Indieterria meets Jack Fletcher Band

Hey all you people (right here, right now)!

So much is going on dear readers, that we don’t know where to start! Interviews, pictures, secret gigs being organized (maybe in Birmingham, or maybe not 😊), plans and collaborations – we are 24hrs party people, only our party is a long-time marketing campaign! It is an exciting time to be alive as our friend says, but we wish our day had 48 hours instead of 24. Or well, you only live once.

Saturday, the 9th of June is coming closer and closer and we cannot wait! We will have a mini Worcester invasion with HVMM playing at The Flapper, Lost Tigers appearing at the Bishop and Actress and Dead Dads Club coming back to The Sunflower Lounge to rock you like a hurricane. Please use the links below to purchase the tickets and support The Racket, Jack Fletcher Band and our Malvern boys in DDC, if you are looking for a quality entertainment. Always support your local DIY scene. Those bands are the future of the British guitar music!

Poster for gig at the legendary Sunflower Lounge on 9th June 2018

https://www.facebook.com/events/216304582300587/
https://www.seetickets.com/tour/modern-age-birmingham-w-the-racket

You can also read our previous interview with:
Dead Dads Club: https://cocamidemea.wordpress.com/2018/06/04/indieterria-meets-dead-dads-club/
The Racket: https://cocamidemea.wordpress.com/2018/05/20/indieterria-meets-the-racket/

The event has made it onto the newspapers in Brum, so we are happy kittens:

https://www.expressandstar.com/entertainment/music/2018/06/04/wolverhamptons-the-jack-fletcher-band-to-support-the-racket-in-birmingham/

Today, we would like to present you with the last interview we did to promote the show. The Jack Fletcher Band is one of Wolverhampton’s finest new bands and you just have to see them live. We talked to lead singer and guitarist, Jack Fletcher about the band’s name (quite obvious!), playing with Johnny Brown of Twisted Wheel and their new upcoming music. No beating about bush, only simple and straightforward answers. This is what we like!

Band`s logo

Jack Fletcher (vocals, guitar)
Tom Robinson (drummer)
Henry Bradley (bass)
George Hadley (lead guitar)

Official bio:  The Jack Fletcher Bans is an indie-rock four piece from Wolverhampton that can only be described as real rock with their stripped back guitar music, Midlands twang and their live-for-the moment attitude.

After the split of his former band “The Town”, lead vocalist Jack Fletcher began his solo career before meeting fellow band members: Tom Robinson (drummer) and Henry Bradley (bass) on a music technology course at university. From this friendship and the introduction of George Hadley (lead guitar), The Jack Fletcher Band was formed. Combining influences from mod bands such as The Jam & The Who with the rock and roll sounds of Led Zeppelin and Jimi Hendrix.

To date these Black Country lads have played numerous festivals and venues including Lakefest (supporting the likes of Primal Scream, The Coral, Cast and Star Sailor), Party in the Pines Festival, Wolverhampton’s Slade Rooms, Notting Hill Arts Club, Sunflower Lounge in Birmingham and the legendary Band on the Wall in Manchester.

With their unique and timeless compositions, youthful spirit and optimistic outlook, The Jack Fletcher Band are a group that will stand the test of time. They are a band that not only defines the present, but a band that embodies the culture and guts of those that came before them and will continue to do so for years to come.

Amazing picture taken by our dear friend Nidge Luhg Sanders at Trust A Fox Photography https://www.facebook.com/TrustAFoxPhotography/

Before we start, let`s have a proper introduction to all the members of the band. Please tell us who is who?

Jack Fletcher: Hi. My name is Jack Fletcher and I’m the lead singer and I play guitar. The rest of the band is George Hadley on lead guitar, Henry Bradley on bass and Tom Robinson on drums.

You have been performing under The Jack Fletcher Band moniker for quite some time now. It is simple yet memorable name. Did you choose it on purpose or was it last minute decision that just stayed with you? Are you tempted to change it to something else?

Jack Fletcher: We decided on The Jack Fletcher Band as the band’s name wasn’t really something we cared about. I wasn’t really good at picking names so we picked the worst name that we could find (laughing). Joking aside, it’s just stuck with us.

Your biography mentions that the band started out after a group of incredibly talented musicians took the same music course at the university. It is a perfect script material. Was it really a random encounter or did you know each other before?

Jack Fletcher: We all knew each other. Myself, Henry and Tom – we all really met at college and George was a friend of Jack’s early on… and the rest is a history (laughing).

Jack, before forming this group, you fronted The Town, an accomplished act in its own right. Can you tell us more about your project?

Jack Fletcher: The Town was my first real band. We played all around the country when we were around 16 -17 years old. Looking back on it, that’s a big achievement in itself really. We did well and we were so very young. But we enjoyed it.

Jack Fletcher Band in black and white

You have wonderful working relationship with Twisted Wheel. You supported them several times and in return Johnny Brown performed with you on stage. How did your collaboration start?

Jack Fletcher: We were always big fans of Johnny’s music and we met him at an acoustic gig in Derby some time ago and our friendship has been good ever since. We see him as a hero, but please don’t tell him that (laughing). He is a good friend.

The video to song “Has it all gone wrong” beautifully directed by Benjamin Harrp amassed over 100k views on social media.  We have to admit, we absolutely love this song. It is very emotional. Any back story behind this track?

Jack Fletcher: Thank you! The story behind this track is very simple. I personally believe everyone can relate to it. Anything can go wrong in life but I suppose, it is always for the right reasons. The song is very emotional but I think it has a positive ending. You know, “keep on keeping on”, that sort of thing. And we are glad to hear that people can relate to the song’s tune and its lyrics.

Another of our favourites “What are you waiting for” was produced by Ryan Pinson at RML Studios in Wolverhampton. Pinson is known for working with several upcoming independent artists such as Jump The Shark, Wax Futures and Cosmic Rays. His style is crisp, a bit raw and energetic. Was that what you wanted to highlight in your song?

Jack Fletcher: Writing a good song is one thing but getting it produced well and making it sound like you do live is very difficult. Ryan’s a legend. He is an excellent producer and he can do his stuff very well. Always brings the best out of our music and that’s very important for us.

As Vanadian Avenue is based in Worcester, we have to mention that you have played on our home turf at Worcester Music Festival in 2017. How do you remember it? We hope The Faithful City provided you with a solid crowd and good memories.

JFB live on stage

Jack Fletcher: Yeah we have played in Worcester a few times. To be honest sometimes a bit too early for us to have half-decent crowd. You seem to put up shows very early guys, but the experience hasn’t been bad all bad (laughing).

On 9th of June you will join The Racket and Dead Dads Club at The Sunflower Lounge for a true rock and roll celebration. Are you preparing something special for the gig?

Jack Fletcher: We will try and impress people at gig on Saturday. That’s what we always intend to do anyway. We are not planning anything special, we will give it our all and maybe play a new tune.

Your schedule this year is fully packed. Where can your fans see you next? Any summer festivals or important concerts we should be on the look out for?

Jack Fletcher: We’ve got a quite a few things coming up and we are getting quite busy again. But everything still needs to be confirmed. Always come to our social media sites including Facebook, Twitter and Instagram to check things out. You will not be disappointed.

As mentioned already, the band is available on all important social media platforms, so take your pick!

Facebook: https://www.facebook.com/jackfletcherband/
Official website: http://www.jackfletcherband.co.uk/
Twitter: https://twitter.com/jackfband
Instagram: https://www.instagram.com/thejackfletcherband/
Youtube: https://www.youtube.com/channel/UC81Xd2zyhx0Xkju36Q5Geug
Soundcloud: https://soundcloud.com/jackf_music

Talking to the bands is one thing, but seeing them live is a completely different set of vinyls. Hopefully we will see you in Sunflower Lounge this Saturday. Bring your friends, a pair of comfortable shoes and let’s dance the night away!

Au revoir la haut à mes amis (just because speaking in French is hot these days)
xoxox
Rita and Malicia

Advertisements

Indieterria meets Dead Dads Club

Dear Readers!

