Indieterria Review – “My Walk” by Pietro Blanca

Dear Readers,

Indieterria continues to showcase artists around Manchester who answered our call to submit their songs. The beauty of project “Hello Manchester” was to allow musicians to speak about their art on their own terms and bring to the light new and upcoming music from the city. It doesn’t matter if the artists were accomplished bands or people who create at their leisure. All music is equal and worth being shared. So far he had the incredible band Hot Minute and electronic indie duo Edits featured as part of our series.

Guitar man – Pietro Blanca is ready to take on the Manchester scene.

Today we meet Pietro Blanca – solo artist and a lead singer of alt rock band Clifftop Empire. And we are so happy to discover Pietro.  Let us tell you why. In March this blog had a pleasure to interview one of the most international acts ever Shiva May Care – where every member comes from different country, speaks different language but all together they create kick ass rock music. Shiva is based in Manchester and was founded by Italian multi instrumentalist and producer Federico Cossu. We are over the moon to discover that Federico is not the only hugely talented Italian artist who chose Manchester to be his home. Pietro Blanca also resides in Mancunia.

If you ever had a chance to listen to Italian guitar masters (Beppe Gambetta or Pino Daniele to just name a few) then you know that the secret of their hugely popular pop and rock music lies in combining classical guitar techniques with ear catching melodies. Continental guitarists don’t just pick up an instrument to play indie – they find their inspiration in folk, medieval, jazz and even flamenco music. Most of them are classically trained. And then bring all those elements into rock music. There is a reason why Sanremo Music Festival both inspired Eurovision and Montreux  Jazz Festival and is responsible for launching careers of Laura Pausini or Eros Ramazotti among countless stars.

The versatility, range of influences from psychedelia to The Beatles and Mark Knopfler (in his Golden Heart era) is evident in Pietro Blanca`s “My Walk” single – dreamy and yet sorrowful song that was just made to be played on the radio on a lazy summer days.  It may surprise you that it lasts just two minutes but such miniature compositions are nothing new in pop music. Just remember “Velocity Girl” by Primal Scream stands at 1:22 minutes.

We had asked Pietro few questions about his music and this is what he had to say:

Pietro during a solo show in Manchester famous Norther Quarter

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band?

Pietro Blanca: Hello, my name is Pietro. I am folk/pop singer and songwriter based in Manchester.

Tell us something about your project – are there any goals that you managed to achieve?

Pietro Blanca:  I started my current project in 2010, when I’ve decided to create some music on my own. I was 14 years old when I discovered the guitar for the first time. Through the years, I got into different genres: from mixture of folk and pop like Kings of Convenience, The Cranberries and José Gonzàlez, to heavy metal, like Metallica, System of a Down and Meshuggah. After playing metal with my first band for 5 years, my mind went into a totally different direction! (laughs). My first demo came out in 2010 (“Andare Lontano/Nessuna Esistenza”) and the first EP was released in 2016 (“Mirrors Beyond The Sea”).

What inspires you? What artist or genre had the biggest influence on you?

Pietro Blanca:  I`m inspired by many artists but most likely by Kings of Convenience, José Gonzàlez, The Cranberries and Imogen Heap.

It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Pietro Blanca: The single is called  “My Walk”. The song has been written right when I was thinking to leave my country to go abroad. Moving away meant a huge change in my life but also a new adventure to embrace.

 

Are you touring? Where can we see you playing live?

Pietro Blanca: At the moment I’m not touring as a solo artist but I am always checking out open mic nights in Manchester and wherever else is possible. I’ve been focusing on another project called Clifftop Empire in my spare time.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Pietro Blanca performing with Clifftop Empire in Sheffield

Pietro Blanca:  The best way to reach me is through my Facebook page – Pietro Blanca Music.

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Pietro Blanca:  I’d love recording some music with Devin Townsend, he is a great artist in whatever genre he plays.

You can follow Pietro on social media:

https://www.facebook.com/pietroblancamusic/
https://twitter.com/PietroBlanca
https://www.instagram.com/pietro_blanca/
https://soundcloud.com/pietro-blanca
https://www.youtube.com/user/pietroblanca
https://open.spotify.com/artist/68TkewCVzLMXtMCpoMtpUn?si=gsTYG0RwSdyANZRKW3ForA

 

You can listen to Pietro`s demos Andare Lontano/Nessuna Esistenza (“Going Away/No Existence”) at this address:

https://www.jamendo.com/album/62053/andare-lontano-nessuna-esistenza

If you would like to check Pietro`s other musical project – alt rock trio Clifftop Empire, you can do so via following links:

https://www.facebook.com/ClifftopEmpire/
https://soundcloud.com/user-434835923

Thank you kindly for reading and there is lots more in Hello Manchester to discover. We will be seeing you soon.

R/M

Indieterria meets The Howlers

Drear Readers,

As music scounts, the team at Vanadian Avenue, is always looking for new talents and exciting new music. We hunt high and low to bring artists with potential to the light and present them to our community. Sometimes we have to go to the dive bar to descover a gem, sometimes we receive an email with a great tip and in many cases, we hear from others in the business. Photoghraphers, managers, writers, bloggers, label owners – they all have their eyes opened as well and a word can spread quickly if a new talent is found.

The Howlers, a trio from London, were introduced to us by our good friends at These Bloody Thieves Records and after hearing their new single, “La Dolce Vita” we quickly understood why the label was praising them so highly. We sat down with vocalist, Adam Young to ask him about their music, background and their influences to learn more.


Adam Young (vocals and guitar)
Guus ter Braak (bassist)
Cameron Black (drums)

Official bio: Formed in May 2018, London’s Desert Rockers The Howlers have gone on to receive critical acclaim for their ferocious live performances and determination to uproot the current foundations of popular music, and are quickly emerging as one of the UK’s must see bands. Their debut single entitled “La Dolce Vita” is vailable to stream and download on all digital platforms. You can order the limited edition 7” heavy weight vinyl & “orange” casette at: https://smarturl.it/thehowlers

Clash Magazine says The Howlers have confidence of Arctic Monkeys and animalistic charms of The Cramps. Please introduce yourselves to the readers of Indieterria.

