Indieterria meets The Howlers

Drear Readers,

As music scounts, the team at Vanadian Avenue, is always looking for new talents and exciting new music. We hunt high and low to bring artists with potential to the light and present them to our community. Sometimes we have to go to the dive bar to descover a gem, sometimes we receive an email with a great tip and in many cases, we hear from others in the business. Photoghraphers, managers, writers, bloggers, label owners – they all have their eyes opened as well and a word can spread quickly if a new talent is found.

The Howlers, a trio from London, were introduced to us by our good friends at These Bloody Thieves Records and after hearing their new single, “La Dolce Vita” we quickly understood why the label was praising them so highly. We sat down with vocalist, Adam Young to ask him about their music, background and their influences to learn more.


Adam Young (vocals and guitar)
Guus ter Braak (bassist)
Cameron Black (drums)

Official bio: Formed in May 2018, London’s Desert Rockers The Howlers have gone on to receive critical acclaim for their ferocious live performances and determination to uproot the current foundations of popular music, and are quickly emerging as one of the UK’s must see bands. Their debut single entitled “La Dolce Vita” is vailable to stream and download on all digital platforms. You can order the limited edition 7” heavy weight vinyl & “orange” casette at: https://smarturl.it/thehowlers

Clash Magazine says The Howlers have confidence of Arctic Monkeys and animalistic charms of The Cramps. Please introduce yourselves to the readers of Indieterria.

The Howlers picture by Rob Blackham

Adam Young: The Howlers are Adam Young on vocals and guitar, Guus ter Braak on bass and Cameron Black on drums. We have coined the term “Desert Rockers” as a description of who we are.

We have to say the band is having a month that other acts can only dream about:  you signed to These Bloody Thieves Records, released a single and the video debuted though The Clash website smashed 10 000 views in less than 48 hours. The Howlers did not just take off – you sky rocketed!  Are you able to catch up with everything that has been happening around you?

Adam Young:  It has been about 4 days since we released our debut single and we’ve achieved so much with Radio 1, Radio X, Clash Magazine and others. The views our video has racked up, everything has been a bit surreal. I have to admit, it has been a bit of a struggle to keep up with everything but were lucky enough to have a team around us of amazing people who are as much part of this band as we are.

The video to “La Dolce Vita” shows you being observed while playing in an empty theatre. It has a very dystopian feel to it. It was directed by Sam Crowston (The Blinders, The Pagans S.O.H, The Surrenders). How do you remember making of the video?

Adam Young: All I remember is it being an incredibly long and exciting day. We filmed the video in Sheffield so we drove up there and then back to London in the same day in order to try get to a gig that evening. The theatre was an amazing space that Sam found but I’m still washing chalk dust off my equipment (laughing). Sam is incredible. He’s one of the best content creators out there at the moment and a great lad too. He made the day a good laugh and he works his little northern arse off so we can’t thank him enough.

Your single comes with a striking black cover with an emblem of a cowboy throwing his lasso into the air. Visual presentation of a record is often not appreciated enough. Please tell us who designed the sleeve?

Adam Young: Between Sam, ourselves and a host of illustrators, we must of created 50+ designs and nothing really hit home. We got close but no cigar so in the end, I ended up doing it. I just sat down with my laptop and taught myself everything I would need to do, to get what was in my head onto the page.

“La Dolce Vita” comes with a B side, an acoustic and haunting ballad “My Apologies”. We would love to hear the story behind this track. 

Adam Young: The track is actually a monologue of how my life was at the time. Nothing was going my way. I was struggling with my mental health, financially and I just couldn’t get a break until I met someone who changed everything. They know who they are and that’s all that matters! The song was never meant to be recorded. I finished it the day before and we were about to pack up and leave the studio and I decided to lay this track down live. And it just happened in one take. I tried to do another one and fucked it up so that’s why “My Apologies” has this raw, primal nature (laughing).

There are two distinctive releases of the single: 7 inch vinyl via Rough Trade Records and an orange limited cassette via Brutalist Records. We can’t believe you bring cassingle back!

Adam Young (laughing): Nothing’s sexier than rewinding cassette though, is there? In all seriousness, we wanted it to be a bit nostalgic and a bit different.

You will be touring relentlessly in support of “La Dolce Vita” around the country. Where can we see you live?

Band picture courtesy of Rob Blackham

Adam Young: Here, there and everywhere! We are playing the length of the country, going back to some of our favorite cities. We are really looking forward to Hull, Liverpool, Sheffield, London as well as the other cities like Manchester, Southampton, Brighton & Nottingham. Those places have always shown us so much support. People in northern cities are some of the kindest we have met so we are looking forward to playing all the dates really.

You have built a reputation as a live band – your shows are wild, unpredictable and fierce.  It would not be an exaggeration to call you one of UK`s must see bands. How do you prepare before the show? Do you have any pre stage rituals or do you prefer to go with the flow?

Adam Young: We do actually. Guus gets shitfaced drunk (god knows how he manages to play) and Cam has his little moment of calm. He warms up and stretches like our very own little Ghandi. I basically act like King Kong banging on my chest getting all pumped up. To be fair, when I start doing that right before we go on, usually one of the boys takes the opportunity to clip me one, giving me a cheeky whack. Bastards!

The Howlers are no strangers to receiving backing from industry heavy weights. BBC Introducing called you “loud and ferocious”, while Jack Saunders of BBC 1 described you as band that is “here to make a difference”.  It must have been a proud moment for you to hear your music on the flag ship program on the Beeb.

The vinyl promo of “La Dolce Vita”

The cover of the single

Adam Young: It was a surreal moment! You know, every band wants to hear their tunes on Radio 1, that’s a given, but to actually achieve it is another animal entirely. We were like excited little school boys. We can’t thank Jack and the BBC enough, as well as John Kennedy for playing us on Radio X. They are all worthy of a few beers in our books.

There is a saying in the music industry that manager is make or break of the band. But having a right label is also critical. Please tell us about your relationship with These Bloody Thieves? You are label mates to some of the best new acts on indie circuit, including another London band that we admire – False Heads.

Adam Young: These Bloody Thieves have been amazing with us! Rob Hirst, the owner, has a heart of gold and he knows we love him. We had a lot of interest in the early days of the band but Rob was the first person we met and spoke with that wore his heart on his sleeve. He gives everything and allows us to be creative in our own way. The first time he saw us, we played the same night as Arctic Monkeys in Sheffield. The venue was dead as a result but Rob stood front and centre. He’s like another father figure alongside our manager Mike. We couldn’t ask for a better bunch of lads to work with. I know our label mates like The C33’s, Feral Family & False Heads all appreciate his hard work. Someone get the man a drink!

