Indieterria meets Karl Hildebrandt

Dear Readers,

There is nothing better than to interview a poet. They are the people who understand life, who know their scene and who quietly put into words what we cannot even express. In a way, they are chroniclers of victories and struggles of life. It was Czesław Miłosz who said that the poet remembers and it is very true. So it was a true pleasure and privilege to speak to Manchester`s finest spoken word artist and poet – Karl Hildebrandt ahead of Musicians Against Homelessness gig on 21st August at The Night People.

Karl is known not only for his extraordinary poems but also for his active involvement in music and his charity work on a local level. Proper stuff as they say in Mancunia.

Mosh Pit Poet Laureate – Karl bringing poetry to the gigs.

You are a man of many talents: multi – instrumentalist, spoken word artist, poet, roadie and a stage hand. Please introduce yourself to the readers of Indieterria.

Karl Hildebrandt: I’ve had a love of music and words since an early age. Bother listening and eventually playing. I’ve always written words. Just never had the nerve to do it live till about 5 years ago. “Mancunian Gobshite” sums me up to be honest.

Dark and witty poetry has won you many notable fans: Denise Johnson, Dave Haslam, MC Tunes to mention a few. You take daily conversations, occurrences and fleeting moments and turn them into heart wrenching observations.  What inspires you?

Karl Hildebrandt: Life inspires me. I tend to brain dump either on paper or my phone. I see the good and the shitty bits and write it down. In the last 8 months or so, my prose has become a lot lighter than previously. I am happy and in love.

You have been performing at concerts, open mic nights and  jam sessions earning yourself a nick name “Mosh Pit Poet Laureate”.  Do you see spoken word as a part of a regular gig? There are still many people out there who think poetry belongs in libraries, not concert halls.

Karl Hildebrandt: I think poetry and spoken word is becoming a bit more popular. A pot of acts are putting words over music. I am, but I prefer the purity of just getting up to “shout at the traffic”. If people hear you, they’re listening.

Looking out for inspiration.

For a while you have been in a band The G-O-D with Chris Bridgett (Dub Sex) and Simon Wolstencroft (Ian Brown, The Fall) as a bassist. Do you think this project will make a come back?

Karl Hildebrandt: No. Chris has a new project called Cold Water Swimmers, who are amazing. And Simon is busy doing what Simon does, being Funky Si. In the San Pedro Collective.

Please tell us about your involvement in San Pedro Collective – another musical project that you are a part of. San Pedro just released an EP that gathered rave reviews in the music press. Is that true that one of the songs was inspired by your mother?

Karl Hildebrandt: The San Pedro Collective is the brainchild of Manchester’s finest maverick, Rikki Turner. His vision to bring artists and musicians together to create something unique for the eyes and ears is genius. The Demon Sessions EP is being rehearsed for live work. Gigs are coming up. And the next single will be dropping soon. And yes, inspired by me losing my mum, but it’s a paean to loss of any kind.

If you had to chose one particular poetry movement to identify  with, which one would it be? Beatniks, Modernists or maybe something more old school like The Cavaliers?

Karl Hildebrandt: The Beats. I hate structure within any art form. Be it music, poetry, art or whatever. I feel hemmed in by conformity. Burroughs, Kerouac and Ginsberg helped me understand you can be honest about writing and not worry about what you’ve written. Never be afraid to create.

You are also known for your charity work, often contributing to incentives as Musicians Against Homelessness. Can you tell us about this charity and its work?

Karl Hildebrandt: MAH was set up by Alan McGee and Emma Rule to create a platform for musicians and creatives to raise both funds and awareness for homelessness. In the North West we have Andy White and Angela Moore, co-coordinating gigs and events. Both top people as well. I’m also doing some spoken word for Action Against Hunger at Moovin Festival for Deborah Faulkner-Moscrop and I’ve done stuff for various other charities. Give it – you get it back.

If you don`t have a pen and paper, mobile phone is a great tool to record poems!

On 21st August you will appear at Night People as part of a fundraiser to fight homelessness.  Who is on the bill and what can we expect from your set?

Karl Hildebrandt: The gig is on at Night People on Princess Street in Manchester. Top line up including acoustic sets from Thomas from The Blinders, Scuttlers, Afghan Sound Gang and Maddy Storm amongst others. And me, of course. I found a poem, a poem I couldn’t remember writing which will fit the bill. I supported Dave Johns (Daniel Blake) at Moston Miners and recorded it on the bus on the way home. It’s very, very sweary.

Imagine that one of your works is to appear in anthologies or school syllabuses, like John Cooper Clarke`s “I Wanna Be Yours”. Do you have a poem that you consider your major or most significant piece?

Karl Hildebrandt: I honestly don’t know. My stuff contains far too many swear words, but if I had to choose one, “Another Bastard List Poem About Manchester”. I’ve done a Liverpool version and have been asked for a London version as well.

We can`t pass this opportunity. Do you think we can get a haiku out of you about Indieterria?

Karl Hildebrandt:  Sorry, I struggle with haiku. I’ll get my mate Dave Norman to do one for you. Here’s one of my favourites though:

“The taste of rain
Why kneel?” –

Jack Kerouac

Proper.