The Howlers picture by Rob Blackham

Adam Young: The Howlers are Adam Young on vocals and guitar, Guus ter Braak on bass and Cameron Black on drums. We have coined the term “Desert Rockers” as a description of who we are.

We have to say the band is having a month that other acts can only dream about:  you signed to These Bloody Thieves Records, released a single and the video debuted though The Clash website smashed 10 000 views in less than 48 hours. The Howlers did not just take off – you sky rocketed!  Are you able to catch up with everything that has been happening around you?

Adam Young:  It has been about 4 days since we released our debut single and we’ve achieved so much with Radio 1, Radio X, Clash Magazine and others. The views our video has racked up, everything has been a bit surreal. I have to admit, it has been a bit of a struggle to keep up with everything but were lucky enough to have a team around us of amazing people who are as much part of this band as we are.

The video to “La Dolce Vita” shows you being observed while playing in an empty theatre. It has a very dystopian feel to it. It was directed by Sam Crowston (The Blinders, The Pagans S.O.H, The Surrenders). How do you remember making of the video?

Adam Young: All I remember is it being an incredibly long and exciting day. We filmed the video in Sheffield so we drove up there and then back to London in the same day in order to try get to a gig that evening. The theatre was an amazing space that Sam found but I’m still washing chalk dust off my equipment (laughing). Sam is incredible. He’s one of the best content creators out there at the moment and a great lad too. He made the day a good laugh and he works his little northern arse off so we can’t thank him enough.

Your single comes with a striking black cover with an emblem of a cowboy throwing his lasso into the air. Visual presentation of a record is often not appreciated enough. Please tell us who designed the sleeve?

Adam Young: Between Sam, ourselves and a host of illustrators, we must of created 50+ designs and nothing really hit home. We got close but no cigar so in the end, I ended up doing it. I just sat down with my laptop and taught myself everything I would need to do, to get what was in my head onto the page.

“La Dolce Vita” comes with a B side, an acoustic and haunting ballad “My Apologies”. We would love to hear the story behind this track. 

Adam Young: The track is actually a monologue of how my life was at the time. Nothing was going my way. I was struggling with my mental health, financially and I just couldn’t get a break until I met someone who changed everything. They know who they are and that’s all that matters! The song was never meant to be recorded. I finished it the day before and we were about to pack up and leave the studio and I decided to lay this track down live. And it just happened in one take. I tried to do another one and fucked it up so that’s why “My Apologies” has this raw, primal nature (laughing).

There are two distinctive releases of the single: 7 inch vinyl via Rough Trade Records and an orange limited cassette via Brutalist Records. We can’t believe you bring cassingle back!

Adam Young (laughing): Nothing’s sexier than rewinding cassette though, is there? In all seriousness, we wanted it to be a bit nostalgic and a bit different.

You will be touring relentlessly in support of “La Dolce Vita” around the country. Where can we see you live?

Band picture courtesy of Rob Blackham

Adam Young: Here, there and everywhere! We are playing the length of the country, going back to some of our favorite cities. We are really looking forward to Hull, Liverpool, Sheffield, London as well as the other cities like Manchester, Southampton, Brighton & Nottingham. Those places have always shown us so much support. People in northern cities are some of the kindest we have met so we are looking forward to playing all the dates really.

You have built a reputation as a live band – your shows are wild, unpredictable and fierce.  It would not be an exaggeration to call you one of UK`s must see bands. How do you prepare before the show? Do you have any pre stage rituals or do you prefer to go with the flow?

Adam Young: We do actually. Guus gets shitfaced drunk (god knows how he manages to play) and Cam has his little moment of calm. He warms up and stretches like our very own little Ghandi. I basically act like King Kong banging on my chest getting all pumped up. To be fair, when I start doing that right before we go on, usually one of the boys takes the opportunity to clip me one, giving me a cheeky whack. Bastards!

The Howlers are no strangers to receiving backing from industry heavy weights. BBC Introducing called you “loud and ferocious”, while Jack Saunders of BBC 1 described you as band that is “here to make a difference”.  It must have been a proud moment for you to hear your music on the flag ship program on the Beeb.

The vinyl promo of “La Dolce Vita”

The cover of the single

Adam Young: It was a surreal moment! You know, every band wants to hear their tunes on Radio 1, that’s a given, but to actually achieve it is another animal entirely. We were like excited little school boys. We can’t thank Jack and the BBC enough, as well as John Kennedy for playing us on Radio X. They are all worthy of a few beers in our books.

There is a saying in the music industry that manager is make or break of the band. But having a right label is also critical. Please tell us about your relationship with These Bloody Thieves? You are label mates to some of the best new acts on indie circuit, including another London band that we admire – False Heads.

Adam Young: These Bloody Thieves have been amazing with us! Rob Hirst, the owner, has a heart of gold and he knows we love him. We had a lot of interest in the early days of the band but Rob was the first person we met and spoke with that wore his heart on his sleeve. He gives everything and allows us to be creative in our own way. The first time he saw us, we played the same night as Arctic Monkeys in Sheffield. The venue was dead as a result but Rob stood front and centre. He’s like another father figure alongside our manager Mike. We couldn’t ask for a better bunch of lads to work with. I know our label mates like The C33’s, Feral Family & False Heads all appreciate his hard work. Someone get the man a drink!

In a recent interview with The Line of Best Fit you described “La Dolce Vita” as a song that is about being yourself no matter what. You also spoke about being ridiculed and ostracized for trying to find your own way. If you had a chance to speak to those who did not believe in you in the past – what would you want to tell them?

The casette promo of the single

Adam Young: I wouldn’t want to tell them anything to be honest. I bumped into someone in the pub recently and whilst asking me what I was up to, they turned round to me and said: “You should be thanking me really then, for bullying you at school”! What do you say to that? Guess that sums up my home town very well. There’s an old saying round here that goes “strong in arm, thick in head”. I never understood the meaning until that moment I stood in a ropey boozer with a second rate pint…finally all clicked! (laughing)

Last (in) famous question. We have some tough competition for the next PM recently. If you were able to govern the country for one day – what would you do? What policies would be important to you?

