Indieterria meets The White Feather Collective

Hey everybody!

Welcome to 2018! We would like to wish you a very happy and prosperous new year and we hope it will be better than the last one. This year is going to be a very important one for our Worcester Music Scene and of course Vanadian Avenue crew will be keeping our eyes and ears open for anything music related. Please add us on Facebook if you haven’t done so yet to stay in touch with the latest information!

We would like to kick off 2018 in style with the first interview of the year. Ladies and gents, we give you the excellent White Feather Collective!

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Believe it or not, there must be definitely something in the famous Malvern spring water. After the success of fellow Malvern rockers Nuns of the Tundra at the national Firestone Battle of Bands competition and incredible releases from Dead Dads Club (they are playing Marr’s Bar with HVMM this February), here comes The White Feather Collective, swinging rock and roll quartet that has a major chance to represent England at the famous SXSW Conference & Festivals in San Antonio. We sat down with WFC to discuss their new material, previous accomplishments and sneaking into Glastonbury Festival.

 White Feather Collective are:

William Turner (vocals/guitar),
Christopher Reynolds (drums),
Josh Lambe (vocals),
Roo Macphee (bass/organ)

 

White Feather Collective – picture from the bands archive

White Feather Collective logo

You are immensely popular in West Midlands. But just in case somebody spent the last few years living under a rock. Who are The White Feather Collective?

White Feather Collective: We guess, the easiest way to describe us would be we are a four-piece rock band from Malvern. The boarder definition would be who we are is what we aim for. We want to change some part of this world through music to make creative escapism as popular as it was. We want a big scene of groovy people loving all day and night, not just to escape the current state of things but as a means to change it. It sounds daft like a hippy dream, but it is so much more. The world is run by liars you’ll never meet and we want some power shift where what we say it counts and we see the efforts of our strain. Music is just one way of getting us on the same page and talking about that.

BBC Hereford & Worcester put you forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up. Potentially, you could play at the biggest music conference in the world in Austin, Texas. Previous alumni of the BBC stage include among others The Big Moon and Idles. The first were nominated for Mercury Prize, the other recorded album of the year. No pressure, right?

White Feather Collective: No pressure at all! The fact we’ve been nominated encourages us to continue on the path we’re on. We just have to dream bigger and continue to put more loving energy into everything we do. The overall goal is to share good music with people and keep on riding that high.

The band formed in 2014. One year later, you had about twenty recorded songs and one of them “Come On and Get Down” was used by French company WIKO Mobile in their international campaign. Can you tell us how did that collaboration come to be?

White Feather Collective: They found us on Bandcamp. It was an early demo EP we nearly didn’t put on. Looking back, it was a good job we did! The coolest part of that was the video they made to go with it and the fact it was blasting out in huge stadiums!

The White Feather Collective – photo by Duncan Graves

White Feather Collective scored some prestigious gigs: The Water Rats in Kings Cross and The Monarch in Camden. And they were sold out shows. You also regularly perform in Scotland. How does the audience across the country react to your music?

White Feather Collective: The audience seem to react very similarly everywhere we go. They are all very warm and welcoming and tell us they dig our sound. Of course, it all depends on what night you’re put on in these places, really. For example, a Wednesday night in central London can be a bit hit and miss whereas the same night in a country pub could turn crazy. It’s all about the vibes, man. But still we find it’s the best way to try out new tracks and see what people respond to. We see it as a work in progress and some songs get left for recordings and others are better to be performed live.

April 2016 saw you recording a session for BBC Introducing at the Phoenix Theatre in Ross-on-Wye. You were partnered with another group tipped for national success – nth cave. Do you have any recollections from that session?

White Feather Collective: Honestly not much (laughter)! We’d come from a gig up north the night before so we were all quite hung-over and tired. We do remember singing Roy Orbison with Andrew Marston quite a lot though and that felt nice!

In October 2016 you released your five track debut EP “Universal Harmony” and then followed by a stand-alone digital single “Doorman” in November of the same year. We tried to find one bad review of either and we simply couldn’t. Very unusual, but it seems nothing is ordinary about White Feather Collective.

White Feather Collective: No, you will not be able to find anything ordinary about us. We’re all very unusual! (laughing)

William Turner (vocals,guitar) – photo by Duncan Graves

This summer you spent mostly playing festivals (The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock) with few performances in Wales (Cardiff, Monmouth) and one in Bristol (Mr Wolf`s). Is any new material coming or are you just taking things easy?

White Feather Collective: Yes, we were lucky enough to play some great festivals. Some down in Cornwall and Glastonbury which our singer, Josh actually had to sneak into (sorry Mr. Eavis!) He was there for about ten days and we had to pull him away. We don’t think he ever wanted to leave! And yes again, there’s always new material we’re working on. At the moment we are just getting funds together to get into the studio to record  new songs.

The band started out as a quintet but recently you are down to four members. Can you tell us who departed the Collective?

White Feather Collective: We have always been a 4 piece  band but we have percussionists, keys players and singers join us for certain things, that’s why we call it the collective. Our longest serving percussionist is a friend named Robby Rotten. He’s a real dude and often joins us when he’s not riding his motorbike through Africa!

The sound of White Feather Collective has been described as psychodelic surf rock with influences stretching from The Rolling Stones and Animals to Beach Boys, Donovan, Crazy World of Arthur Brown or even Captain Beefheart. How would you describe your own music and influences?

White Feather Collective: Yes, these are some pretty big names. We all have so many influences but we all love the iconic sounding records of the sixties and the people who make BIG songs that are still so popular like The Rolling Stones, The Who and The Velvet Underground.

Roo Macphee (bass) – photo by Duncan Graves

You prefer to have a complete control of your art: writing, filming, recording, designing and producing all the aspects of your musical presence. That is a very unique approach in the era when bands employ entire armies of collaborators.

White Feather Collective: It’s a story of two halves, really.  We’re poor but we’re also creative people and truly enjoy doing it (laughter). We would love the opportunity and want to collaborate with other artists but financially it’s not viable. Naturally, we all work in the creative industry, whether it’s recording music, film making or photography. This has helped us enormously.

You have substantial following online for an unsigned band. “Come On and Get Down” has been viewed over 80 K times on Youtube while “Crossroad Shootout” has over 34 K hits. Your songs on Reverberation have been listened by thousands of visitors. We are sure you already receive proposals from the labels.  Ever thought of jumping ships and getting signed?

White Feather Collective: We’ve only received an offer once but unfortunately it wasn’t right for us at the time. It’s an incredibly important decision for a band and one that will set our direction for time to come. We’re very open to the idea and would love to sign if the right opportunity arose with the right label, but for now we’ll continue to do what we enjoy.

In the element – The White Feather Collective photographed by Duncan Graves

Any plans for the future, maybe except for the world domination?

White Feather Collective:  Nah just continue making things, living the best we can and keep trying to meet Robert Plant! (laughing again)

On Saturday, January 6th, 2017 BBC Hereford & Worcester aired a short interview with The White Feather Collective and gave this very blog a shout out. You can here the 5 minute segment on the band and our interview  right here:

https://vocaroo.com/i/s0aXrHgwHmuI

or listen online http://www.bbc.co.uk/programmes/p05rfp94

Come on SXSW – you know you want a band from Worcester play at one of your events. Or two or seven bands from Worcester, we can ship you some incredible artists!

You can follow The White Feather Collective here:

Official Page: http://www.thewhitefeathercollective.com/
Facebook:
  https://www.facebook.com/thewhitefeathercollective/
Twitter: https://twitter.com/TWFCollective
Youtube: https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw
Bandcamp: https://thewhitefeathercollective.bandcamp.com/
Instagram: https://www.instagram.com/thewhitefeathercollective/

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Please come back again as  we have a fantastic interview almost ready that will be published soon!
Have a great week and keep the 2018 safe and sound!

Best regards
Rita and Malicia

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Indieterria: WorcesterWave youngest bands part 2

Hello again!

Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/

Part three can be found under this link:

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City?  We hope so, as we have  some superb artists to show you!

Happy Bones (Iggy Cuthbert)

Happy Bones playing live photo by Alex Knight

Happy Bones (aha Iggy Cuthbert) by Josh Foster

Official bio:  Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.

 Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.

Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”

As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.

Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.

Facebook: https://www.facebook.com/iggyhappybones
SoundCloud: https://soundcloud.com/iggyc
Bandcamp: https://happybones.bandcamp.com

Benjamin Dallow

Benjamin Dallow

Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz

Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.

He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.

Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack.  As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.

Facebook: https://www.facebook.com/benjamin.dallow
Worcester Music Festival:
  http://www.worcestermusicfestival.co.uk/bands/Benjamin-Dallow/

Becky Rose Seabright

Becky Rose promo picture

Becky Rose live

 At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.

 In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.

Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016.  Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).

She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.