The first half of 2018 is behind us but your two faithful A&R’s are not stopping for an inch! In the last week we have travelled with Nuns of the Tundra to HowTheLightsGetIn festival, witnessed them play a semi acoustic gig at Paradiddles Cafe for Before The Music  workshops (similar in form to the “Story Tellers” on MTV if you are old enough to remember it!) and wave them off to go to Swindon for a meeting with a producer!

That’s not all! The Americas and Soeur were chosen by BBC Hereford and Worcester to play at the Wychwood Festival and you can see a short video of The Americas playing one of their best gigs on Vanadian Avenue Facebook page. In short, it was a crazy 7 days  but we are having the time of our lives (as usual anyway)!

New week and we have a brand new interview for you dear readers. We have sat down with Lee Richardson, lead singer of the Dead Dads Club, to discuss Malvern blooming rock and roll scene, new tracks and their love for the DIY, guitar driven scene led by bands such as The Blinders. Dead Dads Club will support The Racket on their first national tour and you can catch them both (plus the Jack Fletcher Band) at the Sunflower Lounge in Birmingham on the 9th of June. The show is organized by the great people at Modern Age Music and you can find more information about the show here:

Poster for gig at the legendary Sunflower Lounge on 9th June 2018

https://www.facebook.com/events/216304582300587/
https://www.seetickets.com/tour/modern-age-birmingham-w-the-racket

We have to admit that we giggled like schoolgirls reading the interview and Lee’s sense of humour (bit dry and sarcastic) made it one of the funniest interviews we ever hosted on Indieterria.

So, please enjoy!

Lee Richardson (vocals, guitar)
Matt Rawlings (bass)
James Devine (drums)
Milo Ferreira-Hayes (lead guitar)

Official bio:  Hailing from Malvern, Worcestershire, The Dead Dads Club consist of four close friends: Lee, Milo, James and Matt. Lee Richardson (lead vocals) is known for composing meaningful lyrics that everyone can relate to. There is a rich deepness as much as sense of humour backed up by strong, dynamic rock and roll acoustic steele string guitar. Lee’s chords are graced by Milo Ferreira-Hayes on lead guitar. Their partnership creates a unique sound with strong arrangements and lush solos. Then comes James Devine with his powerful drumming and unmatched beats that strongly root the band inside the alternative and independent genres. Matt Rawlings’ atmospheric and hypnotic bass completes the musical equation. The Dead Dads Club tour consistently and played many important venues in West Midlands such as The Sunflower Lounge, O2 Arena and O2 Institute in Birmingham, Gifford Arms in Wolverhampton or Marr’s Bar in Worcester. They shared stages with The Racket, HVMM, Nuns of the Tundra, Jump the Shark, Matchboy, Juniper Nights, Winchester, Ruben Seabright, The Soviets and many more.

According to your bio, The Dead Dads Club are four good friends with similar musical interests and outlook on life. You listen to the same records and laugh at the same (apparently unfunny) jokes. Please introduce yourselves to the readers of Indieterria.

Lee Richardson: All right, let’s get started. First, we have JD or James Devine. Our drummer is 23-year-old history graduate. Has a tendency to throw his drumsticks mid-song and he’s a huge music fan. One of the nicest guys you’ll ever meet, although he never shuts up (laughing).  Matt Rawlings. Bass. 19 years old. Studying music at college. Saved the band when our previous bass player Liam left as I was ready to jack it in.  Intelligent but quietly reserved, and says what he needs to.  Milo. Lead guitar. 17 years old. Studying music with Matt in Hereford. Channels Jimmy Hendrix and Stevie Ray Vaughan while he continues to develop his own style.  Highly intelligent, loves the ladies (and some men).  He’ll go places.  Lee Richardson.  Rhythm guitar, vocals. 30 something. Loves the band, they’ve become his family.  Came late to the music game but is glad he did.  Also, what really brings us together is we’re fed up of what is considered “popular music” these days. Where the hell are the guitar bands in the charts?  We aim to be part of the wave of new guitar bands that will bring back indie music to the masses. Its due, and it’s going to happen. Bands like The Blinders will lead the way for this new wave.

We heard there is a good story surrounding your first meeting. How and where have you met?

Lee Richardson: Actually, there is (laughing). I met JD first, in a pub over Christmas in 2016. He’d put an Oasis track on the jukebox and in my drunken state, I stumbled over to his table and asked who the Oasis fan was.  Initially, JD thought I was coming over to start trouble so… (laughing again). Anyway, we started chatting and he joined me at some open mic night accompanying me on Cajon. At one such open mic, we were just sitting down as a tall, good looking kid walked in with a guitar and amp in hand.  He set up and started banging out “Voodoo Child (Slight Return)” by Hendrix note for note perfect.  Jaws dropped around the pub, and I was introduced to Milo 10 minutes later.  Milo, being an old soul in a young body (he’s 17), decided he was going to adopt us and he started joining JD and I on stage.  Matt came into the band last as a replacement for Liam Blakemore, who left us after becoming a father last year.

Dead Dads Club Live
Picture by Duncan Graves https://www.facebook.com/duncan.graves

The Dead Dads Club is a highly unusual name. We did a little research about it and the results are very inconclusive. We found an episode of a popular American TV series “Grey’s Anatomy” bearing that title, a book, an independently released murder-mystery stage play and a scientific paper. What is the inspiration behind the band’s name?

Lee Richardson: A friend of mine, Tristan James (who is an incredible rapper and lyricist by the way) and I were working on some songs together two years ago.  Tristan’s dad had passed away two years before and mine had just died around the time.  We made a joke that we should call ourselves The Dead Dads Club. Some found it distasteful, we found it funny and as time went on, it proved to be an attention grabber.  As the band was developing in its infancy, we moved forward without Tristan as we felt that we wouldn’t be able to accommodate rap within our music, and that Tristan’s talents needed to have the sole emphasis placed on him alone.  We still work together and have a collaboration between DDC and Tristan James coming out this year.

The original line-up of The Dead Dads Club included Liam Blakemore on bass and Milo Ferreira-Hayes on lead guitar. Currently you have a newcomer, Matt Rawlings on guitar and Milo moved on to play bass. How long have you been working with Matt? When did he join the band?

Lee Richardson: We have been working with Matt just under a year now. We were lucky to find him after Liam left the band to concentrate on his new family.

Talking about Matt, we have noticed that him and Milo have a tendency of swapping guitars during gigs. Is it done only for certain songs or are you trying to totally confuse the audience?

Lee Richardson: Matt is actually a lead guitarist first and foremost, but we dragged him into the band as we needed a bass player.  Luckily, he could hold his own on the bass.  Matt and Milo swap their instruments over on a song called “Stop”. When we recorded the studio version, Milo was laying down his lead track, when I suggested an idea of putting something “Hendrixy” into the solo. Matt immediately heard something in his head, grabbed Milo’s guitar and played the most amazing little lick that had Milo put his hands to his head in disbelief and proclaim: “You’re a @*%^”! Please insert the swear word of your choice! We all still laugh about it months later. We have another new track in development about an unsuccessful application to play at a local festival that Matt will again take guitar duties on.  And yes, we love to confuse the audience.  It’s what we do best!

Your home town of Malvern is relatively small but it has long musical tradition and a vibrant scene. You are part of the local pack along with Nuns of the Tundra, Ruben Seabright, UltraMegaOK and White Feather Collective. Any explanation for such a high concentration of talent per square mile?

Lee Richardson: Malvern has always attracted arty types from all over the country. It has also produced many talented locals in many endeavors aside from just music. There’s good music everywhere, but I think a lot of people are scared to put it out into the open as they’re worried what people will think.  Bands like the Nuns of The Tundra and The White Feather Collective have got the balls to believe in themselves and their songs and they should.  They set the standard in Malvern for sure and I’d argue further afield than that as well. The Malvern scene has been very supportive of us playing our own songs, and that has provided us with a platform to build on to play bigger towns and cities. Of course, others would say the high concentration of talent is just down to the Malvern spring water (laughing).

