dylan Murray for weeks at the open mic nights around town and finally had a chance to question them for this month`s edition of Indieterria. We hope you will enjoy this interview, because we surely had so much fun preparing it. Can you blame us? Jesse`s cool as few tons of Persian kittens and we can barely wait for 19th of July when the EP and the jaws will drop.

Life’s got everything to do with music

Look sharp! Jesse is a skilled photographer taking all his promotional shots. Ah those pesky kids today, daring to be creative and talented!

Meeting Jesse River Dylan Murray almost feels like stumbling upon the icons of rock and roll golden era. Soft-spoken, dressed in vividly colorful attire that places them somewhere between Marc Bolan and David Bowie, Jesse instantly becomes the center of attention. Their impromptu, refreshingly innovative sessions at the open mic nights around Worcester are like a breath of fresh air. Having heard the rave reviews, we wasted no time to see them in action for ourselves. This is what we have learnt…

Jesse River Dylan-Murray – that’s a fantastic name and a well suited one for a rock star.  Please introduce yourself.

Well, it’s not a stage name in case anyone was wondering, it is my full birth name. I’m apparently named after River Phoenix & Bob Dylan. I’m a guitar-playing songwriter based in Worcester (against my will) and I inhale hope and exhale disappointment. I don’t really aim to become a rockstar – in fact the very term somewhat grates against me like splintery wood. I feel like that whole title has been & gone and comes with this set of specific ways on how to do music which I don’t want to be tied down by. I loathe describing myself almost as much as I loathe BBC Radio 2 & The X Factor.

You have studied at Nunnery Wood High School that is known for placing a great emphasis on art and music. Other graduates include Jodi Hughes, Ewan Pollock and brothers Zac and Alfie Jeavons- from Lost Tiger to the Wild. Did the artistic education help to shape you as a musician?

 I always thought Nunnery Wood was a science-biased school… I had very little interest in music generally when I was there. Pretty much all I was listening to at the time was Marilyn Manson & Michael Jackson (my goth phase & my inner child viciously grinding against each other.) It wasn’t until 2010 when I started to really get into music fanatically (starting with Alice Cooper) and I didn’t get my first guitar until the middle of 2013, a year after I’d left college. My mother’s boyfriend, who had been playing since the 60s, probably, gave me a few lessons in the beginning, but the short answer is that I was never formally educated in music nor was I at all inspired by my educational background. I hated school with a near-maniacal passion and still look back on it with disdain.

Jesse as a guitar hero (self portrait)

One of your songs entitled “Smoke without fire” received a lot of airplays on social media. It is a very complex and interesting composition. Can you tell us more about its beginnings? What is the message behind it?

This song I can actually, unlike most of my songs, pinpoint to an exact moment in time. I was having a conversation with my stepdad in a pub last March and we were talking about rumours & the media, and he said something like “People say there’s no smoke without fire, but you know there absolutely is.” And that’s what the song’s really about in my mind. Spurious rumours, dirty gossip, twisted media. From the playground level to the international level. A bit of anger there in that song

Given the opportunity, we have to ask about another of your songs – “Everyone Wants To Look At Me But Nobody Wants To Look Me In The Eye”. With its poetic yet sarcastically sad lyrics and melodic riffs, it almost sounds like a track that didn’t make the cut for The Smiths’ “The Queen is dead” album.

“Classical Music” EP cover

“I live on the outside of the outside because the rebels and the punks and the freaks and the queers don’t want to know me.” It’s a fairly straightforward song I think, with its almost comically mammoth title. Not entirely sure when I conceived that song, but I had the title stuck in my head for what felt like at least a couple of years. I mean it’s obviously about being stared at and not fitting in, as so many songs are (I’m not even a Radiohead fan) but on another level it’s a lot more. It’s about not even fitting in in the usual groups of outcasts, feeling out of place literally everywhere, accepted or otherwise, but most importantly not even having any clue what you are. To paraphrase the brilliant Chicago-originated musician Ezra Furman: “People say ‘oh just be yourself’ but I don’t have any clue what that is…”.

Your debut EP entitled “Classical music” will be released on 19th of July. What can we expect? Are any of your previously released demos included or are you going to treat your fans to something completely new?

Smoke Without Fire is on there in the center of it. Everyone Wants… is currently being worked on to be released separately. The EP will contain 6 tracks – 5 original plus an instrumental bit of classical music (hey-hey did somebody say theming ho-ho) – at a rather beefy 31 minutes and will cost £3 – that’s the same as a meal deal readers, only this lunch don’t have no consume-by date! It will also contain the bouncy anti-pop protest anthem That’s Got Nothing to Do With Music, which I’ve been bombarding poor old Worcester with for a while and will most likely be released as the leading single for this by the time this issue of SLAP comes out, available for download. So get on that.

You have recorded at the famous MayB Studios in Pershore along many established acts such as jazz sensation Hot Fingers, London legendary punk rockers Bad Habits or Worcester Music Festival veterans Amorphica. How would you describe working with one of the best music producers and engineers in the county?

The studio’s owner, Peter May`s top person. He always knows exactly what he’s doing and is pretty quick to figure out what you want if you’re not sure how to describe the sound you’re looking for. He’s in the room with you through the whole process – no soundproof glass, no separate room – so you get a proper teamwork feel to it and it’s pretty easy to communicate quickly enough and make the most of your time there (which is also pretty cheap at £10 an hour.) He is, so far, my only experience of working with a producer/engineer and I feel like I’ve lucked out. You also get to work with some pretty swanky top-notch equipment, and if you’re really nice to him he’ll even make you a lovely cup of tea.

Imagine you have a chance to gather any musicians from local or international scene to create an ultimate artistic dream team. Who would share the stage with you and why?

 Thinking locally, I’m a big fan of Ellie Williams and her end-of-the-world song writing and absolutely bellowing pipes. Looking forward to her EP when it comes out and I’d love to work with her. I also like Ben Dallow quite a lot – locally nicknamed “Britpop Ben” for I suppose his rather Gallagher-esque appearance and drone. He has a great non-stop style of guitar playing where he mixes rhythm and lead really well, and gives the impression of being so ice-cool you could hit him with your car and he might not even notice. There’s also Rueben Lovett, Cheltenham-based guitar player and a brilliant writer. Only ever seen him live once so far, right after I’d just left the stage at Marrs Bar’s open mic. I was so sweaty and needed to step outside to cool off, but found myself rooted to the spot by this unique charisma he has. A bit punky but largely just special. Don’t know about a bassist and drummer though… just a load of writers & mostly guitar players lacking the foundations. Chaos.

