Indieterria meets Tiger Mimic

Dear Readers,

There are many bands on the indie circuit:  the cool ones, the mysterious ones, the ones you like. And then there are bands that you simply love from the first note. It`s so good to be a music obsessive – as Steve Lamacq says – you can fall in love at least twice a week! So yeah – here we go again being head over heels with a new band. They are Tiger Mimic, they are based in London and they will headline Vandian Avenue first showcase on April 27th at the iconic Nambucca.

We cannot tell you how excited we are and how grateful too. We sat down with Jess Rhodes  of Tiger Mimic to speak to her about the band history, their excellent debut EP and even video games.

This is the band you need to know. No excuses!

 

Tiger Mimic Logo

Official bio: Tiger Mimic is a London-based band with a sound that ranges from bitcrushed anthems to sinister bass grooves to rapid-fire rock poetry and more. Their debut EP, “Elephant Skeleton”, was recorded with Grammy Award winning producer Matt Lawrence at London’s Livingston Studio. Released in January 2019, its five songs showcase their diverse range of styles and influences.

Tiger Mimic:
Jess Rhodes  (vox, synth)
Bram Johnson  (guitar,  vox)
Ben Willis  (bass, vox)
George Latham  (drums)

You named the band after a butterfly that mimics appearance of its poisonous cousin, but you are one of the most original bands we have heard this year. Please introduce yourselves to the readers of Indieterria.

Jess Rhodes: Ah, thank you so much. That’s a very kind thing to say. We’re Tiger Mimic, we’re based in London, and usually we say we’re an “indie rock” band just to keep it simple, but we do have a lot of different influences. Jess sings and plays synth, Bram sings and plays guitar, Ben plays bass and sings back-up, and George plays drums.

You may have just released your debut EP, but the band has quite a history – including a relocation to another continent. Jess and Bram started out their respective projects while living and working in NYC. They met Ben and George after coming to London. Do you think that having musicians from both sides of the Pond helped to forge your unique sound?

Jess Rhodes: I was actually born and grew up (mainly) in Europe! I was exposed to music from every genre. My mom loved Arabic and Kurdish music (I didn’t really) but sometimes people tell me my melodies have a middle-eastern tinge to them, so it’s funny how you can get influenced by what you get exposed to growing up.

Moving from NYC to London was the best decision ever, and the fact that we met Ben & George was crazy lucky. We all have diverse influences and grew up listening to so many different things, but there is also a lot of overlap, so it’s hard to say how much effect geography had. Each member brings their own style to the band, though, and it has definitely given us a sense that nothing is off limits when it comes to writing songs.

Tiger Mimic – photo by Alan Wells
https://www.facebook.com/thealanwells/

When preparing to this interview we have found information that Jess is classically trained operatic singer. Can we confirm if this is true? We interviewed some amazing and unique artists on the blog but a soprano with a degree from Italian music conservatoire would be a first!

Jess Rhodes: I was indeed classically trained. I studied with amazing teachers in Paris, Italy, and NYC. I actually only did 6 months in Milan, and then decided to move to NY. I then went a different route and studied theatre. I love singing opera, I haven’t practiced in a while, but it’s something I really enjoy singing at times. However, I didn’t have a deep passion for it, and if you’re not 100% dedicated, you can forget about it. I wanted to write my own songs, and so I did. Once you’re trained to sing a certain way, it’s actually quite hard to break that, and so I really struggled to find my voice for a while. I always felt I needed to be as loud as when I sung opera, and then I realised I really didn’t.

Your EP “Elephant Skeleton” was released in January 2019. For this record you worked with Matt Lawrence, Grammy winning producer known for helping Adele. The story is that after hearing your demos Matt wanted to work with you and most of the material was written in his studio. Were you scared to collaborate with such a big calibre name?

Jess Rhodes: We were a little anxious before meeting him that we wouldn’t be a huge priority for someone with a CV like his, but he put that to bed immediately. It was amazing to work with him! He’s such a nice, talented, humble person. We actually didn’t write much in the studio, though, most of the songs had been written in NY and Paris right before coming to London. There were a few little flourishes and lyric tweaks and things like that, but the songs were pretty fully fleshed out when we went in.

Matt did give us some great guidance in rehearsals before heading into the studio, but he always posed it as a question, such as “Well, would this song be better if you added a bridge?”, or “What would it sound like if this part had a slightly different groove?”

One of the things we really appreciated was that he liked the music and didn’t want to change what we were already doing, but he would put forward these questions that made us consider whether we had explored all the possibilities with a given song. It was good to be challenged like that and I think we came out of that process with a much more critical ear for our work.

The future looks bright – photo by Alan Wells
https://www.facebook.com/thealanwells/

The EP is promoted by two singles – “Don’t Cover Up My Eyes” and the title track. We want to ask you about the video to “Elephant Skeleton”. It shows a 8 bit point and shoot game where an animal tries to recover his bones while the band members serve as evil bosses. Where did you get the idea from and who directed it. Also – will there be a continuation?

Jess Rhodes: The video game idea started sort of accidentally. Bram made a really short video of a dandelion seed floating over some hills just as a short promotional video teaser for Elephant Skeleton and it had that sort of lo-fi, video game look to it. We started talking about turning it into a full length idea and that’s when we decided to make the story about the elephants.

After one night of goofy brainstorming, we drew a little storyboard and then Bram put the whole thing together. He’s not trained in animation, so it was a huge learning curve and took quite a while, but it was fun watching it come together bit by bit. We sometimes think about cooking up a sequel video, but Bram is still a little traumatised from staring at a computer screen for months, so it’ll have to be for a future song.

The band just played first major festival – Cro Cro Land, taking to the stage next to such established acts as Bang Bang Romeo and The Lovely Eggs. We imagine it must have been a lot of fun and a lot of nerves in equal measure. Did you like it?

Jess Rhodes: Oh my God. It was the most incredible day ever. We would’ve gone to Cro Cro even if we hadn’t been invited to play, because the lineup was absolutely sick. I can usually get quite nervous before a gig, and although that was our biggest gig, I wasn’t as stressed as I thought I’d be! Maybe it’s because there was such a huge supportive community feeling going on the whole day!

Bram, on the other hand, had non-stop nightmares the night before about getting bumped from the show or something else going wrong, so it was a huge relief for him when we actually walked out on stage. Seriously, though, everyone involved was incredible. Angela Martin, Julia Woollams, the bands, journalists, photographers, event staff, engineers (sound and light), just everyone was so wonderful.

Your music has been described as a mix of guitar based indie, ska and 1960s pop bands. But outside how the music critics see you – do you have your own term for your sound?

Jess Rhodes: It’s like you say, we get a lot of different reactions to our sound, so we actually struggle a bit to settle on a genre when people ask. Indie Rock has been our go-to, since it’s a fairly broad category, but a lot of people have really specific (and sometimes angry) opinions about what Indie Rock actually is, so we have yet to find a term that satisfies everyone. Any ideas?

Poster for Nambucca headline gig

Tiger Mimic will headline iconic London venue Nambucca on 27th April – what can we expect from your live shows?

Jess Rhodes: Oh man, we can’t wait! We’ll be playing with the awesome Lower Loveday and Memes, and we already know it’s gonna be a great night! Nambucca is a really great venue, too, and we’re so happy to play there again.  Our live show has a lot of dynamic shifts, trading vocal parts, harmonies, and riffs. One thing we’ve always appreciated hearing after a show is that each song sounds completely different from each other, but they all still sound like us. That’s about as cool of a compliment as we could hope for.

