Indieterria meets Karl Hildebrandt

Dear Readers,

There is nothing better than to interview a poet. They are the people who understand life, who know their scene and who quietly put into words what we cannot even express. In a way, they are chroniclers of victories and struggles of life. It was Czesław Miłosz who said that the poet remembers and it is very true. So it was a true pleasure and privilege to speak to Manchester`s finest spoken word artist and poet – Karl Hildebrandt ahead of Musicians Against Homelessness gig on 21st August at The Night People.

Karl is known not only for his extraordinary poems but also for his active involvement in music and his charity work on a local level. Proper stuff as they say in Mancunia.

Mosh Pit Poet Laureate – Karl bringing poetry to the gigs.

You are a man of many talents: multi – instrumentalist, spoken word artist, poet, roadie and a stage hand. Please introduce yourself to the readers of Indieterria.

Karl Hildebrandt: I’ve had a love of music and words since an early age. Bother listening and eventually playing. I’ve always written words. Just never had the nerve to do it live till about 5 years ago. “Mancunian Gobshite” sums me up to be honest.

Dark and witty poetry has won you many notable fans: Denise Johnson, Dave Haslam, MC Tunes to mention a few. You take daily conversations, occurrences and fleeting moments and turn them into heart wrenching observations.  What inspires you?

Karl Hildebrandt: Life inspires me. I tend to brain dump either on paper or my phone. I see the good and the shitty bits and write it down. In the last 8 months or so, my prose has become a lot lighter than previously. I am happy and in love.

You have been performing at concerts, open mic nights and  jam sessions earning yourself a nick name “Mosh Pit Poet Laureate”.  Do you see spoken word as a part of a regular gig? There are still many people out there who think poetry belongs in libraries, not concert halls.

Karl Hildebrandt: I think poetry and spoken word is becoming a bit more popular. A pot of acts are putting words over music. I am, but I prefer the purity of just getting up to “shout at the traffic”. If people hear you, they’re listening.

Looking out for inspiration.

For a while you have been in a band The G-O-D with Chris Bridgett (Dub Sex) and Simon Wolstencroft (Ian Brown, The Fall) as a bassist. Do you think this project will make a come back?

Karl Hildebrandt: No. Chris has a new project called Cold Water Swimmers, who are amazing. And Simon is busy doing what Simon does, being Funky Si. In the San Pedro Collective.

Please tell us about your involvement in San Pedro Collective – another musical project that you are a part of. San Pedro just released an EP that gathered rave reviews in the music press. Is that true that one of the songs was inspired by your mother?

Karl Hildebrandt: The San Pedro Collective is the brainchild of Manchester’s finest maverick, Rikki Turner. His vision to bring artists and musicians together to create something unique for the eyes and ears is genius. The Demon Sessions EP is being rehearsed for live work. Gigs are coming up. And the next single will be dropping soon. And yes, inspired by me losing my mum, but it’s a paean to loss of any kind.

If you had to chose one particular poetry movement to identify  with, which one would it be? Beatniks, Modernists or maybe something more old school like The Cavaliers?

Karl Hildebrandt: The Beats. I hate structure within any art form. Be it music, poetry, art or whatever. I feel hemmed in by conformity. Burroughs, Kerouac and Ginsberg helped me understand you can be honest about writing and not worry about what you’ve written. Never be afraid to create.

You are also known for your charity work, often contributing to incentives as Musicians Against Homelessness. Can you tell us about this charity and its work?

Karl Hildebrandt: MAH was set up by Alan McGee and Emma Rule to create a platform for musicians and creatives to raise both funds and awareness for homelessness. In the North West we have Andy White and Angela Moore, co-coordinating gigs and events. Both top people as well. I’m also doing some spoken word for Action Against Hunger at Moovin Festival for Deborah Faulkner-Moscrop and I’ve done stuff for various other charities. Give it – you get it back.

If you don`t have a pen and paper, mobile phone is a great tool to record poems!

On 21st August you will appear at Night People as part of a fundraiser to fight homelessness.  Who is on the bill and what can we expect from your set?

Karl Hildebrandt: The gig is on at Night People on Princess Street in Manchester. Top line up including acoustic sets from Thomas from The Blinders, Scuttlers, Afghan Sound Gang and Maddy Storm amongst others. And me, of course. I found a poem, a poem I couldn’t remember writing which will fit the bill. I supported Dave Johns (Daniel Blake) at Moston Miners and recorded it on the bus on the way home. It’s very, very sweary.

Imagine that one of your works is to appear in anthologies or school syllabuses, like John Cooper Clarke`s “I Wanna Be Yours”. Do you have a poem that you consider your major or most significant piece?

Karl Hildebrandt: I honestly don’t know. My stuff contains far too many swear words, but if I had to choose one, “Another Bastard List Poem About Manchester”. I’ve done a Liverpool version and have been asked for a London version as well.

We can`t pass this opportunity. Do you think we can get a haiku out of you about Indieterria?

Karl Hildebrandt:  Sorry, I struggle with haiku. I’ll get my mate Dave Norman to do one for you. Here’s one of my favourites though:

“The taste of rain
Why kneel?” –

Jack Kerouac

Proper.

You can follow Karl on the socials (you know those pesky online pages), but he is often found at the nearest Social or other boozer/venue in the neighbourhood.

https://mitherdimps.wordpress.com/
https://soundcloud.com/mither
https://www.facebook.com/karl.hildebrandt1
https://twitter.com/RTransmissions

Essential reading:

http://essentiallypop.com/epop/2016/02/holy-trinity-new-punk-trio-the-g-o-d-features-members-of-dub-sex-the-fall-and-ian-browns-band
http://www.soundspheremag.com/spherecast/listen-spoken-word-karl-hildebrandt-will-it-be-forever/

 

Poster for MAH gig on 21st August 2019

You can see Karl (and many others) doing their thing for Musicians Against Homelessness on 21st August 2019 at The Night People in Manchester. Tickets are £5.

Event page:
https://www.facebook.com/events/703946873388361/

Tickets page:
https://www.fatsoma.com/night-people/cvr968u0/musicians-against-homelessness-night-people

The full line up is as follows:

Thomas Haywood (The Blinders)
Afghan Sand Gang
Scuttlers (acoustic set)
Ellysse Mason
Maddy Storm
Karl Hildebrandt
Shot by a Shotgun Slug

We are proud to say that we will be attending MAH gig at The Night People so there will be a lot to report back! We are hoping to see some of you down the front.

M/R

Indieterria presents The Blinders Live at The Ritz

Dear comrades!

We have been following The Blinders for more than three years now and it’s always a joy to see them conquer new heights and achieving their goals (and being on a roll as certain songs says). The band has been working extremely hard to be where they are now and their dedication has inspired their fans, industry professionals and countless bands all together.

