Indieterria meets Nic Evennett

Nic Evennett – A Song to a Siren

 

Nic is also a skilled photographer doing all her publicity shots herself.

Welcome to the new chapter of Indieterria, where we profile artists on the unsigned/independent circuit that bring something new to the audiences. We want to introduce you to incredible artist, poet, photographer and composer based in Kent – Nic Evennett.

Nic not only records and mixes her own compositions, staying true to DIY ethics of the genre. She also built quite an impressive profile as a studio based artist. She is not touring, not playing the popularity games on social media. And yet appears on national radio and enjoys a wide network of collaborators. She is passionate and driven. Talking to her was a privilege. Please read on.

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You have the most unconventional biography we have ever seen. It reads: “I bash the piano and stuff”. We were expecting few home-made demos but found a whole catalogue of songs, an established artist who have been on national radio and comparisons to Kate Bush. Not exactly just piano bashing! Would you like to introduce yourself to the readers of Indieterria?

Nic Evennett: Well, firstly, thank you so much for interviewing me! I’m all flustery and excited! It’s a real honour, and it’s my very first proper interview.

I remember Tom Robinson saying something about the “I bash the piano and stuff”, commenting that is was self-deprecating, and I think self-deprecation sums me up quite well! Your question is one that always makes me (pauses) clam up, somewhat. I find talking about me incredibly hard. I doubt that’s uncommon. It’s much easier for me to just quote what somebody else has said about me. But I’ll have a go here: I am Nic, a singer-songwriter from Kent, United Kingdom. I’ve been bashing the piano since I was 7, studied music for a while, had a long break, and then really only turned to song-writing about five years ago, or so. I also love photography, being out in nature, listening to Buddhist talks,  meditations, and eating cake, in no particular order. There. I did it. (laughs)

Nic Evennett through her own lens

Your song “Outside” debuted in January 2017 on BBC Introducing Kent  to very favourable reviews.  Listeners described it as “outstanding” and “mesmerising”, while BBC staff was also visibly impressed. Not a bad start of the year. Did you expect such reactions?

Nic Evennett: No, not at all, and certainly not for that particular song. It was a lovely surprise, and I am so grateful to Abbie McCarthy at BBC Introducing Kent for including me in that show. It’s funny. Many of my songs are kind of dredged up from some depths – something that needs exploration, then gets twisted and turned into music and poetry, trying to find some resolution, and then splattered out into song. And I come out the other side thinking, whooof, I needed to get that stuff out of my head. “Outside” didn’t work that way, which is very rare for me. I just liked the riff! And I think it was the riff that got me a foot in the door. I think my music generally tends to be more meandering, more spacious, and that doesn’t always lend itself well to radio play. But this one is a bit livelier. And yet, I reckon it’s probably in my own bottom three! Funny how it works.

“Outside” also found itself on the rotation at the Channel Radio and Strange Fruit Radio. Your next offering – “Hurry” – went even further and was voted “Song of the Week” at the Strange Fruit at the recommendations from listeners.  We know it was a digital release but we will still call it a beautifully crafted ballad. Any inspiration behind that song?

Nic Evennett: “Hurry” is much, much more from the heart. Like all my songs, well, bar “Outside”, they really are little windows into my heart and mind. And as somebody who loves words, loves playing with and manipulating language, and somebody who in many ways is quite private, my lyrics tend to be deliberately ambiguous. I suppose it’s a little safety net for me in some ways – only those who truly, truly listen can see through the windows. But also I love the idea that the songs can be whatever you want them to be about. Once they are out in the world, I really don’t see them as my songs any more. They just float about for people to borrow and use and sink into when they need to. So some people have questioned the lyrics to “Hurry” – mainly asking what in the world does it all mean. Which is a good question that I’m not sure I have the answer to! I think it’s about somebody reaching a point where they want somebody else to intervene; take away bad memories, tough stories. “Hurry” has a funny time signature too, which is meant to depict waves rolling in and out. The sea features quite a lot in my songs. Or rather, nature does. Sea, rivers, the moon, the seasons, the sky, trees. I can’t think of a song that doesn’t mention nature, actually.

Collages created by Nic often include poetry or lines from her lyrics.

You have been featured several times on national radio BBC 6 Music (singles “Somehow” and “Where We Are The Forest”) and by Tom Robinson himself. Now this is not just mere luck. It is quite hard to get through all the vetting for the “MixTape Show”. You did it more than once.

Nic Evennett:  I think that Tom is just blimming lovely and kind! In fact, that was a lovely surprise too because neither “Somehow” nor “Where We Are The Forest” got short-listed! It was picked by a few people, but not enough, and I felt thoroughly deflated. But I think Tom ultimately decides what he wants to broadcast and added me both times, which was so lovely of him. It’s people like him that truly help the likes of me. I think there are two strong divisions in music – those who will push hard at the self-publicity bit and have a lot of confidence in what they do, and then folk like me, where none of that comes naturally or comfortably at all. I worry that the folk in the latter never get heard, never get found. There is a difference between being confident and wanting to be heard. An artistic voice can be so, so important for people who lack confidence, self-esteem, or who just struggle generally. So having a platform where you can submit songs and they are judged in their own right, without the need for self-promotion or long-winded bios, is essential. And wonderful. The Fresh Net team do a superb job. Love ’em.

You have about sixteen songs on your Bandcamp and Soundcloud profiles and they are produced and recorded to highest quality. Moreover, we see that certain songs are mixed by other artists. Are they really home recordings or have you invested in professional studio?

Nic Evennett:  Well, that made me beam! Know why? Mixing is the bane of my life! I never feel I get it right. Or I think I have got it right, and find it’s completely wrong. My ‘studio’ is the spare bedroom and I share it with drying laundry, stuff that should be in other rooms that I haven’t got round to putting away, and the dog. In most recordings you can hear the birds in the tree outside. Most songs have had a few dozen takes after bikes decide to whiz up and down the road, or somebody has slammed a front door, or somebody has yelled at somebody else, and then there is much quiet swearing from me and we go again. I tell myself that there is something…lovely and organic in home recordings, which in truth I think there is, but that only seems to apply to everybody else but me. I really love listening to songs with other sounds going on in the background. I love listening to songs where the mix isn’t perfect and there is a rawness to it. But if a bird has tweeted out of place, or I have made a vocal tick somewhere, I am very hard on myself about it all. So to hear that is wonderful. I shall try not to give myself such a hard time from now on.

Besides your solo compositions, you are involved many collaborations, two main projects being Return To Mountain (with Steve Gleason) and Silent Reasons (with Frank Cable).  Would you like to tell us more about them?

Nic Evennett:  Ah, I love working with Steve and Frank. I suppose they are two I work more regularly with and I feel a deep musical connection with. They are both gorgeous souls all round, and that is important to me. I have done work with quite a few folk, though. Robert Pabst, from Cinematic Dance Music, is a genius and did a super Bond-style remix of my song “Hold On”. We have done other projects together that I have loved working on. And I also work with a chap called UNJAY, who is big on his Future Bass – a genre so far from what I do and yet I find so interesting to do the vocals for. Not to mention other fabulous musicians I have been honoured to work with. I am very lucky to have these folk encouraging me and inspiring me.

Your back catalogue is available on US based streaming platform Pandora. The service describes you to their subscribers as “delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry”.  This is the very first time we have seen an indie artist being compared to Kate Bush and we have to wholeheartedly agree. Are you able to  tell us how well are you received on Pandora?

Nic Evennett: Being compared to Kate Bush is just crazy, isn’t it? I can’t get my head around that one. Kate is in a league of one. She truly is an astounding musician, poet, artist, woman. So my name in the same sentence as hers makes me feel both thrilled and baffled. And maybe even a bit scared. And Andee Conners from Pandora, was the very first person to write a review on me and for that I love him to bits. What an amazing first review. It’s something I read when I am feeling anxious about my music…so I read it a lot. I’m so grateful to Andee for that. As for how I am received, I have no idea! We can’t get Pandora in the UK and nor can I access any listening figures or anything. Actually, I quite like it that way. It is a little mystery. I have no idea when or if my music is being played.

It is quite hard to describe your music. There are piano based ballads, but also loops, possible samples, elements that remind us of trip -hop. If you were to give yourself a label, what genre would you subscribe to?

Nic Evennett:  It is hard, isn’t it?! I never know where to stick myself, category-wise. Something might jump out at you as trip-hop in style, and then a choir will burst into life (well, just me really, layered up a hundred times) and throw you off the scent. It throws me too! The term ‘alternative’ gets used a lot by folk who have no real home and who travel between genres, so I tend to opt for that one. ‘Odd’ is another one. Or ‘a bit mixed up’. Any of those could apply to me (laughs).

Recently you spoke about limitations imposed on artists due to health reasons. You said: “Folk with chronic conditions need to be heard in more ways than one. I often feel sidelined for not being able to give a gig list or tour dates. I can’t be alone.”  We would like you to elaborate a bit more on the topic, because we think there are still many people in the music industry who do not know how to handle artists with chronic conditions or disabilities.

Nic Evennett:  This is a BIG one for me. Personally I have two main conditions that sort of take over my world quite a lot. One is PMDD, which is a devastating condition that few have heard about. Basically, think PMS multiplied infinitely! The second is Fibromyalgia. And other than that, bipolar and other mental health stuff. What a combo! All ‘invisible’ conditions, so like many out there, you’d never know it if you met me. But these things, and mental illnesses like depression or  anxiety are so isolating for many. You may not feel able to leave the house, you may not be even able to get out of bed. So musically, just standing up and recording is an issue for me. My voice is temperamental and reflects how bad things are. Gigging and touring is certainly out the window. I have no doubt I am one of a vast amount of people who love making music, love singing, love playing but hate performing! I am not a performer. And I think in this day and age we shouldn’t need to be. I think it can silence people with, say, mental health illnesses who think that in order to be successful they must be a certain way. They must be the ‘whole package’. Well, personally, this package is dented! It’s rattling around with smashed pieces inside and the paper is all torn! But I still want a voice. I still want to share my songs. I still want to connect to people through music. And I really want others to feel the same, because it just so happens that some of the most beautiful, most moving, truest music I have heard has come from people who struggle in this way; people who have hardly any followers on Soundcloud, say, or few listens. How they use their experiences to create is astounding. We need so, so much more of that out in the world.

The last question is traditionally reserved for future plans. What can we expect from Nic Evennett in the coming months?

