Indeterria meets Elly Bailey

Dear Readers,

Vanadian Avenue is on a mission to shed a light at the girls in the music indystry. We call it “The Girls Who Can” and we try to introduce you to the amazing women who makes things happen. They write, they book, they build stages, run lights, think of marketing campaings, sell tees and tickets at the doors. They are reps and managers, promoters, bookers and everything inbetween. Yet, despite doing a stellar job, having successful careers, they not always receive a fair share of attention and recognition. And we want to change that.

After speaking to Sahera Walker in May this year, we now had the pleasure to sit down with Elly Bailey, a photographer and journalist extraordinaire to discuss recent opportunities for women, her brand new photo-zine Why Generation? and photographic equipment. Please read on (and share) and Elly raised several  very important points in her interview and gives a sound advice to all young girls thinking of entering the business professionally.

Photographer, journalist, promoter and a writer – that’s a very impressive resume for a 22 year old. Please introduce yourself to the readers of Indieterria. Every career has to start somewhere.

Elly Bailey: Thank you! My name is Elly Bailey, I live in London. As you said, I am a photographer and journalist, mainly focusing on music. I write for sites such as The Zine, Gigslutz and This Feeling. I starting taking photos in 2016, originally shooting on film and then in 2018 I moved onto DSLR or digital photography.

 Tell us what inspired you to chose this particular career path? Was it a certain gig you attended or an album you listened to? Or maybe something completely different?

Elly Bailey: I attended the Academy of Contemporary Music, studying Music Business. ‘I think it was being surrounded by so many musicians and also attending so many of my friends gigs that made me want to start taking photos. I’ve always been very into documenting everything I do (I currently have over 29,000 photos on my phones camera roll!) and it was great to be able to document doing what I love best, e.g. attending gigs.

Elly at work

Music business is very male orientated but recently the tide is turning and women are getting noticed and praised for their contribution. There are also more opportunities for young females who want to enter the music business professionally. Last year you took part in the Music Venue Trust and PRS “Fightback Grassroots Promoter” for women. In your opinion, how important are schemes like this? Do they offer any real chance to learn the skills needed in this industry?

Elly Bailey: Taking part in the MVT and PRS venue fight back scheme was amazing as it gave young women the opportunity to put on their own live music event without having to worry about the money, as the scheme completely covered any costs, such as hiring the venue or equipment. I think schemes like this are incredibly important as they help to give young women the confidence boost they may need to take that first step into the music industry and also helps to give them hands on experience whilst making sure that they will be successful.

As a journalist you have worked for the popular GigSlutz website, The Zine and you run your own Youtube channel. If you could offer a piece of advice for girls who would like to follow in your footsteps, what would that be?

The cover of first issue of Why Generation zine

Elly Bailey: Websites such as Gigslutz, The Zine and many others are always looking for writers, so if you’re interested then just email away and ask! Taking that first step towards doing what you want to do can always seem incredibly daunting, but once you’ve done it, then that’s it, you’re on your way! Also everyone I’ve ever worked with have all been so lovely, which makes it so much easier to talk and network with people and find new work.

2019 is a ground breaking year. You have covered Wilkestock and Reading Festivals, interviewed The Sherlocks, False Heads, Sleaford Mods among others, reviewed high profile events such as This Feeling tours. What was the best gig you have seen so far?

Elly Bailey: This has definitely been a crazy year for me, so far I’ve somehow managing to attend 11 festivals, and still have more to go! I was feeling pretty low at the beginning of the year and also got pretty sick, so seeing FIDLAR at House Of Vans at the beginning on February was the perfect cheer up for me, seeing one of my favourite bands in such an intimate setting was the best. Festival wise, The Great Escape was so much fun, I discovered so many new bands that weekend. Also Download Festival was just non-stop laughter from beginning to end, the bands were amazing and the weather was horrendous and we had a sick time! And of course Truck Festival, my hometown festival, was a lovely weekend, surrounded by so many friends, I think we all really enjoyed it.

We need to ask about your new enterprise – a photo zine called Why Generation? You have teamed up with three other female journalists and photographers to create it. Tell us more about it. How did this idea come to be? Who are your co-workers? Is Why Generation a single issue release or are you planning to turn it into monthly/bimonthly magazine? Are you planning to keep it in this format or extend it to contain reviews and interviews in the future?

Why Generation editorial team

Elly Bailey: After I got home from Truck Festival, I went to an exhibition by Nan Goldin at the Tate Modern and saw that she started off making photo-books of her work and decided that I wanted to do something similar. I decided to stick with film photography to give the zine more of a niche and also felt that I have some great 35mm photos that I wanted to print. I contacted the other three photographers, slightly on a whim, and after the positive responses I got from them on the idea, I just jumped in head first and decided to just got for it!

When I first made the zine I wasn’t sure where it was going to go but I know now that I would like to do another issue with articles alongside the photos this time, and also potentially create my own website. After years of working for other people, it’s been great and also slightly scary to be completely in charge of what I’m doing, so who knows what will happen!

There is a launch party scheduled for 23rd of September to celebrate the release of Why Generation. Who is playing and what can we expect? Are tickets still available?

Why Generation? Event launch poster

Elly Bailey: Yes! It’s a free entry gig on 23rd September at The Monarch with three amazing bands playing: Ric, SPIT and Scary Lemons. Each are guaranteed to put on an amazing show. It’s definitely going to be something to liven up your Monday evening.

The famous last question – let’s imagine you can get your dream photography kit absolutely for free. What equipment is going into your shopping basket?

Elly Bailey: I do love my camera and have managed to get so many great photos out of it, but I will be the first to admit it’s nowhere near the best model on the market. With shooting gigs, you’re not allowed to use flash photography in bigger venues or at festivals, so you need a camera that lets in a lot of light, and annoyingly the best cameras for this are the more expensive ones, so one of those would definitely be going into my shopping basket.