Sit down next to me (auto-portrait)

Your fashion sense is very unique and you have been compared to David Bowie’s stage persona of Ziggy Stardust and Adam Ant’s Prince Charming. What inspire you?

 My sense of fashion just exploded one day in Cheltenham, when I was 15 years old. I was there seeing my very first ever gig, and my friends & I found this vintage clothes shop on a side street called Browsers. And I’m talking ridiculous vintage here: flares, tassels, glitter, shoulder-pads, zebra-print. I’d never been somewhere like there before. Prior to that I was on the tail-end of my goth phase and moving into the zone of checkered shirts (God knows why) but in that shop something in my head clicked and said “Hang on… I can wear anything!” And I went to that gig that night wearing this ridiculous heavy red velvet waistcoat with 2-foot-long tassels dangling from it (still got it too.) My sense of fashion just evolved from there and that wear-anything philosophy. I’ve since lost sight of the point of even gender-pigeonholing and mix in the make-up, heels & dresses with the suits, leather jackets & jumpsuits. I want it all. I just get bored very, very easily and don’t like to stick to one style for long.

What are your plans for the rest of the year? Where can we see you play live?

 My EP launch party will be at The Chestnut on Wednesday July 19th – that’s free entry as well – and I’ll have my very first paid gig at the Brecon Fringe Festival on August 13th. Beyond that I’ll keep inflicting myself upon the open mics of Worcestershire – primarily The Marrs Bar, Firefly & Chestnut – until I move away. I’m still small time. I’ve only been performing regularly for about 14 months. You’ve caught me in what are hopefully only the very early stages. Just another noise-maker in a line of noise-makers. Though my noise is often a few decibels apart from the night’s standard – either quieter or louder, depending on my general mood and whether I want to croon about a mythical Greek monster or bellow & growl about alcohol. Do come see the noise, though. It will be – deep breaths now – FUN.

Poster for the EP launch party on July 19th 2019

You can follow Jesse at:
https://www.facebook.com/JRDMcreations/
https://soundcloud.com/jesse-river-dylan-murray

And you can buy the EP here:

https://jrdm.bandcamp.com/album/classical-music

You can find this interview in the July edition of Slap Magazine:

http://www.slapmag.co.uk/slap-issues/issue-71-july-2017.pdf 

or download the file from here:

issue-71-july-2017

Nearly a centerfold! Jesse featured in SLAP Magazine July 2017

As we said, before we sat down to talk with Jesse, we seen them several times performing live and each time Jesse would blow us away. Their stage presence is immaculate and the clothes and killer shoes are just unearthly. It`s like Richey Edwards raiding Bernard Butler`s wardrobe in the 1990s. Or Freddie Mercury, or Syd Barrett or Brian Molka or Marc Bolan or Stevie Nicks…it`s like walking on set of Velvet Goldmine, Breakfast on Pluto live… we can go on until tomorrow morning.

We took some shots for you, so you can judge for yourselves.

Jesse`s amazing stage outfits.

Dressed to slay we tell you.

Classic look and killer heels

We will see you on the 19th July for the EP launch. As Jesse said – it will be FUN.

xxx
Mal+Rita D.

**** Update 26/07/2017****

New Poster for the EP launch

Pushing at the boundaries – “Classical Music” EP launch

Chestnut Inn in Worcester is an unusual place. For starters it looks like it should belong in Hay On Wye. Books and antiques can be found in every corner. On second glance, the pub feels like a crossover between Leaky Cauldron and Peel Archive.  Fat, red cat roams around demanding cuddles from the customers, big portraits of rock and blues stars on the walls seem alive and there are vinyl records in big piles near the bar. No wonder that  Chestnut was chosen as a venue for Jesse River Dylan Murray`s EP launch on 19 July 2017.

The Chestnut Inn in Worcester

This place is like Cash in the Attic episode

Some of those records are really old and still being used!

Large portraits that give Chestnut Inn quite a character

Chestnut Inn decor is out this world, we tell you.

That is self explanatory!

A wild child of Worcester music scene, Jesse cannot be easily squeezed  into a box and they have more aces in their sleeve than a skilled gambler.  One moment channeling Bowie, the next singing like Tom Waits, Jesse easily changes from glam to indie to alternative with charm and buoyancy that captivates the audience. We can tell you that when we entered The Chestnut, the house was full.

Before Jesse hit the stage, we had a pleasure to listen to two support acts: Stephen L Wright (locally known as Nobby Wright) and Benjamin Dallow.  Stephen L. Wright continues a proud tradition of classic blues and we are sure that sooner than later Nobby will find himself on the other side of the Pond. Ben Dallow (who filled in for Redwood as she could not perform due to conflicting schedules) on the other hand is fully immersed in British rock. There is a lot of Oasis and Paul Weller influences in Ben`s music but since when comparison to the Modfather is a bad thing? Dallows version of Jam`s That’s Entertainment was fresh and done in his own style, so no complaints from us here. It also should be noted that Ben`s performance was arranged the night before the EP launch at a last minute but it worked out perfectly. That’s the beauty of our local music scene.

Ben Dallow during his performance

Rock`n`Roll star

We think we need to introduce Ben to Mikey Johns of This Feeling.

Once Ben Dallow finished his set – it was all about Jesse and their music. With their signature guitar, full make up on and snow white shirt, Murray mirrored Richey Edwards in passion and  stage persona and equaled American indie sensation Michete in outspokenness.  They played the EP in full and when that was not enough, they turned to a cover (brilliant version of Heroin by Velvet Underground).

For a young performer Jesse surely has dedicated friends – some of them came as far as London for the launch and at the end of the night, Jesse was presented  with a huge bouquet of summer flowers. Not Morrissey-esque flowers but equally sweet.

Bold in their performance, but there was a bit of stage fright too, we think.

Rocking to a crowded room

Jesse on stage

a view from the first row

In their element

Not everything was perfect. Jesse like many other acts has to learn on the job and perhaps the set was too longish but we did not really mind. Even if we had to buy the EP from one of Jesse`s friends and not the artist themselves.

It was a fun night – full of excellent music, chaos, silly conversations, too many pints and had all the marks of “I was there” moment. If given right amount of endurance in this dog-eat-dog industry, Jesse River Dylan Murray has all the talent and persona to become not just a local starlet – but a full grown rock and roll start in their own right.

Better than Moz.

Set list

The day after thank you note from the artist.

