Indieterria meets Avalanche Party

Honourable comrades!

Avalanche Party is one of the most important new bands on the indie scene at the moment. Formed in 2014, AP (as they are known to their fans) built an impressive resume in a relatively short period of time. They travelled throughout the UK and mainland Europe, performed in NYC and at the famous SXSW in Texas, recorded at the desert studios somewhere in the Death Valley in California. They also played at all the important summer festivals and shared stages with the best of the best in rock music.

The band is known for its wild, mesmerizing shows, full of drama, sweat and hypnotic music. And for their specific, dry, half-sarcastic, half-abstract sense of humour. Just few days before their gig in Birmingham and the release of their debut album, we sat down with vocalist and front-man, Jordan Bell to discuss their videos, trips to America and what can we expect from the Avalanche Party in 2020.

Avalanche Party photographed by Jason Ferdinando

BBC Radio 1 calls you “The most exciting rock & roll band in the UK right now.” But let’s take things to the very beginning. How and where did Avalanche Party form?

Jordan Bell: Keep an open yoghurt in your kitchen fridge for long enough and over time, it will morph and grow into something quite remarkably different from the yoghurt you once knew. Until you can no longer bear to keep it in your refrigeration station and have no choice but to toss it out into the big bad world. It was kind of like that. We’re from North Yorkshire, if it makes a difference. Where the wild things are and the OneStops aren’t.

You managed to keep the news of your debut album completely under wraps. There were no mentions, no leaks, no warnings and then on 27th of August a bomb was dropped. In the era where people lead their entire existence online, did you think it was important to keep your fans unaware of what was coming?

Jordan Bell: Definitely and that’s something which extends past fans and straight into the band itself. Two members didn’t even know the album had been recorded and our manager still doesn’t. Keep it to yourselves.

The album “24 Carat Diamond Trephine” is finally due on 22nd of November. We are intrigued by the title? Trephine are commonly used in bone surgery and dentistry, but we are certain that NHS cannot afford a 24 carat ones. Where does the title come from? Is there a particular meaning behind it?

Jordan Bell: Trephines are still knocking around but the album title is based on the more primitive versions used for trepanning – the old practice of cutting holes in the head to let out the evil spirits responsible for strange behaviours. There seems to be some kind of parallel between that and listening to music which makes sense. It’s a 24 carat diamond one because, it’s not just any old Trephine. This one’s special, it cuts right to the heart of the matter. As far as we know, a 24 Carat Diamond Trephine is the only reliable Trephine for evil spirit excavation, these days.

Avalanche Party by Jason Ferdinando

To promote your debut, the band released three singles in span of four months: “7”, “El Dorado” and “Rebel Forever”. They are completely different from each other: “7” is two minute cacophony of noise, “El Dorado is an experimental ballad of 6 minutes and “Rebel Forever” is quite a catchy, mainstream, radio-friendly track. The upcoming album seems to be very varied in terms of genres and song length. What can we expect from it? Was it a conscious decision to make it as variable as possible?

Jordan Bell: Well yeah it is, we’ll give you that one. We made a conscious decision to attempt as many different genres as possible, because Kane’s uncle, Simon said, we need to try and be like a band that appeals to a massive audience. Like Swedish House Mafia or Catfish & The Shottybottlemen. We went away and thought about it for a bit. Next time we saw him, he said, “Well? Who have you chosen with a massive audience in a particular musical genre that you can be like? Preferably a genre with a long musical history, so you can appeal to the mams and dads and grandies, too?” “Yes”, we said. “Who is it? Miley Cirrhosis? Post Maloon?” “Both”, we said. He nearly fell off his whippet.

Buy it and see.

Avalanche Party always had incredible videos – cinematic, pop culture inspired with complicated, sometimes brutal storylines. The video to “7” shows what only can be described as some sort of illegal experiment, “El Dorado” takes the viewer to America for a mini road movie where nothing really happens and “Rebel Forever” is a dream-like, kaleidoscopic drug-induced nightmare. How important is the visual side of storytelling for you? Are you going to use the videos on tour in some way?

Jordan Bell: “El Dorado” is actually a live video we shot at our last gig in Birmingham! (laughing)

Let’s stick to the videos for a while longer – Bobby Bentham, lead singer of Strange Bones and your personal friend, plays the subject of the experiment in “7”. How do you recall working with him on the set? We have to say he’s terrifyingly convincing.

Jordan Bell: Bobby was perfect for the role given he is THE method acting champion of the world. It was a very, very nice afternoon requiring very little direction or instruction, which began with him floating east by the medium of transpennine express and peaked with me serving him watermelons through the air to flamboyantly slice with a samurai sword in slow motion. He fucking nailed it. And the knife throwing. His gran was in the Yakuza for a bit, so he picked up some stuff. When the zombie apocalypse comes, he’ll be fine. In fact, I’m moving into his house. He’s a great friend and Strange Bones are the fucking dons. He taught me how to swim, but that’s another story.

Jordan Bell live, picture by Jason Ferdinand

Few days ago, the band announced that NHS professionals have a free entry to your gigs on this tour. That’s a very generous way of supporting the National Health Service. Is this your way of protesting against the cuts and showing the solidarity with the workers?

Jordan Bell: It’s a nice thing to do for people, who give a lot, working insane hours and dealing with insane shit for fuck all. The harrowing stuff they have to see and do on a daily basis is truly incredible and they have saved the lives of many, many people near and close to us all.

2019 was a breakthrough year for the band. First SXSW and American festivals, then a session for legendary radio station KEXP for The International Clash Day in London. You recently returned to US to play more gigs. And you are about to embark on a 19 dates long national tour. It must be both incredibly exciting time, but also a challenging one.

Jordan Bell: Big up KEXP. Yeah, but we can see the progression in our music and in ourselves and it’s easy to keep going. It feels far more exciting than challenging. And as our tour manager, Jimmy Mac says – you can sleep when you’re dead! Or in his case, whenever he hits the nice straight bit going past that house in the middle of the M62.

After the UK tour is done and a well deserved Christmas break, can we expect an EU tour in the spring of 2020?

Jordan Bell: No, Brexit means Breakfast (laughing). Joke, it’s a joke! Yeah, we’re going back to the mainland, maybe even sooner than spring. We always have a great time over there and it feels like it’s been too long since we last went, so lets see which way the wind blows.

Debut album – track list

The famous last question – trips to US, especially to SXSW are known to be culinary adventurous. We heard stories of the UK bands being hospitalized after trying the nuclear hot Austin sauce or having margaritas for every meal. What was your diet like at the conference? 

Jordan Bell: I ate great. Have you seen the size of the carrots over there? Superb. I survived for 3 days on just one single Carrot. Apart from that, I can see why people could struggle but personally – absolutely no problems.  Our friends in Trail Of Dead took us for the full Austin BBQ experience, our hosts made amazing blueberry pancakes, showed us Cookie Dough and made great egg foo young. And at the festival, we grabbed everything free & edible that wasn’t nailed to Lady Gaga!

Follow Avalanche Party on their socials:
https://www.avalancheparty.com/
https://www.facebook.com/AvalancheParty
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ

 

And while we are waiting for the debut album, the band released a fourth single to a song called “Howl”. You can watch the AP guys perform in some sort of distorted version of “Top of the Pops” below:

“24 Carat Diamond Trephine” is released in three days time, but several influential websites, zines and blogs already listened to it and gave it fantastic reviews. We have gathered several of them for your reading pleasure:

24 Carat Diamond Trephine is an eleven track joyride that veers from the poetic and introspective to a ferocious barrage of explosive energy. Brimming with their infamous live urgency, it’s a masterfully curated album that ranges from full-throttle sonic assault (7, HAHA) to refrained moments of cool clarity to catch your breath (Hey Misdemeanour, Every Last Drop). The legendary James Aparicio (Grinderman, Spiritualized) was the man tasked with taming the beast and it’s a production that does no such thing. It’s an album barely contained, constantly teetering on the edge of insanity but is completely alluring throughout.