In a recent interview with The Line of Best Fit you described “La Dolce Vita” as a song that is about being yourself no matter what. You also spoke about being ridiculed and ostracized for trying to find your own way. If you had a chance to speak to those who did not believe in you in the past – what would you want to tell them?

The casette promo of the single

Adam Young: I wouldn’t want to tell them anything to be honest. I bumped into someone in the pub recently and whilst asking me what I was up to, they turned round to me and said: “You should be thanking me really then, for bullying you at school”! What do you say to that? Guess that sums up my home town very well. There’s an old saying round here that goes “strong in arm, thick in head”. I never understood the meaning until that moment I stood in a ropey boozer with a second rate pint…finally all clicked! (laughing)

Last (in) famous question. We have some tough competition for the next PM recently. If you were able to govern the country for one day – what would you do? What policies would be important to you?

Adam Young: That’s a good question. I really wouldn’t want to govern to be honest. Inevitably, whoever comes to power, never lives up to what they promise. As a working class member of society, I’d say leveling the playing field a bit would be a good place to start. There’s no need for corporate bigwigs to get million pound bonuses when there are queues at the dole office and we have teachers and doctors using food banks. I guess I would go full Robin Hood. Green leggings and all!


You can follow the band on their socials:
https://www.thehowlers.co.uk/
https://twitter.com/thehowlersuk
https://www.facebook.com/thehowlersuk/
https://www.instagram.com/thehowlersuk/

Articles:
https://www.clashmusic.com/videos/the-howlers-share-electrifying-new-single-la-dolce-vita
https://www.thelineofbestfit.com/new-music/discovery/the-howlers-la-dolce-vita
https://www.roughtrade.com/gb/the-howlers/the-howlers-la-dolce-vita/7-inch-plus
https://www.rgm.press/2019/06/13/the-howlers-la-dolce-vita/
http://northern-exposure.co/introducing-the-howlers/
https://gotothetop.co.uk/the-howlers-fiery-desert-rock-debut-la-dolce-vita-brings-an-uplifting-message-about-self-identity/

“La Dolce Vita” is out now on 28th of June and the band will be on tour with shows in Sheffield (Cafe Totem) on June 21st, Liverpool (Jacaranda Records) on June 22nd, their home town (London) at the Macbeth on June 28th, Southhampton (The Heartbreakers) on June 29th and Brighton (Hope and Ruin) on June  30th. July will see them play in Hull, Manchester, Notthingham, Tramlines Festival and many others, so visit their websites for more details.

The summer is very busy for the lads so catch them on the road. We give them a full seal of A&R approval and 4 stars of of 5 (and that’s unheard of). Nah, only kidding! It’s full 5 stars and a hug!

Till next time,
R+M

Indieterria Review – “Magic” by Hot Minute

Dear Readers, 

June is all about reviewing new singles and discovering new artists. We start in Greater Manchester and will slowly move towards different scenes across the county.

We wanted to hear about the music from the artists directly, so we made an open call to musicians in the area. The response was amazing and we are thrilled to be presenting these mini reviews to you.

Hot Minute were the first to get in touch with their music. This all female pop group has been together for only couple of months but their chemistry is undeniable. All three girls are studying and living in Manchester and their first single called “Magic” turned a lot of heads and had many feet tapping.

Hot Minute logo

They call themselves a “synth-pop outfit” and this is a very fitting description. “Magic” is a perfect marriage of the 80’s bubblegum pop a la Bananarama, Alphaville, Sandra and Tiffany with crisp, modern production. There are obvious references to K-Pop/J-pop in their sound and promotional aesthetics. Brilliantly neon pictures taken by Rhian Melvin have a strong dystopian and futuristic feeling to them, a cross between Nar Shaddaa and Los Angeles out of “The Blade Runner”.  The beat of the song is fast, the groove is right and the lyrics are easy to remember – by the second chorus you’ll catch yourself dancing around the kitchen singing along. And this is exactly what you’d expect from a good pop song. It has all the right proportions, it stucks with you for hours and you can listen to it on repeat for three days straight without getting bored.

What’s the most important, the girls can play and sing well. In the last decade, pop music relied more on looks and autotuning than singing abilities and it is  refreshing to see that the talent is being brought back to the mainstream. The harmonies in “Magic” are just magical. Believe us, the song is simply irresistible. In short – this is a proper pop banger. You will fall in love with this track, just like we did. In the first 10 seconds. And if you don’t, then we are sorry to say, but there is no hope for you.

The trio photographed by Rhian Melvin at Jimmy’s in Manchester (or maybe in some dive cantina on the Smugler’s Moon?)

Intrigued by their sound, we asked Hot Minute a few questions and this is what they had to say:

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band? 

Hot Minute: Hey! We’re Hot Minute, Manchester’s newest all female synth pop trio comprised of Keely Hutchinson on vocals, Courtney Williams on synths and Bella Casson on guitar.

Tell us something about the project – are there any goals that you managed to achieve (festivals, radio plays, meeting your musical heroes, EPs, albums released)?

Hot Minute: This is our debut single release as Hot Minute and for us it couldn’t have gone better! We’ve been playlisted by YouTube Music and had an abundance of really lovely blog coverage and some radio play.

“Magic” front cover. Magic is strong with this one…

What inspires you? What artist or genre had the biggest influence on you?

Hot Minute: Our inspirations are women in the industry, Japan and K-Pop. In terms of bands, we love CHVRCHES, Muna, The Midnight, Depeche Mode and The Human League.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Hot Minute: Magic is about taking the negative and turning it into a positive. The message of the song isn’t exactly a happy one but the tone and feel of the song is very upbeat. We started this band based off the mutual prejudices we’d experienced separately, taking those negative experiences and making them into something we could use to benefit us and we mimicked that in our first single to get that point across. It’s not the cards you’re dealt it’s how you play them.

Are you touring? Where can we see you playing live?

Hot Minute: We aren’t touring currently, but we have a gig in September with Section 25 in Blackburn!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Hot Minute: You can hit us up on our email itshotminute@gmail.com and you can also find us on our socials:

Twitter: https://twitter.com/itshotminute?
Instagram: https://www.instagram.com/itshotminute/

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Hot Minute: This one took a lot of thinking, but we eventually came to the collective decision of Daft Punk and we’d probably go for Alucard Studios. That was a tough one!

 

Or read more hot reviews for “Magic” online:
http://indietronica.org/2019/05/30/hot-minute-magic/
https://anerdyperspective.com/2019/06/05/hot-minute-magic-debut-single-review/
https://thegirlsattherockshow.com/listen-to-hot-minutes-new-single-magic/
https://reverbium.com/2019/05/29/manchester-synth-pop-band-hot-minute-release-new-single-magic/

The trio is probably the first ever pop band that we have reviewd on Indieterria. They are worth every blog post and every review, as we think the girls have not only talent but a huge potential to become something special. Given proper opportunities, they could turn into international stars in a very short period of time! We will be following their progress closely and if any pop music scout is looking for a new discovery, then here they are.

