Indieterria presents The Blinders Live at The Ritz

Dear comrades!

We have been following The Blinders for more than three years now and it’s always a joy to see them conquer new heights and achieving their goals (and being on a roll as certain songs says). The band has been working extremely hard to be where they are now and their dedication has inspired their fans, industry professionals and countless bands all together.

Being ahead of the game is a hard task, but with a dedicated team, excellent ideas, and a bit of luck, everything is possible. And this blog will be dedicated to another of the band’s ideas that is going to revolutionize the DIY indie scene.

On July 26th, The Blinders notified their followers that to commemorate the first anniversary of the release of their debut album “Columbia” (September 21st), they would be releasing a double live album. Recorded during the sold out show in Manchester on 27th of April, the double vinyl delight will include the entirety of “Columbia” plus several previously unreleased tracks. The record will be released by Blood Records, a recently launched crowd purchasing platform for exclusive LP releases that is run by the same wonderful people who own Flying Vinyl.

Black Records logo

You can get your own copy here: https://www.blood-records.co.uk/current-release/
Buy a copy of “Columbia” (if you have been living under a rock and you still don’t owe one!): https://theblinders.tmstor.es/

Now, as PR people, we do love good marketing, especially a really clever one. The first thing we saw on 25th of July, early in the afternoon, was a cryptic post with a large black and white picture of the band stading in front of the Ritz in Manchester (please notice Twisted Wheel poster on the right!) The caption read: “6 pm today”

Now, this kind of mysterious notifications are not for the faint hearted, as it could mean everything from the new album being announced to the band calling it quits. Our blood pressure went slightly up but after a refreshing cup of melissa tea (good for the nerves), we reached the conclusion that it cannot be anything bad, so we patiently waited for more information. And 5 minutes past six, we were rewarded with the following messages:

Soon, two promotional videos were made available to promote the album and they were seen more than 50.000 times on band’s combined social media (about 30k views on Facebook, 10k on Twitter and 10k on Instagram). Very good achievement with just a couple of Tweets and shares. Colour us impressed.

 

Official statements on Facebook accounts and newsletter followed to activate the fanbase:

 

You can see the newsletter at: https://us17.campaign-archive.com/?u=3b6499050c5a99dfa9d83f2e3&id=1708a96420
Flying Vinyl posts are available at: https://www.facebook.com/flyingvinylmusic/posts/2317772881662911

And in the end, The Blinders posted some of the images taken by Sam Crowston during their show at the Ritz:

The campaign finally went live on 29th of July and during the first 24 hours, nearly 260 copies flew off the virtual shelves. Pre-orders were opened until the 12th of August when they closed exactly at 10:00 am. In all, 1000 copies of the album were ordered and sold. Let us repeat that once again so it sinks in. It took two weeks for the band to sell 1k copies of a double live album. If that doesn’t make your jaws drop to the floor, then seriously your jaws must be either glued or wired. Those who preordered “Live at the Ritz” were told to wait 5 weeks for the delivery and in the mean time, more detailes were made available.

The record was mixed at Parr Street Studios in Liverpool (Elbow, The Verve, Echo and the Bunnymen, New Order, Pulp, The Charlatans recorded there among others) by Alex Queen who quickly shared the good news on Twitter:

Blood Records released the official statement upon the announcement:

“Following their bracingly thrilling debut album, ‘Columbia’, The Blinders continue as one the UK’s most anticipated emerging acts placing them at the vanguard of a generation of politically engaged British guitar bands. This exclusive, vinyl-only Blood Records release of The Blinders: Live At The Ritz features ‘Columbia’ live in its entirety alongside new unreleased material, pressed to 2x black 12″ LPs. The audio was professionally recorded, mixed and mastered from the band’s April sold out show at The Ritz to 1500 fans.

All orders will be signed (if you would like yours unsigned please write ‘unsigned’ in the delivery notes) and hand-numbered on a first-come-first-serve basis.

Customers will also receive priority access to tickets for a special Manchester launch event on September 21st as well as being automatically entered into a prize draw to win an exclusive piece of artwork.

Please note: Blood Records is a pre-ordering platform, providing the minimum sales quantity is met the records will be shipped five weeks after the deal ends.”

THE RECORD:

 

As stated above, it is a double live LP presed on a black vinyl. Running time is 60 minutes. “Columbia” was 42 minute long and we have 4 new, unreleased tracks added. Those who pre-order the album can expect a true VIP treatment: all copies will be signed by the band, buyers will receive priority access to record launch event and an automatic entry into prize draw for exclusive artwork. There will be only 1000 copies of the record pressed.

Personnel:
Thomas Haywood  – vocals and guitar
Charlie McGough – bass
Matty Neale – drums, backing vocals
Max Grindle (bass player of Document) – harmonica on “Rat In A Cage” and piano on “Orbit (Salmon of Alaska)”
Thomas Castrey (drummer of Saytr Play) – percussion on “Where No Man Comes”

Recorded at: O2 Ritz, Manchester, April 27th 2019
Mixed: Parr Street Studios, Liverpool (May-July 2019)
Mixed by: Alex Queen
Live Sound by: James Higham
Mastered by: Chris Daniels
Art Direction: Nasty Man Creations
Photography & Design: Sam Crowston
Lighting Design: Mangata Collective
Special thanks: Mark Payne, Chris Phillips, Dave Bonner, chris Exstance, Patricia Payne, SJM Concert, Jamie Wade & X-Ray touring, Flying Vinyl, Modern Sky UK and team

Label: Blood Records – https://www.blood-records.co.uk

Tracklist:
Side A
Gotta Get Through
Brave New World
Wither*

Side B
Free The Slave
I Can’t Breathe Blues
Where No Man Comes
Forty Days & Forty Nights*
Ballad Of Winston Smith

Side C
L’Etat C’Est Moi
Hate Song
Lunatic With A Loaded Gun*
Rat In A Cage

Side D
Et Tu/Berlin Wall
Brutus
Orbit [Salmon Of Alaska]
Swine**

* (previously unreleased)
** (not included on “Columbia” and released as a stand alone, double side single “Ramona Flowers/Swine” in 2017. The 7″ single was pressed in 500 copies only and is now a collectible item. More information: https://www.discogs.com/The-Blinders-Swine/release/10784923

 

Record release and the launch event timeline:

 

On 9th of August, the band revealed more details about their show that would take place on 21st of September. We have been told that there will be an exhibition, Q+A session and a stripped back set.