Adam Young: That’s a good question. I really wouldn’t want to govern to be honest. Inevitably, whoever comes to power, never lives up to what they promise. As a working class member of society, I’d say leveling the playing field a bit would be a good place to start. There’s no need for corporate bigwigs to get million pound bonuses when there are queues at the dole office and we have teachers and doctors using food banks. I guess I would go full Robin Hood. Green leggings and all!


You can follow the band on their socials:
https://www.thehowlers.co.uk/
https://twitter.com/thehowlersuk
https://www.facebook.com/thehowlersuk/
https://www.instagram.com/thehowlersuk/

Articles:
https://www.clashmusic.com/videos/the-howlers-share-electrifying-new-single-la-dolce-vita
https://www.thelineofbestfit.com/new-music/discovery/the-howlers-la-dolce-vita
https://www.roughtrade.com/gb/the-howlers/the-howlers-la-dolce-vita/7-inch-plus
https://www.rgm.press/2019/06/13/the-howlers-la-dolce-vita/
http://northern-exposure.co/introducing-the-howlers/
https://gotothetop.co.uk/the-howlers-fiery-desert-rock-debut-la-dolce-vita-brings-an-uplifting-message-about-self-identity/

“La Dolce Vita” is out now on 28th of June and the band will be on tour with shows in Sheffield (Cafe Totem) on June 21st, Liverpool (Jacaranda Records) on June 22nd, their home town (London) at the Macbeth on June 28th, Southhampton (The Heartbreakers) on June 29th and Brighton (Hope and Ruin) on June  30th. July will see them play in Hull, Manchester, Notthingham, Tramlines Festival and many others, so visit their websites for more details.

The summer is very busy for the lads so catch them on the road. We give them a full seal of A&R approval and 4 stars of of 5 (and that’s unheard of). Nah, only kidding! It’s full 5 stars and a hug!

Till next time,
R+M

Indieterria Review – “Magic” by Hot Minute

Dear Readers, 

June is all about reviewing new singles and discovering new artists. We start in Greater Manchester and will slowly move towards different scenes across the county.

We wanted to hear about the music from the artists directly, so we made an open call to musicians in the area. The response was amazing and we are thrilled to be presenting these mini reviews to you.

Hot Minute were the first to get in touch with their music. This all female pop group has been together for only couple of months but their chemistry is undeniable. All three girls are studying and living in Manchester and their first single called “Magic” turned a lot of heads and had many feet tapping.

Hot Minute logo

They call themselves a “synth-pop outfit” and this is a very fitting description. “Magic” is a perfect marriage of the 80’s bubblegum pop a la Bananarama, Alphaville, Sandra and Tiffany with crisp, modern production. There are obvious references to K-Pop/J-pop in their sound and promotional aesthetics. Brilliantly neon pictures taken by Rhian Melvin have a strong dystopian and futuristic feeling to them, a cross between Nar Shaddaa and Los Angeles out of “The Blade Runner”.  The beat of the song is fast, the groove is right and the lyrics are easy to remember – by the second chorus you’ll catch yourself dancing around the kitchen singing along. And this is exactly what you’d expect from a good pop song. It has all the right proportions, it stucks with you for hours and you can listen to it on repeat for three days straight without getting bored.

What’s the most important, the girls can play and sing well. In the last decade, pop music relied more on looks and autotuning than singing abilities and it is  refreshing to see that the talent is being brought back to the mainstream. The harmonies in “Magic” are just magical. Believe us, the song is simply irresistible. In short – this is a proper pop banger. You will fall in love with this track, just like we did. In the first 10 seconds. And if you don’t, then we are sorry to say, but there is no hope for you.

The trio photographed by Rhian Melvin at Jimmy’s in Manchester (or maybe in some dive cantina on the Smugler’s Moon?)

Intrigued by their sound, we asked Hot Minute a few questions and this is what they had to say:

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band? 

Hot Minute: Hey! We’re Hot Minute, Manchester’s newest all female synth pop trio comprised of Keely Hutchinson on vocals, Courtney Williams on synths and Bella Casson on guitar.

Tell us something about the project – are there any goals that you managed to achieve (festivals, radio plays, meeting your musical heroes, EPs, albums released)?

Hot Minute: This is our debut single release as Hot Minute and for us it couldn’t have gone better! We’ve been playlisted by YouTube Music and had an abundance of really lovely blog coverage and some radio play.

“Magic” front cover. Magic is strong with this one…

What inspires you? What artist or genre had the biggest influence on you?

Hot Minute: Our inspirations are women in the industry, Japan and K-Pop. In terms of bands, we love CHVRCHES, Muna, The Midnight, Depeche Mode and The Human League.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Hot Minute: Magic is about taking the negative and turning it into a positive. The message of the song isn’t exactly a happy one but the tone and feel of the song is very upbeat. We started this band based off the mutual prejudices we’d experienced separately, taking those negative experiences and making them into something we could use to benefit us and we mimicked that in our first single to get that point across. It’s not the cards you’re dealt it’s how you play them.

Are you touring? Where can we see you playing live?

Hot Minute: We aren’t touring currently, but we have a gig in September with Section 25 in Blackburn!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Hot Minute: You can hit us up on our email itshotminute@gmail.com and you can also find us on our socials:

Twitter: https://twitter.com/itshotminute?
Instagram: https://www.instagram.com/itshotminute/

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Hot Minute: This one took a lot of thinking, but we eventually came to the collective decision of Daft Punk and we’d probably go for Alucard Studios. That was a tough one!

 

Or read more hot reviews for “Magic” online:
http://indietronica.org/2019/05/30/hot-minute-magic/
https://anerdyperspective.com/2019/06/05/hot-minute-magic-debut-single-review/
https://thegirlsattherockshow.com/listen-to-hot-minutes-new-single-magic/
https://reverbium.com/2019/05/29/manchester-synth-pop-band-hot-minute-release-new-single-magic/

The trio is probably the first ever pop band that we have reviewd on Indieterria. They are worth every blog post and every review, as we think the girls have not only talent but a huge potential to become something special. Given proper opportunities, they could turn into international stars in a very short period of time! We will be following their progress closely and if any pop music scout is looking for a new discovery, then here they are.

