Indieterria review – Slease by False Heads

Dear Readers,

False Heads can easily be called a band that we love here at Indieterria. They have been on our  radar for over three years. We had a chance to interview them in August 2018 and a month later also reviewed their EP, proclaiming “Less is Better”  as one of our records of the year. We seen them live in Bristol at the minuscule The Mother`s Ruin basement and it was a glorious and sweaty affair. We met them at BBC Live conference in London. False Heads represent pure talent, determination and strong fellowship – all the qualities that make great bands. And now they return with a new single!

Slease cover by Will Hutchinson
https://www.facebook.com/will.hutchinson.921

“We go into the studio next week. Wanna hear what scribbling in a shipping container sounds like?” – wrote the band on their socials on March 1st and they meant it. Slease – their first single post “Less is Better” EP has been written in their rehearsal space somewhere in London  – a large, metallic shipping container. A place that may as well be an epicentre of world domination in the near future.

Slease premiered on 22 March 2019, dropping like a bomb from the sky. Three minutes and fourteen seconds of noise, dirt and impressive bass lines. But surprisingly, there is also a catchy chorus and melody that gets stuck in your head. The vocalist, Luke Griffiths screams out his lyrics with such a passion that you get the feeling you are on a political march (and we had quite a few big marches recently).

“The song was written last year” – explains Luke – “It`s about bad mental states. Addiction. But also how similar the left and right are in terms of tactics they use leaving people  politically isolated”.

The band posing outside their rehearsal space
Photo by Neil McCarty
https://www.facebook.com/neilmccartyphotography

Dark and gritty – False Heads are ready to take over
Photo by Neil McCarty
https://www.facebook.com/neilmccartyphotography

False Heads are a trio with Luke Griffiths on guitar and vocals, Jake Elliot on bass and Barney Nash on drums – but the songs they craft are so powerful  that you`d expect them to be at least  a  five piece. Slease is a good example – there is a wall of sound in this song, changing tempos, roaring bass and drums that will make you deaf if you find yourself  standing next to an amp at the gig.

The single is accompanied by a video directed by Brigitta Szaszfai (who also directed video to “Yellow” for the band last year) showing False Heads violently shaking and being blinded by bright lights in a darkened room.

As expected, Slease made a powerful impact within one week of its release.  John Kennedy  – influential DJ and champion of new music as Radio X described the song as fantastic. It has been added to “All New Rock” playlist on Spotify and “Best New Bands” playlist on Amazon.
The song premiered on Rodney on the Rock on Sirius XM in the US and became “next wave” track at BBC Radio 1 in the UK. It amassed nearly 5K streams in few days days on Spotify.

False Heads played two gigs in London and Manchester to promote the single. Their home town show took place at The Monarch on 21 March with The Estevans and Getrz supporting. On March 20, the band played Manchester`s The Soup Kitchen also with The Estevans. We don’t have to tell you that both shows sold spectacularly well.

Tour poster

False Heads by Nathan Whittaker/ MRC Live
https://www.facebook.com/Nathan.W6

False Heads live in London
Photo by Alan Wells
https://www.facebook.com/thealanwells/

There is something about False Heads that remind us of another band we used to follow in the early 90s. We would carefully gather every bit of information about them and the excitement was felt every time the name was mentioned. The band was called On A Friday at that  time and they went on to do a few interesting things since we first heard about them (like releasing The Bends or Kid A for example). Call it cliché – but we feel the same about False Heads nowadays. Keep them on your radars because they are not just an indie band we like. They are a band that will inspire your children to pick up instruments.  Wait and see.