We want to ask you about the story behind your song “I Took Off My Body”. It is probably the saddest song on the EP lyrics wise. At points it feels traumatic especially in the age of Me Too movement.

Jess Rhodes:  I Took Off My Body was actually written a few days before we went in to record it. Bram had this really cool instrumental guitar part and was playing it for fun, and I just started improvising over it and insisted we take it to the studio. It tells the story of someone removing the many layers of their body in an effort to find themselves inside (waiting in the dark, waiting for a light).

It’s a reflection on the world’s tendency to make judgements with their eyes, while ignoring whoever is inside that body. It is definitely a problem that’s been going on for a long time. It’s really sad that we live in a world where we have to be on our guards at all times.

For instance, I went to a gig a few days ago and a man kept bothering me, so I moved to the other side, and talked about it to a friend who was there too. Turned out he had also touched her and another woman inappropriately. So in the span of 5 minutes, he managed to make 3 (or more) women feel extremely uncomfortable. He was just seen by everyone else as the “annoying drunk guy” but his behaviour should be seen for what it is: completely unacceptable and absolutely disgusting. The Me Too movement is incredible, I think it shows just how powerful victims can actually be when they get together, and also shows how there should be no stigma or shame around the word “victim”. The only people who should feel shame are the perpetrators, harassers, and abusers.

Tiger Mimic are ready to take over – photo by Alan Wells
https://www.facebook.com/thealanwells/

In one year you have accomplished more than many bands in their whole life span: working with top producers, releasing EP, playing festivals. What else have you got planned for 2019 and beyond?

Jess Rhodes: Aw, that’s nice of you to say. We definitely try to work as hard as we can on this, it’s our dream and the main reason we came over to London. We’ve been lucky to connect with a lot of awesome people, there are so many unsung heroes around town who are so supportive of the scene and that’s been incredible.

As for 2019, we’re heading down to Brighton for the first time in May for the Brighton Mix-Up festival, which is super exciting. We’re hoping to get back in the studio in May too, if we can swing it, we have a lot of new songs ready to go. After that we’ll see what comes up. There are a few exciting rumours floating around, but nothing we can share yet, so hopefully we’ll have some big announcements soon.

Last question – if Tiger Mimic could become characters in a video game what title would it be? Final Fantasy? Tomb Raider? Mortal Kombat or would you have your own title. You can pick any game.

Hmmm… aside from the Elephant Skeleton video, in which we’ve already been game-ified, here are some nerdy answers for you:

Ben Willis: I’d be Commander Shepard from Mass Effect. I still remember my first inter-species love affair with fondness.

Bram Johnson: I’d be Manny Calavera from Grim Fandango. He’s a grim reaper in a crime noir version of the Mexican Land Of The Dead who spends years going to any lengths trying to save a soul that was cheated out of their rightful afterlife. I always liked that he was a regular guy, no bulging muscles or guns or anything, just tenacity.

Jess Rhodes: I’d be Sindel from Mortal Kombat. I’d love to be able to kick ass just by whipping my hair!

George couldn’t be reached for comment, but we’ll ask him next time we rehearse. Important information to know.

We absolute love Tiger Mimic. They are one in a million.

You can follow the band on socials:

https://www.tigermimic.com/
https://www.facebook.com/tigermimicband/
https://www.instagram.com/tiger.mimic
https://twitter.com/TigerMimic
https://www.youtube.com/channel/UC7qT0D9stk05ym53ziRGwzg
https://soundcloud.com/tigermimic
https://open.spotify.com/artist/296hyITffv9hw30ypToBi7?si=Khrq4iL0RT6Rbm2Bf0426g

You can purchase the EP “Elephant Skeleton” at the link below:

http://www.smarturl.it/tigermimic

If you fancy a bit of extra reading – here are some fantastic articles about the band from other independent blogs:

https://www.musicmusingsandsuch.com/musicmusingsandsuch/2018/9/16/interview-tiger-mimic
https://gigradar.co.uk/introducing-tiger-mimic/
https://www.croydonist.co.uk/tiger-mimic/
https://thegirlsattherockshow.com/song-of-the-day-tiger-mimic-dont-cover-up-my-eyes/

Tiger Mimic will headline the Nambucca on April 27th in London. The entry is free. You can find the info for the event on socials:

https://www.facebook.com/events/658720734568060/

We hope you enjoyed this little blog. We will be back
M/R

Indieterria meets Ivory Wave

Dear readers,

West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics, MeMe Detroit, Table Scraps, Cherry Pickles, The Novus, The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of  the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.

George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)

Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.

About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“

Ivory Wave picture taken by James Kay

Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?

Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!

You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?

Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.

We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?

Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.

You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?

Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.

BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?

Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.

The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?

Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.

Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay

You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?

Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.

Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?

Seb Baldwin:  We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.

April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?

Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!

Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?

Seb Baldwin:  We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.

They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?

Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.

Articles:
https://counteract.co/interview/interview-ivory-wave-discuss-their-biggest-gig-to-date/
https://www.shiiineon.com/blog/ivorywave/
http://www.uniquelullaby.co.uk/2019/01/interview-w-ivory-wave.html
https://wordsformusic.blog/2019/01/27/band-profile-ivory-wave/
https://www.musicglue.com/ivorywaveuk/bio

Catch Ivory Wave on tour and you can now win two tickets  for their homecoming gig in Birmingham.
Good luck!

Please come back soon as we have some very interesting interviews and reviews coming later this month.
Catch you soon!

R+M

Indieterria meets Table Scraps

Dear Readers

Over the last two year, we had a pleasure to speak to many wonderful bands and artists. To interview some of them, we have been waiting several months (in one case, it has even been over a year and still counting!) but it is always worth the time. And sometimes all it takes is you listen to a song, you fall in love with it and  you contact the band asking if they would be willing to talk to you and they say yes under 1 minute. We sat down with Table Scraps, right after their return from SXSW, the biggest music conference in the world, to discuss their influences, musical references and going on tour with Monster Magnet.  We hope you will enjoy reading it as much as we did, talking to the band. Now we need to see them live. Another band added to our bucket list this year!

Band logo

Official bio:  Celebrated for their bruising and feedback-drenched live shows, as well as a knack for crafting the perfect nagging hook, Birmingham’s Table Scraps have gradually fought their way to the top of the garage rock pile by conquering stages and refusing to compromise. After self-releasing a clutch of praised 7’s and an LP, as well as holding their own alongside heavyweights such as Fat White Family, IDLES and Black Lips, the ‘Scraps soon found interest after plays on Radio 1 and BBC 6 Music started to rack up. However, they insisted on continuing to do things their own way: self-recording, creating their own nightmare worlds in homemade zines and shooting their own B-movie style videos. “Autonomy”, the band’s most recent LP, surfaced in February 2018 to widespread enthusiasm and was picked up for release in the US by the legendary Burger Records. A huge European tour with stoner legends Monster Magnet (at the insistence of fan Dave Wyndorf himself) quickly brought Table Scraps to a new legion of enthusiastic continental headbangers. Wyndorf, as well as Joe Talbot of IDLES and Grace Jones, are part of a growing swathe of those who realize that it’s only a matter of time before Table Scraps go on to bigger and better things.

“Dark and brilliant” (DIY Magazine),
“Check‘em out pronto” (Metal Hammer)
“Table Scraps are awesome!” (Dave Wyndorf, Classic Rock).