They might be called Hot Minute, but hopefully they will stick around for a long, long time.

M+R

P.S. A big thank you to Pete Eastwood who told us first about the group and who made this interview possible!

Indieterria meets RATS

Dear Readers,

Periodically, we say on the blog that these are amazing times for indie circuit – the amount of talented artists, great singles and memorable albums is astonishing. But then you hear band like RATS and it hits you with full force. Forget the 90s rock surge or noughties` garage rock triumphs –   the real revival of rock scene happens here and now. And we are all to witness it.

We are very happy to sit down with Liverpool`s finest to speak to them about their music, supporting their heroes and being described by the press as a band that you must know.

Ladies and Gents of the indie scene: RATS!

Band logo

Hello RATS! How are you guys? Please introduce yourselves to the readers of Indieterria!

RATS: Alright! We’re Joe Maddocks (vocals), Mikey Duncalf (lead guitar), Sam Taylor (bass) and Harry Maitland (drums).

Despite the bad PR, rats are one of the most intelligent animals on our planet. They are the masters of survival, family orientated creatures and great pets. What decided that the band took on this particular name? We are also wondering why the name is written in capital letters?

RATS:  We were all doing our own thing when our manager found us and decided to put us together, we swerved so many bands to be in this one that we decided to call ourselves RATS before anyone else got the chance to! I think we used capital letters because it looks fucking massive. That’s about it.

The band formed in Liverpool at the end of 2016 but two years later, you have relocated to Suffolk. Are you still based there or are you back in the Pool?

RATS : Nah, we sort of live wherever we land, we’re always travelling and moving about!

You have supported some of the music heavyweights: The Libertines, Space, The Happy Mondays. Tell us, how does it feel to share the stage with your heroes?

RATS: It’s all been a bit mental as our second gig ever was supporting Happy Mondays which was insane. Space were class lads too!

Liverpool Echo described you as one of the bands to watch next to Red Rum Club, Spinn, Circa Waves and She Drew The Gun. That’s some company to keep. How do you feel being tipped as the “next big thing”? Does it invigorates you or puts you under pressure?

RATS: To be spoken about like we are at the moment is crazy. We’ve only been going a year and a half/ 2 years so to have the support and feedback that we’re currently getting is just insane. We’ve been compared to Arctic Monkeys, Kasabian and all the rest so it’s just one of those jaw dropping things to hear.

RATS are considered to be one of the hottest bands on the indie circuit at the moment. Photo by Chris Driver https://www.facebook.com/chrisdriverphoto

Your debut single “Weekend” came out in 2018 and gathered over 150 000 streams on Spotify. You followed with “Figure It Out” on February 14th this year and quickly broke 10 000 streams. Breaking record after record seems to come easy for you. What can we expect from your next release? Do you have anything in the pipeline?

RATS: We reckon our next single could be the biggest yet! We have a very special guest featuring on the track with us! It’s one of our favourite songs to play so we really hope everyone loves hearing it as much as we’ve enjoyed making it. Our next single is coming this summer! You heard it here first!

Recently RATS have participated in qualifications for inMusic Festival organized by Northern Exposure and ended up in the final six. You had a chance to perform at the legendary venue The Cavern Club. It is a dream of generations of musicians to play that stage and you made it a reality.  Being on the same stage as The Beatles must have left an impression.

RATS : Oh aye, amazing venue! Some of us have played there before but it’s always such a moment to walk on that stage!

Ready to take over

The summer festival season looks really exciting for you with big gigs booked at Truck Festival, Isle of Wight, Bardfest and Tramlines. Do you have any other appearances booked that you’d like to announce now? Here’s your chance!

RATS: We cannot wait for this summer! We’re headlining the Introducing stage at L37 Festival this year as well! We have another couple to announce but we can’t say anything yet!

 UK  just celebrated Mental Health Awareness week. As touring artists – what in your opinion should be taken into consideration to make things better for artists?

RATS: Lots actually. Mental health issues are an epidemic in this industry, we think it’s because the industry at the top just want to make money from you instead of trying to protect the craft and creativity. We need to all remember what’s important, if you’re feeling under pressure then it’s IMPORTANT to talk about stuff with your mates or that person who’ll listen y’know.

RATS – photography by Chris Driver https://www.facebook.com/chrisdriverphoto

Last, (in)famous question: let’s say you can get away with the biggest guitar heist of the century. What gear are you nicking and who’s going to miss an axe or two?

RATS : If it’s a heist then the whole lot is goin’!

You  can follow the band on socials:

https://www.facebook.com/officialrats/
https://www.instagram.com/themrats/
https://www.youtube.com/channel/UCqTTVuC0BNxvjX387BFiCIg

 

Alternatively you can  contact the band via email: Harry@wisrrecords.com

Or their management page: https://www.facebook.com/wisrmgmt

We will be eagerly awaiting RATS new single and their summer appearances. Surely this band will make return to Indieterria in the new future and we are adding seeing them live onto our bucket list.

Love good music,

Mal+Rita

Indieterria meets Karen McBride

Welcome again!

The grand opening of “A Very Insecure Exhibition” for two leading Manchester photographers Shari Denson and Karen McBridde, is approaching quickly.

In less than a week, the audience will be treated to a unique artistic experience: a one night only event combining photography, art and networking. Both ladies are fiercely independent and they are known for doing things the Mancunian way – being innovative and different. We can expect many surprises and many aces up their sleeves.

Karen McBride herself

We have a good news! The secret location for the exhibition has been revealed on the waves of the BBC Radio Manchester! Karen and Shari appeared on Mike Sweeney’s middday show on Monday, 18th of February at 10 am. Mike grilled them to get the information out and finally we know where the exhibition is taking place. It will open at 8pm, on Friday 22nd of February at Projekts MCR (SkatePark at Mancunian Way). We also know that a special bar has been built for the guests so please expect the unexpected!