Also a lens with a better zoom would be amazing, I’ve done a lot of standing on my tip-toes trying to get closer to the artist playing to make up for my lack of zoom.

You can follow Elly online:
https://www.facebook.com/EllyBaileyPhotography
https://www.instagram.com/elly_bailey_
https://www.facebook.com/profile.php?id=100000978271449

Buy copy of Why Generation? online:
https://www.ellybailey.com/product-page/why-generation-zine

Contact: ellybailey27@gmail.com​

Why Generation? Event:
Event page: https://www.facebook.com/events/235155047375183/
Doors: 8 PM – 11:30 PM
Admission: Free Entry
Address:
The Monarch, 40-42 Chalk Farm Road, NW1 8BG London, United Kingdom

Stage times:
Ric – 8:30pm
SPIT – 9:15pm
Scary Lemons – 10:15pm

Big thank you’s to Elly for answering the questions and if you are attending the event tonight, please send us your pictures or videos. We will gladly update the entry with your snaps!

Support your scene and have fun!
Rita and Malicia

Indieterria meets The Gulps

Hello!

2019 seems to be the year of The Gulps. Whatever they do, they  do it perfectly, wherever they go, they win new fans. When they participate in an international competition, they easily win it, leaving their competition behind. And each of their tracks released so far is a real banger. If they continue on this stride, next year might see them  going right to the top. And frankly, this is what they deserve.

Lucky break has nothing to do with the results this London based quintet is receiving. They are one of the hardest working people we have met, and at the same time they are down to earth and  just genuinely nice. We sat down with The Gulps’ guitarist, Charlie Green to speak about the band, their influences and the new single entitled “Lola Cola”.

Official bio: 

Based in London and hailing from all different parts of Europe and the Middle East, The Gulps come together with a shared idealism for our times. Playfully reviving the original roots of rock and roll, they are a new wake up call and speak our truth, with enjoyment and optimism.

Lyrically informed poetry, sharing tales from our cities and experiences. With raw energy, The Gulps are a unique take on classic alternative pop, fuelled by the drive of rock music at its best.

The Gulps photographed by Jonathan Hallam.

Please introduce yourself to the readers of Indieterria. 

Charlie Green: The Gulps are a band of vivacious raconteurs who immigrated to London with a Mediterranean ferocity and an uncompromising skill for good music. We are a multi-various quintet who met at the intersection of smoke fuelled house parties and university, where the raw Gulp product was harnessed and the good times played.

Where are you based and who is in the band?

Charlie Green: We are a London based band hailing from different parts of Europe and The Middle East. Harry All is the lead singer, Charlie Green and Francesco Buffone are the guitarists, Simon Mouchard is on the bass and Raoul Khayat is the drummer.

Tell us something about the project – are there any goals that you managed to achieve to date?

Charlie Green: This has already been a huge year for the band, with the recording of the EP and touring. We secured a spot at Madrid’s Mad Cool Festival thanks to the votes of our fans and had the opportunity to play at the Truck Festival. We now have our sights on Space Mountain Festival in Granada and the recording of our first album.

What inspires you? What artists or genres had the biggest influence on you?

Charlie Green: Each of us bring our own biographical discography with us to influence the sound of The Gulps. Primarily, we draw upon the inspiration of rock’s household names such as The Strokes, Rolling Stones and The Clash to ground our compositions.

It`s all about the music – and we want to hear your tunes and how they have been written.

Charlie Green: You can hear all our tunes on Spotify, Soundcloud and watch our amazing videos directed by Sandra Crilo on Youtube. Also, we released the EP on vinyl earlier this year. Most of our songs start with an interesting riff or composition, then either Harry or me pen together the lyrics, based on what is stimulating us at the moment. After that, we take the new material to rehearsals and try it out with the whole band to test its potential.

The portrait of the band by Jonathan Hallam

Name your best song. What can you tell us about it?

Charlie Green: Our best song would be “The Kings House”. This song is about the old apartment where Harry and I used to live in London, on Camden Street. It’s where the magic happened, where we got into trouble with huge house parties and long smoky nights. It is a calling for freaks everywhere to celebrate their opulence, in a space opened to all.

How do you create your unique sound  and write the lyrics? What gear are you using?

Charlie Green:  We aim to write lyrically informed poetry, sharing tales from our cities and experiences. As for the equipment, we use different guitars and bass pedals, playing with distortions, delays, reverbs, to make our sound distinctive from others.

All in all, the marriage of guitars, Simon’s methodical bass, Raoul’s seamless drumming and Harry All’s energizing voice, allows us to celebrate our unique and youthful sound.

 

Are you touring? Where can we see you play live?

Charlie Green:  We have a number of shows lined up and you can catch us on:

Sunday 29th of September, Camden Assembly (London)
Friday 11th of October, Space Mountain Festival (Granada, Spain)
Saturday 2nd of November, Notting Hill Arts Club (London)
And from the 11th to the 15th of March 2020, The New Colossus Festival (New York)!

The Gulps at the pub by Xandru Zahra

Squad goals – where do you want to see the band in five years time?

Charlie Green:  This is a good question! We want to be touring around the world and playing big festivals such as Glastonbury, Coachella, Reading etc. We also want to go to studios to record new music and make The Gulps a new religion.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Charlie Green:  They can contact us via email at thegulps.london@gmail.com, or just send us a message on one of our social media pages, they are listed below.

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Charlie Green:  We would love to work with the legendary George Martin, or Phil Spector (Beatles producers) but we are extremely happy working with ‘’Youth’’ at the moment. ‘’Youth’’ is a genuine producer with a long CV to his name, giving his soul and life to the music.