24 Carat Diamond Trephine is undoubtedly a fist-raising crowd pleaser, but like contemporaries Fat White Family, Viagra Boys or The Blinders, they’ve used it as an opportunity to enforce their own birds-eye view of the world. They tackle hefty themes of anger and fear, the capitalist machine that drives us ever closer to the great flaming End, cloak-and-dagger corporate greed, the environment, lyrics of love, death and an individual’s walk through a world they were spat into, laughing as they go” – Rough Trade Magazine
https://www.roughtrade.com/gb/avalanche-party/24-carat-diamond-trephine/

“‘24 Carat Diamond Trephine’ is an album of transformation, just as the process that turns leaves to coal, and coal to diamonds. ‘Cruel Madness’ is less At The Drive-In, more The Mars Volta and the kind of theatrical rock the likes of Alex Turner and Muse might favour, the ‘new day, new dawn’ lyric a blatant burn but also a statement of the company this band now sees itself in. Closer, ‘Rebel Forever’ is an instant classic revisiting ‘Howl’’s giddy and unexpected high points and reprising the ‘El Dorado’ theme in the lyrics; and with just enough Psycho Killer energy that should see it become a restless reference point for the band; a moment in time, a place, a memory…” – Steve Spithray for God is in the TV Zine
http://www.godisinthetvzine.co.uk/2019/11/18/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“There’s so much to explore on this album and it’s likely to take a few listens before it starts to really blossom into its true form. But there’s no escaping this is an extremely impressive and ambitious debut that aside from a few nods to influences is unlike anything else out there. The band have managed to showcase their genre-bending best and sewn it all together to create a Frankenstein’s monster of an album that’s indicative of their terrifying potential” –  Richard Cobb for Little Indie Blog
http://littleindieblogs.blogspot.com/2019/11/album-review-avalanche-party-24-carat.html

“My favourite track at the moment is ‘Howl’ the current single. It is a very Bowieesque slab of prime heavy riff-laden early 70s rock with a gospel-style chorus. If you are not moved to dance to ‘Howl’ then you might well be clinically dead! This is possibly the finest song that the band have released so far. It is also accompanied by a fabulous video which features a cameo appearance on tambourine from the multi-talented Charlie Swainston! The track which proves how great a band Avalanche Party is is the psychedelic rock circus that is ‘Milk And Sunlight Is A Heavy Dream’. Vocals, backing vocals, keys, bass, guitars, and drums all align perfectly and the chorus will not let you go. James Aparicio has captured the essence of what makes Avalanche Party such a great live band in his production. From the massed Panzer Tank Division sonic assault of ‘HA HA’ to the deeply mellow buzz of ‘Hey Misdemeanour’ the former Grinderman and Spiritualized producer does not put a foot or a fader wrong. I can already picture a crowd incursion from Jordan during ‘Playing Field Blues’ using his rock star evil stare to hypnotise his audience into becoming Avalanche Party‘s helpless mosh puppets. It redefines heavy, scuzzy garage blues into something very 21st Century. I never thought that I would see myself finding a U2 influence from Avalanche Party, but ‘Every Last Drop’ is the kind of song that Bono would kill to have written. I can see the lighters and lit up mobile phone screens waving in the air at festivals to accompany this gorgeous modern, dirty power ballad. Dark menace runs through the veins of ‘Cruel Madness’ and draws you into a dark, descent of a dream to a world that might be populated by all your fears and phobias. The album closes with ‘Rebel Forever’ which opens and is underpinned with a warped fairground organ riff which gives the tune a Cockney Rebel feel and in many ways sums up Avalanche Party. They are rebels and I hope they will remain rebellious forever!” – With Just A Mint of Mayhem Blog
https://withjustahintofmayhem.blog/tag/avalanche-party/

We cannot wait to see AP in Birmingham this Saturday.
Support your scene kids!

Malicia and Rita

Indieterria presents North Central Music and A Northern Underground

Dear Readers,

Aren’t you tired of the same songs and voices on the radio? Yes, us too.  So, we will tell you a secret – there is life outside the Top 40. The indie underground music is currently going though incredible renaissance – not only with bands and artists having something new to say – lyrically and musically. Promoters, managers and other industry professionals are trying new things, bringing new gigs and start projects that will soon revolutionise the music scene.

Sed Seddon is one of those industry professionals, who work tirelessly behind the stages and without much fanfare – but the bands he champions and  the events he puts out can be summarised as trailblazing.  We sat down with Sed to speak about his work ahead of massive two day weekender in Liverpool and Manchester he organised called A Northern Underground that will take place on 16th and 17th November.

North Central Music logo

You act as a booker, artist manager, industry influencer – please introduce yourself to readers of Indieterria?

Sed Seddon: Hi I’m Sed! I’ve played bass in bands for a long time and founded artist management company early this year.  It`s what I love more than playing to be honest.  I’ve been involved in lots of scenes in different places and different genres – from Wigan, Manchester, Bolton, Liverpool to London. I started out in heavy metal for about 20 years and now I found this beautiful underground scene that makes me feel like a kid in a candy shop – discovering new bands consistently. More recently, I found The Novus, Kid Kapitchi and of course my new favourite band of all time – Avalanche Party who I adore.

As you mentioned you have been involved in music business for ages. Looking back at the time spent working in the industry – what skills are helpful in the hardest business on earth?

Sed Seddon:  Wouldn’t say “I work” as yet, because I’m still looking to make enough money to live off doing it. But “I`m involved” for sure. Hard industry is probably the biggest understatement one will ever say to me personally. It’s beyond anything for someone from the streets of Wigan with zero support. I’ve lost count of the amount of failed attempts at it in whatever form in this industry. Skill that you need to learn is to recognise change when it’s happening. Be it playing in a band, working for a band, organising events or more importantly when a scene is changing. Play your cards close but the biggest rule is DON`T BE A DICK. It costs nothing to be nice and I don’t care who you are. Never stop learning , soak up opportunity and take it in your stride. When you get knocked down, get up, brush yourself off and start again and repeat for as long as it takes (laughs)

Dirty Circus signing to North Central Music

Tell us about the company you have founded – North Central Music – it specialises in artists management and live events. Who is on your roster and do you look for acts to represent?

Sed Seddon: North Central Music has been an idea for a good while, couple of years maybe. The name only came this year, the company was launched in May/ June after a brilliant Sound City Music Business Entrepreneur course in Liverpool that ran for 10 weeks. The course finished a week before Sound City event so got the logo designed and cards printed up that week and I went on the network hunt which went very well (cheers Joe for putting up with the late video calls trying sort everything last minute).

North Central Music is growing. We have the excellent Fay Toulios on board dealing with our socials who’s amazing and taking everything in her stride.

The point of North Central Music is connection and calibration with our southern friends. In January this year, I had a meeting with two southern friends (even though one of them is actually Mancunian) about partnering up but it went to stale-mate as I didn’t have the full idea of what NCM was going to represent or become at that time. Something else to be learned in this business is the rule is if things works out then go with it, if they don’t – then drop it.