Address: 97 London Rd, Manchester M1 2PG
Website: http://www.projektsmcr.com/
https://www.facebook.com/The.Pumpcage.Skatepark

Mike Sweeney Show

You can listen to the show online for 30 days at: https://www.bbc.co.uk/programmes/p06zvp9g
Also, you can listen to the recordings of the show below:

Yesterday, we have spoken with Shari Denson about her career and photography. If you’d like to read it, you can find it at:
https://cocamidemea.wordpress.com/2019/02/16/indieterria-meets-shari-denson/

Today, we have sat down with her co-conspirator and a fellow photographer, Karen McBride to discuss the beginnings of her passion for photography, first cameras and her many, many accomplishments. It is always a pleasure to speak to women that inspired entire generation of new photographers, artists and painters.

John Robb (Membranes) photographed by Karen McBride
https://www.facebook.com/theMembranes/

Staying up late with Robbie Williams on tour, working with Debbie Harry, winning a prize for aerial photography – you are one of the most exciting guests we have interviewed so far. Please introduce yourself to the readers of Indieterria.

Karen McBride: My name is Karen and I take pictures. I love what I do and hope that you do too.

You hold a degree in Ancient History and Archaeology and carved yourself a name as innovative and influential music photographer. Can you tell us what lead you from academia to rock and roll halls and tour buses?  

Karen McBride: Well, my brother was in a band and he needed some pictures for his album artwork. I’d been into photography from an early age and art too, he knew this and so I took his pictures. More bands found out what I was doing, they liked the results and it built up from there.

We heard that you found your first camera – a Kodak Brownie – in a bin. Is it an urban legend or a true story? And if it is, do you still have that camera? 

Karen McBride: It’s a true story and yes I still have it. The camera comes with me everywhere. I tried to restore it but you can’t get film for it anymore. But it’s my mascot.

JJ Rosa photographed by Karen McBride
https://www.facebook.com/JJRosaOfficial/

Over the years, you have photographed biggest names in the industry: Pink, Robbie Williams, Lou Reed, Liam Gallagher, Billy Bragg, Green Day, Debbie Harry, Elbow, Prodigy and your works have been used by Sony, Warner Music, NME, MTV, Classic Rock, Clash Magazine.  You have been called one of the most significant female photographers of your generation by Slash. When you started out, were you experiencing this level of success in a male dominated field?

Karen McBride: Starting out, you can never imagine where anything takes you, really. I could never have imagined, I’d ever be able to sustain a career this long, let alone, create images that bands and the general public still like. I’m glad they do though!

Despite your incredible accomplishments, you don’t shy from working with unsigned artists or young and upcoming bands – for example The Blinders. Not many photographers of your calibre would do that. Do you think it is important to support artists at the beginning of their careers?

Karen McBride: I could never shy away from them, they are exciting in my opinion it would be so wrong to ignore them just because I shoot bigger artists too. in fact I love the rawness of the new band.

Guy Connor of Paris Riots photographed by Karen McBride
https://www.facebook.com/theparisriots/

You enjoy a reputation of a local hero in Manchester. John Robb (The Membranes/Louder Than War Magazine) described you as “Unashamedly Mancunian. While other contemporaries headed South, Karen has always resisted the lure of the bright lights of London for the unmistakable and unique vibe of her hometown”. It seems that you have influenced Manchester as much as Manchester influenced you.

Karen McBride: I’m deeply humbled that anyone would see me as all hero!

There is something unique about your style. The aesthetics, colour palette, the dynamics remind us of  the classic images on the record sleeves of Elvis Presley and Johnny Cash. Accidentally, your first book was also called “Elvis Would Have Really Liked Me”. Is it us or has The King been an inspiration?

Karen McBride: That book is still a work in progress. The guy who designed the cover and content was a long standing friend of mine and passed away last year. It will get published and it will be dedicated to him. I miss him deeply. He understood my creative approach. He would be so proud of this exhibition. It’ll be the first one he’s missed.

And yes, the King has provided my backdrop. Everything I ever photographed came from being inspired by American music.

Flyer promoting A Very Insecure Exhibition

You are known for unusual photography projects and expositions. In 2011, you held a talk at The Deaf Institute during Photo-book Month Manchester, to which you brought a model and ended the meeting with a real life photo session exercise for the audience. In 2015, you held another talked about exposition “Stripped Back” that combined photography and collages with live music and artistic performance. You also launched your own clothing brand during that event. You like to keep your audience on their toes.

Karen McBride: Thank you! “Stripped back” was performed in The Green Room, which is now called Gorilla. In 2007, the venue was sold out and it was much smaller than it is now. It had a capacity of 200 back then. I try to do things differently and I think when you see the new exposition, you will know first hand what all the others exhibitions were about.

On 22nd of February, alongside another female photographer Shari Denson, you will hold an photographic display entitled “A very insecure exhibition”. This is a special, one night only event and the venue still is not disclosed. We are told to expect a true celebration of creativity. Tell us more about it. Where does the unusual name come from?

Karen McBride: I was planning a solo exhibition and my friend, Shari Denson offered to do a press shot for me. We started talking and laughing and talking again…and we ended up photographing each other!  So I said to her that I’d found a very interesting venue and that it would be selfish to do the exhibition on my own as her work is stunning too! She jumped at the chance and here we are. It’s very exciting to work with her, as I admire her so much. It really makes perfect sense for us to do it together.

 

Cover of A Very Insecure Exhibition book produced by Karen McBride and Shari Denson

The exhibition is accompanied by a beautifully printed art-book. Apparently it can be open from both sides and will contain 50 pictures: an even split of 25 images for each one of you. Will it feature any of the photographs from the exhibition or is it to showcase your newest works? Will it be possible to purchase the book after the exhibition?

Karen McBride: (laughing) Yes I think it might do! and You can order the book online: https://ukgiclee.co.uk/avie

It is only the beginning of the year and your calendar is already full. Please tell us what have you planned for the spring and summer? Any tips where can we see your works?

Karen McBride: I never discuss my diary. I take every day as it comes. For now you can see my work alongside Shari’s’ on the 22nd Feb in Manchester.

