Indieterria meets Dharma Bums

Howdy!

Welcome back to another edition of Indieterria, where we discover new and exciting music. After speaking to the wonderful Nic Evennett two weeks ago and receiving many nice comments regarding the interview (including a praise from the legendary musician and radio DJ, Tim Robinson himself!), today we will introduce you to a 4 piece outfit from Worcestershire that plays rock and blues better than the cowboys from the American West.

Dharma Bums are incredibly nice folks and it was a privilege to talk to them. If blues, country and a jazz fusion is your thing, you cannot miss them! Please read on.

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Welcome to the Wild, Wild West Midlands

 

Dharma Bums at the Abbey Road Studios in London

Inspiration works in mysterious ways. Sometimes you are not even interested in making music and you end up forming a genre defining band with your school mates or friends living on the same street. Or you could be a professional musician, for years struggling to find same minded people to play with.  Luckily for us, all members of Dharma Bums were in the right place, at the right time and clicked together immediately. Their instant communication, understanding of one another and simple joy of working together can be heard in their every song. It was a pure pleasure to listen to their EP entitled “Nothing to lose blues”. Vanadian Avenue took The Bums leading outlaw, Kevin Wrench to the nearest saloon to discuss their previous musical experiences, love for blues and their new material over a bottle of finest whisky and a game of cards.

Kevin Wrench – Vocals/Guitar
Dave Shuter – Lead Guitar/Harmonica
Jon Green – Bass
Thomas Paine – Percussion

Your biography mentions that Dharma Bums were formed in 2015 yet all the members have been active on Worcestershire music scene for years and were involved in several different projects before. Tell us how did the band start and introduce all the members to our readers.

Kevin Wrench: Dave Shuter (lead guitar/harmonica) and myself initially started playing together early in 2015. Dave’s wife lived just up the road from where I grew up and after chatting to her on Facebook one evening, Dave and me got together and instantly hit it off. We shared an appreciation for blues and in particular, Robert Johnson. Dave had never met anyone, who was as keen on Robert Johnson as he was before the two of us met. Dave & his wife performed in a function band together for a number of years but they hadn’t gigged for quite some time when we first met. Dave’s patience has really helped me improve my own playing. He’s one of the most easy going  and nicest guys I know.

I’ve been interested in making music for years but could never quite find the right outlet to pursue it. I’ve never been a particularly confident performer and as a child, I was painfully shy. It has taken a number of years  and a bit of effort forcing myself out of my comfort zone in order to get to the point where I feel happy performing or sharing my music with anyone.  Some time ago I had guitar lessons  and played on and off for years but never really considered writing songs myself. I had some singing lessons around 2009 and did ABRSM Grade 5. The popularity of Michael Buble at the time coupled with my grandfather’s influence. He was a big admirer of Frank Sinatra and led me to collaborate with a couple of local pianists. Together, we performed mainly swing/jazz covers at local restaurants.

In 2013, I was approached by a producer friend about writing some songs for a solo project. Unfortunately, that project never quite came to fruition although I may re-record the four songs I wrote at some point in the not too distant future. Essentially, that meeting was the spark that ignited my passion for song writing. I also appeared in a couple of musical shows at the Rose Theatre in Kidderminster; that was where I met our percussionist Thomas “Tom” Paine. Two years later, while volunteering at The Civic Hall in Stourport, I organised a monthly music night called ‘Live Local’ which featured a variety of local artists. As well as being a rewarding experience, it also ended up being a massive inspiration as I was bowled over by the amount of talent in the local area and that ultimately inspired me to seek out some musicians to start a band myself.

Walking down the Abbey Road

Our drummer Tom has been a member of two local amateur dramatics groups for a number of years. In fact Tom`s whole family are members of both Kidderminster Operatic & Dramatic Society (KODS) and Carpet Trades Musical Theatre Company (CTMTC). Tom plays a variety of instruments and joined us around November 2015. He had never played the cajón before he joined us and slowly but surely, we’ve discovered more & more things that Tom can play which has greatly added to our overall sound. Only last year he was bought a banjo as a present and learnt several songs on it already. Tom grew up in a family where performing is second nature. He is a very gifted  and versatile musician.

Out of all of us, our bass player Jon Green has had the most experience in terms of being in bands, he’s played in several different bands since the age of 14, ranging from Rock to Crust Core Punk. A couple of the bands Jon has been involved in previously have been signed to record contracts. Jon is also a multi instrumentalist who plays the bodhrán and recently started learning the violin to bring something a bit different to our sound. Jon has performed all over the UK including London and even toured in the US. Jon’s daughter Ellisha Green is an extremely talented singer/songwriter and Ellie has also performed with the youth section of KODS, which is how Tom and I met Jon as he was often involved helping out backstage.

As I’m sure you’ve gathered by this point we combine a variety of very different backgrounds but we all share a passion for making music.

Right at the end of 2017, Dan Mathew joined us on percussion. Dan is also the drummer for The Bug Club who are another great local band and already he is proving to be a tremendous asset to our line-up. He has given the new songs we’re currently working on a much more dynamic sound.

“The Dharma Bums” is the title of the 1958 beat generation classic novel written by Jack Kerouac. It is also the name of an American garage band that influenced many pre-grunge groups in Seattle including Nirvana, Hole and Green River. What inspired you to take on that name as well? How are you going to distinguish yourselves from your American counterparts?

Kevin Wrench: That would be down to me. “The Dharma Bums” is one of my favourite novels and I’ve loved Kerouac’s work for years. He was a pivotal figure in the Beat Generation of the 1950’s counter culture which was very much a forerunner to the psychedelic 1960’s. It influenced some of my favourite artists including The Doors and The Beatles. My partner and I travelled quite a bit in our early 20’s and on our travels we visited Morocco and stayed in Jack Kerouac’s room in Tangier. Jack and Alan Ginsberg stayed there for a couple of years writing. In fact, I popped the question to my partner Sarah in Jack’s room when we arrived there!