Credits:

Jesse River Dylan Murray:
https://www.facebook.com/JRDMcreations

Stephen L Wright (also known as Nobby Wright)
https://soundcloud.com/nobby-wright

Ben Dallow
https://www.facebook.com/benjamin.dallow

The Chestnut Inn
https://www.facebook.com/TheChestnutInn/

EP launch review in SLAP Magazine, August 2017

Our review has been now published in August issue of Slap Magazine. You can read the magazine online (turn to page 43) here:

http://www.slapmag.co.uk/issue-72/august-2017/

Or download a copy from here:

issue-72-august-2017

JRDM – pink bullet logo

If you need to purchase a copy of the EP – please click on the link below. It costs just £3 and supports a very talented performer who, like many on Worcester music scene, is fully independent and  DIY.

https://jrdm.bandcamp.com/album/classical-music

Cover of the digital single That`s got nothing to do with music that accompanied the EP launch

The EP is accompanied by a free download digital single “That`s got nothing to do with music”. Jesse decided not only to give one song completely free for their listeners, but also offered lyrics (it`s actually a very long and contemplative poem) and hi res artwork.  We really believe this is a fair deal – from a very promising artist. You know what to do!

https://jrdm.bandcamp.com/track/thats-got-nothing-to-do-with-music

On 12th July, the single was debuted at BBC Introducing Hereford & Worcester to a warm welcome from listeners and the broadcaster Andrew Marston himself

That`s Got Nothing To Do With Music debuted on BBC Introducing Hereford & Worcester on July 12th 2017

And if you need any more recommendation to get yourself a copy of “Classical Music” – please have a look at the photo posted recently by Steve Lamacq (of New Musical Express, Radio 1 and BBC 6 Music fame). Jesse`s EP has landed on his desk and was scheduled for listening. We think this is uber cool and only shows what potential JRDM has!

 

EP has made its way to 6 Music!

Hope you enjoy the review, coming up – everybody`s fav section – images from two great local photographers!

M/R

**** Update 28/07/2017****

It`s been a week since the EP launch (you can buy it HERE) and  we are getting some amazing shots from the night. Please let us show you photographs done by Andy O`Hare. Andy is a journalist of local chapter of BBC (BBC Hereford and Worcester) and also a staff member at the local SLAP Magazine. He is often seen in front rows, documenting local music scene with his camera in hand– the amount of gigs he attended would make John Peel envious!

Andy was so kind to come and photograph the EP launch despite a very busy schedule. And he allowed us  to republish some of his shots on our blog.

Diolch Andy!

Please visit Andy at:

https://www.facebook.com/andy.ohare1

Peace out,
Mal+ Rita

**** Update 02/08/2017****

EP launch in the lens of Duncan Graves
https://www.facebook.com/duncan.graves

More coverage dear readers! Let us present you with some stunning works of Duncan Graves. Originally from Manchester, Duncan relocated to Worcester and has been one of the cornerstones of the scene for many years. He is a freelance photographer working with local bands and  magazines and documenting the music community we have in town.

Duncan was so kind to come and shot the EP launch and he agreed for his images to be part of this humble blog. And thanks to him, we can finally close the gap in our coverage as we did not have any shots of Stephen L Wright performing.

Stephen L. Wright by Duncan Graves
https://www.facebook.com/duncan.graves

Folk hero- Stephen L. Wright, photo by Duncan Graves
https://www.facebook.com/duncan.graves

Benjamin Dallow – photo by Duncan Graves
https://www.facebook.com/duncan.graves

That`s entertainment – Ben Dallow photographed by Duncan Graves
https://www.facebook.com/duncan.graves

Jesse photographed by Duncan Graves
https://www.facebook.com/duncan.graves

 

Duncan`s a top lad. You can send kudos (and your gig dates) to him here:

https://www.facebook.com/duncan.graves

***

EP on the inside

EP back

We will round up  our coverage of Jesse`s EP with this statement. Classical Music has been sitting in our stereo for good three weeks now and we just love it to bits. It is such a nice little local record and surely one of the best debts we have seen on our scene in a long while. Actually, we spoke to folks who have been attending local gigs for years and what pops up in almost every conversation is the excitement people feel. Peace and The Tights  are brought up (two local bands that hit it big) and how they made the town proud.  What is also being noticed is Jesse`s much more ambitious approach and his strive to forge his own stage persona. Imagine, if this kid grows to be new Bowie – mentioned one gig veteran we ran into at the Market Hall Records one Saturday morning when we were all digging through newly arrived rarities. And there was no sarcasm in his voice. That man been going to shows around West Midlands for thirty five years and seen the good, the bad and the ugly of local music. If Jesse is able to win over such hardened listeners, then what really can stop him? All the best Jesse, we have our fingers crossed!

Ps. We really think you look better with flowers than Moz. Thanks for reading this blog!

Jesse is shocked. Mission accomplished! ^-^

Indieterria crew is so so happy with how this blog tuned out – and we hope you agree with us dear readers. Weeks of following the artist, at least 11 updates and corrections and we think we nailed it. Its rock and roll and we are so excited to bring you all the details and angles to the story:)

Mal & Rita

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Indieterria meets Michael Knowles

We go political!

Michael Knowles blows a kiss towards audience at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

Everything`s political as Skunk Anansie song goes. And May issue of Indieterria will be all that and even a bit philosophical.

We are steering back our ship to Worcester shores to introduce you to Michael Knowles – leader of The STDs and one of the most controversial figures in the Midlands. How politically incorrect is Mr Knowles? His new single is called “Theresa May is a cunt” and contains language so strong you may want to dig out your “Cop Killers” and “Straight Outta Comptons” out of the basement instead. We can see you rolling your eyes and ears dear readers. So we will ante up and tell you that besides being potty-mouthed, Michel Knowles has a voice of 4,5 octaves, a pitch perfect hearing and is a trained in music production.

Aha, controversial yet talented – now that is a hard mixture to swallow for some. It is much easier to dismiss musicians and artists as immature and looking for attention when  they are painted as  common nobodies. Much harder to do so when artists are seen as complex humans who have their strengths and exercise the right to freedom of speech.

The current world of pop music has been derived of controversial and outspoken characters to the point that you cant even hear songs on the radio that were in heavy rotation 20 years ago in the middle of the day. Try requesting Nine Inch Nails` Closer nowadays on the radio and see what they will play you.

Indie scene had always a place for counter culture and the obscene and we are happy to report that independent and unsigned artists are stepping in to fill the hole. Shame have fantastic “VISA Vulture” with its libelous video to match, The Blinders paint messages on their guitars and Michael Knowles and The STDs hammer the message nicely from our town.   You may see it as unnecessary and infantile – but we see it a form of balance. Music is broad enough to incorporate Little Mix and The STDs in all their respective popness and cockiness.