Table Scraps photographed by Meg Lavender

Scott Vincent Abbott – Guitar & Vox
Poppy Twist – Drums & Vox
TJ – Bass & Vox

Joe Talbot, the lead singer of IDLES said: “If you don’t know Table Scraps, you’re a fucking idiot!”. That’s the best recommendation we have ever heard! Please introduce yourselves to the readers of Indieterria.

Table Scraps: We are Table Scraps – a three piece garage doom band from Birmingham.

Your bands name is very unusual. By definition, table scraps are the leftovers  nobody wants to touch. It is either something disgusting or something insignificant. Why did you decide to go with name like that?

Table Scraps: We’re very much inspired by the gross out tradition, which to us is as diverse as first wave punk to John Waters movies. Trash in all its glory! Disposable and throwaway is what we wanted when Scott chose Table Scraps. Particularly when there is such a modern tradition of agonizing over a band name that is deep, evocative and edgy. That whole thing bored us to the point of going the opposite way: there isn’t a less evocative word than “table” after all.

Table Scraps are being described as Idles meets Duran Duran with Mark E Smith on vocals and David Bowie/The Ramones influences. We very rarely agree with online classifications but this one seems to sum your music pretty well. Do you agree?

Table Scraps: Definitely not when it comes to Duran Duran and Scott’s vocals are far more rooted in the American vocal traditions of blues, rock’n’roll and 80s west coast punk as opposed to someone like the great MES, who is from a much more British evolution of post-punk. It is a genre we all love but don’t bear much similarity to for the most part. Idles and The Ramones are probably closer to our stable, particularly our attitudes towards what bands and songs should be like. There’s a lot of hard rock, metal, psych, garage and 60’s girl group influence that are really foundational to what Table Scraps do too. We love a bit of glam but it doesn’t pop up very often. That’s more of a London band extravagance.

“Autonomy” album cover

You are known for your specific approach to marketing. You are fiercely independent and if you can do something against the current tides or ideas, you will. Creating home made zines, recording in strange places, breaking stereotypes – you are masters of  unconventional PR. Where do you take your ideas from?

Table Scraps: A lot of our approach is very much based on practicality. We are so detached from the UK’s music industry, which is almost exclusively in London, that there isn’t really any benefit to us playing by the rules. We’ve also been there and done that when it comes to “the right way” in our younger years and it only takes one peek behind the big label curtain to realise that it’s all a load of big budget tricks that rarely work anyway.

While so much has changed in the past ten years when it comes to income, streaming, artist discovery and so on, what doesn’t change is the fact that people want to see good bands live and people also like nice physical product. Like the majority of the population, we aren’t rich enough to buy every single LP we want so we only choose the ones that are special or different. It makes perfect sense that we would then use that in our own approach to putting our music out there. Most of our ideas come from boredom and frustration that no one else has done it already!

Let’s talk about your videos – apparently you make them yourselves. They show real directing skills and what’s really important to us, a deep understanding of pop culture. The video to “Electricity” feels like an intro to a Rob Zombie film, “Sick of Me” channels Spoke Jones, “Motorcycle (Straight to Hell)” contains references to several hit songs such as “I will walk 500 miles” by The Proclaimers and “Loser” by Beck. Our favourite video, “I’m a failure” is a very faithful homage to “Beavis and Butt-Head” (down to the same type of sofa and descriptions for each song shown on the telly) and MTV Oddities (The Brothers Grunt, Aexon Flux, or Maxxx). You are too young to remember those shows/songs from your experience – how do you know about them? Through Internet or research?

Table Scraps: Fortunately we are good looking enough to appear younger than we actually are as most of these references are not lost on us. Particularly as Poppy and TJ are children of the internet where suddenly the wealth of history and pop culture becomes an explosion of access instead of a straight line. We are collectors and obsessives so we naturally gravitate towards things that are high quality and know their references. Our dissatisfaction with bringing other people in to the creative process of Table Scraps is what drove us to make it all ourselves. That and it’s just too expensive to rely on a team of people to do everything for you.

Poppy bought her first DSLR at some point in 2014 and we began shooting videos with it immediately. We taught ourselves the whole process to the point that we make music videos for lots of other bands now which is a nice reminder of how far you can come if you just rely on yourself to do things the way you want rather than relying on other people to bring their interpretation to it and muddy your vision.

Your releases (especially your latest LP “Autonomy”) received a flood of rave reviews. DIY Magazine called you “Brilliant” and “Groundbreaking”, Louder than War claimed you defined “21st century rock and roll”, Clash Magazine described  you as “A real punch” and BBC1 gave you 12 stars out of 10. Have you expected such praise?

Table Scraps: (laughing) We think there may be a small element of misquoting going on there but appreciate it all the same! We don’t expect such praise because we don’t seek it out but it is very encouraging to get and it does help to make things happen for us. It’s particularly nice when we don’t have someone greasing the wheels for us behind the scenes and it comes straight from us. The press and radio team we had for “Autonomy” were wonderful and took the time to understand what we were doing so they did an excellent job at getting it out to more people.

Table Scraps promo picture

You went on tour with the legendary Monster Magnet! How did it go? It must have been one-of-a-kind rock and roll journey!

Table Scraps: The tour with Monster Magnet was insane and a real eye opener for us, particularly as everything about it was so out of our comfort zone. We went, virtually overnight, from a small garage rock band mostly playing in 150 cap clubs to an audience mostly comprised of tasteful garage rock fans who got the references to playing in 2000 cap venues to what we feared might be quite a tough crowd in the stoner/metal bracket. We worried that we might not translate to the size of the rooms and that we would seem out of place with such a heavy band as Monster Magnet but Dave Wyndorf loved us, understood us and Magnet’s audience and insisted that we be there.

Clearly he saw it better than we did as we were kind of the perfect fit and we really rose to the challenge as opposed to a meat and potatoes metal band and we went down incredibly well. We got a lot louder and a lot more comfortable with our hard rock/psych influences there which was very freeing. People on the continent are a lot more accommodating and we had an absolute blast. It showed us that we didn’t need to be so protective and could genuinely kill it on a big stage.

We have to ask about SXSW, you have just returned from Texas. Tell us more about your trip. How many showcases you played? Did you have fun?

Table Scraps: As it is with most things we do, official selection for SXSW was 100% something we never expected to receive. It’s probably a Midlands thing but despite our confidence and commitment to Table Scraps, our expectations are usually extremely low. Like everything else we do, we had no industry backing or money other than that we had raised ourselves and it did represent quite a big risk when we need to be careful with what we spend our money on but there was no way we could turn it down.

Fortunately we really drew people towards us at the shows and we got to play to a lot of new people who were really excited by us. Like the Magnet tour it is very representative of another hard fought step forward. We played nine shows altogether (three in one day!) and got to play at Hotel Vegas twice which was a dream come true. You realize quite quickly that lots of bands you admire and have wanted to see for a long time genuinely see you as their equal and are just as complimentary about you as you are of them. It was a really wonderful and empowering week. Americans are so enthusiastic and sincere and it’s really cute.

There is a word on the streets that Table Scraps are working on new material to be released later this year. Are you planning another record or something else. What can you tell us without spoiling the surprise?

Table Scraps: We are always working on new material in our studio! We aren’t making any promises when it comes to a release date but the new material will genuinely be worth the wait. It’s most certainly indicative of our growing confidence and refusal to follow the crowd because it genuinely sounds like nothing else. It might be a bit of a curveball for some but it’s heavy, it’s fun and it’s got what I think are the best songs Scott has ever written on it. It’s all about the songs!