Dirty Circus are NCM first signing to the management roster and they are from Wigan. Like a lot of good bands they had a tough ride a few years ago but they have now returned to the game. The new music is brilliant. Love them boys, we go back years. It’s mad how it came about. Dirty Circus is influenced by Madchester movement, electronic indie vibes with new age punk thrown into the mix for a good measure. Can`t wait to get proper stuck in as it’s only just began really! The plan is to grow around a band a year. I find it pointless having 15 favourite bands on the record – I’m bringing it all together as I go. You need to adapt as a company and I am constantly adapting at the moment, so everything fits into place. But just think how things will look in 3-4 years from now as there’s loads going on behind the scenes.

What is your outlook on the indie circuit at the moment? Any particular scenes and bands that caught your ear?

Sed Seddon: Each part of the country offers something slightly different but as it is in the North, the London scene really is booming. They even have separate  scenes in different parts of London! Just think – it`s actually a scene within a scene!?? I go to London a few times a year but not fully gripped there scene as yet.

But all the new music from around the UK fits underneath this perfect umbrella of “new wave of British punk” and I think we are on the cusp of an amazing movement, everything what’s happening now is the beginning of what’s to come. Rage Against The Machine are now back together  too what’s just adding fuel to the fire. But I think all music genres and punk is crossing over. Electronic punk Fat White Family are a band I’ve only seen once very recently but like Dirty Circus or Tea Street Band they are cross over bands, as are Working Men’s Club. Then you’ve your hardcore Strange Bones, Kid Kapitchi and False Heads. Crows and The Murder Capital are more metal or doom sounding. We also have this commercial sounding punk like Idles, Shame and Heavy Lungs. Avalanche Party, The Novus or The Blinders go along the lines of cult /goth . It’s just huge there’s so many criss -crosses of genres – all representing the exact same thing and it’s all bubbling under the ground…it’s very special.

Another project you have been heavily involved is A Northern Underground. It is a mammoth two day weekender happening in Manchester and Liverpool on 16-17 November 2019. How did that come about?

Sed Seddon:  The event came about completely by accident. I was trying to grow North Central Music on the live front so I spoke to southern friends and fellow promoters at Live Circuit about putting a tour together. They book two dates and send two southern bands and I’ll do the same.

So Saturday (16th November) and Sunday (17th November) are the Northern dates and I thought I’ll make both dates both all dayers to push the boat out. I said to myself “Hmmm Let’s get a good big headliner!”

To make it happen, I chased many agents but it was all too soon . So I asked friends in Rival Bones if they fancied both dates. Then just tied all together with some great poster art (thanks Evercloud). Everything came together in about 3 weeks.

Stage times at Liverpool and Manchester gigs

You basically created a two day festival with incredible line up. Each day will have around ten acts. Let`s start with the Liverpool date. Who will be on the stage and where is the event happening?

Sed Seddon:  Liverpool event happens at The Jaracanda. Some bands such as Idealistics, Rival Bones, Manalishi, Brain Ape and Dutch Mustard are all playing both dates. It made sense as they all fit under the neu grunge wave that’s also bubbling underground around the UK. Idealistcs are from Cambridge – we asked them to join the show quite late after we had had spoken to Ali Hirsz (bassist and front woman) on the phone about her band being refused shows because Ali has a rare condition Ehlers Danlos Syndrome meaning she needs tubes that are on display to feed her heart with minerals and promoters don’t like it basically. This goes against all the NCM ethos and to be honest it completely broke me. Ridiculous situation. Thanks to people for pointing this out to us in the first place. All money raised from this event is going directly to charity EDS Trust to help raise awareness. My mum as well as other promoters has worked for charity for years so it’s nice to follow their footsteps too.

Other bands on the bill are Persian Hugs and Elevant – I`ve seen them at Sound City this year and  I loved them. Mr Ted are on board Society Of Loosers Records – that’s a hardcore label in Liverpool and they are worth huge recommendation. Lastly, I`ve seen Vulture Cult support Rival Bones last year so they were a definitely good fit for the weekender.

For those who want to come to the Manchester date – what do you have in store?

Sed Seddon:  In Manchester we overtake AATMA. Square Wild, Idealistcs and Dutch Mustard are the only bands on the bill fronted by women. Next year we will aim around the 50/50 mark as again the bands with front women are really coming through the ranks. Dutch Mustard are probably one of my latest favourites along with False Advertising and The Mysterines. They are amazing live and can’t wait to see them on Northern Territory so come down and see how they play.

Slow Hand Clap fit under the “three piece band neu grunge” umbrella but these boys add something a little different and don’t just sound like Nirvana. I’ve seen Careering the other month – they are Manchester’s answer to At The Drive In.

The Kecks and Refuge Island are travelling bands. Refuge Island come from Scotland and The Kecks are from Germany. Seen these men few months ago and we stayed friends. Great lads!

Beside promoting new and emerging artists, A Northern Underground aims to raise funds for charity. Please tell us more about the charity you will be supporting.

Sed Seddon:  So the charity is called Ehlers-Danlos Support UK, something I’ve never heard of until chatting to Ali Hirsz of Idealistics. So, with everything that happened with Ali, I contacted all the bands to asked them to waive their fees for charity instead.

Ehlers-Danlos Support UK is the only one of its kind in the UK and its symbol is a zebra. Actually, Idealistics wrote and recorded a single called “Here comes the Zebras”. That song is fucking beautiful and it was that voice and that song that brought me to tears in the end. Everything`s going to charity and raising funds for this cause is fucking beautiful. Music is beginning to speak again against the government and all what’s going on with the country and I guess this is our way of speaking and giving the middle finger to the assholes on the streets and promoters thinking it’s nice to bully people as well to refuse them shows. We created a little chance for Ali and Idealistics to play and hopefully it creates more chances for them and makes other promoters listen.


Your plate is already full – but what are your plans
for 2020? What can we expect from North Central Music in the new year?

Sed Seddon:  Our energy will be going directly on the band we manage, Dirty Circus. Obviously the Underground event is also  100% growing and we are looking at new avenues to less unfamiliar territory but sticking with Northern & NCM ethos. Keeping things new and fresh, some things will stick, some things won’t – but that’s the biz I guess.

Famous last question: You describe yourself as a lover of all you can eat buffets. What would be on your dream buffet, or a dream rider?

Sed Seddon: Mate I don’t even care …just a plate, knife and fork in the middle of an all you can eat buffet and I’m gone for hours! That one on Deansgate is the bomb!

Event poster

A Northern Underground happens on 16th November 2019 in Liverpool:
https://www.facebook.com/events/724294691343894/

And on 17th November 2019 in Manchester
https://www.facebook.com/events/2446994828867804/

Tickets can be  purchased from the links below:

Liverpool
https://www.ticketsource.co.uk/whats-on/liverpool/the-jacaranda-club-liverpool/lc/2019-11-16/15:00/t-rdgjpj

Manchester
https://www.ticketsource.co.uk/whats-on/manchester/aatma/lc/2019-11-17/14:00/t-xxjyda

Additional reading:
https://www.rgm.press/a-northern-underground-weekender-musical-double-header-showcases-emerging-talent-across-manchester-liverpool/uncategorized/

You can follow Sed, North Central Music and A North Underground on the social media:

North Central Music:

https://www.facebook.com/northcentralmusic/
https://www.instagram.com/north_central_music/
https://twitter.com/NorthCentralMu1

A North Underground:

https://www.facebook.com/ANorthernUnderground/
https://twitter.com/ANorthernUnder1
https://www.instagram.com/anorthernunderground/

So grab your tickets my dears and lets meet in the underground. Once you know the secret about good music – you can forget the top 40 and enjoy the future.