Slease has gathered some rare reviews from blogs and magazines alike – and we would love to quote here some of them as we enjoy this sort of thing in our reviews:

“Outspoken, heavy post punk trio False Heads have just dropped their first track of 2019 and we are loving it” –  Vulture Hound
https://vulturehound.co.uk/2019/03/track-of-the-day-22-12-19-false-heads-slease/

“Keeping things gritty and fierce with new single “Slease” power trio False Heads have unleashed another monster punk-rock anthem” – Gig Slutz
http://www.gigslutz.co.uk/this-feeling-track-of-the-day-false-heads-slease/

“OOOOOH, we’ve got something awesome for you today! Yes indeed…here’s an incredible grungey alternative rock banger from False Heads. It’s called ‘Slease’ and it’s a bloomin’ masterpiece”  – SoundSphere Magazine
http://www.soundspheremag.com/videos/videos-of-the-week/watch-false-heads-slease/

“This is the first new single False Heads have released following their impressive EP, Less is Better. From the very first few chords, it is abundantly clear that this is going to be a step forward. The sound is immediately rougher, more aggressive and stripped down, and, one might say, more confident”  – Words For Music
https://wordsformusic.blog/2019/03/24/false-heads-slease-new-music/

“False Heads are without a doubt one of the most hard-working bands out there. After travelling up and down the country extensively in 2018 to promote their blisteringly confident EP Less Is Better and hooking us in with exploding riffs cemented firmly in the centre of punk sensibilities, this chaotic trio return with new single Slease” – Unique Lullaby
http://www.uniquelullaby.co.uk/2019/03/unique-to-check-out-false-heads-slease_18.html

False Heads
Photo by Neil McCarty
https://www.facebook.com/neilmccartyphotography

“With shows locked in to support the launch of ‘Slease,’ and the wheels of their debut album now in unstoppable motion, 2019 will be their most ambitious year to date and they want you to be a part of it. Who’s in?” – Rock and Loud Magazine
https://rocknloadmag.com/news/false-heads-drop-new-single-slease/

“[False Heads] crash into 2019 with one of their most explosive tracks to date” – Original Rock
https://originalrock.net/2019/03/07/interview-false-heads-talk-upcoming-single/

“False Heads remain one of the best and most authentic guitar bands” – Its All Indie
http://www.itsallindie.com/2019/03/false-heads-release-explosive-new-track.html

“Slease finds the East London trio in super energetic, ferocious punk mode, and memorable and easy to take in as it is, the dynamic song does not lack in any of the fierceness, the poignant lyricism and the impeccably well done production which have made the band thrive from the very beginning” – Destroy Exist
https://www.destroyexist.com/2019/03/false-heads-slease.html

“Sometimes a really crunchy and meaty bass riff is all you need to love a song. Thankfully False Heads’ latest track not only gives us that for an introduction, but continues down the path of beautiful raw punk in their new track “Slease” – Indie Central Music
https://indiecentralmusic.com/false-heads-release-stomping-new-track-slease/

You can follow the band on socials:

https://www.facebook.com/FalseHeads
http://www.falseheads.com
https://www.instagram.com/falseheads/
https://www.youtube.com/channel/UCqivl1sWLJyZxP3Ywei3HGw
https://twitter.com/FalseHeads
https://www.musicglue.com/falseheads

You can buy or stream Sleaze from the link below:

https://ffm.to/falseheadsslease

You can also visit the band`s label These Bloody Thieves Records:
https://www.thesebloodythievesrecords.com/
https://www.facebook.com/thesebloodythieves/

We hope you enjoy this review. Come back soon, we have more!
M/R

Indieterria Review – The Blinders at Thekla in Bristol

Event poster at Thekla

Gum Soul, White Room, The Blinders 
Thekla
Bristol
11/11/2018

11th of November 2018 was surely a day to remember. At that time each year, we celebrate National Independence Day in Poland and The Remembrance Day in the UK. This time however, for music fans, it was also the last day of the Blinders’ October/November tour supporting their debut album “Columbia”. Jokingly nicknamed “The Last Battle of Bristol” this date was hugely anticipated for several reasons. The Blinders haven’t played Bristol since their This Feeling days (February 2017 at The Stag & Hounds) and in the interviews, the band was adamant that the Johnny Dream and The Codeine Scene personas will be permanently gone. Expecting a bloody send off, fans quickly  grabbed offered tickets. The gig was not a sold out event but not many tickets remained at the door and it is safe to say that Thekla was nicely packed.  We arrived around 6:30 pm as the doors opened and we had to stand in a long queue to get inside. If you have to wait for the admission, it is a good sign that the concert will be a success.

