Indieterria meets Avalanche Party

Honourable comrades!

Avalanche Party is one of the most important new bands on the indie scene at the moment. Formed in 2014, AP (as they are known to their fans) built an impressive resume in a relatively short period of time. They travelled throughout the UK and mainland Europe, performed in NYC and at the famous SXSW in Texas, recorded at the desert studios somewhere in the Death Valley in California. They also played at all the important summer festivals and shared stages with the best of the best in rock music.

The band is known for its wild, mesmerizing shows, full of drama, sweat and hypnotic music. And for their specific, dry, half-sarcastic, half-abstract sense of humour. Just few days before their gig in Birmingham and the release of their debut album, we sat down with vocalist and front-man, Jordan Bell to discuss their videos, trips to America and what can we expect from the Avalanche Party in 2020.

Avalanche Party photographed by Jason Ferdinando

BBC Radio 1 calls you “The most exciting rock & roll band in the UK right now.” But let’s take things to the very beginning. How and where did Avalanche Party form?

Jordan Bell: Keep an open yoghurt in your kitchen fridge for long enough and over time, it will morph and grow into something quite remarkably different from the yoghurt you once knew. Until you can no longer bear to keep it in your refrigeration station and have no choice but to toss it out into the big bad world. It was kind of like that. We’re from North Yorkshire, if it makes a difference. Where the wild things are and the OneStops aren’t.

You managed to keep the news of your debut album completely under wraps. There were no mentions, no leaks, no warnings and then on 27th of August a bomb was dropped. In the era where people lead their entire existence online, did you think it was important to keep your fans unaware of what was coming?

Jordan Bell: Definitely and that’s something which extends past fans and straight into the band itself. Two members didn’t even know the album had been recorded and our manager still doesn’t. Keep it to yourselves.

The album “24 Carat Diamond Trephine” is finally due on 22nd of November. We are intrigued by the title? Trephine are commonly used in bone surgery and dentistry, but we are certain that NHS cannot afford a 24 carat ones. Where does the title come from? Is there a particular meaning behind it?

Jordan Bell: Trephines are still knocking around but the album title is based on the more primitive versions used for trepanning – the old practice of cutting holes in the head to let out the evil spirits responsible for strange behaviours. There seems to be some kind of parallel between that and listening to music which makes sense. It’s a 24 carat diamond one because, it’s not just any old Trephine. This one’s special, it cuts right to the heart of the matter. As far as we know, a 24 Carat Diamond Trephine is the only reliable Trephine for evil spirit excavation, these days.

Avalanche Party by Jason Ferdinando

To promote your debut, the band released three singles in span of four months: “7”, “El Dorado” and “Rebel Forever”. They are completely different from each other: “7” is two minute cacophony of noise, “El Dorado is an experimental ballad of 6 minutes and “Rebel Forever” is quite a catchy, mainstream, radio-friendly track. The upcoming album seems to be very varied in terms of genres and song length. What can we expect from it? Was it a conscious decision to make it as variable as possible?

Jordan Bell: Well yeah it is, we’ll give you that one. We made a conscious decision to attempt as many different genres as possible, because Kane’s uncle, Simon said, we need to try and be like a band that appeals to a massive audience. Like Swedish House Mafia or Catfish & The Shottybottlemen. We went away and thought about it for a bit. Next time we saw him, he said, “Well? Who have you chosen with a massive audience in a particular musical genre that you can be like? Preferably a genre with a long musical history, so you can appeal to the mams and dads and grandies, too?” “Yes”, we said. “Who is it? Miley Cirrhosis? Post Maloon?” “Both”, we said. He nearly fell off his whippet.

Buy it and see.

Avalanche Party always had incredible videos – cinematic, pop culture inspired with complicated, sometimes brutal storylines. The video to “7” shows what only can be described as some sort of illegal experiment, “El Dorado” takes the viewer to America for a mini road movie where nothing really happens and “Rebel Forever” is a dream-like, kaleidoscopic drug-induced nightmare. How important is the visual side of storytelling for you? Are you going to use the videos on tour in some way?

Jordan Bell: “El Dorado” is actually a live video we shot at our last gig in Birmingham! (laughing)

Let’s stick to the videos for a while longer – Bobby Bentham, lead singer of Strange Bones and your personal friend, plays the subject of the experiment in “7”. How do you recall working with him on the set? We have to say he’s terrifyingly convincing.

Jordan Bell: Bobby was perfect for the role given he is THE method acting champion of the world. It was a very, very nice afternoon requiring very little direction or instruction, which began with him floating east by the medium of transpennine express and peaked with me serving him watermelons through the air to flamboyantly slice with a samurai sword in slow motion. He fucking nailed it. And the knife throwing. His gran was in the Yakuza for a bit, so he picked up some stuff. When the zombie apocalypse comes, he’ll be fine. In fact, I’m moving into his house. He’s a great friend and Strange Bones are the fucking dons. He taught me how to swim, but that’s another story.

Jordan Bell live, picture by Jason Ferdinand

Few days ago, the band announced that NHS professionals have a free entry to your gigs on this tour. That’s a very generous way of supporting the National Health Service. Is this your way of protesting against the cuts and showing the solidarity with the workers?

Jordan Bell: It’s a nice thing to do for people, who give a lot, working insane hours and dealing with insane shit for fuck all. The harrowing stuff they have to see and do on a daily basis is truly incredible and they have saved the lives of many, many people near and close to us all.

2019 was a breakthrough year for the band. First SXSW and American festivals, then a session for legendary radio station KEXP for The International Clash Day in London. You recently returned to US to play more gigs. And you are about to embark on a 19 dates long national tour. It must be both incredibly exciting time, but also a challenging one.