A week later, fans were electrified by another announcement – those who preordered the album were offered a chance to purchase tickets to the lauch event before everybody else. The band also revealed where the event would be taking place. Despite first bets being placed on The Night People (The Blinders’ favourite place in Manchester), a popular central location has been chosen – 33 Oldham Street.

Fans were asked to check their emails, follow the link sent to them and register tickets using their unique pre-order numbers. Due to limited number of places (33 Oldham Street can hold only 40 people in seated environment), the band used “first come, first serve” basis. The registration was closed on Sunday, 18th of August 2019 at 12:00 pm.

On 25th of August, The Blinders announced that the tickets will be available to purchase on Tuesday 27th of August, at 10:00 am.

Modern Sky UK (The Blinders’ record label) released their own announcement on the same day, revealing that the event would be hosted by popular Manchester DJ, Shell Zenner (XS Manchester/Amazing Radio):

Tuesday came finally and the loyal fans of the band, went ticket hunting on the internet. As with the demand for the record, the tickets dissapeared so quickly that many were left disappointed! We are not sure how quickly they were sold out but it must have been less than 20 minutes. At 12:20 pm, the band released the following statement:

After speaking to the management, the band released another statement, announcing that due to massive demand for the tickets, The Blinders would host a matinee event on the same day, between 1:00 pm and 4:pm.  Tickets were again released the following day and those who couldn’t purchase them on the previous occassion, could still attend the event, just in the afternoon instead of the evening.

As you may guess, the second batch of tickets, were also sold out in a flash. What else to expect, eh?

On September 11th, another announcement was made. As Shell Zenner was unable to host two events, another special guest was invited to do the Q+A session with the band. This special guest was…the legendary DJ, Dave Haslam himself!

Sadly as the event date was getting closer, something that nobody could predict, has happened. Thomas Haywood became ill and The Blinders were forced to cancel many domestic and European dates. On 16th of September, the band issued the following statement apologizing for pushing both events to 2nd of November 2019:

To make it up to the fans for the unplanned re-schedule, the band along with Shell Zenner came up with a clever plan – they held a DJ set at 33 Oldham Street and the entry to the event was free. Matty and Charlie were to make an appearance and the doors were opening at 9:00 pm.

We don’t have to tell you that the place was packed and people were queuing outside to get into the small club! Matty and Charlie arrived exactly on time and the party lasted until late. What was played? Everything from Manchester classics, to Abba, Britney Spears (“Toxic”), Whigfield (“Saturday Night”) and some unexpected bangers such as Cheeky Girls (“Cheeky Song”). Good fun was had by all. And some pretty good dance moves were caught on camera.

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love you more than words, thank u for having my back, always x

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The Final Product and the reception:

 

On September 21st, the debut album, “Columbia” turned one. The band celebrated the occassion by sending out the “Live At The Ritz” albums out to fans and making a tweet:

And the response to the album has been fantastic. It debuted at number 8 on the official UK Charts! This is the first double-live album by an indie artist to go into top ten on Vinyl Chart!

Official Vinyl charts for 27.09.2019

You can check the statistics for the Vinyl top 40 at: https://www.officialcharts.com/charts/vinyl-albums-chart/
To see those exact results as on the screenshot, please use the date of 27th of September 2019.

That’s not all! Live At the Ritz made it into two other charts as well: Official Independent Albums chart at number 23 and Independent Breakers Albums chart at number 4! We have screens to prove it!

 

We have received our copy as well and we absolutely love the album. The release comes with 2 black vinyls, packed into a single sleeve. It would be much better if it was a a gate fold – but hey we cannot complain! The design is similar to the “Columbia”, each copy is numbered (our is 128!) and signed by all three band members with a lovely silver marker.  We have taken a couple of pictures after unpacking to show you how it looks like:

 

And what do the fans say?
The reviews are universally positive. Just see the reactions that can be found online:

Live At The Ritz showcases the band’s talent and proves that if you haven’t seen them just yet, then now’s the time to do so. The Blinders are only going to grow from here” – Katie Macbeth for Indie Is Not A Genre blog
https://www.indieisnotagenre.com/the-blinders-live-at-the-ritz-review/

“Two years on, they are inevitably a better live band. Tighter, harder, and wiser, this live album is a no brainer of a purchase. If you have never seen or heard them, we cordially invite you to the hoodwink society”- Mike Adams for Travellers Tunes
https://travellerstunes.com/features/the-blinders

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NOW PLAYING | The Blinders – Live at The Ritz. One of my fav bands @theblinders of the last few years have come up with a limited & signed live album. Recorded at The Ritz, Manchester back in April this year. It’s a pure sweaty Rock’n’Roll live experience on double vinyl. Hand numbered, this is 135/1000 and hand signed makes this a nice little collectible of a live force on the music scene right now. Side A. A1 Gotta Get Through A2 Brave New World A3 Ramona Flowers A4 Wither Side B. B1 Free The Slave B2 I Can't Breathe Blues B3 Where No Man Comes B4 Forty Days & Forty Nights B5 Ballad Of Winston Smith Side C. C1 L'Etat C'Est Moi C2 Hate Song C3 Lunatic With A Loaded Gun C4 Rat In A Cage Side D. D1 Et Tu D2 Brutus D3 Orbit (Salmon Of Alaska) D4 Swine – – – – #theblinders #liveattheritz #lp #lps #12inch #33rpm #record #records #vinyl #vinylcollector #vinylcollection #vinyljunkie #vinyligclub #vinyloftheday #vinyladdict #nowplaying #nowspinning #vinylsofinstagram #vinylporn #vinyllove #vinylcommunity #audioporn #turntable #recordplayer #recordcollection #recordcollector #instavinyl #instavinyls

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We will be updating the blog as more information becomes available. And of course, we will be posting a long review from the  event on 2nd of November!

Keep your eyes open and support your scene!
xxx
R+M

Indieterria Photo Review – The Blinders at FIB Benicassim and Super Bock Super Rock

Hola!

The summer festival seasons is in full swing and The Blinders are having one of the busiest periods in their history. They have been on a massive tour since April that has taken them all over UK and Europe.  Due to popular demand, we are keeping our hand on the pulse and we are trying to bring you the best festival coverage as it happens. We can travel to many shows on our own, but if the distance is too far, we team up with our special correspondents for pictures, videos and information.

So far we have covered the main tour for 2019. Please allow few minutes for the blog to open as it is one of the longest and most complex we have ever written.
https://cocamidemea.wordpress.com/2018/11/16/the-columbia-tour-continues-anno-domini-2019/

Glastonbury performance at LeftField stage:
https://cocamidemea.wordpress.com/2019/07/03/indieterria-photo-review-the-blinders-at-glastonbury-2019/

Today, we would like to cover two recent festivals, The FIB Benicassim (19th of July) and Super Bock Super Rock (20th of July). Thank you to those who work closely with us to help cover this summer tour and we hope you will enjoy the review. We will try to update it with reviews and pictures as they become available.