Nic Evennett:  Ooo, like any question about the future, I say ‘who knows?’! I have some plans of eventually getting a little EP together, but money is tight, obviously, so I need to find ways of doing this on a budget. Certainly more songs, and I’ve thrown my music into various competitions out there. I would LOVE to have a song used in TV or film. I think music and drama can be such a magical partnership, so I am trying to find ways of doing that at the moment. If anybody out there knows how, please come chat to me! But I am very much a ‘in the moment’ person, so I just live hour by hour, day by day. That way magical things can happen that you just weren’t expecting!

Through her own lens #2

 

Nic Evennett can be found online at:

Facebook: https://www.facebook.com/nicevennettmusic/
Twitter: https://twitter.com/NicEvennett
Soundcloud: https://soundcloud.com/wingless-night
Bandcamp: https://nicevennett.bandcamp.com/
Youtube: https://www.youtube.com/channel/UCiCT_99Cy3p1w0RMCuv1SBA

Return to Mountain ( collaboration with Steve Gleason)

Soundcloud: https://soundcloud.com/returntomountain
Soundclick: http://www.soundclick.com/bands/default.cfm?bandID=540680 (Steve`s page)

Silent Reasons (collaboration with Frank Cable)

https://soundcloud.com/silentreasons
https://soundcloud.com/orionstarband (Frank`s page)

We would like to thank Tom Robinson of 6 Music for introducing us to Nic`s music.  And big kudos to Nic who was patient with us for publishing this interview.  We are hoping to make quite a few updates to this interview in the coming months.

Until the next time.

Mal+Rita

*** Update 01/02/2018***

We are following up our awesome (and highly popular!) interview with Nic! After we wrapped the talk, we still had some questions. We wanted to know what the artists will release this year. And boy, we were lucky. After a bit of nagging, Nic  revealed that her new digital single will be called “Ribbons” and you can listen to it online!

Nic Evennett: There are two versions of this track – this one includes the birds outside Nic’s house.

During our post interview exchange, we also learned that Nic is an advocate for mental health and well-being.  In September 2016,  she released an experimental EP “Three” from which half of proceeds go to charity Mind. The EP includes seven compositions, all recoded during the same week. It was basically a challenge: one song a day while stepping outside comfort zone and using  instruments and arrangements that Nic not used before.

Nic Evennett:  The EP is free to download on Bandcamp, though people can give money if they like and 50% goes to the charity Mind. Might be worth a mention. In fact all my music is free to download, in truth, but we won’t mention that! (giggle)

Three EP cover

You can access the EP from the link below:

https://nicevennett.bandcamp.com/album/three

Nic you are the very definition of awesomeness and a proper legend!

Mal+Rita

*** Update 03/02/2018***

Bone and Thirst EP cover

We knew there was something in the air, when we followed up our interview with Nic. She mentioned EPs and singles. We should have seen it coming really! The hard life of a music writer – you try to nail everything, have the artist in a box, fully explained and  leaving no mystery uncovered. And then this happens – a brand new EP! Dropped in the middle of the night! Ah!

Artists are such incredible beings – they constantly reinvent themselves, they are masters of creativity and no matter how hard you try to figure them out, they are two steps ahead of you. And we love them for it, to be honest.  They keep us on our toes.

We can picture Nic Evennett smiling like mythical Sphinx when she dropped her new EP – “Bone and Thirst” at 4:00 am yesterday.

But we will admit -we are very lucky. We got our interview just at the right time. We won`t complain.

So what can you expect from “Bone and Thirst”? Three songs:  the title track, lead single “Ribbon” and a brand new composition – “Jagged Boy”, incredible poetic lyrics and  two digital photographs.  Nice package.

“Bone and Thirst” is the most experimental of the tree tracks – it blend trip hop and electronica with  mesmerizing vocals, it is full of loops, samples and strange noises in the background that create quite a dark and nervous atmosphere. Nic is shining in this track, her voice just flows and overwhelms you. This composition reminds us a bit of Sarah McLachlan or Paula Cole – it is very cinematic, neurotic and mysterious.

Ribbon digital single cover

On the other hand – “Ribbon” is completely opposite. Nic sings nearly a-cappella accompanied just by a piano and chirping birds. You read it right. There are birds singing in the background though out the track and this is used like accompanying instrument to the piano. What a strangely beautiful duet! Vocals are stripped but in the lead, providing a focal point of the composition. We`d think “Bone and Thirst” would make the lead single, with all the production that went into the track, but choosing  “Ribbon” Nic Evennett proved to be very brave, experimental and adventurous artist.

“Jagged Boy” continues with the acoustic feeling. But there is something gospel about it. It feels almost religious, like it was recorded in a cathedral instead of a studio. Nic`s voice is at times multiplied, creating a choir effect. The lyrics is unsettling and mysterious, a lamentation even. If this song won’t give you goose-bumps, please consult a GP. You may be deaf. In both ears.

The EP can be bought from Nic’s Bandcamp page and half of the proceeds will go to Mind charity.

https://nicevennett.bandcamp.com/album/bone-and-thirst

You know what to do, dear readers. Go and get yourself a copy of the EP.

A comment from Tom Robinson!

Also, thank you Tom Robinson for your feedback. We are blushing. It is a great honour as we consider ourselves fans of your music and we have always held your lyrics and writings in high esteem. Much power to you too Sir!

Mal+Rita

Indieterria: WorcesterWave youngest bands part 3

Hola!

The time has come to run the final chapter of our series showcasing artists from our local music scene in Worcester (and neighboring regions) that will be all over the radars in 2018.  We have saved some absolute gems and proper legends for this entry and we are hoping you will be enjoying this blog. Because we had an absolute ball preparing all the entries and profiles. It was also a lot of work, we will admit but we are absolutely in love with finding new music and bringing it to the audience. That`s what A&Rs are for and we are at your service if you ever need to find new artists to listen and fall in love with!

If you would like to familiarize yourself with previous entries, click on the links below:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/
https://cocamidemea.wordpress.com/2017/12/09/indieterria-worcesterwave-youngest-bands-part-2/

You may also have a look at the Year in Review post where we showcased the biggest players on local scene in 2017:

https://cocamidemea.wordpress.com/2017/11/24/indieterria-year-in-review/

And now dear readers, let us introduce you to a handful of kick-ass artists from our neck of country-side.

Grafton Ash

Grafton Ash

Grafton Ash are known for incredibly energetic performances

Starting off as a duo in 2014, Grafton Ash is currently a four-piece pop/rock group from Bromsgrove. Formed by childhood friends, Dan Roberts and Dan Blake, they were joined by Stephen Ashford and Sam Dimmick in early 2015. The band released their debut EP “Avalanche” in June 2015 and it quickly received very positive reviews from local radio stations. Their title track was named the Track of the Week twice by BBC Hereford and Worcester and Grafton Ash received an extensive airplay over the next 6 months. On 3rd of September 2016, they were officially included into BBC Introducing and recorded a three song session for DJ Andrew Marston alongside the Worcester/Bristol indie rock outfit, Vertigo.

Grafton Ash is touring nationally, frequently to the full-house shows in places such as at Birmingham O2 Institute, London O2 Academy, Islington and Covent Garden’s prestigious Hospital Club. They supported Flye, Tom Walker, Reef, The Feeling, The Fratellis, Racing Glaciers and recently James Blunt on 25th of November during his “Afterlove World Tour” at The Arena in Birmingham,.

Grafton Ash released their second  EP entitled “Existing” in 2017 and  they are currently in the middle of a promo tour that will last until the Spring 2018.

Website: http://graftonash.com/
Facebook: https://www.facebook.com/GraftonAsh/
Twitter: https://twitter.com/GraftonAsh
Soundcloud: https://soundcloud.com/graftonash

Silverlake

Silverlake

Sally-Ann Parker the voice of Silverlake

People behind the indie dance/pop trio, Silverlake are probably the most experienced musicians from the Worcester scene. After the breakup of their previous band, the septet Vivarama in 1998, Robin Dalleway (guitar and chief tunesmith), Tony Sherrard (aka Shez, bass) and lead singer Sally-Ann Parker (aka Miss Smartness) returned to their home town of Redditch to concentrate on a new material. Vivarama’s mix of dance rhythms with indie pop and rock sounds brought them a critical acclaim and led to several music videos being filmed for the band between 1993 and 1998. The most popular of them was “Updoor” filmed inside popular club The Flapper and Firkin in Birmingham. “Updoor” premiered on MTV Dance Night with VJ Simone Angel in 1996 and then entered regular rotation as part of Party Zone and 120 Minutes (hosted by Toby Ames). Vivarama was also supporting Lighthouse Family. The band was also awarded for their video to “Let`s Talk About Love” at Film and Television Festival in Birmingham in 1993.

Even before joining Vivarama, Robin Dalleway already had a successful music career.  In 1977, he became a founding member of jazz-punk band The Cravats (they recorded 5 sessions for John Peel at BBC Radio 1) and in 1982, he formed postpunk quartet, The Very Things with whom he released 6 singles and 3 albums (they all entered Top 40 at UK Independent Chart). The band  played two Peel sessions for Radio 1.

For many years, Silverlake recorded music without releasing it and kept their performances to minimum (appearing only a couple of times, for example at Worcester Music Festival in 2015). Their first song “Twist” still remains unreleased, but in 2010, they issued their debut album “Paradise Place” through Magnet Records. Their most current singles include “Black Ponytail”, “Drop By Drop” and “X (Marks The Spot)”. Silverlake received airplay on BBC Hereford and Worcester, BBC West Midlands and a mention at BBC Introducing.

The band is inspired by soul and funk music, the Coen Brothers and David Lynch movies, groovy Californian Pop, Miles Davis, Jackson Pollack, Roxy Music, and Chill Out/Lounge sounds.

Facebook: https://www.facebook.com/SILVERLAKED/
Twitter: https://twitter.com/silverlake_band


Ewan Pollock

Ewan Pollock

Ewan playing Worcester Music Festival in 2016

Singer/songwriter Ewan Pollock (or as he is known locally “the boy with a guitar”) is the first person on our list that is not native to Worcestershire. He was born in Glasgow but moved to Worcester as a child and adopted The Faithful City as his hometown. He specializes in acoustic folk/rock genre and is inspired by the works of Glen Hansard, fellow Scotsman Paolo Nutini, Frank Turner and George Ezra.