Youtube: www.youtube.com/beckyrosemusic
Reverbnation: www.reverbnation.com/beckyrose
Myspace: www.myspace.com/thisisbeckyrose

RVRMN

RVRMN posing for promo picture in Worcester

RVRMN up on the roof

Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.

RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.

RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna

Website: http://rivermanofficial.wixsite.com/page
Facebook: https://www.facebook.com/RivermanPage
Twitter: https://twitter.com/RivermanPage
Instagram: https://www.instagram.com/_riverman_/
Soundcloud: https://soundcloud.com/rivermanpage
Spotify: https://open.spotify.com/album/3d2jDGHN6UP2CrGsWV7Q8v

Neil Ivison and Stone Mountain Sinners

Stone Mountain Sinners promo1

Stone Mountain Sinners promo2

Official bio: Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.

Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.

Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity.  Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).

Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.

Stone Mountain Sinners
Website: https://www.stonemountainsinners.co.uk
Facebook: https://en-gb.facebook.com/stonemountainsinners/
Twitter: https://twitter.com/StoneSinners  

Neil Ivison
Facebook:
https://www.facebook.com/neil.ivison
Facebook: https://www.facebook.com/NeilIvisonMusic/
Instagram: https://www.instagram.com/neilivison
Twitter: https://twitter.com/neilivisonmusic

HEXEN

HEXEN promo picture1

HEXEN promo picture2

Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.

Ren has worked closely with several notable Welsh and Worcester musicians.  She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).

She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.

Scott Mahoney has nothing but praises for HEXEN for their work together:

“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.

Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.

HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.

Facebook:  https://www.facebook.com/itshexen
Twitter: https://twitter.com/itshexen
Instagram: https://www.instagram.com/itshexen/
Bandcamp: https://itshexen.bandcamp.com

Vertigo

Harry Lee Jones – the mastermind behind Vertigo

Cover for the single “Breath”

Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.

Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!

Website:  http://harryjoneslfc.wixsite.com/vertigo/vertigo
Facebook: https://www.facebook.com/harryjones27
Facebook: https://www.facebook.com/Vertigo-1710755979198462
Soundcloud: https://soundcloud.com/vertigodada
Soundcloud (new demo for “Gucci”) https://soundcloud.com/vertigodada/gucci-the-first-demo
Soundcloud (“Breath”): https://soundcloud.com/vertigodada/breathe
Youtube: https://www.youtube.com/channel/UCj0K77SGJnPWsz417sYERKw

Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.

It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!

Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.

Indieterria – Year in review

Hello!

It is nearly December and we cannot believe how quickly this year has gone! The past 11 months were super busy but many things were accomplished. Worcester music scene is growing stronger and stronger by the day and we thought it would be fun to prepare a short review.

We have taken 9 of the most popular musical acts from our faithful city, we looked through their official websites and posts on social media pages to find out what they have been up to and what they have achieved. The results? We can describe them only with one word  – breathtaking. If somebody would told us that 2017 will be so productive and so kind to our local musicians, we would have never believed them.

Please read our report below and we hope you will feel as proud as we feel right now.

There is also another reason why we decided to do this  review.

You have probably heard by now that BBC Introducing Hereford & Worcester was asked to put forward one artist from our county to go to famous music business trade and conference SXSW in Austin, Texas next year.

There is a whole discussion on BBC H&W page, so we decided to make it easier for you and point out what leading artists from Worcestershire accomplished in recent times. Now its up to you dear readers to decide who may go to America in 2018. Read on and let your voice be heard.

You can see the entire discussion here:

 

HVMM

1. HVMM (hard rock/alternative)

– Signed to Independent Label Alliance (US based label)
– Released EP “Talk To Me Like I`m Dead”
– Release of debut EP followed by a sold out gig at Marrs Bar and a release party at Rise (Independent Record Store)
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Lacerate” has been played nationally on BBC 6 Music (Steve Lamacq), Kerrang Radio (Alex Baker), Radio X (John Kennedy), Amazing Radio and multiple smaller radio stations in the UK and US.
– Band continues to record in Spain and London with legendary producer Martin “Youth” Glover
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Headlined a sold out show in London (Seabright Arms) as part of Hackney Wonderland
– Portal TeamRock.com named HVMM their “Band of the Week”, large features in Classic Rock, Gig Sluts and other large music portals online.
– Band tours nationally
– Released videos to “Lacerate”, “Going Postal” and “Beggars and Thieves”

You can listen to the band here: https://soundcloud.com/wearehvmm
You can visit band`s page here: https://www.wearehvmm.com/

If you think HVMM deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Nuns of the Tundra

2. Nuns of the Tundra (indie /psychedelic rock)

– Unsigned act
– Released self titled EP
– Successful EP launch at Marr’s Bar in Worcester supporting Soeur (sold out)
– Recorded a session for BBC Introducing Hereford & Worcester
– Their singles “Robot Love” and “Float away” were championed by Andrew Marston of BBC Hereford and Worcester. “Mind`s Eye” has been streamed over  000 on Spotify
– Band continues to record locally at Funky Bunker in Malvern with producer Scott Mahoney
– Named as one of leading acts from Worcestershire (“WorcesterWave”) by Worcester News
– Strong touring presence locally (Bristol, Birmingham, Evesham) .Their performance at at BBC Introducing stage at Lakeview Festival at Eastnor Castle received very positive reviews (“they blew the tent poles off”)
– The band were featured in several articles in Malvern Gazette, Worcester News and Worcester Observer. Overblown Magazine called Nuns of the Tundra “the saviours of mainstream rock”
– The band is currently is in the finals of the third edition of the “Battle of the Bands” organized by Firestone. You can vote for them here: http://battleofthebands.firestone.eu/
– Released 4 singles : “Robot Love”, Mind’s eye”, “Float away” and “Dead in the desert”. Animated video to “Float away” made in co-operation with London based art company YESMAN was accepted into several international short film festivals including the prestigious  NYC Indie Film Festival

You can listen to the band here: https://soundcloud.com/nunsofthetundra
You can visit band`s page here:  http://nunsofthetundra.com/

If you think Nuns of the Tundra deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Population:7

 

3. Population:7 (rap/funk/neo-soul)

– Unsigned collective and one of the largest in the country (currently 9 members)
– Released three independent albums “Dead city” (featuring Tina Maynard and Anya Pulver of Soeur on vocals), “WHYP7” and “Fiero”
– Their concert at Worcester Music Festival was named best live performance by the audience. They also supported ska legends The Toasters.
– Recorded a session for BBC Introducing Hereford & Worcester
– Debuted on BBC 6 Music (Tom Robinson`s MixTape). Andrew Marston of BBC Hereford and Worcester described them as Incredible live performers. Fun, energetic and have the crowd enjoying themselves as much as the band!”
– The Collective is working on a project entitled “Lowlight” with possible theatrical release.
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band is constantly touring locally (Bristol, Birmingham, string of local festivals such as Under The Hill FestDubs In the Middle and Mello Festival).
– Described as one of the best bangers from the Midlands by Birmingham rapper Lady Sanity in Dummy Magazine
– They supported Benji and Hibbz at sold out concert in Birmingham
– Released several videos to singles such as “I say”, “Blindspot” and “Swag” with thousands views on YouTube

You can listen to the band here: https://soundcloud.com/population-7
You can visit band`s page here:  https://population7.bandcamp.com/

If you think Population:7 deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know her
https://www.facebook.com/bbcintrohw/posts/16037890596850

The Americas

4. The Americas (rock`n`roll)

– Unsigned act
– Released demo (“Tenth Day of May”), 2 digital singles (“Something`s Gonna Happen”, “Hot Minute”)
– Played to the full house at Worcester Music Festival, sell out every home coming gig
– They recently recorded session for BBC Introducing Hereford & Worcester, they have featured on BBC Introducing West Midlands
– Their music received airplay from national radio stations such as Radio X (Gordon Smart), BBC Hereford and Worcester, Free Radio and many independent online radio stations
– The Americas just finished recording their debut EP
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– They are the only band from Worcestershire on the famous This Feeling circuit. Headlined sold out show at The Finsbury in London. The Americas supported The Twang (sold out show at O2 Academy Birmingham), Broken Witt Rebels, Bluetones, Blaenavon and Trampolene
– They played some of the most important festivals in the country: Beyond The Tracks, Reading, Y Not, Tramlines, Isle of Wright
– Online magazine Gigslutz awarded them the title of the Best Newcomers and described them as “Infectious, frenetic, cool. One to watch”. Their concert was named “the week’s best gig” by the New Musical Express. The Line of Best Fit championed them by saying they “revitalize rock`n`roll”. The Americas received positive reviews from Mikey Johnns of This Feeling, Hall or Nothing music promoter Caffy St. Luce
– Band tours nationally. They performed at the BBC Amplify conference in London
– The Americas released video to single “Hot Minute” 

You can listen to the artist here: https://soundcloud.com/theamericasyeah
You can visit band`s page here:  https://www.facebook.com/theamericasyeah/