The venue from the outside

It is a common knowledge that Thekla is one of the most unusual venues in the country. It is actually a real boat turned into music venue and when you see it for the first time, it can look really strange. Not Upside-Down strange, just strangely strange if you know what we mean. Yet, you quickly start appreciating the facilities they have: two bars (one long on the ground floor and one upstairs), upper deck with quiet seating section and a balcony, large toilets, bands quarters, rehearsal rooms, cloakroom and a large secured smoking area in the back. There is also an outside sitting area on the main deck that must be really pleasant in the summer, but it was too cold for us to go there although some locals were brave enough to sit there with cold drinks wearing nothing but shorts and a vest. To each their own as the song goes…

Johnny Dream poster exhibited at the lower bar

Better shot of the same poster – this is how A0 format looks like. Its huge!

The view of lower deck as seen from the upper bar

After leaving our bags and jackets in the cloakroom, we entered the main concert space with large scene and merch stands on the left. Previous reviews mentioned already that The Blinders selection was much smaller than on previous gigs but there is no reason to complain about it. The band sold out their vinyl records, CD’s and most of their tees and we were really happy to hear their tour manager repeating himself saying “Sorry, this is our last date, we are sold out!”. We wish all the bands we have seen this year could say the same. There were many signed posters and badges for fans to grab so nobody left the shop empty handed.

The Lower Bar

The door to the green room

Stage times

On the evening, The Blinders were supported by two bands: Gum Soul and The White Room who replaced Calva Louise for the second leg of the tour. We haven’t seen any of them playing live before, so we were looking forward to their performances, especially after reading very enthusiastic reviews. Gum Soul were the first ones to hit the stage, some 45 minutes after we arrived. Their music can be classified as college rock/grunge that is fused with typical British indie. This is a very good mix and the band played a proper, strong 30 minute set. We had a chance to quickly speak with them after their show and we learnt that they are based in Bath but they play regularly in Bristol and managed to develop a healthy fan following. It was visible as once they started playing, the first few rows were populated by their fans who knew lyrics to each of the five songs they played (“Empty Room”, “Sour”, “In & Out”, “Scratch Ignorance” and “The Knees”). We liked “Sour” the most – it is their leading single and a very good track to play live. Gum Soul have formed only in February this year, but they seem to already have a distinctive sound and they know which direction they want to go. We will be keeping an eye on them in 2019 as the band is promising new material. If you have a chance to see them play locally, please do.

The White Room are described as a psychedelic pop, a marriage of convenience between The Sparks and early David Bowie, with art rock and shoe gaze influences. They are a five piece from Brighton, known for their flamboyant sense of fashion (Simon Le Bon meets David Byrne) and stage theatrics. Their lead singer, Jake Smallwood is very charismatic and he knows how to be in the centre of attention. He grabs the microphone with both hands, walks to the edge of the scene and pushes himself as far into the audience as possible, sometimes singing mere centimetres from the gig goers’ faces. This literal, in-your-face approach, seems to be working like a charm – the girls are mesmerized, the blokes are stretching their hands to pat him on his back and shoulders. With his platinum blonde hair and  jade green shirts, Jake looks more like an actor than a musician but oh boy he can sing. His voice is crystal clear and again balances somewhere between Bowie, Le Bon and Mark Hollis. Except for Smallwood, the rest of the band comprises of Jacob Newman on guitar, Tristan Sava on keyboard, Hen Sava on drums and Josie McNamarra on bass. They have just released their double EP “Eight” and we had the pleasure of hearing all the best tracks from it: “Tomorrow Always Knew”, “Circles”, “Stole the I.V.” and “The Blue”.  The band has been around for nearly two years and they have a large and dedicated fan base. they will be on tour in the late winter/early spring of 2019, so please keep your eyes open as they might come to the (independent) venue close to you.