Enjoy!

FIB Benicassim Festival, Madrid, Spain

FIB Festival poster

Set List (not in this particular order): “L’Etat C`Est Moi”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “ICB Blues” and “Brutus/Et Tu/Berlin Wall”, “Where No Man Comes” and “Rat In A Cage”,
Time: 30 minutes
Stage Times: 20:20 (original time) and 9:00 (after delays)
Stage: Carefour  Stage

Reviews:
“The Carrefour Stage may be just one out of several stages at the festival but they have prepared a very interesting line up. Among the acts we just had to see this year were singer/songwriter Almendralejo (Hache Retamar), punk rockers The Blinders whose songs contain a huge dose of political criticism, a 19 year old singer Yellow Days that played blues, jazz and soul inspired music, Scottish singer/songwriter Gerry Cinnamon and the Spanish folk and rock and roll septet, La m.o.d.a.” – HOY Magazine
https://www.hoy.es/almendralejo/cantautora-hache-retamar-20190721002044-ntvo.html

“We started the afternoon off with powerful performance from The Blinders. Their music is a mixture of punk and psychedelia and lyrics are loaded with political messages” – text and pictures by Iñaki Espejo-Saavedra for Muzikalia Magazine 
https://muzikalia.com/cronica-del-viernes-del-fib-benicassim-2019

FIB Benicassim 2019

FIB Benicassim 2019

Viernes del FIB Benicassim 2010

 

Sam Hoy, our special correspondent at FIB sent us the pictures below. Please do not share without his permission!
You can follow Sam at: https://www.facebook.com/sam.hoy7

 

 

You can can see more media from the festival below:

Artist profile at the festival:
https://fiberfib.com/en/artist/5c73b9ea0f726

Festival information and social media:
http://fiberfib.com
http://www.fiberfib.com/entradas.php
http://www.fiberfib.com/en/entradas.php
http://www.facebook.com/fibfestival
http://www.twitter.com/fiberfib
http://fiberfib.tumblr.com/
http://instagram.com/fiberfib/
https://www.youtube.com/user/fiberfib
https://open.spotify.com/user/fiberfib

 

SUPER BOCK SUPER ROCK Festival, Lison, Portugal 

EDP stage at Super Bock Super Rock Festival

Set List (not in this particular order): “Gotta Get Through”, “L’Etat C’est Moi”, “Rat In A Cage”, “Rage”, “Brave New World”, “40 Days & 40 Nights”, “The Writer”, “Wither”, “Ramona Flowers” “ICB Blues” and “Brutus/Et Tu/Berlin Wall”
Time: 40 minutes
Stage Times: 4:45 CET
Stage: EDP Stage

Media Reviews:

“The Blinders are power alternative rock trio from Doncaster, UK. The band members were red hot on stage and gave an inspirational, enthusiastic show. Firm bass line, heavy drums, distorted fuzzy guitars and torn yet poetic lyrics makes them one of the best garage bands out there. There is more to them and we want to see them again and again!” – Fernando Araujo (text) and Stefani Costa for SAPO Magazine
https://mag.sapo.pt/showbiz/artigos/uma-mistura-de-ritmos-e-grandes-emocoes-no-ultimo-dia-de-super-bock-super-rock

Large photo review is also availabe at SAPO MAGAZINE:
https://mag.sapo.pt/showbiz/fotos/de-profjam-a-the-blinders-o-ultimo-dia-do-super-bock-super-rock-em-fotos#&gid=1&pid=25

Our Review:
We have asked our special correspondent, Fábio Pais, how did the show go and this is what he had to say: “People really liked their show. The Blinders played a 40 minute set and were the opening act for the festival’s secondary stage. It started with just a dozen of people but the audience kept on growing and growing. By the end of their gig, there might have been hundreds of people in attendence. I think The Blinders really captured their attention. The band seemed to enjoyed their concert. In my opinion, they were really, really great! I hope they return to Portugal soon”

After a very stressful show at FIB on Saturday, Sunday proved to be very good day for the band. They entered the stage exactly on time and there was no technical difficulties that marred their shortened set in Spain. Surprisngly, the change of image, forced by their late arrival, survived overnight and the band decided to perform without the war paint and the black clothing. Thomas wore a white slevless tee, black trousers with stripes and had a plaid shirt wrapped around his waist. As usual, Charlie wore a grey suit and long sleeve light shirt (he took off his jacket in the middle of the show) and Matty opted for a white top and blue jeans. The change in their apperance was noticed by the Super Bock Super Rock Radio Station who praised their “casual style” on their social media, calling their performance “What a blinder!”

All following images and videos (Brave New World) are courtesy of Super Bock Super Rock social media team:

All pictures taken at Super Bock Super Rock in the gallery below belong to Fábio Pais. Please do not use it without his permission. Gracias.
You can follow him at: https://www.instagram.com/fabiopais8/ 

You can see more media from the festival:

 

Videos: A recording of “The Writer” is available on Youtube:

You can see the entire festival schedule at: https://www.instagram.com/p/BzfyERYBrNj/

Festival information and social media:
https://www.facebook.com/events/342954059851119/
https://www.superbocksuperrock.pt/concertos/the-blinders/
https://www.facebook.com/sbsr/
https://twitter.com/sbsr
https://www.instagram.com/superbocksuperrock/

If you have any pictures or videos you’d like to contribute to this review, please let us know!
You can always email as at vanadianavenue@gmail.com

We will be more than happy to add good quality materials. Have fun and watch this space as the coverage is (truly) never ending!
Love and indie,
Rita and Malcia Dabrowicz

Indieterria meets Dario Distasi

Dear Readers,

Do you remember the hit song by White Lies called “Tokyo” with the famous chorus line “every place has a China Town”? Of course, Manchester has its own China Town (a big tourist attraction) but it seems that we discovered Mancunia’s musical Little Italy! After speaking to Federico Cossu, the lead singer of Shiva May Care in March and Pietro Blanca in June, we are proud to introduce you to another Italian born talent that is making a name for himself on the Manchester scene. Ladies and Gents, let us welcome singer/songwriter Dario Distasi to our humble “Manchester, come on in!” project.

