Indieterria review – Second Hand Emotion by Saytr Play

Dear Readers,

This blog was completely unscheduled but sometimes you just have to accommodate an unexpected release. It landed with barely few days of warning and to be frank we had listened to the single whole three times in total before making a decision that it required a review. So here we are typing at night. If we were lazy, we could tell you that this song is a banger, a real jaw dropper, a proper killer et cetera. Technically it is true but what a lousy writing that would be!

New single from Manchester based five piece Saytr Play entitled “Second Hand Emotion” deserves so much more than few cliché compliments. The band has poured their hearts out into a three minutes track and created a dark anthem for dark times we are living though. We can think of a handful of artists that could do something similar in recent years so it puts Saytr Play in the same league as The Blinders, Strange Bones, Avalanche Party, Sunflower Bean or She Drew The Gun.

Fred Farrell during the video for Second Hand Emotion

Saytr Play photographed by Jack Whiting
https://www.facebook.com/jack.whiting.967

But don`t expect a mosh pit starter. Saytr Play are not Idles, they don`t need to kick the door open to deliver their message. They instead will offer a haunting melody, wonderfully produced and written radio friendly indie track with poetic lyrics. Their strength lies not in angry howls and screams but in how quickly you pick up the song and start singing along with it.  Gigwise – who premiered the video – summed it up this way “the single wouldn’t be out of place blasting out of the speakers at the Etihad stadium” and they are spot on. Well, we can take it from there to say that if the band keeps on putting singles like this – soon they will not only be selling out Gorilla or Ritz. They will sell out Etihad itself. Give them five years, a record deal and watch them fly.

“Second Hand Emotion” brings the same feeling as when “Almost A Kiss” by Blossom came out. You could nearly touch the fact that the band were about to hit it big. The sensation is back. If we are not mistaken then another Manchester band will soon need to find new technical help at gigs. (actually, there will be few vacancies to fill in Columbia since Document are also doing remarkably well).

The band prepared a whole package to go with the single. In a video  we can see Fred Farrell – charismatic leader of Saytr Play – dressed in immaculate white throwing himself in agony/ecstasy while the rest of the band are shown donning dark clothes like a canvass of darkness. A male figure dances around providing the only other focus point for the viewer. Funnily enough this review contains words “five years” and we can’t stop thinking that there is so much of Bowie in the video. From the elaborate make up (like a modern Nō theatre mask) to unbuttoned shirt to the  trademark black heart tattoo  Fred Farell is a glam rock god from era passed. A Maxwell Demon at his most powerful if we can throw in a movie reference.  There is a sense of mourning as Fred holds a burning candle in his hands.

The video has been directed by Matthew Boone and George Webster of Scruff of the Neck and  they did a bloody good job, let us tell you this.

Speaking to Gigwise leader of Saytr Play said “The track’s image explores the vulnerability I feel in today’s society and this idea that we have a voice. In my opinion we don’t have a voice or at least a voice that will be heard. The abstract nature of the image provokes thought. Whatever that may be is irrelevant because it’s your own unique thought! Your second hand emotion.”

The single comes with a black and white sleeve showing a huddled figure – a striking image by Sabrina Olson.

The cover for Second Hand Emotion with photography by Sabrina Olson

Louder Than War Magazine once described the band as “it’s impossible to bottle lightening, Saytr Play come pretty bloody close”. There is very little to add from us truly.

Fred Farrell, Daniel Crowther, Jamie Vere, Thomas Castrey, Juanan Garcia – you did it. Well done.

You can follow Saytr Play on socials:

https://www.saytrplay.com
https://saytrplay.bigcartel.com/
https://www.facebook.com/Saytrplay/
https://www.instagram.com/saytrplay/
https://twitter.com/SaytrPlay
https://www.youtube.com/user/SaytrPlay
https://soundcloud.com/saytr-play
https://open.spotify.com/artist/169EIOeeLOUF8KPn0hAvzG

Additional reading:
https://www.gigwise.com/news/3359866/first-play-saytr-play-premiere-stadium-ready-single-and-video-for-second-hand-emotion

The video to Second Hand Emotion was made by Scruff of the Neck
https://www.scruffoftheneck.com
https://www.facebook.com/scruffoftheneck
https://twitter.com/scruffoftheneck

Directed and edited by Matthew Boone
Shot and graded by George Webster

Second Hand Emotion is released on band`s own label Lovers Music Records
https://www.facebook.com/weareloversmusic/

Love,
M/R

Indieterria meets INEGO

Dear Readers,

Was it Tony Wilson who said that Manchester kids have the best record collections? Well, it would explain the wide spectrum of influences heard in the music that`s being played across town – from metal, prog, psychedelia to indie, rap, hip-hop and dance. Citizens of Mancunia don`t like to limit themselves to just one genre and prefer to mix styles until they arrive at a mixture that will make everyone dance. On tables even, what do you think tables are for, heh?

INEGO is a perfect example of how versatile and creative musicians in Manchester are – they will serve you a wonderful sonic plate of strong beats, rock and dance inspired tunes and before you know it – you are at a merch stand buying a tee. Welcome to another entry in our ongoing series “Hello Manchester” – showcasing local talent. We sat with the band to talk about recording at famous Magic Garden studios, their double A side single and forming a super group with Noel Gallagher.