If you think The Americas deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

nth cave

5. nth cave (shoegaze/dreampop)

– Unsigned but tipped as the most promising band from Worcester
– Double A single demo released (Bass/Pop Party Princess)
– The band played to a full house for Worcester Music Festival, Worcester Pride and  took part in Musicians Against Homelessness charity fundraiser
– Recorded session for BBC Introducing BBC Hereford & Worcester
– Debuted  by Steve Lamacq on BBC 6 Music with a rave review (“band to watch out for”)
– The band prepares to enter the studio in January
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– nth cave begin to gain ground outside the county with concerts in Birmingham (02 Academy 2) and Liverpool (Club Babe).
– SLAP Magazine described them as “young, fearless and immensely talented”.  They have been heavily championed by BBC Hereford and Worcester
– Members of the band are known for broad interests in music and broadcasting. Fergus (guitar) has been awarded BBC apprenticeship, while Hector (drums) and Alfie (bass) participate in Boneyard Promotions, organizing concerts and open mic nights in Worcester and Hereford.
– nth cave released video for their single “Bass” 

You can listen to the band here: https://soundcloud.com/nthcave
You can visit band`s page here:  https://www.facebook.com/nthcave/

If you think nth cave deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

The Humdrum Express

6. The Humdrum Express /Ian Passey (singer/songwriter)

– Unsigned and self releasing artist
– Ian has a long career which spans over thirteen releases (album and EPs), the newest being a stand-alone single “E-Petition” released in November 2017
– The Humdrum Express has recently taken part in Musicians Against Homelessness charity fundraiser in Worcester, curated folk stage at Worcester Music Festival and played a sold out show at the Ross Theatre in Kiddeminster.
– During his career Ian has been featured numerous times on BBC Introducing Hereford & Worcester and BBC West Midlands
– His six last singles have been in regular rotation on BBC 6 Music and other national stations. In total over 30 different shows across a variety of stations.
– Ian is currently preparing to record his new album
– “E-Petition” single went viral in October 2017, with articles about the zombie themed video appearing across local media – Stourbridge News, Dudley News, Kidderminster Shuttle and local radio stations (Severnvalley Radio)
– The Humdrum Express shared stages with many great artists such as performance poet John Cooper Clarke, Bob Mould (Hüsker Dü), Ian McCulloch (Echo & the Bunnymen), The Wombats, Half Man Half Biscuit, The Wedding Present, Hugh Cornwell (The Stranglers), Miles Hunt (The Wonder Stuff), Mark Morriss (The Bluetones), The Membranes
– The Kidderminster Shuttle describe Ian Passey as an artist “known for his fast-paced lyrical style who mixes social commentary with familiar cultural references, surreal characters and subtle puns”
– The Humdrum Express has a series of videos under his belt. The latest – is “E-Petition”

You can listen to the artist here: https://soundcloud.com/thehumdrumexpress
You can visit artist`s page here:  https://www.thehumdrumexpress.com/

If you think The Humdrum Express deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Soeur

7. Soeur (alternative/noise)

– Unsigned band (but for how long?)
– Released debut EP “What separates us” and singles “No Fire”, “Left Living” and the title track “What separates us”
– Soeur shows usually sells out quickly as it happened in Worcester, Birmingham, Bristol, Bath, Leeds and Sheffield
– They have been featured on BBC Introducing twice: BBC Introducing Hereford and Worcester and BBC Introducing In the West. Their single “No fire” was championed by Andrew Marston and Huw Stephens
– Received impressive amount of airplay on local and national radio stations: BBC Hereford and Worcester, BBC Radio Bristol, Free Radio Birmingham, Radio X, BBC Radio 1 (Rock Show with Daniel P Carter), BBC6 Music and many more
– They recorded their debut session at the legendary BBC Maida Vale studios in London in September. It was broadcasted live on Radio 1 along with the band’s interview
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Soeur played at Reading Festival, Leeds Festival and headlined two sold out shows in London – Named as “one of the best unsigned acts” by Radio 1, “unforgettable” by BBC Introducing and “kick-ass attitude, catchy tunes and filthy riffs” by popular online magazine Tab the Feed
– Their single “No fire” was added to official Spotify playlist called “Rocked – the best new rock songs from the UK”
– Released videos to “Pass out”, “No fire” and “Left Living”

You can listen to the band here: https://www.youtube.com/channel/UCVcb7WVDBjUwEcj0hVR4Fig
You can visit band`s page here:  https://www.soeursoeursoeur.com

If you think Soeur deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Thousand Mountain

8.Thousand Mountain (match rock/instrumental)

– Unsigned band
–  Released self titled demo and currently are working on their first EP
– Thousand Mountain performed at Worcester Music Festival, The Sunflower Lounge and The Flapper in Birmingham and headlined Musicians Against Homelessness concert at Marr’s Bar in Worcester in support of Crisis
– They supported American spoken word legends The Listener, Press to Meco, Rubio and Sleepmakeswaves among others
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Falling” was played on Birmingham Radio, BBC Hereford and Worcester and received national airplay on BBC 6 Music Recommends with Steve Lamacq
– “Falling” was also available to listen online nationally on BBC iPlayer for the period of 2 months
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band was featured in several others articles form Worcester News, Worcester Observer and Slap Magazine
– They were interviewed by national Free Radio during prime time broadcast slot (driving home news)
– Thousand Mountain are working with the biggest concert promoters in Worcestershire and Birmingham and constantly touring
– Live videos to “Kraken”, “Open Doors” and “Falling” are available on their  Youtube channel

You can listen to the band here: https://soundcloud.com/thousand-mountain
You can visit band`s page here:  https://www.facebook.com/ThousandMountain/

If you think Thousand Mountain deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Lost Tiger

9. Lost Tiger to the Wild (indie/alternative rock)

– Unsigned duo but  under the care of prestigious Coalition Talent agency
– Released debut single in November 2017
– Duo played a string of successful home town gigs at Marrs Bar, to full house
– Recorded a session for BBC Introducing Hereford & Worcester
– Band has been championed by Andrew Marston of BBC Hereford & Worcester
– Lost Tiger are currently recording
– They  supported Tinie Tempah at the Coventry University Summer Ball and X Factor finalists, Jack    and Joel. Only weeks after at the Teesside University Ball, Lost Tiger opened for Wheatus, Karen Harding, Fuse ODG and Pendulum
– Headlined the Birmingham Christmas Market for Free Radio
– The band enjoys a phenomenal social media presence – having over  11.000 followers on Instagram
– Released videos to their debut single “Come Out With Me”

You can listen to the band here: https://www.youtube.com/losttiger
You can visit band`s page here:  https://www.facebook.com/LostTigerBand/

If you think Lost Tiger deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Keep your fingers crossed for your favourite artists and let The BBC Introducing Herefor and Worcester know who would you like to see on the other side of The Pond!

See you soon,
Rita and Malicia D.

**** Update 16/12/2017****

The waiting and anticipation is over. BBC Hereford and Worcestershire had made their decision to put forward one local act before the broadcaster`s panel that decides who will play at BBC Stage at SXSW – the world`s biggest music business trade show.

And that local band is White Feather Collective.

We have decided to add the band to the best of 2017 as they are very accomplished artists and  we will soon interview them as part of our Indieterria project. White Feather Collective were very surprised to learn that BBC H&W considered them for an overseas trip. This is what they have to say:

Each year BBC Introducing takes a handful of British artists to SXSW in Austin, Texas. Each act is performing live as part of BBC Stage. Previous year included artists such The Big Moon, Idles and Shame – you can say the champions league of indie circuit. Idles debut album “Brutalism” is a record of the year, Shame are recognized as one of the most influential new bands in the country, while The Big Moon were nominated to Mercury Prize.

Only the best among indie artists are taken to America and The White Feather Collective face a tough competition from other entitled acts from all across the country. But don’t think they don’t stand a chance. Because they do! We compiled a short note of what they have accomplished and it is a safe bet to say they are making a mark on Worcester music scene. Please send kudos and keep your fingers crossed for yet another alumni of WorcesterWave (yes, this is a real name for our scene. Thank you Andrew Marston!)