You can follow The Gulps at the socials:

https://www.thegulps.com/
https://www.facebook.com/thegulps/
https://www.instagram.com/thegulps/
https://twitter.com/TGulps
https://soundcloud.com/user-209918800
https://amazingtunes.com/thegulps/activity?page=2
https://www.youtube.com/channel/UCiL-v5G2Hnpgyb0it9E6mFw
https://thegulps.bandcamp.com/

Or listen to them on Spotify:

 

 

 

Indieterria review – Eldorado by Avalanche Party

Dear Readers,

After squeezing an un scheduled review of Saytr Play’s new single (“Second Hand Emotion”) earlier this week, we thought that nothing new will interrupt the carefully planned flow of our blog for September. And then we realized that we haven’t covered another super important release that came out almost at the same time as Saytr Play.

The other single is “Eldorado” by Avalanche Party. The song made such a strong impression on both of us, that it would be a crime not to write about it on Indieterria.  So we pushed all other reviews and intereviews a bit to make room for this very unique song. Was it worth it? Please read on.

Avalanche Party – wanted dead or alive?

Released on August 28th, “El Dorado” is the second single after “7” that is promoting Avalanche Party’s upcoming debut album. And while “7” was 2 minute cacophony of  noise, “El Dorado” is nearly 6 minute long experimental ballad with piano and harmonica. At first listen, it seems so different from anything the band has done so far that many listeners voiced their concerns that it was risky to chose this particular track as a single. However, if you keep on listening, it quickly becomes clear that “El Dorado” is simply a logical progression of the band’s musical development. Yes, it is different than previous material, but the band’s unique sound is still there. What’s more important, the new recording is bolder, more ambitious and mature. And we like it a lot.

The songs starts with a semi intro of harmonica and few chords of a piano. It reminds us of “Arizona Bay” by Soul Savers (from their excellent 2003 album “It’s Not How Far You Fall, It’s The Way You Land”). The tempo picks up around one minute mark, the piano becomes stronger, yet the composition remains slow and fluid until its end. It certainly has a western feel to it, maybe inspired by the band’s travels to Texas earlier this year for SXSW. There is a lot of Tom Waits and Johnny Cash influences in this tune as well. And Mark Lanegan, especially from the “Whiskey for the Holy Ghost” era. Other reviewers compared it to the original “Kingdom of Rain” which is an excellent comparison as it brings us again to the Soul Savers who worked closely with Lanegan on “It’s Not How You Fall” (and who did the rendition of “Kingdom of Rain” as well). The dramatic sforzando and dissonant harmonies offers another musical connection, this time to the works of Ólafur Arnalds. Italian music blog “Indie For Bunnies” wrote that “El Dorado” could perfectly fit a movie soundtrack: either a western, or a crime drama and it’s hard to argue with their opinion. Lead singer, Joe Bell has always been a skilled vocalist, but what he does with his voice on this track is a masterpiece. He takes the listener on a rollercoaster of emotions: from a whisper to nearly a scream, from falsetto to poetic declamation, from serenity to a hidden fury. We cannot wait what Joe and the band will come up on their debut album!

El Dorado artwork

“El Dorado” comes with one of the simplest and the most beautiful videos we have seen in a really long time. It is shot in black and white, with subtitles in yellow at the bottom of the screen. It makes you think of an old cowboy movies from 40’s and 50’s.  A lone man wearing western clothing and what seems like a Hackberry Stetson hat on his head is seen walking through an open plain. The skies are heavy and grey, there is not a single soul around him, yet he is stubbornly hiking towards an unknown destination. We know absolutely nothing about the lone hero: what is he looking for, where is he, what happened to him that set him on his journey? Those rhetorical questions are adding to the overall mystery. The simplicity of the video allows the viewer to concentrate on the music, harmonies and the lyrics. And that makes it into a truly goose bumps inducing experience. You cannot take your eyes off it, there is some sense of incoming danger but nothing drastic is happening. The man is just walking and walking, stopping from time to time to take a look around and that’s all. You are left wondering what is going to happen next. Will his story be explained? Continued with another single?

The lyrics to the song are as mysterious as the video itself. Brutal and sentimental, full of longing, poetry and tenderness. They tell a story of suffering, mental anguish, love and loss, while not giving many details away. The band has an obvious love for highly visualistic, dramatic and nearly cinematic music videos to their songs. From the rain-soaked “I’m So Wet”, to the gory “Solid Gold” and abstract “Money”. Pop culture obsessives will quickly notice many references to popular movies or film genres. “Im So Wet” is shot with a blue filter that was famously used in “The Bodyguard” and “Trois Couleurs: Bleu” to create an atmosphere of  overwhelming sadness. “Solid gold” is a nod to the revenge movies  popularized by “Old Boy” and preferred by Tanantino/Rodriguez tag team (“Kill Bill”, “Machete”), while allegoristic “Money” is clearly influenced by David Lunch (“Twin Peaks”) with a flair of 1970’s crime/road movies such as “Vanishing Point”.

 

As brilliant as this track is, we do not expect “El Dorado” to receive much of an airplay on national radio. At nearly 6 minutes, it is much longer than other songs that currently dominate the airwaves. It is also an experimental composition, merging several genres into one. It needs time to grow on listeners and demands their concentration and focus. This is not a background music material that can quietly play while you read a book or wash the dishes.

But it is good to see that at least one indie band is willing to experiment and look for new sounds. We need eagerness to explore new routes, to take risks, to create something that will shake the indie genre properly and make a mess.

If Avalanche Party want to take the stick and chase the brit-pop nostalgia out of the country, they have our permission to do this. At least we at Vanadian Avenue will be eternally grateful.