After I chose the name, I realized that quite a few bands had used it. I did do a bit of research before picking it, but must admit, I didn’t realise that the other Dharma Bums had reached such a wide audience. I’m sure though if they truly are “Dharma Bums” they won’t have any issues with us using the name too and our sound is very, very different to theirs.

 You have just released a video to your song “Ballad of El Chivato“. It was directed by twice award nominated film maker Nick J. Townsend of Weak13 and shot in Bewdley. Can you tell us more about working with Nick and the story behind the song’s lyrics.

Kevin Wrench:  Working with Nick has been an absolute pleasure. He’s a lovely genuine guy who’s passionate, full of creativity, enthusiasm and he’s been on the local music scene for as long as I can remember. Not only did he produce a fantastic music video for us, but he’s also been incredibly supportive and has been very generous with his wisdom and experience which has been invaluable. I wrote “Ballad of El Chivato” while on holiday in Tenby with my partner and our daughter. It was raining one day so we were limited as to what we could do. We stayed in the caravan and I wrote a song. I’d been reading a book called “To Hell On A Fast Horse” by Mark Lee Gardner which is about the American West Outlaw Billy The Kid. I’ve read many books about the Old West, particularly about Billy The Kid and I’ve always loved songs that tell a story so that’s exactly what I tried to do with this song.

Dharma Bums use a mixture of blues, jazz, country and rock and rock to create their unique sound. Slap Magazine described your music as “cool” while Ryan’s Gig Guide called it “unique and vintage”. What is the audience reaction? Do they like it?

Kevin Wrench:  Audiences tend to respond really well to our music. We’ve picked up some lovely supporters (feel reluctant to say fans) who really seem to appreciate the blend of influences we draw on. As we’re still building our repertoire of original material, we tend to play a mixture of covers and originals at our gigs at the moment, covering artists as diverse as Bob Dylan, David Bowie, Hank Williams, Sam Cooke, Elvis Presley, Johnny Cash, Prince or The Soggy Bottom Boys. We’re writing more and more original songs though, so over time we will increase the number of originals we play and most likely not play as many covers. As I’m sure many other bands will testify, you’re never going to please everyone. There’s been one or two gigs where people drunkenly shout “play Summer of 69” or “play some Bon Jovi” not that there’s anything wrong with these songs/artists but they’re just not to our taste; but for the most part we get a great reaction wherever we play.

“Ballad of El Chivato” is promoting your latest EP entitled “Nothing to Lose Blues” released in July 2017. The 5 track EP was recorded in Stourport and mastered in London at the famous Abbey Road Studios. It must have been quite an experience to work with Sean Magee a Grammy winning mastering engineer of The Beatles, Rush, Deep Purple and Public Image Ltd.

Nothing to Lose Blues cover

Kevin Wrench: Since we started gigging, every penny the band has earned has gone into an old biscuit tin and has been accumulated to pay for recording, mastering, producing a video and paying for our CDs to be printed. We feel it’s better to create memories like visiting the legendary Abbey Road Studios, rather than taking a quarter share of gig money and then having to contribute towards these costs anyway after we’ve spent the money. Obviously, visiting Abbey Road wasn’t cheap, but it was paid for entirely out of the kitty and is an experience that none of us will ever forget. All four of us stayed together in London as well as our time in the studio, we had a great time.

“Nothing To Lose Blues” features a wide array of local musicians including George Alan on trumpet, Chris Yates on piano and Matt Worley on banjo. The EP cover was also designed by an established contemporary artist, Craig Simmons. For a debut record, the guest list is simply impressive. Was it hard to bring so many creative minds to the same project?

Kevin Wrench: When I first thought about starting a band, I always imagined the line-up being flexible and being able to work as a collective melting pot of various creative minds able to operate across a variety of genres. This was a very romantic notion for an amateur band and I’ve since come to realise that it’s important to have a strong bond amongst the core members of a band. That’s not to say that we can’t invite other local musicians to make guest appearances  and I think our next record will be very similar in that respect. I met a lot of musicians while organizing ‘Live Local’ at The Civic in Stourport and I made a lot of friends in the local music/artistic community. I’ve become quite cheeky and not afraid to ask others to be involved. We never tell people what we want them to play, we invite them to play because we know that they will bring something of themselves to our recordings. We were blessed on this first recording to get George, Matt and Chris on board, they are all extremely talented guys and we hope they will be involved on our next project. We also hope to invite several other local musicians to be involved. Craig Simmons is an incredibly talented local artist  and luckily for us, he is friends with Tom. We think he did an awesome job on our artwork  and we very much hope to be able to work with him again on our next release.

Rumour has it that you are beginning to work on a new material. We heard that you have wrote a protest song called ” Sell Your soul”. Would you like to elaborate?

Kevin Wrench: (laughing) I don’t wish to give too much away just yet but yes this is true. Like many people, I’m a little concerned by the emergence of certain “leaders” in the last couple of years and wanted to write something that communicated this concern that I know I’m not alone in feeling. We’ve already discussed with Nick Townsend about a possible video for “Sell Your Soul” and we’re quite keen to get it out in the public domain as soon as we can. I know some people don’t like it when musicians incorporate their political opinions into their music but I think it’s difficult not to sometimes as it effects us all  and our opinions are just as valid as anyone else’s. We’ve also got a couple of bluesy numbers  and a pirate shanty inspired folk song which will appear on our next record.

Dharma Buns performing

Dharma Bums has just been confirmed to perform at WolvesFest in Wolverhampton on 16-17th of June 2018. Where else can we see you playing live? Any coming up shows to look out for?

Kevin Wrench:  Our calendar is filling up quite nicely at the moment with new dates being added regularly. We’ve not pursued too many gigs in this early part of the year as we wanted to focus on writing new material and also we wanted to give our new percussionist Dan chance to settle in. We’re playing at The Swan in Stourport on 1st March and at the Cock & Magpie on 14th April. We’re currently arranging dates with many of the venues we’ve played at over the last couple of years, so if people wish to keep up to date they could check out our Facebook page  at http://www.facebook.com/dharmabumsuk.

And finally, a question that has to appear on every interview: where do you see yourselves in 5 years time?