We will see you in Liverpool or Manchester. Hit the North!

M/R

Indieterria Reviews – “Rebel Forever” by Avalanche Party

Dear readers,

On 13th of September, we had the pleasure of reviewing “El Dorado”, a second single by Avalanche Party promoting their upcoming debut album “24 Carat Diamond Trephine”. And now a month (and few days) later, we are presented with another single entitled “Rebel Forever”. This is the third promotional single released since July, the first being “7” and probably the last one before the album hits the shelves on 22nd of November. As two previous singles, “Rebel Forever” also comes with a fascinating video – in true AP fashion, it is dark, cinematic and quite beautiful.

Avalanche Party photographed by Jason Ferdinando

Writing the previous review, we reached the conclusion that “El Dorado” was the best song written by the band so far. It was experimental, bold and sublime. Having  listened to “Rebel Forever” over 200 times in the last 24 hours, we have now officially changed our mind. The new track is now our all-time favourite, vastly superior to previous releases and (we have to say it) extremely radio friendly at the same time!

There is nothing wrong with the radio-friendliness, mind you. “Rebel Forever” is a catchy (again, a compliment), addictive song that will get stuck inside your head for hours and the chorus is a true masterpiece. The lyrics are linking “Rebel” to the second single when the front man, Jordan Bell sings: “Make a golden bird/ It flies over the mountain ranges/It flies over the seas and across the world/Till it reaches the El Dorado”. Should we take it as a hint that the songs on the  upcoming album might all be linked somehow? Is “24 Carat Diamond Trephine” going to be a concept album? We will have to wait to find out but judging by the musical company the band keeps and their own releases, maybe risking a statement that we have a renaissance of concept albums in the North, is not too far stretched?

Standing at 3 minutes and 36 seconds, “Rebel Forever” can easily be placed in the middle between “7” and ” El Dorado”.  Not only because of the length of all three songs (“7” is just two minute long while “El Dorado is nearly 6 minute), but also because of the videos that illustrate all three tracks. “7” is a nightmarish visualization of somebody (in that role, truly convincing lead singer of Strange Bones, Bobby Bentham), being tortured and injected with a poison, clearly as a part of some horrific Russian/KGB experiment (there is a word “shell” on the syringe written in Cyrillic if anybody has any questions or doubts). The injections causes not only foaming at the mouth but also hallucinations and intense pain to the subject. It ends with the subject destroying the interrogation room and stabbing pictures of the Avalanche Party members with knives.

The video to “El Dorado” is like a quiet break between two outbursts of anger. It reminded us of a road movie, it was quiet, almost melancholic, idyllic but with an undertone of danger in it. And “Rebel Forever” takes us back to some strange location again, another experiment cell or maybe a motel room? There is not much furniture except a mattress in the middle of the room, a bottle of absinthe on the floor and strange collection of artworks and curiosum: taxidermied bird and a pair of moths, small goat figurine in an ornate glass jar, a picture of an bleeding ear, a skull and a statue of a Greek goddess without hands. A young man is laying on the make shift bed, clearly delirious from the drink or maybe something else as well. As usual with AP video clips, it’s hard to find straight answers. We can only wonder if the man was drugged against his will and left in this remote place to die or has ingested the drink himself with the intentions of getting high. Whatever the reason, he’s experiencing a  vivid, almost kaleidoscopic swirl of images and visions. Sometimes he seems to be drowning in water, grasping for air, in another moment he is looking calmly at changing colours stretching out his arms. There are two references to “El Dorado” in “Rebel Forever”. At the beginning of the video, we see a recording of the cowboy walking through the plateau known from “El Dorado” and there is a framed picture of him shooting a gun. We have a sneaky suspicion that the unnamed cowboy and the hallucinating man somehow know each other and will meet up at some point.

Avalanche Party by Jason Ferdinando

“Rebel Forever” came with a PR note attached and it is as cryptic as the video itself, but it provides us with a bit of background information about the shoot and it’s location:

“The video was filmed over the course of a few days in deep, dark Berkshire. It shows a trip through time and the great outdoors and has two main stars. Django is a scaly fiend of the reptile family Chamaeleonidae who spends his time eating rump steak and shedding his dark and succulent past. Ron is a horrible WMC toilet of a cat who would rather the world left him alone. This broadcast was made possible by Welsh wizard Kyle ‘Eagle Burger’ Howells and his unflinching vigour, boundless generosity and eye for a mood. Rebel Forever.”

It seems that the new song made a strong impression not only on us, but on other reviewers as well. We have found some fantastic opinions so please read on:

“Hard-touring underground rock outfit Avalanche Party simply refuse to stop. Capable of sustaining lung-bursting, multi-national spells on the road, the five-piece give 100% each and every night. And with With another massive UK tour on the cards, Avalanche Party have shared their bolshy, bruising new single ‘Rebel Forever'”.
https://www.clashmusic.com/news/avalanche-party-share-bold-clip-for-rebel-forever

“The band have now shared new single ‘Rebel Forever’, taken from their eagerly anticipated debut album to be release on November 22nd. ‘Rebel Forever’ is a gothic, pulsating album highlight that’s now accompanied by a suitably nightmarish video” –
https://circuitsweet.co.uk/2019/10/avalanche-party-share-new-video-rebel-forever-and-announce-us-dates/

“Twisty, hallucinogenic hoodoo from darkest Yorkshire, courtesy of garage punks Avalanche Party offers any indication. A dark, psychedelic yet hooky whoosh of gothic allure, woozy guitars and atmospheric electronics, it’s elegantly unhinged stuff”
https://www.loudersound.com/features/tracks-of-the-week-new-music-from-wolfmother-taylor-hawkins-and-more

“The garage punks knock out a belter of raucously melodic evocation on ‘Rebel Forever’, which may surprise some of their fans, as this feels almost ‘pop-ish’ compared to some of their earlier more heavier numbers. It’s still dark – aided by nightmarishly constructed images in its accompanying video – but both the style and production sound better than ever”
http://littleindieblogs.blogspot.com/2019/10/track-of-week-avalanche-party-will.html

“Avalanche Party’s delirious ‘Rebel Forever’ was made for gloomy, gray days (much like this one). Calling to mind the dark decadence that lent itself to the Berlin of Iggy and David, the song’s razorblade riffs and ever-so unhinged vocals lend an elegant, somewhat controlled violence to the band’s sound”  http://www.logicfuzzy.com/2019/10/video-of-day-avalanche-party.html

“‘Rebel Forever’” is a gothic, pulsating album highlight that’s now accompanied by a suitably nightmarish video. Playing out is a dark, paranoid hallucination taking place in a cabin in the lonely northern countryside, we’re invited to take a trip in more ways than one.
https://repeatfanzine.wordpress.com/2019/10/18/yorkshires-feral-garage-punk-quintet-avalanche-party-share-new-single-rebel-forever-and-announce-us-live-dates/

Avalanche Party will be on tour shortly and you can catch them live at the  following dates:

13th November – Preston at The Ferret – http://bit.ly/3465jnQ
14th November – Liverpool at Jimmy’s Liverpool – http://bit.ly/2MInFG5
15th November – Glasgow at Broadcast – http://bit.ly/32bVaUK
16th November  – Leeds at Hyde Park Book Club – http://bit.ly/2HznRDc
20th November – London at The Shacklewell Arms – http://bit.ly/2UiAx6S
21st November  – St Albans at The Horn – http://bit.ly/2ZsHUyn
23rd November – Birmingham at Actress and Bishop (official) – http://bit.ly/2Pkqcbr
29th November  – Newport at Le Pub – http://bit.ly/2ZsH2Je
30th November  – Bath at Moles – http://bit.ly/2NFcoG1

1st December – Milton Keynes at The Craufurd Arms (Live Music Venue) –http://bit.ly/30K3vin
4th December – Sheffield at Record Junkee – http://bit.ly/2ZxfW3E
5th December – York at The Fulford Arms – http://bit.ly/2zxi10Y
6th December  – Hull at The New Adelphi Club – http://bit.ly/2La1N2Y
12th December – Southampton at The Joiners – http://bit.ly/30IbJHP
13th December  – Notthingham at The Angel Microbrewery – https://bit.ly/2kADjqH
14th December  – Middlesbrough at Westgarth Social Club – http://bit.ly/2zsgucu

 

You can preorder their debut album through Rough Trade as well. It will come in red vinyl as an exclusive:

Come  and see one of the best bands on the alternative scene now on tour.
We will be seeing them in Birmingham.