They might be called Hot Minute, but hopefully they will stick around for a long, long time.

M+R

P.S. A big thank you to Pete Eastwood who told us first about the group and who made this interview possible!

Indieterria meets Membranes

Hello!

Forget the saying “never meet your heroes”. Sometimes you just have to meet them! When we heard that John Robb is working on a new material, we immediately knew we wanted to speak to him about it. John is not only a musician, magazine editor (he runs the wildly popular Louder than War magazine) and journalist. He is also a poet, a modern philosopher and an artist. His works have been shaping musical landscape since 1977 and Membranes are considered as one of the most influential punk/alternative rock outfits in the history of British music.

We sat down with John a couple of days before his (sort of) homecoming gig at the Manchester Ritz to discuss the new album, forces of nature, our place in the natural order of the universe and performing with a choir! It was a huge pleasure and priviladge to interview our childhood hero, so if you have one, don’t wait and apporach them. Disappointments happen, but so does the magic. And for us it was a magical experience.

Membranes photographed by jay3008

Membranes
John Robb (vocals, bass)
Nick Brown (guitar)
Peter Byrchmore (guitar)
Rob Haynes (drums)

Official bio: This one comes with their own Wikipedia entry!
https://en.wikipedia.org/wiki/The_Membranes

“What Natures Gives… Nature Takes Away” is your first studio album since 2015 and a follow up to the acclaimed “Dark Matter/Dark Energy”. Four years is a long time. Can you tell us how this album shaped from its conception to the final mixes?

John Robb: We got busy. We didn’t expect the last album to go as well as it did and we were sidetracked by touring and life. All the time though the idea of the next album was germinating (ha!) like a seed. There is no rush for a band like ours, we are not a teenage hit machine. This stuff is art and art takes time. Just create when you are ready. Don’t wait for permission on how and when you create. When it was ready, it was ready. There were always ideas and when they had a grand scheme to fit into to with the nature thing then it all fell intom place. Making a record as epic and ambitious as this is, of course, a gamble. The underground scene has lots of rules and you are expected to conform by them! In many ways underground music is even more tightly regulated by what you are perceived to be allowed to do than the so called mainstream. Alternative music is often not that alternative, is it?

The album’s title, quickly brings connotation to the famous Bible verse “The Lord gave, and the Lord has taken away” (Job 1:21). Was it something you wanted the listeners to notice and think about? Are we, as human beings, at the mercy of the forces of nature?

The front cover of “What Nature Gives”

John Robb: Yes, the album is about the beauty and violence of nature. It’s also about how we are the nature and as you say we are at the mercy of the forces of nature. We are at the mercy of its ebbs and flows. We do our best to try and break away but we are just chimps in suits. We like the idea of biblical preachers against a stormy sky shouting at nature. Like the good book can even have any control on the mighty forces already unleashed way before a god was even invented. As human beings, we are merely navigating this swirl of wildness and hoping for the best.

The “natural theme” is omnipresent on the record. Looking at the song titles, one cannot miss multiple references to animals (“Murder of Crows”, The City Is An Animal”), plants (“Demon Seed/Demon Flower”) or forests (“Deep In The Forest Where The Memories Linger”). Are we looking at concept album, or “dark rock opera” as one of the reviewers called it?

John Robb: “Dark rock opera” is a pretty cool term! There is a concept running through the album but it’s not as literal as it sounds. The songs take the themes of nature but each song is its own entity but the tracks run in an order. For me, it’s very much an album with each piece in place and not loads of tracks chucked together. Like a book with chapters! “A Strange Perfume” is about the power of pheromones and the powerful primal instinctive urge of the perfumes of our own scent whilst “A Murder Of Crows” is about the dark power of crows – their mystical power, their smartness and their cunning cruelty. The song also looks back on the roots of the word “murder” back to the plains of India where it is an actual Hindu word. “Demon Seed/Demon Flower” is a dark dub built around the themes brought up by Baudelaire – it’s a Baudelaire dub! It’s about how sex runs right through nature and we celebrate the voluptuous flowers trying to attract each other’s attention in the battlefield of life. “Deep In The Forest” is a celebration of the tomblike silence at the centre of the darkest first, a place where you can hear nature sigh in its eternal woody silence. It’s also part of a theme for the perfume we are working on with Lush which will be called “A Strange Perfume”! It smells of the erotic dampness, leaf mould and autumnal richness of the forest – a place where your memories linger for eternity.

Back cover of the new album

Two songs, however differ from the rest, thematically and musically. “Pandora’s Box” and “Mother Ocean/Father Time” seems to be inspired by classical Greek mythology.  Can you tell us more about them?

John Robb: “Pandora’s Box” is the apocalyptic end piece of the album. It is about the power of love and lust and the curveballs that nature throws at us in life and that moment in time when you have to jump in and open the box.

“Mother Ocean/Father Time” is about the ocean and it’s also about my grandfather, a French Canadian who used to work on the cable ships as they crossed the Atlantic in the early 20th century. They used to call it the most dangerous job in the world. Eventually he stopped over in London for a couple of days and had the briefest of dalliances with my grandmother and was never seen again. I liked that mystery to their brief affair, that intensity of the moment against the backdrop of the mighty ocean. The music was written to reflect that with the riff being the churning of the waves and the salt stained seas, another celebration of the sheer power of nature. I used to live by the sea and loved that line between suburbia and the wild ocean. On one side the thin veneer of civilisation and on the other the wild and mysterious depths.

The record, which is set to be released on June 7th, is a double album full of intriguing guests: Chris Packham, Kirk Brandon (Spear of Destiny) and even a 20 – person choir. You have previously worked with Estonian female choir Sireen for festival slots and BIMM choir for a tour in the UK. Which choir have you employed on this occasion?

John Robb: I like working with guests. I think rock bands don’t have to be so rigid. We have done so many collaborations over the years. We played in Mexico last night and did a live collaboration with a local band who are called Descartes A Kant (who are really worth checking out). We had one rehearsal and a get on stage kind of affair and that is the kind of risk taking that always creates great art. The choir we used on this album is recruited from BIMM – we can’t afford to fly an Estonian choir around. It’s the price you pay for having ideas bigger than your budget. I put the call out on Facebook for a choir and Claire Pilling, who teaches singing at BIMM college came back to us and recruited the choir. It was great working with the Sireen choir who I saw play a festival in Estonia 5 years ago and asked if they wanted to do a gig with us straight after. They said yes and we played two amazing and brilliantly received gigs in Estonia with them which is where this album really started.