 

White Feather Collective

The White Feather Collective (psychodelia/surf-rock/folk)

– Not yet signed
– Released five track debut EP “Universal Harmony” and a stand-alone digital single “Doorman”
– Their song “Come On and Get Down” was used by French company WIKO Mobile in their international campaign on TV and radio
– Have been featured on BBC Introducing and were put forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up.
– The band played at The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock to universal acclaim
– Headlined sold out shows in their home town of Malvern, London (The Water Rats in Kings Cross and The Monarch in Camden), Bristol (Mr Wolf’s) and in Scotland
– Their YouTube channel received more than 200,000 individual views, with “Come On and Get Down” being viewed more than 80,000 times and “Crossroad Shootout” more than 34,000 times separately
– The band’s vocalist and guitar player, Will Turner wrote music for Grand Designs, The One Show, BBC News and Santander Bank
– Band tours nationally
– Released videos to “Come On and Get Down”, “Crossroad Shootout”, “The Inside” and “You Got The Time”

White Feather Collective – the future is looking bright

You can visit White Feather Collective on Facebook: https://www.facebook.com/thewhitefeathercollective/

Listen to the band here: https://thewhitefeathercollective.bandcamp.com/
or you can visit band`s page here: http://www.thewhitefeathercollective.com/

Alternatively, see their videos via their official YouTube channel:
https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw

We will keep this post updated when the BBC panel makes a final decision regarding the SXSW alumni 2017.

xxx
Mal and Rita

Indieterria meets Vinny Peculiar

Dear Readers,

This edition of Indieterria will profile an artist who is not a new starter. To be honest, he is well established and enjoys cult status among music fans. However, discovering new music doesn’t mean only cheeking out musicians on their first demo. There is a lot to learn from artists of all ages and all periods. As John Peel would say – you cannot limit yourself to one genre or one decade. It was a pleasure and privilege (to quote a classic) to sit down with Vinny Peculiar and talk about his art and music. And we will admit, we learned few things. Now, we wait in anticipation to see Vinny perform at Marr`s Bar on September 22 for Musicians Against Homelessness. Read on!

Man of many talents

Alan Wilkes, better known as Vinny Peculiar, is one of the most respected and original artists in the music business today. Splitting his time between his native Worcestershire and adopted home in Manchester, he has established himself as a poet, musician and writer. Finding a spare second in his busy schedule, Alan sat down with us to talk about receiving his own blue plague, new album inspired by growing up in West Midlands and charitable efforts to support local events.

You are a man of many talents – a performer, musician, poet, writer and educator. What is the difference between Alan Wilkes and Vinny Peculiar? Are you one and the same or is Vinny simply your artistic alter ego?

Vinny Peculiar: Thank you, I try and dabble in a few different things. Sometimes they work out but I’m most comfortable as a musician/songwriter. The Vinny Peculiar alter ego has been around for a while now but deep down, I’m one and the same person. The real difference is, I get to elaborate and take more risks as Vinny – perhaps the function of the alter ego is a permission to lose yourself. You’ve got me over thinking this one!

So far you have released 13 albums and EP’s to great critical acclaim, with genre-defying releases such as “Other people like me” or “Non Compliance” among them.  If you could choose one record from your catalogue that you value the most, what would it be and why?

Vinny Peculiar: I’d go for “Ironing the Soul”.  This record has got me a lot of breakthrough press and I made it with a band of mates in Liverpool, during stolen overnight studio time whilst trying to hold down a proper job! There’s certain urgency about it and some of those 4am vocal takes seem suitably desperate for the songs. Nowadays, I’m spending weeks editing acoustic guitar parts on a Mac which is not quite the same buzz. “Ironing the Soul” is kind of an oldschool.

cover of Silver Meadows

Vinny Peculiar is independent music press darling. Uncut magazine called you “an under sung national treasure” and “Tony Hancock of pop”; Q Magazine heralded you to be “a warm-hearted Morrissey” and The Irish Times convinced their readers you are the missing link between Jarvis Cocker and Roger McGough. How do you feel about those comparisons? Are they something you personally agree with? 

Vinny Peculiar: Music press darling you say? Hmm, I’m not sure about that but yes; I have had some great press from the major glossy UK magazines. I think this is partly because my stuff is easy to write about. There is usually a narrative story and some quotable lyrics. UNCUT named one of my songs the fourth best song title of 2004 with “We Tried to Drown Our Music Teacher in 1974”, you can see what I mean.

Your musical style escapes every attempt at classification, forcing reviewers to come up with pretty interesting suggestions such as poetry punk, urban lyricists or even “a beautiful blend of Americana, poetry, indie-pop and busker-punk”. It must be satisfying to see them grind their teeth in frustration every time you release new material. Do you still consider yourself to be part of outside pop movement? 

Vinny Peculiar: Yes, I don’t see music as a defined genre thing; often the most incongruous elements can make a song work or not. I try to be driven by what particular song needs. It doesn’t always work, mind! My Outsider status is probably always going to be a given. I’ve never been the new EMI Darling, or even the New Old Man on the Block. I was rather a late starter in the songwriter game! What I try is to follow the Ray Davies model and just “keep on working”.  There comes a time when you write and perform because that’s what you do and over analysis is futile, so I tell myself…

Photo by David Bailey

Many of your songs are autobiographical. You grew up in north Worcestershire village of Cathill, in a strict Methodist home. Your childhood experiences, vocational training as a nurse and a serious illness in the family are recurring themes in your lyrics. Mental well-being and finding hope against the odds seems to be very important to you. 

Vinny Peculiar: Autobiographical, yes. I think most songwriters write about themselves under some disguise; some do it better [or worse] than others. And yes again, for me personally, holding your head up is everything. We are such a marginalized society and we need hope more than ever. I have found that sharing experiences, often everyday ones, in songs and poems really helps. I try and bring this model to the workshops – people have so much to express, much more than they realise and it can aid their self-esteem and mental well-being. That’s my plug for the workshops done!

 You have strong ties not only with Worcester but also with Manchester to the point of Manchester Evening News claiming you as the city’s own. For many years you have collaborated with the Mancunian finest – Andy Rourke of the Smiths, Bonehead of Oasis or the members of the punk group, The Fall. You also supported the renovation of the iconic Salford Lads Club with frequent gigs. Do you feel at home in the north? 

Vinny Peculiar: It’s been fascinating to be back home and closer to family. I’ve ended up writing songs based on local events and issues. At the same time, I love The North.  I’m still working on the “Silver Meadows” stage play in Liverpool. It’s taking forever to refine, get the right actors, but we are still hopeful it will come off. I was at Salford Lads Club recently and got awarded a blue plaque; other recipients included Wayne Rooney and Maxine Peake. It was a great promo idea for the club, and I was stupidly happy to receive it. I’m planning another Lads Club Fundraiser before Christmas, date to be confirmed shortly.

Your artistic escapades link you closely to the eccentric genius of Bill Drummond (KLF, SOUP ART) – master of anarchistic and thought provoking happenings and art installations. Can you tell us more about your co-operation?

Vinny Peculiar: I was the Artist in Residence [Musical] opposite Bills Artist In Residence [Visual] at The Cathedral Arts Festival In Belfast in 2005. Bill and I shared a flat for 10 days and I went on to do many house concerts with him as part of The Soup Line Project. Bill would make soup and deliver a lecture and I would play a forty minute set of songs. I still keep in touch and look forward to the all new singing, dancing and thought provoking KLF! I also have the dubious honour of being auctioned song by song by Bill in Kensington, Liverpool at the demolition of a high rise block – he managed to sell a one to one version of “Confessions of a Sperm Donor” to a local business woman for £200.  It was quite a night…

Recently your album “Silver Meadows (Fables from the Institution)” has been turned into a stage play by Liverpool writer Ian Salmon. The initial reviews are fantastic. Where did the idea come from and where can we see it?

Vinny Peculiar: The Silver Meadows songs came from my time working in long stay Learning Disability and Psychiatric Hospitals. The album is set in the mid-1980s at the dawn of Community Care. The songs are character driven, they tell little stories of big changes. We’ve had an initial full run through before an invited audience and I’m still working on the fine details of the production. These things take a long time as they involve so many different people, including funder.  It is never straightforward, but we are determined it should be seen…

On 22nd of September, you will return to Marrs Bar in Worcester to perform an acoustic set during Musicians Against Homelessness concert in support of Crisis, an nationwide charity helping homeless people to find a stable and permanent accommodation. Are you planning something special for the night?

Vinny Peculiar: I’ll be doing the Mars Bar show with Rob Steadman, my regular piano player. Rob was in Parlour Flames with me (the band I formed with Bonehead). We’ll be playing songs from the new locally themed album including “The Malvern Winter Gardener” and “Droitwich”. It is scandalous that we still have such a housing homeless crisis in the UK and we fully support the work of Crisis. I’m really pleased to have been asked to play this gig.

We know you are currently working on a new album inspired by Worcestershire and your childhood in Bromsgrove. Several demos have already been posted on Sound cloud website. What else is planned for the nearest future?