Catch you on the road,
Rita and Mal

Indieterria presents – The Kecks on European Tour

Dear readers,

It is always with a great pleasure that we introduce you to an emerging talent. And seeing the artist progressing, growing, going on tours, recording and generally becoming better and better at their craft, is one of the reasons we continue writing and keeping this blog.

In June this year, we interviewed The Kecks, a young four piece indie rock band that grabbed our attention with their music, unique stage image and being innovative in a genre that sees hundreds of bands playing very similar tunes. We promised to keep an eye on them and we are staying true to our word.

The Kecks on Tour

2019 has been a very successful year for The Kecks and yet they are far from sitting down to rest. When every other band is now preparing for Christmas, the lads from Kecks are hitting the road to play UK, Germany, France and the Netherlands. The tour will commence at the famous Molotow Club in Hamburg on 26th of October (just in a couple of days!) and will finish on 17th of January at Cassiopeia with a massive show alongside the Talk Show.

You can see the entire tour listed below:

26th October – Molotow Cocktail Festival, Hamburg DE,
Tickets: https://www.facebook.com/events/2382978868463735/

31st October – Smoke, Groningen NL,
Tickets: https://www.facebook.com/events/751717945275994/

1st November – Le Nid de Poule, Lyon FR,
Tickets: https://www.facebook.com/events/428055024763233/

2nd November – Supersonic, Paris FR,
Tickets: https://www.facebook.com/events/349547939094494/ 

14th November – The Monarch, London UK
Free entry, https://www.facebook.com/events/2297421773811681/

15th November – The Pipeline, Brighton, UK,
Tickets: https://www.facebook.com/events/2373445422907103/

16th November – Cafe Totem, Shieffield UK,
Tickets: https://www.facebook.com/events/405700696817429/

17th November – Aatma, Manchester UK,
Tickets: https://www.facebook.com/events/2446994828867804/

23rd November – Molotow, Hamburg DE,
Tickets: https://www.facebook.com/events/937696006599854/

21st December – MTC, Koln, DE,
Tickets: TBA

17th January – Cassiopeia Berlin, DE with Talk Show,
Tickets: https://www.facebook.com/events/1456368057850215/

To celebrate their success over the last ten months, the band prepared a special version of “All For Me” for their fans which debuted on their Youtube channel on 24th of October.

The band even released a small statement alongside the video: “Making a last grasp effort to cling on to the summer sunshine The Kecks took some time out from a studio session deep in the East German countryside to capture a raw, intimate and personal one take stripped back acoustic version of future single ‘All For Me’. This stripped back version shows a completely new dimension to the band and is a huge departure from fiery debut ‘Stick In My Throat’ which was released in June of this year via AWAL. The snarling, simmering and emotionally charged debut complete with a weird and wonderful trip of a visual filmed and directed in collaboration with the bands close friend Carlos ‘Mexi Kravitz’ Andres was what originally grabbed the attention of the likes of Radio X , BBC Introducing, NDR and FKP Scorpio”

If you have a chance, please come and catch The Kecks playing live before the end of December. 2020 is looking like a breakthrough year for the band and they will be playing much bigger venues. There is magic in the smallest, most intimate places, where you can stand next to the band and see every drop of sweat on their faces.

And nothing in the whole wide world can replace this feeling.

See you soon!
xxx
R+M

Indieterria meets Dirty Circus

Dear Readers,

Rock and roll music is all about storytelling. If pop can get away with repeated lines or lyrics barely making any sense, rock always had bigger inspirations. Drawing its roots from the soul, blues and R&B, it became a proud tradition of the genre to take a stance during political unrest, social changes or at least to describe the lives of the common men. Many of the leading voices of rock are also noted poets (Bob Dylan, Jeff Buckley, Patti Smith or Joni Mitchell) or shrewd commentators of the world (Bruce Springsteen, Billy Joel, Freddy Mercury). Their critical eye helped to shape the musical heritage and the entire post war, modern cultural landscape.

The people behind the rock music are not only singing or telling stories on stage, their lives are full of great tales of friendship, struggles, victories or partying. American journalist Kurt Loder has once said that the annals of rock music are the best lecture and indeed the biographies of its stars are anything but dull. And that’s what makes the genre stand out among thousand of other musical styles. The artists come to us with something to say, with their own baggage of losses and gains the listeners can relate to.

Pardon the long beginning, but it was a pleasure to interview Chris Binns of Wigan’s Dirty Circus. The quartet is returning to the spotlight after a decade and their story is truly unique. We have sat him down to discuss the band’s past, releasing their debut album and the future that looks brighter than ever.

 

Bands logo

Official bio: Hailing from Wigan and Leigh, Dirty Circus consists of Chris Binns (vox), Jon Hollingsworth (bass), Stephen Ahern (guitar) and Ryan Whittle (drums). They catapulted to the top of the North West music scene in the late 2000’s becoming notorious for energy packed raucous live performances and winning an army of devoted Fans. With an impressive CV including a label deal with Columbia Records, work with Hacienda Legend Mike Pickering, a tour support slot to Madchester royalty Happy Mondays, and a very special appearance at Glastonbury Festival, they’re back for round 2 and seem to have something of a point to prove. With their record finally out and northern tour, the band is ready to claim their rightful place at the top.

The hands emblem that became a symbol for the band

Dirty Circus have a fascinating history as a band. You formed at the beginning on 2000’s and quickly established yourselves as one of the best emerging bands of that period. You got signed to Columbia, started working on an album and then unexpectedly, you parted ways with the label. What happened?

Chris Binns:  In the mid to late 00’s the music industry was in a real transition. This was a time when CD sales had begun to decline, pirating and illegal downloading was rife and record companies hadn’t figured out how to use streaming to their benefit. It was a time before MySpace And Apple Music. The 90’s boom was no longer and the majors had less room for risk. Unfortunately, we were expendable and were part of a cull of bands who were offered ultimatums and too good to turn down offers to terminate the contracts. I think it was a common misconception that we were dropped. The truth is we choose to leave. Knowing that staying with the label at that time would have been more damaging to the band.

After leaving Columbia, the band continued as an independent act for nearly a year under the guidance of manager Phil Saxe. You worked with Mike Pickering of Hacidena fame and toured with Happy Mondays, only to call it a day out of the blue. The infamous “creative differences” were cited as a reason for the split. Looking back on that decision, do you think it was a right path to take?