You can follow Karl on the socials (you know those pesky online pages), but he is often found at the nearest Social or other boozer/venue in the neighbourhood.

https://mitherdimps.wordpress.com/
https://soundcloud.com/mither
https://www.facebook.com/karl.hildebrandt1
https://twitter.com/RTransmissions

Essential reading:

http://essentiallypop.com/epop/2016/02/holy-trinity-new-punk-trio-the-g-o-d-features-members-of-dub-sex-the-fall-and-ian-browns-band
http://www.soundspheremag.com/spherecast/listen-spoken-word-karl-hildebrandt-will-it-be-forever/

 

Poster for MAH gig on 21st August 2019

You can see Karl (and many others) doing their thing for Musicians Against Homelessness on 21st August 2019 at The Night People in Manchester. Tickets are £5.

Event page:
https://www.facebook.com/events/703946873388361/

Tickets page:
https://www.fatsoma.com/night-people/cvr968u0/musicians-against-homelessness-night-people

The full line up is as follows:

Thomas Haywood (The Blinders)
Afghan Sand Gang
Scuttlers (acoustic set)
Ellysse Mason
Maddy Storm
Karl Hildebrandt
Shot by a Shotgun Slug

We are proud to say that we will be attending MAH gig at The Night People so there will be a lot to report back! We are hoping to see some of you down the front.

M/R

Indieterria Review – San Pedro “The Demon Sessions”

Hello!

Running a music blog is an exciting thing. You get to interview some of your musical heroes or new emerging acts. You meet interesting people, you go out to gigs, festivals or various cultural events. But most importantly (at least for us) you have a chance to listen to the music before anyone else. And if you are lucky, you may discover a next big thing. When we listened to one of the submissions we received last week, we immediately knew that we have found a winner.

San Pedro Logo

San Pedro is a new project of Rikki Turner, the mastermind behind several Manchester electronic outfits such as The Paris Angels, The New Southern Elektrik and The Hurt. A large collective named after the Californian town where Turner’s favourite writer, Charles Bukowski lived out his final days, San Pedro consists of musicians, DJ’s, writers, poets, artists and singers based in the UK, mainland Europe and in America. We are not sure how many people are actually involved (the collective seems to be quite mysterious and fluid) but several names have been confirmed. So far we know about singer/songwriter Millie MacBean known for her ethereal vocals, Suddi Raval (ex member of rave duo Together, best known for their hit “Hardcore Uproar” that went to the top of the national charts in 1990), Simon Wolstencroft (The Fall, Ian Brown, The Stone Roses, Johnny Marr and Freak Party), Keith Higgins (former member of The Hunt), Justin Leonard, Martin McClaren, poet Karl Hildebrandt and Antnee Egerton of The Winachi Tribe.

San Pedro picture by Paul Husband

San Pedro group picture by Paul Husband

Their debut EP entitled “The Demon Sessions” will be released by Blindside Records on July the 5th and every fan of an old school rave, electronica and house music should be on high alert.

“The Demon Sessions” contains only 4 tracks: two versions of “The Things You See”, acid-house inspired “Theme from San Pedro” and “The View From The Drowning Pool”. The first version of “The Things You See” nicknamed the “Original Version” has been chosen as the leading single and features Millie MacBean on vocals. It reminds us of an early Utah Saints meeting 808 State, with strong ambient background beat a la U.S.U.R.A (“Open Your Mind”) or Sven Väth circa 1992 (“Accident In Paradise”). The second version of the single (called “Rikki Turner Remix”) brings softened loops and more house feelings that could have won many hearts at the Hacienda. Again, it has a strong bass beat with ambient influences but its aesthetics are closer to OPUS III and KLF than to Vath. Also, it makes heavy use of samples which gives the track additional depth. “The View From The Drowning Pool” with spoken word by Rikki Turner will probably not receive much commercial airplay due to expletive language, but has chances of become a fan-favourite song.

San Pedro “The Demon Sessions” cover artwork

The Demon Sessions is a must have for everyone who remembers the good old days of Madchester scene. Hopefully, it will introduce new generation to (quite) forgotten genres such as ambient, big beat, house and rave. Also, we are told, San Pedro Collective is planning on releasing additional material in the autumn and we cannot wait to hear what they’ll come up with next.

San Pedro release poster

You can follow San Pedro Collective online:

https://www.facebook.com/sanpedrocollectivemcr
https://www.facebook.com/BlindsideRecordsUK

Articles:
https://www.attackmagazine.com/features/interview/brief-history-acid-house-suddi-raval/
https://jammerzine.com/the-test-drive-san-pedro-the-demon-sessions/
https://www.xsnoize.com/manchesters-san-pedro-to-release-brand-new-ep-the-demon-sessions
https://artvoice.com/2019/06/25/manchester-heavyweights-san-pedro-release-new-ep-the-demon-sessions/
https://baggingarea.blogspot.com/2019/06/san-pedro.html

As usual, please support your local scene (new and old)!
We will see you shortly.
Rita and Malicia

Indieterria meets The Empty Page

Hello again!

Let’s start with a riddle. Do you know what Frank Zappa and John Peel have in common? They both thought that the music business became too safe and too predictable. The thrill of making something exciting, the unknown and the chance of everything going awry that characterized the music-making for generations suddenly disappeared. The stimulating and (sometimes) dangerous game turned into a polished and ironed showcase for pop princesses and boy bands. And it slowly started leaking into the rock and roll, turning rebels and their muses into fashionistas and influencers buying shoes and belts.