Vinny Peculiar: My forthcoming gig highlights include playing The 100 Club in London with Chris Difford, the date has not been confirmed yet.  I’m excited about that, we recently supported him in Malvern and he is a very decent chap, too. The new album will take some time to finish, it is due early next year and we will be touring to support it. I have formed a new band with local Worcester musicians: Dan Bramhall (drums), Wes Dance (guitars) and Rooney Wooster (bass) and we are recording a new live EP soon too – I will let you know when it is ready!
You can follow Vinny at the links below:

www.vinnypeculiar.com
www.facebook.com/vinny.peculiar
https://soundcloud.com/vinnypeculiarmusic

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Vinny Peculiar  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Hoping to see you soon,

Mal+Rita

Indieterria meets Lost Tiger to the Wild

Dear Readers,

Lost Tiger to the Wild band logo

On September 22 2017, Worcester will be rocked by Musicians Against Homelessness campaign. The town will host an annual gig to raise funds for Crisis,  an NGO that help vulnerable people. This year yours truly are involved and our role is to bring to light and attention of general public the amazing artists who will be playing for the fundraiser.  We have already profiled nth cave for this blog. It`s time to meet Lost Tiger To The Wild.
Believe us or not, we found them via Twitter when they were still under a different name around a year and half ago, we have been in the first row on their debut gig, we may have passed a word about them to a DJ or two. It was a pleasure to watch this duo grow into confident artists. Now it is a pleasure to present them on this blog.

Hear us roar

Jokingly referred to as the rock and roll version of the Thompson Twins (who were not real twins mind you!) brothers Alfie and Zack Jeavons-Fellows are on the straight way to stardom. Their sudden appearance on Worcester music scene less than a year ago was a true musical knock out. Powerful riffs, rhythmic beats combined with talent for writing songs you cannot get out of your head, proved to be a winning combination. We have caught up with the skilled duo to speak about their early success, getting noticed and their upcoming music.

You are identical twins, we are not seeing double, are we?

Alfie Jeavons-Fellows: (laughing) Yes, we are identical twins; born a minute apart. I’m the older of us both.

Lost Tiger to the Wild is an interesting name for a band – half poetic and half cryptic. Can you explain where it came from?

Alfie Jeavons-Fellows: We found the phrase in a book. The quote read “We have lost a tiger to the wild”. We liked the way the words worked together, so we went with ‘Lost Tiger to the Wild’. For us the name is about being free and independent.

Alfie and Zac before their BBC Introducing session with Andrew Marston for BBC Hereford and Worcester Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

 

Zac, you normally play the lead guitar and sing, while your brother Alfie is wreaking havoc behind his drum kit.  However, you are known to switch places or play different instruments such as ukulele or keyboard during your performances. Is it hard to play only with your brother as a duo or do you prefer to keep it simple?

Zac Jeavons-Fellows: Playing as a duo is easier for us. We get on really well, have similar mindsets and share an approach to our music. Decision-making is much easier. And of course sorting rehearsals is simple. We are keeping it simple; it works for us at the moment.

Are you working with any other local musicians? Do you have a backing band that is supporting you on stage on special occasions? 

Alfie Jeavons-Fellows: Yes, we do. We’ve added a bass and lead guitarist for a recent live gig, which was really good for us because we were able to experiment with the solid guitar sound that Lost Tiger is about.

Many young bands look up to your own musical heroes such as Arctic Monkeys, The Kooks, Kasabian, Oasis or Catfish and The Bottlemen and their influences can easily be heard. The music you make is hard to categorize – it is rhythmic and energetic, yet very original. What inspires you to write?

Zac Jeavons-Fellows: Song writing is all about the riff for me. The lyrics come after. I can’t really tell you where the inspiration comes from. We probably draw from blues, a bit of soul and plenty of guitar rock, although we do listen to lots of different music. Lyrics generally come from experiences – some of my own and some that I see other people going through.

Read to Rock! Photo from band archives.

BBC Introducing gave you one of the best recommendations we have seen in years. “Great guys, great melodies, great live shows, great future ahead of them”.  It is not easy to impress people who listen to music for a living.

Alfie Jeavons-Fellows: (laughing again) People who listen to live music for a living are our best critics. Honest feedback is what helps us drive forwards. The BBC Introducing chaps were really good to work with, funnily enough we bumped in to Andrew Marston after our Coventry University gig and we see Andy O’Hare all over the place. Good blokes.

You are represented by prestigious Coalition Talent Entertainment Agency in London, responsible for shaping careers of well-known acts such as Shoala Ama, Pixie Lott, The Wombats or Artful Dodger. How did your partnership begin?

Alfie Jeavons-Fellows: Once our social media started to kick off, we found several agents were getting in touch. Rather than leap at the first offer we have received, we waited for a proven talent management team that could help push our careers on. Coalition got in touch in February, making some really positive noises so we met with them in London and soon agreed to work together. Being part of the Coalition stable gives us a chance to perform with lots of other professional artists.

We have to ask about our favourite track, Remember to Breathe.  You played it at the BBC session at the Railway in Redditch to rave reviews and great compliments from the crowd. It is a powerful track with thoughtful lyrics. Tell us more about this song. 

Zac Jeavons-Fellows: I have had the chorus riff for ages and loved the way it sounded with a decent fuzz pedal. Alf developed the song without lyrics a lot and it still sounds exactly the same. Coming up with lyrics to compliment the gritty sound was a struggle until I heard a bluesy song called “Remember to Breathe” written by Australian busker, Owen Campbell. It just clicked. With a little bit of tweaking, the lyrics fitted perfectly over my verse and chorus. We love it. Hope Owen will too, when he hears it.

Lost Tiger to the Wild – performing at the Marrs Bar on 5th May 2017 – their debut gig

Debut gig on May the 5th 2017 – force was definitely with the band

Lost Tiger was only founded in November 2016 and you have been performing extensively ever since. Your achievements are most impressive: on 17th of May you played at the sold out CUSU Summer Ball 2017 at the legendary Coventry University Students’ Union supporting Tinie Tempah;  on the 10th of June you supported Lethal Bizzle at University of Essex and recently you headlined a gig for UNCOVER sessions night in Worcester. Where are you going to play next?

Alfie Jeavons-Fellows: Our next gig is the Monmouthshire Filthy Girl Mud Run After party at the beginning of September. We played the sister event in Derbyshire about a month ago which was great fun. The crowd was really up for it. Top gigs are all about the audience.

On 22nd of September you will return to Marrs Bar in Worcester to take part in Musicians Against Homelessness initiative in support of Crisis (charity combating homelessness). This nation-wide musical event is championed by Alan McGee, the founder of Creation Records and manager of Primal Scream, Oasis and The Libertines. Are you preparing anything special for the night?

Alfie Jeavons-Fellows: The Marrs Bar is the home of original music in Worcester so we’ll definitely be playing our own music. If everything goes well, we’re hoping to debut a couple of new tracks. We’re really pleased to be part of the event.

Debut gig at the Marrs Bar.

Outside of your musical careers, you are very keen on sports, especially rugby. You both play for Stourbridge RFC, also with great success. We hope you are not thinking about a sudden career-change.

Zac Jeavons-Fellows:  No, don’t worry! We’re really into music; it’s what we really want to do.

Last but not least – the fun question. Tell us the most rock and roll thing that has happened to you so far. 

Alfie Jeavons-Fellows: I think it’d be best if we keep that one to ourselves… if you ask us face to face we may answer differently.

You can follow Lost Tiger to the Wild at:

https://www.facebook.com/LostTigerBand/
https://twitter.com/LostTigerBand
https://www.youtube.com/channel/UCNcu1GbXFLTrl_UP-L9lHsw
https://www.instagram.com/LostTigerBand/

 

Lost Tiger to the Wild in Slap Magazine

You can read this interview in September issue of Slap Magazine:

http://www.slapmag.co.uk/issue-73/september-2017/

or you can download the copy here:

issue-73-september-2017

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Lost Tiger to the Wild  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

We will see you soon enough for more music,

Mal+Rita

Indieterria meets Jesse River Dylan Murray

Dear Readers,

JRDM`s heart shaped logo

Let`s take a walk on the wild side.  Our next discovery is not only talented singer-songwriter, with a unique sense of fashion and penchant for poetry.  They also have a list of inspirations long for a mile (William Shatner, Shrek, Ted Hughes, Stefan Raab, David Attenborough, Julian Lennon to name a few), witnessed Eurovision in Vienna and have a whole box of cds from their trip to India. They play rock but their debut EP is called “Classical Music”. Feeling confused? Good, a little vertigo won’t hurt. We have been observing Jesse River Dylan Murray for weeks at the open mic nights around town and finally had a chance to question them for this month`s edition of Indieterria. We hope you will enjoy this interview, because we surely had so much fun preparing it. Can you blame us? Jesse`s cool as few tons of Persian kittens and we can barely wait for 19th of July when the EP and the jaws will drop.

Life’s got everything to do with music

Look sharp! Jesse is a skilled photographer taking all his promotional shots. Ah those pesky kids today, daring to be creative and talented!

Meeting Jesse River Dylan Murray almost feels like stumbling upon the icons of rock and roll golden era. Soft-spoken, dressed in vividly colorful attire that places them somewhere between Marc Bolan and David Bowie, Jesse instantly becomes the center of attention. Their impromptu, refreshingly innovative sessions at the open mic nights around Worcester are like a breath of fresh air. Having heard the rave reviews, we wasted no time to see them in action for ourselves. This is what we have learnt…

Jesse River Dylan-Murray – that’s a fantastic name and a well suited one for a rock star.  Please introduce yourself.