Chris Binns: At the time we had started to internally combust. In the beginning everything was happening so fast.  We had genuine label interest within the first three months. After six months we had 6 or 7 big labels fighting over us.  The band got to the point where every show we were playing was sold out and were getting 500/700 plays a day on MySpace. Now throw in a packed out Glastonbury set then signing to one of the biggest labels in the world. We felt like we had landed the greatest job in the world.

Fast forward 2 years and everything had become slower. The band practiced and practiced very rarely playing live, working on new material while trying to get the album done. It felt like the label had lost interest then we got a call and that was it. We walked away and had to get normal jobs again. It was then the infighting started, each member blamed others for what happened.

Firstly our synth player Floyd Woolley left and we carried on for a little while after but the magic was gone. Then bassist Ian Halliwell left and personally I couldn’t see the point after that. We had all been best friends way before the band started and it felt like we had run our course.

Dirty Circus are back and ready for action.

Dirty Circus returned as a 4 piece in 2017 to sold out shows and excited public. What prompted you to get back together?

Chris Binns: It was our guitarist Stevie (Ahern)`s wedding so myself and the drummer Ryan (Whittle) decided to go along mainly for a piss up. Me and Ryan hadn’t seen or spoke to Stevie or Jonny (Hollingsworth) for about 7 years so I wasn’t sure how it was gonna be. As soon as we were back together it was like all them years had never happened. We decided then and there to have a practice. The Sunday after the wedding we spoke to Jon and he was up for it. The other boys Floyd and Ian didn’t want to do it which we have to respect and we’re still in contact with them.

I booked a room and when we started playing the energy was back! It was amazing.  The day after I booked a gig in Wigan at the Old Courts -an amazing venue which had sprung up whilst we were out the game – and we were off. The place holds around 400 people and it was sold out within few weeks which blew us away.

Your album “What Doesn’t Kill You Makes You Worse” was finally released on 4th of March 2019. The story behind this record could be made into a Hallmark movie: a successful band is dropped by a major record label, the demos go missing for a decade, they are found on a old computer drive and re-mastered. How do you feel about this record after all what’s happened? It must have been quite a ride.

Chris Binns:  When we got the masters back it was pretty emotional – that album was nearly 10 years of work and it was amazing to hear it in its entirety. Up to that point we had been so focused on writing new material we had forgot how good the old stuff was!  We had quite an experience getting to that point and listening to the album brought plenty of memories back most of which I can’t repeat in this interview. The songs on that record are a reflection of how we were all living life at that point and the lyrics are all the things me and the boys were experiencing.

Dirty Circus are back. Deal with it.

You recorded the original demos at the Motor Museum studio in Liverpool. This is one of the oldest and most accomplished recording studios in the North – a home to Oasis, The La’s, Arctic Monkeys and The Coral. Your producer, Tristan Ivemy worked with The Holloways, Towers of London, Frank Turner, and recently The Lottery Winners. Where did you re-mastered the tapes? Did you come back to the same place to properly finish the record?

Chris Binns:  In all honesty we didn’t return to the old studios. We got the songs mastered in the US pretty cheaply. At this point we weren’t sure what we were going to do with the album and we got it mastered on a whim. We were originally planning on just dropping it on Soundcloud but when the tracks come back from mastering, we knew we had to make it a proper release. The songs were massive. I remember how excited I was and sent them to them lads immediately. It was full on energy and aggression – just like we sounded live. The only real change was that we decided to record a new version of a track we always wanted on the album. “Dropped” was never recorded in original sessions because we could never get it right. When we reformed we thought we would give it one more try so we worked with our friends Martin and Dan at Strangeway Studios in Manchester. We finally got what we wanted.

We have to ask about the collectible edition of “WDKMYW” on a pink vinyl. Is it still available? If so, where can it be purchased?

Chris Binns: There’s not many records left! We printed 600 initially and we must have 50 left and whatever the stores have. It’s currently in the key independent record stores in most major cities across the UK. And of course in Wigan and Bolton (laughs).

Dirty Circus are currently on tour. You will be playing Manchester soon (The Bread Shed on 26th of October) and a possible date in London is in the works. Are you planning on visiting West Midlands area? We’d love to see you rock Bristol or Birmingham.

Chris Binns:  100% we would love to play in Bristol and Birmingham. Hopefully we’ll get there in the first part of 2020. In fact I had somebody contact me the other day to tell me how big fans of us they used to be, filling mini buses and driving to our Manchester shows from Birmingham. Somebody also had a club night called Dirty Disco named after our song.

Tour poster for Manchester show at The Bread Shed

A home coming show is booked in Wigan on 17th of November at The Bailiff Bar. We are told it is going to be an acoustic night. What can we expect and how does shows normally go down in Wigan?

Chris Binns:  We never did an acoustic performance before so it’ll definitely be interesting. But we’re not doing it full acoustic, we are still gonna have all the electronics in the mix. It’s more of a stripped back performance.

Any plans for the nearest future? Where will 2020 take you?

Chris Binns:  Well we’ve currently got 12 new songs we are really happy with so we’re gonna try and get in the studio and hopefully release them as an EP in April. We have always been a band that prides ourselves on new music and pushing things forward and that’s what this music does. Imagine Jonny Rotten singing in Cafe del Mar on ecstasy (laughs)

Last questions are a bit of fun at Indieterria. Let’s say you can go back in time and fix one mistake from your own past. Which wrongs are you going to right?

Chris Binns: Nothing! Honestly it is what it is. We don’t dwell, we just want to make sure we prove ourselves this time around…. No wait! In-fact I wouldn’t sold my black The North Face 3 in 1 jacket I had. It was a banger.

 You can follow the band online:
https://www.facebook.com/Dirty__circus-1686236101623735/
https://www.instagram.com/dirty__circus
https://twitter.com/DIRTY__CIRCUS
https://music.apple.com/gb/album/what-doesnt-kill-you-makes-you-worse/1455007989

 

More reading:
https://www.wigantoday.net/whats-on/music/dirty-circus-moves-with-the-times-1-8358276
https://www.theoldcourts.com/single-post/2018/11/14/Sit-Down-Sunday-with-Chris-Binns-Dirty-Circus
http://northern-exposure.co/dirty-circus-wigan-100217/
https://www.manchestereveningnews.co.uk/whats-on/music/circus-comes-to-town-1024425
https://wiganmusicreviews.wordpress.com/category/dirty-circus/
https://www.wigantoday.net/whats-on/music/roll-up-for-dirty-circus-reunion-gig-1-7817717

Dirty Circus on tour:
Manchester at the Bradshed (along with Red Bricks/Idle Hands/County Rats)
26th of October
More information: https://www.facebook.com/events/411057949498078/
Tickets: https://www.fatsoma.com/scruffoftheneck/qzufeilt/dirty-circus-red-bricks-idle-hands-county-rats

Wigan at the Old Courts (accoustic performance)
17th of November
More information: https://www.facebook.com/events/713534025768387/
Tickets: https://www.eventbrite.co.uk/e/friday-night-in-the-bailiff-bar-with-dirty-circus-acoustic-tickets-66323018935

Radio appearances:
Bolton FM/ November 12th
The Unsigned Show at 7:00 and 9:00 PM
https://www.boltonfm.com/

Shock Radio/Salford
Time: TBA
https://www.shockradio.co.uk/

Dirty Circus will be adding new dates and interviews shortly so please keep your eyes open and your hand on the pulse. We will be travelling to Kingdom of Mancunia many times in the new year and if they are playing anywhere close, be sure you will see us in the front row.

xoxo
Rita and Malicia

Indieterria meets MOLLYANNA

Dear readers,

We having a lovers’ quarrel  with Google. Why? Because for reasons unknown the interview with Sheffield`s mighty MOLLYANNA was directed into a spam folder where it stayed for few good weeks before we finally realised. This post should have been online in September! Sometimes, there is little we can do to avoid technology being annoying. So big apologies to the band.