Fear not. The interview below is all nice and dandy and you may find out that controversial  figures can have a lot of cleaver things to say. We loved the passion Michael has for his musical heroes. So sit back and read on:

Michael Knowles performing live at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

 

Michael Knowles – a stream of consciousness

Technology is a wonderful thing. For example, it allows you to interview artists even late at night from the comfort of your own office. You type the questions into instant messenger and wait for the answers to arrive. Piece of cake. On the downside, technology can`t replicate that old fashioned feeling of excitement that every music journalist feels when meeting a new and promising act in person. And you need to know Michael Knowles surely earned himself a name to be regarded as exciting and controversial in equal measures. He fronts a band called The STD`s, dresses like it`s 1980s and is known for performances that are politically incorrect yet hilariously funny. No journalist would pass  the opportunity to see what makes Michael tick and we are no exception.

This is what we have found out:

Tell us about the band. How many of you and how did you start?

There were only three of us to start with: Steve Church, Dean Thomas Carter and myself. Steve and I had worked together in the past on an album I never released. Dean and I had played together in the house band of The Flag in Worcester (back then known as The Tap). One day we went to this kid`s backyard studio and we all fit really well so we started looking for a bassist as at the start Steve was on guitar.  Over time we’ve had some great musicians join us on – George, James or Tadd. They have come and gone to find new projects. Right now the line up is Steve on bass, The Jack (Tad Jones) on guitar, Dean on drums and myself on vocals. Plus I play guitar too.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

So four guys in a rock and roll band that is nothing like Worcestershire ever seen.

This is true.

You have a very distinct image – very 80s classic rock. On purpose or is it just how you guys roll?

To be honest,  we’ve only really dressed up for gigs a few times but now I mean we don’t really want to have to look through stuff to wear!

So there`s image change on the cards? You know you have already made yourself a name of new Steel Panther in town!

It depends where we shop next (laughs) and really I thought we had the reputation of a noisy bunch.

Noisy yes. But people rather see you as classic rock revival. Quite an interesting twist on David Lee Roth and Poison.

Well, that wasn’t our intention.

What was your intention then?

Just to be noisy and chaotic.

We could add early Alice In Chains to the influences you represent.

There was never really a plan. Still isn’t.

You still evolving sonically?

We’ve got a lot of new stuff in the pipeline. We always do.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

If you were to describe new songs- what would you say? Shall we buy earplugs in advance?

Possibly. There’s  material about some dark times and then whatever we write in the meantime. Plus a concept album.

So no more comic rock and songs about female attributes?

Probably not. But who knows? Let’s face it there’s no plan.

You said that world doesn’t need love songs anymore. That world needs anger.

This is true. I think a lot of anything I’ve written that could be considered “love songs” are usually bitter sweet. With a hint of sarcasm and a lot of anger.

Well, Ledbury Song is very angry but at the same time hilariously funny. You have audience roaring with laughter.

It is less of a song, more of a rant really.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

We don’t know if you agree- but we see your lyrics as a mix of Tenacious D with Morrissey-esque cynical humour and playing with words.

I doubt I could ever be compared to Morrissey. I’m never that poetic (laughs)

The Ledbury Song has the same motif as Everyday Is Like A Sunday:  dislike for a small town that is becoming like a prison for a young person. Moz also wants to bomb the town and he is not poetic about it.

I haven’t heard it but I agree with him.

You come from a small place?

A small town. Small in size and small minded. Hard to be anyone there.

Do you think you would be different if you were born in London?

I’ve been to London and I hate that place. Too big and far too busy. Everyone in a hurry to go nowhere.

So perhaps there`s a positive side of being born in a small town?

I think the point is everyone hates where they are from eventually but it’s always where you call home.

Who would you put in your top 5 artists?

I’d say Tool, Amen, early Slipknot and honestly Trent Reznor and Bill Hicks.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

Very broad influences.

I just love their attitudes and way of creating. I love how Bill Hicks was born in the religious South yet could deconstruct the archaic institutions that he was thrust into. I love how angry Slipknot were and to a 13 year old outcast they represented hope that you might be a freak but there was a place in this world for you. Amen taught me that record companies are just stupid. Tool taught me the beauty of feedback and how atmosphere can really make the hairs on your neck stand up. And Trent is just the god of chaos in noise.

You talk so poetically about music. You will put Moz out of business one day.

It’s all I have really. My whole life has been music and everything else has come and gone but there was always solace in music.

You sing, write, compose, play instruments – that’s lot of talents.

I see it as separate parts of one whole encompassing thing that is just me.

Where do you think the music will take you or the band?

It’s less about what music can do and more about how far we take it. We’re not looking to be billionaire rock stars with handlers. Our goals are to play every show and know at least half the audience.

And will that be enough?

It was always enough to have fans to grow with than trying to appease the masses.

You can follow Michael Knowles online at:

https://www.facebook.com/MKandSTDs
https://www.instagram.com/michael_knowles21
https://soundcloud.com/michael-knowles-music
https://soundcloud.com/michael-knowles-music/michael-knowles-the-stds

https://www.facebook.com/michael.knowles.5832343

At the beginning of April 2017, Michael Knowles and The STDs began recording of their new material using premises at Marrs Bar in Worcester as a studio. The result is album (that still needs to receive a release date) and a single “Theresa May is a cunt”. You can listen it here:

https://michaelknowlesthestds.bandcamp.com/track/theresa-mays-a-cunt

As we said – you may not agree with the bands sentiments but taking into consideration news item such as: HERE  or HERE, it makes us wonder if the song should not be at least six minutes longer. To act as a vent for the anger and frustration, if not anything else.

 

Our interview with Michael Knowles has been kindly reprinted in Slap Magazine and you can see your copy at the link below:

http://www.slapmag.co.uk/slap-issues/issue-69-may-2017.pdf

Or download copy  here:

issue-69-may-2017

Some images for our records if anything else fails:

Slap Magazine feature – May 2017 edition

Photo of the article

Kudos to Andy O`Hare from BBC Hereford & Worcester for allowing us some of his photos.

And if you found this edition of Indieterria too much, bear with us. Next time we are going to the church!

Malicia

**** Update 02/06/2017****

We have awesome news to report. This summer, UK will see a gigantic series of gigs and concerts under banner of “Musicians Against Homelessness”. This initiative was started in 2016 by legendary A&R and founder of Creation Records – Alan McGee. Its aim is simple – to gather funds for Crisis, charity that helps fight homelessness.