Luckily for us and certain old school radio DJ’s, there is always an underdog band that comes out of nowhere and rescues the day. Our musical saviours are raw, energetic and completely independent. And they come from Manchester! We have sat down with the Mancunian trio, the Empty Page, few days before their gig at the Dead Dead Good Weekend on 11th of May to discuss their beginnings (in an old and cold warehouse), having a female lead singer and their plans for a glorious future.

Official bio:

Taking their name from a Sonic Youth song which in turn was inspired by Jack Kerouac, 90s alt-punk inspired Northerners The Empty Page have been making steady headway since their inception in a draughty warehouse in Ancoats, Manchester. Following an invite from rock production royalty Gggarth Richardson (RATM, Biffy Clyro, Melvins), their debut album, ‘Unfolding’ was recorded with him in Vancouver, Canada, with tracks receiving national airplay by the likes of Steve Lamacq on 6 Music and receiving praise from the underground press. As well as diligently ticking their favourite UK venues off their collective wish list, from Manchester Ritz to Hebden Bridge Trades, the band went back to Canada to play shows in Toronto after winning Indie Week UK. Carefully selected UK shows are planned for 2019.

The Empty Page picture by A supremeshot

The Empty Page are:
Giz (guitars)
Jim (drums and vocals)
Kel (bass and vocals)

You are described as a band that combines guitar noise with Northern charm. Please introduce yourself to readers of Indieterria.

Kel: I’m Kel, I play bass and sing and write the words.
Jim: I’m Jim, I play drums and sing
Giz: And  I’m Giz and I play guitar

We have heard some incredible stories about how bands came to be. But meeting in a cold warehouse must be one of the best tales so far. What were a trio of rock musicians doing on an industrial estate on the outskirts of Manc?

Jim: A friend of ours had this weird room in a freezing cold mill in Manchester full of instruments and recording gear. Full. You couldn’t move. Anyway, we needed somewhere to rehearse and record. It really was freezing. We could barely get through a full song it was that cold so in the end we started to set fire to our gear for warmth. Shame really because those songs were brilliant but we’ll never remember them, just how cold we were. Also it was quite a cheap room! (laughing)

The Empty page started to turn heads almost immediately after its conception. Your demos “The Ancoats Sessions” were heard by producer Garth “GGGarth” Richardson who worked with The Melvins and Rage Against the Machine – and he invited the band to his studio in Canada to work on your debut album “Unfolding”. It was released in 2016. Please tell us how do you remember your collaboration with Richardson?

Jim: The guy is wonderful. He’s thoughtful, respectful, he knows everything about music yet he always listens to what you want. He’s ridiculously funny but my god his “Northern” accent is dreadful! (laughs)

Kel: It was the best time. So great to lock ourselves away in a cabin in the middle of nowhere and focus on music 24/7 while drinking lots of Canadian craft beer and listening to stories of legendary musicians which we’re not allowed to repeat. We’d love to go back and record with him again but it’s just logistics really.

In February this year, you released “When The Cloud Explodes” produced by local duo Sugar House. The album, according to your page, is inspired by Northern cities like Liverpool and Manchester. Did you plan to have your new record produced locally, as if in opposition to the first one that was created so far away from home?

Kel: No, not really. We just made a decision to try a different way of putting music out there this time. We wanted to take each song individually and release it as its own thing. I do think it made sense to record that song in a humdrum town in the North though, and it doesn’t get much more humdrum than St Helens. The recording process was very different from what we did with GGGarth, we had more time for a start. So, we came out with something sounding quite different from what we have done before. Our plan now is to release a series of individual songs over the year, produced by different people and all quite distinct from one another musically. People keep asking about an album, but for now, we’re doing things step by step. Maybe an album will come later.

Let’s talk about the excellent video to you shot for the song. It was filmed in Manchester and directed by Jason Weidner, who worked previously with Desperate Journalist and Stonehouse Jack. You have also recruited two contemporary/urban dancers named Max and Chiara. How did you convince them to star in your video? What is the message behind it?

 

Kel: Jo from Desperate Journalist suggested Jason when we were looking to shoot a video at quite short notice, to cut a long and boring back story short. We hit it off right away and got planning. We’d had an idea to include dancing somehow and had been through lots of ambitious ideas, then, in the end, we decided to keep it quite simple. Jason is extremely skilled at editing and he did a brilliant job. Max got involved through a friend of ours named Bundy who we have known for years on the punk scene as he’s drummed in lots of punk bands including The Business. Max works in Bundy’s brilliant little punk bar, The Salty Dog in Northwich, so he suggested him when I put a call out for dancers. Then we asked Max if he knew anyone else and when he suggested his girlfriend Chiara. And it seemed perfect to have them star as a young couple just hanging out. They were absolute troopers. It was a hot day as you can see and we had them dance over and over again in different locations till they pretty much collapsed on the grass in Hulme Park. But they’re young and fit and they loved it. We had such a fun day together.

The song, in a nutshell, is just about the beauty of creativity. Whether that’s writing songs, making art, poetry, knitting, dancing or whatever. It’s one of the most wonderful things we have as humans and I really think it’s a lifesaver. We didn’t want to be too literal with the video, so we thought dancing would be a nice visual expression of the joys of creative freedom.

Jim: I think we filmed the whole thing on Valentine’s Day too, so once they’d finished and got their breath back, they were straight off out for a romantic date. They probably went down the arcade or to the fair or whatever fit young dancers like to go. Stock car racing? Something like that!