Jordan Bell: Big up KEXP. Yeah, but we can see the progression in our music and in ourselves and it’s easy to keep going. It feels far more exciting than challenging. And as our tour manager, Jimmy Mac says – you can sleep when you’re dead! Or in his case, whenever he hits the nice straight bit going past that house in the middle of the M62.

After the UK tour is done and a well deserved Christmas break, can we expect an EU tour in the spring of 2020?

Jordan Bell: No, Brexit means Breakfast (laughing). Joke, it’s a joke! Yeah, we’re going back to the mainland, maybe even sooner than spring. We always have a great time over there and it feels like it’s been too long since we last went, so lets see which way the wind blows.

Debut album – track list

The famous last question – trips to US, especially to SXSW are known to be culinary adventurous. We heard stories of the UK bands being hospitalized after trying the nuclear hot Austin sauce or having margaritas for every meal. What was your diet like at the conference? 

Jordan Bell: I ate great. Have you seen the size of the carrots over there? Superb. I survived for 3 days on just one single Carrot. Apart from that, I can see why people could struggle but personally – absolutely no problems.  Our friends in Trail Of Dead took us for the full Austin BBQ experience, our hosts made amazing blueberry pancakes, showed us Cookie Dough and made great egg foo young. And at the festival, we grabbed everything free & edible that wasn’t nailed to Lady Gaga!

Follow Avalanche Party on their socials:
https://www.avalancheparty.com/
https://www.facebook.com/AvalancheParty
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ

 

And while we are waiting for the debut album, the band released a fourth single to a song called “Howl”. You can watch the AP guys perform in some sort of distorted version of “Top of the Pops” below:

“24 Carat Diamond Trephine” is released in three days time, but several influential websites, zines and blogs already listened to it and gave it fantastic reviews. We have gathered several of them for your reading pleasure:

24 Carat Diamond Trephine is an eleven track joyride that veers from the poetic and introspective to a ferocious barrage of explosive energy. Brimming with their infamous live urgency, it’s a masterfully curated album that ranges from full-throttle sonic assault (7, HAHA) to refrained moments of cool clarity to catch your breath (Hey Misdemeanour, Every Last Drop). The legendary James Aparicio (Grinderman, Spiritualized) was the man tasked with taming the beast and it’s a production that does no such thing. It’s an album barely contained, constantly teetering on the edge of insanity but is completely alluring throughout.

24 Carat Diamond Trephine is undoubtedly a fist-raising crowd pleaser, but like contemporaries Fat White Family, Viagra Boys or The Blinders, they’ve used it as an opportunity to enforce their own birds-eye view of the world. They tackle hefty themes of anger and fear, the capitalist machine that drives us ever closer to the great flaming End, cloak-and-dagger corporate greed, the environment, lyrics of love, death and an individual’s walk through a world they were spat into, laughing as they go” – Rough Trade Magazine
https://www.roughtrade.com/gb/avalanche-party/24-carat-diamond-trephine/

“‘24 Carat Diamond Trephine’ is an album of transformation, just as the process that turns leaves to coal, and coal to diamonds. ‘Cruel Madness’ is less At The Drive-In, more The Mars Volta and the kind of theatrical rock the likes of Alex Turner and Muse might favour, the ‘new day, new dawn’ lyric a blatant burn but also a statement of the company this band now sees itself in. Closer, ‘Rebel Forever’ is an instant classic revisiting ‘Howl’’s giddy and unexpected high points and reprising the ‘El Dorado’ theme in the lyrics; and with just enough Psycho Killer energy that should see it become a restless reference point for the band; a moment in time, a place, a memory…” – Steve Spithray for God is in the TV Zine
http://www.godisinthetvzine.co.uk/2019/11/18/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“There’s so much to explore on this album and it’s likely to take a few listens before it starts to really blossom into its true form. But there’s no escaping this is an extremely impressive and ambitious debut that aside from a few nods to influences is unlike anything else out there. The band have managed to showcase their genre-bending best and sewn it all together to create a Frankenstein’s monster of an album that’s indicative of their terrifying potential” –  Richard Cobb for Little Indie Blog
http://littleindieblogs.blogspot.com/2019/11/album-review-avalanche-party-24-carat.html

“My favourite track at the moment is ‘Howl’ the current single. It is a very Bowieesque slab of prime heavy riff-laden early 70s rock with a gospel-style chorus. If you are not moved to dance to ‘Howl’ then you might well be clinically dead! This is possibly the finest song that the band have released so far. It is also accompanied by a fabulous video which features a cameo appearance on tambourine from the multi-talented Charlie Swainston! The track which proves how great a band Avalanche Party is is the psychedelic rock circus that is ‘Milk And Sunlight Is A Heavy Dream’. Vocals, backing vocals, keys, bass, guitars, and drums all align perfectly and the chorus will not let you go. James Aparicio has captured the essence of what makes Avalanche Party such a great live band in his production. From the massed Panzer Tank Division sonic assault of ‘HA HA’ to the deeply mellow buzz of ‘Hey Misdemeanour’ the former Grinderman and Spiritualized producer does not put a foot or a fader wrong. I can already picture a crowd incursion from Jordan during ‘Playing Field Blues’ using his rock star evil stare to hypnotise his audience into becoming Avalanche Party‘s helpless mosh puppets. It redefines heavy, scuzzy garage blues into something very 21st Century. I never thought that I would see myself finding a U2 influence from Avalanche Party, but ‘Every Last Drop’ is the kind of song that Bono would kill to have written. I can see the lighters and lit up mobile phone screens waving in the air at festivals to accompany this gorgeous modern, dirty power ballad. Dark menace runs through the veins of ‘Cruel Madness’ and draws you into a dark, descent of a dream to a world that might be populated by all your fears and phobias. The album closes with ‘Rebel Forever’ which opens and is underpinned with a warped fairground organ riff which gives the tune a Cockney Rebel feel and in many ways sums up Avalanche Party. They are rebels and I hope they will remain rebellious forever!” – With Just A Mint of Mayhem Blog
https://withjustahintofmayhem.blog/tag/avalanche-party/