Don’t you worry, Google will be punished accordingly (we now see our emails via Outlook) and you dear readers can finally enjoy the wonderful interview with Bernadette Dales – singer and front woman of the band.

We spoke about their upcoming  album “Archaeology”, their inspirations, writing process and who they would like to record with.  Read on.

 

MOLLYANNA logo

Bernadette Dales (vox)
Mike Hukins (guitar)
Josh Roberts (bass)
Laura Moakes (drums)

Official bio:
Beauty can emerge from the most chaotic places – this is something singer Bernadette Dales and guitarist Mike Hukins know very well. During their decade long friendship they have stitched together their disparate and contradictory influences to form rock music that is at once wild, vulnerable and volatile. Their opposition is a clear influence in their latest collection of songs, which deal with nostalgia, destruction, and the hardest kinds of relationship.

MOLLYANNA have spent most of 2019 in the studio. Their new album “Archaeology” is about the year singer Bernadette spent in therapy dealing with the after-effects of abuse. “In my first session, my therapist warned me that it would feel worse before it started to feel better, and sure enough, for a while it felt like Pandora’s box had opened in my brain and all these demons had spilled out onto my brain. The songs on Archaeology are my attempt at dealing with each one.” In May 2019 the band launched their first ever crowdfunding campaign to help them cover the costs of making the record. Fans jumped at the chance to pre-order the record, as well as many other unique and limited edition items – smashing the band’s initial target in just three days. The campaign’s success was down to the raw and honest way MOLLYANNA told their story. MOLLYANNA are proof that beauty can emerge from the most chaotic of places, which is something singer Bernadette and guitarist Mike know very well. During their friendship, they have stitched together their contradictory influences to create alternative music that is deep, dark and wild. The pair began MOLLYANNA as a duo in 2016, but since then, with the help of bassist Joshua Roberts and drummer Laura Moakes, they have grown into an alt-rock band unlike any other. Their music is for the outsiders – those on the fringes with a story to tell.

MOLLYANNA photographed by Mal Whichelow
https://www.facebook.com/malwhichelowphotography/

MOLLYANNA is one of the leading alternative bands in Sheffield area. Their first EP “Ghosts” came out in 2016 and quickly caught attention of gig goers and local radio DJs. Their singles “Louder” and “Thief” established band`s position as a must see indie act. They have been consistently championed by BBC Introducing Sheffield and recently were even invited to the studio to play an acoustic session for the Beeb. No wonder the excitement for their new record is building. The band`s front woman Bernadette Dales is eloquent and speaks in details. Not always we have such a pleasure to interview artists who will patiently answer all the tricky questions we throw at them. It was such a pleasure to hear all the facts and stories from the studio. This is what we found out ahead of the record release:

Please introduce yourself to the readers of Indieterria. 

Bernadette Dales: Hey, I’m Bernadette and I’m the front-person of alt-rock band MOLLYANNA

Where are you based and who is in the band?

Bernadette Dales: We’re from Sheffield (UK), and we have Laura on drums, Josh on bass, Mike on guitar and I make mouth noise at the front.

Tell us something about the project – are there any goals that you managed to achieve to date?

Bernadette Dales: We’re about to release our 7-track record on November 1, which we’re pretty excited about. Earlier this year we launched a pre-order campaign to help us fund the recording, and we reached the target in just three days! That was surreal. We ended up reaching 208% overall over the month. 4 of the tracks have been produced by Mark Mynett of Kill II This, and then there are three live tracks too, produced by Nathan Bailey and Mike Hukins himself. It’s a really ambitious record, with orchestral strings, percussion, animated and live action music videos. This year has been so busy but so much fun. I can’t wait to show everyone what we’ve been up to behind the scenes.

What inspires you? What artists or genres had the biggest influence on you?

Bernadette Dales: The obvious influence would be Incubus, I guess! A lot of people ask where our name came from and it’s from their track “Anna Molly”. They were definitely the biggest influence on me growing up and deciding what musical direction we should go in. I think that’s really clear in songs like “Playing Dead”, which came out on October 4. I also love artists like Alanis Morrissette, and the lyrical genius of hip-hop artists like Lauryn Hill. Mike has some very different influences to me, he’s very much into his proggy, math rock stuff. During this album, he was listening to a lot of Porcupine Tree and Plini.

Ready for action. Photo by Mal Whichelow
https://www.facebook.com/malwhichelowphotography/

It’ all about the music – and we want to hear your tunes and how they have been written.

Bernadette Dales: We have a few tracks out already on streaming platforms, and there’s more coming out very soon! I think the best way to describe how Mike and I make music would be “fragmented”. It’s like we each come up with different jigsaw pieces and then meet up and try to fit them together to make a complete picture. Except there’s no box to work from. And some of the pieces are from a different puzzle. Does that make sense? I think this analogy might have fallen apart. Sometimes Mike starts with a riff or chord progression and I’ll fit something over it and send it back, other times I’ll have a tune or some lyrics stuck in my head and I’ll send it to him to see if he can make sense of it. Once all the parts are there we go over it with the whole band to polish it and make it cohesive.

Name your best song. Is there a story behind it?

Bernadette Dales: This is hard, because I know everyone in the band has a different idea of what the best song is! I think mine would be Archaeology, which is also the name of the album. It’s about the year I spent in therapy dealing with the after-effects of abuse. In my first session, my therapist warned me that it would feel worse before it started to feel better, and sure enough, for a while it felt like Pandora’s box had opened in my brain and all these demons had spilled out onto my brain. The track “Archaeology” is about that process of therapy and digging up the past.

How do you create your unique sound? What gear are you using?

Bernadette Dales: I think the uniqueness of our sound ultimately comes from the melting pot of ideas we have. Mike and I are the main songwriters and our influences are quite drastically different a lot of the time. When they merge together we manage to make some really cool stuff – it’s almost prog rock. As a vocalist, I like to bring out the different colours in my voice – I’m not afraid to sound ugly or creepy. There’s some weird whispered backing vocals in our next single to look out for.

In terms of gear, we’re not really a tech band to be honest. Mike has the usual guitar distortion/delay pedals, Josh has a 5-string bass to get the extra beefy riffs in and Laura is sponsored by Meinl for her kit. I just show up and sing.

“Bleach” single sleeve
Artwork by Joshua Roberts https://www.facebook.com/joshua.roberts.988

Are you touring? Where can we see you play live?

Bernadette Dales: We have a few dates in the diary for Autumn, and we’re hoping to get a proper tour together for early 2020 (follow us on the socials for updates on that!). Our next gig is November 1 at Record Junkee in Sheffield, which is also our album launch show. We have tickets available on our website, so please come! After that we have Leeds on December 4, Chesterfield on December 7, and Whitchurch on December 14. All the details are on our website.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Bernadette Dales: They can get in touch over at www.facebook.com/mollyannaband or at mollyannaband@gmail.com

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Bernadette Dales: (laughing) Tupac!

The sleeve to “Playing Dead” single.