Lee Richards singing his heart out
Picture by Duncan Graves https://www.facebook.com/duncan.graves

Dead Dads Club’s music has been compared to The Beatles, The Stone Roses, The Doors, Oasis, Crosby Stills Young and Nash, Tom Petty and the Heartbreakers, Ryan Adams and Arctic Monkeys – that’s some of the biggest names in popular music. Tell us what inspires you to write?

Lee Richardson:  Have we?  Jesus, we should be playing Wembley by now then if that’s the case (laughing). Our influences vary, but all those bands have been massive for me when I was growing up.  I have one goal when I write and that’s to infect a person’s mind with the melody or the hook.  If I see people dancing, tapping their feet or getting emotional when they hear Dead Dads Club track, then my job is done.  My lyrics aren’t really deep or even that good. It’s hard to write meaningful lyrics when you have a heart of stone (laughing again).  Most of the tracks have been inspired by either ex-girlfriends, stalkers or life events. I don’t look at the moon on a dark starry night and have flood of beautiful Dylan-esque lyrics come to the forefront of my mind’s eye.  I’ll leave that to all the Joni Mitchells of this world.  I’m rather in-your-face rock n roll writer with attitude and swagger. That’s enough for us.

Your shows attract large number of guest musicians and singers. We are especially interested in James Burnham who joined you on stage playing electric violin many times. Any chances of seeing him performing with you again?

Lee Richardson: James was an original member of Dead Dads Club along with Liam, Milo, JD and myself. Our sound changed after Liam left the band, and it was becoming increasingly difficult to accommodate a violin within a setting that was chasing a heavier charged more electric sound.  James Burnham is probably the most talented musical mind I’ve met and I plan on doing more acoustic recordings with him as a duo to add to the songs we’ve already recorded together.

Recently you played three gigs in one day. Were you celebrating a special occasion or trying to beat the Guinness World Book record for the biggest number of gigs played in a single day?

Lee Richardson: We already have a record for band with the most special needs, so we’ll settle for that one for now (laughing). We played at a 21st birthday party in Malvern and did an acoustic set to start things rolling, before packing up and heading to play at The Brickroom in Worcester.  We then headed back to the party to play a full electric set.  It was a good day and the alcohol certainly helped us along the way!

You have been working hard on your new batch of songs. So far you have given us three titles: “After the War”, “Chant” and “Buttons of Gold”. Can you tell us more about those songs?

Lee Richardson: We have such a backlog of tracks, it’s hard to decide what to bring to the set next!  The first song you are asking about “After the War” was written by Matt and myself after consuming half a bottle of Jack one Sunday afternoon.  Matt’s been listening to a lot of Jeff Buckley recently and wrote the trip chords. I wrote the lyrics and melody there and then. Not sure why, but I had images of a post-apocalyptic Earth ravaged by the aftermath of fallen society.  So, I just wrote the story that was forming in my head and we had the track recorded as a demo within an hour. Another demo recording, entitled temporarily as “Chant” in short is a peace protest kind of song. I channeled the “Hey Jude” chorus and came up with my own interpretation of that massive crowd singalong. We’re currently rehearsing “Chant” to add to the set, but “After the War” will probably end up as just a standalone song. It would be very difficult to reproduce the haunting sound we got on the recording on stage, unless we used multiple effects peddles and we don’t believe in overdoing it with those. “Buttons of Gold” is brand new track inspired in a way by the sound that The Blinders have made their own.  It’s about an experience that Jimi Hendrix had when he came to London in the 1960’s with two policemen who stopped him for wearing a WW2 military veterinary core jacket but really because of the color of his skin, let’s face it.  I encourage everyone to read up on it, it’s interesting.  I won’t bore you with the details here (laughing). Anyway, we’ll be playing “Buttons of Gold” for the first time in public at the Sunflower Lounge gig on June 9th. We are supporting another good guitar band, The Racket so come and see us there.

The band in full
Picture by Duncan Graves
https://www.facebook.com/duncan.graves

Next months will surely be very busy for you. What’s in store for the Dead Dads Club? Anything we need to know?

Lee Richardson: We’re having a month off in July to re-charge and find new inspiration.  Our EP is ready to roll now, and that’ll be out in August.  We’ll be throwing a release party at Carnival records in Malvern, and playing a set there too.  The momentum has been building nicely thanks to support from the Nuns and local promoters, and we’re going to build on this massively this year, guaranteed.  Long live rock n roll…and cheeseburgers.

You can follow Dead Dads Club on social media:

Management and booking:
Officialdeaddadsclub@gmail.com
Youtube: https://www.youtube.com/channel/UCBAV3WyU2Yika85Moux8uzg
Facebook: https://www.facebook.com/officialdeaddadsclub/
Soundcloud: https://soundcloud.com/deaddadsclublive
Instagram: www.instagram.com/officialdeaddadsclub

Articles about the band:
http://www.malverngazette.co.uk/news/15889224.Bands_to_play_in_Worcester_as_part_of_Independent_Venue_Week/
http://www.worcesternews.co.uk/news/16080910.Snow_forces_Malvern_band_to_postpone_gig_-_but_the_show_goes_on_in_nearby_venue/
https://www.expressandstar.com/entertainment/2018/03/13/birmingham-show-rescheduled-for-worcester-band-nuns-of-the-tundra/

We cannot wait to see Lee, Milo, James and Matt rocking The Sunflower stage again! Last time Dead Dads Club played there, they gave their best and the audience loved them. Some tickets are still available, so do yourself a favor and come see them live.

The Blinders might be leading the musical revolution, but Dead Dads Club are following their footsteps!

Please come back soon as we have  another great interview to show you before the big day  next Saturday!!

till then,
Rita and Mal
xxx

Indieterria meets The White Feather Collective

Hey everybody!

Welcome to 2018! We would like to wish you a very happy and prosperous new year and we hope it will be better than the last one. This year is going to be a very important one for our Worcester Music Scene and of course Vanadian Avenue crew will be keeping our eyes and ears open for anything music related. Please add us on Facebook if you haven’t done so yet to stay in touch with the latest information!

We would like to kick off 2018 in style with the first interview of the year. Ladies and gents, we give you the excellent White Feather Collective!

***

Believe it or not, there must be definitely something in the famous Malvern spring water. After the success of fellow Malvern rockers Nuns of the Tundra at the national Firestone Battle of Bands competition and incredible releases from Dead Dads Club (they are playing Marr’s Bar with HVMM this February), here comes The White Feather Collective, swinging rock and roll quartet that has a major chance to represent England at the famous SXSW Conference & Festivals in San Antonio. We sat down with WFC to discuss their new material, previous accomplishments and sneaking into Glastonbury Festival.

 White Feather Collective are:

William Turner (vocals/guitar),
Christopher Reynolds (drums),
Josh Lambe (vocals),
Roo Macphee (bass/organ)

 

White Feather Collective – picture from the bands archive

White Feather Collective logo

You are immensely popular in West Midlands. But just in case somebody spent the last few years living under a rock. Who are The White Feather Collective?

White Feather Collective: We guess, the easiest way to describe us would be we are a four-piece rock band from Malvern. The boarder definition would be who we are is what we aim for. We want to change some part of this world through music to make creative escapism as popular as it was. We want a big scene of groovy people loving all day and night, not just to escape the current state of things but as a means to change it. It sounds daft like a hippy dream, but it is so much more. The world is run by liars you’ll never meet and we want some power shift where what we say it counts and we see the efforts of our strain. Music is just one way of getting us on the same page and talking about that.

BBC Hereford & Worcester put you forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up. Potentially, you could play at the biggest music conference in the world in Austin, Texas. Previous alumni of the BBC stage include among others The Big Moon and Idles. The first were nominated for Mercury Prize, the other recorded album of the year. No pressure, right?

White Feather Collective: No pressure at all! The fact we’ve been nominated encourages us to continue on the path we’re on. We just have to dream bigger and continue to put more loving energy into everything we do. The overall goal is to share good music with people and keep on riding that high.

The band formed in 2014. One year later, you had about twenty recorded songs and one of them “Come On and Get Down” was used by French company WIKO Mobile in their international campaign. Can you tell us how did that collaboration come to be?