Since 2013, Ewan has performed at many events around Worcester and beyond. In 2014 he reached finals of the nationwide singing competition”Open Mic UK” in Birmingham receiving positive reviews from judges and audience.  He played at Worcester Music Festival three times (in 2014, 2015 and 2016), participated in Free Radio Summer Sessions at the Crown Gate Shopping Centre (where he was chosen the most promising artist) in 2015 and 2016, Worcester Moto Show (High Street stage), Festival at the Fountains (South Quay stage), Worcester Foodie Festival (as part of “Young and Talented” stage on the High Street), Christmas in Worcester (Worcester BID stage) and Severn Sounds Festival‏ at Pavilion in the Park stage. He has also graced the stages of The Old Pheasant, Café Blis (supporting Worcester Soup charitable project), The Marr’s Bar, The Firefly (all in Worcester) and Sunflower Lounge in Birmingham.

Ewan released his first digital standalone single “Home comfort” in 2015 and a demo EP “Make it count” in 2016 (“Lady in the Dark”, Distractions”, “Make it count” and “Too late”).  The leading single “Lady in the Dark” was played on BBC Hereford and Worcester radio and was featured on podcast show by popular online DJ Matt Barker in November 2016 (Matt is a presenter of the MattBarkerRadio and broadcasts on 60+ radio stations worldwide via the Deuce Radio Show).

Ewan is currently working on new music and has several concerts already booked for winter and spring 2018.

Facebook: https://www.facebook.com/ewan.pollock.1
Twitter: https://twitter.com/EPollockMusic
Youtube: https://www.youtube.com/channel/UCsgjpmq6Jc4jyl4ES0IZyLQ
Soundcloud: https://soundcloud.com/ewanmusic-1


Elephant Peel

Elephant Peel

Elephant Peel live at Firefly in Worcester on October 19th 2017

Official bio:  A bunch of free-thinking, rock n roll survivalists came together in Worcester and produced a plethora of gorgeous, chin-out songs. Honing their craft, fittingly, in an attic studio above a notorious watering-hole (overlooking their home town of Worcester), they’re great lads but they ain’t here to take nonsense off anyone! Reminiscent of The Kinks, 13th Floor Elevators and sharing elements of your other favourite classic bands. They write a hell of a tune and have a great stage presence to boot.

Formed in 2016, Elephant Peel is a brand new band on Worcestershire scene, but it is quickly making a name for itself. The quintet consists of experienced musicians: Joe Thomlinson (vocals and harmonica), lead guitarist Matthew Randall (aka Randall), drummer Guy Bradnock, bassist Sean Gandy and Matt Crawford (nicknamed Crawford) responsible for rhythm guitar/backing vocals. Before forming Elephant Peel, Joe played in two well known Worcester bands: Virals and Something Men that also featured Matt Crawford and Sean Gandy. Something Men released 4 stand alone digital singles “Mud Brown Mistress”, “Birdy Roof”, “Go Diddley” and “Last Night (Was The Last Time)” that received a lot of airplay on local and internet radio stations. “Birdy roof”/“Mud Brown Mistress” was also released in a physical copy as a double-sided 7’’ single through EZPZ Records in September 2011. It was chosen a Song of the Week by BBC Hereford and Worcester in November the same year.

After Something Men disbanded in early 2012, Joe started working with Matt and Sean again which led to the formation of Elephant Peel. They recently  released a demo single “Universal Stream” and played a string of popular local gigs including headlining two sold out concerts at Heroes (organized by Surprise Attack) and The Firefly (part of Boneyard Sessions). The band is inspired by Syd Barrett, The Kinks, The Beatles, Richard Hell, Jennifer Gentle and Graham Coxon.

2018 will see Elephant Peel in the studio (they are now working on more material to be released in the first quarter) and on the road (concerts are already booked and will be announced soon).

Facebook: https://www.facebook.com/elephantpeel
Soundcloud: https://soundcloud.com/elephantpeelband


Chloë Elliot

Chloe Elliot

Chloe Elliot performing at the Christmas Lights Switch On ceremony in Worcester, November 23rd, 2017

At 16 years old Stourport-on-Severn native, Chloë Elliot is considered a pop star in the making. She started singing as a child and further developed her singing and song writing abilities at performing arts school in Birmingham, where she received classical training in theatre, dance and stage presentation. Of course, she passed every exam with a distinction.

Chloë spends her free time from school either in the studio recording the songs she wrote or performing. In the last year and a half, she performed more than 60 times as a solo artist in Herefordshire, Worcestershire and Greater Birmingham area receiving positive reviews. Her song “One” was selected as the “Song of the week” by BBC Hereford & Worcester which lead to her being interviewed on-air by popular DJ Tammy Gooding.

Her debut single entitled “3 Reasons” was released in early September 2017 and went into heavy rotation on BBC Hereford and Worcester Radio.  It won her the recognitions for the “Song of the Day” and “Song of the week”. It was also named the post popular song among young listeners in November.  Chloe was invited to BBC Introducing at Christmas Lights Switch on in Worcester by DJ Andrew Marston and her performance was seen by thousand of visitors on the High Street.

2018 may be a breakthrough year for the young artist. She has recently preformed for scouts from   two biggest record labels in the world (Universal and Warner) and she is already booked for several shows in the early spring and summer.

Chloë is influenced by John Mayer, Shawn Mendes and James Bay.

Website: http://chloeelliot.com/music/
Soundcloud: https://soundcloud.com/chloepaigemusicxo
Facebook: https://www.facebook.com/chloeelliotmusic
Youtube: https://www.youtube.com/channel/UCzwimF__Wov3WRB-hPpwPPQ
Twitter: https://twitter.com/thechloeelliot
Instagram: https://www.instagram.com/chloeelliotmusic


Winchester

Winchester – photo by Theodore Swaddling

Winchester in black and white

Official bio: Winchester are a new British 3 piece that drags high octane prog, metal and hardcore screaming into the popular arena. Their emotional riff-laden assault course crashes and flows through cinematic soundscapes with no room for boundaries. Drawing from the intense social climate of today, Winchester have nurtured a sound and a concept that rings true with the twists and turns of tomorrow. With a live show that manages to re-create and somehow elevate their epic sound, this is something fresh that you will not want to miss. Life Begins.”

Worcester/Cardiff/Bristol based band Winchester are three piece outfit balancing between progressive rock and old school hardcore à la Biohazard, Pro-Pain or Crowbar with heavy metal inspired vocals instead of rap. The trio consists of producer-turned musician Scott Mahoney (responsible for excellent debuts of Nuns of the Tundra and HEXEN) on guitar, Adam Catalan on lead vocals and bass and Max Edkins on drums.

Winchester was founded in late 2015 and the band deliberately stayed quiet despite touring nationally and internationally (Germany, Belgium France in 2016). Lack of social media presence, stripped contact with the press and performing live resulted in a very raw yet appealing sound that was captured in the studio and perfected by legendary record producer Dan Weller (SikTh, Enter Shikari, Young Guns). Winchester spent more than a month preparing their full debut album entitled “Life begins at these dead ends” and it will premiere on 9th of February 2018. The album is available for pre-order now on all major platforms.

The first single from the album, “Life begins” was released 15th of December 2017 and received positive reviews from online rock magazines and from BBC Wales DJ Adam Walton. It will be followed by second single “Diamond” in late January 2018.

At this moment, Winchester is on promo tour in the UK. On 18th of November, they played  popular club Hobos in Bridgend with As Lions and Greyhaven UK and on 29th of November they headlined sold out show in Bristol’s The Fleece with Holding Absence, Loathe and Phoxjaw. They will play Bristol again on 28th of February along with Loathe and there are talks of their gigs supporting Sever and Time & The Valuator later in the summer.

Winchester draws inspirations from the music of Muse, Biffy Clyro, Fightstar, Northlane, The Architects and Enter Shikari. They are represented by Imperial Music, an artist and event management company based in South Wales.

Website: https://www.winchester.band/
Facebook: https://www.facebook.com/winchesteruk
Twitter: https://twitter.com/winchukband
Instagram: https://www.instagram.com/winchukband/
Youtube: https://www.youtube.com/channel/UCBjfxh5-cDoBgaBsRGFF0Sg
Official management: james@imperialmusic.co.uk


As Mamas

As Mamas

As Mamas performing live at the opening of Paradiddles in Worcester December 15th 2017

Founded over two years ago, Worcester-native psychedelic rock and roll duo, As Mamas consists of Harrison Baird-Whitman (guitar, vocals and harmonica) and Joe Devine (drums and percussion). Influenced by the Californian 60’s music, the group managed to create a very unique style, the-one-of-its-kind on the Worcester indie scene.

As Mamas released their debut self titled EP on 16th of July 2016. It was recorded in an original 60’s caravan (that was turned into a studio) and was produced, mixed and mastered by the band. It included four stand alone singles: “The Lights Are On but Everyone’s Wasted”, “World Wide Blues”, “Mama Moved” and “Zenobia”.  Their single “The Lights Are On but Everyone’s Wasted” received a lot of airplay on Birmingham Radio, Free Radio, BBC Hereford and Worcester, 102 Touch FM (Shakespeare’s County & tThe Vale) and was featured on a compilation album “ENTER THE VOID” released by Donut Records in August 2017.

For the last year and a half, the duo has been touring the UK extensively. Along with The Americas, As Mamas are the only West Midlands acts that appeared on This Feeling circuit. As solo artists, they played Birmingham on several occasions including the Sunflower Lounge with The Whitelights (during their EP launch), Ten Tombs, supported The Cosmics alongside LCKD and Quinn (October) and appeared at Birmingham Blues Fest Saturday at the Big Bulls Head in Digbeth (July). They have also graced the stages in Worcester appearing at the Firefly club supporting Solsara alongside Happy Bones and in Heroes with Elephant Peel and Slumb Party (October and November respectively).

As Mamas regularly performs in London as well, usually to the clubs at full capacity. Their recent sold out shows include gig at Amersham Arms (alongside MONIKA, James Beau Barcley and Spinner) and Reverberation Psych Fest at Victoria Dalston with Strange Cages, Dusty Mush and Insomnichord.

Other notable shows include BBC Introducing Session at The Booth Hall with Raptor and New Revival (April 21st 2017), charitable concert at Alestones in Tardebigge Court in support of Anawim (women’s refugee organization) on October 28th and  supporting popular Nederland group MY BABY on 7th of April.

Their latest video and a new single entitled “19th Floor” were released on September 11th and were directed by Caitlin Setterfield. “19th Floor” will be featured on their next EP “Parte Dois” to be released on 10th of March 2018. The band will play a show to celebrate the launch with a gig at the Sunflower Lounge. Tickets sale date and supports will be announced soon, so stay tuned.