2019 has been a very busy year for you so far. What are your plans  for the next couple of months? More gigs? Long-deserved holidays?

Table Scraps: Back to the studio to add some finishing touches to what we’ve been working away on for the previous twelve months and then lots of good stuff which is soon to be announced. Certainly lots more gigs. We’re playing for our friends in IDLES’ after-party following their third and final headline at HEAVEN on April 6th at The Garage in London. USA Nails are brilliant and are playing too and our friends Danny Nedelko from Heavy Lungs and Steve Lamacq are DJing too. We can’t wait. So proud of The IDLES!

Table Scraps on SXSW, picture by SKCPhotography

It is our tradition to have a bit of fun with the last question. Let’s say you can compose the perfect rider for yourselves but it will be served to you on tour every night. What’s on the menu?

Table Scraps: (laughing) Whatever we want as long as there is double the amount of beer that was originally intended!

You can follow Table Scraps on their social medias:

Website: https://www.tablescrapsband.com 
Facebook: https://www.facebook.com/tablescrapshq/
Twitter: https://twitter.com/TableScrapsBand
Youtube: https://www.youtube.com/channel/UChFw0Lv7eMvylKWfXdyuZ7Q
Instagram: https://www.instagram.com/table_scraps/
Bandcamp: https://table-scraps.bandcamp.com/
Soundcloud: https://soundcloud.com/table-scraps-1

You can also learn more about this excellent trio by reading some of the articles about them:

https://counteract.co/features/band-of-the-week/band-of-the-week-004-table-scraps/
http://drownedinsound.com/releases/20233/reviews/4151646
https://www.musicglue.com/tablescraps/about
https://www.m-magazine.co.uk/newmusic/30seconds/30-seconds-interview-table-scraps/
http://diymag.com/2018/02/23/table-scraps-autonomy-album-review

Come back soon as we are planning something really cool and we cannot wait to share it with you!
See ya later,
xx
R+M

Indieterria meets MeMe Detroit

Hello!

West Midlands music scene is one of the the most original and diverse scenes in the United Kingdom. It has always been very strong with acts such as Duran Duran, Black Sabbath and the girl band Cleopatra coming out of Birmingham and changing the national musical landscapes. Grime, hip-hop, psychedelia, experimental rock, lyrical and even choral music – West Midland have it all.  We would like to invite you to meet another talented artist from our region that is making a name for herself. Maria Theresa Rodriquez, better known as a MeMe Detroit sat down with Indieterria to discuss growing up within musical family, acting career and who she would take to Glastonbury with her.

logo

Face paint and battle stance

Maria Theresa Rodriquez (vocals and guitar)
Paris Moon Fennell (bass)
Nick Sharman (live drummer)

There are many theories as to what “MeMe Detroit” stands for. Brum Radio speculated that it is the name of your alter ego that you take up on stage, BBC Introducing wrote that it was taken from an old American movie. What or maybe who is MeMe Detroit? 

Maria: “MeMe Detroit” is in fact the alter ego of me, Maria Theresa Rodriguez. MeMe comes from the nickname given to me by my Grandma as a kid. The Detroit part? That just happened to be written my other half’s T-shirt when thinking of a name! (laughing)

Everything about you is a bit mysterious. In interviews you refer to MeMe as a “project” but you perform with the same musicians. We need to ask is MeMe Detroit a solo endeavour or a full fledged band? Who accompanies you on stage?

Maria: MeMe Detroit started off as a solo endeavour, however as the live show came together, it morphed into a bit of both. My band members are now a massive part of it. Paris Moon Fennell is a kick ass bassist and she just oozes cool. We’re currently auditioning for a new full time drummer but have the awesome Nick Sharman in as our current live drummer.

Tell us about the striking make up you are wearing during performances? It looks like a tribal tattoo. Is there any meaning behind it? 

Maria: I wanted to do something that says, “This is MeMe Detroit”, something I could almost morph into, a branding kind of thing. I sat in front of a mirror for several hours, getting a numb butt and trying out different make up and colour designs before settling on what you see on stage now. It was inspired a little by Daryl Hannah’s look in the original “Blade Runner” film.

You grew up in Stratford-upon-Avon in a mixed raced family with Colombian and English family members. Was your childhood any different than that of your peers?

Maria: I wouldn’t say it was different, although I used to secretly pray that the teachers wouldn’t read out my full name during registration (laughing)! There was a small element of bullying in school that came with being “half foreign” which I’m not gonna lie, did affect me but I think now I’m older, it made me want to shout out about my background and heritages even more! I’m proud as fuck of my British and of my Colombian ethnicity. Also, I got to have well cool holidays as a kid visiting British seaside towns and South A-fucking-America!

Has your upbringing shaped you as an artist? 

Maria: My whole family were and still are all pretty big music fans so I was constantly surrounded by music of all genres growing up. My dad used to play Latin hits, turning the volume up really loud in the car and winding down all the windows driving through the town centre to embarrass me as a kid! Whilst my Grandma would play dress up with me and get me singing and performing plays & musicals! Then there was the box of vinyl that’s been passed through generations, each adding their element. Having that huge influence of multi-genres in my every day life has definitely shaped me as an artist.

Maria as MeMe Detroit

Despite developing an acute allergy to Shakespeare in your youth, you worked as an actress, with much success. Is your stage and film experience useful in your current career?

Maria: Ha ha ha! Funny you should ask! We’ve just shot a new video which we’ve approached as more of a short film. It’s mega handy being able to act when you’re in need of an actor for a video. And it is helpful when shooting videos in general, especially live streams!

You debuted in 2016 with an EP entitled “‘Live to Love You’ll Love to Live” to  one of the best reviews for an independent release we have ever heard.  Punk rock legend, John Robb (The Membranes) called you “outstanding”, Louder Than War magazine wrote that you “bridge the gaps between indie, grunge and blues rock” and BBC West Midlands insisted that your music is “simply spectacular”. Have you ever thought of receiving such positive reaction to your work?

Maria: No I have not. You always dream of it but I’m also my own worst critic! I do believe in my work now though more than ever so to have that backed up by such awesome comments and reviews is really humbling and just is really bloody ace!

Tell us more about your newest material “Life In the now”. You have described it in previous interviews as your best compositions so far. Where have you recorded it and how many tracks are on it?

Maria: “Life In The Now” was recorded at Park Studios in Birmingham with producer Alastair Jamieson. There’s 5 tracks on it including singles, “Soc Med Junkies”, “Churchside Inn” & “De Moe”. I wanted to make a powerful in-your-face record with a running theme of positivist underneath it, a fun fuelled blast of Uplifting Angst.

You will be touring quite a bit in the coming months: Birmingham, Stourbridge, Oxford, Mossley – can you tell us what people can expect from your live performances. Also, is there a chance to catch you at any of the summer festivals this year?

Maria: For me, playing live is really what being a musician is all about but it would be nothing without the fans. They’re as much a part of it as we are. Being up there and getting to be completely engulfed in a music fuelled intoxication, music that you’ve made and then getting to share that magnetic euphoria with a crowd of people all on the same level. Nothing fucking beats it!

So far on the festival front, We’ll be at Lichfield Arts Fuse festival in July.

Meme Detroit loves a good laugh!