We want to ask you about another person who is featured on the album – dame Shirley Collins, the force behind English Folk Revival of 1960s and 1970s. What an incredible woman. She is 83 years old this year and just released her new album herself. Was it hard to convince dame Collins to appear on the record? It does look a bit like Metallica/Marianne Faithfull collaboration!

John Robb: Shirley is amazing. I met her through filming stuff for Lush, the cosmetics chain, who have created a media channel which I film content for. She was in Lush one night at the launch of a film about her and it was great to meet her. She is a wonderful woman. I asked her if she wanted to do a piece for the album and an hour later she was reading this great piece about the South Downs and the power of music and how it comes out of the very soil of the surrounding hills. Her description of the flowers and birds in the Sussex hills is so evocative and perfect and one of the highpoint of the album for me.

“What Nature Gives” comes with an incredible sleeve artwork that is actually a Gothic Victoriana painting by artist Valentine Cameron Prinsep, a relative to Julia Margaret Cameron, Virginia Woolf and Vanessa Bell. The title of the painting does sound like something Nicky Wire would come up with: “At The First Touch Of Winter Summer Fades Away”. How did you come across this piece?

John Robb: I did a Google search! I was putting key words from the album and then searching through images and hoping something powerful and evocative would come up. What I needed was a piece of artwork that would reflect the themes of the album: the transient nature of nature, life and death and the passing of the seasons and the second that image appeared I know it was perfect. I like it because it is the seasons and death and also because its quite erotic and tragic and full of flowers and lingering and tragedy – just like the album!

The release is being promoted by leading single “A Strange Perfume”, where the band members are shown singing among the ballet dancers clad in black. The video is surprisingly dark and has some sort of nervousness to it. It was directed by Anya Cinnamon Machin – visual artist and cinematographer based in Manchester. Please tell us more about the story behind the video.

John Robb: The song itself was about the erotic power of scent. A celebration of the sensuality of all five senses like in the Kama Sutra where all the subtlties of attraction are celebrated. The idea was to have a ballet dancer as we hate mimed band videos and prefer something a bit off kilter. I think the world is a bit too full of blokes pretending to play guitars in videos and we didn’t want to throw another one out there. Anya is a brilliant young film maker from Manchester and it was a pleasure working with her. We are collaborating on a new video with her now – an animation. We wanted “A Strange Perfume” to be dark and shadowy and also to take an influence from the film Black Swan. That edgy tightrope walking film about the nature of intensity and madness – all themes that we are fascinated by.

Not sure if somebody else observed it before us but there is a strong representation of females on that release: from the Persephone/Demeter figures on the cover, to guests such as dame Shirley Collins, to video director, choir members and ballet dancers in the videos. Its very uplifting in the male dominated industry.

John Robb: Yes! Great that you noticed. We wanted to make a record that broke down the traditional “4 blokes against the world” nature of rock music. There are many bands that are great at that and some of them are my favourites but there’s no point in us joining that eternal queue. We were bored of that macho conservative world and thought of ways to break it up. Using the choir was one. The human voice in harmony is one of the greatest sounds imaginable and to hear that harmony in a modern world that is full of shouting and not very much listening, is quite something. Having that many women around, changes the dynamic of things and the sound and texture of the music. It was great to have guests like 84 year old folk singer Shirley Collins on the album, firstly, because we love her music and, secondly, because we want to celebrate age and wisdom and the beauty of older people. Jordan is on there because she is one of my best mates and an iconic presence who defined punk with an artful brilliance that made her so key. She had inspired us when we were growing up.

Right after the release of the record, you embark on a tour that will take you all over the UK (Manchester, Glasgow, Liverpool among other dates), Europe and even to Mexico. What can we expect from you on stage?

John Robb: The music is still physical and will be played in a physical way. There are many epic moments but you can still dance to it. We will bring the choir to as many gigs as we possibly can and try and make something spectacular if we can.

In an recent interview with GigSluts you jokingly said that Membranes can only operate on a grand scale. Here’s our last question: imagine you have no restriction of any kind (financial, timely or artistic) when it comes to the production of your upcoming gigs. What do you go for? Las Vegas residency, grand opening at the Carnegie Hall or Michael Jackson-like world tour?

John Robb: I would love to play epic events like the Carnegie Hall! We did check how much it would cost to hire once and it was a lot! (laughing) We’d love to play at the Griffiths Observatory in LA, The Royal Albert Hall in London or the Memorial Museum of Cosmonautics in Moscow. All brilliant locations with the choir and a sense of the spectacular. I love off-the-wall locations. We played the top of Blackpool Tower a couple years ago and we love cinemas where we can use the screen to play a film! I would also love to play caves or in the middle of a forest. Or have this 3D immersive light show that I have been working on. Just need the money to make it all work. Of course, it’s all very ambitious but ambition is the driver in breaking barriers in art, isn’t it?

Listen to Membranes on their official Spotify chanel:


And follow them on their socials:

http://www.themembranes.co.uk/
https://twitter.com/membranes1
https://www.facebook.com/themembranes
https://www.instagram.com/themembranes/

Membranes new album is available at:
https://louderthanwar.com/shop/the-membranes/the-membranes/

Membranes will play Ritz in Manchester on Saturday the 8th of June with supports from Glove, The Pack (Theatre Of Hate), Liines, Queen Zee and HENGE.
More information about the event can be found at: https://www.facebook.com/events/226440181569176/
Last remaining tickets  can be purchased from: https://www.seetickets.com/event/the-membranes-henge/o2-ritz/1308269

We will be in the front row, so expect a detailed review from the frontlines!
Till then,

Malcia and Rita

Indieterria review – Burn by Edits

Dear Readers,

Liv and Chris aka Edits (self portrait)

After reviewing excellent single from Manchester trio Hot Minute, we are back with more new music to discover. We are so happy we decided to do an open call for bands in Merseyside area to send us their songs and describe them on their own terms. This month we are publishing those mini interviews and learning how diverse and absolutely amazing scene up north is!

Edits were the second band to get in touch with their music. They are childhood friends who combine studying with recording and writing their own material. Described as atmospheric electro pop, Liv and Chris cite MUSE, Royal Blood, The 1975 and even Nine Inch Nails as their influences.  Their debut single “Don’t Speak” came out in 2017 and was followed by self produced/self released EP “Re – Surface” a year later.  The band rounded up 2018 by releasing another single “Cold”.

On their new single “Burn”, there is more than just electro -pop to Edits. Firstly, what catches your attention is the vocal range of Liv Westhead who is first dramatic mezzo-soprano on indie circuit we came across. Think Amy Lee of Evanescence meeting Lisa Gerrard. Liv could hold her own in any genre really, from folk to Viking metal and even opera without missing a note. But then her type of voice is not called dramatic mezzo soprano for nothing.  Chris Abbot comes in with guitars to create melodic lines that range between indie outfit to industrial noise.