Well, it’s not a stage name in case anyone was wondering, it is my full birth name. I’m apparently named after River Phoenix & Bob Dylan. I’m a guitar-playing songwriter based in Worcester (against my will) and I inhale hope and exhale disappointment. I don’t really aim to become a rockstar – in fact the very term somewhat grates against me like splintery wood. I feel like that whole title has been & gone and comes with this set of specific ways on how to do music which I don’t want to be tied down by. I loathe describing myself almost as much as I loathe BBC Radio 2 & The X Factor.

You have studied at Nunnery Wood High School that is known for placing a great emphasis on art and music. Other graduates include Jodi Hughes, Ewan Pollock and brothers Zac and Alfie Jeavons- from Lost Tiger to the Wild. Did the artistic education help to shape you as a musician?

 I always thought Nunnery Wood was a science-biased school… I had very little interest in music generally when I was there. Pretty much all I was listening to at the time was Marilyn Manson & Michael Jackson (my goth phase & my inner child viciously grinding against each other.) It wasn’t until 2010 when I started to really get into music fanatically (starting with Alice Cooper) and I didn’t get my first guitar until the middle of 2013, a year after I’d left college. My mother’s boyfriend, who had been playing since the 60s, probably, gave me a few lessons in the beginning, but the short answer is that I was never formally educated in music nor was I at all inspired by my educational background. I hated school with a near-maniacal passion and still look back on it with disdain.

Jesse as a guitar hero (self portrait)

One of your songs entitled “Smoke without fire” received a lot of airplays on social media. It is a very complex and interesting composition. Can you tell us more about its beginnings? What is the message behind it?

This song I can actually, unlike most of my songs, pinpoint to an exact moment in time. I was having a conversation with my stepdad in a pub last March and we were talking about rumours & the media, and he said something like “People say there’s no smoke without fire, but you know there absolutely is.” And that’s what the song’s really about in my mind. Spurious rumours, dirty gossip, twisted media. From the playground level to the international level. A bit of anger there in that song

Given the opportunity, we have to ask about another of your songs – “Everyone Wants To Look At Me But Nobody Wants To Look Me In The Eye”. With its poetic yet sarcastically sad lyrics and melodic riffs, it almost sounds like a track that didn’t make the cut for The Smiths’ “The Queen is dead” album.

“Classical Music” EP cover

“I live on the outside of the outside because the rebels and the punks and the freaks and the queers don’t want to know me.” It’s a fairly straightforward song I think, with its almost comically mammoth title. Not entirely sure when I conceived that song, but I had the title stuck in my head for what felt like at least a couple of years. I mean it’s obviously about being stared at and not fitting in, as so many songs are (I’m not even a Radiohead fan) but on another level it’s a lot more. It’s about not even fitting in in the usual groups of outcasts, feeling out of place literally everywhere, accepted or otherwise, but most importantly not even having any clue what you are. To paraphrase the brilliant Chicago-originated musician Ezra Furman: “People say ‘oh just be yourself’ but I don’t have any clue what that is…”.

Your debut EP entitled “Classical music” will be released on 19th of July. What can we expect? Are any of your previously released demos included or are you going to treat your fans to something completely new?

Smoke Without Fire is on there in the center of it. Everyone Wants… is currently being worked on to be released separately. The EP will contain 6 tracks – 5 original plus an instrumental bit of classical music (hey-hey did somebody say theming ho-ho) – at a rather beefy 31 minutes and will cost £3 – that’s the same as a meal deal readers, only this lunch don’t have no consume-by date! It will also contain the bouncy anti-pop protest anthem That’s Got Nothing to Do With Music, which I’ve been bombarding poor old Worcester with for a while and will most likely be released as the leading single for this by the time this issue of SLAP comes out, available for download. So get on that.

You have recorded at the famous MayB Studios in Pershore along many established acts such as jazz sensation Hot Fingers, London legendary punk rockers Bad Habits or Worcester Music Festival veterans Amorphica. How would you describe working with one of the best music producers and engineers in the county?

The studio’s owner, Peter May`s top person. He always knows exactly what he’s doing and is pretty quick to figure out what you want if you’re not sure how to describe the sound you’re looking for. He’s in the room with you through the whole process – no soundproof glass, no separate room – so you get a proper teamwork feel to it and it’s pretty easy to communicate quickly enough and make the most of your time there (which is also pretty cheap at £10 an hour.) He is, so far, my only experience of working with a producer/engineer and I feel like I’ve lucked out. You also get to work with some pretty swanky top-notch equipment, and if you’re really nice to him he’ll even make you a lovely cup of tea.

Imagine you have a chance to gather any musicians from local or international scene to create an ultimate artistic dream team. Who would share the stage with you and why?

 Thinking locally, I’m a big fan of Ellie Williams and her end-of-the-world song writing and absolutely bellowing pipes. Looking forward to her EP when it comes out and I’d love to work with her. I also like Ben Dallow quite a lot – locally nicknamed “Britpop Ben” for I suppose his rather Gallagher-esque appearance and drone. He has a great non-stop style of guitar playing where he mixes rhythm and lead really well, and gives the impression of being so ice-cool you could hit him with your car and he might not even notice. There’s also Rueben Lovett, Cheltenham-based guitar player and a brilliant writer. Only ever seen him live once so far, right after I’d just left the stage at Marrs Bar’s open mic. I was so sweaty and needed to step outside to cool off, but found myself rooted to the spot by this unique charisma he has. A bit punky but largely just special. Don’t know about a bassist and drummer though… just a load of writers & mostly guitar players lacking the foundations. Chaos.

Sit down next to me (auto-portrait)

Your fashion sense is very unique and you have been compared to David Bowie’s stage persona of Ziggy Stardust and Adam Ant’s Prince Charming. What inspire you?

 My sense of fashion just exploded one day in Cheltenham, when I was 15 years old. I was there seeing my very first ever gig, and my friends & I found this vintage clothes shop on a side street called Browsers. And I’m talking ridiculous vintage here: flares, tassels, glitter, shoulder-pads, zebra-print. I’d never been somewhere like there before. Prior to that I was on the tail-end of my goth phase and moving into the zone of checkered shirts (God knows why) but in that shop something in my head clicked and said “Hang on… I can wear anything!” And I went to that gig that night wearing this ridiculous heavy red velvet waistcoat with 2-foot-long tassels dangling from it (still got it too.) My sense of fashion just evolved from there and that wear-anything philosophy. I’ve since lost sight of the point of even gender-pigeonholing and mix in the make-up, heels & dresses with the suits, leather jackets & jumpsuits. I want it all. I just get bored very, very easily and don’t like to stick to one style for long.

What are your plans for the rest of the year? Where can we see you play live?

 My EP launch party will be at The Chestnut on Wednesday July 19th – that’s free entry as well – and I’ll have my very first paid gig at the Brecon Fringe Festival on August 13th. Beyond that I’ll keep inflicting myself upon the open mics of Worcestershire – primarily The Marrs Bar, Firefly & Chestnut – until I move away. I’m still small time. I’ve only been performing regularly for about 14 months. You’ve caught me in what are hopefully only the very early stages. Just another noise-maker in a line of noise-makers. Though my noise is often a few decibels apart from the night’s standard – either quieter or louder, depending on my general mood and whether I want to croon about a mythical Greek monster or bellow & growl about alcohol. Do come see the noise, though. It will be – deep breaths now – FUN.

Poster for the EP launch party on July 19th 2019

You can follow Jesse at:
https://www.facebook.com/JRDMcreations/
https://soundcloud.com/jesse-river-dylan-murray

And you can buy the EP here:

https://jrdm.bandcamp.com/album/classical-music

You can find this interview in the July edition of Slap Magazine:

http://www.slapmag.co.uk/slap-issues/issue-71-july-2017.pdf 

or download the file from here:

issue-71-july-2017

Nearly a centerfold! Jesse featured in SLAP Magazine July 2017

As we said, before we sat down to talk with Jesse, we seen them several times performing live and each time Jesse would blow us away. Their stage presence is immaculate and the clothes and killer shoes are just unearthly. It`s like Richey Edwards raiding Bernard Butler`s wardrobe in the 1990s. Or Freddie Mercury, or Syd Barrett or Brian Molka or Marc Bolan or Stevie Nicks…it`s like walking on set of Velvet Goldmine, Breakfast on Pluto live… we can go on until tomorrow morning.

We took some shots for you, so you can judge for yourselves.

Jesse`s amazing stage outfits.

Dressed to slay we tell you.

Classic look and killer heels

We will see you on the 19th July for the EP launch. As Jesse said – it will be FUN.

xxx
Mal+Rita D.