White Feather Collective: They found us on Bandcamp. It was an early demo EP we nearly didn’t put on. Looking back, it was a good job we did! The coolest part of that was the video they made to go with it and the fact it was blasting out in huge stadiums!

The White Feather Collective – photo by Duncan Graves

White Feather Collective scored some prestigious gigs: The Water Rats in Kings Cross and The Monarch in Camden. And they were sold out shows. You also regularly perform in Scotland. How does the audience across the country react to your music?

White Feather Collective: The audience seem to react very similarly everywhere we go. They are all very warm and welcoming and tell us they dig our sound. Of course, it all depends on what night you’re put on in these places, really. For example, a Wednesday night in central London can be a bit hit and miss whereas the same night in a country pub could turn crazy. It’s all about the vibes, man. But still we find it’s the best way to try out new tracks and see what people respond to. We see it as a work in progress and some songs get left for recordings and others are better to be performed live.

April 2016 saw you recording a session for BBC Introducing at the Phoenix Theatre in Ross-on-Wye. You were partnered with another group tipped for national success – nth cave. Do you have any recollections from that session?

White Feather Collective: Honestly not much (laughter)! We’d come from a gig up north the night before so we were all quite hung-over and tired. We do remember singing Roy Orbison with Andrew Marston quite a lot though and that felt nice!

In October 2016 you released your five track debut EP “Universal Harmony” and then followed by a stand-alone digital single “Doorman” in November of the same year. We tried to find one bad review of either and we simply couldn’t. Very unusual, but it seems nothing is ordinary about White Feather Collective.

White Feather Collective: No, you will not be able to find anything ordinary about us. We’re all very unusual! (laughing)

William Turner (vocals,guitar) – photo by Duncan Graves

This summer you spent mostly playing festivals (The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock) with few performances in Wales (Cardiff, Monmouth) and one in Bristol (Mr Wolf`s). Is any new material coming or are you just taking things easy?

White Feather Collective: Yes, we were lucky enough to play some great festivals. Some down in Cornwall and Glastonbury which our singer, Josh actually had to sneak into (sorry Mr. Eavis!) He was there for about ten days and we had to pull him away. We don’t think he ever wanted to leave! And yes again, there’s always new material we’re working on. At the moment we are just getting funds together to get into the studio to record  new songs.

The band started out as a quintet but recently you are down to four members. Can you tell us who departed the Collective?

White Feather Collective: We have always been a 4 piece  band but we have percussionists, keys players and singers join us for certain things, that’s why we call it the collective. Our longest serving percussionist is a friend named Robby Rotten. He’s a real dude and often joins us when he’s not riding his motorbike through Africa!

The sound of White Feather Collective has been described as psychodelic surf rock with influences stretching from The Rolling Stones and Animals to Beach Boys, Donovan, Crazy World of Arthur Brown or even Captain Beefheart. How would you describe your own music and influences?

White Feather Collective: Yes, these are some pretty big names. We all have so many influences but we all love the iconic sounding records of the sixties and the people who make BIG songs that are still so popular like The Rolling Stones, The Who and The Velvet Underground.

Roo Macphee (bass) – photo by Duncan Graves

You prefer to have a complete control of your art: writing, filming, recording, designing and producing all the aspects of your musical presence. That is a very unique approach in the era when bands employ entire armies of collaborators.

White Feather Collective: It’s a story of two halves, really.  We’re poor but we’re also creative people and truly enjoy doing it (laughter). We would love the opportunity and want to collaborate with other artists but financially it’s not viable. Naturally, we all work in the creative industry, whether it’s recording music, film making or photography. This has helped us enormously.

You have substantial following online for an unsigned band. “Come On and Get Down” has been viewed over 80 K times on Youtube while “Crossroad Shootout” has over 34 K hits. Your songs on Reverberation have been listened by thousands of visitors. We are sure you already receive proposals from the labels.  Ever thought of jumping ships and getting signed?

White Feather Collective: We’ve only received an offer once but unfortunately it wasn’t right for us at the time. It’s an incredibly important decision for a band and one that will set our direction for time to come. We’re very open to the idea and would love to sign if the right opportunity arose with the right label, but for now we’ll continue to do what we enjoy.

In the element – The White Feather Collective photographed by Duncan Graves

Any plans for the future, maybe except for the world domination?

White Feather Collective:  Nah just continue making things, living the best we can and keep trying to meet Robert Plant! (laughing again)

On Saturday, January 6th, 2017 BBC Hereford & Worcester aired a short interview with The White Feather Collective and gave this very blog a shout out. You can here the 5 minute segment on the band and our interview  right here:

https://vocaroo.com/i/s0aXrHgwHmuI

or listen online http://www.bbc.co.uk/programmes/p05rfp94

Come on SXSW – you know you want a band from Worcester play at one of your events. Or two or seven bands from Worcester, we can ship you some incredible artists!

You can follow The White Feather Collective here:

Official Page: http://www.thewhitefeathercollective.com/
Facebook:
  https://www.facebook.com/thewhitefeathercollective/
Twitter: https://twitter.com/TWFCollective
Youtube: https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw
Bandcamp: https://thewhitefeathercollective.bandcamp.com/
Instagram: https://www.instagram.com/thewhitefeathercollective/

***

Please come back again as  we have a fantastic interview almost ready that will be published soon!
Have a great week and keep the 2018 safe and sound!

Best regards
Rita and Malicia

Indieterria: WorcesterWave youngest bands part 2

Hello again!

Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/

Part three can be found under this link:

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City?  We hope so, as we have  some superb artists to show you!

Happy Bones (Iggy Cuthbert)

Happy Bones playing live photo by Alex Knight

Happy Bones (aha Iggy Cuthbert) by Josh Foster

Official bio:  Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.

 Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.

Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”

As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.

Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.

Facebook: https://www.facebook.com/iggyhappybones
SoundCloud: https://soundcloud.com/iggyc
Bandcamp: https://happybones.bandcamp.com

Benjamin Dallow

Benjamin Dallow

Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz

Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.

He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.

Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack.  As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.

Facebook: https://www.facebook.com/benjamin.dallow
Worcester Music Festival:
  http://www.worcestermusicfestival.co.uk/bands/Benjamin-Dallow/

Becky Rose Seabright

Becky Rose promo picture

Becky Rose live

 At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.

 In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.

Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016.  Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).

She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.

Youtube: www.youtube.com/beckyrosemusic
Reverbnation: www.reverbnation.com/beckyrose
Myspace: www.myspace.com/thisisbeckyrose

RVRMN

RVRMN posing for promo picture in Worcester

RVRMN up on the roof

Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.

RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.

RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna

Website: http://rivermanofficial.wixsite.com/page
Facebook: https://www.facebook.com/RivermanPage
Twitter: https://twitter.com/RivermanPage
Instagram: https://www.instagram.com/_riverman_/
Soundcloud: https://soundcloud.com/rivermanpage
Spotify: https://open.spotify.com/album/3d2jDGHN6UP2CrGsWV7Q8v

Neil Ivison and Stone Mountain Sinners

Stone Mountain Sinners promo1

Stone Mountain Sinners promo2

Official bio: Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.

Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.

Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity.  Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).

Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.

Stone Mountain Sinners
Website: https://www.stonemountainsinners.co.uk
Facebook: https://en-gb.facebook.com/stonemountainsinners/
Twitter: https://twitter.com/StoneSinners  

Neil Ivison
Facebook:
https://www.facebook.com/neil.ivison
Facebook: https://www.facebook.com/NeilIvisonMusic/
Instagram: https://www.instagram.com/neilivison
Twitter: https://twitter.com/neilivisonmusic

HEXEN

HEXEN promo picture1

HEXEN promo picture2

Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.

Ren has worked closely with several notable Welsh and Worcester musicians.  She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).

She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.

Scott Mahoney has nothing but praises for HEXEN for their work together:

“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.

Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.

HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.

Facebook:  https://www.facebook.com/itshexen
Twitter: https://twitter.com/itshexen
Instagram: https://www.instagram.com/itshexen/
Bandcamp: https://itshexen.bandcamp.com

Vertigo

Harry Lee Jones – the mastermind behind Vertigo

Cover for the single “Breath”

Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.

Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!

Website:  http://harryjoneslfc.wixsite.com/vertigo/vertigo
Facebook: https://www.facebook.com/harryjones27
Facebook: https://www.facebook.com/Vertigo-1710755979198462
Soundcloud: https://soundcloud.com/vertigodada
Soundcloud (new demo for “Gucci”) https://soundcloud.com/vertigodada/gucci-the-first-demo
Soundcloud (“Breath”): https://soundcloud.com/vertigodada/breathe
Youtube: https://www.youtube.com/channel/UCj0K77SGJnPWsz417sYERKw

Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.

It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!

Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.

Indieterria – Year in review

Hello!

It is nearly December and we cannot believe how quickly this year has gone! The past 11 months were super busy but many things were accomplished. Worcester music scene is growing stronger and stronger by the day and we thought it would be fun to prepare a short review.

We have taken 9 of the most popular musical acts from our faithful city, we looked through their official websites and posts on social media pages to find out what they have been up to and what they have achieved. The results? We can describe them only with one word  – breathtaking. If somebody would told us that 2017 will be so productive and so kind to our local musicians, we would have never believed them.

Please read our report below and we hope you will feel as proud as we feel right now.

There is also another reason why we decided to do this  review.

You have probably heard by now that BBC Introducing Hereford & Worcester was asked to put forward one artist from our county to go to famous music business trade and conference SXSW in Austin, Texas next year.

There is a whole discussion on BBC H&W page, so we decided to make it easier for you and point out what leading artists from Worcestershire accomplished in recent times. Now its up to you dear readers to decide who may go to America in 2018. Read on and let your voice be heard.

You can see the entire discussion here:

 

HVMM

1. HVMM (hard rock/alternative)

– Signed to Independent Label Alliance (US based label)
– Released EP “Talk To Me Like I`m Dead”
– Release of debut EP followed by a sold out gig at Marrs Bar and a release party at Rise (Independent Record Store)
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Lacerate” has been played nationally on BBC 6 Music (Steve Lamacq), Kerrang Radio (Alex Baker), Radio X (John Kennedy), Amazing Radio and multiple smaller radio stations in the UK and US.
– Band continues to record in Spain and London with legendary producer Martin “Youth” Glover
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Headlined a sold out show in London (Seabright Arms) as part of Hackney Wonderland
– Portal TeamRock.com named HVMM their “Band of the Week”, large features in Classic Rock, Gig Sluts and other large music portals online.
– Band tours nationally
– Released videos to “Lacerate”, “Going Postal” and “Beggars and Thieves”

You can listen to the band here: https://soundcloud.com/wearehvmm
You can visit band`s page here: https://www.wearehvmm.com/

If you think HVMM deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Nuns of the Tundra

2. Nuns of the Tundra (indie /psychedelic rock)

– Unsigned act
– Released self titled EP
– Successful EP launch at Marr’s Bar in Worcester supporting Soeur (sold out)
– Recorded a session for BBC Introducing Hereford & Worcester
– Their singles “Robot Love” and “Float away” were championed by Andrew Marston of BBC Hereford and Worcester. “Mind`s Eye” has been streamed over  000 on Spotify
– Band continues to record locally at Funky Bunker in Malvern with producer Scott Mahoney
– Named as one of leading acts from Worcestershire (“WorcesterWave”) by Worcester News
– Strong touring presence locally (Bristol, Birmingham, Evesham) .Their performance at at BBC Introducing stage at Lakeview Festival at Eastnor Castle received very positive reviews (“they blew the tent poles off”)
– The band were featured in several articles in Malvern Gazette, Worcester News and Worcester Observer. Overblown Magazine called Nuns of the Tundra “the saviours of mainstream rock”
– The band is currently is in the finals of the third edition of the “Battle of the Bands” organized by Firestone. You can vote for them here: http://battleofthebands.firestone.eu/
– Released 4 singles : “Robot Love”, Mind’s eye”, “Float away” and “Dead in the desert”. Animated video to “Float away” made in co-operation with London based art company YESMAN was accepted into several international short film festivals including the prestigious  NYC Indie Film Festival

You can listen to the band here: https://soundcloud.com/nunsofthetundra
You can visit band`s page here:  http://nunsofthetundra.com/

If you think Nuns of the Tundra deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Population:7

 

3. Population:7 (rap/funk/neo-soul)

– Unsigned collective and one of the largest in the country (currently 9 members)
– Released three independent albums “Dead city” (featuring Tina Maynard and Anya Pulver of Soeur on vocals), “WHYP7” and “Fiero”
– Their concert at Worcester Music Festival was named best live performance by the audience. They also supported ska legends The Toasters.
– Recorded a session for BBC Introducing Hereford & Worcester
– Debuted on BBC 6 Music (Tom Robinson`s MixTape). Andrew Marston of BBC Hereford and Worcester described them as Incredible live performers. Fun, energetic and have the crowd enjoying themselves as much as the band!”
– The Collective is working on a project entitled “Lowlight” with possible theatrical release.
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band is constantly touring locally (Bristol, Birmingham, string of local festivals such as Under The Hill FestDubs In the Middle and Mello Festival).
– Described as one of the best bangers from the Midlands by Birmingham rapper Lady Sanity in Dummy Magazine
– They supported Benji and Hibbz at sold out concert in Birmingham
– Released several videos to singles such as “I say”, “Blindspot” and “Swag” with thousands views on YouTube

You can listen to the band here: https://soundcloud.com/population-7
You can visit band`s page here:  https://population7.bandcamp.com/

If you think Population:7 deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know her
https://www.facebook.com/bbcintrohw/posts/16037890596850

The Americas

4. The Americas (rock`n`roll)

– Unsigned act
– Released demo (“Tenth Day of May”), 2 digital singles (“Something`s Gonna Happen”, “Hot Minute”)
– Played to the full house at Worcester Music Festival, sell out every home coming gig
– They recently recorded session for BBC Introducing Hereford & Worcester, they have featured on BBC Introducing West Midlands
– Their music received airplay from national radio stations such as Radio X (Gordon Smart), BBC Hereford and Worcester, Free Radio and many independent online radio stations
– The Americas just finished recording their debut EP
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– They are the only band from Worcestershire on the famous This Feeling circuit. Headlined sold out show at The Finsbury in London. The Americas supported The Twang (sold out show at O2 Academy Birmingham), Broken Witt Rebels, Bluetones, Blaenavon and Trampolene
– They played some of the most important festivals in the country: Beyond The Tracks, Reading, Y Not, Tramlines, Isle of Wright
– Online magazine Gigslutz awarded them the title of the Best Newcomers and described them as “Infectious, frenetic, cool. One to watch”. Their concert was named “the week’s best gig” by the New Musical Express. The Line of Best Fit championed them by saying they “revitalize rock`n`roll”. The Americas received positive reviews from Mikey Johnns of This Feeling, Hall or Nothing music promoter Caffy St. Luce
– Band tours nationally. They performed at the BBC Amplify conference in London
– The Americas released video to single “Hot Minute” 

You can listen to the artist here: https://soundcloud.com/theamericasyeah
You can visit band`s page here:  https://www.facebook.com/theamericasyeah/

If you think The Americas deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

nth cave

5. nth cave (shoegaze/dreampop)

– Unsigned but tipped as the most promising band from Worcester
– Double A single demo released (Bass/Pop Party Princess)
– The band played to a full house for Worcester Music Festival, Worcester Pride and  took part in Musicians Against Homelessness charity fundraiser
– Recorded session for BBC Introducing BBC Hereford & Worcester
– Debuted  by Steve Lamacq on BBC 6 Music with a rave review (“band to watch out for”)
– The band prepares to enter the studio in January
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– nth cave begin to gain ground outside the county with concerts in Birmingham (02 Academy 2) and Liverpool (Club Babe).
– SLAP Magazine described them as “young, fearless and immensely talented”.  They have been heavily championed by BBC Hereford and Worcester
– Members of the band are known for broad interests in music and broadcasting. Fergus (guitar) has been awarded BBC apprenticeship, while Hector (drums) and Alfie (bass) participate in Boneyard Promotions, organizing concerts and open mic nights in Worcester and Hereford.
– nth cave released video for their single “Bass” 