Edits place themselves comfortably among new coming  electronic indie bands such as White Room, The Ninth Wave, Drusilla or La Mode. Burn – came out on June 14th is opposite  o previous single “Cold”. We think it would be a good idea to have both songs pressed as a Double A single on a 7 inch in the future. Just imagine crystal clear vinyl with “hot” and “cold” side – who would not want that in their record collection? But its time to let Edits speak for themselves:

Burn – single cover

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Liv Westhead:  We’re Edits: Liv (vox /synths) and Chris Abbot (guitar) and we’re based just outside of Manchester in Northwich, Cheshire.

Tell us something about the project – are there any goals that you managed to achieve?

Liv Westhead: We’ve known each other since we were 15 but we really got serious about Edits whilst we were at The University of Salford studying Popular Music & Recording, which is why Manchester feels like home to us. Highlights for us have been playing at Warrington Music Festival and Chester Live and just some of the great reactions we’ve had to our music from blogs which makes you feel super proud.

What inspires you? What artists or genres had the biggest influence on you?

Liv Westhead:  Growing up I was obsessed with the band Muse so I think they have a much bigger influence on the band than some people think. I’ve also always sung in choirs so a more classical/choral sound has always influenced my vocals. Nowadays, I love bands such as Mew, Biffy Clyro, Interpol, The Twilight Sad, Chvrches, Daughter, Radiohead, Everything Everything and Nine Inch Nails. We both love guitar driven music but often with some electronic elements.

It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Liv Westhead:  Our latest single Burn was written very quickly actually, which I think is how the best songs come about. Chris had this idea down in Cubase and then I just started singing the melody over the top. Every song for us is different, sometimes I write at the piano and have chords and melody for a whole song, sometimes Chris writes an instrumental and then the vocals are added afterwards.

I wanted Burn to be the opposite of Cold which was our last single back in November. Cold was all about the inability to feel and bottling up all your feelings. Burn is about finding that raw spark inside of you and the feeling of invincibility I get whenever we play live. It’s probably our heaviest and angriest song so far.

Are you touring? Where can we see you playing live?

Liv Westhead: We have a couple of gigs coming up, firstly at LiveBars in Warrington on the 20th of June and then at The Salty Dog in Northwich on the 4th of August. We’re currently looking for a Manchester date so fingers crossed!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Liv Westhead:  You can contact us at: contact@editsband.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Liv Westhead:  I would have to say the band Mew. They do some gorgeous harmonies and vocal layering and I would love to sing with them. Also, my favourite producer is Rich Costey who’s produced some of my favourite records ever (including Mew’s Frengers) so it would have to be with him! It terms of studios I don’t really know but I’d love an excuse to go to New York!

Edits are just warming up. Can you take the heat?

Listen to “Burn” here:

http://hyperurl.co/burn-edits

You can follow the band on social media:

http://www.editsband.com
https://twitter.com/editsband
http://edits.bandcamp.com
https://soundcloud.com/editsband
https://www.youtube.com/user/editsband
https://instagram.com/editsband
https://open.spotify.com/artist/6fwe92CcXSydfsBqpZRAfD?si=Fzlpd1m7QgWpuc6oiAfDHw

 

We are going to keep an eye on the band and so should you! This project – despite being still very young – has already shown a lot of potential. A seal of approval from us as A&Rs.

Much love for the band for sending their music in!

Mal+Rita

Indieterria meets Tin Mole

Dear Readers,

This December Indieterria stops for a while in a port. Kingdom of Mancunia always had the best music and record collections and even  people who did things differently. So for the time being, we will stay in a safe and warm haven of Manchester and will report on new acts coming from the town and its  wonderfully loud venues of  Northern Quarter.

Two years ago we began Indieterria by interviewing Salford`s own Tigerside. This time around, we reopen a new year by chatting to the artist known as Tin Mole.  You probably did not hear about him yet (unless you listen to Salford City Radio 94.4 FM with Zach Peach who was one of the first DJs to play Tin Mole), but surely soon there will be a lot of hype around the artist who mixes samples, indie rock, trip hop and spoken word in a truly innovative fashion.

Tin Mole logo

You may be familiar with Tin Mole`s previous project – Ladies` Dart Night as they delivered their politically charged musical sermons across the North sharing stages with Garden Back or Strange Bones. Sadly, Ladies` Dart Night ended in 2017 and members of the band moved on to other projects.

We discovered Tin Mole  via Tom Robinson`s excellent Fresh on the Net portal and were so impressed with his debut single “Slug Frontier” that we contacted  him and asked for an interview. Tin Mole is an enigma wrapped in riddle, his answers are short, to the point with the usual northern swagger and edge. But you can`t deny him vision, talent and artistic integrity.  He works double hard to put music out there, doing his own PR (press releases, photos, editing) while studying and working at the same time.  Practical, honest and determined –  Tin Mole breaks the mold on Mancunian scene, offering something fresh and unusual.

Read on, listen and tell us what you think.

Tin Mole
?

Ladies` Darts Night logo

Ladies` Dart Night
 Luke Geoghegan (drums, keys)
Nathan Connell-Howard (guitar, bass)
Jonny Sowerby (vox)
Tom Milnes (vox)
Phil Stuttard (vox)

You are not a newcomer on Manchester music scene. Would you like to introduce yourself to Indieterria readers?

Tin Mole: I’m Tin Mole, a producer from Manchester. I’ve been in a couple of bands and done a fair bit of techno DJ`ing on the underground mole scene.

Before Tin Mole, you have been a member of five piece Ladies` Darts Night. You have released EP “Tragedies, Comedies & Histories” in 2017, toured nationally and shared stages with such established young acts as Garden Back and Strange Bones. Then suddenly you called it quits. What happened?

Tin Mole: It was fun while it lasted but it all went to pot after a trip out to Edinburgh. The Irn Bru was strong that day.

Tin Mole in a curious selfie mode?

German blog “Hey Musik” described Ladies` Darts Night as “pulling groovy, fuzzy guitar from The Stone Roses, powerful lyrics with a poetic rhythm like John Cooper Clarke or Morrissey, and pounding drums paired perfectly with a mysterious bass like Joy Division. If you’re into a loud, mesmerizing sound backed with politically infused lyrics, then this 5 piece band are who you need to be listening to”. The writer even travelled to Manchester to see you. Not every band on the Manc scene can say they had interest from foreign journalists.

Tin Mole: Yeah we were doing alright but it is what it is. “Mesmerising sound” is a great compliment, I like that.

You were pulling no punches as a band. “Message for May” is right up there with Shame`s “Visa Vulture”, an attack on PM for her policies. Your other song “Shopkeeper” tackles grooming. I get a feeling, had the band continued, you would be going in the same direction as The Blinders, leading politically charged music onwards.