White Room in action

This band needs to be seen live to understand what an incredible act they are

Just like in Birmingham, once the support acts were gone and the lights dimmed, the atmosphere changed rapidly. With the headliner about to come on the stage, fans grouped tightly on the main floor and on the balcony. In certain moments, the pushing and showing in darkness got so bad that the security had to calm down  some of the most eager of fans. We sadly won’t remember the gig too well as we had to leave after the third song due to medical emergency but it was good to see the band in fantastic shape again. The show started very similar to their London gig, with Gene Wilder’s “Pure Imagination” from “Willy Wonka and the Chocolate Factory” movie that quickly blended into Columbia style propaganda monologue by Patrick T. Davies. And once the monologue was finished, “Gotta Get Through” smashed our eardrums and sent the crowd into frantic pogo. “Brave New World” followed without break, only to slow down with “Where No Man Comes” and then turn into the poetic declamation of “Free The Slaves”.  We have not seen the rest of the gig but we were told that Thomas Haywood, sat on the floor among the audience singing his mantra “There is no hope” during “Swine”, Charlie McGough battered his bass with intensity not seen previously and Matty Neale nearly broke his drum set with powerful blows. Was it a great send off to Johnny Dream and a proper good bye after 22-day tour? The answer is yes.

Even if it was our first time seeing The Blinders live, those three songs would be enough to turn us into believers. This band is going places, and this is not a secret. This is the truth. They have been predestined for the greatness and they will never settle for anything else.

After all, they’ve got the divine right.

The merch stand

Merch stand

Setlist:

Gotta Get Through
L’etat C’est Moi
Brave New World
Where No Man Comes
Free the Slave
I Can’t Breathe Blues
Swine
Hate Song
Rat In a Cage
Ramona Flowers
Et Tu
Brutus/Berlin Wall
Orbit (Salmon of Alaska)

“Columbia” is available on Modern Sky UK
https://theblindersofficial

The Upper Balcony at Thekla right before The Blinders gig

Audience patiently waiting for the Columbia transmission

****

We often try to photograph and film some part of performance to make sure our review is as close to the experience as possible. It it also to give our readers a chance to see how the event unfolded. Please find below some galleries for your enjoyment.

Photo gallery: Gum Soul


Photo gallery: White Room (soundcheck)


Photo gallery: White Room (performance)

 


Photo gallery: The Blinders

We have been writing extensively about the Blinders on our blog Indieterria, so please have a look if you want to know more.

Introduction to the band:
https://cocamidemea.wordpress.com/2018/07/07/indieterria-presents-the-blinders/
Interview with The Blinders:
https://cocamidemea.wordpress.com/2018/08/24/indieterria-meets-the-blinders/
Columbia review:
https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/
Columbia album performance blog:
https://cocamidemea.wordpress.com/2018/09/21/indieterria-presents-the-columbia-library-archives/
Columbia Tour blog:
https://cocamidemea.wordpress.com/2018/10/15/indieterria-presents-the-columbia-tour/
Beyond Columbia Tour:
https://cocamidemea.wordpress.com/2018/11/16/the-columbia-tour-continues-anno-domini-2019/
The Blinders at Castle and Falcon in Birmingham review:
https://cocamidemea.wordpress.com/2018/10/27/indieterria-review-the-blinders-at-castle-and-falcon-in-birmingham/

Again, our thanks go to the band and the crew for allowing us this extensive coverage.

And we are not done yet! We have seen The Blinders few weeks later in Manchester – so another blog will soon be up. Stay tuned.

Mal+Rita