Literary everyone involved in the initiative works/plays for free (that includes us as well)  and every penny raised is passed to Crisis. One of MAH events will take part in Hereford at the legendary Booth Hall (Never been? You have only yourself to blame) on July 8th as part of Hereford Punk Festival. If you are in the area, please come down and have fun because Rich Lovell and Minky Cuadra of Underground Revolution did pure magic and got together two sets of pure punk, rock and poetry madness.

Hereford Punk Festival – line up in aid of Crisis

Hereford Punk Festival – MAH event just looks incredible

Michael Knowles is obviously on the bill and that will be just a fantastic opportunity to listen to his new material tested on the stage. He will not play lullabies, we warn you.

If you want  to learn more, here are some links worth checking:

Musicians Against Homelessness
https://www.facebook.com/mahgigs/

The Booth Hall
https://www.facebook.com/TheBoothHallHereford

Rich Lovell
https://www.facebook.com/rich.lovell.37

Minky Cuadra
https://www.facebook.com/profile.php?id=100010293331172

Underground Revolution
https://www.facebook.com/groups/undergroundrevolution/

Crisis
https://www.crisis.org.uk/

 

Oh and STD`s album launch happens one month before  the gig in Hereford on June  9th at Marrs Bars in Worcester. So get your copy and you will be set up for sing a-long. It will be also one day after the snap elections, so you know 🙂

https://www.facebook.com/events/1786676631644926/

Humor is the devil`s friend – album cover

The STDs in all their glory

 

Xxxooo
Rita+Mal

Indieterria meets Jodie Hughes

Indieterria meets Jodie Hughes

Transmission.
Photo by Dominika Marchewka
https://www.facebook.com/a7xf0rlife

Another month, another  edition of Indieterria and we just discovered a real gem worth telling you about. So far we concentrated on bands, but this time around we will profile a solo artist (even if she is part of a band as well).  After all – variety is the spice of life.

We are beyond excited to bring you this interview . Jodie Hughes is unique: hip and mysterious, outgoing, intellectual, artistic and she`s also a polymath (person who is knowledgeable in various disciplines).  She may be very young but, as you will soon discover, she had done in her time more than a lot of us. And she is just getting started.

Jodie Hughes – In a league of her own.

In the world where artists document their entire lives on social media, Jodie Hughes goes against the current. Her online presence is minimal, she scrupulously avoids the spotlight, values education more than fame and releases her music exclusively in form of home-made demos. In the same time, she is a multi-instrumentalist (playing piano, keyboards, synths, bass, ukulele and guitar), avid busker, alumni of Worcester School of Rock, one of the youngest participants of Worcester Music Festival (she was  fifteen when she performed in 2015 to a full house) and  recently she supported  the hottest acts on indie scene – Anteros and The Assist.

We just knew that we had to interview Jodie . Not every day you meet such a diverse, young artist.

Jodie on stage
Photo by Rebecca Warr
https://www.facebook.com/rebecca.warr.7

As a singer and songwriter, your presence on local scene is strong, yet you remain mysterious and elusive. I know you fiercely guard your privacy and allow little information to appear online. By your own words, what  should be known about Jodie Huges as an artist and musician?

I have a very wide variety of influences and I like a little mystery! I’m very fussy about my original songs, they have to be perfect for me to share them.

You recently opened Independent Music Week event in Worcester by supporting such accomplished acts as The Assist and Anteros. What is your reflection of the night?

I really enjoyed it!! It was a fantastic opportunity and Independent  Music Week is brilliant for reminding people of some of the great venues that are out there. I’m very honoured to have been a part of it!

Slap Magazine described you previously as possessing “beautifully melodic vocals”, others drew comparisons to Amy McDonald, Hope Sandoval of Mazzy Star and Bilinda Butcher of My Bloody Valentine. Do you regard such praises as a compliment or unnecessary pressure?

I like hearing other people’s opinions of my music, I like learning different people’s interpretations!  I definitely see it as a compliment to be compared to such successful artists and it sometimes introduces me to new artists too!

You are being likened to Hope Sandoval also because of your unusual artistic strategy: occasional gigs instead of regular performances, busking around with no prior announcements, no demos or EPs being released. Are you waging this musical guerrilla to keep audience on their toes? 

Mostly it’s due to time constraints, it’s often difficult to balance time spent on music with college work, especially at this time of year! I definitely try to keep my music going in some form, be it writing or busking, alongside working – it’s healthy to have something separate to focus on as a break from college work.  I’m hoping to work more intensely on writing and hopefully more gigs over the summer after exams though! Plus it’s always fun to keep people guessing!!!

Jodie performing during Worcester Music Festival 2016
Photo by Rebecca Warr
https://www.facebook.com/rebecca.warr.7

Your SoundClound account is filled by original compositions and covers of eclectic artists like Neutral Milk Hotel and The Neighbourhood. You seem to enjoy confusing anyone who tries to squeeze you into a box.

I’ve always had a wide range of music tastes – I don’t think I could put myself into any box really! I’ve had phases where I’ve taken a particular type of music, like pop punk or indie, and tried to solely fit myself into that one genre, but there’s just so much out there it’s good to discover what else there is! My band do sometimes covers of many different artists – Fleetwood Mac, REM, Erasure and Beyonce to name a few.  Over the years I’ve discovered so many great artists from so many genres, I encourage everyone else to do the same.

We are intrigued by one of your original pieces  – “Don’t talk to me about death”. There is a line in the middle that goes “keep pretending that you`ll be my Kurt Cobain”. You sound almost furious in that track. Is it based on personal experience?

The song is based on a particular person – or I suppose a particular type of person – who tried to create a persona based on self-pity and trying to appear deep and meaningful through cynicism.  The Kurt Cobain reference was in relation to this idea of appearing a certain way and glorifying and romanticizing mental illness, which is often done by the media regarding celebrities such as Kurt Cobain. The idea of trying to be negative just to appear a certain way, and almost making a mockery out of mental illness by using it as an accessory, seemed so ridiculous to me, it felt necessary to voice my feelings on it somehow.

Jodie performing with her signature guitar.
Photo by Lissywitch
https://www.facebook.com/LissywitchPhoto/

Another track worth mentioning is “Mixtapes And Metaphors” – a love song with incredibly clever lyrics. As a song writer what is more important to you – composing of music or having a story to tell?

I think it’s a bit of both – they can work quite well together actually. I like intricacy, it’s something I’ve been trying to work on more by remodelling some of my old songs and adding more subtle details.  I personally find writing lyrics very difficult, so I think I generally prefer the composing and storytelling through the other parts of the song. I am hoping to improve my lyric-writing though! I find some songs with such detail and little lyrics sometimes work better (like The 1975’s song “I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It”).