Kevin Wrench: Wow, that’s a big question! I see us being maybe 2/3 albums further along with a lot more of an established fan base and maybe even having travelled to America to possibly have used a studio over there for mastering and with a bit of luck picked up a few gigs while we were there. I’d also like to have done a couple of mini tours in the UK, maybe also in Ireland and I’d like to have gigged in London. I’d also like to think we would’ve had a bit more airplay which seems to be the most difficult thing to acquire, particularly if you fall outside of the mainstream musical spectrum. The ultimate aim would be able to give up the day job  and focus full time on music. I don’t think any of us are naive enough to believe we’ll achieve fame and fortune but there are plenty of musicians out there who are not household names but still manage to make a good living from their music.

Dharma Buns review from Ryan Gigs Guide

Dharma Bums can be found online at:

Facebook: https://www.facebook.com/dharmabumsuk/
Bandcamp: https://dharmabumsuk.bandcamp.com/
Youtube: https://www.youtube.com/channel/UCkOHwhVl706lJQxVJB0fLcA
Spotify: https://open.spotify.com/album/5Ex1lCGaJ20okS35pfwa2O

Articles about the band:
http://www.kidderminstershuttle.co.uk/news/15888601.Kidderminster_band_brings_a_touch_of_the_wild_west_to_district
http://www.stourbridgenews.co.uk/news/local/15888670.Stourbridge_film_maker_brings_wild_west_to_Bewdley
http://www.kidderminstershuttle.co.uk/news/15369035.Kidderminster_band_to_release_debut_EP_next_month/

You can purchase their music here:
CDBABY:
https://store.cdbaby.com/cd/dharmabums12
Amazon Music: https://www.amazon.com/Nothing-to-Lose-Blues/dp/B0742979NT
iTunes: https://itunes.apple.com/us/album/nothing-to-lose-blues-ep/1261253519
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If you think we have missed some excellent tune, a future rock star or a band that is worth listening to, please kindly let Vanadian Avenue know and we will be more than happy to feature them on our blog. We are constantly on the lookout for independent artists and we will always help in any way we can. We do receive a lot of requests so please give us some time to properly listen to your music and read through attached links. It sometimes can take a week or more but if we like what you have sent us, it will definitely be featured on Indieterria.

We do specialize in rock and alternative music, but we appreciate all genres, from A(bba) to Z(ZTop)  so please don’t be discouraged! All requests should be sent to rdabrowicz@yahoo.com and contain links to Soundcloud, Bandcamp or Youtube videos. We do accept mp3’s but please limit them to 2 or 3 only – choose the best ones that represent you and your musical style. We will also need 3 or 4 pictures (good resolution is essential as they will be used to illustrate the interview or a review) and a bio. You know, the bare minimum needed to show the world how good you are. Vanadian Avenue undertakes a thorough research and we try to present each featured artist in a professional way. Interested? Drop us a line!

Thank you and Indieterria is always pleased to hear from you!

Rita and Malicia Dabrowicz

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Indieterria meets Nic Evennett

Nic Evennett – A Song to a Siren

 

Nic is also a skilled photographer doing all her publicity shots herself.

Welcome to the new chapter of Indieterria, where we profile artists on the unsigned/independent circuit that bring something new to the audiences. We want to introduce you to incredible artist, poet, photographer and composer based in Kent – Nic Evennett.

Nic not only records and mixes her own compositions, staying true to DIY ethics of the genre. She also built quite an impressive profile as a studio based artist. She is not touring, not playing the popularity games on social media. And yet appears on national radio and enjoys a wide network of collaborators. She is passionate and driven. Talking to her was a privilege. Please read on.

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You have the most unconventional biography we have ever seen. It reads: “I bash the piano and stuff”. We were expecting few home-made demos but found a whole catalogue of songs, an established artist who have been on national radio and comparisons to Kate Bush. Not exactly just piano bashing! Would you like to introduce yourself to the readers of Indieterria?

Nic Evennett: Well, firstly, thank you so much for interviewing me! I’m all flustery and excited! It’s a real honour, and it’s my very first proper interview.

I remember Tom Robinson saying something about the “I bash the piano and stuff”, commenting that is was self-deprecating, and I think self-deprecation sums me up quite well! Your question is one that always makes me (pauses) clam up, somewhat. I find talking about me incredibly hard. I doubt that’s uncommon. It’s much easier for me to just quote what somebody else has said about me. But I’ll have a go here: I am Nic, a singer-songwriter from Kent, United Kingdom. I’ve been bashing the piano since I was 7, studied music for a while, had a long break, and then really only turned to song-writing about five years ago, or so. I also love photography, being out in nature, listening to Buddhist talks,  meditations, and eating cake, in no particular order. There. I did it. (laughs)

Nic Evennett through her own lens

Your song “Outside” debuted in January 2017 on BBC Introducing Kent  to very favourable reviews.  Listeners described it as “outstanding” and “mesmerising”, while BBC staff was also visibly impressed. Not a bad start of the year. Did you expect such reactions?

Nic Evennett: No, not at all, and certainly not for that particular song. It was a lovely surprise, and I am so grateful to Abbie McCarthy at BBC Introducing Kent for including me in that show. It’s funny. Many of my songs are kind of dredged up from some depths – something that needs exploration, then gets twisted and turned into music and poetry, trying to find some resolution, and then splattered out into song. And I come out the other side thinking, whooof, I needed to get that stuff out of my head. “Outside” didn’t work that way, which is very rare for me. I just liked the riff! And I think it was the riff that got me a foot in the door. I think my music generally tends to be more meandering, more spacious, and that doesn’t always lend itself well to radio play. But this one is a bit livelier. And yet, I reckon it’s probably in my own bottom three! Funny how it works.

“Outside” also found itself on the rotation at the Channel Radio and Strange Fruit Radio. Your next offering – “Hurry” – went even further and was voted “Song of the Week” at the Strange Fruit at the recommendations from listeners.  We know it was a digital release but we will still call it a beautifully crafted ballad. Any inspiration behind that song?