Dario Distasi

Dario was born and raised in Italy and attended Saint Louis College of Music in Rome. He has been fascinated by music since childhood and picked up a guitar at the age of 12. As he admits himself, he instantly fell in love with the sound of the instrument and spent years mastering his craft. In 2015, he decided to move to Manchester as the city always had a special place in his heart. Since the move, Dario recorded his debut EP “Nowhere Avenue”, played at the legendary venues such Night & Day Cafe, Gullivers, Castle Hotel, formed his own band and received an universal acclaim from independent music press. With a CV like this (and recording his EP with an award winning producer in Nashville!), we are more than happy to spread a word about his accomplishments.

We have caught up with Dario to ask him several short questions about music, influences and shows.

Please introduce yourself to the readers. Where are you based and who is in the band?

Dario Distasi: (laughing) Hey there! What’s up? My name is Dario Distasi and I am a solo artist based in Manchester. I could be classified as a singer/songwriter but during live shows, I am backed by a proper rock band. Our live performances combine anthemic guitars with punchy drums. Except for me, my band consists of Chris Taylor (backing vocals, lead guitar), Damon O’Leary (backing vocals, bass) and Steve Redmond (drums). I play the guitar and I sing.

The full band on stage

What was the best review of your music you have received so far?

Dario Distasi: An online magazine, A Look Into Music, wrote about our EP: “The result is a sound so tempting, you can’t help but get your body moving to the beat as you listen to the ultimately genuine lyrics travel through your mind uncontrollably”. I like really that!

Tell us something about the project – are there any goals that you managed to achieve? 

Dario Distasi: Recording my new EP entitled “Letting Go” in Nashville with Drew Middleton (Steven Cade, MuteMath, Merdith Lee) a BMI awarded producer, has been a blast. He instantly realised where my musical influences and background come from and gave my songs a distinctive sound. We have recorded four tracks: “Letting Go”, “Again”, “Stuck In Here” and “Where The Lights Go Down”. The two last songs were released as stand alone singles.

I own and I’m in love with so many albums that have been recorded in Nashville, it is a very special place to me.  I’ve also already recorded a few tunes in Manchester, another magical musical city. Next step: recording in Seattle, maybe? (laughing)

Letting Go single cover


What inspires you? What artist or genre had the biggest influence on you?

Dario Distasi: Usually, I’m inspired by life, good books and music.

During interviews, I’m often asked to mention artists that have or had the biggest influence on me as an musician. Chris Cornell, Pearl Jam and Foo Fighters are three of my biggest influences. However, I’m also into singers/songwriters – that kind of stuff always give me the chills. And I cannot forget that guitar music is a big part of what I do. It literally put me on a musical map, where I am today.  So I listen to a lot of instrumental music, a lot of great guitar players, a lot of guitar solos. The guitar music is always in the background, whatever I do. All band members are big grunge aficionados as well – even though that’s not exactly our style, I guess you can hear that it has been hugely inspirational for us.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Dario Distasi:  My newest single is called “When The Lights Go Down” and it is a song about many things we fear. The fear itself. The abandonment. Refugees. Civil wars. All those things that really shock us every day. Please watch the video to this song. It represent the track very well and has been directed by the amazing Mat Johns.

Are you touring? Where can we see you playing live?

Dario Distasi:  Yes we tour and play gigs in the North West regularly. Recently, we performed at The Abbey in Leigh for Buzzcock’s frontman Pete Shelley Memorial on 15th of June and at the Gullivers in Manchester on 29th of June. We supported Hypnumb from New Zealand!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Dario Distasi: (laughing) Social media! It’s the best way to get a hold of me! Please use:

www.facebook.com/dariodistasi
www.instagram.com/dario_distasi
www.twitter.com/dariodistasi

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Dario Distasi: (laughing) I think, Steve, our drummer would be the best person to answer this question! Should we ask him?

Steve Redmond: Alice In Chains! These guys are immense. Their grooves, melodies and harmonies speak to me on every level. Some of my band mates might be shocked by this coz I idolise Chad Smith!

Dario Distasi: I’m not shocked at all! You both have a great groove, however I think he’s not as loud as you are! Hahahaha!

Follow Dario on social media:
https://dariodistasi.bandcamp.com/
https://www.youtube.com/channel/UC31smdE1t5gtbiqHkNedy0w

 

You can purchase his music at:
Google Play: https://bit.ly/2W1qK4w
Amazon https://amzn.to/2JdQnO1
iTunes store https://apple.co/2HnOdd5
Apple Music https://apple.co/2Jg0Mcc

Articles:
https://originalrock.net/2019/05/31/interview-dario-distasi/
https://www.loud-stuff.com/interviews/2018/07/interview-dario-distasi/
https://www.gbhbl.com/music-news-dario-distasi-releases-music-video-for-when-the-lights-go-down/
https://alookintomusic.com/2019/04/30/an-interview-with-dario-distasi/
https://www.moshville.co.uk/feature/botd/2019/07/band-of-the-day-dario-distasi/
https://www.gigstarter.it/blog/dario-distasi-note-italiane-nella-musica-di-manchester (Italian)

Thank you so much Dario! It was a pleasure to speak to you (and to Steve as well). We wish you all the best in your musical endeavours!

Best regards,
R+M

Indieterria Review – “May” by Deadwing

Dear Readers,

Don`t fall in love with yet another band…don`t fall in love with yet another band…

Oh, Hello there! We are glad that you have returned to discover new music via our blog. You came in a right moment. We have been here sitting and listening to newest music submissions, when we found a real sonic gem. They are very young, still unpolished and at the beginning of their journey – but there is so much character, talent and potential in this act that we just cant stay still.

The band is called Deadwing and describe themselves as gothic psychedelia. Their debut single “May” came out last month and the quartet had just played their first headlining show at our beloved venue in town- Jimmy`s Manchester. Deadwing may be putting their first steps in the music industry but they present some serious qualifications: they mix prog rock with some hauntingly beautiful vocals, take inspiration from a wide range of artists and try to form their own sound. Also they write poetic and mature lyrics. Additional point for the band here. Imagine later day Anathema fronted by Anneke van Giersbergen, with The Cure,  Siouxsie and The Banshees and Cocteau Twins lending a hand from the off sides – a tasteful combination of gothic rock, cold wave, ambient, metal and shoegaze (or neo-psychedelia if you prefer).  Even the name is spot on – original, mysterious and you can imagine it on future festival posters and in rock n roll encyclopedias that yet have to be written.

You may think we are going (slightly) bombastic here – but A&Rs have this gut feeling when we hear bands that can shape musical futures.  And this is one of those moments – a group of kids that picked instruments and have yet to realise their power.  Will they be determined to continue and develop their potential that is another story. For every band that makes it – 250 do not. One can only hope that they will stand united as a band and will have both luck and perseverance, good managers and a faithful label to help them along the way.