“The two most important things to know about Avalanche Party are they write life affirming songs that give you faith guitar music. What’s more they’re hungry and have ideas. ‘24 Carat Diamond Trephine’ is chocked full of both of these. It’s an album that was worth the five year wait as it finally delivers on Avalanche Party’s initial unruly promise of writing a heartfelt vitriolic lament while trying to cave our heads in through viscous indie rock, whilst doubling down on killer melodies” – Nick Roseblade for Clash Magazine
https://www.clashmusic.com/reviews/avalanche-party-24-carat-diamond-trephine

“Most bands are at their best on their first album and spend the rest of their careers trying to reach the same dizzy heights. If this is Avalanche Party’s piece de resistance, then so be it. Its early days, but I feel whatever they do in the future, this will be go down in history as their ‘In Utero’, their very own ‘The Holy Bible’. ’24 Carat Diamond Trephine’ is Avalanche Party’s defining moment, and one of the best debut album of the year.” – Ben Hughes for RPM Online http://rpmonline.co.uk/2019/11/27/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“The wild record is a possessive trip that spits as you as it scuttles past. It’s disgusting but in all the right ways and mirrors a similar disturbance to contemporaries such as Fat White Family and Viagra Boys. Not many bands can capture their live excitement in an album- especially in a debut- however, Avalanche Party have perfectly crafted their unique sound at an early stage and have created something outstanding. Let the Avalanche Party magic bring you along on its hectic ride” – Jasmine Hodge for Jasmine Hodge Reviews
http://jasminehodge.blogspot.com/2019/11/avalanche-party-24-carat-diamond.html

“Welcome the immersive 24 Carat Diamond Trephine, one of the strongest pieces of artwork 2019 has been lucky enough to be graced with. Sharply corrosive, and harrowingly bleak, Avalanche Party’s debut album is a haunting and melodic mix of heavy edged punk, fuzzy psych rock, and shimmery euphoria, and the band have truly excelled themselves, mashing their heavy punk presence with something so stark and chilling that the album conjures up eclectic and dispersed emotions from the very start” – Sahera Walker for Indie Underground Blog
https://indieunderground.blog/2019/11/21/a-hauntingly-harrowing-and-stunning-debut-from-avalanche-party-24-carat-diamond-trephine/

 

We cannot wait to see AP in Birmingham this Saturday.

Support your scene kids!

Malicia and Rita

Indeterria meets Elly Bailey

Dear Readers,

Vanadian Avenue is on a mission to shed a light at the girls in the music indystry. We call it “The Girls Who Can” and we try to introduce you to the amazing women who makes things happen. They write, they book, they build stages, run lights, think of marketing campaings, sell tees and tickets at the doors. They are reps and managers, promoters, bookers and everything inbetween. Yet, despite doing a stellar job, having successful careers, they not always receive a fair share of attention and recognition. And we want to change that.

After speaking to Sahera Walker in May this year, we now had the pleasure to sit down with Elly Bailey, a photographer and journalist extraordinaire to discuss recent opportunities for women, her brand new photo-zine Why Generation? and photographic equipment. Please read on (and share) and Elly raised several  very important points in her interview and gives a sound advice to all young girls thinking of entering the business professionally.

Photographer, journalist, promoter and a writer – that’s a very impressive resume for a 22 year old. Please introduce yourself to the readers of Indieterria. Every career has to start somewhere.

Elly Bailey: Thank you! My name is Elly Bailey, I live in London. As you said, I am a photographer and journalist, mainly focusing on music. I write for sites such as The Zine, Gigslutz and This Feeling. I starting taking photos in 2016, originally shooting on film and then in 2018 I moved onto DSLR or digital photography.

 Tell us what inspired you to chose this particular career path? Was it a certain gig you attended or an album you listened to? Or maybe something completely different?

Elly Bailey: I attended the Academy of Contemporary Music, studying Music Business. ‘I think it was being surrounded by so many musicians and also attending so many of my friends gigs that made me want to start taking photos. I’ve always been very into documenting everything I do (I currently have over 29,000 photos on my phones camera roll!) and it was great to be able to document doing what I love best, e.g. attending gigs.

Elly at work

Music business is very male orientated but recently the tide is turning and women are getting noticed and praised for their contribution. There are also more opportunities for young females who want to enter the music business professionally. Last year you took part in the Music Venue Trust and PRS “Fightback Grassroots Promoter” for women. In your opinion, how important are schemes like this? Do they offer any real chance to learn the skills needed in this industry?

Elly Bailey: Taking part in the MVT and PRS venue fight back scheme was amazing as it gave young women the opportunity to put on their own live music event without having to worry about the money, as the scheme completely covered any costs, such as hiring the venue or equipment. I think schemes like this are incredibly important as they help to give young women the confidence boost they may need to take that first step into the music industry and also helps to give them hands on experience whilst making sure that they will be successful.

As a journalist you have worked for the popular GigSlutz website, The Zine and you run your own Youtube channel. If you could offer a piece of advice for girls who would like to follow in your footsteps, what would that be?

The cover of first issue of Why Generation zine

Elly Bailey: Websites such as Gigslutz, The Zine and many others are always looking for writers, so if you’re interested then just email away and ask! Taking that first step towards doing what you want to do can always seem incredibly daunting, but once you’ve done it, then that’s it, you’re on your way! Also everyone I’ve ever worked with have all been so lovely, which makes it so much easier to talk and network with people and find new work.