We can’t stop salivating over the vinyl edition of “When The Cloud Explodes” – 7 inch, released on orange wax, limited to just 330 copies. It looks unreal. Are there any copies left and if so – where can the record be purchased? Asking for a friend…

The band photographed by A supremeshot

Kel: It’s sold out on the Rough Trade website twice now, they will be restocking soon. We have some in a few record shops like Jumbo in Leeds and others, and it will be in Piccadilly Records in Manchester very soon. We are selling it on our website (theemptypageband.com) and Bandcamp as well and we will have some for sale at upcoming gigs. It’s selling really fast though, well over half gone, so I wouldn’t hang around!

Kel, a question especially for you. You gave an extensive interview to Louder Than War in 2016. You said: “I think more women should play music, because there is still a heavy trend towards males on stage at gigs, but more importantly women should just be able to do it without having to be scrutinised so much in every way.” Has the situation improved in the last three years? Are organizations such as Safe Gigs for Women really making a difference?

Kel: (deep breath) I’ve been in bands for a really, really long time and I’ve always felt I had to work a bit harder just to be treated with respect as a musician and songwriter and not just considered a “girl singer” (like it’s some kind of gimmick) or putting up with comments about my appearance rather than the actual music. I remember many moons ago, some bloke actually saying to me that they were thinking of “getting a girl singer” for their band as it was a good thing image-wise. I was furious then in my teens and I am as furious now at that attitude. There have always been women in guitar bands but I think there have been more women getting involved and getting a platform in the past few years. This has been the result of a lot of different factors including the issues relating to inequality in this industry (and in general) being openly talked about more. Women haven’t always been as welcomed, celebrated and treated as equally as they are now in the UK music scene but I think we still have a way to go and it’s complicated.

One thing that has helped is more promoters putting together representative bills. Women don’t need to be sidelined into only playing “female only” band nights. Don’t get me wrong. There are people doing that well and for the right reasons in the name of shifting the balance and being representative, and crucially this is usually done in an inter-sectional way. Power to those people. But there are others (yes, often if not always blokes) still doing that in an awful, gimmicky, frankly pervy way. Like “check out these chicks with guitars, pfwoooarr”. As a woman,  you have to be careful about which gigs you say yes to. I have been caught out in the past where the gig has seemed like a normal booking and then nearer the time, it has turned out to be something else. You have to be quite vigilant, which is really annoying when you just want to play. But there are lots of bills now that are just generally more representative. I like playing with a mix of bands that are similar to us musically and I like it even better if there is an intersectional representation of humans on that bill. Nobody likes to be tokenised.

Safe Gigs For Women are doing great things for audience safety and it’s essential that women and non-cis males who attend shows are not made to feel threatened or treated disrespectfully. These are slightly different but related issues. It’s all part of an ongoing fight and we also have to remember that this is not just a fight here in the UK but around the world. Feminism is worthless if it does not aim to make things fairer for all women all over the world. There is a long way to go.

You jokingly say that you are on world tour of Yorkshire this year, but you have scoped some amazing gig opportunities. You supported Desperate Journalist in March at The Deaf Institute and in May you will share the stage with The Wildhearts in Scarborough. You will also make an appearance at Dead Dead Good Weekend in Manchester and at Camden Rocks in London. What can be expected from your live shows?

Jim: A fucking good show. We throw everything we have into them. We have fun!

You have hinted on your social media that the coming months will be very busy for the band. What can we expect in the nearest future?

Kel: (laughing) More shows and more releases! Our next single, “He’s Very Good At Swimming” is coming out on June 28th accompanied by a video by Debbie Ellis/asupremeshot. It’s a song with an important subject: victim blaming, and the way the media (and arguably the justice system) foregrounds the academic and sporting achievements of the accused and picks apart every aspect of the victim’s life and lifestyle when writing about rape cases almost all the time.

Last question – you can steal one record made by a band that inspired you. Whose work is so good you’d claim it as your own?

Jim: For me it would be “The Holy Bible” by Manic Street Preachers
Kel: Yes, that and Fontaines DC  – “Dogrel”

You can follow the band at their socials:
https://theemptypageband.com/
https://www.facebook.com/thmptypg/
https://twitter.com/thmptypg
https://www.youtube.com/channel/UCRvo9IV6VKi6HRdzJRXwawA

The Empty Page will be touring a lot this summer and we can expect a lot of dates to be added to their calendar. Outside for the Dead Dead Good Weekend in Northwich, the band is booked to play Leeds on the 18th of May at CHUNK and Camden Rocks Festival in London in June. Catch them for an unforgettable lesson in independent rock and rolling. With a huge dose of unspoiled, unfiltered fun.

See you soon!
xoxxo
R+M

Indieterria meets Owen Meikle- Williams

Dear Readers,

Following our interview with record producer extraordinaire Gavin Monaghan, we continue to shine a light on people who set up high standards in the music business. Our next guest is event management student and artist manager based in Manchester – Owen Meikle – Williams. Forget everything you read about millennials spending fortunes on avocado toasts and being offended by everything. The younger generation is actually very active and does much more than we seem to notice. Hands up all you thirty-somethings who organised a full scale festival in the heart of Northern Quarter on your first year at the university. Or anyone who taught themselves music management to help others put first steps in the business. It is easy to see why Owen is making waves in Manchester. Even in the town that is used to doing things differently he is seen as a breath of fresh air. We sat down with Owen ahead of After All festival he founded to talk about event organising, the bands he manages and who he would book for his dream festival.