Soundcloud: https://soundcloud.com/asmamas
Facebook: https://www.facebook.com/asmamasband
Youtube: https://www.youtube.com/user/asmamasband
Bandcamp: https://asmamas.bandcamp.com
Instagram: https://www.instagram.com/asmamasband/

Time Of The Mouth (TOTM)

Time of the Mouth

Time of the Mouth perform at the opening of Paradiddles in Worcester on December 15th 2017

Time of the Mouth is Kidderminster based punk rock trio that has been around longer than any of the previous bands we have written about (with the exception of Silverlake). Over the years, the outfit gathered a strong fan base in West Midlands and beyond. It looks like 2018 could be a breakthrough year for them.

TOTM was formed at the beginning of 2010 and went through different line ups changes. Since 2015, the band consists of Chris Jones (vocals and lead/rhythm guitar), Ash Greenway (bass and backing vocals) and Jake Fox (drums and backing vocals). Their back catalogue can only be described as the most impressive. They released their first EP “Third Time lucky” in May 2012 (including singles “Amy”, “The Only Way Out”, “Tears” and “Take Me With You”). “The Only Way Out” proved to be so popular that it was played not only on local BBC Hereford and Worcester radio, but also in America, Australia and Japan. Their second EP “Snorkeling with Jesus” was published on May 2nd 2014. It was a 5 single EP containing “Lost”, “6 Feet Under”, “Snorkeling with Jesus”, “Euphoria” and “Another Level”. Again, two singles “Euphoria” and “Lost” received a lot of radio airplay on BBC Hereford and Worcester, Birmingham Radio and Touch FM. Their stand alone single “Urgent Joe” released in 2013 was named the single of the week by BBC Hereford and Worcester.

Their newest EP entitled “What Would Dave do” was released on August 11th 2017 and contains 4 singles: “Going Back”, “My Disguise”, “Too Obvious” and “ELG3”. A promotional video to “My Disguise” was filmed at Shredder Live Lounge Studios in Birmingham.  A stand alone single “Miss The Madness” was also released on May 26th 2017.  It is worth adding that its music video features a popular actress Eleanor Ham known from BBC series “The Doctors”, “The 4 O’Clock Club” and theater productions of “Les Miserables” and “Cinderella”.

TOMT is known from very energetic live show and frequently tours nationally. They have performed in London, Birmingham (at prestigious The O2 Academy Birmingham & the LG Arena Birmingham), Bristol (Louisiana), Nottingham, Sheffield, Cardiff, Worcester (The Marrs’ Bar, Paradiddles), and Manchester among many other places. They also perform at many summer festivals between May and October (including Tower Stage at Drunken Monkey Festival). The band is inspired by Less Than Jake!, Reel Big Fish, Green Day, Spunge, Fall Out Boy, The Used, Placebo and Bowling For Soup.

 Facebook: https://www.facebook.com/pg/TimeOfTheMouth
Twitter: https://twitter.com/TimeoftheMouth
Youtube: https://www.youtube.com/channel/UCCjoLeUVunGSrq6YZyYKN2Q
Soundcloud: https://soundcloud.com/timeofthemouth

And it`s a wrap our dear readers. Three long chapters full of bands that will rock your socks off and make you dance in your kitchen in the coming 12 months are yours to enjoy.  We will hopefully see you somewhere at a local gig, next to the speakers. If we meet – come and say hi and tell us if our predictions were correct

There will be more to come on Indieterria in 2018 but we we will be changing our format a bit to get more interesting. You will see 🙂

Till then, stay beautiful

Mal&Rita

Indieterria: WorcesterWave youngest bands part 2

Hello again!

Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/

Part three can be found under this link:

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City?  We hope so, as we have  some superb artists to show you!

Happy Bones (Iggy Cuthbert)

Happy Bones playing live photo by Alex Knight

Happy Bones (aha Iggy Cuthbert) by Josh Foster

Official bio:  Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.

 Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.

Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”

As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.

Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.

Facebook: https://www.facebook.com/iggyhappybones
SoundCloud: https://soundcloud.com/iggyc
Bandcamp: https://happybones.bandcamp.com

Benjamin Dallow

Benjamin Dallow

Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz

Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.

He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.

Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack.  As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.

Facebook: https://www.facebook.com/benjamin.dallow
Worcester Music Festival:
  http://www.worcestermusicfestival.co.uk/bands/Benjamin-Dallow/

Becky Rose Seabright

Becky Rose promo picture

Becky Rose live

 At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.

 In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.

Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016.  Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).

She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.

Youtube: www.youtube.com/beckyrosemusic
Reverbnation: www.reverbnation.com/beckyrose
Myspace: www.myspace.com/thisisbeckyrose

RVRMN

RVRMN posing for promo picture in Worcester

RVRMN up on the roof

Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.

RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.

RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna

Website: http://rivermanofficial.wixsite.com/page
Facebook: https://www.facebook.com/RivermanPage
Twitter: https://twitter.com/RivermanPage
Instagram: https://www.instagram.com/_riverman_/
Soundcloud: https://soundcloud.com/rivermanpage
Spotify: https://open.spotify.com/album/3d2jDGHN6UP2CrGsWV7Q8v

Neil Ivison and Stone Mountain Sinners

Stone Mountain Sinners promo1

Stone Mountain Sinners promo2

Official bio: Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.

Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.

Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity.  Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).

Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.

Stone Mountain Sinners
Website: https://www.stonemountainsinners.co.uk
Facebook: https://en-gb.facebook.com/stonemountainsinners/
Twitter: https://twitter.com/StoneSinners  

Neil Ivison
Facebook:
https://www.facebook.com/neil.ivison
Facebook: https://www.facebook.com/NeilIvisonMusic/
Instagram: https://www.instagram.com/neilivison
Twitter: https://twitter.com/neilivisonmusic

HEXEN

HEXEN promo picture1

HEXEN promo picture2

Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.

Ren has worked closely with several notable Welsh and Worcester musicians.  She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).

She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.

Scott Mahoney has nothing but praises for HEXEN for their work together:

“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.

Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.

HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.

Facebook:  https://www.facebook.com/itshexen
Twitter: https://twitter.com/itshexen
Instagram: https://www.instagram.com/itshexen/
Bandcamp: https://itshexen.bandcamp.com

Vertigo

Harry Lee Jones – the mastermind behind Vertigo

Cover for the single “Breath”

Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.

Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!

Website:  http://harryjoneslfc.wixsite.com/vertigo/vertigo
Facebook: https://www.facebook.com/harryjones27
Facebook: https://www.facebook.com/Vertigo-1710755979198462
Soundcloud: https://soundcloud.com/vertigodada
Soundcloud (new demo for “Gucci”) https://soundcloud.com/vertigodada/gucci-the-first-demo
Soundcloud (“Breath”): https://soundcloud.com/vertigodada/breathe
Youtube: https://www.youtube.com/channel/UCj0K77SGJnPWsz417sYERKw

Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.

It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!

Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.

Indieterria: WorcesterWave youngest bands part 1

Hello!

It’s December already and soon 2017 will be a history. Despite what the popular songs says, it was a very good year for Worcester and Worcestershire groups. After numerous articles in the press, sold out gigs, sessions for BBC Introducing, national radio plays and won competitions, we can be proud of our musical scene and its accomplishments.

If you are searching for brand new bands to look out for in 2018, to quote again another popular song, please don’t look any further. Your faithful A&R’s at Vanadian Avenue spent the entire last week composing a list of emerging groups that will keep you headbanging, pogo’ing and singing along for the next 12 months. Some bands are well established, some are just starting and some have their resume filled with important names, legendary venues and songs on the charts.

This guide has two parts already and we will be adding more in the future:
You can read the next chapters here:

https://cocamidemea.wordpress.com/2017/12/09/indieterria-worcesterwave-youngest-bands-part-2/

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Please keep your eyes open and you will be attending the best concerts without the need of travelling anywhere outside of Worcester! There is so much happening in our city, it’s really hard to keep track of every event out there.

To make it easier for you music lovers, please read our guide to the bands that will rock 2018. We salute them!

Navajo Ace

Navajo Ace

Navajo Ace acoustic

Official bio: Worcester band Navajo Ace formed in 2016 and are quickly garnering themselves a reputation as an interesting underground band that make music with power and soul. The band combines a broad spectrum of influences, breathing new life into a sound somewhere between the grittier end of 90s college alt rock, shoegaze and Emo before it became a dirty word.

Named after the DC Comics Native American superhero character, Johnny Cloud from 1960’s “All-American Men of War” (created by writer Robert Kanigher and artist Irv Novick), Navajo Ace is an Americana/college rock four-piece based in Worcester. The band started playing together early in 2016 and their current line up consists of Adam Barnes (vocals and guitar), Thom Dewhurst (guitar and backing vocals), Christian Burton (bass) and Crag Sharpe (drums). On August 6th 2017, they released their 5 track EP “Five Turnings” (“Tiger in the Tank”, “Underneath Cars”, “Awkward Place”, “Five Turnings” and “Drop The Needle”). The EP has been recorded at a well known studio JT Soar in Nottingham, produced by Phil Booth & Navajo Ace and mastered by Jesse Cannon at Cannon Found Soundation (Limp Bizkit, Man Overboard, NOFX, The Misfits) in New York.  In September, their song “Awkward Place” debuted on BBC Hereford and Worcester and the band received positive reviews from Andrew Marston of BBC Introducing and Louder Than War magazine.

Navajo Ace are constantly touring nationally (Nottingham, Lincoln, Bristol, Plymouth) and locally (sold out gigs at Heroes Bar with nth cave, Worcester Music Festival and acoustic set at Bottles in Worcester). They supported Moose Blood, Bivouac and legendary bassist Mike Watt (Minutemen, Big Walnuts, Yonder, Porno for Pyros, The Stooges).  The band is inspired by the music of Some Skeletons, Transmissions, 36 Strategies, Thousands of Reflections and Rosebud.

Facebook: https://www.facebook.com/navajoace
Twitter:  https://twitter.com/navajoaceband
Soundcloud:  https://soundcloud.com/navajoace
Louder Than War review: http://louderthanwar.com/something-that-shines-introducing-navajo-ace/

Novaview

Joanna Edwards on vocals

Novaview live on stage

Formed in Worcester early in 2017, Novaview is the youngest group to join the WorcesterWave scene and one with a massive potential. The group consists of four band members: Luke Rhodes on guitar, Joanna Edwards on vocals, bass player Jack Godwin bass and drummer Tate Ellison. Inspired by My Bloody Valentine, Sonic Youth and Smashing Pumpkins, this very young shoegaze/dreampop quarter is now working hard on their demo songs that will be released in 2018. We hope their new material will include a remastered version of “In Limbo”, a beautifully crafted and very catchy song they currently have on their Soundcloud account.