You can follow Avalanche Party on socials:
www.avalancheparty.com
https://www.facebook.com/AvalancheParty/
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ
https://open.spotify.com/artist/2srEewBNMqpGckxpkW8moh

Or subscribe to their channel on Spotify:

 

The next few months are going to be extremely busy for the Avalanche Party. They are going on headlining tour throughout November and December (playing Actress and Bishop in Birmingham on Saturday, 23rd of November) and their debut album “24 Carat Diamond Trephine” will be released a day earlier on 22nd of November 2019. You can also catch them on Wednesday, the 25th September playing for PRS for Music & Yorkshire Music Forum at the LeadMill in Sheffield, (tickets at http://bit.ly/2yOxxoL), Tickhill T-Fest on 28th of September (tickets at: https://www.t-fest.co.uk/tickets), 20th of October at The Waterfront in Norwich (tickets at: https://bit.ly/2m7kpYD) and at 2Q Festival in Lincoln on 9th of November (tickets at https://bit.ly/2lOnY5V).

Avalanche Party headlining tour booked for November and December this year

Tour tickets are on sale now through the band’s website or through the local promoters:

13th November – Preston at The Ferret – http://bit.ly/3465jnQ
14th November – Liverpool at Jimmy’s Liverpool – http://bit.ly/2MInFG5
15th November – Glasgow at Broadcast – http://bit.ly/32bVaUK
16th November  – Leeds at Hyde Park Book Club – http://bit.ly/2HznRDc
20th November – London at The Shacklewell Arms – http://bit.ly/2UiAx6S
21st November  – St Albans at The Horn – http://bit.ly/2ZsHUyn
23rd November – Birmingham at Actress and Bishop (official) – http://bit.ly/2Pkqcbr
29th November  – Newport at Le Pub – http://bit.ly/2ZsH2Je
30th November  – Bath at Moles – http://bit.ly/2NFcoG1

1st December – Milton Keynes at The Craufurd Arms (Live Music Venue) –http://bit.ly/30K3vin
4th December – Sheffield at Record Junkee – http://bit.ly/2ZxfW3E
5th December – York at The Fulford Arms – http://bit.ly/2zxi10Y
6th December  – Hull at The New Adelphi Club – http://bit.ly/2La1N2Y
12th December – Southampton at The Joiners – http://bit.ly/30IbJHP
13th December  – Notthingham at The Angel Microbrewery – https://bit.ly/2kADjqH
14th December  – Middlesbrough at Westgarth Social Club – http://bit.ly/2zsgucu

Support your scene (as usual).

See you soon,
R+M

P. S. A big big thank you to the wonderful James Holt for his help. You sir, are a wonderful human being!

Indieterria presents Rascalton + guests at Werkhaus, London

Dear Readers,

There are places you need to see during your life time (Paris, New York City, London). There are movies you have to watch (Casablanca, Easy Rider, Metropolis), dishes you need to try and songs you need to hear. And there are concerts you just have to go to. The closest one you have to attend is happening on September the 5th, in London at the newest venue in town: The WerkHaus. The line up is simply so good, it is obvious the event is going to be biblical. And if you miss it, then here’s a suitable quote from the Manual (aka the Bible) that will perfectly sum up your state of mind upon realization of what you have done: “There will be weeping and wailing and gnashing of teeth” (Matthew 13:50).

Event poster

You have been warned.

More information about the event:
https://www.facebook.com/events/422683291684329/
https://www.seetickets.com/event/rascalton/werkhaus/1418645
Price: £6
Admission: 18+ (bring your ID’s!)

Werkhaus is located in East London at 85 Brick Lane, opposite Rough Trade East.  They share the address with Cafe 1001, but are located upstairs. They opened quite recently (just under two months ago) but they haven’t been wasting any time. The large space is now a night club, an exhibition space and a concert venue with DIY ethos focussing on the genres of indie rock, psych rock, post punk and grunge. Recent events they’ve put on have included live sets from bands such as Dutch Mustard, The Gulps, Scary Lemons, After London, Framatics, Mummy and Bikini Bombs, with upcoming bands playing including Juicebox, FILM, JW Paris, BUTE, The Howlers, GURU, Strange Cages, and many more.

Please follow them on socials at:
http://www.werkhauslondon.com/
https://www.facebook.com/werkhauslondon/
https://twitter.com/werkhauslondon
https://www.instagram.com/werkhauslondon/

What’s really special about the Werkhaus is, they are a place that allow female promoters to shire. The person behind the booking, marketing, program and social media is Sahera Walker. We spoke to her few months ago and if you’d like to read the interview, please do so, as it is always a pleasure to speak to a lady that wrote about Calva Louise, Yonaka and The Blinders before anybody else did!
https://cocamidemea.wordpress.com/2019/05/17/indieterria-meets-sahera-walker/

This Thursday, Sahara booked four emerging bands that are making waves on the indie circuit. They are Splinter, SNAYX, SNASH and Rascalton. The gig will start at 8:00 pm and the music will be playing well past midnight (there is a DJ set from Peggy’s World as well), so be prepared for a mad moshpit, tasty drinks and the best music in town. If you haven’t heard of any of the bands yet (seriously??), don’t you worry! Vanadian Avene is here to the rescue with some useful bios, links and stage times.