**** Update 26/07/2017****

New Poster for the EP launch

Pushing at the boundaries – “Classical Music” EP launch

Chestnut Inn in Worcester is an unusual place. For starters it looks like it should belong in Hay On Wye. Books and antiques can be found in every corner. On second glance, the pub feels like a crossover between Leaky Cauldron and Peel Archive.  Fat, red cat roams around demanding cuddles from the customers, big portraits of rock and blues stars on the walls seem alive and there are vinyl records in big piles near the bar. No wonder that  Chestnut was chosen as a venue for Jesse River Dylan Murray`s EP launch on 19 July 2017.

The Chestnut Inn in Worcester

This place is like Cash in the Attic episode

Some of those records are really old and still being used!

Large portraits that give Chestnut Inn quite a character

Chestnut Inn decor is out this world, we tell you.

That is self explanatory!

A wild child of Worcester music scene, Jesse cannot be easily squeezed  into a box and they have more aces in their sleeve than a skilled gambler.  One moment channeling Bowie, the next singing like Tom Waits, Jesse easily changes from glam to indie to alternative with charm and buoyancy that captivates the audience. We can tell you that when we entered The Chestnut, the house was full.

Before Jesse hit the stage, we had a pleasure to listen to two support acts: Stephen L Wright (locally known as Nobby Wright) and Benjamin Dallow.  Stephen L. Wright continues a proud tradition of classic blues and we are sure that sooner than later Nobby will find himself on the other side of the Pond. Ben Dallow (who filled in for Redwood as she could not perform due to conflicting schedules) on the other hand is fully immersed in British rock. There is a lot of Oasis and Paul Weller influences in Ben`s music but since when comparison to the Modfather is a bad thing? Dallows version of Jam`s That’s Entertainment was fresh and done in his own style, so no complaints from us here. It also should be noted that Ben`s performance was arranged the night before the EP launch at a last minute but it worked out perfectly. That’s the beauty of our local music scene.

Ben Dallow during his performance

Rock`n`Roll star

We think we need to introduce Ben to Mikey Johns of This Feeling.

Once Ben Dallow finished his set – it was all about Jesse and their music. With their signature guitar, full make up on and snow white shirt, Murray mirrored Richey Edwards in passion and  stage persona and equaled American indie sensation Michete in outspokenness.  They played the EP in full and when that was not enough, they turned to a cover (brilliant version of Heroin by Velvet Underground).

For a young performer Jesse surely has dedicated friends – some of them came as far as London for the launch and at the end of the night, Jesse was presented  with a huge bouquet of summer flowers. Not Morrissey-esque flowers but equally sweet.

Bold in their performance, but there was a bit of stage fright too, we think.

Rocking to a crowded room

Jesse on stage

a view from the first row

In their element

Not everything was perfect. Jesse like many other acts has to learn on the job and perhaps the set was too longish but we did not really mind. Even if we had to buy the EP from one of Jesse`s friends and not the artist themselves.

It was a fun night – full of excellent music, chaos, silly conversations, too many pints and had all the marks of “I was there” moment. If given right amount of endurance in this dog-eat-dog industry, Jesse River Dylan Murray has all the talent and persona to become not just a local starlet – but a full grown rock and roll start in their own right.

Better than Moz.

Set list

The day after thank you note from the artist.

Credits:

Jesse River Dylan Murray:
https://www.facebook.com/JRDMcreations

Stephen L Wright (also known as Nobby Wright)
https://soundcloud.com/nobby-wright

Ben Dallow
https://www.facebook.com/benjamin.dallow

The Chestnut Inn
https://www.facebook.com/TheChestnutInn/

EP launch review in SLAP Magazine, August 2017

Our review has been now published in August issue of Slap Magazine. You can read the magazine online (turn to page 43) here:

http://www.slapmag.co.uk/issue-72/august-2017/

Or download a copy from here:

issue-72-august-2017

JRDM – pink bullet logo

If you need to purchase a copy of the EP – please click on the link below. It costs just £3 and supports a very talented performer who, like many on Worcester music scene, is fully independent and  DIY.

https://jrdm.bandcamp.com/album/classical-music

Cover of the digital single That`s got nothing to do with music that accompanied the EP launch

The EP is accompanied by a free download digital single “That`s got nothing to do with music”. Jesse decided not only to give one song completely free for their listeners, but also offered lyrics (it`s actually a very long and contemplative poem) and hi res artwork.  We really believe this is a fair deal – from a very promising artist. You know what to do!

https://jrdm.bandcamp.com/track/thats-got-nothing-to-do-with-music

On 12th July, the single was debuted at BBC Introducing Hereford & Worcester to a warm welcome from listeners and the broadcaster Andrew Marston himself

That`s Got Nothing To Do With Music debuted on BBC Introducing Hereford & Worcester on July 12th 2017

And if you need any more recommendation to get yourself a copy of “Classical Music” – please have a look at the photo posted recently by Steve Lamacq (of New Musical Express, Radio 1 and BBC 6 Music fame). Jesse`s EP has landed on his desk and was scheduled for listening. We think this is uber cool and only shows what potential JRDM has!

 

EP has made its way to 6 Music!

Hope you enjoy the review, coming up – everybody`s fav section – images from two great local photographers!

M/R

**** Update 28/07/2017****

It`s been a week since the EP launch (you can buy it HERE) and  we are getting some amazing shots from the night. Please let us show you photographs done by Andy O`Hare. Andy is a journalist of local chapter of BBC (BBC Hereford and Worcester) and also a staff member at the local SLAP Magazine. He is often seen in front rows, documenting local music scene with his camera in hand– the amount of gigs he attended would make John Peel envious!

Andy was so kind to come and photograph the EP launch despite a very busy schedule. And he allowed us  to republish some of his shots on our blog.

Diolch Andy!

Please visit Andy at:

https://www.facebook.com/andy.ohare1

Peace out,
Mal+ Rita

**** Update 02/08/2017****

EP launch in the lens of Duncan Graves
https://www.facebook.com/duncan.graves

More coverage dear readers! Let us present you with some stunning works of Duncan Graves. Originally from Manchester, Duncan relocated to Worcester and has been one of the cornerstones of the scene for many years. He is a freelance photographer working with local bands and  magazines and documenting the music community we have in town.

Duncan was so kind to come and shot the EP launch and he agreed for his images to be part of this humble blog. And thanks to him, we can finally close the gap in our coverage as we did not have any shots of Stephen L Wright performing.

Stephen L. Wright by Duncan Graves
https://www.facebook.com/duncan.graves

Folk hero- Stephen L. Wright, photo by Duncan Graves
https://www.facebook.com/duncan.graves

Benjamin Dallow – photo by Duncan Graves
https://www.facebook.com/duncan.graves

That`s entertainment – Ben Dallow photographed by Duncan Graves
https://www.facebook.com/duncan.graves

Jesse photographed by Duncan Graves
https://www.facebook.com/duncan.graves

 

Duncan`s a top lad. You can send kudos (and your gig dates) to him here:

https://www.facebook.com/duncan.graves

***

EP on the inside

EP back

We will round up  our coverage of Jesse`s EP with this statement. Classical Music has been sitting in our stereo for good three weeks now and we just love it to bits. It is such a nice little local record and surely one of the best debts we have seen on our scene in a long while. Actually, we spoke to folks who have been attending local gigs for years and what pops up in almost every conversation is the excitement people feel. Peace and The Tights  are brought up (two local bands that hit it big) and how they made the town proud.  What is also being noticed is Jesse`s much more ambitious approach and his strive to forge his own stage persona. Imagine, if this kid grows to be new Bowie – mentioned one gig veteran we ran into at the Market Hall Records one Saturday morning when we were all digging through newly arrived rarities. And there was no sarcasm in his voice. That man been going to shows around West Midlands for thirty five years and seen the good, the bad and the ugly of local music. If Jesse is able to win over such hardened listeners, then what really can stop him? All the best Jesse, we have our fingers crossed!

Ps. We really think you look better with flowers than Moz. Thanks for reading this blog!

Jesse is shocked. Mission accomplished! ^-^

Indieterria crew is so so happy with how this blog tuned out – and we hope you agree with us dear readers. Weeks of following the artist, at least 11 updates and corrections and we think we nailed it. Its rock and roll and we are so excited to bring you all the details and angles to the story:)

Mal & Rita

Indieterria meets Michael Knowles

We go political!

Michael Knowles blows a kiss towards audience at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

Everything`s political as Skunk Anansie song goes. And May issue of Indieterria will be all that and even a bit philosophical.

We are steering back our ship to Worcester shores to introduce you to Michael Knowles – leader of The STDs and one of the most controversial figures in the Midlands. How politically incorrect is Mr Knowles? His new single is called “Theresa May is a cunt” and contains language so strong you may want to dig out your “Cop Killers” and “Straight Outta Comptons” out of the basement instead. We can see you rolling your eyes and ears dear readers. So we will ante up and tell you that besides being potty-mouthed, Michel Knowles has a voice of 4,5 octaves, a pitch perfect hearing and is a trained in music production.