Besides being a musician, you are also a skilled painter. You design all covers to your demos. Can we expect any exhibitions from you in the future?

That’d definitely be something I’d like to do one day! I’ve been experimenting with what subject matter I like to work with recently – animals and flowers have been fun to study.  Similarly to my music, it’s nice to have something to do as a break from work, and having stopped studying art at college I’ve been able to experiment more at my own pace and in my own style.

You are currently working towards a degree in law and philosophy. Do you think it is obligatory for musicians these days to have a proper education alongside their artistic endeavors?

It’s a matter of choice really.  I know some great musicians who are going to do degrees in music tech, which is a really good option for them.  I personally chose to go down a path not related to music so that I can enjoy lots of different things – Law is a subject that I really enjoy studying, whereas things like music and art I prefer to have more freedom over, and the option to pick it up as and when I have the inspiration.  I’ve personally found it harder to work creatively under time constraints. However if that works for other musicians that’s great for them!  I think everyone should consider what would be best for them in the long run, but that may be a music-based career/education for some people.

We know you prefer to take your audience by surprise. But what should we expect from Jodie Hughes in the months or years to come?

I’m hoping to go a bit more electronic maybe.  I’ve been looking into getting hold of an Akai Miniak – my dad has two he uses for gigs  and there’s so much you can do with them.  That’s definitely something I’m interested in.  Again, I’m hoping to have more time to write and record more after exams, perhaps re-recording some of my old songs and updating them a bit.  Who knows, I may even start new projects while I’m at university!

Focused, fiercely independent and always looking for new artistic endeavours, Jodie Hughes has no match on local music scene. She has created a whole league of her own.

****

Jodie Hughes – Mixtapes and Metaphors (EP review)

Mixtapes and Metaphors
EP cover

“Mixtapes and Metaphors” is a digital EP or a collection of home recordings that Jodie released between 2015 and 2017. It contains the following original compositions: Angel Statue, Crazy Scientist, Don’t Talk To Me About Death, Small Talks, unfinished version of New Years and the title track Mixtapes and Metaphors.  Each song is accompanied by a mysterious drawing, often a study of animals, human faces or natura morta.  Most tracks can be qualified into singer/songwriter category bringing comparisons with Amy McDonald or Courtney Barnett.  Don’t Talk to Me about Death stands out thanks to very personal lyrics and angry vocals, while Angel Statue incorporates keyboards, samples and has a vivid shoegaze feel to it, including distorted vocals that make Jodie Hughes sound eerily like Belinda Butcher. Somebody please call Creation Records!

On April 14th, Jodie released a new demo – Lake Water (Blue) – this time playing with synthesizers and electronica.

We thought you would like to see the covers of Jodie`s demos. They are spectacular.

Don`t talk to me about death cover

Crazy Scientist cover

Lake Water (Blue) cover

Angel Statue cover.
(word of advice -Don`t blink!)

You can read this interview (in a shorter form) in the April 2017 issue of Slap Magazine:

Interview with Jodie in April edition of Slap Mag

Page 2 of the interview printed in Slap Mag (April 2017)

Online version of the magazine can be found here:

http://www.slapmag.co.uk/slap-issues/issue-68-april-2017.pdf

or you can download the file directly from here:

issue-68-april-2017

You can follow Jodie Hughes using the links below:

https://www.facebook.com/jodiehughesmusic
http://www.worcestermusicfestival.co.uk/bands/Jodie-Hughes/
https://soundcloud.com/jodiehughesmusicandstuff
https://twitter.com/JodieHMusic

****

Independent Venue Week 2017 

Ad for UNCOVER – club night organized every month in Worcester at the Marrs Bar. This was launching night on 26.01.2017 to celebrate Independent Venue Week

Last week of January is usually dedicated to independent music venues across the country.  Worcester is a home to Marrs Bar, which is both proudly independent and ran with the local music scene in mind. On 26th January 2017, Marrs Bar hosted an opening night of UNCOVER – a local club night, while simultaneously taking part in Independent Venue Week.

UNCOVER invited some esteemed guests to play in Worcester: Anteros and Rhythm Method (London) and  The Assist (Birmingham). Jodie has been invited to represent home town scene and opened the night with a semi acoustic set.

Flyer advertising club night UNCOVER with Jodie on the bill.

It is always fun to see the jaws drop when Jodie enters the stage and beings to sing. If the audience expects a clone of Taylor Swift or Duffy belting out covers, then they are in for big disappointment.  Jodie presented a set consisting of her own tunes with occasional rendition of a song by The Neighbourhood. And she sang in such a passion and verve  like she headlined John Peel Stage at Glasto.  The audience had goose bumps and once again comparisons to Bilinda Butcher were uttered in whispers. And we won`t be lying to tell you that we have seen people leave the venue after seeing Jodie and The Assist. They did not even wait for the main act!

Jodie Hughes on stage at Marrs Bar opening for The Assist and Anteros.

Jodie opening Independent Venue Week with her performance at the Marrs Bar on 26.01.2017

After her mesmerizing set, Jodie was compared to both Hope Sandoval (Mazzy Star) and Bilinda Butcher (My Bloody Valentine)

We at Vanadian Avenue thought that such a successful debut called for a celebration. Or at least a present. Few days before the gig, we framed the poster and  handed it to Jodie once she came off stage. Here she is holding the poster with her name on it. A small memento of her big night.

Jodie posing with poster with her name on it. Framed poster was presented to her as memento.

You can see the review of the gig at Slap magazine:

Review of UNCOVER in Slap Magazine

 

http://www.slapmag.co.uk/slap-issues/issue-66-february-2017.pdf

Or you can download the file here:

issue-66-february-2017

We hope that you have enjoyed this issue of Indieterria and we will surely come back to update you on Jodie`s future plans and gigs.

Ta,

Malicia/Rita

 ****Update 30/06/2017****

Tickets for Battle of The Bands at the Worcester Rugby Club, 23rd June 2017

Flyer for the event

All you good, good people – listen to us. Time has come to introduce you to The Lightweights, a project where Jodi Hughes plays guitar and shares vocal duties. We have mentioned the band before, but in our interview we wanted to focus on Jodie alone.

Now, that we have seen The Lightweights live, we can put our stamp of approval  on them and encourage you to catch them on stage if you have a chance.

The Lightweights are a quartet consisting of Alex Russell (drums), Fiona Berry (rhythm guitar), Jodie Hughes (vox, lead guitar) and Euan Richardson (vox, bass).