Splinter:
Stage time: 20:30-21:00

Splinter

Splinter is a modern punk band, delivering sharp, crunchy riffs tuned with rhythmic, cutting vocal satire. The trio is based in London and consists of  Mark Marven
Will Brown and Jordan Osborne. The drive in the hooks and melodies offer a powerful and catchy variety of songs led by intense, acidic and often humorous lyrics that drill deep into the ills of contemporary western society. No floppy art rock tunes or sentimental messages of heartbreak, more like a refreshing antidote to an ever more beige and vacuous pop culture, intent on promoting and celebrating shallow, vanity obsessed materialism.

https://www.splinterband.com/
https://www.facebook.com/SplinterMusicLondon/
https://www.instagram.com/splinter_gram/
https://splinter-band.bandcamp.com/releases
https://www.youtube.com/channel/UCSn446Ty79bCvQ8pA2q1MnQ

 

SNAYX:
Stage time: 21:15-21:45

Snayx – photo by Leila Rummery https://www.facebook.com/filmandvisual

SNAYX is a punk duo based in Brighton consisting of two friends: Ollie Horner and Charlie Herridge. Formed at the beginning of 2018, the band has played a string of well received gigs, building a solid reputation for wild stage presence and catchy melodies. Their newest single “Deranged” has received backing from BBC Introducing and is available for download on every platform. It comes with a great video so be sure to check them out.

“SNAYX play with so much passion, it will leave you feeling envious of the talent they possess” – BN1 Magazine

https://snayx.com
https://www.facebook.com/SNAYX/
https://twitter.com/SNAYXUK
https://www.instagram.com/snayxuk/
https://soundcloud.com/snayxuk
https://www.youtube.com/channel/UCZj9zhunBOwb8VswrFlMzuQ

 

SNASH:
Stage time: 22:00-22:30

SNASH

Formed in 2017 in Glasgow, Snash (Scottish for Insolence) has been called a “punk rock’s new hope”. SNASH shared the stages with Shady Poets, Strange Bones, Baby Strange, Rascalton, Bute and many others. Their enthusiastic and wild shows won them many a fan and took them on the road to Blackpool, Manchester, London, Liverpool, Cardiff and of course all over their native Scotland. Their new single “Warning” was released on June 3rd. Their music received a massive backing from BBC Introducing Scotland and Amazing Radio (Charlie Ashcroft).

“The latest proponents of muscular and unfiltered punk rock” – Tenement TV

https://www.facebook.com/snash.ruys/
https://twitter.com/SNASH_BAND
https://www.instagram.com/snash.ruys/
https://soundcloud.com/snash-251464477
https://www.youtube.com/channel/UC1cpPzjQUb3af3hrRQch5CA

 

Rascalton:
Stage time: 22:45-23:15

Rascalton – photo by Cameron James Brisbane
https://www.facebook.com/cameronbrisbanephotography

Rascalton are a deafening force of scatty punk vigour, with a sharp mosh-pit inducing edge to their music. Hailing from Glasgow, the punk four piece embed elements of grunge and dirty punk rock’n’roll in their sound, and are a force and half on stage. They have recently played with artists like Strange Bones, Calva Louise, and The Blinders, as well as playing packed out sets at Camden Rocks Festival and Deer Shed festival.

https://www.facebook.com/Rascalton/
https://rascalton.bigcartel.com
https://twitter.com/RSCLTN
https://www.instagram.com/rascalton/
https://soundcloud.com/rascalton
https://www.youtube.com/channel/UC01Jrq4HP-gPk4eu7oJ5NkA

 

DJ Set: Peggy’s World
Stage time: midnight till late

London based Presenter, MC and Promoter always on the scout for fresh sounds and a Big Day Out.

Peggy’s World – photo by Sandy K. Moz
https://www.facebook.com/runninglibertine

Show: Every Friday, 11am-1pm
https://boogalooradio.com/

Radio submissions and booking inquiries:
peggypresents@gmail.com

https://www.facebook.com/PeggyFromEarth/
https://twitter.com/PeggyFromEarth
https://www.instagram.com/peggyfromearth
https://www.mixcloud.com/BoogalooRadio/peggys-daylight-rockery-feat-little-grim-300819

You are now ready to go! After reading this guide, we are sure you will be singing each song like from a hymn book at the Sunday service.
And amen to that!

See you there,
R+M

Indieterria presents – a secret Birmingham concert with The Novus

Dear Readers,

Early this year we introduced you to The Novus – a Birmingham band that is gathering a lot of interest around the country for their music and commitment to art.  The Novus take no prisoners, do not hold back and precisely direct their anger. They play instruments like lives depend on it and wear slogans on their tees with pride. This shoot straight and speak the truth attitude is winning them fans so quickly that even BBC 1 is paying a close attention. Today we return to speak to the band about their biggest show to date – at a 500+ capacity mystery venue in Birmingham. Yes, you heard it correctly – a band found a brand new place to play in the capital of West Midlands and are throwing a party of the year. Everybody`s invited. Not only a new space is being introduced, there will be a killer line up, an exhibition, a special DJ set, one band will play their final set, another one will have their debut one. Its all DIY. We sat down with Tyla Challenger – the bass player for the band to learn more about the concert, preparations and how you can secure yourself a pass for this event.

The poster for a secret gig in Birmingham on 20th September 2019

You have been on Indieterria before.  Just in case somebody recently discovered The Novus  – please tell us who is in the band and where are you based?

Tyla Challenger: In the band is Euan Woodman (drums), Tom Rhodes (guitar), Connor Hill (vocals) and Tyla Challenger (bass). The 3 of us were born in the same hospital, and went to school and college together in Stourbridge, but have since adopted Birmingham as our musical home – and meeting Euan along the way.

On  20th September  you will play a gig at an undisclosed location in Birmingham. Joining you is a fantastic line up of guests. Can you introduce the bands that will support you?