Nic Evennett: “Hurry” is much, much more from the heart. Like all my songs, well, bar “Outside”, they really are little windows into my heart and mind. And as somebody who loves words, loves playing with and manipulating language, and somebody who in many ways is quite private, my lyrics tend to be deliberately ambiguous. I suppose it’s a little safety net for me in some ways – only those who truly, truly listen can see through the windows. But also I love the idea that the songs can be whatever you want them to be about. Once they are out in the world, I really don’t see them as my songs any more. They just float about for people to borrow and use and sink into when they need to. So some people have questioned the lyrics to “Hurry” – mainly asking what in the world does it all mean. Which is a good question that I’m not sure I have the answer to! I think it’s about somebody reaching a point where they want somebody else to intervene; take away bad memories, tough stories. “Hurry” has a funny time signature too, which is meant to depict waves rolling in and out. The sea features quite a lot in my songs. Or rather, nature does. Sea, rivers, the moon, the seasons, the sky, trees. I can’t think of a song that doesn’t mention nature, actually.

Collages created by Nic often include poetry or lines from her lyrics.

You have been featured several times on national radio BBC 6 Music (singles “Somehow” and “Where We Are The Forest”) and by Tom Robinson himself. Now this is not just mere luck. It is quite hard to get through all the vetting for the “MixTape Show”. You did it more than once.

Nic Evennett:  I think that Tom is just blimming lovely and kind! In fact, that was a lovely surprise too because neither “Somehow” nor “Where We Are The Forest” got short-listed! It was picked by a few people, but not enough, and I felt thoroughly deflated. But I think Tom ultimately decides what he wants to broadcast and added me both times, which was so lovely of him. It’s people like him that truly help the likes of me. I think there are two strong divisions in music – those who will push hard at the self-publicity bit and have a lot of confidence in what they do, and then folk like me, where none of that comes naturally or comfortably at all. I worry that the folk in the latter never get heard, never get found. There is a difference between being confident and wanting to be heard. An artistic voice can be so, so important for people who lack confidence, self-esteem, or who just struggle generally. So having a platform where you can submit songs and they are judged in their own right, without the need for self-promotion or long-winded bios, is essential. And wonderful. The Fresh Net team do a superb job. Love ’em.

You have about sixteen songs on your Bandcamp and Soundcloud profiles and they are produced and recorded to highest quality. Moreover, we see that certain songs are mixed by other artists. Are they really home recordings or have you invested in professional studio?

Nic Evennett:  Well, that made me beam! Know why? Mixing is the bane of my life! I never feel I get it right. Or I think I have got it right, and find it’s completely wrong. My ‘studio’ is the spare bedroom and I share it with drying laundry, stuff that should be in other rooms that I haven’t got round to putting away, and the dog. In most recordings you can hear the birds in the tree outside. Most songs have had a few dozen takes after bikes decide to whiz up and down the road, or somebody has slammed a front door, or somebody has yelled at somebody else, and then there is much quiet swearing from me and we go again. I tell myself that there is something…lovely and organic in home recordings, which in truth I think there is, but that only seems to apply to everybody else but me. I really love listening to songs with other sounds going on in the background. I love listening to songs where the mix isn’t perfect and there is a rawness to it. But if a bird has tweeted out of place, or I have made a vocal tick somewhere, I am very hard on myself about it all. So to hear that is wonderful. I shall try not to give myself such a hard time from now on.

Besides your solo compositions, you are involved many collaborations, two main projects being Return To Mountain (with Steve Gleason) and Silent Reasons (with Frank Cable).  Would you like to tell us more about them?

Nic Evennett:  Ah, I love working with Steve and Frank. I suppose they are two I work more regularly with and I feel a deep musical connection with. They are both gorgeous souls all round, and that is important to me. I have done work with quite a few folk, though. Robert Pabst, from Cinematic Dance Music, is a genius and did a super Bond-style remix of my song “Hold On”. We have done other projects together that I have loved working on. And I also work with a chap called UNJAY, who is big on his Future Bass – a genre so far from what I do and yet I find so interesting to do the vocals for. Not to mention other fabulous musicians I have been honoured to work with. I am very lucky to have these folk encouraging me and inspiring me.

Your back catalogue is available on US based streaming platform Pandora. The service describes you to their subscribers as “delicate mystery, warm and lustrous, yet fragile and crystalline – a bewitching blend of Kate Bush and Linda Perhacs, surrounded by dolorous, reverb-drenched piano and woven into broken-hearted balladry”.  This is the very first time we have seen an indie artist being compared to Kate Bush and we have to wholeheartedly agree. Are you able to  tell us how well are you received on Pandora?

Nic Evennett: Being compared to Kate Bush is just crazy, isn’t it? I can’t get my head around that one. Kate is in a league of one. She truly is an astounding musician, poet, artist, woman. So my name in the same sentence as hers makes me feel both thrilled and baffled. And maybe even a bit scared. And Andee Conners from Pandora, was the very first person to write a review on me and for that I love him to bits. What an amazing first review. It’s something I read when I am feeling anxious about my music…so I read it a lot. I’m so grateful to Andee for that. As for how I am received, I have no idea! We can’t get Pandora in the UK and nor can I access any listening figures or anything. Actually, I quite like it that way. It is a little mystery. I have no idea when or if my music is being played.

It is quite hard to describe your music. There are piano based ballads, but also loops, possible samples, elements that remind us of trip -hop. If you were to give yourself a label, what genre would you subscribe to?

Nic Evennett:  It is hard, isn’t it?! I never know where to stick myself, category-wise. Something might jump out at you as trip-hop in style, and then a choir will burst into life (well, just me really, layered up a hundred times) and throw you off the scent. It throws me too! The term ‘alternative’ gets used a lot by folk who have no real home and who travel between genres, so I tend to opt for that one. ‘Odd’ is another one. Or ‘a bit mixed up’. Any of those could apply to me (laughs).

Recently you spoke about limitations imposed on artists due to health reasons. You said: “Folk with chronic conditions need to be heard in more ways than one. I often feel sidelined for not being able to give a gig list or tour dates. I can’t be alone.”  We would like you to elaborate a bit more on the topic, because we think there are still many people in the music industry who do not know how to handle artists with chronic conditions or disabilities.