The word on the circuit is that there may be a new single shortly. If it’s true, are you able to reveal anything about the song? 

Maria: That it is! We are actually releasing a single version of the track “Will You Be My Lie” which is taken from the “Life In The Now” EP. It’ll be released in May alongside the short film/video and with a brand new remix by an awesome artist called DantannaBeatz, which incidentally, I have just heard for the first time this eve and it’s killer!

Cheeky question but we just can’t help ourselves. Imagine you were given the right to curate a stage at Glasto and you can take 5 acts from West Midlands. Who gets to play? 

Maria: Ooh! That’s a tough one. I’d have to say: Blue Nation, Sulpher, Chloe Mogg, Lady Sanity and The Pagans S.O.H

MeMe live in action

You can follow Maria on social media at:

http://www.memedetroitepk.com/
https://www.facebook.com/MeMeDetroitofficial/
https://twitter.com/memedetroit
https://soundcloud.com/memedetroit
https://open.spotify.com/artist/7g5I0NVNGr5FaI4e7Xke6X?si=GH1HeQfTQRKmYF4EC1kYaw

 

You can stream and buy Meme`s music from the link below:
http://smarturl.it/lifeinthenowep

Live in Birmingham

Me Me Detroit will perform at The Victoria in Birmingham on Saturday, 23rd of March alongside London based bands MOSES, Dirty Orange, and Malvern rockers, The Dead Dads Club. The show is organised by Modern Age Music. Tickets costs £5 and the doors are opening at 7:00 pm.

More information: https://www.facebook.com/events/1954968431464900/
Tickets: https://www.skiddle.com/whats-on/Birmingham/The-Victoria/Modern-Age-Music-Birmingham/13465152/

See you soon!
M+R Dabrowicz

Indieterria meets Shari Denson

Dear Readers,

In December 2018, we have travelled to Manchester to see a photography exhibition entitled “There Is A Light That Never Goes Out”. It chronicled city`s musical heritage via the lenses of local photographers. We have to admit – it was an extraordinary experience to see all the iconic shots beautifully laid out at the Manchester Central Library. As expected thousands of locals and tourists alike flocked to see it. We promised ourselves that next time another such exhibition is held in Manchester, we`d be back to attend its opening.

Meg Lores of The White Stripes photographed by Shari Denson

And we are!  We cannot be more excited to tell you that on February 22nd two leading female photographers – Karen McBride and  Shari Denson will join forces to create one night only photography exposition (in a secret location for now) to showcase their work. If you are a music obsessive like us  – you don’t need an introduction to the magnificent images produced by both ladies.  Everyone else just needs to know this – Karen and Shari revolutionised pages of music magazines and bands portfolios. They set the bar incredibly high but also inspired many starting photographers.

We are lucky – not only a weekend of incredible art and music awaits us in Manchester  – we also were able to interview both iconic photographers ahead of the exhibition for this blog.

This chapter is dedicated to Shari Denson, you can read our interview with Karen McBride by clicking on the link below:
https://cocamidemea.wordpress.com/2019/02/17/indieterria-meets-karen-mcbride/

So without further delay.  Dear readers – please meet one of the most influential music photographers known to English music scene.

Shari Denson photographed by Stuart Hadfield
https://www.facebook.com/stuart.hadfield.94

You worked with the likes of White Stripes, Interpol and Elbow while your images have been featured  on album covers (Ian Brown), in print (Independent, NME, Guardian, Louder Than War), in retail (Amazon) and on television (The Mercury Prize, Later with Jools Holland). Please introduce yourself to the readers of Indieterria.

Shari Denson: Hello, I’m Shari

It is said that you became a photographer after attending  many concerts around Manchester – including legendary venues such as Manchester Apollo. Looking back, was there ever a definitive moment  when you realized that you wanted to capture moments on film, or was it rather a longer process that lead you to photography?

Shari Denson:  It was long, long process. I’ve been a bar maid, a stage manager, a clapper/loader and focus puller on films amongst other things before I finally started being serious about photography. I wanted to make films and was doing a film studies degree. When I had my first child half way through the degree I switched to still photography so I could be in control of my time. You have to go by everyone else’s schedule when working on a film. So even though I’d always taken photos at gigs from being young, it was never with a view to making anything beautiful or striking, it was just for memories. I mean, my photos still serve as memories now but hopefully with an extra layer or two.  So  I was 30 when I got my first SLR camera and fell in love with photography. Fairly soon after that, I needed to complete an assignment for university and I decided to do it on live music photography.  And that was where it began for me.

Music was always around you – your brother  as dedicated gig goer took you to see The Teardrop Explodes and Echo and the Bunnymen when you were just ten years old, while your father  was a musician. This may sound a bit like a question they ask on Desert Island Discs – but if you were to name five records that shaped you the most – what would you choose?

Shari Denson:  I’d chose the following:

More Songs about Buildings and Food – Talking Heads
For the Roses – Joni Mitchell
Desire – Bob Dylan
The Spangle Maker 12” which also included Pearly-Dewdrops Drops – Cocteau Twins
Porcupine – Echo and the Bunnymen

iconic image of Elbow – photographed by Shari Denson

Every photographer could write a book about funny, slightly horrifying or straightforwardly weird situations they encounter behind the scenes of the glamour photo-shoots. Please, share one such a story with our readers.

Shari Denson:  That time I took a Sheffield band, Trap 2 on Saddleworth Moor in the freezing cold winter..forgetting it was a bit nippy, then asked them to hang about near some trees in the woods on the way back home, whilst I lit them with fireworks. All I could see was smoke, and all I could hear was coughing and spluttering, whilst I assured them everything was fine. The shots were awful but we had a scream. Great band, and really lovely lads who put with all sorts from me (laughs)

Your best known photo – that of Elbow from the promo session to their album “The Seldom Seen Kid” has been recreated as a mosaic by artist Mark Kennedy,  and is now exhibited on outside wall of the iconic Affleck’s  store. We imagine you must be feeling very proud every time you are on Tib Street.

Shari Denson: Yes, I mean it would have been nice to know about it 10 years ago when Mark decided he wanted to use the image… I only found out about a year ago. I’m sure my parents, who were still around at the time, would have been very proud indeed.

Mosaic by artist Mark Kennedy displayed at the wall of iconic Manchester landmark- Affleck`s http://www.markkennedy.co.uk/

Besides photography, you also direct videos and worked with Blaney, The Winachi Tribe, The Northstand, The Tapestry, The Backhanders, and The New Southern Electrikk among others.  Was it hard to transition from photography to video? Do you have any artists that you would like to work with?

Shari Denson:  Well, as I said before, I’ve always been interested in the moving image,  so the transition was exciting. I had the pleasure of learning how to use Final Cut editing software during my time at Badkamra, a video production company so it seemed natural thing to make music videos.  I wouldn’t name any band in particular, I just like to work with creative and collaborative, like-minded people.

In 2007 you had your first exhibition entitled “I don’t want to belong to any club that would have me as a member” at Warrington Museum and Art Gallery. Other exhibition soon followed such as solo exposition at the Kro2 Oxford Road in Manchester in 2013, Night & Day Café in 2014 or Suffragette City in 2018. How do you prepare yourself before each event?  

Shari Denson:  Mostly by having a major meltdown. Apart from Night & Day, which was made much easier by Jan, who helped me immensely.

Your next exposition is a one night only “A Very Insecure Exhibition” that will happen on 22 February 2019 in yet undisclosed location in Manchester. It will be a joint event with another well known photographer Karen McBride. Can you tell us what can we expect?