Aha, controversial yet talented – now that is a hard mixture to swallow for some. It is much easier to dismiss musicians and artists as immature and looking for attention when  they are painted as  common nobodies. Much harder to do so when artists are seen as complex humans who have their strengths and exercise the right to freedom of speech.

The current world of pop music has been derived of controversial and outspoken characters to the point that you cant even hear songs on the radio that were in heavy rotation 20 years ago in the middle of the day. Try requesting Nine Inch Nails` Closer nowadays on the radio and see what they will play you.

Indie scene had always a place for counter culture and the obscene and we are happy to report that independent and unsigned artists are stepping in to fill the hole. Shame have fantastic “VISA Vulture” with its libelous video to match, The Blinders paint messages on their guitars and Michael Knowles and The STDs hammer the message nicely from our town.   You may see it as unnecessary and infantile – but we see it a form of balance. Music is broad enough to incorporate Little Mix and The STDs in all their respective popness and cockiness.

Fear not. The interview below is all nice and dandy and you may find out that controversial  figures can have a lot of cleaver things to say. We loved the passion Michael has for his musical heroes. So sit back and read on:

Michael Knowles performing live at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

 

Michael Knowles – a stream of consciousness

Technology is a wonderful thing. For example, it allows you to interview artists even late at night from the comfort of your own office. You type the questions into instant messenger and wait for the answers to arrive. Piece of cake. On the downside, technology can`t replicate that old fashioned feeling of excitement that every music journalist feels when meeting a new and promising act in person. And you need to know Michael Knowles surely earned himself a name to be regarded as exciting and controversial in equal measures. He fronts a band called The STD`s, dresses like it`s 1980s and is known for performances that are politically incorrect yet hilariously funny. No journalist would pass  the opportunity to see what makes Michael tick and we are no exception.

This is what we have found out:

Tell us about the band. How many of you and how did you start?

There were only three of us to start with: Steve Church, Dean Thomas Carter and myself. Steve and I had worked together in the past on an album I never released. Dean and I had played together in the house band of The Flag in Worcester (back then known as The Tap). One day we went to this kid`s backyard studio and we all fit really well so we started looking for a bassist as at the start Steve was on guitar.  Over time we’ve had some great musicians join us on – George, James or Tadd. They have come and gone to find new projects. Right now the line up is Steve on bass, The Jack (Tad Jones) on guitar, Dean on drums and myself on vocals. Plus I play guitar too.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

So four guys in a rock and roll band that is nothing like Worcestershire ever seen.

This is true.

You have a very distinct image – very 80s classic rock. On purpose or is it just how you guys roll?

To be honest,  we’ve only really dressed up for gigs a few times but now I mean we don’t really want to have to look through stuff to wear!

So there`s image change on the cards? You know you have already made yourself a name of new Steel Panther in town!

It depends where we shop next (laughs) and really I thought we had the reputation of a noisy bunch.

Noisy yes. But people rather see you as classic rock revival. Quite an interesting twist on David Lee Roth and Poison.

Well, that wasn’t our intention.

What was your intention then?

Just to be noisy and chaotic.

We could add early Alice In Chains to the influences you represent.

There was never really a plan. Still isn’t.

You still evolving sonically?

We’ve got a lot of new stuff in the pipeline. We always do.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

If you were to describe new songs- what would you say? Shall we buy earplugs in advance?

Possibly. There’s  material about some dark times and then whatever we write in the meantime. Plus a concept album.

So no more comic rock and songs about female attributes?

Probably not. But who knows? Let’s face it there’s no plan.

You said that world doesn’t need love songs anymore. That world needs anger.

This is true. I think a lot of anything I’ve written that could be considered “love songs” are usually bitter sweet. With a hint of sarcasm and a lot of anger.

Well, Ledbury Song is very angry but at the same time hilariously funny. You have audience roaring with laughter.

It is less of a song, more of a rant really.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

We don’t know if you agree- but we see your lyrics as a mix of Tenacious D with Morrissey-esque cynical humour and playing with words.

I doubt I could ever be compared to Morrissey. I’m never that poetic (laughs)

The Ledbury Song has the same motif as Everyday Is Like A Sunday:  dislike for a small town that is becoming like a prison for a young person. Moz also wants to bomb the town and he is not poetic about it.

I haven’t heard it but I agree with him.

You come from a small place?

A small town. Small in size and small minded. Hard to be anyone there.

Do you think you would be different if you were born in London?

I’ve been to London and I hate that place. Too big and far too busy. Everyone in a hurry to go nowhere.

So perhaps there`s a positive side of being born in a small town?

I think the point is everyone hates where they are from eventually but it’s always where you call home.

Who would you put in your top 5 artists?

I’d say Tool, Amen, early Slipknot and honestly Trent Reznor and Bill Hicks.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

Very broad influences.

I just love their attitudes and way of creating. I love how Bill Hicks was born in the religious South yet could deconstruct the archaic institutions that he was thrust into. I love how angry Slipknot were and to a 13 year old outcast they represented hope that you might be a freak but there was a place in this world for you. Amen taught me that record companies are just stupid. Tool taught me the beauty of feedback and how atmosphere can really make the hairs on your neck stand up. And Trent is just the god of chaos in noise.

You talk so poetically about music. You will put Moz out of business one day.

It’s all I have really. My whole life has been music and everything else has come and gone but there was always solace in music.

You sing, write, compose, play instruments – that’s lot of talents.

I see it as separate parts of one whole encompassing thing that is just me.

Where do you think the music will take you or the band?

It’s less about what music can do and more about how far we take it. We’re not looking to be billionaire rock stars with handlers. Our goals are to play every show and know at least half the audience.

And will that be enough?

It was always enough to have fans to grow with than trying to appease the masses.

You can follow Michael Knowles online at:

https://www.facebook.com/MKandSTDs
https://www.instagram.com/michael_knowles21
https://soundcloud.com/michael-knowles-music
https://soundcloud.com/michael-knowles-music/michael-knowles-the-stds

https://www.facebook.com/michael.knowles.5832343

At the beginning of April 2017, Michael Knowles and The STDs began recording of their new material using premises at Marrs Bar in Worcester as a studio. The result is album (that still needs to receive a release date) and a single “Theresa May is a cunt”. You can listen it here:

https://michaelknowlesthestds.bandcamp.com/track/theresa-mays-a-cunt

As we said – you may not agree with the bands sentiments but taking into consideration news item such as: HERE  or HERE, it makes us wonder if the song should not be at least six minutes longer. To act as a vent for the anger and frustration, if not anything else.

 

Our interview with Michael Knowles has been kindly reprinted in Slap Magazine and you can see your copy at the link below:

http://www.slapmag.co.uk/slap-issues/issue-69-may-2017.pdf

Or download copy  here:

issue-69-may-2017

Some images for our records if anything else fails:

Slap Magazine feature – May 2017 edition

Photo of the article

Kudos to Andy O`Hare from BBC Hereford & Worcester for allowing us some of his photos.

And if you found this edition of Indieterria too much, bear with us. Next time we are going to the church!

Malicia

**** Update 02/06/2017****

We have awesome news to report. This summer, UK will see a gigantic series of gigs and concerts under banner of “Musicians Against Homelessness”. This initiative was started in 2016 by legendary A&R and founder of Creation Records – Alan McGee. Its aim is simple – to gather funds for Crisis, charity that helps fight homelessness.

Literary everyone involved in the initiative works/plays for free (that includes us as well)  and every penny raised is passed to Crisis. One of MAH events will take part in Hereford at the legendary Booth Hall (Never been? You have only yourself to blame) on July 8th as part of Hereford Punk Festival. If you are in the area, please come down and have fun because Rich Lovell and Minky Cuadra of Underground Revolution did pure magic and got together two sets of pure punk, rock and poetry madness.

Hereford Punk Festival – line up in aid of Crisis

Hereford Punk Festival – MAH event just looks incredible

Michael Knowles is obviously on the bill and that will be just a fantastic opportunity to listen to his new material tested on the stage. He will not play lullabies, we warn you.

If you want  to learn more, here are some links worth checking:

Musicians Against Homelessness
https://www.facebook.com/mahgigs/

The Booth Hall
https://www.facebook.com/TheBoothHallHereford

Rich Lovell
https://www.facebook.com/rich.lovell.37

Minky Cuadra
https://www.facebook.com/profile.php?id=100010293331172

Underground Revolution
https://www.facebook.com/groups/undergroundrevolution/

Crisis
https://www.crisis.org.uk/

 

Oh and STD`s album launch happens one month before  the gig in Hereford on June  9th at Marrs Bars in Worcester. So get your copy and you will be set up for sing a-long. It will be also one day after the snap elections, so you know 🙂

https://www.facebook.com/events/1786676631644926/

Humor is the devil`s friend – album cover

The STDs in all their glory

 

Xxxooo
Rita+Mal