Nic Evennett:  This is a BIG one for me. Personally I have two main conditions that sort of take over my world quite a lot. One is PMDD, which is a devastating condition that few have heard about. Basically, think PMS multiplied infinitely! The second is Fibromyalgia. And other than that, bipolar and other mental health stuff. What a combo! All ‘invisible’ conditions, so like many out there, you’d never know it if you met me. But these things, and mental illnesses like depression or  anxiety are so isolating for many. You may not feel able to leave the house, you may not be even able to get out of bed. So musically, just standing up and recording is an issue for me. My voice is temperamental and reflects how bad things are. Gigging and touring is certainly out the window. I have no doubt I am one of a vast amount of people who love making music, love singing, love playing but hate performing! I am not a performer. And I think in this day and age we shouldn’t need to be. I think it can silence people with, say, mental health illnesses who think that in order to be successful they must be a certain way. They must be the ‘whole package’. Well, personally, this package is dented! It’s rattling around with smashed pieces inside and the paper is all torn! But I still want a voice. I still want to share my songs. I still want to connect to people through music. And I really want others to feel the same, because it just so happens that some of the most beautiful, most moving, truest music I have heard has come from people who struggle in this way; people who have hardly any followers on Soundcloud, say, or few listens. How they use their experiences to create is astounding. We need so, so much more of that out in the world.

The last question is traditionally reserved for future plans. What can we expect from Nic Evennett in the coming months?

Nic Evennett:  Ooo, like any question about the future, I say ‘who knows?’! I have some plans of eventually getting a little EP together, but money is tight, obviously, so I need to find ways of doing this on a budget. Certainly more songs, and I’ve thrown my music into various competitions out there. I would LOVE to have a song used in TV or film. I think music and drama can be such a magical partnership, so I am trying to find ways of doing that at the moment. If anybody out there knows how, please come chat to me! But I am very much a ‘in the moment’ person, so I just live hour by hour, day by day. That way magical things can happen that you just weren’t expecting!

Through her own lens #2

 

Nic Evennett can be found online at:

Facebook: https://www.facebook.com/nicevennettmusic/
Twitter: https://twitter.com/NicEvennett
Soundcloud: https://soundcloud.com/wingless-night
Bandcamp: https://nicevennett.bandcamp.com/
Youtube: https://www.youtube.com/channel/UCiCT_99Cy3p1w0RMCuv1SBA

Return to Mountain ( collaboration with Steve Gleason)

Soundcloud: https://soundcloud.com/returntomountain
Soundclick: http://www.soundclick.com/bands/default.cfm?bandID=540680 (Steve`s page)

Silent Reasons (collaboration with Frank Cable)

https://soundcloud.com/silentreasons
https://soundcloud.com/orionstarband (Frank`s page)

We would like to thank Tom Robinson of 6 Music for introducing us to Nic`s music.  And big kudos to Nic who was patient with us for publishing this interview.  We are hoping to make quite a few updates to this interview in the coming months.

Until the next time.

Mal+Rita

*** Update 01/02/2018***

We are following up our awesome (and highly popular!) interview with Nic! After we wrapped the talk, we still had some questions. We wanted to know what the artists will release this year. And boy, we were lucky. After a bit of nagging, Nic  revealed that her new digital single will be called “Ribbons” and you can listen to it online!

Nic Evennett: There are two versions of this track – this one includes the birds outside Nic’s house.

During our post interview exchange, we also learned that Nic is an advocate for mental health and well-being.  In September 2016,  she released an experimental EP “Three” from which half of proceeds go to charity Mind. The EP includes seven compositions, all recoded during the same week. It was basically a challenge: one song a day while stepping outside comfort zone and using  instruments and arrangements that Nic not used before.

Nic Evennett:  The EP is free to download on Bandcamp, though people can give money if they like and 50% goes to the charity Mind. Might be worth a mention. In fact all my music is free to download, in truth, but we won’t mention that! (giggle)

Three EP cover

You can access the EP from the link below:

https://nicevennett.bandcamp.com/album/three

Nic you are the very definition of awesomeness and a proper legend!

Mal+Rita

*** Update 03/02/2018***

Bone and Thirst EP cover

We knew there was something in the air, when we followed up our interview with Nic. She mentioned EPs and singles. We should have seen it coming really! The hard life of a music writer – you try to nail everything, have the artist in a box, fully explained and  leaving no mystery uncovered. And then this happens – a brand new EP! Dropped in the middle of the night! Ah!

Artists are such incredible beings – they constantly reinvent themselves, they are masters of creativity and no matter how hard you try to figure them out, they are two steps ahead of you. And we love them for it, to be honest.  They keep us on our toes.

We can picture Nic Evennett smiling like mythical Sphinx when she dropped her new EP – “Bone and Thirst” at 4:00 am yesterday.

But we will admit -we are very lucky. We got our interview just at the right time. We won`t complain.

So what can you expect from “Bone and Thirst”? Three songs:  the title track, lead single “Ribbon” and a brand new composition – “Jagged Boy”, incredible poetic lyrics and  two digital photographs.  Nice package.

“Bone and Thirst” is the most experimental of the tree tracks – it blend trip hop and electronica with  mesmerizing vocals, it is full of loops, samples and strange noises in the background that create quite a dark and nervous atmosphere. Nic is shining in this track, her voice just flows and overwhelms you. This composition reminds us a bit of Sarah McLachlan or Paula Cole – it is very cinematic, neurotic and mysterious.

Ribbon digital single cover

On the other hand – “Ribbon” is completely opposite. Nic sings nearly a-cappella accompanied just by a piano and chirping birds. You read it right. There are birds singing in the background though out the track and this is used like accompanying instrument to the piano. What a strangely beautiful duet! Vocals are stripped but in the lead, providing a focal point of the composition. We`d think “Bone and Thirst” would make the lead single, with all the production that went into the track, but choosing  “Ribbon” Nic Evennett proved to be very brave, experimental and adventurous artist.