Novaview debuted in October at the Boneyard Sessions concert at The Firefly in Worcester and made a big impression on the audience and music promoters. It is worth mentioning that Joanna Edwards has an unique, almost ethereal voice that can only be compared to that of Hope Sandoval’s of American dreampop giants, Mazzy Star. Vanadian Avenue will be closely watching their progress as their prospects are big and bright like the starry skies in the middle of winter (the most luminous time of year if you wondered).

Facebook: https://www.facebook.com/novaviewuk/
Twitter: https://twitter.com/Novaviewuk
Soundcloud: https://soundcloud.com/novaview

Junior Webb

Junior Weeb playing live

Junior Weeb on the green grass

Official bio:  Junior Weeb are an indie funk/alternative rock four-piece hailing from Droitwich Spa, Worcestershire. With hard-hitting bass grooves, soulful vocals and sticky guitar licks, Junior Weeb take their influences from a catalogue of different genres hoping to create a finished product that pleases your ears.

Hailing from the Worcestershire town of Droitwich Spa, former Victorian health resort and a well known beauty spot, Junior Weeb is an indie/alternative rock quartet with massive dose of energy. They easily pass it to their audience during their live performances causing serious cases of pogo, headbanging and singing along. The group consist of Chris Phee (rhythm guitar and lead vocals), Max Killing (bass guitar and backing vocals), Joe Webby (lead guitar and an obvious inspiration behind the name) and Quentin Hill (drums).

The band known affectionately as the Juniors (or alternatively as The Weebs) has been together for over a year and spent the majority of that time recording their demos and touring. They supported Muncie Girls, The Riscas, Ivory Wave, The Americas (at the O2 Academy in Birmingham) and Soeur at the sold out show at the Marr’s Bar in Worcester.  They will return to Birmingham this Christmas to play alongside Mama Roux and The Icon.

On April 21th 2017, their debut single “No right” was chosen as the track of the week by this Feeling circuit and a month later, popular website GigSlutz gave the boys a glowing review describing their music as a “dreamy, psychedelic affair with just a hint of Oasis”. With recommendations such as this and a strong following, Junior Weeb is on the best way to make it to the charts in the next couple of years.

Facebook: https://www.facebook.com/juniorweebband
SoundCloud: https://soundcloud.com/juniorweeb
Twitter: https://twitter.com/juniorweeb

Jodie Hughes/The Lightweights

The Lightweights

The Lightweights at The Marr’s Bar by Indri Richardson

Before joining forces with The Lightweights, Jodie Hughes was a well established singer/songwriter in her own right. At the age of 16, Worcester School of Rock and Performance alumna, Jodie became the youngest person ever to perform at Worcester Music Festival and at the Independent Music Week in her hometown to support Anteros and The Assist. The Lightweights are three-piece indie/punk rock band from Worcester consisting of Jodie Hughes on lead vocal and guitar, Alex Russell on bass and Euan Richardson on drums. Second guitarist, Fiona Berry occasionally joins their performances but doesn’t seem to be a permanent member of the band anymore.

The Lightweights had a very busy summer performing at the Live Experience Festival, Battle of the Bands at the Rugby Club, MappFest in Malvern, Bowfest in Bromsgrove and Worcester Carnival. Recently the band supported Jacklines at Birmingham O2 Institute, the RPM’s and Thousand Mountain at the Marrs Bar in Worcester and participated in the 10th edition of Worcester Music Festival. The band is currently in the studio working on their debut EP.

Jodie Hughes:
Facebook: www.facebook.com/jodie.katrinahughes99
Facebook: https://facebook.com/jodiehughesmusic
SoundCloud: https://soundcloud.com/jodiehughesmusicandstuff
Reverb Nation: https://www.reverbnation.com/jodiehughes

The Lightweights
Facebook: www.facebook.com/thelightweightsband
Instagram: https://www.instagram.com/thelightweightsband/

Jesse River Dylan Murray

Jesse River Dylan Murray picture by Andy O’Hare

Jesse live on stage

23 year old Jesse River Dylan Murray is the singer/songwriter based in Worcester. His strong voice, impressive range effortlessly changing from falsetto to bass and striking scenic image has been compared to David Bowie, Mark Bolan and Johnny Cash. Named after River Phoenix and the bard himself (Bob Dylan), Jesse is designed for fame. His debut EP “Classical Music” has been released in July 2017 to positive reviews. JRDM has been very busy this year touring and gigging in every corner of West Midlands and beyond (The Brecon Fringe Festival, Wales) , performing with numerous local acts such as Reuben Seabright, Ben Dallow, nth cave, Nuns of the Tundra (at the Marrs Bar), Boneyard Sessions and Doozer McDooze (for Worcester Music Festival). He is often performing at the Open Mic nights at the Chestnut Pub in Worcester. 2018 seems to be another busy year for him as Jesse is already booked for summer festivals such as Breathfest.

Facebook: https://www.facebook.com/Jesse.River.Dylan.Murray.Warner
Facebook: https://www.facebook.com/JRDMcreations/
Soundcloud: https://soundcloud.com/jesse-river-dylan-murray
Bandcamp: https://jrdm.bandcamp.com/album/classical-music

The Ben Vickers Collective

The Collective

Ben and his Collective playing at Firefly in Worcester, picture by Malicia Dabrowicz

Reggae, ska and funk musician Ben Vickers is somewhat of a Worcester music scene legend. Performing since he was 11 years old (right after he received his first guitar), Droitwich resident Ben played, jammed and shared the stage with almost every local musician. He has worked at well established music shops in the city center (RGS Worcester and Cranes Music) and tutored countless amateur musicians helping them develop better guitar-playing skills. He was also in popular Worcester band, Hometown Tourists.

However, Ben is best known for playing acoustic solo sets that draws big crowds. He has played at The Marrs Bar, The Firefly, Heroes, The Chestnut, Bottles and many other local venues. He is also involved in running popular open mic nights and jam sessions. Ben performed at Youthcomm’s Minifest, Sunshine Music Festival in Upton, Worcester Music Festival, Worcester Show and was featured on BBC Introducing by Andrew Marston. In 2015, he released 4 song EP entitled “Keep it Real Funky” which received a lot of radio play at BBC Hereford and Worcester.

Ben’s newest musical endeavour is called The Collective. It is a five-piece outfit consisting of very experienced musicians. Except Ben Vickers (lead guitar and vocals), The Collective include Poppy Waterman-Smith (piano and vocals), Matthew Todd (bass guitar), Ryan Lerigo-Jones (drums) and Pat McArdle (percussion, melodica and samples). The Collective plays a mixture of ska, roots rock reggae rhythms with touches of jazz and soul. It is worth mentioning that Poppy’s powerful voice and scene presence gained the attention of Seal, who invited her to perform as an opening act for his concert in Manchester in July 2016. In November, the band released their first EP (recording of Davis Amps live session).

Ben Vickers:
Facebook:
https://www.facebook.com/pg/vickersbeard
Soundcloud: https://soundcloud.com/vickersbeard
Twitter: https://twitter.com/6stringwiszard

The Collective:
Facebook: https://www.facebook.com/thecollectivereggae/
Bandcamp: https://thecollectivereggae.bandcamp.com

Ruben Seabright

Ruben Seabright

Ruben playing live

Malvern native, the 29 year old singer/songwriter, Ruben Seabright is the owner of one of the most recognizable and the most powerful voices in Worcester. Ruben comes from artistic and musical family and he has been performing along with his parents and siblings locally since a very young age. He has released his debut album entitled “Depths” in 2013 and has been performing extensively ever since. Ruben shared the stage with Soeur, Nuns of the Tundra, This Wicked Tongue, Ben Vickers, Vault of Eagles, Thousand Mountain and many more. Recently he has supported Nigel Clark (of Dodgy), Heck (formerly Baby Godzilla) and Kill the Romantic. He has been featured on BBC Introducing Hereford and Worcester in 2016. Ruben is currently working on his new material to be released as an EP next year.

Ruben is hosting a number of open mic nights in Worcester and Malvern where he performs solo or in the company of his father, Paul “Toad” Seabright, member of successful Worcestershire groups Health Warning and Sons of Spock (winners of Three Counties Band of the Year award).

Please keep your eyes on the entire Seabright clan as the talent runs in the family! Ruben is married to fellow musician, Becky Rose Seabright and he is a brother-in-law to writer Katie Lowe, whose debut book “The Furies” has been purchased by Harper Collins for an international publication in 2018 (and they paid a 6 figure sum for it as well)!

Facebook: https://www.facebook.com/RubenSeabright/
Twitter: https://twitter.com/rubenseabright
Soundcloud: https://soundcloud.com/ruben-seabright
Instagram: https://www.instagram.com/rubenseabright/

Please come back soon as we are not finished yet!
The second part of our  guide will be released next week (or even sooner as we are really dying to show you the rest of the bands).

Have a great evening,
Malicia and Rita Dabrowicz

Indieterria meets Population:7

Hey, hey!

Time does fly quickly when you are having a good time and recently we have been having the time of our lives (yes, Baby is not sitting in the corner anymore!). We have been to countless gigs, several parties, open mic nights and even to a Halloween extravaganza, but this is a tale for another day 🙂

Today, we would like to introduce you to one of the best neo soul musical collectives from The Midlands. They are called Population:7 and they are very popular among  faithful city residents. You should see their gig at Marrs’ Bar during Worcester Music Festival, it was so packed that Rita got a panic attack (she is claustrophobic), yet people still wanted to get in and were queuing outside! Something like that has not happened since the early 90’s according to the owners and we truly believe them.

Ladies and Gents, let us introduce you to a group that can make old Worcester City dance like the stars on BBC1 on Saturday night 🙂

—————————————————————

Population: 7 

Haydn Rogers: Vocals
Rachael Medhurst: Vocals
Sam Ruane: Vocals
Rob King: Guitar/Synth/Vocals
Pete Mann: Guitar/Vocals
Rob Taylor: Bass/Synth
Jon Kasch: Sax
Hannah Webb: Sax/Flute/Clarinet
Carl Browne: Drums

Population:7 official logo

Being in a band these days is certainly not a walk in the park, yet the technology available can make musicians’ lives so much easier.  The least experienced group will sound pretty good in the studio even if minimal production is applied. Reconstructing that decent sound on stage is another keg of beer whatsoever. In the spotlight, lack of skills or sloppy presence can send the unlucky ones straight into rock and roll oblivion. Don’t be alarmed, Population: 7 are fantastic on the record and in concert. To be honest, they are one of the few bands that can make you dance and jump right from the start. Talking to them is a pleasure as well. We met with Haydn Rogers to discuss their three records, linguistics and the dynamics of working in a musical collective.