“Archaeology” will come out on November 1st 2019 and is promoted by two singles: “Bleach” and “Playing Dead”. The band is often described as “alternative rock” but you will find MOLLYANNA to be so much more than your average “female – fronted” rock act. For starters Bernadette`s voice range is absolutely incredible – from a whisper and delicate, nearly ethereal vocals to proper screams. The band is not far behind her with powerful riffs ranging from psychedelia to grunge and match rock. There is something in MOLLYANNA that reminds us of Soeur, or to aim much higher – of Veruca Salt and ExHex. There are melodic lines that could make Sleater Kinney jealous and lyrics that would make Mary Timony or Kristin Hersh proud.

If not this record, then the next will take MOLLYANNA from your local venues to Maida Vale for a session. If we don’t hear them on BBC 1 Rock Show in the new year we will eat a bowl of hot chilli sauce. It’s a promise.

Actually, we will do what Daniel P. Carter once said on air:  hey labels– sign this band. You can thank us later.

 

You can follow Mollyanna on their socials at:

https://www.facebook.com/mollyannaband/
http://mollyannaband.com/
https://www.instagram.com/mollyannaband/
https://www.youtube.com/channel/UCPu-pyDWaTucmkplcZvW6AQ

That`s all from us read readers. As usual – if you dig the music, go and see the band or support them in any way you can.

We will be back with more bangers.

Mal+Rita

Indieterria meets Methods

Dear Readers,

One of the things Vanadian Avenue has been trying to accomplish in the past year was to bring Manchester and Birmingham scenes closer together. We networked, attended gigs, introduced people to each other, nagged, bugged and dragged folks by their collars. As you do. We have just found ourselves allies in our continuous struggle to connect Kingdom of Mancunia and The Black Country.  Please meet Methods. This five piece has been born between Wolverhampton and Salford and they just released an incredibly good EP at the beginning of October.

For A&Rs there is nothing better than a new band to interview so we went and did just that. And it was such a fun.

Band`s logo

 

Ash Bradley (vox)
Ryan Deakin (guitar/keys)
Adam Hall (bass)
Peter Bates (drums)
Jon Nash (key/vox)

Official bio:

Influenced by life and their soundings along with the likes of Joy Division, Depeche Mode, The National and Interpol, METHODS formed with the mutual understanding to do things their way and write what they love.

Methods have made their mark with their own dark sounding synth indie anthems. The Midlands based 5 piece have been gaining recognition in the last few years, playing countless shows to crowds across the UK. The band have been garnering support from the likes of BBC Introducing West Midlands as well as nominations at The Birmingham Music Awards and Black Country Music Awards.

We have seen Methods live earlier this year as part of Magic Garden Studios fundraiser for Musicians Against Homelessness in Birmingham. Magic Garden is of course the very famous recording studios where Gavin Monaghan and Joe Murray help create the best music around. Think The Blinders, The Pagans SOH, The Novus, The Lizzards etc. Methods, who also work with Magic Garden, played a wonderful set at The Coach and Horses on May 3rd and quietly we knew we were to expect something huge from them.  Their stage presence was immaculate, the songs sounded exciting and in general we had jumped up and down on the night having the best time.

The sleeve for Anything – a new EP from Methods.

When Methods` new EP “Anything” landed in our office both Rita and I could not wait to give it a listen. As you probably can deduct from the tone of this post, we loved it to bits, but before we will offer some words on the EP itself,  its only fair to give you some back ground information about the artists. What`s the point of a review otherwise?

We have sat down with band`s guitarist Ryan Deakin for a quick chat about the band`s inspirations and song writing process. This is what he told us:

Please introduce yourself to the readers of Indieterria.  

Ryan Deakin:  Hello,  we are Methods.

Where are you based and who is in the band?

Ryan Deakin:  The band is based between Wolverhampton and Salford.

Tell us something about the project – are there any goals that you managed to achieve to date?

Ryan Deakin:  We played some good support slots with some high profile bands – but – we haven’t really got any goals, just making music we want to hear and see what happens.

What inspires you? What artists or genres had the biggest influence on you?

Ryan Deakin:  The one that we all seem to love is Bowie.

It`s all about the music – and we want to hear how your songs have been written.

Ryan Deakin:  Normally we send each other voice messages of melodies and we work stuff out from that.

Name your best song. Is there a story behind it?

Ryan Deakin: We love all our children. We are proud of “Back of Your Hand”, we literally did the whole thing in about 2 hours. People take so many different meanings from it which is great, and what it’s all about. It was written when Trump was supposed to meet Kim Jong-Un….take from that what you will.

How do you create your unique sound?

Ryan Deakin:  We kind of mix 80`s synths with some 50`s surf guitars…and add a mad singer to the mix.

Are you touring? Where can we see you play live?

Ryan Deakin:  We will appear in Manchester at  The Peer Hat on 13th October.

Squad goals – where do you want to see the band in five years time?

Ryan Deakin:  We want to be playing some decent sized venues and have a couple of good albums under our belts – that will be fine.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Ryan Deakin:  Contact us at Methodsmusik@mail.com

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Ryan Deakin:  Recording at Sun City with Phil Spectre (pre Homocide) would be interesting.

Methods photographed by Nidge Luhg Sanders (Trust A Fox Photography)
https://www.trustafoxphotography.com/

So, let us pen few words about Methods` new EP “Anything”. As we mentioned, it was released on October 4th 2019 to rave reviews from blogs and music magazines alike.  You will find four songs on the record (“Back Of Your Hand”, “Collector”, “No Cover” and “Human Existence”) and two short instrumentals (Intro, Interlude).

The EP starts with unsettling “Intro” –  and despite just being 40 seconds long, this track actually stands on its own and serves a very important purpose – to set the mood for the record. Call it cliché but there is something cinematic about both instrumental tracks on the EP. They are not fillers, more like road signs pointing in which direction the music will go.

“Back of Your Hand” – is powerfully anthemic composition. Close your eyes and you can easily imagine the band playing this track to a full stadium backed by live orchestra and powerful visuals. The band considers it their best song to date and it tells a story of a historical meeting between two political leaders and sworn enemies.

By contrast “Collector” starts slowly but around one minute in incredible drums come in followed by a change of tempo and more optimistic overtones. And the lyrics! Just listen. Not sure who is main writer in Methods but man, they surely can deliver. Not one dry eye in the house – you have been warned.

Methods photographed by Danny Hodge https://www.dannyhodge.photography/

Interlude divides “Collector” from “No Cover” where dystopian theme clashes with uplifting music. Again it sounds nearly as anthemic as “Back of Your Hand” and we could only wish to hear it with accompaniment of a live orchestra.

“Human Existence” closes the record. Like “Collector”, it is slower and contemplative track. Yet the back ground melody line keeps hope despite rather bleak lyrics.

We love how the EP is divided into two equal parts. One faster/anthemic song and one slower/contemplative one. And a short instrumental track to divide them. Like two sides of a perfectly balanced vinyl record. Actually we want that EP on a vinyl.

 

Methods photographed by Rob Hadley
https://www.facebook.com/photosbyindieimages/

You can follow the band on the socials:

http://www.methodsmusic.co.uk
https://www.facebook.com/methods2
https://www.instagram.com/methodsofficial
https://twitter.com/methodsmusik
http://www.soundcloud.com/methods_official
https://www.youtube.com/channel/UCGoNTNzTQv30UVpbeDbxJ2A
https://open.spotify.com/artist/5RG6MWN2BuVHelIs2HRZbo?si=TLYTQKUJT4aq2foeId4BjA

We hope you enjoyed this interview and if you have a chance to see Methods live, go and grab yourself a ticket. Actually two tickets – so you can bring a friend. You both will have an excellent time.

We will be back soon with more music and more kick ass interviews.

Love,

Mal+ Rita