Being ahead of the game is a hard task, but with a dedicated team, excellent ideas, and a bit of luck, everything is possible. And this blog will be dedicated to another of the band’s ideas that is going to revolutionize the DIY indie scene.

On July 26th, The Blinders notified their followers that to commemorate the first anniversary of the release of their debut album “Columbia” (September 21st), they would be releasing a double live album. Recorded during the sold out show in Manchester on 27th of April, the double vinyl delight will include the entirety of “Columbia” plus several previously unreleased tracks. The record will be released by Blood Records, a recently launched crowd purchasing platform for exclusive LP releases that is run by the same wonderful people who own Flying Vinyl.

Black Records logo

You can get your own copy here: https://www.blood-records.co.uk/current-release/
Buy a copy of “Columbia” (if you have been living under a rock and you still don’t owe one!): https://theblinders.tmstor.es/

Now, as PR people, we do love good marketing, especially a really clever one. The first thing we saw on 25th of July, early in the afternoon, was a cryptic post with a large black and white picture of the band stading in front of the Ritz in Manchester (please notice Twisted Wheel poster on the right!) The caption read: “6 pm today”

Now, this kind of mysterious notifications are not for the faint hearted, as it could mean everything from the new album being announced to the band calling it quits. Our blood pressure went slightly up but after a refreshing cup of melissa tea (good for the nerves), we reached the conclusion that it cannot be anything bad, so we patiently waited for more information. And 5 minutes past six, we were rewarded with the following messages:

Soon, two promotional videos were made available to promote the album and they were seen more than 50.000 times on band’s combined social media (about 30k views on Facebook, 10k on Twitter and 10k on Instagram). Very good achievement with just a couple of Tweets and shares. Colour us impressed.

 

Official statements on Facebook accounts and newsletter followed to activate the fanbase:

 

You can see the newsletter at: https://us17.campaign-archive.com/?u=3b6499050c5a99dfa9d83f2e3&id=1708a96420
Flying Vinyl posts are available at: https://www.facebook.com/flyingvinylmusic/posts/2317772881662911

And in the end, The Blinders posted some of the images taken by Sam Crowston during their show at the Ritz:

The campaign finally went live on 29th of July and during the first 24 hours, nearly 260 copies flew off the virtual shelves. Pre-orders were opened until the 12th of August when they closed exactly at 10:00 am. In all, 1000 copies of the album were ordered and sold. Let us repeat that once again so it sinks in. It took two weeks for the band to sell 1k copies of a double live album. If that doesn’t make your jaws drop to the floor, then seriously your jaws must be either glued or wired. Those who preordered “Live at the Ritz” were told to wait 5 weeks for the delivery and in the mean time, more detailes were made available.

The record was mixed at Parr Street Studios in Liverpool (Elbow, The Verve, Echo and the Bunnymen, New Order, Pulp, The Charlatans recorded there among others) by Alex Queen who quickly shared the good news on Twitter:

Blood Records released the official statement upon the announcement:

“Following their bracingly thrilling debut album, ‘Columbia’, The Blinders continue as one the UK’s most anticipated emerging acts placing them at the vanguard of a generation of politically engaged British guitar bands. This exclusive, vinyl-only Blood Records release of The Blinders: Live At The Ritz features ‘Columbia’ live in its entirety alongside new unreleased material, pressed to 2x black 12″ LPs. The audio was professionally recorded, mixed and mastered from the band’s April sold out show at The Ritz to 1500 fans.

All orders will be signed (if you would like yours unsigned please write ‘unsigned’ in the delivery notes) and hand-numbered on a first-come-first-serve basis.

Customers will also receive priority access to tickets for a special Manchester launch event on September 21st as well as being automatically entered into a prize draw to win an exclusive piece of artwork.

Please note: Blood Records is a pre-ordering platform, providing the minimum sales quantity is met the records will be shipped five weeks after the deal ends.”

THE RECORD:

 

As stated above, it is a double live LP presed on a black vinyl. Running time is 60 minutes. “Columbia” was 42 minute long and we have 4 new, unreleased tracks added. Those who pre-order the album can expect a true VIP treatment: all copies will be signed by the band, buyers will receive priority access to record launch event and an automatic entry into prize draw for exclusive artwork. There will be only 1000 copies of the record pressed.

Personnel:
Thomas Haywood  – vocals and guitar
Charlie McGough – bass
Matty Neale – drums, backing vocals
Max Grindle (bass player of Document) – harmonica on “Rat In A Cage” and piano on “Orbit (Salmon of Alaska)”
Thomas Castrey (drummer of Saytr Play) – percussion on “Where No Man Comes”

Recorded at: O2 Ritz, Manchester, April 27th 2019
Mixed: Parr Street Studios, Liverpool (May-July 2019)
Mixed by: Alex Queen
Live Sound by: James Higham
Mastered by: Chris Daniels
Art Direction: Nasty Man Creations
Photography & Design: Sam Crowston
Lighting Design: Mangata Collective
Special thanks: Mark Payne, Chris Phillips, Dave Bonner, chris Exstance, Patricia Payne, SJM Concert, Jamie Wade & X-Ray touring, Flying Vinyl, Modern Sky UK and team

Label: Blood Records – https://www.blood-records.co.uk

Tracklist:
Side A
Gotta Get Through
Brave New World
Wither*

Side B
Free The Slave
I Can’t Breathe Blues
Where No Man Comes
Forty Days & Forty Nights*
Ballad Of Winston Smith

Side C
L’Etat C’Est Moi
Hate Song
Lunatic With A Loaded Gun*
Rat In A Cage

Side D
Et Tu/Berlin Wall
Brutus
Orbit [Salmon Of Alaska]
Swine**

* (previously unreleased)
** (not included on “Columbia” and released as a stand alone, double side single “Ramona Flowers/Swine” in 2017. The 7″ single was pressed in 500 copies only and is now a collectible item. More information: https://www.discogs.com/The-Blinders-Swine/release/10784923

 

Record release and the launch event timeline:

 

On 9th of August, the band revealed more details about their show that would take place on 21st of September. We have been told that there will be an exhibition, Q+A session and a stripped back set.

A week later, fans were electrified by another announcement – those who preordered the album were offered a chance to purchase tickets to the lauch event before everybody else. The band also revealed where the event would be taking place. Despite first bets being placed on The Night People (The Blinders’ favourite place in Manchester), a popular central location has been chosen – 33 Oldham Street.

Fans were asked to check their emails, follow the link sent to them and register tickets using their unique pre-order numbers. Due to limited number of places (33 Oldham Street can hold only 40 people in seated environment), the band used “first come, first serve” basis. The registration was closed on Sunday, 18th of August 2019 at 12:00 pm.

On 25th of August, The Blinders announced that the tickets will be available to purchase on Tuesday 27th of August, at 10:00 am.