There is no doubt that Population:7 is a fantastic name for a band. It’s short, easy to remember and carries a certain element of mystery. Can it be linked to the current population of Earth (7 billions people) or does it mean something completely different?

Haydn Rogers : Finally! Someone gets our name right! Yes, it is a reference to there being 7 Billion people on our planet (currently its 7,571,613,961, but it changes every second). I think we were having a conversation about Desmond Morris (a prolific scientist and writer) and exponential population growth and it all went from there. You would not believe how many people come up to us at shows and say something like: “What’s with the name? There’s like 9 of you and your name has a 7 in it!” Maybe it’s because of groups like SClub7 that people just assume its’s how many members you have!

Group picture

You are so far the biggest group we had a pleasure to host on our blog.  Would you be so kind to introduce all 9 members of your collective? Don’t worry, we like long answers!

Haydn Rogers: Currently, there are roughly 9 of us. I say roughly because we have members that come and play with us for a season or jam with us from time to time. On vocals we have Sam Ruane (alias Ruane), Rachael Medhurst and me (alias Phantom). On the guitars, we have Pete Mann (alias Swagadon), Rob King (he also plays synthesizer) and Rob Taylor who plays bass guitar. Carl Browne is our drummer but this summer he was replaced by Ben Pemberton as Carl was away. Also, there is Hannah Webb who plays alto saxophone, clarinet and flute. We’ve played with loads of other great players that we hope to play with again in the future.

Other bands are struggling to recruit members, yet you managed to gather quite a crowd. How did you all meet? Have you started out as a regular 3 or 4 piece band and kept adding new instruments or vocalists or have you just got together one day and decided to make music?

Haydn Rogers (laughing): We all met in a submarine, just off the coast of Puerto Rica. The Cubans had taken a top secret super weapon that would endanger all of the Eastern Sea on board. So, naturally we were in a nuclear stand off until we started playing this groove in the mess hall (witch for some reason was full of instruments). It was so righteous that we played it over the sub space radio and the Cubans heard it and immediately de-armed themselves and opened the peace negotiations. After that, we decided to form a fusion band instead of a top secret black ops division of MI6.

Or….

I met Sam Ruane few years back when I was playing with Rob King in a band called This Wicked Tongue. We were just chilling in the living room when Sam told us he was a rapper which really impressed us. After little collaboration with Sam’s band TWT, we decided to “do some hip-hop”. At that point we all gathered around a totally out dated lamp-shade iMac (absolute classic computer) and we would make beats with whatever we could get our hands on. At the same time, Pete Mann AKA Swagadon (a mysterious blues/rock/math demon) started writing with us and playing guitar, adding a whole new dimension of insane riffs and enigmatic dance routines. Slowey, we started working with other artists as well. Members of TWT and another group named Mansize were always involved with playing parts and jamming. Two girls, Tina Maynard and Anya Pulver did some fantastic vocals on our first album “Dead City”. When both bands broke up, half of their members moved to Bristol, the other half stayed in Worcester and we formed Population: 7. We wanted it to be a live act and not just a living room/studio project. The first incarnation included Sam, myself, Rob Taylor, Rob King, Pete Mann and Rachael Medhurst, who joined shortly after our first album was released. We needed a drummer, so we sent a couple of our songs to Carl Browne, our mutual friend. It was just few days before our first gig and he nailed everything without rehearsal. We asked him to join us and he said “Indeed shall!” The last person to join was Hannah Webb. She brought a new element to our music with the saxophone, clarinet and flute, giving us a funkier/jazzier sound. We also played with two other amazing sax players along the way – John Kasch (the blues wizard of sax, incredible player) and Katie Ind (amazing jazz multi instrumentalist).

The band in action at Mello Festival

You easily blend jazz, hip-hop, soul, R’n’B and funk into a powerful cocktail of rhythm and irresistible melodies. In your opinion, does Population: 7 sound fits any particular genre or are you happy to keep your fingers in many pies?

Haydn Rogers:  Thank you! I think we initially intended Population: 7 to be a live hip-hop group but through all of our different influences and ideas of what that should be, we ended up with something very different. Our music is an expression of our love for playing, jamming and creating, we get into a room and it just happens. The creative process is organic that way, more intuitive than conscious. The influences from other genres are intrinsically a part of us so when we play they manifest through us and form our fusion of sounds. We can be put into genres or a single genre but that is more for the listener to decide, we are too close to what we are doing to truly know. Also we’re happy to keep exploring music; it is always an adventure and a voyage of discovery

You have impressed Andrew Marston of BBC Hereford and Worcester so much that he described you as one of the best neo-soul acts in the country. After seeing you live he wrote:“What an incredible live performance. Fun, energetic and have the crowd enjoying themselves as much as the band!” It’s hard to disagree with his words as you nearly brought the entire Marrs Bar down during Worcester Music Festival on Saturday 16th of September. It was packed tight.

Giging at Marrs Bar in Worcester

Haydn Rogers:  We are very thankful to Andrew and the BBC Hereford and Worcester for playing our music and having us on at Lake Fest last year! We put a lot of effort into making sure our live shows are full of energy and it’s great to know that people appreciate that when we play. The Marrs Bar concert organized by The Task in Hand was a really enjoyable night for us and the crowd was amazing! This makes it easier for us to perform and have a great time doing it. It was a packed night and the atmosphere was intense. To capture that energy, we decided to film part of the show to make a video for our song “Swag” which will be out soon! We loved the other bands playing that night with us as well: Hoggs Bison, Theo, To The Wall, Esteban and Rosebud – check all of these out if you haven’t already!

Recently Population:7 has recorded two albums: “WHYP7” in 2016 and “Fiero” earlier this year. Despite just a year of difference between both releases, there is a massive change in your sound. “Fiero” is much more complex and adventurous. You use various singing and rapping techniques, you are not afraid to experiment with ambient and dubstep, everything seems to flow more naturally, almost with ease. We can freely use the word “mature” to describe it. You have evolved considerably as a band in a really short period of time.

Haydn Rogers: Again, thank you! A lot changed for us in that time including members and musical tastes so the music naturally moved with us. We also had time to play a lot of shows and practice hard, further discovering our sound and what P7 is and means to us. The sound will no doubt continue to change and evolve as we do as people. Music is all about people really, it’s a social thing. It is as much about our relationships and culture as it is about notes and musical structure. That is its true power – it connects people or sometimes the opposite – in our case we all agree on how it makes us feel which drives us to achieve more. We are currently bringing together the material we have been working on for the last year with a view to turn it into an album to record sometime next year.

We are intrigued by the name of the album. Tell us, what exactly is “Fiero”?

Cover of Fiero album

Haydn Rogers:  “Fiero” is an Italian word that has several meanings. I first came across it when I read “Emotions revealed: Understanding faces and feelings” by psychologist Paul Ekman. It is amazing, read it! Jane McGonigal, American game designer and author gives a good definition of fiero in her book “Reality is Broken: Why Games Make Us Better and How They Can Change the World”.  She says: “Fiero is what we feel after we triumph over adversity. You know it when you feel it – and when you see it. That’s because we almost all express fiero in exactly the same way: we throw our arms over our head and yell”. We decided to use “Fiero” as the album title after having lots of problems with the titular song. There was a very tricky section in this song, that when we eventually got it right this is exactly what we felt. It also means fierce or proud and is also the name of a 1988 mid-engined Pontiac.

Two tracks included on and “Fiero” are standing out: the hypnotic “I Say” and the crowd pleasing “Blindspot” which opens the record. We’d love to hear more about those songs.

P7 at Lake Fest rocking the BBC Introducing stage

Haydn Rogers: “I Say” is a song about not feeling in control of your life but accepting that fact. It’s also a lot of fun to play and there’s a flute bit in it that Hannah came up with that completely defines that track. “Blind Spot” is one of our older songs and has changed a fair bit over the years until we recorded it for “Fiero”.  We also did a music video for it earlier this year in our friend Diff’s basement. Thanks Diff, you are a legend!

The collective is constantly on the move. You play a lot of shows at home and away. Recently you have supported Benji and Hibbz in Birmingham at a sold out concert and enchanted the audience during very successful performances at Lakeview Festival and at The Wharf in Stourport-on-Severn.  Where will your fans have to see you live next?

Haydn Rogers: We really enjoyed playing with Benji and Hibbz at the Hare and Hounds in Birmingham. They are a really talented bunch of musicians and great people too! We ended up having a freestyle jam with them and the other act, Glimmer & Wiz.  It is really refreshing playing with a band that is genuinely up for live jamming. We have a couple of shows coming up. Please come and see us on 2nd of November at the Marrs Bar supporting the Toasters and 2nd December at the George and Dragon in Belper. We’re also planning to do a Christmas Show show at the Marrs’ Bar but we are still confirming the dates.

Another group picture from the vast band’s archives

You can follow Population:7 at:

Facebook: https://www.facebook.com/population7
Twitter: https://twitter.com/p7_population7
SoundCloud: https://soundcloud.com/population-7
Reverb Nation: https://www.reverbnation.com/population7
Bandcamp: https://population7.bandcamp.com

 

You want to hire them for your gig? Please send all request to Population7uk@gmail.com! They will get your party started like nobody else. Trust us, we haven’t danced for years but our feet start moving on their own! It’s a dangerous thing to go to their performances. You never know, you might be off  showing your best moves on the dance floor in no time!

Have a fantastic Novermber kids and keep your eyes open. Population:7 are going to be even bigger, very, very soon.

xoxo
Rita and Malicia Dabrowicz

 

Indieterria meets Lost Tiger to the Wild

Dear Readers,

Lost Tiger to the Wild band logo

On September 22 2017, Worcester will be rocked by Musicians Against Homelessness campaign. The town will host an annual gig to raise funds for Crisis,  an NGO that help vulnerable people. This year yours truly are involved and our role is to bring to light and attention of general public the amazing artists who will be playing for the fundraiser.  We have already profiled nth cave for this blog. It`s time to meet Lost Tiger To The Wild.
Believe us or not, we found them via Twitter when they were still under a different name around a year and half ago, we have been in the first row on their debut gig, we may have passed a word about them to a DJ or two. It was a pleasure to watch this duo grow into confident artists. Now it is a pleasure to present them on this blog.