Tin Mole:  Yeah we were sort of heading that way, just writing about things we were passionate about at the time. I do still write a lot of that type of thing but they’re amongst other more personal topics, like battles with slugs.

In contrast to being in a band, Tin Mole seems to be a solo act.

Tin Mole:  It sort of is. I’ve written and produced some tunes and Nathan Connell-Howard from Ladies` Darts Night has helped out with guitar parts. I’ve got a 6 piece band together now to play the tunes live which I’m well excited about.

Your first single Slug Frontier is a strange mix of trip hop, spoken word and samples. It reminds us of Black Grapes, Sleaford Mods and Tricky. With some incredible poetic lyrics. Is there a story behind the song?

Tin Mole: Thanks. they’re good acts to be compared to, especially Tricky. As for the story behind Slug Frontier, it’s all true… Every word.

We heard you will be releasing a new track soon. What shall we expect?

Tin Mole: Similar sample based production but a bit slower, slightly less shouty and every word is a lie.

Tin Mole is on a mission to fight slugs.

You once said “I think everyone knows deep down Manchester is Britain’s true second city. Sorry Birmingham.” Do you still feel the scene up north is ahead of everyone else?

Tin Mole:  Yeah I think it is in some ways. There are great bands coming out of Manchester like Duds or Gnod and The Blinders are doing really well. But it always seems that the London bands get more publicity. That’s usually the way with everything in the London-centric Brexit apocalypse.

There is an aura of mystery around Tin Mole – no bio, scarce presence on social media , no agent, no label. It seems that you try to let the music do the talking, rather than drive attention to yourself as an artist.

Promotional image towards Tin Mole`s upcoming single.

Tin Mole:  I talk enough shit in the songs so I don’t feel the need to bombard people with more of it. I’m trying to keep it as DIY as possible and I think the music speaks for itself enough, but no doubt things will pick up on social media in the coming weeks and months.

“Slug Frontier” is easily one of the singles of the year for us. After hearing it for the first time, we immediately started to look for your gigs. And we know we are not the only one. Do you have any concerts planned, and if so – where can we see you in the future?

Tin Mole:  Nice one, I appreciate that! We have a couple of gigs in Manchester confirmed for the new year but don’t think I can say anything until the promoters announce it. But I do know that there’s an exciting new band playing at a venue called Jimmy’s on Saturday 2nd February 2019, so might be worth keeping that date free.

The last (goofy) question. Your bio mentions a strange creature that looks like a monster of the week from Doctor Who: “silvery-white metal, made of tinplate or aluminium with a long muzzle, and small eyes, feeding mainly on worms, grubs, and other invertebrates”. What is Tin Mole and is it safe to keep one as a pet?

Tin Mole:  It’s what it says on the tin really. As long as food and drinks are provided with access to a studio, then yeah of course it’s safe.

Tin Mole as an ice cream vendor.

You can follow Tin Mole on socials:

https://www.facebook.com/tinmole/
https://twitter.com/tin_mole
https://www.instagram.com/tin_mole/
https://soundcloud.com/tinmole

And you can still find information about Ladies` Darts Night online too:

https://ldartsnight.bandcamp.com/
https://www.instagram.com/ladiesdartsnight/
https://twitter.com/ldartsnight
https://www.youtube.com/watch?v=J3fZRpZd-o8&t=172s
https://soundcloud.com/ladiesdartsnight
https://open.spotify.com/artist/0l1QTRDsC00gFoO394cUM1?si=2TOpjOMDRy6d5B1RXG3Dfw

If you fancy some additional reading on the band, check out those links:

https://www.gigmit.com/ladies-darts-night
https://www.manchestereveningnews.co.uk/incoming/boxer-liam-taylor-mates-behind-9646663
http://www.gigslutz.co.uk/ep-ladies-darts-night-tragedies-comedies-histories/
https://heymusikblog.de/2017/07/20/behind-scenes-manchester-uk-music/

The cover to Slug Frontier – Tin Mole`s debut single

In next few weeks Tin Mole should drop a brand new track which we will surely review on this blog. We are very excited about this artist. Nothing speaks to us more than music that is fresh and unusual. Looking back is a waste of emotions – and projects such as Tin Mole offer us a glimpse of what will be hip and trendy in the future. Just what A&Rs love.

All hail the incredible creative potential of Mancunia!

M/R

Indieterria review – Drusila Want You single

Dear Readers

Logo

Writing reviews is not always as glamorous as it looks – most of the times you have to sit though excruciatingly bad demos or records that offer very little, even to a die-hard music fan. After a while to save your ears, you start to develop a skill to spot good material without hearing a note.  Pro-tip:  look at the name. You can learn quite a few things from the way a band named themselves. It can be poetic (“Collective Soul”), abstract (“Talking Heads”) or can hint at close ties among the members (“The Ramones”). So if you see an original and intriguing name  – grab that release. Nine times out of ten you will be right.

So, last week when I found in my inbox a single by Portsmouth based duo Drusila,  I knew I had quality material for the blog. Just by their name alone. Pop cultural knowledge is your friend when you review music. And a band that chooses a name after a prominent female figure from ancient times will surely indicate an ambitious project.

Drusila: these charming men

I can hear  the moans – Drusila is just an old fashioned name. What is there to get excited about.

A little bit of history lesson for you then, before we get to the music.

Drusila (Greek for “morning dew”) was a young and tragic figure in the times of Roman Empire, boasting of  incredible political heritage. Her father was famous general Germanicus (seen by his people on par with Alexander the Great for his military conquests) and  her mother was Agrippina The Elder (grand -daughter of Emperor Augustus and a powerful persona of Roman society). Drusila`s siblings included: Julia Livilla (“princess of Lesbos”), Agrippina The Younger (empress), emperor Caligula, Nero Julius Caesar and Drusus Caesar (heirs to emperor Tiberius). Her grandmother was empress Julia Augusta. Pomponia Graecina (venerated in Catholic church as St Lucy) was her aunt. After the death of Germanicus at the age of thirty three,  Agrippina The Elder returned to Rome with six of her children and started a series of complex political and military intrigues against Emperor Tiberius, whom she blamed for poisoning her husband. The power struggle was so bloody and so intense that it took lives of all six children of Agrippina The Elder before any of them reached age of forty.

In her life Drusila was a prominent member of the royal family and skilled political player. She was also known to be more beautiful than legendary Cleopatra. She had such a close relationship with her brother Caligula that she was seen as his wife and a lover. She divorced twice at Caligula`s request and shared his household. During his illness Caligula named Drusila as the only hair to all his possession and titles. Had he died, Drusila would inherit the throne and would become the first woman to solely rule Roman Empire.