The Lightweights on stage

Jodie Huges and Euan Richardson – opposites attract

We had a real pleasure to see Lightweights during The Battle of The Bands at the Worcester Rugby Club on 23rd July 2017 and they made an impact all right. Performing as a trio (Fiona Berry is on sabbatical), the band  is a very contemporary twist on American college rock, combining energy of Hole with harmonies and dynamics of Veruca Salt as Jodie and Euan take turns at the microphone. The youngest of the lot Alex (he is just 14) kept the perfect rhythm and it seemed so effortless for him. It is hard not to compare Euan to legendary bass woman Kristen Pfaff – with her dark flowing hair and elaborate stage outfit.  She and Jodie contrast and yet complete each other. Lack of second guitarist was felt, but it did not slow the band at all. We can only hope Fiona will return shortly so we can enjoy The Lightweights in their full line up.

Euan Richardson of The Lightweights

Jodie Hughes of The Lightweights

He bangs the drum – Alex Russell of The Lightweights

We grabbed some merch (pins and mirrors) from the band and count the night to be a perfect one.

Pin and mirror

Merch (front)

You can follow The Lightweights are the links below:

https://www.facebook.com/TheLightweightsBand/
https://www.instagram.com/thelightweightsband/

M/R

 ****Update 03/07/2017****

Worcester Carnival Flyer

We will return to The Lightweights for a moment as we managed to catch them live on July 1st 2017 as part of the Worcester Carnival and as usual they were stunning.  Jodie, Alex and Euan opened the stage dedicated to Worcester School of Rock and delivered 45 minutes show  despite scorching heat. Those kids may be young, but they are professional to the core. Rain, shine, 37 degrees in the shade – doesn’t matter. The band will play and the crowd will have a lot of fun.

The Lightweights at Worcester Carnival

If you haven’t heard of Worcester School of Rock and Performance before, then listen carefully – because this organisation has been operating in town for twenty years. They hold music courses for anyone between eight and eighteen and coach young musicians to be able to perform on stage as part of a – yes, you guessed it – rock band. Young artists not only learn their craft, but also polish their stage presence and get to know how to co-operate in a group. You don’t have to end up being new Rolling Stones but the skills acquired at the school will be useful thought your adult life. Nothing beats creativity and willingness to work with others.

Worcester Carnival performance by The Lightweights

The school  has regular shows at Marrs Bar (our prime venue in town), Mapp Fest and several other music events though out the year. If you feel like joining – please use the links below.  And the coolest news of the day is that on July 14th – WSRP will hold a gig at Marrs Bar and guess who is on the bill.

The Lightweights performing for Worcester Carnival on July 1st 2017

Yep The Lightweights will be rocking out and we have cameras at the ready. So expect another update to this blog. We can`t get enough of Jodie, Alex and Euan. To see them live, pleasure and privilege is ours.

Twenty years of Worcester School of Rock!

https://www.facebook.com/W.S.R.P.worcester
http://www.wsrp.co.uk/

M/R

Indieterria meets The Fidgets

Hello Dear Music Explorers,

The Fidgets are not worse than Lisa Loeb. They have some fashionable glasses as seen in the band`s logo

Indieterria has retreated to more familiar waters . Once a month we will be giving exposure to a local artist from music scene in Worcester- acts that we believe have original sound, work hard and bring something new to the sonic table. First on our list are The Fidgets – jangle pop duo that may put our city on a musical map quicker than you are able to say Sgt. Pepper’s Lonely Hearts Club Band.  Mixing influences ranging from The Beatles, Chuck Berry, The Rolling Stones to The Kinks and The Byrds, The Fidgets begin where Cast and The LA`s have left in the 90s. That makes them unique on the whole indie scene at the moment.  The newest act with similar sound are The No-Ones (project that  includes Peter Buck of REM), so you can see how high is the bar for Max and Ryan.

Not only we sat with The Fidgets for an interview, but also got to hear their new single.  We tell you – this town has some amazing scene and we are here to chronicle it!

Move along people – much to see below!

Max and Ryan photographed by Josh Foster https://www.facebook.com/joshf627

From buskers to cathedral town heroes

These days, it is hard to imagine the High Street in Worcester without two distinctive figures busking around. With their signature glasses on,  guitars in hands and voices in perfect unison – The Fidgets have become an important feature in Worcester.  A ray of hope to put the town back on a music map. With a vision and passion, The Fidgets cultivate pop melodies and vocal harmonies placing themselves in a league on their own on an indie scene saturated with noise and postpunk rebellion. We`ve met the band to see what they have got in store for 2017.

You are one of the most prolific bands in West Midlands at the moment. But for those who may not be familiar with your history, please introduce yourselves.

Hi! We’re The Fidgets!! The two of us – that would be Ryan Skidmore and Max Stockin – met in 2012 when Max answered an ad placed by Ryan on http://www.joinmyband.com for musicians inspired by ‘60s pop music, and especially The Beatles. We played live for the first time in March 2013 (coming up for four years!) and we’ve played God knows how many times since then – the 500th gig was early last year.

Your music is a mix of classic rock, blues, northern soul and mod revival. Quite unusual for today`s pop music climate. Who are your sonic heroes?

The Beatles, of course! Everything comes back to them, it’s been nothing short of an obsession for years! Around that, our influences are really varied, we both love ‘50s and ‘60s pop in general and the two of us each have our own little avenues. Max is very into Blues and Country music, he’s a big fan of Teddy Thompson, and he’s a huge fan of Chuck Berry. Ryan is a very big fan of modern pop and is currently very much into The 1975 and Ed Sheeran. We both love loads of stuff, but the bulk of our influence definitely comes from the ‘60s.

Looking into the future.
photography by Josh Foster https://www.facebook.com/joshf627

The band seems to be moving on up at incredible speed. Your first EP (“I`m Alright”) came out in 2015 to local acclaim and well attended gigs . You followed last year with another EP “Its Only You” and immediately were invited to do BBC Introducing session. It must have been a quite an experience.

I suppose things are moving a bit fast! It never looks that way from the inside, you don’t have time to think about it, everything just goes by in a bit of a blur, it’s only when you look back that you realize what you’ve done. 2016 was big for us! We did a handful of things for the BBC which was exciting! Of course, The Introducing session was fantastic, and the crowd at the Christmas Lights Switch-On was amazing.

BBC Hereford & Worcester placed you at no 7 of the best bands for 2017. Slap Magazine previously described your music as “brilliant”. With such a strong support from local audience and the press, The Fidgets truly are on a brink of better things to come. Does the band feel it too?

Honestly we don’t know what’s going to happen! It definitely feels like things are getting bigger now, but we’ve been in the game a lot longer than anyone remember us for! We’re very excited for the future, but we try not to get cocky!