Modern Sky UK (The Blinders’ record label) released their own announcement on the same day, revealing that the event would be hosted by popular Manchester DJ, Shell Zenner (XS Manchester/Amazing Radio):

Tuesday came finally and the loyal fans of the band, went ticket hunting on the internet. As with the demand for the record, the tickets dissapeared so quickly that many were left disappointed! We are not sure how quickly they were sold out but it must have been less than 20 minutes. At 12:20 pm, the band released the following statement:

After speaking to the management, the band released another statement, announcing that due to massive demand for the tickets, The Blinders would host a matinee event on the same day, between 1:00 pm and 4:pm.  Tickets were again released the following day and those who couldn’t purchase them on the previous occassion, could still attend the event, just in the afternoon instead of the evening.

As you may guess, the second batch of tickets, were also sold out in a flash. What else to expect, eh?

On September 11th, another announcement was made. As Shell Zenner was unable to host two events, another special guest was invited to do the Q+A session with the band. This special guest was…the legendary DJ, Dave Haslam himself!

Sadly as the event date was getting closer, something that nobody could predict, has happened. Thomas Haywood became ill and The Blinders were forced to cancel many domestic and European dates. On 16th of September, the band issued the following statement apologizing for pushing both events to 2nd of November 2019:

To make it up to the fans for the unplanned re-schedule, the band along with Shell Zenner came up with a clever plan – they held a DJ set at 33 Oldham Street and the entry to the event was free. Matty and Charlie were to make an appearance and the doors were opening at 9:00 pm.

We don’t have to tell you that the place was packed and people were queuing outside to get into the small club! Matty and Charlie arrived exactly on time and the party lasted until late. What was played? Everything from Manchester classics, to Abba, Britney Spears (“Toxic”), Whigfield (“Saturday Night”) and some unexpected bangers such as Cheeky Girls (“Cheeky Song”). Good fun was had by all. And some pretty good dance moves were caught on camera.

View this post on Instagram

love you more than words, thank u for having my back, always x

A post shared by katie (@themagicganng) on

 

The Final Product and the reception:

 

On September 21st, the debut album, “Columbia” turned one. The band celebrated the occassion by sending out the “Live At The Ritz” albums out to fans and making a tweet:

And the response to the album has been fantastic. It debuted at number 8 on the official UK Charts! This is the first double-live album by an indie artist to go into top ten on Vinyl Chart!

Official Vinyl charts for 27.09.2019

You can check the statistics for the Vinyl top 40 at: https://www.officialcharts.com/charts/vinyl-albums-chart/
To see those exact results as on the screenshot, please use the date of 27th of September 2019.

That’s not all! Live At the Ritz made it into two other charts as well: Official Independent Albums chart at number 23 and Independent Breakers Albums chart at number 4! We have screens to prove it!

 

We have received our copy as well and we absolutely love the album. The release comes with 2 black vinyls, packed into a single sleeve. It would be much better if it was a a gate fold – but hey we cannot complain! The design is similar to the “Columbia”, each copy is numbered (our is 128!) and signed by all three band members with a lovely silver marker.  We have taken a couple of pictures after unpacking to show you how it looks like:

 

And what do the fans say?
The reviews are universally positive. Just see the reactions that can be found online:

Live At The Ritz showcases the band’s talent and proves that if you haven’t seen them just yet, then now’s the time to do so. The Blinders are only going to grow from here” – Katie Macbeth for Indie Is Not A Genre blog
https://www.indieisnotagenre.com/the-blinders-live-at-the-ritz-review/

“Two years on, they are inevitably a better live band. Tighter, harder, and wiser, this live album is a no brainer of a purchase. If you have never seen or heard them, we cordially invite you to the hoodwink society”- Mike Adams for Travellers Tunes
https://travellerstunes.com/features/the-blinders

View this post on Instagram

NOW PLAYING | The Blinders – Live at The Ritz. One of my fav bands @theblinders of the last few years have come up with a limited & signed live album. Recorded at The Ritz, Manchester back in April this year. It’s a pure sweaty Rock’n’Roll live experience on double vinyl. Hand numbered, this is 135/1000 and hand signed makes this a nice little collectible of a live force on the music scene right now. Side A. A1 Gotta Get Through A2 Brave New World A3 Ramona Flowers A4 Wither Side B. B1 Free The Slave B2 I Can't Breathe Blues B3 Where No Man Comes B4 Forty Days & Forty Nights B5 Ballad Of Winston Smith Side C. C1 L'Etat C'Est Moi C2 Hate Song C3 Lunatic With A Loaded Gun C4 Rat In A Cage Side D. D1 Et Tu D2 Brutus D3 Orbit (Salmon Of Alaska) D4 Swine – – – – #theblinders #liveattheritz #lp #lps #12inch #33rpm #record #records #vinyl #vinylcollector #vinylcollection #vinyljunkie #vinyligclub #vinyloftheday #vinyladdict #nowplaying #nowspinning #vinylsofinstagram #vinylporn #vinyllove #vinylcommunity #audioporn #turntable #recordplayer #recordcollection #recordcollector #instavinyl #instavinyls

A post shared by Justin (@monkeyman31) on

We will be updating the blog as more information becomes available. And of course, we will be posting a long review from the  event on 2nd of November!

Keep your eyes open and support your scene!
xxx
R+M

Indieterria Review – “97/91” by The Battery Farm

Dear Readers,

If you spent more than five minutes on social media in the last two years, chances are that you have seen this viral quote on how David Bowie kept the universe together. The Starman`s gone and everything is coming apart at the seams.

Band`s logo

It`s hard to deny that we are going through some very dark days and finding hope may seem like an impossible task. But we believe that there is a force out there that is much stronger than bombs, violence or any orange impostor (or his blond counterpart) in office. That force is art/music and we have plenty of incredible artists among us who do an excellent job at repairing the fabric of universe and keeping us all sane.

The beauty of art is that anyone can make it and you don`t have to have top 40 albums to contribute significantly to the eternal quest of balancing cosmic powers.

We want you to meet a brand new band that we recently discovered, who are incredibly apt at channelling the internal anxiety felt nowadays and providing sonic catharsis to listeners. They are called The Battery Farm and come from our favourite place on Earth – Manchester.  Their debut single “97/91” is a powerful anthem of thundering drums, heavy guitars and haunted vocals.  It fits perfectly in the new emerging genre of post punk revival, mixing semi spoken vocals with musical fury. The song will prove ideal both in the mosh pit or in the gym and fans of Idles, Bambara, Sons and Avalanche Party should pay closer attention.

But there is more to The Battery Farm than soundtracking the moment. Its the way they speak in the interviews, how they respect and champion other artists, their ethics. We sat down with their lead singer Benjamin Corry for an interview and the first thing he tells us is that kindness is magic.  Among all the new bands that blow their own trumpet and proclaim that they are new Oasis, how absolutely amazing is to hear that there are artists who have a different approach to life.