We are gonna say the same thing as NME once said to My Bloody Valentine when they first started out. Hey Deadwing – please promise to meet us on this blog in five years time when you are about to release your highly anticipated second album. We`d love to speak to you before you go on that long European tour, OK?

Deadwing photographed by Spencer Mason
https://www.facebook.com/ArtisticLogistic

Please introduce yourself to the readers of Indieterria.

Ellis Elwyn: We are Deadwing, a four piece gothic psych-rock band from Manchester.

Where are you based and who is in the band?

Ellis Elwyn: We are based in Manchester, with me Ellis Elwyn on vocals, Jake Lafferty on drums, Jack Stanley on bass and Isaac Batty on guitar.

Tell us something about the project – are there any goals that you managed to achieve?

Ellis Elwyn:  We launched at the start of March this year and released our debut single at the end of May. We also organised and hosted our own headline gig to launch the single at Jimmy’s! In terms of venues, we have been lucky enough to play at some of our favourites in Manchester such as The Deaf Institute, Band On The Wall and Jimmy’s.

The poster for band`s debut headlining show at Jimmy`s Manchester

What inspires you? What artist or genre had the biggest influence on you?

Ellis Elwyn: We have a variety of influences! Including Radiohead, The Beatles, Black Sabbath and Jaco Pastorius.  We tend to take inspiration from drama and emotion.

It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Ellis Elwyn: I  wrote “May” after a particularly difficult time last year. The story is so open to interpretation, but I like to see it as a song with two different perspectives/people in it if that makes sense, almost singing to each other. I wrote the song just on my acoustic guitar but took it to the band and they turned it into something huge!

Are you touring? Where can we see you playing live?

Ellis Elwyn: We aren’t currently touring, but at the minute you can catch us playing live in Manchester on the 15th August and in Leeds on the 9th August! Follow our social media’s for all the details when they get announced.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Ellis Elwyn:  Check out our email: thedeadwingband@gmail.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Ellis Elwyn: We’d all probably go for…can we say a band? Because it’d be Pink Floyd in a huge collaborative album! If it just has to be one artist we’d choose David Bowie, at Abbey Road Studios!

Deadwing – a band to have on your radars – photo by Thea Brooks
https://www.facebook.com/photograthee/

You HAVE to follow the band on the socials:

https://www.facebook.com/deadwingband/
https://www.instagram.com/deadwingband/
https://soundcloud.com/deadwingband
https://www.youtube.com/channel/UCznzJHpYbj-4xEp0j0-jYiA
https://open.spotify.com/artist/1qZDjUpnTjsYK1yTslsmHj?si=vJeRiDZNR6mep7VHyv93-w

Deadwing are officially on our “bands to watch for” radar, their single “May” has been added to our Spotify list and we are happy A&Rs as we just spotted another talent. What else? Stay tuned because we are not finished yet and “Hello Manchester” will continue in July with more good music and great bands.

Did we mention how much we like Deadwing?

M&R

Indieterria Photo Review – The Blinders at Glastonbury 2019

Dear Readers,

Performing at Glastonbury Festival, the biggest festival in the world, is a dream come true for all musicians. The Blinders have been invited to join the official line up at the last minute after Sam Fender was forced to cancel his apperance at the Worthy Farm due to illness. Their accouncement that they will play the politically charged Leftfield Stage as the main support act for the singer/songwriter KT Tunstall, sent massive shock waves throughout their social media. The band performed on Saturday, 29th of June between 7:30 and 8:30 pm. They shared the scene with a fantastic group of other artists including Fontaines D.C., Billy Bragg, Queen Zee and Dream Wife to name just a few.

Set list (not in this particular order): “Gotta Get Through”, “Brave New World”, “L’Etat C’Est Moi”, “Ramona Flowers”, “The Writer”, “Lunatic With A Loaded Gun”, “Wither”, “ICB Blues”, “Rat In A Cage”, “Hate Song” and “Et Tu/Berlin Wall/Brutus”. Their set lasted about 50 minutes.

Glastonbury artwork and releases:
Once The Blinders have been confirmed, the festival marketing machine went into its standard mode and all social media have been updated to include the Doncaster trio. Within hours, The Blinders name appeared on official websites, posters and an announcement has been issued.

Official social media:
https://www.instagram.com/glastoleftfield/
https://www.glastonburyfestivals.co.uk/areas/left-field/
https://twitter.com/glastoleftfield
https://www.instagram.com/glastoleftfield/
https://www.facebook.com/glastoleftfield

Official pictures and videos:
As usual, on the next day after the gig, The Blinders uploaded a set of official pictures taken by Sam Crowston of Sam Crowston Imagining/Nasty Man Creations.
Sam has been working as an official visualizer for the band since 2016 and is responsible for all videos, pictures and videography.

 

Fan pictures:
Indieterria is proud to say that The Blinders have some of the most beautiful fans in existance! They are not only willing to travel all over the country and abroad to attend their shows, but they always share pictures, videos with those who couldn’t be there. When fans realized that the BBC Glastonbury coverage sadly didn’t cover LeftField, they immediately shared their own recordings and photos. We have teamed with Alan Wells, Bob Wallis and Liam O’Farrell to bring you a great selection of pictures/videos from their Glastonbury set! Thank you so much guys! Please respect the copyrights and if you’d like to share those pictures, please provide full credit to the authors.

Bob Wallis gallery:
Bob can be contacted at: https://www.facebook.com/bob.wallis.75

The Blinders before their show at the Leftfield Stage. Picture by Bob Wallis. Used with permission (and with a guest apperance from Photographer, Alan Wells)

Thomas Haywood of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Thomas Haywood of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Charlie McGough of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Matty Neale of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Matty Neale of The Blinders at Leftfield stage at Glastonbury 2019. Picture by Bob Wallis. Used with permission

Liam O’Farrell gallery:
Liam Can be contacted at: https://www.facebook.com/liam.ofarrell.16

Fan Videos:
The Blinders are known for their atmospheric and energetic live performances and their show at Glasto was not an exception. The tent was packed and everybody had good time, danced, pogo’ed and sang along. You will notice that during the set, drummer, Matty Neale, sustained a hand injury but kept on playing! This has earned him a massive respect from everyone in the audience. We have to say, we are very impressed. We also hope that the injury is not serious and Matty will recover in no time.