Tyla Challenger:  This show is entirely DIY, almost guerrilla if you will. We have built it from the ground up, even having to build the stage, sound system, and more ourselves – as well as hopefully building a small prop set to make this show like no other. A big part of this is of course, picking the bands. Since the success of the last secret show we’ve been spoilt for choice having more bands than we can name wanting to get involved which is truly humbling – but we managed to get it down to the unreal line-up that is The Assist – council pop powerhouses from Walsall, Echo Beach – a female fronted indie outfit, Pretty Vile – an exciting young punk duo. For every show we do we like to ‘introduce’ a band to the world, delving right into grassroots music and giving them their first ever gig and often a bigger platform than a lot of bands can get for their first gig – almost in an attempt to give them a head start and beat that struggle of trying to get gigs as a brand new band. Last show it was Watermark and they have gone on to do some great shows. This time it’s the wonderful Sterling.

We heard  that a DJ set will also take place. Are you able to say who will overtake the decks?

Tyla Challenger:  There is a DJ set taking place, it hasn’t been announced officially yet but there are fly posters we have had put up around Digbeth and Birmingham city centre stating the DJ and the secret location (go find`em!) The DJ set is from no other than Btown legends!

Connor Hill unleashing his fury on stage

The Novus on stage

We do not recommend messing with The Novus.

This is going to be your second secret gig in the city. In April you held a show at a mystery venue that turned out to be Muthers Studio.  It sold out before you revealed the location of the gig. Do you think a degree of secrecy keeps audience interested in the show?

Tyla Challenger:  We definitely think the secret location keeps people interested in a show. Part of the reason we do this is to make things more of an experience. We never just want to play a ‘gig’. We want everything we do to be providing an experience, a service to and for our fans. And if we can have some fun with it, then even better.

And what draws the band to pick up the venue for the gig?

Tyla Challenger: There are so many factors that go into picking a venue for these kinds of things. Last time with Muthers Studio it was a lesser known venue, and has since become a commonly used Brum venue which was part of the aim. It’s a cool, quirky venue with great sound and aesthetic, which is easily accessible and definitely deserves to be on the Birmingham map.

For this new venue  – Quantum Events Centre –  the capacity was always a factor as this time its triple the capacity of the last venue. But also it is ticking the box of being different, making it a new experience for everyone and we’re pretty sure no one has played here before. At least not in the scene we’re in. As I say we’re having to build everything from the ground up.

We could’ve easily gone for the standard progression of small venue (Sunflower Lounge) and then work our way up the O2 venues in capacity order – but we don’t want to follow the classic blueprint.

Posters advertising the show have been posted around Birmingham guerrilla style

The Novus on the cover of new issue of Ryan`s Gig Guide for Birmingham

Your recent performance for Sonic Gun Weekender at Castle and Falcon turned into a riot, with band members throwing themselves into the audience and large mosh pits erupting. What can be expected this time?

Tyla Challenger: The Sonic Gun Weekender was class yet again. This was our biggest performance to date and for our upcoming show we are hoping for more of the same on a much, much larger scale. We aim to make it so that years from now people are still saying “I was there” and those who weren’t are saying “I wish I was”.

We know tickets for 20th September are still available. How much do they cost and how can they be obtained?

Tyla Challenger:  Tickets are starting at £5/6 and going up to £7/8 depending on how soon the person buys them. They’re available at http://bit.ly/TheNovusSeeTickets  or  http://bit.ly/TheNovusSkiddle as well as a physical tickets being available from all the bands at only £5 each – a bargain considering the line up.

If anyone wants to get in touch with the band – what`s the best way to do it?

Tyla Challenger:  Anyone wants to get in touch with us about the show or any general enquiries – all our social medias are @thenovusband and our email is thenovusband@gmail.com

You can follow the band on social media at the following links:

https://www.facebook.com/thenovusband
https://twitter.com/TheNovusBand
https://www.instagram.com/thenovusband/
https://soundcloud.com/thenovusband
https://www.youtube.com/channel/UCCRt2uOIvTYDQ8vYaoPEX-w
https://open.spotify.com/artist/3mPpz1sdOXNi3vLokDVbHm?si=JvlBswE-QYap-6PJ7emuww

And check the bands on the bill:

The Assist:

https://www.facebook.com/TheAssistBand/
https://twitter.com/TheAssistBand
https://www.instagram.com/theassistband/
https://www.youtube.com/user/theassistband
https://soundcloud.com/the-assist
https://open.spotify.com/artist/7uO6bPS0yAUPm3jjm1aitC?si=NkaC482eQ16T1ceCOzamOg


Echo Beach!
(playing their final gig)

https://echo-beach.uk/
https://www.facebook.com/echobeachbandtptr/
https://www.instagram.com/echobeachband/
https://soundcloud.com/echo-beach-music
https://open.spotify.com/artist/0Sji449s443fjzjPsLyy5R?si=DE_YYlKlQj6exERWf-6q1w


Pretty Vile

https://www.facebook.com/PrettyVileMusic/
https://twitter.com/PrettyVileUK
https://www.instagram.com/prettyvilemusic/
https://www.youtube.com/channel/UCb6ui5ACqFIIAF2cF4ddTbw
https://open.spotify.com/artist/5Yh27rfCowqKiM3nKRRjUO?si=fpZz4TkoTwK37m0-i2MDjw

And introducing brand new arrival on the Birmingham scene:

Sterling
https://www.instagram.com/wearesterling/

We are hoping to interview few more artists taking part in the secret party. So stay tuned and grab your tickets as they are flying out!

Love
M/R

Indieterria review – “Chains” by Lower Loveday

Dear Readers,

It`s always such a pleasure to review a kick ass single. Nothing makes an A&R happier than new music. But a kick ass single coming  from a band that we adore here at Vanadian Avenue is even better.  We have such a soft spot for Lower Loveday. We met them for the first time in February 2018 when the band performed a blinding set at Birmingham O2 Arena during the final of SoundWaves Music Competition. They did not win but being placed in the final five was still a great result.