This is our entire conversation with The Battery Farm. Worth reading. Every. Single. Word.

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Benjamin Corry:  Hello! We are The Battery Farm, a doom punk band from Manchester playing vicious, guttural punk music pulsating with rawness, honesty, pain and passion. We are Ben Corry (vocals/guitar), Dominic Corry (guitar), Paul Worrall (bass) and Sam Parkinson (drums)

Tell us something about the project – are there any goals that you managed to achieve?

Benjamin Corry:  Me and Dom formed the band on the back of our old band breaking up. The whole mentality since we started has been to put everything together piece-by-piece and just see how far we can get. So with that in mind just managing to get the band together has felt like an achievement. The idea for The Battery Farm only came about towards the end of last year, but actually getting to the point of being able to have a functioning band feels like an achievement. That sounds well trite but it’s true. We played our first gig a couple of weeks ago, released our debut single on 15th June and played our first festival on 6th July (R-Fest in Manchester). That’s the kind of start I wanted for us and so that’s an achievement in itself. Things have started with a bang and looking at what we’ve got coming up it’s only going to get better.

Benjamin Corry photographed by Richard McCann
https://www.facebook.com/richard.mccann.739

What inspires you? What artist or genre had the biggest influence on you?

Benjamin Corry:  Our lives and the world we live in inspire us and drive our sound and our words. The songs me and Dom write are borne – both musically and lyrically – out of the sense of desperation we felt at the end of last year, when we’d just about had enough of everything. These songs are an aural lashing out at ourselves, at the rest of the world, at the human race, at politicians, at the sense of life closing in around us. Passion and fear and anger and joy and desire for something better are things that inspire us. Human stuff. In terms of artists we admire, bands like Idles, Evil Blizzard, Radiohead, Witch Fever, Nirvana and Sleaford Mods bleed into our sound. Idles in particular are doing something remarkable at the moment; I think they’re the most important band in the world. Their music is violent and frantic and pulverising but at the same time is laced with the most beautiful empathy and compassion. I think the world needs more of that. Kindness is magic.

Its all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Benjamin Corry:  “97/91” was actually written a couple of years ago. I stumbled upon an article about the murder of Suzanne Capper in the early 90s and the moral panic about it in the newspapers at the time. The article went into excruciating detail about what happened which stayed with me for months afterwards. One of the big factors in the story affecting me in the way it did was the fact that it happened in Moston, north Manchester, which is where I grew up. It sort of brought a horrific sense of reality to the whole thing – I know the street it happened on, I’ve walked past the houses, I’ve grown up with the area being a big part of my life. And it still informs a lot of my writing. To be able to envision it all so clearly made it all the more horrendous. That got me to thinking about why I reacted much more viscerally to this particular instance than I would have to the miserable horrors that go on across the world daily. The answer was because I’m familiar with the setting. It only felt real because I could see it. That is what “97/91” is about – that murder is a jumping-off point to explore the cognitive dissonance that is ingrained into people across the world that allows us to be passive in the face of the mass, grotesque violence going on in far-flung places every day. It’s a frightening, dystopian aspect of the human condition and it’s not generally something we’re aware we’re doing. I guess that’s the worst part. The song is a flailing at the worst things people are capable of. The world can be a fucking horror show, “97/91” is essentially a desperate scream in the face of it.

Are you touring? Where can we see you playing live?

Benjamin Corry:  We’re at Night & Day Café in Manchester on 2nd August, then it’s our first out of town gig at Sound in Liverpool on 28th September for Low Flying Records’ Musicians Against Homelessness weekender. Low Flying have basically put together a huge MAH Festival across Merseyside. We’re on the Saturday and we can’t wait. After that we’re playing at Whittles in Oldham on 24th October. We have a couple more really good ones to announce but we’re not at liberty to discuss them just yet.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Benjamin Corry: E-mail us at batteryfarmband@gmail.com, or we’re on Facebook, Twitter and Instagram as @hebatteryfarm

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Benjamin Corry: Elvis. Every time. I’m fascinated by him. That voice, that face, those eyes, that sheer, raw, uncontrollable presence and charisma. It’d be incredible to see what he could do with our songs and our sound. I doubt he’d like us to be honest, but this is my fantasy and in this universe Elvis bloody loves the punk rock.

The Battery Farm in their rehearsal room

You can follow The Battery Farm on social media:

https://www.facebook.com/thebatteryfarm/
https://twitter.com/TheBatteryFarm
https://www.instagram.com/thebatteryfarm/
https://thebatteryfarm.bandcamp.com/
https://www.youtube.com/channel/UChp93XaDBuXnmYQY-o2bhFg
https://open.spotify.com/artist/6qWGopTzUjeSYmsXyQ8RIr?si=DfhOPdjFRgugNDIkLVLuAA

That’s it. Here`s another band to add to our “Must See Bucket List”. And if you have a chance to catch them live – do so. With artists like The Battery Farm we are more than optimistic about the future of music, and even the universe.

M/R

Indieterria Photo Review – The Blinders at FIB Benicassim and Super Bock Super Rock

Hola!

The summer festival seasons is in full swing and The Blinders are having one of the busiest periods in their history. They have been on a massive tour since April that has taken them all over UK and Europe.  Due to popular demand, we are keeping our hand on the pulse and we are trying to bring you the best festival coverage as it happens. We can travel to many shows on our own, but if the distance is too far, we team up with our special correspondents for pictures, videos and information.

So far we have covered the main tour for 2019. Please allow few minutes for the blog to open as it is one of the longest and most complex we have ever written.
https://cocamidemea.wordpress.com/2018/11/16/the-columbia-tour-continues-anno-domini-2019/

Glastonbury performance at LeftField stage:
https://cocamidemea.wordpress.com/2019/07/03/indieterria-photo-review-the-blinders-at-glastonbury-2019/

Today, we would like to cover two recent festivals, The FIB Benicassim (19th of July) and Super Bock Super Rock (20th of July). Thank you to those who work closely with us to help cover this summer tour and we hope you will enjoy the review. We will try to update it with reviews and pictures as they become available.

Enjoy!