 

Band logo

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band?

INEGO: We are an indie disco rock band from Manchester. We are made up of Toby Belshaw (vocals/ guitars), Pete Mackenzie Hodge (drums / vox), Steffan Guettel (bass / vox), Dan Myers  (guitars / vox) and sometimes David Trott on the keys.

Tell us something about the project – are there any goals that you managed to achieve?

INEGO:  In the last few years we’ve had the honour of working with audio wizards Gavin Monaghan and Joe Murray at Magic Garden Studios in Wolverhampton on a number of different releases including the EP “What You Waiting For?” (2015),  double A single “Exiled Love” (2017) and most recently the  “They Want You”/”Nobody” single which we brought out on a limited run of 7″ vinyl which was a first for the band.

In May 2019 we’ve just successfully closed a kick-starter campaign to help us record a full length album at the Magic Garden and we’ve been completely blown away by the support of our amazing fans !! So it’s now officially happening and the future is very exciting.

There is still loads we want to achieve as a band and we always want to play new places and festivals! We just want people to listen to our music.

One really cool side note is that the King of Manchester Ian Brown has a copy of our 7″.

Every town has a China Town – photography by Nikki Cartin-Hodge https://www.facebook.com/nikki.cartin

What inspires you? What artist or genre had the biggest influence on you?

INEGO:  Being based in Manchester it’s hard not to be influenced by bands such as New Order, James, Oasis or The Stone Roses (just to name a few)! But we’re just as much influenced by music from the other side of the pond as well bands like Fleetwood Mac, Foster The People and Chic. We also like dance bands like Daft Punk and more recently Parcels. We try to fuse all of these influences together to create something fresh. In full musician cliché – life is definitely the main inspiration behind our music. We’re had a lot of ups and downs as a band, but you pick yourself up, keep going and fight for what you believe in! We try to write music that hopefully makes people feel good, join in our live shows and just generally have a good time because that’s what life is all about.

It`s all about the music – and we want to hear about your current single. Is there a story behind the song, where and how was it written.

INEGO:  “They Want You”/”Nobody” is our latest release and it’s a more focused indie-disco-funk-rock-sound and should act as a good pre-cursor for the upcoming album.

We want to create music that people can dance to, so that you come to a show and leave your problems and just have a good time.

“They Want You” has a nostalgic 80’s multiverse theme that runs throughout – it’s somewhere in between a training montage from Rocky 4, Stranger Things and The Untouchables! We were talking about Eleven a lot when we were recording it.

“Nobody” is more of a straight up funky disco rock dance track that is heavily influenced by both Chic and Daft Punk but also has a touch of the North West about it. It`s definitely got a Mancunian Parisian thing going on.

If any bookers or promoters want to get in touch – what is the best way to contact you?

INEGO:  You can get in touch with us at inego@hotmail.co.uk, via our Facebook page or our website http://www.inegomusic.com/

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

INEGO:   Going to go for the all out super group – Noel Gallagher upfront, Reni on the drums, Bernard Sumner on synths, Nile Rodgers on guitar and Bernard Edwards on bass produced by Daft Punk and we’re going to record at Real World Studios or Rock-field if that’s booked up.

More than happy to just make tea while everyone does their thing but will play tambourine if needed or maybe even a bit of guitar

INEGO performing at Jimmy`s Manchester – photography by Nikki Cartin-Hodge https://www.facebook.com/nikki.cartin

You can follow INEGO on socials:

http://www.inegomusic.com/
https://www.facebook.com/inegomusic/
www.twitter.com/inegomusic
http://www.soundcloud.com/inegomusic
https://www.youtube.com/user/inegoofficial
https://open.spotify.com/artist/6G79691P6I1HxV4r2jTJKI

We absolutely love the Manchester scene these days and cant wait to bring you more features on new bands and singles. Stay tuned. If you need us we will be at the merch table getting ourselves INEGO tee. What else?

Proper. x
M/R

Indieterria meets Karl Hildebrandt

Dear Readers,

There is nothing better than to interview a poet. They are the people who understand life, who know their scene and who quietly put into words what we cannot even express. In a way, they are chroniclers of victories and struggles of life. It was Czesław Miłosz who said that the poet remembers and it is very true. So it was a true pleasure and privilege to speak to Manchester`s finest spoken word artist and poet – Karl Hildebrandt ahead of Musicians Against Homelessness gig on 21st August at The Night People.

Karl is known not only for his extraordinary poems but also for his active involvement in music and his charity work on a local level. Proper stuff as they say in Mancunia.

Mosh Pit Poet Laureate – Karl bringing poetry to the gigs.

You are a man of many talents: multi – instrumentalist, spoken word artist, poet, roadie and a stage hand. Please introduce yourself to the readers of Indieterria.

Karl Hildebrandt: I’ve had a love of music and words since an early age. Bother listening and eventually playing. I’ve always written words. Just never had the nerve to do it live till about 5 years ago. “Mancunian Gobshite” sums me up to be honest.