2019 is a ground breaking year. You have covered Wilkestock and Reading Festivals, interviewed The Sherlocks, False Heads, Sleaford Mods among others, reviewed high profile events such as This Feeling tours. What was the best gig you have seen so far?

Elly Bailey: This has definitely been a crazy year for me, so far I’ve somehow managing to attend 11 festivals, and still have more to go! I was feeling pretty low at the beginning of the year and also got pretty sick, so seeing FIDLAR at House Of Vans at the beginning on February was the perfect cheer up for me, seeing one of my favourite bands in such an intimate setting was the best. Festival wise, The Great Escape was so much fun, I discovered so many new bands that weekend. Also Download Festival was just non-stop laughter from beginning to end, the bands were amazing and the weather was horrendous and we had a sick time! And of course Truck Festival, my hometown festival, was a lovely weekend, surrounded by so many friends, I think we all really enjoyed it.

We need to ask about your new enterprise – a photo zine called Why Generation? You have teamed up with three other female journalists and photographers to create it. Tell us more about it. How did this idea come to be? Who are your co-workers? Is Why Generation a single issue release or are you planning to turn it into monthly/bimonthly magazine? Are you planning to keep it in this format or extend it to contain reviews and interviews in the future?

Why Generation editorial team

Elly Bailey: After I got home from Truck Festival, I went to an exhibition by Nan Goldin at the Tate Modern and saw that she started off making photo-books of her work and decided that I wanted to do something similar. I decided to stick with film photography to give the zine more of a niche and also felt that I have some great 35mm photos that I wanted to print. I contacted the other three photographers, slightly on a whim, and after the positive responses I got from them on the idea, I just jumped in head first and decided to just got for it!

When I first made the zine I wasn’t sure where it was going to go but I know now that I would like to do another issue with articles alongside the photos this time, and also potentially create my own website. After years of working for other people, it’s been great and also slightly scary to be completely in charge of what I’m doing, so who knows what will happen!

There is a launch party scheduled for 23rd of September to celebrate the release of Why Generation. Who is playing and what can we expect? Are tickets still available?

Why Generation? Event launch poster

Elly Bailey: Yes! It’s a free entry gig on 23rd September at The Monarch with three amazing bands playing: Ric, SPIT and Scary Lemons. Each are guaranteed to put on an amazing show. It’s definitely going to be something to liven up your Monday evening.

The famous last question – let’s imagine you can get your dream photography kit absolutely for free. What equipment is going into your shopping basket?

Elly Bailey: I do love my camera and have managed to get so many great photos out of it, but I will be the first to admit it’s nowhere near the best model on the market. With shooting gigs, you’re not allowed to use flash photography in bigger venues or at festivals, so you need a camera that lets in a lot of light, and annoyingly the best cameras for this are the more expensive ones, so one of those would definitely be going into my shopping basket.

Also a lens with a better zoom would be amazing, I’ve done a lot of standing on my tip-toes trying to get closer to the artist playing to make up for my lack of zoom.

You can follow Elly online:
https://www.facebook.com/EllyBaileyPhotography
https://www.instagram.com/elly_bailey_
https://www.facebook.com/profile.php?id=100000978271449

Buy copy of Why Generation? online:
https://www.ellybailey.com/product-page/why-generation-zine

Contact: ellybailey27@gmail.com​

Why Generation? Event:
Event page: https://www.facebook.com/events/235155047375183/
Doors: 8 PM – 11:30 PM
Admission: Free Entry
Address:
The Monarch, 40-42 Chalk Farm Road, NW1 8BG London, United Kingdom

Stage times:
Ric – 8:30pm
SPIT – 9:15pm
Scary Lemons – 10:15pm

Big thank you’s to Elly for answering the questions and if you are attending the event tonight, please send us your pictures or videos. We will gladly update the entry with your snaps!

Support your scene and have fun!
Rita and Malicia

Indieterria meets The Gulps

Hello!

2019 seems to be the year of The Gulps. Whatever they do, they  do it perfectly, wherever they go, they win new fans. When they participate in an international competition, they easily win it, leaving their competition behind. And each of their tracks released so far is a real banger. If they continue on this stride, next year might see them  going right to the top. And frankly, this is what they deserve.

Lucky break has nothing to do with the results this London based quintet is receiving. They are one of the hardest working people we have met, and at the same time they are down to earth and  just genuinely nice. We sat down with The Gulps’ guitarist, Charlie Green to speak about the band, their influences and the new single entitled “Lola Cola”.

Official bio: 

Based in London and hailing from all different parts of Europe and the Middle East, The Gulps come together with a shared idealism for our times. Playfully reviving the original roots of rock and roll, they are a new wake up call and speak our truth, with enjoyment and optimism.

Lyrically informed poetry, sharing tales from our cities and experiences. With raw energy, The Gulps are a unique take on classic alternative pop, fuelled by the drive of rock music at its best.

The Gulps photographed by Jonathan Hallam.

Please introduce yourself to the readers of Indieterria. 

Charlie Green: The Gulps are a band of vivacious raconteurs who immigrated to London with a Mediterranean ferocity and an uncompromising skill for good music. We are a multi-various quintet who met at the intersection of smoke fuelled house parties and university, where the raw Gulp product was harnessed and the good times played.

Where are you based and who is in the band?

Charlie Green: We are a London based band hailing from different parts of Europe and The Middle East. Harry All is the lead singer, Charlie Green and Francesco Buffone are the guitarists, Simon Mouchard is on the bass and Raoul Khayat is the drummer.