Shari Denson: (laughs) I can only tell you this…you can expect something different….heartfelt and beautiful whilst being bold and powerful.

Trap photographed by Shari Denson

There is also a book prepared for the occasion. It looks amazing from the promotional shot we have seen so far. How long did the entire event took planning wise. And can the book be purchased online by those who cannot make it to the opening? 

Shari Denson:  Yes, it can. At https://ukgiclee.co.uk/avie/  We’re very pleased with it.

Manchester is famous for many things, among them Vimto, football and (of course) the music scene. The National Football Museum has been opened in the city centre since 2011 but somehow The Music Museum still hasn’t happened yet. Do you think it is high time that Manchester got a dedicated  place to properly celebrate its photographic and musical heritage?

Shari Denson:  I think that sounds like a marvelous idea!

You must have been asked many times about  your favourite shot you have taken. We want to know the opposite: what picture (if given the chance) would you permanently removed from your catalogue?

Shari Denson:  None. Each and every one has it’s place. They serve as my memories. I get emotionally attached to them and I don’t deal well with loss, so I wouldn’t get rid of any.

Flyer for the exhibition

A Very Insecure Exhibition

22nd February
Now revealed as Projekts MCR (SkatePark at Mancunian Way)
97 London Rd, Manchester M1 2PG
http://www.projektsmcr.com/
20:00 pm – 23:30 pm

Tickets cost £6 -£8 and can be purchased from the link below:
https://www.universe.com/events/a-very-insecure-exhibition-tickets-manchester-5K0X7V

You can also get all the newest updates from the event page:
https://www.facebook.com/events/1180667978750896/

Flyer for A Very Insecure Exhibition

You can follow Shari on social media and we encourage you to do it, she is a phenomenal artist!

https://sharidenson.co.uk
https://www.facebook.com/sharidenson
https://twitter.com/sharidenson
https://www.instagram.com/sharidenson/

For those who enjoy a bit of additional reading, we have found a bunch of articles about Shari and her work.

http://www.mancunianmatters.co.uk/content/070377293-suffragette-city-mm-meet-two-manchesters-most-influential-women-shaping-music
https://www.mdmarchive.co.uk/artefact/18946/ELBOW_IAN_BROWN_I_AM_KLOOT_SHARI_DENSON_PHOTOGRAPH_2018
https://www.manchestereveningnews.co.uk/whats-on/going-out/sharis-homage-to-the-stars-1000324
https://louderthanwar.com/2-manchesters-best-photographers-announce-photo-book-launch-party-conversation-john-robb/

What else can we tell you?  Come back next week as we will publish our interview with Karen McBride. And prepare yourself for updates, images and maybe even polaroids from the opening. Its gonna be a proper party in the North.

All the best for now,
Mal/Rita

Indieterria meets The Novus

Dear Readers!

It`s Valentines! What`s a better way to celebrate the day than interviewing a band we have fallen in love with? Let us tell you about this particular bunch of talented friends who are shaking up entire indie scene in West Midlands and turn heads wherever they go. Despite their young age – they are determined and focused, they relentlessly play up and down the country, including gigs in London, they gathered themselves invitation from This Feeling and a mention in NME by Alan McGee himself.  They are more than ready to leave their mark on the scene and follow the likes of The Blinders, False Heads or Avalanche Party to bigger things and bigger stages.  We won`t be surprised to  see them going to SXSW next year.

Ladies and Gentlemen of the independent music circuit – please meet The Novus. We had pleasure and privilege to sit down with vocalist Connor Hill to speak about their upcoming tour,  Birmingham music scene ad recording with Wizard of Wolverhampton.

The Novus

Tom Rhodes (guitar)
Tyla Challenger (bass)
Euan Woodman (drums)
Connor Hill (vox)

 

The word “Novus” means “new” in Latin. What does it mean to you? A new beginning? A new chapter in your lives? New music? Or maybe the explanation is very simple and it just sounded like a good name for a band?

Connor Hill: The Novus does mean new in Latin. Not many people know that initially (laughs)! It also does mean a new beginning I guess – myself Tom and Tyla were in a band before and wanted something new and more us – but ‘The New’ sounded quite boring. We went through loads of names, but The Novus for us sounded like it fitted well; and no one else had the name.

You come from Stourbridge and Birmingham, the second biggest city in the UK. Brum has a powerful musical scene: from indie to metal, grime and rap. Tell us about your beginnings. How did you meet and when did you know you wanted to play music together?

Connor Hill:  Myself, Tom and Tyla (guitarist and bassist) met at school when we were 11. We were all in bands throughout school together and we only initially connected with music so I guess we knew we were wanting to play together. Tom and Tyla asked me if I wanted to be part of this new band they were creating and that was that! We met Euan (drummer) at a gig he was playing at and managed to poach him and that’s how the band formed.

The new kids on the indie scene

No rest for the indie band

The Novus has been compared to The Clash meets Kings of Leon (half way) with a bit of Joy Division, Deep Purple and Black Sabbath thrown into the mix. Would you agree with being squeezed into the new garage/psychedelia genre alongside IDLES, The Blinders, Avalanche Party and Shame? We have to admit that your music is more melodic and blues-y at times. There’s definitely The Doors and Jimi Hendrix hidden somewhere under all those distorted guitars.

Connor Hill: To be compared to the names mentioned is mad for us, we love all the bands mentioned and the garage/psych scene is an amazing one to even be considered to be a part of. We do take a big inspiration from Jimi Hendrix as well but we listen to such a wide range of music, we have lots of little inspirations from different places. Every review of us someone hears something slightly different, which is good for us to see where people think we fit.

On 2nd of November 2018, Raw Sound TV filmed your concert at O2 Institute 2 in Birmingham. The show received very positive reviews. Connor you were described as “teenage Mike Hucknall joining Pearl Jam or Rage Against the Machine”. We don’t see any likeness to the Simply Red singer (maybe the hair do?) but the resemblance to Eddie Vedder and Zach De la Rocha is quite convincing. During performances you jump into the crowd, run from one end of the stage to the other, command the crowd to come closer. Would you agree with this description?

Connor Hill:  (bursts into laughter) Hucknall is definitely to do with the hair- wish I did look like him!! I guess I would agree to an extent, but for me, my stage presence is more of an alter ego than me personally – which is what I love so much about performing. For me, I don’t really take that much of an inspiration from people to do with my stage presence but more just go with what my head thinks I should do and roll with it.

One of the bands of 2019? Why not!

This is not a drill – this is rock and roll

Despite forming in early 2017, you shared stages with Karkosa, Velvet Tides, Riscas, Ivory Wave and Pale White to name just a few. You have a strong following in your home town and now you are off to pastures anew to conquer other parts of the UK. Is the tour with This Feeling helping? How many shows have you played with them already?

Connor Hill:  We aren’t doing a tour with This Feeling right now. Not yet anyway, but we have played a few shows in Birmingham with them. It’s always a good night and we get a good few cans of Red Stripe out of it so that’s enough to win me over!

At the end of last year, several zines and promoters put you on their list to watch for 2019. On 29th of January you played alongside Young Garbo, Chris Grant, Nadia Sheik and Christian Pattemore at Social in London. Was this your debut in L-Town or have you played there before?

Connor Hill:  We’ve played London a couple of times before but we do have plenty planned for the capital in the future. It`s always a warm reception and we love playing there!