“Jagged Boy” continues with the acoustic feeling. But there is something gospel about it. It feels almost religious, like it was recorded in a cathedral instead of a studio. Nic`s voice is at times multiplied, creating a choir effect. The lyrics is unsettling and mysterious, a lamentation even. If this song won’t give you goose-bumps, please consult a GP. You may be deaf. In both ears.

The EP can be bought from Nic’s Bandcamp page and half of the proceeds will go to Mind charity.

https://nicevennett.bandcamp.com/album/bone-and-thirst

You know what to do, dear readers. Go and get yourself a copy of the EP.

A comment from Tom Robinson!

Also, thank you Tom Robinson for your feedback. We are blushing. It is a great honour as we consider ourselves fans of your music and we have always held your lyrics and writings in high esteem. Much power to you too Sir!

Mal+Rita

Indieterria meets The Americas

The Americas – Something is Happening

 

The Americas – it is rock and roll (and we like it)

There is definitely something really exciting happening in rock and roll at the moment. Bands such as The Blinders, The Idles or The Velvet Hands are like a breath of fresh air. Let’s not forget The Himalayas,  Shame, The Strawberries or Bang Bang Romeo: Then, there are The Americas –  A Worcester based trio quickly joining their ranks. We sat down with the band to discuss a wide range of topics from the appreciation for their music, travelling with This Feeling and performing at the BBC Music Introducing Amplify conference in London to their admiration of Big Moon and the troubles on in the US of A.

 

Harry Payne (guitar/vocals/harmonica)
Aaron Whittaker (guitar/keys/vocals)
Alexander Bradshaw (drums)


Don’t you find it a little bit ironic that the band considered being the hope of the British rock is called The Americas?

The Americas: We are not sure who exactly considers us the hope of British rock music but we guess a British band being called The Americas is always going to be a bit of a talking point! (laughter)

 The band was formed at the end of 2015 and quickly developed a large fan following. Tell us more about your beginnings.

The Americas:  It was a pretty natural thing for us. Aaron Whittaker and Harry Payne were always writing and singing songs, listening to the same records and going out to the same shows. Somewhere along the way, we decided to take it a little bit more seriously and started to jam with other musicians. We poached drummer Alex from a psych band that was doing the rounds in Birmingham at the time and immediately shut ourselves away for a year. We played a handful of one off gigs through the first half of ’16 trying to work out what on earth we were and what sort of sounds we made, but most of those early days were spent throwing ideas around and just hanging out in our little practice room.

You are the only band from Worcestershire that has been included in the famous, This Feeling circuit, a music company that includes band management, a record label, and a series of national live shows. It is run by Mikey Jonns and hosts the biggest names in rock: Kasabian, The Rifles, Noel Fielding, and Noel Gallagher. What does a local band just starting out have to do to be added to their roster?

The Americas: This Feeling have been very kind to us and have offered us a lot of great opportunities this year. We are not sure if there’s a simple tick list when it comes to building relationships and working with promotions companies/record labels or whatever. We just love to play our music for people and we really mean every one of our songs. I think the key is being honest and transparent. There’s a lot of confused music around.

The Americas – photo from band`s archives

You are often described as “music to ride your motorcycle to” but we do not find this accurate. We rather see you as a very intriguing combination of classic southern rock (think The Black Crowes in their Amorica era) with eloquence of the college rock (think Collective Soul or LIVE), a bit of post grunge but with a lot of back ground in modern independent British music: The Libertines, The Sherlocks, Razorlight, Primal Scream. Best of both worlds really.

The Americas:  (laughing) You can listen to us while you ride a motorcycle if that’s what you want to do, but yeah, trying to label/categorise music is always a weird one. We are glad you hear lots of different things in our sound. We listen to anything and everything from Gospel Rock to Motown, Punk, Trip-hop or whatever… You’ve got to keep your ears on their toes so to speak.

 The Americas regularly shares the stages with well established acts. You have supported The Twang at the sold out show at 02 Academy Birmingham, you played along the Bluetones, Blaenavon and Trampolene among others. Is there anyone else on the contemporary music scene you would like to play with?

The Americas: Tons and tons of artists. Our dream show would be to play with Courtney Barnett. She’s a poet and a badass player and she’s just got that magnetism you know? A really, really fantastic song writer. If we’re bringing it a little closer to home, we really dig what those Big Moon girls are doing. We think that would be a sweet show.

Popular online music magazine Gigslutz stated that 2017 belongs to the Americas and awarded you the title of the Best Newcomer 2016. You have beaten several bands heavily championed by national radio stations such as Cabbage or Hinds, a Spanish all female rock sensation with an album on the official UK top 40. How do you feel about it?

The Americas: Yeah that was nice of them. We’d only officially been a band for a couple of months at that point. It’s nice to see publications back completely independent bands.

The Americas live at the Truck Festival in 2017

 Gigslutz praise is not the only one. You have won backing from some of the industry heavyweights: Mikey Jonns of the Feeling, Hall or Nothing music promoter Caffy St. Luce, New Musical Express magazine. Everyone agrees that you stand out of the crowd.  Right next to Soeur and The Assist, you are the face of West Midlands music scene. It must come with some pressure. Did you expect such fantastic response to what you do?

The Americas: We don’t feel pressure when it comes to our music. Only the pressure that the songs themselves demand. The pressure to do each of them justice in our own minds when we go out and play live. We’ve always done what comes naturally to us. If everyone hated the music we write, we’d still be writing it. It’s a personal thing and we get a real kick out of seeing these songs take form. Obviously it’s a great feeling when other people have a good reaction to the material too, and we love it when we look out and people are singing the words back to us. We really love and appreciate our fans for sure.

 On October 7th you performed at the BBC Amplify conference in London in front of a huge crowd. Were you excited? Did you prepare anything special to sweep The Beeb bosses off their feet?

The Americas: We’re always excited to go out and play music together and we’re really happy to have been invited along to perform. The BBC has a really great thing going on in terms of it’s Introducing program. Unfortunately we haven’t prepared any dance routines or indoor firework displays this time (laughing).