Tell us something about the project – are there any goals that you managed to achieve to date?

Charlie Green: This has already been a huge year for the band, with the recording of the EP and touring. We secured a spot at Madrid’s Mad Cool Festival thanks to the votes of our fans and had the opportunity to play at the Truck Festival. We now have our sights on Space Mountain Festival in Granada and the recording of our first album.

What inspires you? What artists or genres had the biggest influence on you?

Charlie Green: Each of us bring our own biographical discography with us to influence the sound of The Gulps. Primarily, we draw upon the inspiration of rock’s household names such as The Strokes, Rolling Stones and The Clash to ground our compositions.

It`s all about the music – and we want to hear your tunes and how they have been written.

Charlie Green: You can hear all our tunes on Spotify, Soundcloud and watch our amazing videos directed by Sandra Crilo on Youtube. Also, we released the EP on vinyl earlier this year. Most of our songs start with an interesting riff or composition, then either Harry or me pen together the lyrics, based on what is stimulating us at the moment. After that, we take the new material to rehearsals and try it out with the whole band to test its potential.

The portrait of the band by Jonathan Hallam

Name your best song. What can you tell us about it?

Charlie Green: Our best song would be “The Kings House”. This song is about the old apartment where Harry and I used to live in London, on Camden Street. It’s where the magic happened, where we got into trouble with huge house parties and long smoky nights. It is a calling for freaks everywhere to celebrate their opulence, in a space opened to all.

How do you create your unique sound  and write the lyrics? What gear are you using?

Charlie Green:  We aim to write lyrically informed poetry, sharing tales from our cities and experiences. As for the equipment, we use different guitars and bass pedals, playing with distortions, delays, reverbs, to make our sound distinctive from others.

All in all, the marriage of guitars, Simon’s methodical bass, Raoul’s seamless drumming and Harry All’s energizing voice, allows us to celebrate our unique and youthful sound.

 

Are you touring? Where can we see you play live?

Charlie Green:  We have a number of shows lined up and you can catch us on:

Sunday 29th of September, Camden Assembly (London)
Friday 11th of October, Space Mountain Festival (Granada, Spain)
Saturday 2nd of November, Notting Hill Arts Club (London)
And from the 11th to the 15th of March 2020, The New Colossus Festival (New York)!

The Gulps at the pub by Xandru Zahra

Squad goals – where do you want to see the band in five years time?

Charlie Green:  This is a good question! We want to be touring around the world and playing big festivals such as Glastonbury, Coachella, Reading etc. We also want to go to studios to record new music and make The Gulps a new religion.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Charlie Green:  They can contact us via email at thegulps.london@gmail.com, or just send us a message on one of our social media pages, they are listed below.

Imagine you can record an album with any producer, dead or alive in a studio of your choice. Who would be on your record?

Charlie Green:  We would love to work with the legendary George Martin, or Phil Spector (Beatles producers) but we are extremely happy working with ‘’Youth’’ at the moment. ‘’Youth’’ is a genuine producer with a long CV to his name, giving his soul and life to the music.

You can follow The Gulps at the socials:

https://www.thegulps.com/
https://www.facebook.com/thegulps/
https://www.instagram.com/thegulps/
https://twitter.com/TGulps
https://soundcloud.com/user-209918800
https://amazingtunes.com/thegulps/activity?page=2
https://www.youtube.com/channel/UCiL-v5G2Hnpgyb0it9E6mFw
https://thegulps.bandcamp.com/

Or listen to them on Spotify:

 

 

 

Indieterria meets Bexatron

Dear Readers,

They are one of London`s best kept secrets, a band that took classic rock influences and dragged them into XXI century. Holding to their DIY ethos with pride, their amps turned up to 11 and writing songs that will make you shake your booty – Bexatron offer you a whole package of rock and roll fun.  You will not regret this ride. Get on! We sat down with Greg Radcliffe to speak about their beginning, gruelling recording sessions and touring Canada.

 

Band logo

Your bio introduces you as “an octane pop punk with a glam coat” from the heart of London. What an intriguing way to describe a band! Please tell our readers who is in Bexatron and how did the group start?

Greg Radcliffe:  Bexatron consists of BeXXX on vocals, Belle Star on drums, Adam Adorjan on bass and me on guitar. I had been for looking for a singer to front a band which eventually became Bexatron for months. I bumped into BeXXX in Bruno’s Cafe in Soho in London.

I thought she looked the business and asked if she could sing. She said yes. The rest is history. I knew the boys already so when they heard her sing, they jumped in.

 The band has been compared to rock greatest (Blondie, Joan Jett, The Pretenders) and lauded for bringing uncompromising rock with a charismatic female leader back to the frontlines. God knows we missed it.  Do you see yourselves as saviours of rock from repetitiveness and mediocrity?

Greg Radcliffe:  We’re not saviours. We are more pioneers of a genre of music that we like. Putting our own slant on it. We are constantly avoiding repetitiveness and mediocrity. I would say 75% of what we do ends up on the cutting room floor.

Bexatron live – photography by Tosh Marshall
https://www.facebook.com/ToshMarshallPhotography/

 Bexatron has released their debut album “Hey You” in December 2018 and a stand-alone single “Dirty Disco”. One of the things being mentioned in every review is how the records brings generations of guitar music fans together. It`s like you found a secret formula between classic rock antics while sounding fresh and appealing for young audience. What`s your secret?

Greg Radcliffe: There’s no secret (laughs) You hit the nail on the head. All the aforementioned artists, we have been disciples of. We are just spreading the word through our own interpretations. I guess that what keeps it fresh.

 In an interview for Vents Magazine you described the recording sessions as demanding and not without difficulties. Tell us where “Hey You!” was created and how do you manage to face gruelling recordings with such energy and positivity? 