The famous last question at Indieterria: let’s say that you can photograph any person or any event in the world. No time or space restrictions. Were are you going and who’s going to be immortalised by your camera?

Karen McBride: Elvis, anywhere he wants!

Cover of A Very Insecure Exhibition book produced by Karen McBride and Shari Denson

A Very Insecure Exhibition:

22nd February
Projekts MCR (SkatePark at Mancunian Way)
Manchester
20:00 pm – 23:30 pm

Tickets costing £6 – £8 can be obtained from the address:
https://www.universe.com/events/a-very-insecure-exhibition-tickets-manchester-5K0X7V

There are daily updates to the event (please remember that the location of the event is still not disclosed)- so keep your eyes open
https://www.facebook.com/events/1180667978750896/

The exhibition is proving to be very popular – and the media take notice. You can safely say that the event will be a success when Visit Manchester and national music magazine both pick up the story!

https://www.visitmanchester.com/ideas-and-inspiration/blog/read/2019/02/a-very-insecure-exhibition-the-underground-photography-of-two-of-manchesters-finest-photographers-is-coming-to-a-secretive-city-centre-location-b741
https://louderthanwar.com/2-manchesters-best-photographers-announce-photo-book-launch-party-conversation-john-robb/

 For those who enjoy a bit of additional reading, we have found a bunch of articles about Karen and her work.

https://www.bobbooks.co.uk/blog-post/an-extraordinary-photobook-month-manchester-with-karen-mcbride
http://aboutmanchester.co.uk/who-are-the-women-behind-manchesters-music-success-a-new-exhibition-explores-them/
https://ilovemanchester.com/women-manchester-music-times-changin/
http://www.aidan.co.uk/article-karen-mcbride-stripped-back.htm
https://www.mudkiss.com/karenmcbrideinterview.htm

You are cordially invited to the exhibition and we hope we will see many familiar faces in Manchester!

M/R

Indieterria meets Shari Denson

Dear Readers,

In December 2018, we have travelled to Manchester to see a photography exhibition entitled “There Is A Light That Never Goes Out”. It chronicled city`s musical heritage via the lenses of local photographers. We have to admit – it was an extraordinary experience to see all the iconic shots beautifully laid out at the Manchester Central Library. As expected thousands of locals and tourists alike flocked to see it. We promised ourselves that next time another such exhibition is held in Manchester, we`d be back to attend its opening.

Meg Lores of The White Stripes photographed by Shari Denson

And we are!  We cannot be more excited to tell you that on February 22nd two leading female photographers – Karen McBride and  Shari Denson will join forces to create one night only photography exposition (in a secret location for now) to showcase their work. If you are a music obsessive like us  – you don’t need an introduction to the magnificent images produced by both ladies.  Everyone else just needs to know this – Karen and Shari revolutionised pages of music magazines and bands portfolios. They set the bar incredibly high but also inspired many starting photographers.

We are lucky – not only a weekend of incredible art and music awaits us in Manchester  – we also were able to interview both iconic photographers ahead of the exhibition for this blog.

This chapter is dedicated to Shari Denson, you can read our interview with Karen McBride by clicking on the link below:
https://cocamidemea.wordpress.com/2019/02/17/indieterria-meets-karen-mcbride/

So without further delay.  Dear readers – please meet one of the most influential music photographers known to English music scene.

Shari Denson photographed by Stuart Hadfield
https://www.facebook.com/stuart.hadfield.94

You worked with the likes of White Stripes, Interpol and Elbow while your images have been featured  on album covers (Ian Brown), in print (Independent, NME, Guardian, Louder Than War), in retail (Amazon) and on television (The Mercury Prize, Later with Jools Holland). Please introduce yourself to the readers of Indieterria.

Shari Denson: Hello, I’m Shari

It is said that you became a photographer after attending  many concerts around Manchester – including legendary venues such as Manchester Apollo. Looking back, was there ever a definitive moment  when you realized that you wanted to capture moments on film, or was it rather a longer process that lead you to photography?

Shari Denson:  It was long, long process. I’ve been a bar maid, a stage manager, a clapper/loader and focus puller on films amongst other things before I finally started being serious about photography. I wanted to make films and was doing a film studies degree. When I had my first child half way through the degree I switched to still photography so I could be in control of my time. You have to go by everyone else’s schedule when working on a film. So even though I’d always taken photos at gigs from being young, it was never with a view to making anything beautiful or striking, it was just for memories. I mean, my photos still serve as memories now but hopefully with an extra layer or two.  So  I was 30 when I got my first SLR camera and fell in love with photography. Fairly soon after that, I needed to complete an assignment for university and I decided to do it on live music photography.  And that was where it began for me.

Music was always around you – your brother  as dedicated gig goer took you to see The Teardrop Explodes and Echo and the Bunnymen when you were just ten years old, while your father  was a musician. This may sound a bit like a question they ask on Desert Island Discs – but if you were to name five records that shaped you the most – what would you choose?

Shari Denson:  I’d chose the following:

More Songs about Buildings and Food – Talking Heads
For the Roses – Joni Mitchell
Desire – Bob Dylan
The Spangle Maker 12” which also included Pearly-Dewdrops Drops – Cocteau Twins
Porcupine – Echo and the Bunnymen

iconic image of Elbow – photographed by Shari Denson

Every photographer could write a book about funny, slightly horrifying or straightforwardly weird situations they encounter behind the scenes of the glamour photo-shoots. Please, share one such a story with our readers.

Shari Denson:  That time I took a Sheffield band, Trap 2 on Saddleworth Moor in the freezing cold winter..forgetting it was a bit nippy, then asked them to hang about near some trees in the woods on the way back home, whilst I lit them with fireworks. All I could see was smoke, and all I could hear was coughing and spluttering, whilst I assured them everything was fine. The shots were awful but we had a scream. Great band, and really lovely lads who put with all sorts from me (laughs)

Your best known photo – that of Elbow from the promo session to their album “The Seldom Seen Kid” has been recreated as a mosaic by artist Mark Kennedy,  and is now exhibited on outside wall of the iconic Affleck’s  store. We imagine you must be feeling very proud every time you are on Tib Street.