Melancholic visuals are part of the band`s charm and carefully crafted image.

However, it was Drusila who perished first, during a famine at the age of 22. She would not witness executions, assassinations and starvation of all her other siblings. Caligula who was obsessed with his sister to the point of naming himself her husband (and probably marrying her against all rules of the empire) – proclaimed her a goddess and reincarnation of Venus and buried her in a huge public ceremony. Drusila`s death changed Caligula into a tyrant, who pillaged public funds and drove Roman Empire on the brink of collapse.

If you find this somehow familiar – you are right. Drusila and Caligula serve as a blueprint for Cersei and Jaime Lannister in Game of Thrones.

You see – a good name can squeeze volumes of information  for a reviewer to decode and it is such a intellectual pleasure to meet a band who are ambitious and dig history and even have a good taste in picking up a TV show. They would surely be great to interview and maybe that`s what we will do in the coming weeks.

But now – to the point. The single, “Want You” just came out and I am more than happy to lend my ears and my pen to review this song.

“Want You” is a sultry electro-pop ballad for the romantics on the indie circuit. You can clearly imagine a club night full of kids on the floor dancing to it, and maybe using it to let their secret crush know how they feel about them. But the single is so much more than a perfect Fresher`s Week club filler. Drusila are very clever – they take elements from their contemporaries (like Hurts) but also from older genres: cold wave, 80s synth wave and electronic music to forge their own unique sound. It is hard to believe that George William Robert and Hugo Seckington (who form the duo) started out this year. They sound like a band with at least two-three years of touring and recording experience with a good understanding where they want to be in five – ten years time.

Single cover for Want You – red roses and suits, some very clever references to Morrissey and Depeche Mode. We approve.

Judging from previous singles and videos (“Forget”, “Something For Nothing”) Drusila have a liking for theatrics on stage and spiky hair that would make Robert Smith right at home. Combine that with ability to write beautiful pop melodies and you have a very interesting mix.

Forget single cover – we do love the spiky hair (and eyeliner!)

On reviewer described Drusila as a “strange affair between The Cure, Hurts and Pet Shop Boys” and I am a bit jealous that I didn’t come with this line myself. It summarizes their sound so nicely. From my end I will definitely add that they have ambition and talent to back up their impressive influences.  So it seems we have a duo that we need to keep an eye on. Those boys will be here for a long while. Lucky us.

Something For Nothing single sleeve – bringing to mind the 80s cult series The Twilight Zone. We said. we love the references Drusila envoke in their visuals.

You can follow the band on social media:

https://www.facebook.com/DrusilaWeAre/
https://twitter.com/DrusilaWeAre
https://www.instagram.com/drusilaband/
https://www.youtube.com/channel/UCE9ry-OOi9EB_UXrHoEoyxA
https://soundcloud.com/user-970258778
https://open.spotify.com/artist/1Lc5UFs2kwrs8HxGLjoIp7?si=W9I4XTBARnmc6eWQMqvQFQ

Or you can listen to them here:

That`s all for us this time around. I will leave you with one more stunning visual from Drusila – in the studio. As this blog goes live, the band has been featured on BBC Introducing and has a session at Rough Trade.  The only way up for them boys is up.

Purple haze – Drusila in the studio.

 

Cheerios,

Malicia

Indieterria meets Inwards

Dear readers!

Oh, it was a very frustrating beginning of the month! The WordPress went down, their SSL broke and our publishing schedule got delayed by a week and a half. Luckily, Rita is a miracle worker, found the right script, implemented it and voila – we are back in action. But it took a long time and we do apologize for the technical issues. They were outside of our control!

So, in span of just several days, you can enjoy two brand new blogs. The first one is our view/review/official waffling post about The Blinders (you can read it Here) and the other is a brand new interview with the electronic music prodigy, Inwards.

Inwards in another dimension (or maybe just on the stage!)

Of course, we don’t have to tell you that Inwards (aka Kristian Shelley) is the pride and joy of Worcestershire and we are extremely proud of his achievements. And there is a lot to be proud about! His music receives praise after praise and super favourable reviews from journalists, media and radio stations. Kris is going places and he is going to the top at an impressive speed. Before you blink, he will be there at the top of the charts with Burial, Aphex Twin and Chemical Brothers.

Talking to Kris is a rare pleasure. He is entertaining, kind and very pleasing to interview. He is curious about the world, culture and popular heritage. We sat down with him after his session for BBC Introducing in Hereford and Worcester and grilled him about his equipment, music and having his music played on the national radio.

Official bio:  Inwards is the alias of Kristian Shelley, a multi-instrumentalist and music programmer from Worcestershire, UK. His work exists in the experimental domain and draws influence from the far borders of dance music, using modular synths with acoustic and electronic sources to create a nostalgic and colourful sonic palette.  Crackling with the freedom and spontaneity that characterises his studio productions, Inwards live performances vary from one environment to the next, taking on organic forms through the manipulation of his electronic instruments. Gaining a reputation for his absorbing shows, which are often complemented by live visuals, he has played alongside the likes of Lapalux, Adam Betts (Three Trapped Tigers), Tyondai Braxton (Battles) and Ulrich Schnauss, and at festivals including The Great Escape and Brighton Digital Festival. Signing to Small Pond in 2017 after capturing attention with a series of DIY releases, Inwards invites you into a dark yet playful and psychedelic world of sound on his debut album.

According to your bio, Inwards is a moniker of producer, multi-instrumentalist and music programmer – Kristian Shelley. We are intrigued. Can you introduce yourself to readers of Indieterria?

Inwards: Hello readers of Indieterria! I’m Kris and I play instruments and use computers to make music.

Inwards is very poetic term. It describes someone “orientated towards the inside” or something “existing within the mind, soul or spirit, often not expressed”. It can also be applied to a person that is private or even shy. This is not a name that was chosen accidentally, isn’t it?

Inwards:  No, it is not an accident. The music I make is an introspective experience for me so I arrived at the name “Inwards” and it felt right. I stuck with it.

Before becoming a DJ, you played in several alternative and funk outfits. Is working on your own much harder than being part of a group? Do you feel more comfortable relying only on yourself on stage?

Diesel album cover

Inwards:  Working on your own can be a very freeing experience. It also makes you question whether what you are doing is a good vibe because you don’t have anyone to bounce ideas off. Being on stage alone is much more daunting than with a band but I like it. At this moment, I’m looking forward to a new project I have started with some musicians friends this year. I really miss playing in a band and miss the band vibrations!

It is not always possible to meet your musical heroes, but you were lucky to speak with Aphex Twin (aka Richard D James) at Bangface Festival in Cornwall in 2012, right at the beginning of your career. Are you still in touch? If so, did he say anything about your newest compositions?