Festival banner

You are the main force behind After All Festival – that will take place in Manchester  on 19th May 2019. Please introduce yourself to the readers of Indieterria.

Owen Meikle-Williams: Hi everyone. I’m Owen Meikle-Williams, and I’m a first year student at BIMM University in Manchester. Live music is my absolute passion, and I’m studying event management. After All Festival on May 19th isn’t actually part of my course  but I thought I would put on a local event to showcase some fantastic bands, and raise some money for charity along the way. I’ve gone for May 19th to be as close to the 22nd as possible – “After All that has happened, let music bring us together…”

It is quite a task to organize one gig, less alone a whole festival. Can you tell us how the idea started and how long was this event in the planning?

Owen Meikle-Williams: Well, I’ve been going to gigs since I was 5 years old, so I guess this has been a few years in the planning! More seriously, I put on my first gig just over a year ago, reintroducing live music to The Briton’s Protection for the first time in many years. That gave me the bug, and the idea for After All came from then really. Serious planning started about 6 months ago, lining up venues and finding the right bands.

After All will incorporate concerts across three iconic Manchester venues: Night & Day Café, AATMA and The Castle Hotel – all less than three minutes of walk from each other.  We absolutely love it as this eliminates the hassle of commuting  between places. But shall we expect clashes between acts?

Owen Meikle-Williams: I’ve tried to mix things up a bit across the stages so minimise this, but with so many great bands on the line-up, there are bound to be a few tough choices to make. Better to have that problem I think than looking at a line-up and not seeing anything you want to watch!

You managed  to gather a jaw dropping line up: from rising Mancunian band Narcissus to visiting guests such as Birmingham based The Pagans S.O.H  We shouldn’t be saying it – but we are impressed.  Is this the final line up or do you still have some aces up your sleeve?

Owen Meikle-Williams:  Never say never…but the line up is quite full as it is at the moment.

The Festival plans to donate all profits to charity. Can you tell us more about the organisations you will support?

Owen Meikle-Williams:  We are raising money for two music related charities, both of which in turn support larger charities. Musicians Against Homeless (MAH) is a great cause, and you can’t walk around Manchester at the moment without seeing what a vital need this is. The money raised by MAH goes to support Crisis.

Walter’s Page raises money for Make a Wish, helping kids with serious illnesses get some much needed joy. If you have not come across Walters Page, I seriously suggest you check out their Facebook page. Follow the antics of Walter and Eustace, literally a pair of muppets, as they turn up on stage, off stage and in the bar with some of the best known bands on the planet.

You work with BIMM on this festival. Do you think, it is the possibility of having regional editions of After All for example in Bristol or  Birmingham  also in association with BIMM in the future?

Owen Meikle-Williams: That would be fantastic, but I’m really focused on making this year a success first. If things go well, and it is looking good at the moment, then I’ll look to try and re-run the festival next year. I’m always up for a challenge though, so maybe a multi-site one could be doable.

Owen Meikle-Williams – the man behind Manchester new indie music festival

Besides being the festival organiser you also manage local artists. We would love to hear more about them.

Owen Meikle-Williams: I prefer “working with” to “managing”! I am working with a couple of up and coming singer songwriters at the moment, including Leah Karis who is playing After All festival on May 19th. It’s early days, but I’m really keen on championing local talent where I can.

Last question:  we know it is a bit too early for this – but if all goes well, would you consider to bring the festival in 2020 and if so, who would you want to headline. You have got 5 picks and unlimited budget.

Owen Meikle-Williams:  James – my all time favourite band and Manchester music Royalty.

The Slow Readers Club – now finally seem to making it big and getting the success they deserve.

The Blinders – so exciting live – I can’t wait to see how far these guys go.

Editors – so good live, and criminally underrated in the UK. I had the pleasure of seeing them in Berlin and Hamburg last year, and it is amazing to see how well mainland European audiences react to them

Andy Burrows – drummer from Razorlight, now a solo singer, I think that his type of music would perfectly suit the acoustic stage at this festival.

You can follow Owen Meikle -Williams on social media:

https://www.facebook.com/owen.meiklewilliams
https://www.facebook.com/OMWManager/
https://www.facebook.com/OfficialAfterAllFestival/
https://twitter.com/AfterAllFestiv1
https://www.instagram.com/after_all_festival/

On May 19th 2019,  eighteen acts will play across the tree established stages in Manchester to raise the funds for charity. You can find more information about the festival on their official Facebook page:

https://www.facebook.com/events/363074884283149/

Advance tickets are between £10- £12 and they will cost £15 on the day. Doors open at 17:30 PM

To avoid disappointment – please book your tickets online at:

https://www.skiddle.com/whats-on/Manchester/Night-And-Day-Cafe/After-All-Festival/13500619

Vanadian Avenue will be at After All Festival making noise and hanging out with the best people in Mancunia.  We are hoping to see some of you down the front.

M/R

Indieterria meets Ivory Wave

Dear readers,

West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics, MeMe Detroit, Table Scraps, Cherry Pickles, The Novus, The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of  the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.

George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)

Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.

About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“

Ivory Wave picture taken by James Kay

Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?

Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!

You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?

Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.

We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?

Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.

You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?

Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.

BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?

Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.

The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?

Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.

Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay

You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?

Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.

Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?

Seb Baldwin:  We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.

April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?

Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!

Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?

Seb Baldwin:  We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.

They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?

Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.