Shari Denson: Yes, I mean it would have been nice to know about it 10 years ago when Mark decided he wanted to use the image… I only found out about a year ago. I’m sure my parents, who were still around at the time, would have been very proud indeed.

Mosaic by artist Mark Kennedy displayed at the wall of iconic Manchester landmark- Affleck`s http://www.markkennedy.co.uk/

Besides photography, you also direct videos and worked with Blaney, The Winachi Tribe, The Northstand, The Tapestry, The Backhanders, and The New Southern Electrikk among others.  Was it hard to transition from photography to video? Do you have any artists that you would like to work with?

Shari Denson:  Well, as I said before, I’ve always been interested in the moving image,  so the transition was exciting. I had the pleasure of learning how to use Final Cut editing software during my time at Badkamra, a video production company so it seemed natural thing to make music videos.  I wouldn’t name any band in particular, I just like to work with creative and collaborative, like-minded people.

In 2007 you had your first exhibition entitled “I don’t want to belong to any club that would have me as a member” at Warrington Museum and Art Gallery. Other exhibition soon followed such as solo exposition at the Kro2 Oxford Road in Manchester in 2013, Night & Day Café in 2014 or Suffragette City in 2018. How do you prepare yourself before each event?  

Shari Denson:  Mostly by having a major meltdown. Apart from Night & Day, which was made much easier by Jan, who helped me immensely.

Your next exposition is a one night only “A Very Insecure Exhibition” that will happen on 22 February 2019 in yet undisclosed location in Manchester. It will be a joint event with another well known photographer Karen McBride. Can you tell us what can we expect?

Shari Denson: (laughs) I can only tell you this…you can expect something different….heartfelt and beautiful whilst being bold and powerful.

Trap photographed by Shari Denson

There is also a book prepared for the occasion. It looks amazing from the promotional shot we have seen so far. How long did the entire event took planning wise. And can the book be purchased online by those who cannot make it to the opening? 

Shari Denson:  Yes, it can. At https://ukgiclee.co.uk/avie/  We’re very pleased with it.

Manchester is famous for many things, among them Vimto, football and (of course) the music scene. The National Football Museum has been opened in the city centre since 2011 but somehow The Music Museum still hasn’t happened yet. Do you think it is high time that Manchester got a dedicated  place to properly celebrate its photographic and musical heritage?

Shari Denson:  I think that sounds like a marvelous idea!

You must have been asked many times about  your favourite shot you have taken. We want to know the opposite: what picture (if given the chance) would you permanently removed from your catalogue?

Shari Denson:  None. Each and every one has it’s place. They serve as my memories. I get emotionally attached to them and I don’t deal well with loss, so I wouldn’t get rid of any.

Flyer for the exhibition

A Very Insecure Exhibition

22nd February
Now revealed as Projekts MCR (SkatePark at Mancunian Way)
97 London Rd, Manchester M1 2PG
http://www.projektsmcr.com/
20:00 pm – 23:30 pm

Tickets cost £6 -£8 and can be purchased from the link below:
https://www.universe.com/events/a-very-insecure-exhibition-tickets-manchester-5K0X7V

You can also get all the newest updates from the event page:
https://www.facebook.com/events/1180667978750896/

Flyer for A Very Insecure Exhibition

You can follow Shari on social media and we encourage you to do it, she is a phenomenal artist!

https://sharidenson.co.uk
https://www.facebook.com/sharidenson
https://twitter.com/sharidenson
https://www.instagram.com/sharidenson/

For those who enjoy a bit of additional reading, we have found a bunch of articles about Shari and her work.

http://www.mancunianmatters.co.uk/content/070377293-suffragette-city-mm-meet-two-manchesters-most-influential-women-shaping-music
https://www.mdmarchive.co.uk/artefact/18946/ELBOW_IAN_BROWN_I_AM_KLOOT_SHARI_DENSON_PHOTOGRAPH_2018
https://www.manchestereveningnews.co.uk/whats-on/going-out/sharis-homage-to-the-stars-1000324
https://louderthanwar.com/2-manchesters-best-photographers-announce-photo-book-launch-party-conversation-john-robb/

What else can we tell you?  Come back next week as we will publish our interview with Karen McBride. And prepare yourself for updates, images and maybe even polaroids from the opening. Its gonna be a proper party in the North.

All the best for now,
Mal/Rita

Indieterria meets Tin Mole

Dear Readers,

This December Indieterria stops for a while in a port. Kingdom of Mancunia always had the best music and record collections and even  people who did things differently. So for the time being, we will stay in a safe and warm haven of Manchester and will report on new acts coming from the town and its  wonderfully loud venues of  Northern Quarter.

Two years ago we began Indieterria by interviewing Salford`s own Tigerside. This time around, we reopen a new year by chatting to the artist known as Tin Mole.  You probably did not hear about him yet (unless you listen to Salford City Radio 94.4 FM with Zach Peach who was one of the first DJs to play Tin Mole), but surely soon there will be a lot of hype around the artist who mixes samples, indie rock, trip hop and spoken word in a truly innovative fashion.

Tin Mole logo

You may be familiar with Tin Mole`s previous project – Ladies` Dart Night as they delivered their politically charged musical sermons across the North sharing stages with Garden Back or Strange Bones. Sadly, Ladies` Dart Night ended in 2017 and members of the band moved on to other projects.

We discovered Tin Mole  via Tom Robinson`s excellent Fresh on the Net portal and were so impressed with his debut single “Slug Frontier” that we contacted  him and asked for an interview. Tin Mole is an enigma wrapped in riddle, his answers are short, to the point with the usual northern swagger and edge. But you can`t deny him vision, talent and artistic integrity.  He works double hard to put music out there, doing his own PR (press releases, photos, editing) while studying and working at the same time.  Practical, honest and determined –  Tin Mole breaks the mold on Mancunian scene, offering something fresh and unusual.

Read on, listen and tell us what you think.

Tin Mole
?