In all, Amplify was a great experience for us despite the face that we got told last minute that the slot would be acoustic one so we were a little gutted not to have been able to put on a full show. Saying that though, it was still good to have a few beers and mingle with so many fellow musicians and music industry types. No tricks to sweep anyone off their feet no. We think it’s much more important to let the music and performance do the talking in those scenarios.

Your live performances are usually described as perfectly choreographed and prepared in the tiniest detail, yet they contain a great deal of spontaneity and wildness. It’s the good old rock and roll, freedom and creativity.

The Americas: We absolutely love live performances. Putting on a good show is very important to us. It’s a modern world and there’s not a lot of patience out there and you can see it reflected in the nature of the social landscape these days. Throw-away Instagram/Facebook stories that last for 24 hours and then are lost forever. People scrolling through news feeds, and watching the first 5 seconds of 100 different viral videos and not taking any of it in. It’s hard to get noticed in a world of quantity over quality, but we believe in our material and we play it with passion whether we’re performing to 5 people or 5000 people. We want our audience to feel that passion. We want to help them to feel free, even for a short while.

The sleeve to Something`s Gonna Happen single

Several online websites mentioned that you are about to enter the studio to record an album. Is there any truth in these claims? If so, is it going to be an independent release or issued through a record label?

The Americas: We’ve been in and out of the studio throughout September getting down some new material. We’re really excited with how things are sounding and can’t wait to get the music out there. We haven’t figured out what shape our next release is going to take just yet though. Watch this space.

We are very tempted to ask you. Razorlight put it nicely in their song – “All my life, there’s trouble in America”. What does The Americas think of the recent troubles over the Pond: the orange individual, the travel bans and the wall?

The Americas: It’s fair to say none of us would have voted for Trump if we were US citizens. The times are turbulent and confusing and we have problems of our own in this country also. It’s really sad. We’re supporters of basic human freedoms. It’s enough to keep you up at night, isn’t it? It’s important to do the smaller things. Do right to others. Show compassion. Be human.

 The last but not least – what are your plans for the nearest future? Are we going to see you playing local gigs anytime soon?

The AmericasOur plan for the near future is to put out another single by March and then continue to write, release and perform our music as much as possible. Maybe a few tours up our sleeve and hopefully another great festival season. Keep your eyes on the Facebook for announcements. Our next gig is at The Lexington in London with The Blinders on 21st of February, we are also trying to confirm few more dates as well.  Otherwise, we just plan to keep on living the impossible dream and hoping not to die in the process! (laughter)

You can follow The Americas using the links below:

Facebook: https://www.facebook.com/theamericasyeah/
Soundcloudhttps://soundcloud.com/theamericasyeah
Twitter: https://twitter.com/theamericasyeah
Instagram: https://www.instagram.com/theamericasyeah/

***

Band on the run (or few weeks in the life of a band of the year)

We don`t know how to describe the last few months but you simply cannot follow The Americas fast enough. They are like Tasmanian Devil or The Roadrunner. You think you got them covered, but they are ahead of you by two miles by the time you say “Something`s Gonna Happen”.  The speed in which the band makes ripples on national level is shocking.  That`s a correct word – we hardly see bands progressing at such rate. Just few examples – hold on tight.

The band recorded a session for BBC Introducing Hereford & Worcester at the Phoenix Theatre in Ross-on-Wye in October 2017. This live session has been broadcasted on Saturday November 18th (right before Thanksgiving Day – nice one Beeb!) to rave reviews from listeners.

BBC Introducing Hereford & Worcester broadcasted The Americas session on November 18, 2017

Images from the live session can be seen here:

This week's specially featured act is The Americas who were formed by Harry Payne (vocals/bass) and Aaron Whittaker…

Posted by BBC Music Introducing in Hereford & Worcester on Saturday, November 11, 2017

And then all hell broke loose. On December 23rd 2017 The Americas have been featured on national radio – BBC 6 Music as part of Tom Robinson Show. If you don’t know Tom from his musical career that spans four decades (“2-4-6-8 Motorway“), you may know him from his career as DJ and his own portal that champions new music (Fresh on the Net). Tom is one of the biggest taste makers  in United Kingdom and one of the most cherished DJs on BBC 6 Music. Having a spin on his show – is not a small feat. Being featured on  Christmas show is like winning a lottery. No wonder that The Americas response was very emotional.

The Americas reacted to being played on BBC 6 Music on December 24 2017

Obviously, we made audio. You can listen to the short clip of the program here: https://vocaroo.com/i/s0Jg7AfOZk3Y

Early January seen The Americas being featured in influential Some Might Say Zine – as one of the bands that will shape 2018. We ordered a copy for our archives and this is how it looks. Sahera Walker – the founder of Some Might Say keeps a hand on the pulse when it comes to new musical icons and believe us – she hardly gets it wrong.

This is not the first time, Some Might Say mention The Americas. Back in August 2017, Sahera wrote about the band:

“The Americas, man, what a band. A group I bang on about a lot on here, they’re an undeniably brilliant force of pure classy rock’n’roll. Despite the name, The Americas are quintessentially British, with their riffs and the way they play epitomizing perfectly classic old school British rock’n’roll. They use a keyboard in their music, accompanied by this raw feel good guitar rock sound, which is a unique and refreshing set up for a band”. 

We agree wholeheartedly.

Cover of Some Might Say Zine #2 (January 2018)

The Americas featured in Some Might Say Zine #2 (January 2018) as one of the bands of 2018

On 6th January 2018 BBC Introducing Hereford & Worcester unveiled their own top ten of best bands for 2017 and guess who was ranked at #2? Yep, The Americas. At this stage, we were not surprised to hear Andrew Marston praise the band for their melodic songs and incredible energy. The show featured “Something`s Gonna Happen” being aired, followed by a short interview with the artists.

The Americas being ranked at #2 of BBC Introducing Hereford & Worcester – Best Band of 2017 on January 6th 2018

And yes, we also made some audio – you can listen to it here: https://vocaroo.com/i/s1LXwsxd08Jd

What caught us off guard is that on January 8th – “Something`s Gonna Happen” was made a Track of The Week on BBC Hereford & Worcester.