Hear us roar

Jokingly referred to as the rock and roll version of the Thompson Twins (who were not real twins mind you!) brothers Alfie and Zack Jeavons-Fellows are on the straight way to stardom. Their sudden appearance on Worcester music scene less than a year ago was a true musical knock out. Powerful riffs, rhythmic beats combined with talent for writing songs you cannot get out of your head, proved to be a winning combination. We have caught up with the skilled duo to speak about their early success, getting noticed and their upcoming music.

You are identical twins, we are not seeing double, are we?

Alfie Jeavons-Fellows: (laughing) Yes, we are identical twins; born a minute apart. I’m the older of us both.

Lost Tiger to the Wild is an interesting name for a band – half poetic and half cryptic. Can you explain where it came from?

Alfie Jeavons-Fellows: We found the phrase in a book. The quote read “We have lost a tiger to the wild”. We liked the way the words worked together, so we went with ‘Lost Tiger to the Wild’. For us the name is about being free and independent.

Alfie and Zac before their BBC Introducing session with Andrew Marston for BBC Hereford and Worcester Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

 

Zac, you normally play the lead guitar and sing, while your brother Alfie is wreaking havoc behind his drum kit.  However, you are known to switch places or play different instruments such as ukulele or keyboard during your performances. Is it hard to play only with your brother as a duo or do you prefer to keep it simple?

Zac Jeavons-Fellows: Playing as a duo is easier for us. We get on really well, have similar mindsets and share an approach to our music. Decision-making is much easier. And of course sorting rehearsals is simple. We are keeping it simple; it works for us at the moment.

Are you working with any other local musicians? Do you have a backing band that is supporting you on stage on special occasions? 

Alfie Jeavons-Fellows: Yes, we do. We’ve added a bass and lead guitarist for a recent live gig, which was really good for us because we were able to experiment with the solid guitar sound that Lost Tiger is about.

Many young bands look up to your own musical heroes such as Arctic Monkeys, The Kooks, Kasabian, Oasis or Catfish and The Bottlemen and their influences can easily be heard. The music you make is hard to categorize – it is rhythmic and energetic, yet very original. What inspires you to write?

Zac Jeavons-Fellows: Song writing is all about the riff for me. The lyrics come after. I can’t really tell you where the inspiration comes from. We probably draw from blues, a bit of soul and plenty of guitar rock, although we do listen to lots of different music. Lyrics generally come from experiences – some of my own and some that I see other people going through.

Read to Rock! Photo from band archives.

BBC Introducing gave you one of the best recommendations we have seen in years. “Great guys, great melodies, great live shows, great future ahead of them”.  It is not easy to impress people who listen to music for a living.

Alfie Jeavons-Fellows: (laughing again) People who listen to live music for a living are our best critics. Honest feedback is what helps us drive forwards. The BBC Introducing chaps were really good to work with, funnily enough we bumped in to Andrew Marston after our Coventry University gig and we see Andy O’Hare all over the place. Good blokes.

You are represented by prestigious Coalition Talent Entertainment Agency in London, responsible for shaping careers of well-known acts such as Shoala Ama, Pixie Lott, The Wombats or Artful Dodger. How did your partnership begin?

Alfie Jeavons-Fellows: Once our social media started to kick off, we found several agents were getting in touch. Rather than leap at the first offer we have received, we waited for a proven talent management team that could help push our careers on. Coalition got in touch in February, making some really positive noises so we met with them in London and soon agreed to work together. Being part of the Coalition stable gives us a chance to perform with lots of other professional artists.

We have to ask about our favourite track, Remember to Breathe.  You played it at the BBC session at the Railway in Redditch to rave reviews and great compliments from the crowd. It is a powerful track with thoughtful lyrics. Tell us more about this song. 

Zac Jeavons-Fellows: I have had the chorus riff for ages and loved the way it sounded with a decent fuzz pedal. Alf developed the song without lyrics a lot and it still sounds exactly the same. Coming up with lyrics to compliment the gritty sound was a struggle until I heard a bluesy song called “Remember to Breathe” written by Australian busker, Owen Campbell. It just clicked. With a little bit of tweaking, the lyrics fitted perfectly over my verse and chorus. We love it. Hope Owen will too, when he hears it.

Lost Tiger to the Wild – performing at the Marrs Bar on 5th May 2017 – their debut gig

Debut gig on May the 5th 2017 – force was definitely with the band

Lost Tiger was only founded in November 2016 and you have been performing extensively ever since. Your achievements are most impressive: on 17th of May you played at the sold out CUSU Summer Ball 2017 at the legendary Coventry University Students’ Union supporting Tinie Tempah;  on the 10th of June you supported Lethal Bizzle at University of Essex and recently you headlined a gig for UNCOVER sessions night in Worcester. Where are you going to play next?

Alfie Jeavons-Fellows: Our next gig is the Monmouthshire Filthy Girl Mud Run After party at the beginning of September. We played the sister event in Derbyshire about a month ago which was great fun. The crowd was really up for it. Top gigs are all about the audience.

On 22nd of September you will return to Marrs Bar in Worcester to take part in Musicians Against Homelessness initiative in support of Crisis (charity combating homelessness). This nation-wide musical event is championed by Alan McGee, the founder of Creation Records and manager of Primal Scream, Oasis and The Libertines. Are you preparing anything special for the night?

Alfie Jeavons-Fellows: The Marrs Bar is the home of original music in Worcester so we’ll definitely be playing our own music. If everything goes well, we’re hoping to debut a couple of new tracks. We’re really pleased to be part of the event.

Debut gig at the Marrs Bar.

Outside of your musical careers, you are very keen on sports, especially rugby. You both play for Stourbridge RFC, also with great success. We hope you are not thinking about a sudden career-change.

Zac Jeavons-Fellows:  No, don’t worry! We’re really into music; it’s what we really want to do.

Last but not least – the fun question. Tell us the most rock and roll thing that has happened to you so far. 

Alfie Jeavons-Fellows: I think it’d be best if we keep that one to ourselves… if you ask us face to face we may answer differently.

You can follow Lost Tiger to the Wild at:

https://www.facebook.com/LostTigerBand/
https://twitter.com/LostTigerBand
https://www.youtube.com/channel/UCNcu1GbXFLTrl_UP-L9lHsw
https://www.instagram.com/LostTigerBand/

 

Lost Tiger to the Wild in Slap Magazine

You can read this interview in September issue of Slap Magazine:

http://www.slapmag.co.uk/issue-73/september-2017/

or you can download the copy here:

issue-73-september-2017

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Lost Tiger to the Wild  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

We will see you soon enough for more music,

Mal+Rita

Indieterria meets Jodie Hughes

Indieterria meets Jodie Hughes

Transmission.
Photo by Dominika Marchewka
https://www.facebook.com/a7xf0rlife

Another month, another  edition of Indieterria and we just discovered a real gem worth telling you about. So far we concentrated on bands, but this time around we will profile a solo artist (even if she is part of a band as well).  After all – variety is the spice of life.

We are beyond excited to bring you this interview . Jodie Hughes is unique: hip and mysterious, outgoing, intellectual, artistic and she`s also a polymath (person who is knowledgeable in various disciplines).  She may be very young but, as you will soon discover, she had done in her time more than a lot of us. And she is just getting started.

Jodie Hughes – In a league of her own.

In the world where artists document their entire lives on social media, Jodie Hughes goes against the current. Her online presence is minimal, she scrupulously avoids the spotlight, values education more than fame and releases her music exclusively in form of home-made demos. In the same time, she is a multi-instrumentalist (playing piano, keyboards, synths, bass, ukulele and guitar), avid busker, alumni of Worcester School of Rock, one of the youngest participants of Worcester Music Festival (she was  fifteen when she performed in 2015 to a full house) and  recently she supported  the hottest acts on indie scene – Anteros and The Assist.

We just knew that we had to interview Jodie . Not every day you meet such a diverse, young artist.

Jodie on stage
Photo by Rebecca Warr
https://www.facebook.com/rebecca.warr.7

As a singer and songwriter, your presence on local scene is strong, yet you remain mysterious and elusive. I know you fiercely guard your privacy and allow little information to appear online. By your own words, what  should be known about Jodie Huges as an artist and musician?

I have a very wide variety of influences and I like a little mystery! I’m very fussy about my original songs, they have to be perfect for me to share them.

You recently opened Independent Music Week event in Worcester by supporting such accomplished acts as The Assist and Anteros. What is your reflection of the night?

I really enjoyed it!! It was a fantastic opportunity and Independent  Music Week is brilliant for reminding people of some of the great venues that are out there. I’m very honoured to have been a part of it!

Slap Magazine described you previously as possessing “beautifully melodic vocals”, others drew comparisons to Amy McDonald, Hope Sandoval of Mazzy Star and Bilinda Butcher of My Bloody Valentine. Do you regard such praises as a compliment or unnecessary pressure?

I like hearing other people’s opinions of my music, I like learning different people’s interpretations!  I definitely see it as a compliment to be compared to such successful artists and it sometimes introduces me to new artists too!

You are being likened to Hope Sandoval also because of your unusual artistic strategy: occasional gigs instead of regular performances, busking around with no prior announcements, no demos or EPs being released. Are you waging this musical guerrilla to keep audience on their toes? 

Mostly it’s due to time constraints, it’s often difficult to balance time spent on music with college work, especially at this time of year! I definitely try to keep my music going in some form, be it writing or busking, alongside working – it’s healthy to have something separate to focus on as a break from college work.  I’m hoping to work more intensely on writing and hopefully more gigs over the summer after exams though! Plus it’s always fun to keep people guessing!!!

Jodie performing during Worcester Music Festival 2016
Photo by Rebecca Warr
https://www.facebook.com/rebecca.warr.7

Your SoundClound account is filled by original compositions and covers of eclectic artists like Neutral Milk Hotel and The Neighbourhood. You seem to enjoy confusing anyone who tries to squeeze you into a box.

I’ve always had a wide range of music tastes – I don’t think I could put myself into any box really! I’ve had phases where I’ve taken a particular type of music, like pop punk or indie, and tried to solely fit myself into that one genre, but there’s just so much out there it’s good to discover what else there is! My band do sometimes covers of many different artists – Fleetwood Mac, REM, Erasure and Beyonce to name a few.  Over the years I’ve discovered so many great artists from so many genres, I encourage everyone else to do the same.

We are intrigued by one of your original pieces  – “Don’t talk to me about death”. There is a line in the middle that goes “keep pretending that you`ll be my Kurt Cobain”. You sound almost furious in that track. Is it based on personal experience?