Ladies` Darts Night logo

Ladies` Dart Night
 Luke Geoghegan (drums, keys)
Nathan Connell-Howard (guitar, bass)
Jonny Sowerby (vox)
Tom Milnes (vox)
Phil Stuttard (vox)

You are not a newcomer on Manchester music scene. Would you like to introduce yourself to Indieterria readers?

Tin Mole: I’m Tin Mole, a producer from Manchester. I’ve been in a couple of bands and done a fair bit of techno DJ`ing on the underground mole scene.

Before Tin Mole, you have been a member of five piece Ladies` Darts Night. You have released EP “Tragedies, Comedies & Histories” in 2017, toured nationally and shared stages with such established young acts as Garden Back and Strange Bones. Then suddenly you called it quits. What happened?

Tin Mole: It was fun while it lasted but it all went to pot after a trip out to Edinburgh. The Irn Bru was strong that day.

Tin Mole in a curious selfie mode?

German blog “Hey Musik” described Ladies` Darts Night as “pulling groovy, fuzzy guitar from The Stone Roses, powerful lyrics with a poetic rhythm like John Cooper Clarke or Morrissey, and pounding drums paired perfectly with a mysterious bass like Joy Division. If you’re into a loud, mesmerizing sound backed with politically infused lyrics, then this 5 piece band are who you need to be listening to”. The writer even travelled to Manchester to see you. Not every band on the Manc scene can say they had interest from foreign journalists.

Tin Mole: Yeah we were doing alright but it is what it is. “Mesmerising sound” is a great compliment, I like that.

You were pulling no punches as a band. “Message for May” is right up there with Shame`s “Visa Vulture”, an attack on PM for her policies. Your other song “Shopkeeper” tackles grooming. I get a feeling, had the band continued, you would be going in the same direction as The Blinders, leading politically charged music onwards.

Tin Mole:  Yeah we were sort of heading that way, just writing about things we were passionate about at the time. I do still write a lot of that type of thing but they’re amongst other more personal topics, like battles with slugs.

In contrast to being in a band, Tin Mole seems to be a solo act.

Tin Mole:  It sort of is. I’ve written and produced some tunes and Nathan Connell-Howard from Ladies` Darts Night has helped out with guitar parts. I’ve got a 6 piece band together now to play the tunes live which I’m well excited about.

Your first single Slug Frontier is a strange mix of trip hop, spoken word and samples. It reminds us of Black Grapes, Sleaford Mods and Tricky. With some incredible poetic lyrics. Is there a story behind the song?

Tin Mole: Thanks. they’re good acts to be compared to, especially Tricky. As for the story behind Slug Frontier, it’s all true… Every word.

We heard you will be releasing a new track soon. What shall we expect?

Tin Mole: Similar sample based production but a bit slower, slightly less shouty and every word is a lie.

Tin Mole is on a mission to fight slugs.

You once said “I think everyone knows deep down Manchester is Britain’s true second city. Sorry Birmingham.” Do you still feel the scene up north is ahead of everyone else?

Tin Mole:  Yeah I think it is in some ways. There are great bands coming out of Manchester like Duds or Gnod and The Blinders are doing really well. But it always seems that the London bands get more publicity. That’s usually the way with everything in the London-centric Brexit apocalypse.

There is an aura of mystery around Tin Mole – no bio, scarce presence on social media , no agent, no label. It seems that you try to let the music do the talking, rather than drive attention to yourself as an artist.

Promotional image towards Tin Mole`s upcoming single.

Tin Mole:  I talk enough shit in the songs so I don’t feel the need to bombard people with more of it. I’m trying to keep it as DIY as possible and I think the music speaks for itself enough, but no doubt things will pick up on social media in the coming weeks and months.

“Slug Frontier” is easily one of the singles of the year for us. After hearing it for the first time, we immediately started to look for your gigs. And we know we are not the only one. Do you have any concerts planned, and if so – where can we see you in the future?

Tin Mole:  Nice one, I appreciate that! We have a couple of gigs in Manchester confirmed for the new year but don’t think I can say anything until the promoters announce it. But I do know that there’s an exciting new band playing at a venue called Jimmy’s on Saturday 2nd February 2019, so might be worth keeping that date free.

The last (goofy) question. Your bio mentions a strange creature that looks like a monster of the week from Doctor Who: “silvery-white metal, made of tinplate or aluminium with a long muzzle, and small eyes, feeding mainly on worms, grubs, and other invertebrates”. What is Tin Mole and is it safe to keep one as a pet?

Tin Mole:  It’s what it says on the tin really. As long as food and drinks are provided with access to a studio, then yeah of course it’s safe.

Tin Mole as an ice cream vendor.

You can follow Tin Mole on socials:

https://www.facebook.com/tinmole/
https://twitter.com/tin_mole
https://www.instagram.com/tin_mole/
https://soundcloud.com/tinmole

And you can still find information about Ladies` Darts Night online too:

https://ldartsnight.bandcamp.com/
https://www.instagram.com/ladiesdartsnight/
https://twitter.com/ldartsnight
https://www.youtube.com/watch?v=J3fZRpZd-o8&t=172s
https://soundcloud.com/ladiesdartsnight
https://open.spotify.com/artist/0l1QTRDsC00gFoO394cUM1?si=2TOpjOMDRy6d5B1RXG3Dfw

If you fancy some additional reading on the band, check out those links:

https://www.gigmit.com/ladies-darts-night
https://www.manchestereveningnews.co.uk/incoming/boxer-liam-taylor-mates-behind-9646663
http://www.gigslutz.co.uk/ep-ladies-darts-night-tragedies-comedies-histories/
https://heymusikblog.de/2017/07/20/behind-scenes-manchester-uk-music/

The cover to Slug Frontier – Tin Mole`s debut single

In next few weeks Tin Mole should drop a brand new track which we will surely review on this blog. We are very excited about this artist. Nothing speaks to us more than music that is fresh and unusual. Looking back is a waste of emotions – and projects such as Tin Mole offer us a glimpse of what will be hip and trendy in the future. Just what A&Rs love.

All hail the incredible creative potential of Mancunia!

M/R