Since that night at O2 Academy – we have been big fans of this West Midlands quarter. We have interview them on our blog twice (HERE & HERE), they played for our first showcase in London at legendary Nambucca, we ventured together to Salford to watch Freeda and Kashmere play and generally plotted for musical world domination from our corner in the Middle Earth.

Lower Loveday received backing from BBC Hereford and Worcester and BBC Introducing West Midlands

It is a privilege to watch a band develop and reach new heights. And believe us in the past two years Lower Loveday have had many accomplishments. They supported Only The Poets, APRE and Rory Wynne, received national airplay on BBC 6 Music (from Tom Robinson nonetheless), their music has been used by ITV (on Good Morning Britain) and have been championed by both BBC Introducing Hereford and Worcester and BBC West Midlands.

If that is not enough for ya, then add this to the mix. Their newest single “Chains” was produced by famous Sugar House in their studio in St. Helens (Merseyside).

Sugar House consist of a freelance engineering and producing duo – Lee McCarthy and Ady Hall.  Having worked with artists such as Pale Waves, Viola Beach, Mint, Glass Caves, The Empty Page or Larkins, they have built a solid reputation on the indie circuit. They contributed towards songs that  made it to the national playlists on Radio 1, BBC 6 and X Radio and some of them went into Top 40.

Digital sleeve for Chains single

“Chains” is another banger that Sugar House mastered and if the demo of the song was picked up by ITV, then the finished product will be welcomed with open arms at BBC Radio 1 in no time. It is a power pop indie, with dazzling guitar hooks and strong rhythm section. It is almost impossible to resist dancing to the song. We have seen it first hand on live gigs and it is perfect for jumping around while holding hands with other fans. But it will also be a favourite of every kitchen disco around the country.

While musical side of the song remains upbeat, there is a dark undercurrent showing itself in the lyrics. “Chains” tells a story of a man pondering his future in a world that is far from welcoming.

Says the band:  “The song was written from the point of view of a young man, reaching adulthood and deciding what to do with his life. Having had so much fun throughout his university years, the real world doesn’t seem as good as it is made out to be. The punchy beats and thunderous nature of the song, provide the perfect backdrop for the big, melodic chorus of a man calling out for help”.

“Chains” is a second single released by Lower Loveday in 2019 and follows up its older sister “The Fire That Burns Inside”.  It was released  digitally on all streaming platforms on August 30.

You can listen to the song here:


Follow Lower Loveday on the socials:

https://www.lowerloveday.com/
https://www.instagram.com/lowerloveday/
https://twitter.com/lower_loveday
https://soundcloud.com/lowerloveday
https://www.facebook.com/lowerloveday
https://www.youtube.com/channel/UClGDR9XIPOo96KRox090yTg
https://open.spotify.com/artist/32uwvjulWxUc90gc7bPXMz?si=Gs6qIX_BQfeiVkQmtJUBBw

 

And you can give kudos to Sugar House at:

https://www.sugarhousemusic.co.uk/
https://www.facebook.com/sugarhousemusic/
https://twitter.com/SugarHouseUK
https://www.instagram.com/sugarhouseuk/
https://soundcloud.com/sugarhousemusic

Local press responded to the single in a most amazing way – an interview with the band has been published in Worcester News, Hereford Times, Malvern Gazette and Droitwich Advertiser. Please see the galleries below:

 

Press articles:
https://www.malverngazette.co.uk/news/regional/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene
https://www.worcesternews.co.uk/news/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/
https://www.herefordtimes.com/news/regional/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/
https://www.droitwichadvertiser.co.uk/news/worcester_news/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/

PDF files can be find:
https://cocamidemea.files.wordpress.com/2019/08/worcester-news_31.08.2019_page-23.pdf
https://cocamidemea.files.wordpress.com/2019/08/worcester-news_31.08.2019_page-25.pdf

Independent press was also up to the task and the band received a strong coverage from music blogs and online magazines:

 

Articles:
https://www.xsnoize.com/track-premiere-indie-pop-4-piece-lower-loveday-return-with-chains/
http://www.alternativeaddiction.com/AANewsArticle/aa-indie-song-of-the-day-lower-loveday2
https://www.bornmusiconline.com/premiere-lower-loveday-chains/
https://wordsformusic.blog/2019/08/31/lower-loveday-chains-new-music/
http://indiemidlands.com/lower-loveday-chains/

See you soon,
xoxo
Rita and Malicia

Indieterria meets Kristin Hersh

Dear Readers,

It`s a strange feeling to be writing a blog about Throwing Muses` front woman on a night when VMAs are on. It almost feels like the 90s. Back in the day MTV was a rock channel and Throwing Muses were in heavy rotation, leading guitar revolution across charts and Z Rock network. Times may have changed but many things stayed the same. Kristin Hersh is still touring, recording exciting albums (last years`s “Possible Dust Clouds” is nothing short of a masterpiece) and still being independent. Perhaps even more now than when she was on 4AD.

Being life long fans of Kristin`s music, we have been thrilled to speak to her about her new record, extensive tour of UK and creative process behind her songs.  Lets leave the Moon Men to some emo kids and mumble rappers. There is so much life outside the Top 40.

Ladies and Gentlemen – the one and only Kristin Hersh!

 

Kristin Hersh and her band members on stage

Hello Kristin! In March this year you have played an extensive UK tour with over 30 gigs across the county. How was it? We hope you received a warm welcome!

Kristin Hersh: Best tour of my life in every way. Not making this up. Van life plus my favourite musicians in the world and musically literate crowds. Rob from 50 Foot Wave and Fred from Throwing Muses made this power trio a super group, of sorts.