Dark and witty poetry has won you many notable fans: Denise Johnson, Dave Haslam, MC Tunes to mention a few. You take daily conversations, occurrences and fleeting moments and turn them into heart wrenching observations.  What inspires you?

Karl Hildebrandt: Life inspires me. I tend to brain dump either on paper or my phone. I see the good and the shitty bits and write it down. In the last 8 months or so, my prose has become a lot lighter than previously. I am happy and in love.

You have been performing at concerts, open mic nights and  jam sessions earning yourself a nick name “Mosh Pit Poet Laureate”.  Do you see spoken word as a part of a regular gig? There are still many people out there who think poetry belongs in libraries, not concert halls.

Karl Hildebrandt: I think poetry and spoken word is becoming a bit more popular. A pot of acts are putting words over music. I am, but I prefer the purity of just getting up to “shout at the traffic”. If people hear you, they’re listening.

Looking out for inspiration.

For a while you have been in a band The G-O-D with Chris Bridgett (Dub Sex) and Simon Wolstencroft (Ian Brown, The Fall) as a bassist. Do you think this project will make a come back?

Karl Hildebrandt: No. Chris has a new project called Cold Water Swimmers, who are amazing. And Simon is busy doing what Simon does, being Funky Si. In the San Pedro Collective.

Please tell us about your involvement in San Pedro Collective – another musical project that you are a part of. San Pedro just released an EP that gathered rave reviews in the music press. Is that true that one of the songs was inspired by your mother?

Karl Hildebrandt: The San Pedro Collective is the brainchild of Manchester’s finest maverick, Rikki Turner. His vision to bring artists and musicians together to create something unique for the eyes and ears is genius. The Demon Sessions EP is being rehearsed for live work. Gigs are coming up. And the next single will be dropping soon. And yes, inspired by me losing my mum, but it’s a paean to loss of any kind.

If you had to chose one particular poetry movement to identify  with, which one would it be? Beatniks, Modernists or maybe something more old school like The Cavaliers?

Karl Hildebrandt: The Beats. I hate structure within any art form. Be it music, poetry, art or whatever. I feel hemmed in by conformity. Burroughs, Kerouac and Ginsberg helped me understand you can be honest about writing and not worry about what you’ve written. Never be afraid to create.

You are also known for your charity work, often contributing to incentives as Musicians Against Homelessness. Can you tell us about this charity and its work?

Karl Hildebrandt: MAH was set up by Alan McGee and Emma Rule to create a platform for musicians and creatives to raise both funds and awareness for homelessness. In the North West we have Andy White and Angela Moore, co-coordinating gigs and events. Both top people as well. I’m also doing some spoken word for Action Against Hunger at Moovin Festival for Deborah Faulkner-Moscrop and I’ve done stuff for various other charities. Give it – you get it back.

If you don`t have a pen and paper, mobile phone is a great tool to record poems!

On 21st August you will appear at Night People as part of a fundraiser to fight homelessness.  Who is on the bill and what can we expect from your set?

Karl Hildebrandt: The gig is on at Night People on Princess Street in Manchester. Top line up including acoustic sets from Thomas from The Blinders, Scuttlers, Afghan Sound Gang and Maddy Storm amongst others. And me, of course. I found a poem, a poem I couldn’t remember writing which will fit the bill. I supported Dave Johns (Daniel Blake) at Moston Miners and recorded it on the bus on the way home. It’s very, very sweary.

Imagine that one of your works is to appear in anthologies or school syllabuses, like John Cooper Clarke`s “I Wanna Be Yours”. Do you have a poem that you consider your major or most significant piece?

Karl Hildebrandt: I honestly don’t know. My stuff contains far too many swear words, but if I had to choose one, “Another Bastard List Poem About Manchester”. I’ve done a Liverpool version and have been asked for a London version as well.

We can`t pass this opportunity. Do you think we can get a haiku out of you about Indieterria?

Karl Hildebrandt:  Sorry, I struggle with haiku. I’ll get my mate Dave Norman to do one for you. Here’s one of my favourites though:

“The taste of rain
Why kneel?” –

Jack Kerouac

Proper.

You can follow Karl on the socials (you know those pesky online pages), but he is often found at the nearest Social or other boozer/venue in the neighbourhood.

https://mitherdimps.wordpress.com/
https://soundcloud.com/mither
https://www.facebook.com/karl.hildebrandt1
https://twitter.com/RTransmissions

Essential reading:

http://essentiallypop.com/epop/2016/02/holy-trinity-new-punk-trio-the-g-o-d-features-members-of-dub-sex-the-fall-and-ian-browns-band
http://www.soundspheremag.com/spherecast/listen-spoken-word-karl-hildebrandt-will-it-be-forever/

 

Poster for MAH gig on 21st August 2019

You can see Karl (and many others) doing their thing for Musicians Against Homelessness on 21st August 2019 at The Night People in Manchester. Tickets are £5.