Greg Radcliffe: “Hey You!” was created in Soho, Kilburn, Hackney, Barcelona. The recording was gruelling but we thought to stick to our guns and make the record ‘WE’ wanted. It could have easily ended up on X Factor. Underneath the songs are basically pop songs. However, we didn’t want that one-minute wonder sound. We’re here to stay.

You are now back with a new single “I`m Trash” – an angry track directed at the modern life and how powers that be can make us feel small and insignificant.  Where did the inspiration for the track come from?

Greg Radcliffe:  We wouldn’t say “I`m Trash” is an angry song. It’s reflective of, as you mentioned, modern day life and the society we live. The song like the whole album is pretty much based around London past and present.

Bexatron live shows are legendary – audience dancing, singing lyrics back at the band (in a slightly off-key manner) and generally having good fun. You just recently smashed it at Camden Rocks. How was it to play a home coming gig?

Greg Radcliffe: Camden is our spiritual home. It`s always nice to play to a packed Camden Assembly at 2 pm on the hottest day of the year.

The band is soon off to play your first tour of Canada. It seems like a natural step considering the amount of radio airplay you received there. What can your overseas fans expect from your shows?

Greg Radcliffe:  I think our audience in Canada expect to see the fourth dimension. So far, they have heard it from their radios or phones and seen it on TV screens. Now they are going to get the real deal up close.

Bexx in her element – photography by Tosh Marshall
https://www.facebook.com/ToshMarshallPhotography/

Talking about support from radio stations. Amazing Radio has been championing you a lot these days.  So does BBC Introducing. Do you have any DJs that were instrumental for your career that you would like to give a shout out to?

Greg Radcliffe: All’s been pretty grass roots radio wise. We need to mention Spizz on Resonance Radio, Peter Fox on Foxy Radio, Dave Renegade on Dark Hearts of Camden Radio, Gwen Ever on Deal Radio and Stuart Clack on The Premium Blend Radio. There’s many more, but the reason we’ve given them a shout is that they have all been to our gigs, not just spun our tune.

When all the touring obligations are completed, and you have some time for yourselves – do you plan to take longer holidays or rather just bury yourself in the studio again?

Greg Radcliffe: No holidays, we will just keep on promoting “Hey You!” through till festival time 2020. You can expect our next offering in October 2020. As we’ve already said 75% of our stuff ends up on the cutting room floor, but we’ve already got a fair whack done and start shaping it up when we get back.

Last (in)famous question – imagine that you can play any legendary venue in the world for your most dedicated fans. Where do you take them?

Greg Radcliffe:  Hammersmith Odeon in London.
Bexxx:  CBGBS in New York.
Adam Adorjan: Madison Square Garden in New York.
Belle Star: The Rounhouse in London.

The band live on stage – photography by Graham Hearn https://www.facebook.com/graham.hearn.9

You can follow the band on socials:

https://www.bexatronuk.com/
https://www.facebook.com/bexatronlive/
https://twitter.com/_BEXATRON
https://www.instagram.com/bexatron_ukofficial/
https://soundcloud.com/bexatron_london
https://www.youtube.com/channel/UCvDY-TyjsmRspVwYDI74MSg
https://open.spotify.com/artist/2vKP9JrDVQyfNroiqCdAkk?si=w_I3B9K_SMepx-vjmC4zAA

Big thank you to Greg Radclife for agreeing to this interview and to Mimi Brock-Stark of Lander PR for making necessary arrangements.

Shall we meet again on the blog for more kick ass music talk? You bet.

M/R

Indieterria Review – “Red Hot Military Audition” by The Garage Flowers

Dear Readers,

They have been described as “explosive, dark and sexy” but that would be an understatement. The Garage Flowers are the most riotous, creative and bold four piece that London has seen since The Manics` infamous stay in the capital. In the era of safe pop music and forgettable starlets, The Garage Flowers have all qualities of proper rock stars: swagger, nonchalance, determination, perseverance and real, raw talent. On the record or on stage the band will hypnotise you, will grab your attention before you can blink and will leave you being absolutely, hopelessly in love with them. Had it been 1970`s The Garage Flowers would be Gods. Or maybe they were and now returned to show all the lads in parkas in the North how to do rock and roll properly.

The Garage Flowers in bloom. Photo by Sophie McCarthy https://www.facebook.com/sofielaurenmccarthy

2019 has already been very busy for the band. They have released acoustic version of their older single “Miss Maggie May” and premiered a proper belter “Panic Street Again”. They toured both internationally and on domestic front. Now they return with “Red Hot Military Audition” – their new single. On the cover you can see The Garage Flowers dressed in military attire that make one think of Manic Street Preachers (in the Holy Bible period) or The Clash. And we have to give it to the band  – they know exactly what they are doing. “Red Hot Military Audition” has the punk attitude of The Clash, with energy of Guns n Roses and melody line that James Dean Bradfield would love to claim as his own. There are even samples – something that Manics practised a lot on The Holy Bible. And yet, the song does not feel like a mash up of influences. It doesn’t feel dated either. It`s fresh, modern day indie record that you have on repeat and will sing to yourself without even realising it. Oh NME where are you in your large print format? We need your pages at the newsagents every week so bands like The Garage Flowers can look at us from every stand and remind us that rock and roll is still alive and kicking.

Give The Garage Flowers a year or two and you will see them on SXSW and touring large venues.

We have been lucky enough to be able to sit down with  Joe Capaldi – the voice and front man of the band and ask him few questions regarding the new single. You have no idea how busy and in demand those guys are!