“The Writer” and “Brave New World” filmed by Bob Wallis:

Another (short) video clip of The Blinders performing “Brave New World” taken by Alan Wells:

“Brutus” (without “Et Tu”/”Berlin Wall”) has been filmed by gorillaprint:

Articles:
There are few interesting articles about The Blinders playing at Glastonbury, so please knock yourself out if you still haven’t had enough 🙂 !

https://www.nme.com/festivals/glastonbury-2019/political-pilton-heres-guide-everything-political-glastonbury-2019-2512338
https://www.doncasterfreepress.co.uk/news/people/doncaster-band-the-blinders-set-to-play-glastonbury-alongside-kt-tunstall-and-billy-bragg-342369
https://www.thestar.co.uk/news/people/doncaster-band-the-blinders-set-to-play-glastonbury-alongside-kt-tunstall-and-billy-bragg-342369
https://offthehookmusic.com/festival-highlights

Thank you again to those who made this post possible. You are absolute rock and roll stars.
We will be monitoring the internets and if something else pop ups, then we will let you know (but of course)!

Thank you for listening and enjoy the summer festival season.
M+R

Indieterria Reviews: Mudlark

Hello!

It is a common knowledge that Wales has a strong connection to music. From Ivor Novello, Shirley Bassey and Tom Jones to Budgie, Funeral for a Friend, Manic Street Preachers and Catatonia, Welsh music has always been a step ahead of everybody else, setting new trends and refining musical tastes for decades.

The money might be in London, but the talent is definitively hidden among the valleys and it’s our pleasure to introduce our readers to the best of new acts that Vanadian Avenue has the privilege to discover.

Come Clean /Swansong cover by Robert Paterson

Our today’s guests, Mudlark hail from the beautiful town of Caerphilly. At the beginning, it is worth mentioning that their name is quite original and what’s even more important, it fits them like a glove. In the 18th and 19th century England (especially in the capitol) people scavenging through the river mud in search of valuable items to sell were called either mud searchers or mud lurkers. Usually they belonged to the city’s poorest residents, yet they enjoyed a great deal of  independence, respect among other dwellers and could keep all their earnings to themselves. Nowadays, the term is attributed to treasure hunters, amateur archaeologists and even metal-detectors looking for World Word II souvenirs. When we say the name fits the band well, we mean the listener has to literary “dig” through many layers and intricately constructed melodies to discover and appreciate the true value of their music. Multidimensional and complex creations are Mudlark’s trademarks.

The quintet was formed over two years ago and on the 5th of November 2017, they released their new double track single entitled “Come clean/Swansong”. You may remember them from their September release of an instrumental track “Ruth” that received very warm reviews from independent music websites and online zines. A well made, silent-cinema inspired video (known as “Frankenstein’s Ruth”) also helped to raise the band’s profile. We can promise you that the new release is as good as the previous one and shows that Mudlark are in incredibly great musical shape.

Mudlark picture by Rhys Morgan

Now let’s sink our teeth into the two new compositions. The first one track “Come Clean” is the shorter of the two, standing at only 2 minutes and three seconds. It starts with a longish atmospheric interlude but blossoms into a dynamic and structured sonic landscape at the end of the first minute. The band lists New York hard-core legends Minor Threat as one of their influences and the heavy, gritty guitars and distorted amplifiers are there but “Come Clean” masterfully covers them with haunting harmonies that reminds us of the classic Tool or maybe even more accurately, The Perfect Circle. Luke Powell’s powerful set of lungs shatter the poetic lyrics into shreds but somehow it goes perfectly well with the music. Our only complaint is that the track is a bit too short, yet it is a matter of individual taste. In our opinion, additional 20-30 seconds would allow the song to develop a bit better and keep its natural flow. It is not a big flaw, rather leave  the reviewer wanting more, which is a great thing.

Another great shot by Rhys Morgan

Second song entitled “Swansong” is much longer at 5 minutes and 13 seconds. Again slow beginning, with nearly spoken word vocals, mid tempo that gradually evolves into dramatic and vibrant finish. It is very hard to put it into a single genre – there is a bit of hard-core, a bit of progressive rock, mixture of clean and  growl vocals. If we could say, Swancong is something of a Faith No More, meets Fear Factory (Burton C Bell type vocals) with The Streets and a fellow Welsh metallers, Taint thrown into the concoction. Both songs were solidly mixed and produced. In short this is a professionally prepared demo from a band that`s on a good way to great things.

The double single comes with beautiful photographs taken by Alexandru Olteanu and cover art made by Robert Paterson.

Final mark: Highly recommended!

Promotional photography by Alexandru Olteanu

Mudlark
Luke Powell (vocals)
Wesley McCarthy (lead guitar)
Benjamin Morgan (rhythm guitar)
Nick Giles (bass)
Jack Williams (drums)

Hometown: Caerphilly

Bio: Lifelong friends from the Welsh valleys who write melancholic, poetic and dark oddities.

“Swansong/Come clean” two track single
Release date: 05/07/2017

Written and performed by Mudlark

Engineered by Rhys Morgan – https://twitter.com/rhysdrums
Produced by James Minas – https://twitter.com/minassound
Artwork by Robert Paterson  – https://www.facebook.com/robertpatersonart/
Photography by Alexandru Olteanu  – https://www.facebook.com/not.nanu
Video by Stone Letter Media  – https://www.facebook.com/stonelettermedia/

Second picture by Alexandru Olteanu

You can find more about Mudlark online:

Booking and interview requests:  mudlarkmail@gmail.com
Bandcamp:
https://mudlarkuk.bandcamp.com/releases
Soundcloud:
https://soundcloud.com/mudlarkuk
Instagram:
https://www.instagram.com/mudlarkuk
Facebook: https://www.facebook.com/pg/mudlarkuk
Youtube:
https://www.youtube.com/channel/UCKwB_UXUDEVppX7dUrbNE2w

Swansong video:

Frankenstein’s Ruth video:

If you’d like to have your music featured on Indieterria, please send links to your Soundcooud or Bandcamp pages 3 or 4 pictures and a bio to rdabrowicz at yahoo dot com. Please note that Vanadian Avenue do not accept mp3 or zipped files. Also, please give us a week or two to listen to your music and write the review!

Thank you and see you shortly.
Rita and Malicia

———Update 2018/04/14————

Canvas EP cover

After several months of being relatively quiet, our favourite Caerphilly based hard rockers, Mudlark returns with a new digital EP  entitled “Canvas”. We are extremely pleased to announce that “Canvas” is even better than “Come clean/Swansong”. We sincerely loved their  previous EP and we thought that recording something even better will be hard to beat. We admit, we were wrong!

Instead of four tracks, “Canvas” offers only two new songs: an epic 11-minute long “Stare at the Sun” and nearly five-minuter “Death Lessons”. As before, all songs were written by Mudlark and produced by Rhys Morgan.