Event page:
https://www.facebook.com/events/703946873388361/

Tickets page:
https://www.fatsoma.com/night-people/cvr968u0/musicians-against-homelessness-night-people

The full line up is as follows:

Thomas Haywood (The Blinders)
Afghan Sand Gang
Scuttlers (acoustic set)
Ellysse Mason
Maddy Storm
Karl Hildebrandt
Shot by a Shotgun Slug

We are proud to say that we will be attending MAH gig at The Night People so there will be a lot to report back! We are hoping to see some of you down the front.

M/R

Indieterria presents The Blinders Live at The Ritz

Dear comrades!

We have been following The Blinders for more than three years now and it’s always a joy to see them conquer new heights and achieving their goals (and being on a roll as certain songs says). The band has been working extremely hard to be where they are now and their dedication has inspired their fans, industry professionals and countless bands all together.

Being ahead of the game is a hard task, but with a dedicated team, excellent ideas, and a bit of luck, everything is possible. And this blog will be dedicated to another of the band’s ideas that is going to revolutionize the DIY indie scene.

On July 26th, The Blinders notified their followers that to commemorate the first anniversary of the release of their debut album “Columbia” (September 21st), they would be releasing a double live album. Recorded during the sold out show in Manchester on 27th of April, the double vinyl delight will include the entirety of “Columbia” plus several previously unreleased tracks. The record will be released by Blood Records, a recently launched crowd purchasing platform for exclusive LP releases that is run by the same wonderful people who own Flying Vinyl.

Black Records logo

You can get your own copy here: https://www.blood-records.co.uk/current-release/
Buy a copy of “Columbia” (if you have been living under a rock and you still don’t owe one!): https://theblinders.tmstor.es/

Now, as PR people, we do love good marketing, especially a really clever one. The first thing we saw on 25th of July, early in the afternoon, was a cryptic post with a large black and white picture of the band stading in front of the Ritz in Manchester (please notice Twisted Wheel poster on the right!) The caption read: “6 pm today”

Now, this kind of mysterious notifications are not for the faint hearted, as it could mean everything from the new album being announced to the band calling it quits. Our blood pressure went slightly up but after a refreshing cup of melissa tea (good for nerves) we reached the conclusion that it cannot be anything bad, so we patiently waited for more information. And 5 minutes past six, we were rewarded with the following messages:

Soon, two promotional videos were made available to promote the album and they were seen more than 50.000 times on band’s combined social media (about 30k views on Facebook, 10k on Twitter and 10k on Instagram). Very good achievement with just a couple of Tweets and shares. Colour us impressed.

 

Official statements on Facebook accounts and newsletter followed to activate the fanbase:

 

You can see the newsletter at: https://us17.campaign-archive.com/?u=3b6499050c5a99dfa9d83f2e3&id=1708a96420
Flying Vinyl posts are available at: https://www.facebook.com/flyingvinylmusic/posts/2317772881662911

And in the end, The Blinders posted some of the images taken by Sam Crowston during their show at the Ritz:

The campaign finally went live on 29th of July and during the first 24 hours, nearly 260 copies flew off the virtual shelves. Pre-orders will remain open for another 5 days, until 12th of August and will close at 10:00 am.

The record was mixed at Parr Street Studios in Liverpool (Elbow, The Verve, Echo and the Bunnymen, New Order, Pulp, The Charlatans recorded there among others) by Alex Queen who quickly shared the good news on Twitter:

Blood Records released the official statement upon the announcement:

“Following their bracingly thrilling debut album, ‘Columbia’, The Blinders continue as one the UK’s most anticipated emerging acts placing them at the vanguard of a generation of politically engaged British guitar bands. This exclusive, vinyl-only Blood Records release of The Blinders: Live At The Ritz features ‘Columbia’ live in its entirety alongside new unreleased material, pressed to 2x black 12″ LPs. The audio was professionally recorded, mixed and mastered from the band’s April sold out show at The Ritz to 1500 fans.

All orders will be signed (if you would like yours unsigned please write ‘unsigned’ in the delivery notes) and hand-numbered on a first-come-first-serve basis.

Customers will also receive priority access to tickets for a special Manchester launch event on September 21st as well as being automatically entered into a prize draw to win an exclusive piece of artwork.

Please note: Blood Records is a pre-ordering platform, providing the minimum sales quantity is met the records will be shipped five weeks after the deal ends.”

So what do we know about the record?

 

As stated above, it is a double live LP presed on a black vinyl. Running time is definietly going to be around 60 minutes, as “Columbia” was  42 minute long and we have 4 new, unreleased tracks added. Those who pre-order the album can expect a true VIP treatment: all copies will be signed by the band, buyers will receive priority access to record launch event and an automatic entry into prize draw for exclusive artwork. There will be 550 copies of the record pressed.