Articles:
https://counteract.co/interview/interview-ivory-wave-discuss-their-biggest-gig-to-date/
https://www.shiiineon.com/blog/ivorywave/
http://www.uniquelullaby.co.uk/2019/01/interview-w-ivory-wave.html
https://wordsformusic.blog/2019/01/27/band-profile-ivory-wave/
https://www.musicglue.com/ivorywaveuk/bio

Catch Ivory Wave on tour and you can now win two tickets  for their homecoming gig in Birmingham.
Good luck!

Please come back soon as we have some very interesting interviews and reviews coming later this month.
Catch you soon!

R+M

Indieterria meets Karen McBride

Welcome again!

The grand opening of “A Very Insecure Exhibition” for two leading Manchester photographers Shari Denson and Karen McBridde, is approaching quickly.

In less than a week, the audience will be treated to a unique artistic experience: a one night only event combining photography, art and networking. Both ladies are fiercely independent and they are known for doing things the Mancunian way – being innovative and different. We can expect many surprises and many aces up their sleeves.

Karen McBride herself

We have a good news! The secret location for the exhibition has been revealed on the waves of the BBC Radio Manchester! Karen and Shari appeared on Mike Sweeney’s middday show on Monday, 18th of February at 10 am. Mike grilled them to get the information out and finally we know where the exhibition is taking place. It will open at 8pm, on Friday 22nd of February at Projekts MCR (SkatePark at Mancunian Way). We also know that a special bar has been built for the guests so please expect the unexpected!

Address: 97 London Rd, Manchester M1 2PG
Website: http://www.projektsmcr.com/
https://www.facebook.com/The.Pumpcage.Skatepark

Mike Sweeney Show

You can listen to the show online for 30 days at: https://www.bbc.co.uk/programmes/p06zvp9g
Also, you can listen to the recordings of the show below:

Yesterday, we have spoken with Shari Denson about her career and photography. If you’d like to read it, you can find it at:
https://cocamidemea.wordpress.com/2019/02/16/indieterria-meets-shari-denson/

Today, we have sat down with her co-conspirator and a fellow photographer, Karen McBride to discuss the beginnings of her passion for photography, first cameras and her many, many accomplishments. It is always a pleasure to speak to women that inspired entire generation of new photographers, artists and painters.

John Robb (Membranes) photographed by Karen McBride
https://www.facebook.com/theMembranes/

Staying up late with Robbie Williams on tour, working with Debbie Harry, winning a prize for aerial photography – you are one of the most exciting guests we have interviewed so far. Please introduce yourself to the readers of Indieterria.

Karen McBride: My name is Karen and I take pictures. I love what I do and hope that you do too.

You hold a degree in Ancient History and Archaeology and carved yourself a name as innovative and influential music photographer. Can you tell us what lead you from academia to rock and roll halls and tour buses?  

Karen McBride: Well, my brother was in a band and he needed some pictures for his album artwork. I’d been into photography from an early age and art too, he knew this and so I took his pictures. More bands found out what I was doing, they liked the results and it built up from there.

We heard that you found your first camera – a Kodak Brownie – in a bin. Is it an urban legend or a true story? And if it is, do you still have that camera? 

Karen McBride: It’s a true story and yes I still have it. The camera comes with me everywhere. I tried to restore it but you can’t get film for it anymore. But it’s my mascot.

JJ Rosa photographed by Karen McBride
https://www.facebook.com/JJRosaOfficial/

Over the years, you have photographed biggest names in the industry: Pink, Robbie Williams, Lou Reed, Liam Gallagher, Billy Bragg, Green Day, Debbie Harry, Elbow, Prodigy and your works have been used by Sony, Warner Music, NME, MTV, Classic Rock, Clash Magazine.  You have been called one of the most significant female photographers of your generation by Slash. When you started out, were you experiencing this level of success in a male dominated field?

Karen McBride: Starting out, you can never imagine where anything takes you, really. I could never have imagined, I’d ever be able to sustain a career this long, let alone, create images that bands and the general public still like. I’m glad they do though!

Despite your incredible accomplishments, you don’t shy from working with unsigned artists or young and upcoming bands – for example The Blinders. Not many photographers of your calibre would do that. Do you think it is important to support artists at the beginning of their careers?

Karen McBride: I could never shy away from them, they are exciting in my opinion it would be so wrong to ignore them just because I shoot bigger artists too. in fact I love the rawness of the new band.

Guy Connor of Paris Riots photographed by Karen McBride
https://www.facebook.com/theparisriots/

You enjoy a reputation of a local hero in Manchester. John Robb (The Membranes/Louder Than War Magazine) described you as “Unashamedly Mancunian. While other contemporaries headed South, Karen has always resisted the lure of the bright lights of London for the unmistakable and unique vibe of her hometown”. It seems that you have influenced Manchester as much as Manchester influenced you.

Karen McBride: I’m deeply humbled that anyone would see me as all hero!

There is something unique about your style. The aesthetics, colour palette, the dynamics remind us of  the classic images on the record sleeves of Elvis Presley and Johnny Cash. Accidentally, your first book was also called “Elvis Would Have Really Liked Me”. Is it us or has The King been an inspiration?

Karen McBride: That book is still a work in progress. The guy who designed the cover and content was a long standing friend of mine and passed away last year. It will get published and it will be dedicated to him. I miss him deeply. He understood my creative approach. He would be so proud of this exhibition. It’ll be the first one he’s missed.

And yes, the King has provided my backdrop. Everything I ever photographed came from being inspired by American music.