The song is based on a particular person – or I suppose a particular type of person – who tried to create a persona based on self-pity and trying to appear deep and meaningful through cynicism.  The Kurt Cobain reference was in relation to this idea of appearing a certain way and glorifying and romanticizing mental illness, which is often done by the media regarding celebrities such as Kurt Cobain. The idea of trying to be negative just to appear a certain way, and almost making a mockery out of mental illness by using it as an accessory, seemed so ridiculous to me, it felt necessary to voice my feelings on it somehow.

Jodie performing with her signature guitar.
Photo by Lissywitch
https://www.facebook.com/LissywitchPhoto/

Another track worth mentioning is “Mixtapes And Metaphors” – a love song with incredibly clever lyrics. As a song writer what is more important to you – composing of music or having a story to tell?

I think it’s a bit of both – they can work quite well together actually. I like intricacy, it’s something I’ve been trying to work on more by remodelling some of my old songs and adding more subtle details.  I personally find writing lyrics very difficult, so I think I generally prefer the composing and storytelling through the other parts of the song. I am hoping to improve my lyric-writing though! I find some songs with such detail and little lyrics sometimes work better (like The 1975’s song “I Like It When You Sleep For You Are So Beautiful Yet So Unaware Of It”).

Besides being a musician, you are also a skilled painter. You design all covers to your demos. Can we expect any exhibitions from you in the future?

That’d definitely be something I’d like to do one day! I’ve been experimenting with what subject matter I like to work with recently – animals and flowers have been fun to study.  Similarly to my music, it’s nice to have something to do as a break from work, and having stopped studying art at college I’ve been able to experiment more at my own pace and in my own style.

You are currently working towards a degree in law and philosophy. Do you think it is obligatory for musicians these days to have a proper education alongside their artistic endeavors?

It’s a matter of choice really.  I know some great musicians who are going to do degrees in music tech, which is a really good option for them.  I personally chose to go down a path not related to music so that I can enjoy lots of different things – Law is a subject that I really enjoy studying, whereas things like music and art I prefer to have more freedom over, and the option to pick it up as and when I have the inspiration.  I’ve personally found it harder to work creatively under time constraints. However if that works for other musicians that’s great for them!  I think everyone should consider what would be best for them in the long run, but that may be a music-based career/education for some people.

We know you prefer to take your audience by surprise. But what should we expect from Jodie Hughes in the months or years to come?

I’m hoping to go a bit more electronic maybe.  I’ve been looking into getting hold of an Akai Miniak – my dad has two he uses for gigs  and there’s so much you can do with them.  That’s definitely something I’m interested in.  Again, I’m hoping to have more time to write and record more after exams, perhaps re-recording some of my old songs and updating them a bit.  Who knows, I may even start new projects while I’m at university!

Focused, fiercely independent and always looking for new artistic endeavours, Jodie Hughes has no match on local music scene. She has created a whole league of her own.

****

Jodie Hughes – Mixtapes and Metaphors (EP review)

Mixtapes and Metaphors
EP cover

“Mixtapes and Metaphors” is a digital EP or a collection of home recordings that Jodie released between 2015 and 2017. It contains the following original compositions: Angel Statue, Crazy Scientist, Don’t Talk To Me About Death, Small Talks, unfinished version of New Years and the title track Mixtapes and Metaphors.  Each song is accompanied by a mysterious drawing, often a study of animals, human faces or natura morta.  Most tracks can be qualified into singer/songwriter category bringing comparisons with Amy McDonald or Courtney Barnett.  Don’t Talk to Me about Death stands out thanks to very personal lyrics and angry vocals, while Angel Statue incorporates keyboards, samples and has a vivid shoegaze feel to it, including distorted vocals that make Jodie Hughes sound eerily like Belinda Butcher. Somebody please call Creation Records!

On April 14th, Jodie released a new demo – Lake Water (Blue) – this time playing with synthesizers and electronica.

We thought you would like to see the covers of Jodie`s demos. They are spectacular.

Don`t talk to me about death cover

Crazy Scientist cover

Lake Water (Blue) cover

Angel Statue cover.
(word of advice -Don`t blink!)

You can read this interview (in a shorter form) in the April 2017 issue of Slap Magazine:

Interview with Jodie in April edition of Slap Mag

Page 2 of the interview printed in Slap Mag (April 2017)

Online version of the magazine can be found here:

http://www.slapmag.co.uk/slap-issues/issue-68-april-2017.pdf

or you can download the file directly from here:

issue-68-april-2017

You can follow Jodie Hughes using the links below:

https://www.facebook.com/jodiehughesmusic
http://www.worcestermusicfestival.co.uk/bands/Jodie-Hughes/
https://soundcloud.com/jodiehughesmusicandstuff
https://twitter.com/JodieHMusic

****

Independent Venue Week 2017 

Ad for UNCOVER – club night organized every month in Worcester at the Marrs Bar. This was launching night on 26.01.2017 to celebrate Independent Venue Week

Last week of January is usually dedicated to independent music venues across the country.  Worcester is a home to Marrs Bar, which is both proudly independent and ran with the local music scene in mind. On 26th January 2017, Marrs Bar hosted an opening night of UNCOVER – a local club night, while simultaneously taking part in Independent Venue Week.

UNCOVER invited some esteemed guests to play in Worcester: Anteros and Rhythm Method (London) and  The Assist (Birmingham). Jodie has been invited to represent home town scene and opened the night with a semi acoustic set.

Flyer advertising club night UNCOVER with Jodie on the bill.

It is always fun to see the jaws drop when Jodie enters the stage and beings to sing. If the audience expects a clone of Taylor Swift or Duffy belting out covers, then they are in for big disappointment.  Jodie presented a set consisting of her own tunes with occasional rendition of a song by The Neighbourhood. And she sang in such a passion and verve  like she headlined John Peel Stage at Glasto.  The audience had goose bumps and once again comparisons to Bilinda Butcher were uttered in whispers. And we won`t be lying to tell you that we have seen people leave the venue after seeing Jodie and The Assist. They did not even wait for the main act!

Jodie Hughes on stage at Marrs Bar opening for The Assist and Anteros.

Jodie opening Independent Venue Week with her performance at the Marrs Bar on 26.01.2017

After her mesmerizing set, Jodie was compared to both Hope Sandoval (Mazzy Star) and Bilinda Butcher (My Bloody Valentine)

We at Vanadian Avenue thought that such a successful debut called for a celebration. Or at least a present. Few days before the gig, we framed the poster and  handed it to Jodie once she came off stage. Here she is holding the poster with her name on it. A small memento of her big night.

Jodie posing with poster with her name on it. Framed poster was presented to her as memento.

You can see the review of the gig at Slap magazine:

Review of UNCOVER in Slap Magazine

 

http://www.slapmag.co.uk/slap-issues/issue-66-february-2017.pdf

Or you can download the file here:

issue-66-february-2017

We hope that you have enjoyed this issue of Indieterria and we will surely come back to update you on Jodie`s future plans and gigs.

Ta,

Malicia/Rita

 ****Update 30/06/2017****

Tickets for Battle of The Bands at the Worcester Rugby Club, 23rd June 2017

Flyer for the event

All you good, good people – listen to us. Time has come to introduce you to The Lightweights, a project where Jodi Hughes plays guitar and shares vocal duties. We have mentioned the band before, but in our interview we wanted to focus on Jodie alone.

Now, that we have seen The Lightweights live, we can put our stamp of approval  on them and encourage you to catch them on stage if you have a chance.

The Lightweights are a quartet consisting of Alex Russell (drums), Fiona Berry (rhythm guitar), Jodie Hughes (vox, lead guitar) and Euan Richardson (vox, bass).

The Lightweights on stage

Jodie Huges and Euan Richardson – opposites attract

We had a real pleasure to see Lightweights during The Battle of The Bands at the Worcester Rugby Club on 23rd July 2017 and they made an impact all right. Performing as a trio (Fiona Berry is on sabbatical), the band  is a very contemporary twist on American college rock, combining energy of Hole with harmonies and dynamics of Veruca Salt as Jodie and Euan take turns at the microphone. The youngest of the lot Alex (he is just 14) kept the perfect rhythm and it seemed so effortless for him. It is hard not to compare Euan to legendary bass woman Kristen Pfaff – with her dark flowing hair and elaborate stage outfit.  She and Jodie contrast and yet complete each other. Lack of second guitarist was felt, but it did not slow the band at all. We can only hope Fiona will return shortly so we can enjoy The Lightweights in their full line up.

Euan Richardson of The Lightweights

Jodie Hughes of The Lightweights

He bangs the drum – Alex Russell of The Lightweights

We grabbed some merch (pins and mirrors) from the band and count the night to be a perfect one.

Pin and mirror

Merch (front)

You can follow The Lightweights are the links below:

https://www.facebook.com/TheLightweightsBand/
https://www.instagram.com/thelightweightsband/

M/R

 ****Update 03/07/2017****

Worcester Carnival Flyer

We will return to The Lightweights for a moment as we managed to catch them live on July 1st 2017 as part of the Worcester Carnival and as usual they were stunning.  Jodie, Alex and Euan opened the stage dedicated to Worcester School of Rock and delivered 45 minutes show  despite scorching heat. Those kids may be young, but they are professional to the core. Rain, shine, 37 degrees in the shade – doesn’t matter. The band will play and the crowd will have a lot of fun.

The Lightweights at Worcester Carnival

If you haven’t heard of Worcester School of Rock and Performance before, then listen carefully – because this organisation has been operating in town for twenty years. They hold music courses for anyone between eight and eighteen and coach young musicians to be able to perform on stage as part of a – yes, you guessed it – rock band. Young artists not only learn their craft, but also polish their stage presence and get to know how to co-operate in a group. You don’t have to end up being new Rolling Stones but the skills acquired at the school will be useful thought your adult life. Nothing beats creativity and willingness to work with others.

Worcester Carnival performance by The Lightweights

The school  has regular shows at Marrs Bar (our prime venue in town), Mapp Fest and several other music events though out the year. If you feel like joining – please use the links below.  And the coolest news of the day is that on July 14th – WSRP will hold a gig at Marrs Bar and guess who is on the bill.

The Lightweights performing for Worcester Carnival on July 1st 2017

Yep The Lightweights will be rocking out and we have cameras at the ready. So expect another update to this blog. We can`t get enough of Jodie, Alex and Euan. To see them live, pleasure and privilege is ours.

Twenty years of Worcester School of Rock!

https://www.facebook.com/W.S.R.P.worcester
http://www.wsrp.co.uk/

M/R