Personnel:
Thomas Haywood  – vocals and guitar
Charlie McGough – bass
Matty Neale – drums, backing vocals
Max Grindle (bass player of Document) – harmonica on “Rat In A Cage” and piano on “Orbit (Salmon of Alaska)”
Thomas Castrey (drummer of Saytr Play) – percussion on “Where No Man Comes”

Recorded at: O2 Ritz, Manchester, April 27th 2019
Mixed: Parr Street Studios, Liverpool (May-July 2019)
Mixed by: Alex Queen
Visualization and photography: Sam Crowston (Nasty Man Creation)
Label: Blood Records – https://www.blood-records.co.uk/current-release/

Tracklist:
Side A
Gotta Get Through
Brave New World
Wither*

Side B
Free The Slave
I Can’t Breathe Blues
Where No Man Comes
Forty Days & Forty Nights*
Ballad Of Winston Smith

Side C
L’Etat C’Est Moi
Hate Song
Lunatic With A Loaded Gun*
Rat In A Cage

Side D
Et Tu/Berlin Wall
Brutus
Orbit [Salmon Of Alaska]
Swine**

* (previously unreleased)
** (not included on “Columbia” and released as a stand alone, double side single “Ramona Flowers/Swine” in 2017. The 7″ single was pressed in 500 copies only and is now a collectible item. More information: https://www.discogs.com/The-Blinders-Swine/release/10784923

On 9th of August, the band revealed more details about their show that will take place on 21st of September. We have been told that  there will be an exhibition, Q+A session and a stripped back set. Tickets will be available on sale shortly and the venue will be revelaed at the beginning of next month. Those who pre-ordered the live album, will be able to grab the limited tickets as a priority.

 

We will be updating the blog as more information becomes available. And of course, we will be posting all the views and reviews on the new album.

Keep your eyes open and support your scene!
xxx
R+M

Indieterria Review – “97/91” by The Battery Farm

Dear Readers,

If you spent more than five minutes on social media in the last two years, chances are that you have seen this viral quote on how David Bowie kept the universe together. The Starman`s gone and everything is coming apart at the seams.

Band`s logo

It`s hard to deny that we are going through some very dark days and finding hope may seem like an impossible task. But we believe that there is a force out there that is much stronger than bombs, violence or any orange impostor (or his blond counterpart) in office. That force is art/music and we have plenty of incredible artists among us who do an excellent job at repairing the fabric of universe and keeping us all sane.

The beauty of art is that anyone can make it and you don`t have to have top 40 albums to contribute significantly to the eternal quest of balancing cosmic powers.

We want you to meet a brand new band that we recently discovered, who are incredibly apt at channelling the internal anxiety felt nowadays and providing sonic catharsis to listeners. They are called The Battery Farm and come from our favourite place on Earth – Manchester.  Their debut single “97/91” is a powerful anthem of thundering drums, heavy guitars and haunted vocals.  It fits perfectly in the new emerging genre of post punk revival, mixing semi spoken vocals with musical fury. The song will prove ideal both in the mosh pit or in the gym and fans of Idles, Bambara, Sons and Avalanche Party should pay closer attention.

But there is more to The Battery Farm than soundtracking the moment. Its the way they speak in the interviews, how they respect and champion other artists, their ethics. We sat down with their lead singer Benjamin Corry for an interview and the first thing he tells us is that kindness is magic.  Among all the new bands that blow their own trumpet and proclaim that they are new Oasis, how absolutely amazing is to hear that there are artists who have a different approach to life.

This is our entire conversation with The Battery Farm. Worth reading. Every. Single. Word.

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Benjamin Corry:  Hello! We are The Battery Farm, a doom punk band from Manchester playing vicious, guttural punk music pulsating with rawness, honesty, pain and passion. We are Ben Corry (vocals/guitar), Dominic Corry (guitar), Paul Worrall (bass) and Sam Parkinson (drums)

Tell us something about the project – are there any goals that you managed to achieve?

Benjamin Corry:  Me and Dom formed the band on the back of our old band breaking up. The whole mentality since we started has been to put everything together piece-by-piece and just see how far we can get. So with that in mind just managing to get the band together has felt like an achievement. The idea for The Battery Farm only came about towards the end of last year, but actually getting to the point of being able to have a functioning band feels like an achievement. That sounds well trite but it’s true. We played our first gig a couple of weeks ago, released our debut single on 15th June and played our first festival on 6th July (R-Fest in Manchester). That’s the kind of start I wanted for us and so that’s an achievement in itself. Things have started with a bang and looking at what we’ve got coming up it’s only going to get better.

Benjamin Corry photographed by Richard McCann
https://www.facebook.com/richard.mccann.739

What inspires you? What artist or genre had the biggest influence on you?

Benjamin Corry:  Our lives and the world we live in inspire us and drive our sound and our words. The songs me and Dom write are borne – both musically and lyrically – out of the sense of desperation we felt at the end of last year, when we’d just about had enough of everything. These songs are an aural lashing out at ourselves, at the rest of the world, at the human race, at politicians, at the sense of life closing in around us. Passion and fear and anger and joy and desire for something better are things that inspire us. Human stuff. In terms of artists we admire, bands like Idles, Evil Blizzard, Radiohead, Witch Fever, Nirvana and Sleaford Mods bleed into our sound. Idles in particular are doing something remarkable at the moment; I think they’re the most important band in the world. Their music is violent and frantic and pulverising but at the same time is laced with the most beautiful empathy and compassion. I think the world needs more of that. Kindness is magic.