Flyer promoting A Very Insecure Exhibition

You are known for unusual photography projects and expositions. In 2011, you held a talk at The Deaf Institute during Photo-book Month Manchester, to which you brought a model and ended the meeting with a real life photo session exercise for the audience. In 2015, you held another talked about exposition “Stripped Back” that combined photography and collages with live music and artistic performance. You also launched your own clothing brand during that event. You like to keep your audience on their toes.

Karen McBride: Thank you! “Stripped back” was performed in The Green Room, which is now called Gorilla. In 2007, the venue was sold out and it was much smaller than it is now. It had a capacity of 200 back then. I try to do things differently and I think when you see the new exposition, you will know first hand what all the others exhibitions were about.

On 22nd of February, alongside another female photographer Shari Denson, you will hold an photographic display entitled “A very insecure exhibition”. This is a special, one night only event and the venue still is not disclosed. We are told to expect a true celebration of creativity. Tell us more about it. Where does the unusual name come from?

Karen McBride: I was planning a solo exhibition and my friend, Shari Denson offered to do a press shot for me. We started talking and laughing and talking again…and we ended up photographing each other!  So I said to her that I’d found a very interesting venue and that it would be selfish to do the exhibition on my own as her work is stunning too! She jumped at the chance and here we are. It’s very exciting to work with her, as I admire her so much. It really makes perfect sense for us to do it together.

 

Cover of A Very Insecure Exhibition book produced by Karen McBride and Shari Denson

The exhibition is accompanied by a beautifully printed art-book. Apparently it can be open from both sides and will contain 50 pictures: an even split of 25 images for each one of you. Will it feature any of the photographs from the exhibition or is it to showcase your newest works? Will it be possible to purchase the book after the exhibition?

Karen McBride: (laughing) Yes I think it might do! and You can order the book online: https://ukgiclee.co.uk/avie

It is only the beginning of the year and your calendar is already full. Please tell us what have you planned for the spring and summer? Any tips where can we see your works?

Karen McBride: I never discuss my diary. I take every day as it comes. For now you can see my work alongside Shari’s’ on the 22nd Feb in Manchester.

The famous last question at Indieterria: let’s say that you can photograph any person or any event in the world. No time or space restrictions. Were are you going and who’s going to be immortalised by your camera?

Karen McBride: Elvis, anywhere he wants!

Cover of A Very Insecure Exhibition book produced by Karen McBride and Shari Denson

A Very Insecure Exhibition:

22nd February
Projekts MCR (SkatePark at Mancunian Way)
Manchester
20:00 pm – 23:30 pm

Tickets costing £6 – £8 can be obtained from the address:
https://www.universe.com/events/a-very-insecure-exhibition-tickets-manchester-5K0X7V

There are daily updates to the event (please remember that the location of the event is still not disclosed)- so keep your eyes open
https://www.facebook.com/events/1180667978750896/

The exhibition is proving to be very popular – and the media take notice. You can safely say that the event will be a success when Visit Manchester and national music magazine both pick up the story!

https://www.visitmanchester.com/ideas-and-inspiration/blog/read/2019/02/a-very-insecure-exhibition-the-underground-photography-of-two-of-manchesters-finest-photographers-is-coming-to-a-secretive-city-centre-location-b741
https://louderthanwar.com/2-manchesters-best-photographers-announce-photo-book-launch-party-conversation-john-robb/

 For those who enjoy a bit of additional reading, we have found a bunch of articles about Karen and her work.

https://www.bobbooks.co.uk/blog-post/an-extraordinary-photobook-month-manchester-with-karen-mcbride
http://aboutmanchester.co.uk/who-are-the-women-behind-manchesters-music-success-a-new-exhibition-explores-them/
https://ilovemanchester.com/women-manchester-music-times-changin/
http://www.aidan.co.uk/article-karen-mcbride-stripped-back.htm
https://www.mudkiss.com/karenmcbrideinterview.htm

You are cordially invited to the exhibition and we hope we will see many familiar faces in Manchester!

M/R

Indieterria meets Tigerside

Hello,

 

Tigerside (from left): Riven, Esther, Greggs, John and David.

Tigerside (from left): Riven, Esther, Greggs, John and David.

Welcome to the first week of Indieterria. If you are not sure what we do here, read the intro.

We are on a year-long journey to create an atlas of new sonic landscapes for 2017 by introducing readers to artists that have something original and innovative to communicate. They may not be huge or ready to hit Top 40. Some of them may be on a way to greater things, but we will also look at artists who are unsigned and  still perfecting  their craft. It doesn’t matter how established you are in a long run. If you have got that spark, your own way of doing things or something interesting to show, you may find yourself featured on our musical map.

On the margins, we will also tag venues and other places to give our readers a deeper understanding of the local scene that the band came from.

We begin our travels  with Tigerside- a five piece from Salford, Manchester.  So, welcome everybody to Mancunia – the fabled land that gave us Hacienda & Anthony H Wilson, The Smiths & The Roses, New Order & Joy Division, Es & the baggy pants. Something is definitely in the water in Mancunia as they have more bands per square mile than the capital of grunge!

Paul aka Greegs

Paul aka Greegs

John Nash leading Tigerside

John Nash leading Tigerside

The idea for Tigerside (do not mistake with French  drone/ambient project My Tiger Side fronted by  Rémi Saboul) has been born a decade ago during Glastonbury Festival. It took few more years for  members of the band to relocate to Salford and properly concentrate on the project. Some line up changes occurred but are shrouded now in mystery. Currently the band consist of John Nash (on vocals), Esther Maylor (vocals, harmonies), Paul/Greggs (guitars), Riven (electronics/keyboards) and David Eagle (drums).