FIB Benicassim Festival, Madrid, Spain

FIB Festival poster

Set List (not in this particular order): “L’Etat C`Est Moi”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “ICB Blues” and “Brutus/Et Tu/Berlin Wall”, “Where No Man Comes” and “Rat In A Cage”,
Time: 30 minutes
Stage Times: 20:20 (original time) and 9:00 (after delays)
Stage: Carefour  Stage

Reviews:
“The Carrefour Stage may be just one out of several stages at the festival but they have prepared a very interesting line up. Among the acts we just had to see this year were singer/songwriter Almendralejo (Hache Retamar), punk rockers The Blinders whose songs contain a huge dose of political criticism, a 19 year old singer Yellow Days that played blues, jazz and soul inspired music, Scottish singer/songwriter Gerry Cinnamon and the Spanish folk and rock and roll septet, La m.o.d.a.” – HOY Magazine
https://www.hoy.es/almendralejo/cantautora-hache-retamar-20190721002044-ntvo.html

“We started the afternoon off with powerful performance from The Blinders. Their music is a mixture of punk and psychedelia and lyrics are loaded with political messages” – text and pictures by Iñaki Espejo-Saavedra for Muzikalia Magazine 
https://muzikalia.com/cronica-del-viernes-del-fib-benicassim-2019

FIB Benicassim 2019

FIB Benicassim 2019

Viernes del FIB Benicassim 2010

 

Sam Hoy, our special correspondent at FIB sent us the pictures below. Please do not share without his permission!
You can follow Sam at: https://www.facebook.com/sam.hoy7

 

 

You can can see more media from the festival below:

Artist profile at the festival:
https://fiberfib.com/en/artist/5c73b9ea0f726

Festival information and social media:
http://fiberfib.com
http://www.fiberfib.com/entradas.php
http://www.fiberfib.com/en/entradas.php
http://www.facebook.com/fibfestival
http://www.twitter.com/fiberfib
http://fiberfib.tumblr.com/
http://instagram.com/fiberfib/
https://www.youtube.com/user/fiberfib
https://open.spotify.com/user/fiberfib

 

SUPER BOCK SUPER ROCK Festival, Lison, Portugal 

EDP stage at Super Bock Super Rock Festival

Set List (not in this particular order): “Gotta Get Through”, “L’Etat C’est Moi”, “Rat In A Cage”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “Ramona Flowers” “ICB Blues” and “Brutus/Et Tu/Berlin Wall”
Time: 40 minutes
Stage Times: 4:45 CET
Stage: EDP Stage

Media Reviews:

“The Blinders are power alternative rock trio from Doncaster, UK. The band members were red hot on stage and gave an inspirational, enthusiastic show. Firm bass line, heavy drums, distorted fuzzy guitars and torn yet poetic lyrics makes them one of the best garage bands out there. There is more to them and we want to see them again and again!” – Fernando Araujo (text) and Stefani Costa for SAPO Magazine
https://mag.sapo.pt/showbiz/artigos/uma-mistura-de-ritmos-e-grandes-emocoes-no-ultimo-dia-de-super-bock-super-rock

Large photo review is also availabe at SAPO MAGAZINE:
https://mag.sapo.pt/showbiz/fotos/de-profjam-a-the-blinders-o-ultimo-dia-do-super-bock-super-rock-em-fotos#&gid=1&pid=25

Our Review:
We have asked our special correspondent, Fábio Pais, how did the show go and this is what he had to say: “People really liked their show. The Blinders played a 40 minute set and were the opening act for the festival’s secondary stage. It started with just a dozen of people but the audience kept on growing and growing. By the end of their gig, there might have been hundreds of people in attendence. I think The Blinders really captured their attention. The band seemed to enjoyed their concert. In my opinion, they were really, really great! I hope they return to Portugal soon”

After a very stressful show at FIB on Saturday, Sunday proved to be very good day for the band. They entered the stage exactly on time and there was no technical difficulties that marred their shortened set in Spain. Surprisngly, the change of image, forced by their late arrival, survived overnight and the band decided to perform without the war paint and the black clothing. Thomas wore a white slevless tee, black trousers with stripes and had a plaid shirt wrapped around his waist. As usual, Charlie wore a grey suit and long sleeve light shirt (he took off his jacket in the middle of the show) and Matty opted for a white top and blue jeans. The change in their apperance was noticed by the Super Bock Super Rock Radio Station who praised their “casual style” on their social media, calling their performance “What a blinder!”

All following images and videos (Brave New World) are courtesy of Super Bock Super Rock social media team:

All pictures taken at Super Bock Super Rock in the gallery below belong to Fábio Pais. Please do not use it without his permission. Gracias.
You can follow him at: https://www.instagram.com/fabiopais8/ 

You can see more media from the festival:

 

Videos: A recording of “The Writer” is available on Youtube:

You can see the entire festival schedule at: https://www.instagram.com/p/BzfyERYBrNj/

Festival information and social media:
https://www.facebook.com/events/342954059851119/
https://www.superbocksuperrock.pt/concertos/the-blinders/
https://www.facebook.com/sbsr/
https://twitter.com/sbsr
https://www.instagram.com/superbocksuperrock/

If you have any pictures or videos you’d like to contribute to this review, please let us know!
You can always email as at vanadianavenue@gmail.com

We will be more than happy to add good quality materials. Have fun and watch this space as the coverage is (truly) never ending!
Love and indie,
Rita and Malcia Dabrowicz

Indieterria meets Dario Distasi

Dear Readers,

Do you remember the hit song by White Lies called “Tokyo” with the famous chorus line “every place has a China Town”? Of course, Manchester has its own China Town (a big tourist attraction) but it seems that we discovered Mancunia’s musical Little Italy! After speaking to Federico Cossu, the lead singer of Shiva May Care in March and Pietro Blanca in June, we are proud to introduce you to another Italian born talent that is making a name for himself on the Manchester scene. Ladies and Gents, let us welcome singer/songwriter Dario Distasi to our humble “Manchester, come on in!” project.

Dario Distasi

Dario was born and raised in Italy and attended Saint Louis College of Music in Rome. He has been fascinated by music since childhood and picked up a guitar at the age of 12. As he admits himself, he instantly fell in love with the sound of the instrument and spent years mastering his craft. In 2015, he decided to move to Manchester as the city always had a special place in his heart. Since the move, Dario recorded his debut EP “Nowhere Avenue”, played at the legendary venues such Night & Day Cafe, Gullivers, Castle Hotel, formed his own band and received an universal acclaim from independent music press. With a CV like this (and recording his EP with an award winning producer in Nashville!), we are more than happy to spread a word about his accomplishments.

We have caught up with Dario to ask him several short questions about music, influences and shows.

Please introduce yourself to the readers. Where are you based and who is in the band?

Dario Distasi: (laughing) Hey there! What’s up? My name is Dario Distasi and I am a solo artist based in Manchester. I could be classified as a singer/songwriter but during live shows, I am backed by a proper rock band. Our live performances combine anthemic guitars with punchy drums. Except for me, my band consists of Chris Taylor (backing vocals, lead guitar), Damon O’Leary (backing vocals, bass) and Steve Redmond (drums). I play the guitar and I sing.

The full band on stage

What was the best review of your music you have received so far?

Dario Distasi: An online magazine, A Look Into Music, wrote about our EP: “The result is a sound so tempting, you can’t help but get your body moving to the beat as you listen to the ultimately genuine lyrics travel through your mind uncontrollably”. I like really that!