You can listen to the band here: https://soundcloud.com/nthcave
You can visit band`s page here:  https://www.facebook.com/nthcave/

If you think nth cave deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

The Humdrum Express

6. The Humdrum Express /Ian Passey (singer/songwriter)

– Unsigned and self releasing artist
– Ian has a long career which spans over thirteen releases (album and EPs), the newest being a stand-alone single “E-Petition” released in November 2017
– The Humdrum Express has recently taken part in Musicians Against Homelessness charity fundraiser in Worcester, curated folk stage at Worcester Music Festival and played a sold out show at the Ross Theatre in Kiddeminster.
– During his career Ian has been featured numerous times on BBC Introducing Hereford & Worcester and BBC West Midlands
– His six last singles have been in regular rotation on BBC 6 Music and other national stations. In total over 30 different shows across a variety of stations.
– Ian is currently preparing to record his new album
– “E-Petition” single went viral in October 2017, with articles about the zombie themed video appearing across local media – Stourbridge News, Dudley News, Kidderminster Shuttle and local radio stations (Severnvalley Radio)
– The Humdrum Express shared stages with many great artists such as performance poet John Cooper Clarke, Bob Mould (Hüsker Dü), Ian McCulloch (Echo & the Bunnymen), The Wombats, Half Man Half Biscuit, The Wedding Present, Hugh Cornwell (The Stranglers), Miles Hunt (The Wonder Stuff), Mark Morriss (The Bluetones), The Membranes
– The Kidderminster Shuttle describe Ian Passey as an artist “known for his fast-paced lyrical style who mixes social commentary with familiar cultural references, surreal characters and subtle puns”
– The Humdrum Express has a series of videos under his belt. The latest – is “E-Petition”

You can listen to the artist here: https://soundcloud.com/thehumdrumexpress
You can visit artist`s page here:  https://www.thehumdrumexpress.com/

If you think The Humdrum Express deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Soeur

7. Soeur (alternative/noise)

– Unsigned band (but for how long?)
– Released debut EP “What separates us” and singles “No Fire”, “Left Living” and the title track “What separates us”
– Soeur shows usually sells out quickly as it happened in Worcester, Birmingham, Bristol, Bath, Leeds and Sheffield
– They have been featured on BBC Introducing twice: BBC Introducing Hereford and Worcester and BBC Introducing In the West. Their single “No fire” was championed by Andrew Marston and Huw Stephens
– Received impressive amount of airplay on local and national radio stations: BBC Hereford and Worcester, BBC Radio Bristol, Free Radio Birmingham, Radio X, BBC Radio 1 (Rock Show with Daniel P Carter), BBC6 Music and many more
– They recorded their debut session at the legendary BBC Maida Vale studios in London in September. It was broadcasted live on Radio 1 along with the band’s interview
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Soeur played at Reading Festival, Leeds Festival and headlined two sold out shows in London – Named as “one of the best unsigned acts” by Radio 1, “unforgettable” by BBC Introducing and “kick-ass attitude, catchy tunes and filthy riffs” by popular online magazine Tab the Feed
– Their single “No fire” was added to official Spotify playlist called “Rocked – the best new rock songs from the UK”
– Released videos to “Pass out”, “No fire” and “Left Living”

You can listen to the band here: https://www.youtube.com/channel/UCVcb7WVDBjUwEcj0hVR4Fig
You can visit band`s page here:  https://www.soeursoeursoeur.com

If you think Soeur deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Thousand Mountain

8.Thousand Mountain (match rock/instrumental)

– Unsigned band
–  Released self titled demo and currently are working on their first EP
– Thousand Mountain performed at Worcester Music Festival, The Sunflower Lounge and The Flapper in Birmingham and headlined Musicians Against Homelessness concert at Marr’s Bar in Worcester in support of Crisis
– They supported American spoken word legends The Listener, Press to Meco, Rubio and Sleepmakeswaves among others
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Falling” was played on Birmingham Radio, BBC Hereford and Worcester and received national airplay on BBC 6 Music Recommends with Steve Lamacq
– “Falling” was also available to listen online nationally on BBC iPlayer for the period of 2 months
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band was featured in several others articles form Worcester News, Worcester Observer and Slap Magazine
– They were interviewed by national Free Radio during prime time broadcast slot (driving home news)
– Thousand Mountain are working with the biggest concert promoters in Worcestershire and Birmingham and constantly touring
– Live videos to “Kraken”, “Open Doors” and “Falling” are available on their  Youtube channel

You can listen to the band here: https://soundcloud.com/thousand-mountain
You can visit band`s page here:  https://www.facebook.com/ThousandMountain/

If you think Thousand Mountain deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Lost Tiger

9. Lost Tiger to the Wild (indie/alternative rock)

– Unsigned duo but  under the care of prestigious Coalition Talent agency
– Released debut single in November 2017
– Duo played a string of successful home town gigs at Marrs Bar, to full house
– Recorded a session for BBC Introducing Hereford & Worcester
– Band has been championed by Andrew Marston of BBC Hereford & Worcester
– Lost Tiger are currently recording
– They  supported Tinie Tempah at the Coventry University Summer Ball and X Factor finalists, Jack    and Joel. Only weeks after at the Teesside University Ball, Lost Tiger opened for Wheatus, Karen Harding, Fuse ODG and Pendulum
– Headlined the Birmingham Christmas Market for Free Radio
– The band enjoys a phenomenal social media presence – having over  11.000 followers on Instagram
– Released videos to their debut single “Come Out With Me”

You can listen to the band here: https://www.youtube.com/losttiger
You can visit band`s page here:  https://www.facebook.com/LostTigerBand/

If you think Lost Tiger deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Keep your fingers crossed for your favourite artists and let The BBC Introducing Herefor and Worcester know who would you like to see on the other side of The Pond!

See you soon,
Rita and Malicia D.

**** Update 16/12/2017****

The waiting and anticipation is over. BBC Hereford and Worcestershire had made their decision to put forward one local act before the broadcaster`s panel that decides who will play at BBC Stage at SXSW – the world`s biggest music business trade show.

And that local band is White Feather Collective.

We have decided to add the band to the best of 2017 as they are very accomplished artists and  we will soon interview them as part of our Indieterria project. White Feather Collective were very surprised to learn that BBC H&W considered them for an overseas trip. This is what they have to say:

Each year BBC Introducing takes a handful of British artists to SXSW in Austin, Texas. Each act is performing live as part of BBC Stage. Previous year included artists such The Big Moon, Idles and Shame – you can say the champions league of indie circuit. Idles debut album “Brutalism” is a record of the year, Shame are recognized as one of the most influential new bands in the country, while The Big Moon were nominated to Mercury Prize.

Only the best among indie artists are taken to America and The White Feather Collective face a tough competition from other entitled acts from all across the country. But don’t think they don’t stand a chance. Because they do! We compiled a short note of what they have accomplished and it is a safe bet to say they are making a mark on Worcester music scene. Please send kudos and keep your fingers crossed for yet another alumni of WorcesterWave (yes, this is a real name for our scene. Thank you Andrew Marston!)