The first track “Stare at the Sun” opens with a prolonged beginning with heavy, distorted guitars and melancholic vibes that would make Paradise Lost turn green with envy. Luke Powell’s monotonic, almost spoken-word monologue reminds us of  Johan Edlund of Tiamat (circa “Wildhoney”era) that quickly turns into a scream and then morphs into a crystal clear singing. The music is again layered and each layer seems to represent a different genre. You can find progressive rock, metal, heavy metal, college rock, math rock and psychodelic music. All in one yet perfectly mixed into what we can only call a classic Mudlark sound.

In comparison to “Stare at the Sun”, second track, “Death Lessons” is composed with much more simplicity. It has a gothic feel to it and is much more heavier which we liked a lot. It starts slowly, builds up quickly and finishes with crazy guitars, galloping drums and heavy bass line. Mudlark prepared a black and white video to this song which you can watch it below:

We truly hope that the departure of  Nick Giles (bass), will not mean the end of the band. Mudlark has a lot of potential and very unique style that is hard to find among  post-britpop and alternative rock outfits that dominate the indie circuit.

We keep our fingers crossed and hopefully we will have the pleasure to review further releases from them.

You can purchase/and listen to Canvas online:

Spotify: https://open.spotify.com/album/1swXNojvoh5fv8YQvKR9CF?si=MiRtRcLpQmarOWUBX9Qzbg
iTunes: https://itunes.apple.com/album/id/1366468517
Bandcamp: https://mudlarkuk.bandcamp.com/album/canvas
Soundcloud: https://soundcloud.com/mudlarkuk/sets/canvas
Google Play: https://play.google.com/store/music/album/Mudlark_Canvas?id=Bokd5hokn76xetdrxsd5qq22jhi
Amazon: https://www.amazon.co.uk/Canvas-MudLark/dp/B07BVPFDCD/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1523700515&sr=1-1-mp3-albums-bar-strip-0&keywords=canvas+mudlark
YouTube: https://www.youtube.com/watch?v=WRMy-NderSk

 

Malicia and Rita Dabrowicz

Interview Logs: Val.Ium of Pist.On

Hello everybody!

We had a few days off but now we are now back into action! As you can see, we are still going through our archive and we are finding a true treasures there. This is the oldest interviews we have ever conducted! In 2002, Rita and Mal have been contacted by one of the journalists from Polish Radio Programme 3 to create a fan led music website that was to be called “The Rock Service”. Unfortunately, the project never really took off and we were left with several interviews and lots of materials.  Please read our conversation with the to incredible bass player Val.Ium. Enjoy!!

Interview with Val.Ium (ex – Pist.On)

There are not many women in metal music. Val.Ium, a bass player for New York City based band Pist.On is a notable exception. Known for her incredible skills and stage performance, Val took the male dominated music world by storm. The following interview has been conducted in April 2003 for a “Rock Service”, a fan created music website in co-operation with Polish Radio Programme 3. Sadly, the project never took off,  but the interview has been placed on PistArmy website two years later. Now updated with new information, it proves that the legacy of the band still lives on!

Part I: Life before music

Vanadian Avenue: You are one of the world’s top female bass players. What made you to pick up the bass guitar for the first time?

Val Ium: Well, I had originally learned to play the piano as a child, but, when I got into my teens, I developed an attraction to the heavy thumping beats of the bass. Once I met Henry, he wanted to switch over to the guitar, as he was originally a bass player as well, so, I just practiced my ass off so I could keep up with him.

Vanadian Avenue: You were raised in a religious family. You even attended two Catholic schools for 12 years. Do you think your childhood had any impact on your adult life?

Val Ium: Look at what a freak I am. What do you think?! 🙂

Vanadian Avenue: I know that The Cars are one of your favourite bands. Can you name your past and current favourites?

Val Ium: I grew up when MTV had just begun, so I was exposed to everything from Devo to Judas Priest and I’m thankful for that! MTV today in theUS sucks! I hear very little new bands that I really get excited over; I get more excited listening to the old metal bands; Priest, AC/DC, White Zombie, Motorhead, etc.

Val interview page 1, all rights reserved

Part II: A life in Pist.On

Vanadian Avenue: Was Pist.On your first band?

Val Ium: It was my first serious band! I played in a few others that I consider “practice” now looking back.

Vanadian Avenue: Pist.On was described by many music journalists as a cross between Metallica and Paradise Lost. True or false?

Val Ium: I never even heard or heard of Paradise Lost until we signed with their manager. I think the Metallica thing was a result of Josh Silver making Henry sings like Hetfield on that first record. They were never considered an influence though!

Vanadian Avenue: You are good friends with Type O Negative. Your first record “Number One” was produced by Josh Silver You can be also heard singing on one of their records – “October Rust”. How do you recall working with them? Are you still in touch?

Val Ium: We don’t really keep in touch at all anymore. We’ve all basically gone our separate ways in life. I sang on “In Praise of Bacchus” because I was there during the recording and I worked cheap!

Vanadian Avenue: Does Peter Steele scare you?

Val Ium: I would think that  I scare Peter much more than he could ever scare me. I’m sure he’d agree.

Vanadian Avenue: Shortly after finishing your debut album guitarist Paul Poulos and drummer Danny Jam Kavadlo left the band. Later your second drummer – Jeff McManus was told he had only six months to live plus you had numerous other problems not easy to solve. Bad luck, curse or a fatal fate?

Val interview page 2, all rights reserved

Val Ium: All three!

Vanadian Avenue: Ok, what’s the story with dropping the dot in your name for Atlantic label in the US?

Val Ium: Atlantic Records refused to release anything that “referred to bodily fluids”. We were against it from the beginning but no one ever cares what the band thinks when that much money is the issue!

Vanadian Avenue: After releasing your second album $ell.Out your band went on hiatus. Henry have satisfied himself that Pist.On wasn’t active for almost year and a half. He said, “My current [back in 2001 – Rita] situation made me attempt to disappear from the human race for the past three months”. – Can you tell what happened?

Val Ium: Allegedly he went into a deep depression, but looking back I think he just needed a little attention and knowledge that some people still cared.

Vanadian  Avenue: In statement published in January 2001 on your official web site you wrote, “We realized that we are happier being miserable together than being miserable apart and beside that we all tried to join other bands. But nobody wanted us so we are all doomed to stay together forever.” But six months later you have announced your departure from the band. Why?