Its all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Benjamin Corry:  “97/91” was actually written a couple of years ago. I stumbled upon an article about the murder of Suzanne Capper in the early 90s and the moral panic about it in the newspapers at the time. The article went into excruciating detail about what happened which stayed with me for months afterwards. One of the big factors in the story affecting me in the way it did was the fact that it happened in Moston, north Manchester, which is where I grew up. It sort of brought a horrific sense of reality to the whole thing – I know the street it happened on, I’ve walked past the houses, I’ve grown up with the area being a big part of my life. And it still informs a lot of my writing. To be able to envision it all so clearly made it all the more horrendous. That got me to thinking about why I reacted much more viscerally to this particular instance than I would have to the miserable horrors that go on across the world daily. The answer was because I’m familiar with the setting. It only felt real because I could see it. That is what “97/91” is about – that murder is a jumping-off point to explore the cognitive dissonance that is ingrained into people across the world that allows us to be passive in the face of the mass, grotesque violence going on in far-flung places every day. It’s a frightening, dystopian aspect of the human condition and it’s not generally something we’re aware we’re doing. I guess that’s the worst part. The song is a flailing at the worst things people are capable of. The world can be a fucking horror show, “97/91” is essentially a desperate scream in the face of it.

Are you touring? Where can we see you playing live?

Benjamin Corry:  We’re at Night & Day Café in Manchester on 2nd August, then it’s our first out of town gig at Sound in Liverpool on 28th September for Low Flying Records’ Musicians Against Homelessness weekender. Low Flying have basically put together a huge MAH Festival across Merseyside. We’re on the Saturday and we can’t wait. After that we’re playing at Whittles in Oldham on 24th October. We have a couple more really good ones to announce but we’re not at liberty to discuss them just yet.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Benjamin Corry: E-mail us at batteryfarmband@gmail.com, or we’re on Facebook, Twitter and Instagram as @hebatteryfarm

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Benjamin Corry: Elvis. Every time. I’m fascinated by him. That voice, that face, those eyes, that sheer, raw, uncontrollable presence and charisma. It’d be incredible to see what he could do with our songs and our sound. I doubt he’d like us to be honest, but this is my fantasy and in this universe Elvis bloody loves the punk rock.

The Battery Farm in their rehearsal room

You can follow The Battery Farm on social media:

https://www.facebook.com/thebatteryfarm/
https://twitter.com/TheBatteryFarm
https://www.instagram.com/thebatteryfarm/
https://thebatteryfarm.bandcamp.com/
https://www.youtube.com/channel/UChp93XaDBuXnmYQY-o2bhFg
https://open.spotify.com/artist/6qWGopTzUjeSYmsXyQ8RIr?si=DfhOPdjFRgugNDIkLVLuAA

That’s it. Here`s another band to add to our “Must See Bucket List”. And if you have a chance to catch them live – do so. With artists like The Battery Farm we are more than optimistic about the future of music, and even the universe.

M/R

Indieterria Photo Review – The Blinders at FIB Benicassim and Super Bock Super Rock

Hola!

The summer festival seasons is in full swing and The Blinders are having one of the busiest periods in their history. They have been on a massive tour since April that has taken them all over UK and Europe.  Due to popular demand, we are keeping our hand on the pulse and we are trying to bring you the best festival coverage as it happens. We can travel to many shows on our own, but if the distance is too far, we team up with our special correspondents for pictures, videos and information.

So far we have covered the main tour for 2019. Please allow few minutes for the blog to open as it is one of the longest and most complex we have ever written.
https://cocamidemea.wordpress.com/2018/11/16/the-columbia-tour-continues-anno-domini-2019/

Glastonbury performance at LeftField stage:
https://cocamidemea.wordpress.com/2019/07/03/indieterria-photo-review-the-blinders-at-glastonbury-2019/

Today, we would like to cover two recent festivals, The FIB Benicassim (19th of July) and Super Bock Super Rock (20th of July). Thank you to those who work closely with us to help cover this summer tour and we hope you will enjoy the review. We will try to update it with reviews and pictures as they become available.

Enjoy!

FIB Benicassim Festival, Madrid, Spain

FIB Festival poster

Set List (not in this particular order): “L’Etat C`Est Moi”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “ICB Blues” and “Brutus/Et Tu/Berlin Wall”, “Where No Man Comes” and “Rat In A Cage”,
Time: 30 minutes
Stage Times: 20:20 (original time) and 9:00 (after delays)
Stage: Carefour  Stage

Reviews:
“The Carrefour Stage may be just one out of several stages at the festival but they have prepared a very interesting line up. Among the acts we just had to see this year were singer/songwriter Almendralejo (Hache Retamar), punk rockers The Blinders whose songs contain a huge dose of political criticism, a 19 year old singer Yellow Days that played blues, jazz and soul inspired music, Scottish singer/songwriter Gerry Cinnamon and the Spanish folk and rock and roll septet, La m.o.d.a.” – HOY Magazine
https://www.hoy.es/almendralejo/cantautora-hache-retamar-20190721002044-ntvo.html