Tell us something about the project – are there any goals that you managed to achieve? 

Dario Distasi: Recording my new EP entitled “Letting Go” in Nashville with Drew Middleton (Steven Cade, MuteMath, Merdith Lee) a BMI awarded producer, has been a blast. He instantly realised where my musical influences and background come from and gave my songs a distinctive sound. We have recorded four tracks: “Letting Go”, “Again”, “Stuck In Here” and “Where The Lights Go Down”. The two last songs were released as stand alone singles.

I own and I’m in love with so many albums that have been recorded in Nashville, it is a very special place to me.  I’ve also already recorded a few tunes in Manchester, another magical musical city. Next step: recording in Seattle, maybe? (laughing)

Letting Go single cover


What inspires you? What artist or genre had the biggest influence on you?

Dario Distasi: Usually, I’m inspired by life, good books and music.

During interviews, I’m often asked to mention artists that have or had the biggest influence on me as an musician. Chris Cornell, Pearl Jam and Foo Fighters are three of my biggest influences. However, I’m also into singers/songwriters – that kind of stuff always give me the chills. And I cannot forget that guitar music is a big part of what I do. It literally put me on a musical map, where I am today.  So I listen to a lot of instrumental music, a lot of great guitar players, a lot of guitar solos. The guitar music is always in the background, whatever I do. All band members are big grunge aficionados as well – even though that’s not exactly our style, I guess you can hear that it has been hugely inspirational for us.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Dario Distasi:  My newest single is called “When The Lights Go Down” and it is a song about many things we fear. The fear itself. The abandonment. Refugees. Civil wars. All those things that really shock us every day. Please watch the video to this song. It represent the track very well and has been directed by the amazing Mat Johns.

Are you touring? Where can we see you playing live?

Dario Distasi:  Yes we tour and play gigs in the North West regularly. Recently, we performed at The Abbey in Leigh for Buzzcock’s frontman Pete Shelley Memorial on 15th of June and at the Gullivers in Manchester on 29th of June. We supported Hypnumb from New Zealand!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Dario Distasi: (laughing) Social media! It’s the best way to get a hold of me! Please use:

www.facebook.com/dariodistasi
www.instagram.com/dario_distasi
www.twitter.com/dariodistasi

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Dario Distasi: (laughing) I think, Steve, our drummer would be the best person to answer this question! Should we ask him?

Steve Redmond: Alice In Chains! These guys are immense. Their grooves, melodies and harmonies speak to me on every level. Some of my band mates might be shocked by this coz I idolise Chad Smith!

Dario Distasi: I’m not shocked at all! You both have a great groove, however I think he’s not as loud as you are! Hahahaha!

Follow Dario on social media:
https://dariodistasi.bandcamp.com/
https://www.youtube.com/channel/UC31smdE1t5gtbiqHkNedy0w

 

You can purchase his music at:
Google Play: https://bit.ly/2W1qK4w
Amazon https://amzn.to/2JdQnO1
iTunes store https://apple.co/2HnOdd5
Apple Music https://apple.co/2Jg0Mcc

Articles:
https://originalrock.net/2019/05/31/interview-dario-distasi/
https://www.loud-stuff.com/interviews/2018/07/interview-dario-distasi/
https://www.gbhbl.com/music-news-dario-distasi-releases-music-video-for-when-the-lights-go-down/
https://alookintomusic.com/2019/04/30/an-interview-with-dario-distasi/
https://www.moshville.co.uk/feature/botd/2019/07/band-of-the-day-dario-distasi/
https://www.gigstarter.it/blog/dario-distasi-note-italiane-nella-musica-di-manchester (Italian)

Thank you so much Dario! It was a pleasure to speak to you (and to Steve as well). We wish you all the best in your musical endeavours!

Best regards,
R+M

Indieterria meets Ben Taylor

Dear readers,

It is always a pleasure to write about new bands and emerging talent. Equally, it is good to support new initiatives on our independent music circuit. Be it a new zine, a new club night, a new promoter setting up or opening of a brand new venue. These things are not always spoken about, yet they should be celebrated and the word should be spread far and wide. We don’t have to tell you why it is vital to keep the good news going. Not only it lifts our spirits in the times where almost everything we got used to is being sold out, destroyed or falling to bits, but it helps us cherish small successes of our fellow professionals. Those people work harder than most of us realize. They put in hundreds of unpaid hours, their own money trying to build something new, just for the love of music.

Mr Ben Taylor himself

And that’s why we are shinning a light on them on Indieterria. We have sat down with Ben Taylor, the director of events at Jimmy’s to talk about their new venue opening soon (Jimmy’s Liverpool), all the cool gigs they have booked and how exactly his job looks like, day in and  day out.

You are very well known person on the Manchester music scene, but not everyone in West Midlands may be familiar with your accomplishments. Say few words about yourself (and maybe a hello to the readers of Indieterria). 

Ben Taylor: Hey everyone! My name’s Ben Taylor. I’ve ran music venues in Manchester for the last 17 years, including Night & Day Cafe, Roadhouse, Sound Control and currently I’m the events director at Jimmy’s. We’re about to launch our new venue in Liverpool.

Your job title at Jimmy’s says “director of events”. What does director of events do? How does a typical day at the office look like?

Ben Taylor: I programme all events for both sites, Manchester and Liverpool as well as external events around the country. My day can be built up by phone calls, emails, meetings, and hitting up shows to catch new and exciting music.

Jimmy’s we all know and we all love (to bits)

Before joining Jimmy’s, you have been a promoter at popular Manchester club, Sound Control (located just off Oxford Road). Sadly it closed in 2017 and the building has been demolished. A similar fate befallen our beloved Ruby Lounge. In your opinion, is there anything that the venues can do to save themselves and their musical heritage?

Ben Taylor:  I get asked this a lot and it’s not always a case of the venues decision. The Sound Control owner, unfortunately, had been offered a sizeable sum to sell, and he took that. I’m a big believer that venues will keep popping up despite circumstances. Too much good music and too many people invested in keeping that alive.

The times for venues may be hard but it doesn’t prevent you from opening a new venture – Jimmy’s Liverpool! Tell us where the new place will be located and how is it going to look like? Are you going for similar design to the Manchester branch or for something completely different?

Ben Taylor:  We’re so excited for this! We’re at the top of Bold Street opposite the Bombed Out Church. For me, that’s the best area in the City, we couldn’t have landed anywhere better. It’ll have the classic Jimmy’s look, with some added extras which you’ll love.

Do you have an opening date for Jimmy’s Liverpool and when will you be booking first acts?

The first show booked and it is sold out!

Ben Taylor:  We open on August 1st with The Coral. They were my number one choice to open the venue, so I’m very excited we made that happen.