Inwards:  This was just before I had started making electronic music and the whole festival was very inspirational! We didn’t exchanged details but I was lucky enough to bump into him again last year at a small festival in Cornwall and we had a good chat about modulars and living in the countryside. I don’t know if he has listened to any of my stuff, but it would be great to give him something back for his early support!

You have performed alongside Lapalux, Forest Swords, Adam Betts (Three Trapped Tigers), Tyondai Braxton (Battles) and Ulrich Schnauss (of Tangerine Dream) and at festivals including The Great Escape and Brighton Digital Festival. If you could share the stage with just one artist or a band, who would you choose?

Inwards: (laughing) Slayer! It has to be them!

On 19th of January 2018 you released double single entitled “Amsterdam”/“Computertalsk”. In one interview you mentioned that both tracks are based on your personal experiences.  Can you tell us what events from your life inspired each song?

Amsterdam/Computertalsk double single cover

Inwards: Well, the first track “Amsterdam” kind of gives me that feeling of freedom you get when travelling. It is mixed with undertones of wanting to return home and chill. “Computertalsk” represents a different feeling, the one of trying to make the computer to express itself. It is like giving the machine a voice so it can tell you what’s going on. For me, this tune is like the computer is learning to talk because it’s got something really emotionally potent it needs to tell you. I really like making the machines feel like they have a personality and trying to give them a voice and this was me exploring these possibilities.

You are the only Worcestershire based artist who has been championed by so many DJ across BBC 6 Music: Mary Ann Hobbs, Don Letts, Stuart Maconie, Lauren Laverne, Tom Robinson, Steve Lamacq and Tom Ravenscroft. Your single “When she flashes her smile on me” was named a Song of the Week. That’s a complete take-over of national radio station! What`s your secret?

Inwards: (laughing) I don’t really know how to answer this question. I don’t think there are any secrets to making music! Just do what feels right for you.

We have seen the equipment you use to create your music during your session for BBC Introducing Hereford and Worcester in Pershore. It looks very impressive and very complicated. We are sure that outside of music, it is also capable of answering phone calls and making a cuppa. Help us out and tells us what are all those cables, wires and boxes?

Inwards: I will try to make it easy! So, the main box with the wires is a modular synthesizer. It is basically a synthesizer that you can choose what component parts are inside it. Basically, you can make it your own instrument. The other stuff is a mixer, drum machine and a Delay Pedal which I use alongside the modular and my computer to create the vibes. I wish it could make drinks but not quite there yet (laughing). Would be cool to make a phone module that could randomly call people in a contacts list and then use the audio from the call in the system. Or a prank call module with customizable soundbank for all your favourite prank calls. If you are a modular synth developer and reading this, you’re welcome!

Tell us about your relationship with your label – Small Pond

Kristian at work

Inwards: I met the Small Pond crew through living in Brighton. I remember going to a great party at their studio on Castle Street. I think it was the opening evening of the studio that the Small Pond team had been building for 2 years. I met most of their employees that evening, although I didn’t back then think I would be working so closely with them in the future! Samuel Organ asked me in late 2016 if I would be interested in working on a release with them and if I had any music that I would consider submitting. I put everything I made that I thought was decent enough and sent them a file with about 60 tracks in it. It was quite nerve racking experience really. It felt like sending of all this precious stuff that I wasn’t even sure was any good anymore because I had listened to it so much. I think they were a bit taken back by the number of tracks included! Obviously, they couldn’t make a 60-track album (or could we?). It took some time for us to work out the best combinations of tunes but we got there in the end. The album turned out to be a belter and I’m super proud of it. Yeah in short, the relationship is ace, I had a great time so far working with the whole team and I look forward to future projects with them.

Your music is classified as general electronic /dance but we hear so many elements and inspirations: from Aphex Twin, Ian Pooley, The Orb, Orbital, Future Sound of London, 808 State, Sven Vath to Atticus Ross. At times you cross into territory inhabited by Boards of Canada, Unkle, Bjork and all the way to Radiophonic Workshop. You seem to be familiar with incredible amount of popular music, how do you retain your own distinctive identity?

Inwards:  I think the identity of music comes from chasing a sound or vibe that makes you feel a certain way. For me, it’s like there are massive spaces in music. Almost like big gaps or territories that haven’t been discovered yet. Making music is my way of bridging these gaps and getting to these sonic landscapes that I feel are missing from my current musical world. I think this is perhaps where musical identity comes from. When you are trying to chase an idea or feeling that exists only in your mind and you try to make it into something tangible. It has your own stamp on it.

Your debut offering via Small Pond – “Diesel” was released on 27th April 2018. How did you approach working on that album? Did you enter the studio with prepared material or preferred to compose there and then?

Inwards:  My approach varies to each song individually. Each track is like an experiment where I am exploring music possibilities within a framework of equipment that I set up in different ways each time. When I experiment, I am chasing a vibe or sound that makes me feel in a certain way. Sometimes I can be making music and listening to the same cycle for an hour and not realize it because I am totally sucked in. Some tunes are made in a methodical sequenced way on the computer and others may be coming straight out of the hardware live or a combination of the two methods. I didn’t sit down and said to myself: “Right, I’m going to make a 13-track album this month”.  Every time I make music, I just do it in certain moment. Only afterwards I try and fuse tracks together to make larger works.

Last question – where can we see/hear you next? What`s in your calendar for coming months?

Inwards: I have a live show in London coming up at the Pickle Factory on the 16th of August with my visual bro Irie Pixel. We have been working on a live AV show that I am excited to perform. I’m very excited that the show will take place at the Pickle Factory as they have really good club system. Also, I have a show coming up in Bristol soon and some other very cool things to announce but can’t quite tell you about them yet! You will have to watch and see!

You can follow Inwards on social medias:

Label: Small Pond
Contact: Rosie James
Website: https://smallpondrec.co.uk/
Bandcamp: https://smallpond.bandcamp.com/

Facebook: https://www.facebook.com/inwardsuk/
Twitter: https://twitter.com/inwards_
Instagram: https://www.instagram.com/inwards_92/
Bandcamp: https://smallpond.bandcamp.com/album/diesel
Soundcloud: https://soundcloud.com/inwardsuk
Spotify: https://open.spotify.com/artist/542nHHjo4wRmP3AbeJWkse?si=I3pj6B1DSyqchOJ45fV8uw

On 29th April 2018, Inwards visited his home town of Pershore to record BBC Introducing session. We have been there and made some recordings and videos on the day. It is only fair to share some of our materials with you.

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You can also see our videos on Youtube (yes, we have our own channel with a lot of goodies here)

Well, that’s all folks for today, but stay tuned and we will be back shortly with even more news, reviews and interviews!

Please stay beautiful!
xxx
Rita and Malicia Dabrowicz