“We started the afternoon off with powerful performance from The Blinders. Their music is a mixture of punk and psychedelia and lyrics are loaded with political messages” – text and pictures by Iñaki Espejo-Saavedra for Muzikalia Magazine 
https://muzikalia.com/cronica-del-viernes-del-fib-benicassim-2019

FIB Benicassim 2019

FIB Benicassim 2019

Viernes del FIB Benicassim 2010

 

Sam Hoy, our special correspondent at FIB sent us the pictures below. Please do not share without his permission!
You can follow Sam at: https://www.facebook.com/sam.hoy7

 

 

You can can see more media from the festival below:

Artist profile at the festival:
https://fiberfib.com/en/artist/5c73b9ea0f726

Festival information and social media:
http://fiberfib.com
http://www.fiberfib.com/entradas.php
http://www.fiberfib.com/en/entradas.php
http://www.facebook.com/fibfestival
http://www.twitter.com/fiberfib
http://fiberfib.tumblr.com/
http://instagram.com/fiberfib/
https://www.youtube.com/user/fiberfib
https://open.spotify.com/user/fiberfib

 

SUPER BOCK SUPER ROCK Festival, Lison, Portugal 

EDP stage at Super Bock Super Rock Festival

Set List (not in this particular order): “Gotta Get Through”, “L’Etat C’est Moi”, “Rat In A Cage”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “Ramona Flowers” “ICB Blues” and “Brutus/Et Tu/Berlin Wall”
Time: 40 minutes
Stage Times: 4:45 CET
Stage: EDP Stage

Media Reviews:

“The Blinders are power alternative rock trio from Doncaster, UK. The band members were red hot on stage and gave an inspirational, enthusiastic show. Firm bass line, heavy drums, distorted fuzzy guitars and torn yet poetic lyrics makes them one of the best garage bands out there. There is more to them and we want to see them again and again!” – Fernando Araujo (text) and Stefani Costa for SAPO Magazine
https://mag.sapo.pt/showbiz/artigos/uma-mistura-de-ritmos-e-grandes-emocoes-no-ultimo-dia-de-super-bock-super-rock

Large photo review is also availabe at SAPO MAGAZINE:
https://mag.sapo.pt/showbiz/fotos/de-profjam-a-the-blinders-o-ultimo-dia-do-super-bock-super-rock-em-fotos#&gid=1&pid=25

Our Review:
We have asked our special correspondent, Fábio Pais, how did the show go and this is what he had to say: “People really liked their show. The Blinders played a 40 minute set and were the opening act for the festival’s secondary stage. It started with just a dozen of people but the audience kept on growing and growing. By the end of their gig, there might have been hundreds of people in attendence. I think The Blinders really captured their attention. The band seemed to enjoyed their concert. In my opinion, they were really, really great! I hope they return to Portugal soon”

After a very stressful show at FIB on Saturday, Sunday proved to be very good day for the band. They entered the stage exactly on time and there was no technical difficulties that marred their shortened set in Spain. Surprisngly, the change of image, forced by their late arrival, survived overnight and the band decided to perform without the war paint and the black clothing. Thomas wore a white slevless tee, black trousers with stripes and had a plaid shirt wrapped around his waist. As usual, Charlie wore a grey suit and long sleeve light shirt (he took off his jacket in the middle of the show) and Matty opted for a white top and blue jeans. The change in their apperance was noticed by the Super Bock Super Rock Radio Station who praised their “casual style” on their social media, calling their performance “What a blinder!”

All following images and videos (Brave New World) are courtesy of Super Bock Super Rock social media team:

All pictures taken at Super Bock Super Rock in the gallery below belong to Fábio Pais. Please do not use it without his permission. Gracias.
You can follow him at: https://www.instagram.com/fabiopais8/ 

You can see more media from the festival:

 

Videos: A recording of “The Writer” is available on Youtube:

You can see the entire festival schedule at: https://www.instagram.com/p/BzfyERYBrNj/

Festival information and social media:
https://www.facebook.com/events/342954059851119/
https://www.superbocksuperrock.pt/concertos/the-blinders/
https://www.facebook.com/sbsr/
https://twitter.com/sbsr
https://www.instagram.com/superbocksuperrock/

If you have any pictures or videos you’d like to contribute to this review, please let us know!
You can always email as at vanadianavenue@gmail.com

We will be more than happy to add good quality materials. Have fun and watch this space as the coverage is (truly) never ending!
Love and indie,
Rita and Malcia Dabrowicz

Indieterria meets Dario Distasi

Dear Readers,

Do you remember the hit song by White Lies called “Tokyo” with the famous chorus line “every place has a China Town”? Of course, Manchester has its own China Town (a big tourist attraction) but it seems that we discovered Mancunia’s musical Little Italy! After speaking to Federico Cossu, the lead singer of Shiva May Care in March and Pietro Blanca in June, we are proud to introduce you to another Italian born talent that is making a name for himself on the Manchester scene. Ladies and Gents, let us welcome singer/songwriter Dario Distasi to our humble “Manchester, come on in!” project.