We are afraid to ask, but please confirm that the outside sign announcing the gigs will be also included in the new office? It is one of the most recognizable features of Jimmy’s in Manchester!

Ben Taylor: (laughing) I can confirm the light box will be a feature at the front of the venue.

Jimmy`s is known not only for regular gigs and parties, but also for a line of absolutely amazing gadgets: tees, long sleeves, craft beers, bee pins. Your merch line has been very popular with patrons. Will you be introducing new items in the foreseeable future?

Ben Taylor:   Absolutely, keep you eyes peeled for new merchandise.

You are the creator and founded of You Are Not Alone – a festival in support of local independent mental health charity Manchester Mind. First edition of YANA took place on 30th March 2019. Please tell us something about the festival and when can we expect the next year’s edition? 

Ben Taylor:  Mental health is such a huge issue for many people and I feel a lot more needs to be done to make people aware. I wanted to make a fun day, whilst raising that awareness. And I’ll continue to do so. We’ll be adding more venues this year in Manchester and you can be the first to know, I’ll be running the event in Liverpool next year too.

Jimmy’s Liverpool opening soon

 If any band or promoter wants to play/rent out Jimmy’s for an event what’s the best way of reaching you?

Ben Taylor: Best way is email, I’m on ben@jimmys.group. A link to some music and a brief background is perfect.

The last (in)famous question: what is the best and the worst gig you have ever put out? Share your knowledge for the benefit of the future generations of  concert promoters.

Ben Taylor: Best show I’ve put on is always a tough one! One of the most memorable would be The 1975 in the 100 capacity room at Sound Control, with Catfish & The Bottlemen opening. And I couldn’t possibly tell you the worst, my lips are sealed! (laughing)

Jimmy’s is known for their very imaginative merch

And when we thought that Ben and the Jimmy’s crew don’t have any more secrets, they come up with another unexpecting but genius idea!
If you’d like to join Jimmy’s family, you can now becoome a share holder. For as little as £25, you can purchase shares in the company. You will receive a lot of perks for joining: brick in the new venue on the ‘Wall Of Legends’, receive discounts for life, get free guest list for life, or you can go as far as have a mural of yourself on the ceiling (think Leonardo da Vinci style!) among others.

You can lean more about this project at:
https://www.crowdcube.com/companies/jimmy-s/pitches/bvPEjl?fbclid=IwAR2NmPSVE87zzMCgwJdP4oshBAOZe2pn9w7A-CznyWTEy_o4vpPEh2HwOFU

 

You can follow Jimmy’s on social media:
https://jimmys.beer/
https://www.facebook.com/JimmysGroup/
https://www.facebook.com/JimmysNQ/ (Manchester)
https://twitter.com/jimmysMCR
https://www.facebook.com/JimmysLPL/ (Liverpool)
https://twitter.com/JimmysLiverpool
https://www.instagram.com/jimmys/

Articles:
https://www.trustafoxphotography.com/trust-a-fox-blog/2019/5/14/have-a-look-around-the-soon-to-open-jimmys-liverpool
http://www.getintothis.co.uk/2019/07/phase-one-stockroom-jimmys-and-sound-where-are-we-with-music-venues-in-liverpool/
https://independent-liverpool.co.uk/blog/what-you-can-expect-from-liverpools-newest-live-music-venue-bar-jimmys/

The next two weeks are going to be very busy for Ben and the team but we know, whatever they plan to do, is surely going to be a huge success. And we need those successes, we need new places to go and new places to play. As usual, support your scene, discover new bands and dream big dreams.

They do come true.

Love to our spiritual home (Jimmy’s)
xx
Rita and Malcia

Indieterria meets Dave Haslam

Dear Readers,

The summer festival season is now in full bloom. Many great events are now behind us (Glastonbury Festival, Isle of Wight, Camden Rocks) and many are yet to take place. One of the festivals that we have been looking forward to for a long time, started on the 4th of July and will last until 21st July. It is of course the Manchester International Festival – a biannual celebration of music, art, theatre and film.

Thousands of people are expected to visit Manchester to participate in more than 250  presentations, art exhibitions, talks and concerts throughout the city.  We are of course interested in the musical part of the event the most and the MIF LIVE is looking extraordinarily good. With gigs from Janelle Monáe (already sold out), Queens of the Electronic Underground (showcase of  the best female DJs and producers in electronic music presented by BBC6 Music’s Mary Anne Hobbs) to free public concerts at Albert Square, there is nothing to complain about. Fans of rock, funk, soul, dance, jazz and even spoken word will have plenty to choose from. We have sat down with Manchester music legend, Mr Dave Haslam, to speak about his involvement with MIF, curating the Albert Sqauare stage and his newly released book “Life in thirty five boxes”.

Dave Haslam – the man himself

Official bio: DJ and writer Dave Haslam DJ’d over 450 times at the legendary Hacienda in Manchester during the late 1980s and has since DJ’d worldwide (including shows in Peru, New York, Berlin, Barcelona, and Italy). He made his debut at the Hacienda on May 1st 1986. Ian Brown, Tim Burgess and the Chemical Brothers all later credited his eclectic Thursday night sets as an inspiration. In 1990 he toured America with Mike Pickering, Graeme Park, and Paul Oakenfold. Since the early 1990s he has hosted a variety of successful club nights in Manchester, including ‘Yellow’ at the Boardwalk. He’s played afterparties for New Order, Gorillaz, and Depeche Mode. He’s is also the published author of “Life in thirty five boxes”, “Sonic Youth Slept on My Floor”, “Life After Dark: A History of British Nightclubs & Music Venues”, “Not Abba; the Real Story of the 1970’s”, “Adventures on the Wheels of Steel: The Rise of the Superstar DJs”, and “Manchester, England”.  In 2012, he co-curated the exhibition “Dreams Without Frontiers” at the Manchester Art Gallery. In 2017 he co-curated a major New Order project for the Manchester International Festival.

Not many people know this, but you were born and raised in Birmingham! At this moment, West Midlands scene is incredibly strong with amazing acts such as Table Scraps, The Cosmics, The Pagans SOH, The Novus, Karkosa and many others. Was it like that when you were growing up?

Dave Haslam: I write about my Birmingham teenage years in my memoir “Sonic Youth Slept On My Floor”. I was lucky enough to be able to see some great bands, many of them local, including the Au Pairs, Steel Pulse, Dexys Midnight Runners, and The Prefects. Birmingham at the end of the 1970s was full of good gigs, and I was already a massive music enthusiast. When I came to Manchester in 1980, I was already trained up to go out looking for exciting new music and the weird stuff.

You are a man of renaissance – an published author, DJ, radio presenter, producer, journalist, legendary promoter. Is there one thing that you regret not doing? If yes, what is it?