Val interview page 3, all rights reserved

Val Ium: Because I was tired of trying to hold things together. Looking back I realize that it was just a selfish effort I made to keep the band going when no one else really wanted to do the work anymore. It was probably a mistake, but, if it did nothing else, it made me realize that I definitely had had enough. I regret things turned out the way they did to this day, but, it was a question of whether or not I wanted to keep my sanity. I chose to keep my sanity.

Part III: Life after the band

Vanadian Avenue: Ex bands should be remembered fondly. What was the best thing that has happened to you while being in Pist.On?

Val Ium: Without a doubt the two things I am proud of; the friends that I made whom I still keep in touch with and the places I got to see and things I got to do that very few people are lucky enough to. Meeting some big rock stars wasn’t too bad either. 🙂

Vanadian Avenue: “Val will be missed as she was my friend and my business partner for many years, but the show must go on”. These are the words of Henry. Is there a band without Val.Ium?

Val Ium: That’s a question for Henry to answer!

Vanadian Avenue: In an interview for Delirium mag, you said, “I’m pure evil … don’t come near me.” Are you still that angry?

Val Ium: No, my anger ran out when I left PistOn I think. My bitterness remains, though.

Val interview page 4, all rights reserved

Vanadian Avenue: You used to write for British edition of “Metal Hammer”. Do you plan the return of “Vanity Case”?

Val Ium: I doubt “Metal Hammer” would care to hear from me at this point!

Vanadian Avenue: What are your plans for the near future?

Val Ium: I am going to school to get a degree in textile design. (In May 2012, Val graduated with MA degree in Social work from Silberman School of Social Work at Hunter College – Rita)

Vanadian Avenue: Is there anything nice you would like to tell your hard core Polish fans? 🙂

Val Ium: Sure. I’d like to say that I appreciate every moment that I was fortunate enough to live my life as a musician. There is nothing like it in the world and I encourage anyone who wants to do it to work hard and not give up, as long as the fire burns within you. I also say thank you to YOU for even being interested in listening to me!

XXXOOOO Val

Interview and layout
by Rita and Malicia Dabrowicz
Pictures used with permission, all rights reserved

Important links:
https://www.facebook.com/valerie.kaye.33 – Val’s official Facebook page
https://www.instagram.com/dollyofthevals/ – Val on Instagram
https://www.facebook.com/PistArmy/ – fan page on Facebook
www.pistonline.com/pistarmy – a fan website dedicated to Pist.On
http://en.wikipedia.org/wiki/Pist.On – Wikipedia entry for the band

Thank you so much for reading!

The PDF version of this interview can be seen here:
https://cocamidemea.files.wordpress.com/2012/05/val_interview.pdf

The Issuu version can be found here:
http://issuu.com/vanadianavenue/docs/val_interview

First publication of this interview was posted on Pistarmy website several years ago and still can be seen there:
http://www.pistonline.com/articles/rita/

A screenshot showing the original interview at Pist.On official fan website

A screenshot showing the original interview at Pist.On official fan website

Screengrab to show our interview being featured on Pist.On official fan page

Screengrab to show our interview being featured on Pist.On official fan page

As with other interviews, please do not re-post them without our approval. It happened to us many times and we consider it stealing, even if you provide links! Please write for permission first. any questions? Rdabrowicz at yahoo dot com.

Muchos gracias,
XXXX Rita and Mal

****Update 19/05/2017****

Screenshot from the fundraiser for Val Kaye – the campaign raised most of its funds in 6 hours and is trending!

A lot of time has passed since we updated this particular entry but now we have a good reason.
Valerie Kaye – the fearless former bass-player of NYC heavy yet melodic outfit Pist.On needs our assistance and we are more than willing to step up to the task.

Known under her stage name Val Ium, Valerie recorded and toured with Type O Negative and Marilyn Manson among many other biggest acts of the 90s. Now Val pursues a new career in a new state. However due to unfortunate circumstances she lost a car that is vital in her current situation.

It will cost a bit to get the car back – so please help out. Any donation counts.

https://www.gofundme.com/please-help-val-get-her-car-back

As a thank you – here are some scans from our personal archives of metal madness featuring Val.Ium in all her glory:

Val.Ium on a feature in Metal Hammer UK, 1997

Val.Ium in Metal Hammer UK, 1997

Val.Ium featured in Metal Hammer UK, 1997

Val.Ium on a feature in Metal Hammer Poland, 1996

Love and kisses
Mal+Rita

 

****Update 20/05/2017****

Val reacting last night to the fundraiser. How awesome!

You people are incredible. No seriously, you are all rock stars in your own right. What happened last night is just awesome. In just one day the goal of the fundraiser was met and currently it stands at $3,130

That means Val may recover her car and pay all the necessary fees and charges. But let`s not call it a victory yet. We strongly appeal to anyone who wishes to still contribute – do it. Help Val to assure she can safely be back on her road to build a new successful career. It ain`t easy, and if you can offer a helping hand or few bucks or RTs, we all will be grateful.

https://www.gofundme.com/please-help-val-get-her-car-back

“We rise by lifting others”
-Robert Ingersoll

We promised ourselves that if the fundraiser reached $3000, we would post more images from our musical archives. So here they are:

Close up of Val from Pist.On debut album #1

Pist.On with Val on their debut album #1

Val and the boys on second album Sell Out

Val on the sleeve of Pist.On second album – Sell Out

Keep on rocking good, good people of the world
Mal+Rita

 

****Update 21/05/2017****

Tattude Lady website logo

The fundraiser is still going and we are now at £3275! So it is only fair to reach down to our archives again and share some more Val.Ium related goodies. Did you know that Val used to have her own official page called Tattude Lady? It is now offline but guess what – we have saved portions of it so you can get to see it.

Main page

More screens recovered from old website

Some good old sarcasm from Valerie – she is known for it.

Page debuted around 2000 – and it may look very simple by today`s standards.  However remember  that Valerie was one of the first in the business to actually have her official page. And she was to our knowledge the only bassist in metal community to maintain this side of business at that time.  It was through Tattude Lady that Val communicated her departure from Pist.On to her fans by publishing a special interview (another first in metal world!)  – you can read it below, and it makes a fantastic addiction to our own interview with Val.Ium. See, we do spoil you!

Interview p1

Interview p2

Interview p3

That was the beauty and tragedy of Pist.On – they were ahead of their time by at least a decade, both musically and business wise.

We kind of wish Tattude Lady was resurrected.  Perhaps one day it will.

All the tours that Val.Ium was on

Please continue to donate. We still have few things in the archives which we are willing to share.

https://www.gofundme.com/please-help-val-get-her-car-back

xxxooo`s
Mal+Rita