Its only rock and roll but we like it! Photo by Eric Mouroux https://www.facebook.com/eric.mouroux

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Joe Capaldi:  The Garage Flowers are

Joe Capaldi on vocals/guitar from Kings Cross, London
Mike Serapinas on bass/backing vocals from Chiswick, London
Jonny Webber on guitar/backing vocals from Finsbury Park, London
Norea Persson on drums/backing vocals from Bethnal Green, London

Tell us something about the project – are there any goals that you managed to achieve?

Joe Capaldi: Our goal is as it always was:  to have a documentary made about us and have it narrated by Alan Clayson.

What inspires you? What artist or genre had the biggest influence on you?

Joe Capaldi:  In college I’d wear cardigans (whatever the weather) and keep a bottle of red wine with me all the time. Taking swigs from it when the teacher would leave the room to get much needed attention. I also started messing my hair up consciously – with hair gum (before I wisened to hairspray) to look more like my obsession at the time – Bob Dylan. I loved the whole myth of him. Would religiously listen to his music, watch the few interviews that were on YouTube and screen “No Direction Home” endlessly.

The sleeve to Red Hot Military Audition single

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Joe Capaldi:  I put together the riff before the band was even formed, and played it for Jonny one of the first times we ever met up. It was a lot faster then and had no singing. I always loved the title but everyone used to loathe it, I eventually won them over though, or just tired them with my stubborn way.

Are you touring? Where can we see you playing live?

Joe Capaldi:  We’ve actually got some very exciting dates we’re finalising now. I’m not yet allowed to announce them though. “All apologies”  as Kurdt Kobain said in 1993.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Joe Capaldi:  You can contact us directly through our email address – thegarageflowers@outlook.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Joe Capaldi:  Ooooh great question! For me I’d say Tom Waits, at the moment I’m into putting instruments together that don’t normally go together, and creating atmosphere as well as great songs. I think he’d be great for painting a dark, demented atmosphere. VIVA WAITS.

Future looks bright. Photo by Elly Bailey https://www.facebook.com/EllyBaileyPhotography/

You can follow The Garage Flowers on social media at:

https://www.thegarageflowers.co.uk/
https://www.facebook.com/thegarageflowersband/
https://twitter.com/garageflowerss
https://www.instagram.com/the_garage_flowers/
https://soundcloud.com/thegarageflowers
https://www.youtube.com/channel/UCLTq_hTLgIq9HqMO78PkRng
https://open.spotify.com/artist/0GaTRMQodNVTRtNblmPIQW?si=c8GjOaFNScaFnjydYBRsfQ

We will update this blog in few days as there will be a video coming and we want to show you what the band has prepared! And obviously there will be tour dates to announce so please watch this space!

R/M

Indieterria meets Sahera Walker

Sahera Walker interview

Known as the Queen of Underground Scene in London, Sahera Walker is one of the most respected independent promoters working on the DIY scene. Her passion, music knowledge and intuition have been praised on numerous occasions and were recognized by industry professionals. Indieterria is following young, successful females who are taking the music business by storm and continue to change the industry rules. We have sat down with Sahera to discuss her zine, modern alternative music and her ambitious plans to turn Cafe 1001 into a hub of music, fashion and counter-culture.

Sahera Walker

Bio: Sahera is 20 year old music journalist based in East London, and she is the creative-owner of Indie Underground Blog

She started blogging in 2016, which is when she first set up her blogging site. She has since gone on to work in PR & live music, and now owns Some Might Say Magazine, and is the lead booker for live music events at Café 1001 on Brick Lane. She runs gigs for her magazine at Nambucca in Islington & The Five Bells in New Cross.

Indie Underground & Some Might Say have received support from BBC Radio 6, Flying Vinyl, Clue Records, This Feeling, The Truman Brewery, The Zine UK, Clash Magazine, 1234 Records, Roadkill Records, ArtBeats Promo, Coda Agency, Devil PR, and more. The digital and physical platforms Sahera runs all have one aim; to promote underground DIY music, and support creatives within the industry by printing, reviewing, and featuring their work. Always keen to work with new artists, Indie Underground is a growing platform which has gained an impeccable reputation for scouting new acts who go on to be huge within the indie industry

Sahera also works as a freelance photographer & journalist, focusing solely on DIY indie rock, psych rock, grunge, and post punk music

Promoter, PR professional, zine editor, writer, journalist – it’s hard to believe that one person can do it all. Who is Sahera Walker? Please introduce yourself to the readers of our blog.

Some Might Say zine promotional picture

Sahera Walker: Very kind of you! So my name is Sahera, I’m 20 years old, and I’m a music journalist and promoter based in East London. I’m the creative owner and editor of Some Might Say Zine and Indie Underground Blog, running launch parties for each zine that comes out. I have recently taken over the Live Bookings and PR for a new DIY space on Brick Lane too!

You created “Some Might Say” zine at the age of 18. Was there any specific reason why you decided to start a musical magazine?

Sahera Walker:  I really love the DIY authenticity of rock music, and to me there’s something really special about flicking through a physical print publication, and just seeing all the beautiful photos and art pieces in print, and soaking up new musical knowledge. I really love that vibe, and I wanted to bring that authenticity back into an industry where mainstream magazines are either dying out, or turning to conventional pop music instead. I used to love NME but they sold themselves out years ago, so I suppose I wanted to create my own print publication with no sponsors or external funding, its sole aim to promote fresh upcoming new music.

So far “Some Might Say” published five issues and the sixth one will be released shortly. What can we find in the newest edition?

Sahera Walker: It will be available to purchase by the end of May/ very start of June, via somemightsay.org. This Issue has taken months to work on, as it’s taking Some Might Say down a slightly more creative and unconventional route, so I hope the wait will be worth it!