 

White Feather Collective

The White Feather Collective (psychodelia/surf-rock/folk)

– Not yet signed
– Released five track debut EP “Universal Harmony” and a stand-alone digital single “Doorman”
– Their song “Come On and Get Down” was used by French company WIKO Mobile in their international campaign on TV and radio
– Have been featured on BBC Introducing and were put forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up.
– The band played at The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock to universal acclaim
– Headlined sold out shows in their home town of Malvern, London (The Water Rats in Kings Cross and The Monarch in Camden), Bristol (Mr Wolf’s) and in Scotland
– Their YouTube channel received more than 200,000 individual views, with “Come On and Get Down” being viewed more than 80,000 times and “Crossroad Shootout” more than 34,000 times separately
– The band’s vocalist and guitar player, Will Turner wrote music for Grand Designs, The One Show, BBC News and Santander Bank
– Band tours nationally
– Released videos to “Come On and Get Down”, “Crossroad Shootout”, “The Inside” and “You Got The Time”

White Feather Collective – the future is looking bright

You can visit White Feather Collective on Facebook: https://www.facebook.com/thewhitefeathercollective/

Listen to the band here: https://thewhitefeathercollective.bandcamp.com/
or you can visit band`s page here: http://www.thewhitefeathercollective.com/

Alternatively, see their videos via their official YouTube channel:
https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw

We will keep this post updated when the BBC panel makes a final decision regarding the SXSW alumni 2017.

xxx
Mal and Rita

Indieterria meets Vinny Peculiar

Dear Readers,

This edition of Indieterria will profile an artist who is not a new starter. To be honest, he is well established and enjoys cult status among music fans. However, discovering new music doesn’t mean only cheeking out musicians on their first demo. There is a lot to learn from artists of all ages and all periods. As John Peel would say – you cannot limit yourself to one genre or one decade. It was a pleasure and privilege (to quote a classic) to sit down with Vinny Peculiar and talk about his art and music. And we will admit, we learned few things. Now, we wait in anticipation to see Vinny perform at Marr`s Bar on September 22 for Musicians Against Homelessness. Read on!

Man of many talents

Alan Wilkes, better known as Vinny Peculiar, is one of the most respected and original artists in the music business today. Splitting his time between his native Worcestershire and adopted home in Manchester, he has established himself as a poet, musician and writer. Finding a spare second in his busy schedule, Alan sat down with us to talk about receiving his own blue plague, new album inspired by growing up in West Midlands and charitable efforts to support local events.

You are a man of many talents – a performer, musician, poet, writer and educator. What is the difference between Alan Wilkes and Vinny Peculiar? Are you one and the same or is Vinny simply your artistic alter ego?

Vinny Peculiar: Thank you, I try and dabble in a few different things. Sometimes they work out but I’m most comfortable as a musician/songwriter. The Vinny Peculiar alter ego has been around for a while now but deep down, I’m one and the same person. The real difference is, I get to elaborate and take more risks as Vinny – perhaps the function of the alter ego is a permission to lose yourself. You’ve got me over thinking this one!

So far you have released 13 albums and EP’s to great critical acclaim, with genre-defying releases such as “Other people like me” or “Non Compliance” among them.  If you could choose one record from your catalogue that you value the most, what would it be and why?

Vinny Peculiar: I’d go for “Ironing the Soul”.  This record has got me a lot of breakthrough press and I made it with a band of mates in Liverpool, during stolen overnight studio time whilst trying to hold down a proper job! There’s certain urgency about it and some of those 4am vocal takes seem suitably desperate for the songs. Nowadays, I’m spending weeks editing acoustic guitar parts on a Mac which is not quite the same buzz. “Ironing the Soul” is kind of an oldschool.

cover of Silver Meadows

Vinny Peculiar is independent music press darling. Uncut magazine called you “an under sung national treasure” and “Tony Hancock of pop”; Q Magazine heralded you to be “a warm-hearted Morrissey” and The Irish Times convinced their readers you are the missing link between Jarvis Cocker and Roger McGough. How do you feel about those comparisons? Are they something you personally agree with? 

Vinny Peculiar: Music press darling you say? Hmm, I’m not sure about that but yes; I have had some great press from the major glossy UK magazines. I think this is partly because my stuff is easy to write about. There is usually a narrative story and some quotable lyrics. UNCUT named one of my songs the fourth best song title of 2004 with “We Tried to Drown Our Music Teacher in 1974”, you can see what I mean.

Your musical style escapes every attempt at classification, forcing reviewers to come up with pretty interesting suggestions such as poetry punk, urban lyricists or even “a beautiful blend of Americana, poetry, indie-pop and busker-punk”. It must be satisfying to see them grind their teeth in frustration every time you release new material. Do you still consider yourself to be part of outside pop movement? 

Vinny Peculiar: Yes, I don’t see music as a defined genre thing; often the most incongruous elements can make a song work or not. I try to be driven by what particular song needs. It doesn’t always work, mind! My Outsider status is probably always going to be a given. I’ve never been the new EMI Darling, or even the New Old Man on the Block. I was rather a late starter in the songwriter game! What I try is to follow the Ray Davies model and just “keep on working”.  There comes a time when you write and perform because that’s what you do and over analysis is futile, so I tell myself…

Photo by David Bailey

Many of your songs are autobiographical. You grew up in north Worcestershire village of Cathill, in a strict Methodist home. Your childhood experiences, vocational training as a nurse and a serious illness in the family are recurring themes in your lyrics. Mental well-being and finding hope against the odds seems to be very important to you. 

Vinny Peculiar: Autobiographical, yes. I think most songwriters write about themselves under some disguise; some do it better [or worse] than others. And yes again, for me personally, holding your head up is everything. We are such a marginalized society and we need hope more than ever. I have found that sharing experiences, often everyday ones, in songs and poems really helps. I try and bring this model to the workshops – people have so much to express, much more than they realise and it can aid their self-esteem and mental well-being. That’s my plug for the workshops done!

 You have strong ties not only with Worcester but also with Manchester to the point of Manchester Evening News claiming you as the city’s own. For many years you have collaborated with the Mancunian finest – Andy Rourke of the Smiths, Bonehead of Oasis or the members of the punk group, The Fall. You also supported the renovation of the iconic Salford Lads Club with frequent gigs. Do you feel at home in the north? 

Vinny Peculiar: It’s been fascinating to be back home and closer to family. I’ve ended up writing songs based on local events and issues. At the same time, I love The North.  I’m still working on the “Silver Meadows” stage play in Liverpool. It’s taking forever to refine, get the right actors, but we are still hopeful it will come off. I was at Salford Lads Club recently and got awarded a blue plaque; other recipients included Wayne Rooney and Maxine Peake. It was a great promo idea for the club, and I was stupidly happy to receive it. I’m planning another Lads Club Fundraiser before Christmas, date to be confirmed shortly.

Your artistic escapades link you closely to the eccentric genius of Bill Drummond (KLF, SOUP ART) – master of anarchistic and thought provoking happenings and art installations. Can you tell us more about your co-operation?

Vinny Peculiar: I was the Artist in Residence [Musical] opposite Bills Artist In Residence [Visual] at The Cathedral Arts Festival In Belfast in 2005. Bill and I shared a flat for 10 days and I went on to do many house concerts with him as part of The Soup Line Project. Bill would make soup and deliver a lecture and I would play a forty minute set of songs. I still keep in touch and look forward to the all new singing, dancing and thought provoking KLF! I also have the dubious honour of being auctioned song by song by Bill in Kensington, Liverpool at the demolition of a high rise block – he managed to sell a one to one version of “Confessions of a Sperm Donor” to a local business woman for £200.  It was quite a night…

Recently your album “Silver Meadows (Fables from the Institution)” has been turned into a stage play by Liverpool writer Ian Salmon. The initial reviews are fantastic. Where did the idea come from and where can we see it?

Vinny Peculiar: The Silver Meadows songs came from my time working in long stay Learning Disability and Psychiatric Hospitals. The album is set in the mid-1980s at the dawn of Community Care. The songs are character driven, they tell little stories of big changes. We’ve had an initial full run through before an invited audience and I’m still working on the fine details of the production. These things take a long time as they involve so many different people, including funder.  It is never straightforward, but we are determined it should be seen…

On 22nd of September, you will return to Marrs Bar in Worcester to perform an acoustic set during Musicians Against Homelessness concert in support of Crisis, an nationwide charity helping homeless people to find a stable and permanent accommodation. Are you planning something special for the night?

Vinny Peculiar: I’ll be doing the Mars Bar show with Rob Steadman, my regular piano player. Rob was in Parlour Flames with me (the band I formed with Bonehead). We’ll be playing songs from the new locally themed album including “The Malvern Winter Gardener” and “Droitwich”. It is scandalous that we still have such a housing homeless crisis in the UK and we fully support the work of Crisis. I’m really pleased to have been asked to play this gig.

We know you are currently working on a new album inspired by Worcestershire and your childhood in Bromsgrove. Several demos have already been posted on Sound cloud website. What else is planned for the nearest future?