The Novus are known for their incredible performances.

The Novus

You are working on new music and we heard that you have chosen The Wizard of Wolverhampton himself – Gavin Monaghan (The Pagans SOH, Editors, The Sherlocks, The Blinders) as producer. Are you able to tell us anything? Will you be recording at his Magic Garden studios or somewhere else? Is it going to be an EP or a full fledged debut album?

Connor Hill:  We are going into recording with Gavin in the next couple of months and recording a few tracks, nothing confirmed as to yet but we have some good plans lined up for them. Gavin is a genius and we connect with him and Joe at Magic Garden so well. He isn’t just a producer, he is someone who helps you think about further development of your music to make it the best you can be and that man knows everyone! They are great people to be around and the vibe at Magic Garden Studios is great, we love making music there. All I can say I guess is stay tuned for what’s to come because we are really excited about it.

It’s only February but your calendar is getting busier and busier. Where can we see you later this year? Any booked festivals or gigs we need to attend?

Connor Hill:  So far we have the following dates:

15th February – Actress and Bishop (TF), Birmingham (supporting Gertz)
Event Page    Tickets

28th February – The Sunflower Lounge, Birmingham (supporting Willie J Healey)
Event Page    Tickets

8th March – The Tin Can, Coventry (supporting FEET)
Event Page    Tickets

23rd March – The Snug Coffee House, Atherton (supporting Honeyspider)
Event Page    Tickets

13th April – Camden Assembly, London (Youth Music charity gig)
Event Page    donations welcomed

These are just the ones that are confirmed, we do have quite a few in the pipeline!

To truly appreciate this band – you need to see them live

The Novus live

Live and kicking

Last question are always fun at Indieterria. Let’s pretend that you were invited to any party in the world and you can take two rock and roll legends with you. Where are you going and who’s coming with you?

Connor Hill:  Jimi Hendrix and Flea from RHCP would probably be my choice. Flea I imagine would be a laugh, Jimi would just be the guy that gets us into everywhere because everyone knows him. I would probably go to somewhere like Vegas with them – would be jokes. If you want to find out about the other boys, catch them at a gig and they’ll be happy to have a conversation. Big love.

You can follow the band on social media at the following links:

https://www.facebook.com/thenovusband
https://twitter.com/TheNovusBand
https://www.instagram.com/thenovusband/
https://soundcloud.com/thenovusband
https://www.youtube.com/channel/UCCRt2uOIvTYDQ8vYaoPEX-w
https://open.spotify.com/artist/3mPpz1sdOXNi3vLokDVbHm?si=JvlBswE-QYap-6PJ7emuww

We don`t usually link to entire gigs, but you need to see The Novus live and RawSoundTV recorded their performance at the end of last year – and it is a jaw dropper. If you have 30 minutes to spare – see the footage and then book yourself a ticket for the real experience. You will not regret. Believe your friendly A&Rs on this – we know talent when we hear it. And The Novus are pure talent.

We will be reporting back on The Novus on this blog. Not only because we are very curious what they have created with Gavin & Joe at the Magic Garden Studios (by the way – Happy 30th Anniversary  guys! What would the local and national music scene do without you?), but because we simply want to follow their journey to bigger, better things.  There is so much promise and so much passion in this band – and more importantly – so much love for music and art. How can we resist? How can anyone resist?

Till the next time,
Mal+Rita

 

Indieterria meets Ist Ist

Dear Readers,

In December Indieterria focused on Manchester to showcase you some of the newest artists on their local scene. We had a pleasure to sit down and talk with Witch Fever and Tin Mole. Now, we bring you third interview with a band that grabbed our attention from the first time we heard them on Steve Lamacq show at BBC 6 Music. They are called Ist Ist and we swear they belong to a different era.

Louder Than War magazine described them as “majestic post-punk, haunting and hypnotic”. This four piece blends alternative rock with cold wave elegance and they have been compared to The White Lies and Joy Division. Dark, brooding, mysterious and melodic at the same time, Ist Ist are fiercely independent with disregard for social media and all the hype about networking.

Ist Ist (classic) logo

It was a bit of a challenge to find the right questions to ask but then again music requires effort from listeners and writers alike. So we had to dig around a bit, in an old school way. We questioned mutual friends in Mancunia for tips, went reading through printed interviews in Manchester Evening News in a Central Library and searched though pages of a label that would rather quote poetry than provide you with “about us” segment.

We also went down to Picadilly Records to “argue” to get a copy of the band`s EP on vinyl.

We visited Manc several times from Worcester…

The last time we researched a band like this was when Melody Maker was still a thing. But we loved every minute of the preparations. It only made our admiration for the band stronger. In a world where artists put their entire lives and privacy for everyone to see, Ist Ist are not just a band. Their approach is an act of defiance.

 

Ist Ist as a four piece photographed by Nidge Luhg Sanders (Trust A Fox)
https://www.trustafoxphotography.com/

Ist Ist:
Adam Houghton (vox, guitar)
Andy Keating (bass)
Joel Kay (drums)
Mat Peters (keyboards)

Ist Ist built themselves a reputation as iconic Manchester performers. Can you please introduce yourselves to Indieterria readers?

Andy Keating: We’re Adam Houghton, Andy Keating, Joel Kay and Mat Peters.

You have started out in 2014 and from the very beginning this band is synonymous with complete control of your art: no radio plugger, no label, handling all the group related matters and tours. We were told you don’t have a manager. Yet, you easily sell out such legendary and sizable venues as Gorilla or The Deaf Institute and receive air play on national radio. Steve Lamacq champions you regularly on his 6 Music shows. How important is the DIY ethos to you?

Andy Keating: The DIY ethos is very important. We don’t really know how to operate any other way, either. We seem to appeal to a fan base who don’t want any bullshit and want to get behind a band who are real people making real music they can believe in. At the same time, we’re not without a manager by design, if the right offer came along or the right opportunity to work with a genuine label presented itself, we’d take it.

Ist Ist as a three piece photographed by Paul Husband http://www.paulhusbandphotography.com/

Ist Ist are also not very fond of self promotion on the Internet. Your social media are limited to announcements regarding tours and upcoming music. No funny posts, jokes or behind the stages shots. You try to keep a distance between your audience and the band. Aren’t you sometimes tempted to break the fourth wall or post something controversial like Slaves for example?

Andy Keating: We’ve never felt like posting something controversial just for the sake of it. What’s the point? If it’s just for sake of it it’s just going to be contrived and unnecessary. With regards to breaking the fourth wall, we like to keep it strictly business online. Bands posting photos posing in Christmas hats? No thanks. Stick to the music.  Our fans would attest to us looking after them as best we can, we’ve always got time to sign a record, have a photo, have a chat or whatever at gigs but your online presence should be a snapshot of the band and their image. We’re serious about our music so we’re serious online.

We want to ask you about the visual side of the project. Your videos and photography are limited to the monochrome and all releases feature distinct photography, often of brutalist architecture or strange landmarks. There are other bands in Manchester who also have their own artistic direction but we have to admit, what you put out is the closest thing to what Peter Saville did with releases at Factory Records.

Andy Keating:  Thanks, the artwork and style should always compliment the music. The Peter Saville influences are inescapable given where we grew up and what we were listening to when we all started playing instruments as teenagers.