Alongside with the zine, you run a popular music blog Indie Underground focusing on rock, post punk and DIY scene. In your opinion, how important is support from blogs and magazines for up and coming artists?

Sahera Walker: To me, it’s absolutely vital. The music industry is made into the thriving and vibrant scene that it is through DIY support, from people who love music and want to work, often for free, to promote and support new music. That’s where fans of bands end up becoming journalists, photographers, promoters, and bloggers, inspiring a real love and passion into their work. This supportive DIY scene is probably the most important thing for new bands, as without them who is going to fuel the underground music scene?

Several issues of Some Might Say magazine

You have put bands such as Yonaka, Calva Louise, False Heads or most recently Black Midi on many people’s radars. What captures your attention when it comes to indie bands? How do you recognize the “next big thing”?

Sahera Walker:  I do try! I think I was very lucky, when I got into music aged about 17 it was when bands like Yonaka, The Blinders, Strange Bones, Calva Louise, and False Heads were all starting out (the last three I’ve had play Some Might Say gigs for me, which I’m very proud of!), so I just naturally saw them at small venues playing to tiny handfuls of people. For me, I like unconventional bands that are passionate and exciting, and it just has to click in a special way for me to go crazy about a band. This doesn’t happen too often, as it’s more of a feeling you get from certain bands – it’s very special though, and all the bands you mentioned are ones who really gripped and excited me when I discovered them.

Gig goers often ask what they can do to help bands, something beyond buying a tee from the merch store. Would you have any suggestions?

Sahera Walker: I think going to gigs is the most important thing, as it supports not only the bands, but also the small venues and promoters who are hosting the gigs, which is fundamental to the scene as a whole. Bands that have a strong live following as well are the ones who end up being hotly tipped by journalists, on the radio, and then eventually scouted by agents and managers, so going to gigs really helps. But even the small things like social media posts, buying merch, streaming and downloading music; it all helps, and I know they mean massive amounts to the bands.

In April 2019, you joined Cafe 1001 as their official promoter and PR. Tell us more about this place. What can it offer to the emerging bands?

Sahera Walker: So Café 1001 is a venue space in Shoreditch, just opposite Rough Trade East. We are currently undergoing a really exciting refurbishment and rebrand in the venue, which will change the name and appearance into something a lot more DIY. We’re taking the venue down a more creative, subculture-philosophy inspired route, and alongside the gigs (focusing on indie/punk/grime/grunge) we want to have a lot of new DJs playing with us too. What we’re offering bands is payed gigs, in a fantastic DIY 200 capacity space, with a state of the arts PA and backline system. I also run PR campaigns and social media campaigns for my live events, so bands would be fully supported by us.

Some Might Say logo at legendary London Club, Nambucca

You are known for coming up with groundbreaking ideas. Your newest one is to create a rotating exhibition aimed at avant-garde DIY artists, music zine makers, live music photographers and designers. Can you provide us with more information about it? How long will it last? will artists be able to sell their works?

Sahera Walker:  Given the DIY subculture philosophy we are implementing, I came up with the idea of running a rotating exhibition in the venue’s front room. We will have art work, photos (art based, film, portrait, and live music), and film reels on display, as well as zines in the venue. The idea is to have a launch night (June 27th) with live music to accompany, and this will be a chance for the creatives involved to network and sell their work. We will then keep some of the work up in the venue, and keep the zines in the café space for people to browse through during the day. Then every three months, we will run another exhibition, where we can refresh the art and photos we have, and bring in some new zines to the space

Let’s play! You are given a whole page in The Guardian for a music column. What bands are you recommending to the public?

Sahera Walker: So many, I could write you pages on this! I’d have to narrow it down to Black Country New Road, The Murder Capital, Weird Milk, Kid Kapichi, Fontaines DC, Uncle Tesco, Legss, Happy Hour, Pip Blom, False Heads, Squid, Haze, LICE, Avalanche Party, Strange Bones, Calva Louise and JW Paris. Just a quick note, when I spoke earlier about those rare special bands who I just click with – Kid Kapichi are my current obsession, and I would recommend them highly.

The last question (but very important one). If any artist or musician wants to get in touch – how can they reach you?

Sahera Walker: I have contact forms on my websites which are usually the best shout to play a gig at my new venue:
https://indieunderground.blog/play-for-us/,

Send your submissions to:
https://indieunderground.blog/contact/
https://somemightsay.org/contact/

Or any London based bands, you can usually find me at a scatty punk gig in Camden or Brixton, so feel free to come up and say hi!

You can follow Sahera on socials:
https://www.facebook.com/sahera.walker/
https://www.instagram.com/youareallslaves/
https://twitter.com/sahera_walker
https://open.spotify.com/user/1143822162
https://www.youtube.com/channel/UCssXbu_GT0ZU47I8xUmXEdw

https://www.instagram.com/somemightsayzine/
https://somemightsay.org/
https://www.facebook.com/somemightsayzine/

https://indieunderground.blog/
https://www.facebook.com/indieundergroundblog/

Articles:
http://northern-exposure.co/interview-sahera-walker-some-might-say/
https://www.thezineuk.co.uk/2019-futurepicks-the-music-people-on-and-off-stage/

The new issue of “Some Might Say” will land in a couple of days so don’t forget to order your copy. Supporting local zines, magazines and independent artists is vital for the scene to survive. Indieterria will keep shining light at the people behind the music – promoters, event managers, club owners, streaming services companies, radio DJ’s and hosts, photographers, managers or music scouts – they all are working in the background helping artists move from one level of their careers to another. They are essential yet they are rarely getting any credits or thanks. Let’s bring them into limelight!

Please stay tuned as we have something special planned very soon!

XXX
R+M