Vinny Peculiar: My forthcoming gig highlights include playing The 100 Club in London with Chris Difford, the date has not been confirmed yet.  I’m excited about that, we recently supported him in Malvern and he is a very decent chap, too. The new album will take some time to finish, it is due early next year and we will be touring to support it. I have formed a new band with local Worcester musicians: Dan Bramhall (drums), Wes Dance (guitars) and Rooney Wooster (bass) and we are recording a new live EP soon too – I will let you know when it is ready!
You can follow Vinny at the links below:

www.vinnypeculiar.com
www.facebook.com/vinny.peculiar
https://soundcloud.com/vinnypeculiarmusic

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Vinny Peculiar  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Hoping to see you soon,

Mal+Rita

Indieterria meets Lost Tiger to the Wild

Dear Readers,

Lost Tiger to the Wild band logo

On September 22 2017, Worcester will be rocked by Musicians Against Homelessness campaign. The town will host an annual gig to raise funds for Crisis,  an NGO that help vulnerable people. This year yours truly are involved and our role is to bring to light and attention of general public the amazing artists who will be playing for the fundraiser.  We have already profiled nth cave for this blog. It`s time to meet Lost Tiger To The Wild.
Believe us or not, we found them via Twitter when they were still under a different name around a year and half ago, we have been in the first row on their debut gig, we may have passed a word about them to a DJ or two. It was a pleasure to watch this duo grow into confident artists. Now it is a pleasure to present them on this blog.

Hear us roar

Jokingly referred to as the rock and roll version of the Thompson Twins (who were not real twins mind you!) brothers Alfie and Zack Jeavons-Fellows are on the straight way to stardom. Their sudden appearance on Worcester music scene less than a year ago was a true musical knock out. Powerful riffs, rhythmic beats combined with talent for writing songs you cannot get out of your head, proved to be a winning combination. We have caught up with the skilled duo to speak about their early success, getting noticed and their upcoming music.

You are identical twins, we are not seeing double, are we?

Alfie Jeavons-Fellows: (laughing) Yes, we are identical twins; born a minute apart. I’m the older of us both.

Lost Tiger to the Wild is an interesting name for a band – half poetic and half cryptic. Can you explain where it came from?

Alfie Jeavons-Fellows: We found the phrase in a book. The quote read “We have lost a tiger to the wild”. We liked the way the words worked together, so we went with ‘Lost Tiger to the Wild’. For us the name is about being free and independent.

Alfie and Zac before their BBC Introducing session with Andrew Marston for BBC Hereford and Worcester Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

 

Zac, you normally play the lead guitar and sing, while your brother Alfie is wreaking havoc behind his drum kit.  However, you are known to switch places or play different instruments such as ukulele or keyboard during your performances. Is it hard to play only with your brother as a duo or do you prefer to keep it simple?

Zac Jeavons-Fellows: Playing as a duo is easier for us. We get on really well, have similar mindsets and share an approach to our music. Decision-making is much easier. And of course sorting rehearsals is simple. We are keeping it simple; it works for us at the moment.

Are you working with any other local musicians? Do you have a backing band that is supporting you on stage on special occasions? 

Alfie Jeavons-Fellows: Yes, we do. We’ve added a bass and lead guitarist for a recent live gig, which was really good for us because we were able to experiment with the solid guitar sound that Lost Tiger is about.

Many young bands look up to your own musical heroes such as Arctic Monkeys, The Kooks, Kasabian, Oasis or Catfish and The Bottlemen and their influences can easily be heard. The music you make is hard to categorize – it is rhythmic and energetic, yet very original. What inspires you to write?

Zac Jeavons-Fellows: Song writing is all about the riff for me. The lyrics come after. I can’t really tell you where the inspiration comes from. We probably draw from blues, a bit of soul and plenty of guitar rock, although we do listen to lots of different music. Lyrics generally come from experiences – some of my own and some that I see other people going through.

Read to Rock! Photo from band archives.

BBC Introducing gave you one of the best recommendations we have seen in years. “Great guys, great melodies, great live shows, great future ahead of them”.  It is not easy to impress people who listen to music for a living.

Alfie Jeavons-Fellows: (laughing again) People who listen to live music for a living are our best critics. Honest feedback is what helps us drive forwards. The BBC Introducing chaps were really good to work with, funnily enough we bumped in to Andrew Marston after our Coventry University gig and we see Andy O’Hare all over the place. Good blokes.

You are represented by prestigious Coalition Talent Entertainment Agency in London, responsible for shaping careers of well-known acts such as Shoala Ama, Pixie Lott, The Wombats or Artful Dodger. How did your partnership begin?

Alfie Jeavons-Fellows: Once our social media started to kick off, we found several agents were getting in touch. Rather than leap at the first offer we have received, we waited for a proven talent management team that could help push our careers on. Coalition got in touch in February, making some really positive noises so we met with them in London and soon agreed to work together. Being part of the Coalition stable gives us a chance to perform with lots of other professional artists.

We have to ask about our favourite track, Remember to Breathe.  You played it at the BBC session at the Railway in Redditch to rave reviews and great compliments from the crowd. It is a powerful track with thoughtful lyrics. Tell us more about this song. 

Zac Jeavons-Fellows: I have had the chorus riff for ages and loved the way it sounded with a decent fuzz pedal. Alf developed the song without lyrics a lot and it still sounds exactly the same. Coming up with lyrics to compliment the gritty sound was a struggle until I heard a bluesy song called “Remember to Breathe” written by Australian busker, Owen Campbell. It just clicked. With a little bit of tweaking, the lyrics fitted perfectly over my verse and chorus. We love it. Hope Owen will too, when he hears it.

Lost Tiger to the Wild – performing at the Marrs Bar on 5th May 2017 – their debut gig

Debut gig on May the 5th 2017 – force was definitely with the band

Lost Tiger was only founded in November 2016 and you have been performing extensively ever since. Your achievements are most impressive: on 17th of May you played at the sold out CUSU Summer Ball 2017 at the legendary Coventry University Students’ Union supporting Tinie Tempah;  on the 10th of June you supported Lethal Bizzle at University of Essex and recently you headlined a gig for UNCOVER sessions night in Worcester. Where are you going to play next?

Alfie Jeavons-Fellows: Our next gig is the Monmouthshire Filthy Girl Mud Run After party at the beginning of September. We played the sister event in Derbyshire about a month ago which was great fun. The crowd was really up for it. Top gigs are all about the audience.

On 22nd of September you will return to Marrs Bar in Worcester to take part in Musicians Against Homelessness initiative in support of Crisis (charity combating homelessness). This nation-wide musical event is championed by Alan McGee, the founder of Creation Records and manager of Primal Scream, Oasis and The Libertines. Are you preparing anything special for the night?

Alfie Jeavons-Fellows: The Marrs Bar is the home of original music in Worcester so we’ll definitely be playing our own music. If everything goes well, we’re hoping to debut a couple of new tracks. We’re really pleased to be part of the event.

Debut gig at the Marrs Bar.

Outside of your musical careers, you are very keen on sports, especially rugby. You both play for Stourbridge RFC, also with great success. We hope you are not thinking about a sudden career-change.

Zac Jeavons-Fellows:  No, don’t worry! We’re really into music; it’s what we really want to do.

Last but not least – the fun question. Tell us the most rock and roll thing that has happened to you so far. 

Alfie Jeavons-Fellows: I think it’d be best if we keep that one to ourselves… if you ask us face to face we may answer differently.

You can follow Lost Tiger to the Wild at:

https://www.facebook.com/LostTigerBand/
https://twitter.com/LostTigerBand
https://www.youtube.com/channel/UCNcu1GbXFLTrl_UP-L9lHsw
https://www.instagram.com/LostTigerBand/

 

Lost Tiger to the Wild in Slap Magazine

You can read this interview in September issue of Slap Magazine:

http://www.slapmag.co.uk/issue-73/september-2017/

or you can download the copy here:

issue-73-september-2017

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Lost Tiger to the Wild  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

We will see you soon enough for more music,

Mal+Rita