Sleeve and vinyl pressing of EP “Spinning Rooms”, photography by Tom Houghton

You channel FAC also in another way: Ist Ist is yet to release their debut album but your catalogue is huge and highly collectable. You released five singles: “White Swan”, “Night Arms”, “Silence”, “Strangers” and “Right Before Your Eyes”, then followed it up with a single compilation “Prologue” and two live albums “Live at St Phillips Church” and “Live at Manchester Gorilla”. Then in April 2018 you landed your first EP – “Spinning Rooms”. Each release is limited between 100 – 300 copies, on CDs or vinyl. And once the stock is gone, it’s gone. Nobody beside you and maybe Idles cares to release their materials in such collectable formats. What made you take this approach to releasing your music?

Andy Keating:  Listening to music should be an experience and much of that is lost with digital streaming. Being on streaming sites like Spotify and iTunes is necessary but it’s not an experience. The art of the album is being lost because of this. Sites like Spotify suggest an artist’s “most popular” songs, so unless you really want to get into a band, you’ll likely only listen to those suggested songs and you may never find some gems which are on earlier EPs or singles.

We wanted listening to music to be fun and something you commit to. Getting hold of a vinyl record and putting it on whilst you look at the artwork and cover notes should be special. Receiving a new record in the post should be special. Streaming sites serve a purpose but they’re not particularly fun.

The limited edition thing works well because people like to be part of something exclusive. There’s some people who’ve bought everything we’ve released and there’s some who maybe came on board around “Spinning Rooms” and missed out on the initial limited runs of singles and want to get their hands on them but can’t.

Ist Ist`s upcoming EP “Everything is Different Now” sleeve and red vinyl pressing. Photography by Tom Houghton

Ist Ist`s upcoming EP “Everything is Different Now” bundle: red and black vinyl pressing and CD. Photography by Tom Houghton

Ist Ist was for most of the time a three piece but recently you added Mat Peters as a permanent member of the band. Do you think your sound changed because of introduction of keyboard into the mix? 

Andy Keating: Barring “White Swan” and “Right Before Your Eyes”, every song we recorded in the studio had keyboards or extra on, but we either didn’t use those elements live or we occasionally used backing tracks. After the tour in early 2018 it felt right to bring an extra member in to play keyboards because the new songs demanded them. So the older songs haven’t lost their fundamentals and Mat gave them a lift – but we’ve really developed our sound with him. The new EP will show that.

The release of “Spinning Rooms” was followed by an extensive tour that took you around the country and abroad (playing in Berlin). It also received rave reviews. Nigel Carr wrote in Louder Than War: “This EP will stand as one of the best debut releases by any band; simply stunning”. Are you satisfied with what you accomplished with the record? Would you change/ correct anything on it?

Andy Keating: It’s always a bit of a wasted exercise to deliberate over something which has already been committed to record. We’ve sometimes discussed what sort of impact Mat would have had on the record if he was in the band at the time, but we love “Spinning Rooms” and it perfectly encapsulates who and where we were when we recorded that in early January 2018.

Promotional poster showcasing sleeve to single “Exist”. Photography by Tom Houghton

Your sophomore EP “Everything Is Different Now” will see the light of the day on Friday, 25th January 2019. What can we expect?

Andy Keating: It’s a progression from “Spinning Rooms.” It still sounds like Ist Ist but it was the natural progression. It’s probably actually slightly more accessible. “Spinning Rooms” was relatively niche in places but there’s two definite “singles” on “Everything Is Different Now.”

 “Everything Is Different Now” is being promoted by a single “Exist” and a video filmed in France. It was created and directed by Natalia Bedkowska and Matthew Boone. Can you tell us more about the idea behind this video? It seems to follow the same concept as “Right Before Your Eyes”, showing ordinary life and streets of urban dwellings.

Andy Keating: Our keyboard player Mat knows Natalia so he got in touch with her and the only brief really was that it needed to fit in with our style, we left the rest up to her. She was on a trip to Paris so decided to film it there, she sent it across and we were happy with it. Boone shot the live footage at our show at St Philip’s Church back in August 2018.

We want to ask you about your label – Kind Violence Records. They seems to share your interest in high art and dislike of social media hype. Their website is minimalistic and quotes “Darkness” – a poem by Lord Byron. We noticed that photography on the record label’s page is done by Tom Houghton whose images also can be found on the covers of your releases. It’s hard not to notice that Tom bears the same surname as Adam, your vocalist. Is it a coincidence or rather a family owned enterprise? 

Andy Keating: Someone’s done their research… Adam created Kind Violence to use as a label to release our EPs and to potentially release other music he and we liked. The surname isn’t a coincidence either. Tom is Adam’s brother. He takes some really cool photographs which always seem appropriate for our artwork.

Artwork showing a brutalist landmark that can be found on Kind Violence Records website
Photography by Tom Houghton

Surely after the EP is out, a tour will follow. Where can we see you playing live next?

Andy Keating:  Yes, we’re heading out on tour soon after the EP is out. We’re playing:

30/01 – Hebden Bridge Trades Club                     Venue              Tickets
28/02 – The Lending Room, Leeds                        Venue              Tickets            RSVP
01/03 – Sebright Arms, London                             Venue              Tickets            RSVP
05/03 – The Polar Bear, Hull                                   Venue            Free Entry        RSVP
09/03 – Cafe Totem, Sheffield                                Venue              Tickets           RSVP
15/03 – Rough Trade, Nottingham                        Venue              Tickets           RSVP
16/03 – Gorilla, Manchester                                   Venue              Tickets           RSVP
30/03 – Sneaky Pete’s, Edinburgh                          Venue              Tickets           RSVP

Last question. Will you ever release song “Rats” in the form of a single? It seems to be a fan favourite of sorts.

Andy Keating:  No, definitely not.

Ist Ist tour poster
Photography by Nidge Luhg Sanders (Trust A Fox)
https://www.trustafoxphotography.com/

Despite not being fans of inter-webs, Ist Ist keeps a healthy online presence. You can visit and follow them at:

https://www.facebook.com/ististmusic/
https://twitter.com/ististmusic
https://www.instagram.com/ististmusic
https://www.youtube.com/channel/UCIe48WYG__QCArF6t-CdIMw
https://www.musicglue.com/ististmusic/shop
https://open.spotify.com/artist/5YiRgqaj5yVjVtUp4G6iUq?si=l3HrO7M7QAm9mixV-epaXg

Or you can follow their record label, Kind Violence Records

https://www.kindviolencerecords.com/
https://www.facebook.com/kindviolencerecords/

The upcoming tour dates/tickets can be found here:

https://www.ents24.com/uk/tour-dates/ist-ist-1
https://www.musicglue.com/ististmusic/tour

Additional reading  for anyone who – like us – finds Ist Ist to be an incredible band.

https://www.eventhestars.co.uk/2017/09/ist-ist-interview.html
https://www.eventhestars.co.uk/2018/08/ist-ist-interview.html
https://epigram.org.uk/2018/04/06/ist-ist-spinning-rooms-ep/
https://bittersweetsymphonies.co.uk/2018/04/08/ep-review-ist-ist-spinning-rooms/
https://louderthanwar.com/ist-ist-spinning-rooms-review/
https://www.piccadillyrecords.com/counter/product.php?pid=122111

So there you have it. Ist Ist`s new EP “Everything Is Different Now” will be out on 25th January. Get your copy before its gone! The only thing we could not do while preparing this chapter of Indieterria was to see the band live. That may change in the coming months!

We hope you enjoyed our first interview of 2019 and we will be coming back to update this blog in the future.

M/R

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