Dave Haslam: I don’t think about regrets, really. I probably should have taken more photos and videos etc. In the 1980s not many people did any of that; not like now! But in terms of my work life, I really 100% cannot complain.

So far you have written four books and the fifth one is being released this month. It is called “Life in thirty five boxes”. Can you tell us more about it?

“Life in thirty five boxes” front cover

Dave Haslam: It’s a book about the joys of collecting, specifically vinyl collecting. It’s about how attached we can become to our vinyl; those records are like our best friends, our potent memories. But then the twist at the end I sell them. This was three years ago. And everyone thinks I was mad to do so, but I explain why and I tell the story of what happened to me and the records afterwards. It’s actually a very emotional rollercoaster of a book!

For Manchester International Festival, you are curating a series of gigs that will take place in the Albert Square. There will be nine acts over four days – all performances are free of charge. We love the idea! Was it something you wanted to do yourself or were you approached by the Festival to organize it? 

Dave Haslam: I have done similar things for the Festival before. Way back when I got Everything Everything to play, and also Dutch Uncles, as they were both breaking through, and also Lonelady who I adore and doesn’t play much locally. On the DJ side, I gave Bicep their first ever gig at MIF and now they are mega (their song “Glue” is one of my favourite songs of the last couple of years). So MIF trust my ears, I guess!

You have chosen a mix of legendary acts (Horace Andy) and up-and-coming bands. Some of them proudly represent Manchester (The Blinders, Witch Fever, Liines), other acts come from Birmingham (Pagans S.O.H), Halifax (The Orielles) or Norwich (Sink Ya Teeth). How long does it take to finalize such a varied line up? 

Award winning West Midlands quartet, The Pagans S.O.H debut new single just in time for MIF

Dave Haslam: It took about five minutes to come up with the line-up. I sat down with a pen and wrote the names of six or seven bands I’d like to invite, the ones I’d like to play in an ideal world. Then it took about two months to track everyone down and organise it. But the great thing is, everyone on that first list said YES! Then I was talking to my friend Dom who runs a fabulous sandwich shop in Stockport and DJs playing reggae (he’s basically the Blood & Fire Soundsystem) and I told him I wanted reggae on Sunday evening. He knows so much about reggae, so we threw some ideas together, and then he said, “Oh Horace, might come and get on the microphone”. I asked: “Are you talking about Horace Andy?” and he was. Dom knows everyone! So I agreed: “Yes, Dom, let’s do that. Let’s bring Horace!”.

In February 2018, you published an article in ‘I Love Manchester’ magazine entitled “Women in Manchester music: Are The Times A-Changing?” in which you argued that female artists must be given their rightful place on the Manchester music scene. You mentioned Witch Fever and now you have booked the band for the gig you are organizing. The whole line up is 50% female artists too. It’s refreshing to see somebody actually doing something practical to address the gender gap.  What do you think needs to be do done more to improve the gender equality in the music business?

Dave Haslam: It’s worth remembering that there’s a lack of female representation in many walks of life and in many businesses. Female lawyers, for example, have big obstacles to get through; they work in a very male dominated industry. So there is nothing unique about the gender gap in music. In a way, the answer to your question is in the question itself – it’s about doing practical things. Men need to wise-up and in some cases open their ears. It amazes me how many indie-type lads are totally wedded to the idea that their favourite bands are and will always be basically four boys with guitars. Any deviation from that – either in terms of other kinds of music, or female fronted acts – are too weird for them. And women need to keep nurturing a sense of solidarity, the sisterhood can move mountains!

 

Two of the acts you have chosen played Glastonbury this year: Liines and The Blinders. Are you expecting crowds?

Dave Haslam: I have been organising concerts long enough to know that you can’t guarantee anything, but I’ll be disappointed if we don’t get good crowds because the bands are ace. I like to think some people will come out of curiosity too, knowing these are special events.

If you were to name Manchester acts to watch for in the coming months – who would you recommend? Is any new band catching your attention?

Dave Haslam: I’m actually very excited about the quality of some of the spoken word performers around at the moment. Can I mention Eve Piper? She was at Glastonbury too. She grew up in Chorlton, and she’s a name to look out for. The Manchester band I am kicking myself I didn’t make room for at MIF are Cold Water Swimmers, their new single is called “Burn Your Idols“.

The Blinders perform “Brave New World” at legendary Leftfield Stage at Glastonbury Festival 2019

The last question at Indieterria is usually a bit of a fun. Let’s say you have the opportunity to resurrect Hacienda and to bring it back into the City. Of course the original location is no longer available but you can chose a new place. What’s the new address?

Dave Haslam: Somewhere secret, or at least hard to find. The Hacienda was best before it got commercialised. So many of the best things are under the radar. You can find those places if you look hard enough.

You can follow Mr Haslam on social media at:
http://www.davehaslam.com/
https://www.facebook.com/DJDaveHaslam/
https://twitter.com/Mr_Dave_Haslam

More information:
https://mif.co.uk/whats-on/festival-square/
https://www.facebook.com/events/614253139097527/
https://www.facebook.com/events/1453832158075371/ (Book signing event in Stockport)

Manchester International Festival Albert Square Schedule (in bold events curated by Dave Haslam)

Dave Haslam Live poster

New Pavilion Stage at Albert Square.

Capacity:
Tent – 400 people (please show up early as it is first come first serve basis)
Square – 2500 people at one time

Sun 14 July
12.30 – 2pm – NoTTwins present BeeLive with China Lilly, Emanuel J Burton, Maxi Zee, Pablo & ALEKS
3 – 4.30pm – Young Identity & Contact present One Mic Stand
5.30 – 7pm – KYSO
8pm – 12am – Horace Andy Soundsystem set with Blood & Fire

Mon 15 July
12.30 – 2pm – Kara
3 – 4.30pm – Psychedelic DiscoTech plus guests
5.30 – 7pm – Chorus of Others
8 – 10pm – The Orielles & Working Men’s Club
10pm – late – Psychedelic DiscoTech plus guests

Tues 16 July
12.30 – 2pm – Jon Kenzie
2.30 – 3pm – John Robb talks Ballet with Jordan Mooney
3 – 4.30pm – Matthew Whitaker
5.30 – 7pm – The 7:45s
8 – 10pm – The Blinders, Witch Fever & The Pagans SOH
10pm – late – DJ Shell Zenner

Wed 17 July
12.30 – 2pm – Lingua Franca World Music Agency present The Tebu Project
3 – 4.30pm – Hannah Ashcroft
5.30 – 7pm – NoSpace
8 – 10pm – LIINES & Sink Ya Teeth
10pm – late – DJ Jez Kerr ACR

With multitute of shows, concerts and festivals happening over the summer, Manchester is once again emerging as a leader in cultural entertainment. We all could learn a thing or two from our Northern brothers and sisters.

Have a fun and support your local scene!
M+R