If you know Manchester scene a bit, you must be grinning like a Chesire Cat this very moment. If not – let us tell you a secret. Esther Maylor is known in town as  a member of another band with strong following –  b i e d e r b e c k.  She is also the landlady of Eagle Inn pub/venue in Salford.

Examining the  band`s pictures Tigerside look like they just enrolled into university, but don’t let that deceive you. All band members are in their 30s and come with quite an experience on stage and a whole list of musical heroes.  The band grew up listening to Mark and Lard Show on BBC Radio 1 (that`s Mark Radcliffe and Marc Riley if you are not familiar) and quote The Verve, Underworld, REM, Human League and Madchester scene as inspirations. They have been featured on BBC Introducing Manchester twice and sold out domestic venues such as Sound Control, Gullivers, Ruby Lounge (here they were supported by another rising star of Mancunia – The Blinders). Their London gig at Dublin Castle also sold out to the last place we are told. 2017 will see them playing festivals in Sweden and perhaps a steady supply of homecoming gigs.

Riven

Riven

John Nash live

John Nash live

Tigerside also come with an  unique ability to confuse music journalists. They describe themselves as  “postpunkhousepop”. Now try to describe that to your editor or readers. When we asked them for a bio, the band sent us this absolutely brilliant tagline. Let us quote it in full – because it would make early Manics green with envy:

“[Tigerside are] the sound of an afterhours party in a back street Salford boozer where everyone’s in and everybody knows your name. In the gutter and singing at the stars; it`s a baggy thing, a rocking thing but most of all a dancing thing. It`s chaos and a commotion and they’ll be your best friends through it all”.

Guys! Send this to Creation Management and you are guaranteed that Alan McGee himself will walk to your next gig!

If we had to define the sound of Tigerside, we would mention the likes of M83, Bastille, The XX  – so anything within the range of electropop/indie electronic and synthpop if one is to throw around musical labels. But you can`t box this band so easily as you may think.  Surprisingly there is a lot of Madchester sounds and rhythms in there (La La Samba), space and melody that bring Hooky`s The Light to mind (Pen Lea) or …even elements of classic U2 at their height (Song For The  Crow). John Nash channels Ian Curtis on stage with his strange dances and charisma, while Esther Maylor brings an element in harmonies that remind us of Sarah Snow from Maltese/Danish act No Snow/No Apls.

Other reviews we read mentioned Pink Floyd…

Head spin, isn’t it? That’s the real beauty of this band.  Whoever is able to trace all ingredients that go into musical elixir of Tigerside will undoubtedly receive a Mercury Prize or Godlike Genius award .

Some links for you dear readers:

YouTube offers a great live footage of Pen Lea

You may also hear the band though their Soundcloud and other social media quoted below:

https://www.facebook.com/tigerside
https://twitter.com/Tigerside
https://soundcloud.com/tigerside
https://www.reverbnation.com/tigerside

Tigerside are managed by Cathy Gregory and you can book the band via Cathytigerside@outlook.com

We recommend that you do.  Tigerside receives a stamp of approval from Vanadian Avenue and if any of our readers ever has the opportunity to listen to the band live – do not hesitate. You are in for a wild, yet very satisfying ride.

Malicia/Rita

**** Update 02/09/2017****

Poster for Musicians Against Homelessness gig on 30th September 2017

Warning Mancunia! There will be a rocking event in Manchester on 30th September 2017 and you don’t want to miss it. You better polish your party shoes, call your mates and reserve tickets.

Indieterria has received a press pack from Tigerside and they will be playing a charity gig as a part of nationwide campaign Musicians Against Homelessness. They will be backed up by fantastic The Any Numbers and  legendary DJ BiggaBez.  If that line up does not get your adrenaline pumping, please consult your GP – you may be a White Walker.

As usual, let us quote the press release from the band, as we absolutely love to receive their quirky, funny and yet very informative letters:

“Tigerside live @ The Eagle Inn Salford for Musicians Against Homelessness 

Word! Tigerside return to our spiritual and actual home, The Eagle, to play a hugely import show for Musicians Against Homelessness.

Set up by Alan McGee (famous for signing Blur during the Britrock era of the mid 1980’s and early 2000’s) this unique run of shows will showcase some of the best bands in U.K. in order to raise money for the charity Crisis.

We are honoured to have been invited to play and this will be a very special show. This is next level Tigerside and will be an audio visual spectacular not to be missed. Watch this space for more details.

The Eagle has a very limited capacity so get your tickets before they’re gone and help us raise money for a fantastic cause!

Thanks as always for your support.

Big love
Tigerside”

So if you happen to find yourself in the dominion of Mancunia on 30th September, you know what to do. We have given Tigerside stamp of approval months ago and we stand by what we said back then. This is an act you gotta see now, before they move to bigger venues and sold out shows. If you can support a charity while enjoying some real musical gem, the better for you.

Event page on Facebook:

https://www.facebook.com/events/127063874586605

And you can get your tickets to the event here:

https://www.skiddle.com/whats-on/Manchester/The-Eagle-Inn/Tigerside–The-Eagle-Inn-for-Musicians-Against-Homelessness/13038887/

Love,
Mal+Rita

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