The first time they called us that, we laughed, and then immediately adopted the term ‘cause it made us feel like super heroes!

You have released nine studio albums with Throwing Muses, the latest in 2013.  “Purgatory/Paradise” came out in an unique form: 32 tracks accompanied by a book full of lyrics, images and additional material. The scale of the release prompted fears among fans that it would be the last album for the band. Do you think there is still some music left in The Muses or are you definitively putting the project to rest?

Kristin Hersh:  (laughs) Throwing Muses is in the studio right now. If Muses songs show up, so do we.

Lady with a guitar – Kerstin Hersh has always been a role model on indie circuit

Besides music you are also a published author. You have written and illustrated children book “Toby Snax” and penned two memoirs (“Rat Girl” and “Don’t Suck Don’t Die”). Was writing a natural step forward from making music and crafting songs?

Kristin Hersh:  I love prose. After a lifetime of speaking music—a language not everyone is fluent in—I get to communicate clearly. Though my writing style verges on prose – poetry, so I guess the communicative effect is watery. It`s more like music than conversation.

In an interview with Guitar World you once said “We’re morally bound to not participate in the traditional recording industry because we disagree with it.” And yet, your newest studio album “Possible Dust Clouds” was released on a label, the old fashioned way. What convinced you to sign  to Fire Records?

Kristin Hersh: The old fashioned way is corporate and anti-music. I traded Warner Brothers my first solo album in exchange for my band’s freedom. The new paradigm—like Fire Records—is staffed by people who’ve been too moved by real songs to play the insult-to-music-and-women fashion game that took over the recording industry.

For the purpose of this interview we really tried to find one review of “Possible Dust Clouds” that was not positive and we failed! Pitchfork called it a “glorious return” while Guardian described you both as “uncompromising” and a “true innovator”.  Every online review is full five stars. Do you regard this record as the best of your career, cause your fans and music journalists seems to agree on that.

Kristin Hersh: I probably think every record I make is the best of my career! But I’m also baffled by songs. They tell me what to do and I have to listen, so production technique is necessarily reinvented in every session. Until I hear back from smart journalists, I really don’t know what I’ve done.

Kristin Hersh – the legend herself

It took about five years to record “Possible Dust Clouds” and unlike your previous album you did not play all the instruments. This album welcomes many guests and even uses field recordings. How do you remember working on this particular record?

Kristin Hersh: I wanted a chaotic sound, one that mimicked the feel of live shows. Live recordings are usually just recordings that suck, so you have to parse the elements of a show: group high and loud noise plus movement, in order to bring that about. I invited a few friends whose playing is very muscular so that I could warp timing and tuning in the high and low overdubs around our performances. Weak playing would sound ineffective with this treatment but here it sounds noisy and fluid.

The album has been promoted by several singles, including LAX and now Breathe In. It is one of our favourite tracks on the album. We would love to learn more about this song.

Kristin Hersh:  “Soloing throughout” is a term we use to make fun of guitar players who won’t shut up, but that’s exactly what I did I in this song. Played my leads with a screwdriver and I don’t shut up until the song ends. My son Wyatt played drums and my fiancé, Fred Abong, is on bass. It’s a little trio of a family, really. So there’s a sweetness in all that noise.

If you are not touring solo or with Kristin Hersh Electric Trio, you are working with 50FOOTWAVE. Can you tell us something about this project as British audience may not be familiar with it.

Kristin Hersh: 50FOOTWAVE is my noise rock trio out of LA. We’re run as a cooperative, with everyone donating their time, from engineers and musicians to videographers, to allow us to give music away.

You have always been very open about your struggles with mental health. And music industry is having this big conversation right now about supporting artists. Looking at things from perspective of somebody who spent four decades in the industry – do you see any changes? And if so are they positive or negative?

Kristin Hersh: I haven’t been all that open, really, since I have no mental health issues. I was misdiagnosed schizophrenic and bipolar and only recently cured of PTSD and concurrent dissociation, which isn’t technically a mental illness. I answer questions when I’m asked, but I shy away from linking any illness to art.

And I think supporting the arts is a very individual decision since they’re all industries now and subject to marketing techniques like bandwagon appeal, etc. I’d love to see people playing their own music, for example. That’s a way to support the arts.

Last (infamous) question – if you were able to change music industry to your liking what would you do? What would change and what would remain?

Kristin Hersh:  I would take fashion, money and fame out of the equation. That would leave us with actual musicians. I’m not sure that there are any musicians or songwriters in the recording industry. Rock stars and people who want to be them should never have happened. Music? Will always happen.

You can follow Kristin Hersh on socials:

https://www.kristinhersh.com/
https://www.facebook.com/strangeangels/
https://twitter.com/kristinhersh
https://www.instagram.com/kristinhersh/
https://www.youtube.com/channel/UCTdtvPp4IiPDDZqX-4No5Uw
https://soundcloud.com/kristinhersh-official
https://open.spotify.com/artist/6ZWUhhSv3IahZyW5keNSxK?si=gDMk7mBZToGJ41ZLz6hJ_A

 

Throwing Muses:

http://throwingmuses.com/
https://www.facebook.com/throwingmusesofficial/
https://twitter.com/throwingmuses
https://www.instagram.com/throwingmusesofficial
https://soundcloud.com/throwingmuses
https://open.spotify.com/artist/5xU5wRTlZHVRoo2OxPvqA4?si=b-eosmzZQzeFzG2hwzYaag

 

50FOOTWAVE:

https://www.facebook.com/50footwave/
https://twitter.com/50footwave
https://open.spotify.com/artist/1ruRQnflSHJVLqvqRe5MRB

Big thank you goes to Kristin Hersh for speaking to us and to Shauna McLarnon of Shameless Promotion PR for making arrangements.

M/R