Recently Worcester News ran a controversial article about new busking scheme to be introduced in town, placing you on the front cover of the paper. Are you getting used to attention?

Definitely, yeah. We’ve been well known around Worcester since the tail end of 2015 and it’s rare for us to go out without being recognized now. It has really picked up recently though! Around Christmas time we were chased through Crowngate Shopping Center by a teenager and her mum for a signed CD and a hug! That kind of thing is getting quite common. It’s brilliant, but it hasn’t stopped being strange!

Worcester News with The Fidgets on the cover,
Every publicity is good publicity

Sometimes you expand for your performances. Would you tell us about the musicians you work with?

We’ve put together a backing band! Dave Whittaker, our bassist, was a friend socially first, we saw each other a lot at the Marr’s Bar on Wednesday open mic nights and he’s a great player. He was the natural choice. Our drummer Jack Bowles went to Sixth Form with Ryan in Bromsgrove, and Ryan had his eye on him from a band even before he was in one. He’s amazing.

Gracing the covers. The Fidgets in Slap Magazine
Cover photo by Josh Foster
https://www.facebook.com/joshf627

Your new single “Everywhere I Go” comes out in March. It will be accompanied by a video. Can you tell us more about it?

We’ve had to put off the release of the single until later in the month unfortunately (technical difficulties!) We shot the video around the Jewellery Quarter in Birmingham, and we’ve just had a first full draft come through as we speak. We’re very proud of it, it’s a big step up from what we’ve done before and it’s the first of our videos to feature anyone other than ourselves.

The band has been teasing big things to come in 2017. What should we expect? New material? Festival appearances?

Well, we can’t give away too much I’m afraid! But 2017 is already looking like a big one. Yes there will definitely be new material with an EP being released in May and yes we are already booked in for festivals in the summer at Mello Festival and Severn Sounds Festival on the main stage and there’s guaranteed to be more confirmed soon. Watch this space!

Slap Magazine cover
Photo by Josh Foster
Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

You have also been involved in collaboration with Royal Shakespeare Company. Can you disclose any details about this project?

Ah we’re very happy to be a part of it! I’d love to tell you what it is but I don’t have a copy of our contract handy and it’s possible we’ve been sworn to secrecy! Besides, we don’t like to spoil our surprises. When there’s something to know, you’ll know!

The Fidgets went from busking to heroes of a cathedral city. Where do you see yourself in the years to come?

Heroes is a bit strong, but thank you very much! We’re very proud of where we’ve got to already and things can only get better in the future! We’ve got all sorts of big ambitions but everyone knows if you tell wishes they don’t come true!! Just keep an eye on the charts and we’ll see what happens shall we? We like big dreams. Unrealistic is our thing!

Eager to prove themselves but playing cards to their chest – The Fidgets are on their way into promising future. With a new release, a single, home coming gigs and an upcoming festival season – they cannot fail. Here`s to the boys that sing.

***

The Fidgets  – “Everywhere I Go” (single review)

The cover for Everywhere I go single, photo by Josh Foster
https://www.facebook.com/joshf627

Worcestershire based duo, The Fidgets are releasing their new single “Everywhere I Go” this month. SLAP magazine was lucky to hear it first and we can report that this melodious, 60’s inspired love song is going to be a new fan favorite.

“Everywhere I go” opens up a new chapter in the bands history, proving that The Fidgets have evolved and matured considerably since their last release “It’s only you” in 2016 and became a truly unique, pure-blooded rock and roll act deserving their place on the BBC Hereford and Worcestershire list of bands to look out for this year.

The mid tempo, Beatlesque three minute single is filled with perfect harmonies, catchy riffs and will undoubtedly have the crowds swinging and singing along. It also has a distinctive Northern vibe to it, with Max Stockin sounding eerily similar to  Noel Gallagher’s High Flying Birds.

Fans of classic rock, The LA’s and The Cast will have a chance to catch The Fidget rocking the Marrs Bar on March 17th.

Banner for the single release on Spotify

The single is accompanied by obligatory music video:

If you are on Spotify, listen here:

 

***

 

The Fidgets in full line up with Jack Bowles and Young-Dave Whittaker recording a session for BBC Introducing 18.09.2016

If you wan to follow The Fidgets – please use these links:

http://www.thefidgets.com/
https://soundcloud.com/the-fidgets
https://www.facebook.com/thefidgetsband
https://twitter.com/TheFidgets
https://www.instagram.com/the_fidgets/

Part of the band`s charm are the session musicians that support Max and Ryan on stage: drummer Jack Bowler (EMPYRE/Willow Robinson) and  Young-Dave Whittaker. This rhythm section is so powerful, they are locally nicknamed as Worcester`s own  Andy Rourke and Mike Joyce.  Kid you not.  Many a band lined up to work with Dave and Jack but to no avail. Max and Ryan know that you should never change a winning team.

You can follow Young-Dave and  Jack below:

https://www.facebook.com/jack.bowles.520
https://www.facebook.com/youngdave.whittaker

 

Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

 

Slap Magazine interview (page two)
Photography by Josh Foster
https://www.facebook.com/joshf627

You can  see this interview in Slap Magazine for March 2017

http://www.slapmag.co.uk/slap-issues/issue-67-march-2017.pdf

or you can download the copy here:

issue-67-march-2017

That`s all from us for now. We hope you had fun reading.

Mal/Rita

****Update 18.03.2017****

It`s their party and they can rock if they want to!

We have written on our blog before that The Fidgets were to headline a home coming gig on March 17th at Marrs Bar in Worcester. What we have not mentioned to the band is that we planned to treat them to an unexpected cake-and-candles party. See, both Ryan and Max celebrate their bday within one week from each other and it was just too good not to use this opportunity.  So Vanadian Avenue ventured to the gig armed with two huge chocolate torts, candles, napkins, lighters, paper trays and a spatula.

The Fidgets took their headlining duties very seriously and  delivered 1,5 h set filled with their original material and covers. Guests came on stage to join the band for certain performances and the entire audience had a wonderful time, one by one slipping into the darkest corner of the venue to sign cards for the birthday boys.

When the last song came to an end  cakes were brought on to the stage and signed cards were handed. Max and Ryan had each a chance to blow the candles and make a wish.  Each member of the public was given a piece of the chocolate tort (you should always bring a spatula to the party) and the audience roared an out of tune birthday song.  Top night. Some pictures for you to enjoy below:

The Fidgets perform at Marrs Bar on March 17th 2017

Performance ends with a bow

Cakes!

Make a wish

Till the next time kids. We are off to find some alka seltzer.

Mal/Rita