Dario Distasi

Dario was born and raised in Italy and attended Saint Louis College of Music in Rome. He has been fascinated by music since childhood and picked up a guitar at the age of 12. As he admits himself, he instantly fell in love with the sound of the instrument and spent years mastering his craft. In 2015, he decided to move to Manchester as the city always had a special place in his heart. Since the move, Dario recorded his debut EP “Nowhere Avenue”, played at the legendary venues such Night & Day Cafe, Gullivers, Castle Hotel, formed his own band and received an universal acclaim from independent music press. With a CV like this (and recording his EP with an award winning producer in Nashville!), we are more than happy to spread a word about his accomplishments.

We have caught up with Dario to ask him several short questions about music, influences and shows.

Please introduce yourself to the readers. Where are you based and who is in the band?

Dario Distasi: (laughing) Hey there! What’s up? My name is Dario Distasi and I am a solo artist based in Manchester. I could be classified as a singer/songwriter but during live shows, I am backed by a proper rock band. Our live performances combine anthemic guitars with punchy drums. Except for me, my band consists of Chris Taylor (backing vocals, lead guitar), Damon O’Leary (backing vocals, bass) and Steve Redmond (drums). I play the guitar and I sing.

The full band on stage

What was the best review of your music you have received so far?

Dario Distasi: An online magazine, A Look Into Music, wrote about our EP: “The result is a sound so tempting, you can’t help but get your body moving to the beat as you listen to the ultimately genuine lyrics travel through your mind uncontrollably”. I like really that!

Tell us something about the project – are there any goals that you managed to achieve? 

Dario Distasi: Recording my new EP entitled “Letting Go” in Nashville with Drew Middleton (Steven Cade, MuteMath, Merdith Lee) a BMI awarded producer, has been a blast. He instantly realised where my musical influences and background come from and gave my songs a distinctive sound. We have recorded four tracks: “Letting Go”, “Again”, “Stuck In Here” and “Where The Lights Go Down”. The two last songs were released as stand alone singles.

I own and I’m in love with so many albums that have been recorded in Nashville, it is a very special place to me.  I’ve also already recorded a few tunes in Manchester, another magical musical city. Next step: recording in Seattle, maybe? (laughing)

Letting Go single cover


What inspires you? What artist or genre had the biggest influence on you?

Dario Distasi: Usually, I’m inspired by life, good books and music.

During interviews, I’m often asked to mention artists that have or had the biggest influence on me as an musician. Chris Cornell, Pearl Jam and Foo Fighters are three of my biggest influences. However, I’m also into singers/songwriters – that kind of stuff always give me the chills. And I cannot forget that guitar music is a big part of what I do. It literally put me on a musical map, where I am today.  So I listen to a lot of instrumental music, a lot of great guitar players, a lot of guitar solos. The guitar music is always in the background, whatever I do. All band members are big grunge aficionados as well – even though that’s not exactly our style, I guess you can hear that it has been hugely inspirational for us.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Dario Distasi:  My newest single is called “When The Lights Go Down” and it is a song about many things we fear. The fear itself. The abandonment. Refugees. Civil wars. All those things that really shock us every day. Please watch the video to this song. It represent the track very well and has been directed by the amazing Mat Johns.

Are you touring? Where can we see you playing live?

Dario Distasi:  Yes we tour and play gigs in the North West regularly. Recently, we performed at The Abbey in Leigh for Buzzcock’s frontman Pete Shelley Memorial on 15th of June and at the Gullivers in Manchester on 29th of June. We supported Hypnumb from New Zealand!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Dario Distasi: (laughing) Social media! It’s the best way to get a hold of me! Please use:

www.facebook.com/dariodistasi
www.instagram.com/dario_distasi
www.twitter.com/dariodistasi

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Dario Distasi: (laughing) I think, Steve, our drummer would be the best person to answer this question! Should we ask him?

Steve Redmond: Alice In Chains! These guys are immense. Their grooves, melodies and harmonies speak to me on every level. Some of my band mates might be shocked by this coz I idolise Chad Smith!

Dario Distasi: I’m not shocked at all! You both have a great groove, however I think he’s not as loud as you are! Hahahaha!

Follow Dario on social media:
https://dariodistasi.bandcamp.com/
https://www.youtube.com/channel/UC31smdE1t5gtbiqHkNedy0w

 

You can purchase his music at:
Google Play: https://bit.ly/2W1qK4w
Amazon https://amzn.to/2JdQnO1
iTunes store https://apple.co/2HnOdd5
Apple Music https://apple.co/2Jg0Mcc

Articles:
https://originalrock.net/2019/05/31/interview-dario-distasi/
https://www.loud-stuff.com/interviews/2018/07/interview-dario-distasi/
https://www.gbhbl.com/music-news-dario-distasi-releases-music-video-for-when-the-lights-go-down/
https://alookintomusic.com/2019/04/30/an-interview-with-dario-distasi/
https://www.moshville.co.uk/feature/botd/2019/07/band-of-the-day-dario-distasi/
https://www.gigstarter.it/blog/dario-distasi-note-italiane-nella-musica-di-manchester (Italian)

Thank you so much Dario! It was a pleasure to speak to you (and to Steve as well). We wish you all the best in your musical endeavours!

Best regards,
R+M