The Americas` Somethings Gonna Happen announced as a Track of the Week on BBC Introducing Hereford & Worcester on January 8th 2018

On January 10th, another influential zine – Northern Exposure also featured The Americas as one of the bands of 2018.

The Americas featured as one of the bands of 2018 on Northern Exposure on January 10, 2018

You can see the article below:

http://northern-exposure.co/ones-to-watch-2018/

This is what Northern Exposure had to say about The Americas:

“They are a sensational hard rock ‘n’ blues get up with a blow-the-house-down set that could  translate into a debut album perfectly.” 

Northern Exposure is overseen by two lead women – Rachel Brown and  Kate O`Brien who beside running the magazine, also manage and promote local artists, book gigs and mentor young acts. Similarly to Sahera Walker of Some Might Say, ladies of Northern Exposure are very active and know their craft well.

Same day (January 10th 2018), two gigs were announced. On January 24th The Americas would play a gig in London at The Rock Steady  sharing the stage with Sleaze, Black Orchids and Willow Robinson as part of Independent Venue Week.

 

Poster for Independent Venue Week gig at The Rock Steady in London, 24 January 2017

https://www.facebook.com/events/404399526664032/

The other show would take place on 21st February, also in London, but at The Lexicon. Here The Americas are to support The Blinders – one of the most influential bands that come of the UK in the last 30 years. We are not kidding. If you haven’t familiarized yourself yet with The Blinders, you got to tackle this unforgivable faux pas right now. Before people start regarding you as a uncultured savage.

Tour poster for The Blinders upcoming tour

The Americas/The Blinders combo is unreal and we think this is going to be equivalent of all those legendary gigs that people talk about for years. We are actually thinking of attending. Though it may prove tricky.

https://www.facebook.com/events/934013786747020/

Announcement at the Northern Exposure regarding InMusic Festival semi-finals.

Of course not a day goes by without another announcement. On January 11th, The Northern Exposure in association with EUFest and Musicians Against Homelessness unveiled semi finals for InMusic Festival. 20 upcoming bands fight for a slot at the main stage at InMusic Festival in Croatia to support such legends as Nick Cave and Queens of the Stone Age. Guess who got their place among best acts? The Americas will have to go though two more stages (music industry insight and live performance) to win this opportunity of a life time – but they already proved to be more than your average indie outfit.

Right. That would be just about last four -five weeks in the life of a band that is tipped for one of the best acts of 2018. You see now why.

We will keep reporting.

Mal+Rita

 

***Update: 15.01.2018***

Few days passed and we have to make an update as so many things have happened. Where to begin?  Let`s start with the show in London on 21st February at the Lexington where The Americas will support mighty The Blinders. Well that gig is now sold out (two tickets left as we write so technically no chances to get in). The Blinders so far have two other shows on their upcoming tour being sold out and one of them  is on their home turf  in Manchester.

The Americas announce their gig at the Lexington in London with The Blinders is a sold out affair -15.01.2018

Not only will The Americas play with one of the most exciting bands on the planet, it will also be a full house.  If that doesn’t make you want to bounce off walls in joy, then you must be (no rock and roll) fun at parties! A shout out to fellow A&Rs in London Town. Get yourself on the guest list. This show will be epic.

Another good news is that “Something`s Gonna Happen” is currently being a Tune of the Week at BBC Hereford & Worcester. The Americas are Artists of the Week as well on the BBC Intro and they got a spin on the show of a popular BBC DJ Georgey Spanswick.

Proof is on Twitter:

Artists of the Week for BBC Intro 15.01.2018

And the best news of all is of curse update on In Music Festival. Six bands have been chosen to the live stage of the competition and West Midlands are proudly presented by The Assist and The Americas. The Assist are incredible, we have seen them last year and love them since. Like The Americas, they are This Feeling alumni and  a kick ass band.

The Americas making to the finals for Northern Exposure competition to earn a spot at In Music Festival in Croatia.

It will be a hard fight in the live stage but we will keep our fingers crossed for The Americas! Yeah!

M/R

Indieterria meets The White Feather Collective

Hey everybody!

Welcome to 2018! We would like to wish you a very happy and prosperous new year and we hope it will be better than the last one. This year is going to be a very important one for our Worcester Music Scene and of course Vanadian Avenue crew will be keeping our eyes and ears open for anything music related. Please add us on Facebook if you haven’t done so yet to stay in touch with the latest information!

We would like to kick off 2018 in style with the first interview of the year. Ladies and gents, we give you the excellent White Feather Collective!

***

Believe it or not, there must be definitely something in the famous Malvern spring water. After the success of fellow Malvern rockers Nuns of the Tundra at the national Firestone Battle of Bands competition and incredible releases from Dead Dads Club (they are playing Marr’s Bar with HVMM this February), here comes The White Feather Collective, swinging rock and roll quartet that has a major chance to represent England at the famous SXSW Conference & Festivals in San Antonio. We sat down with WFC to discuss their new material, previous accomplishments and sneaking into Glastonbury Festival.

 White Feather Collective are:

William Turner (vocals/guitar),
Christopher Reynolds (drums),
Josh Lambe (vocals),
Roo Macphee (bass/organ)

 

White Feather Collective – picture from the bands archive

White Feather Collective logo

You are immensely popular in West Midlands. But just in case somebody spent the last few years living under a rock. Who are The White Feather Collective?

White Feather Collective: We guess, the easiest way to describe us would be we are a four-piece rock band from Malvern. The boarder definition would be who we are is what we aim for. We want to change some part of this world through music to make creative escapism as popular as it was. We want a big scene of groovy people loving all day and night, not just to escape the current state of things but as a means to change it. It sounds daft like a hippy dream, but it is so much more. The world is run by liars you’ll never meet and we want some power shift where what we say it counts and we see the efforts of our strain. Music is just one way of getting us on the same page and talking about that.

BBC Hereford & Worcester put you forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up. Potentially, you could play at the biggest music conference in the world in Austin, Texas. Previous alumni of the BBC stage include among others The Big Moon and Idles. The first were nominated for Mercury Prize, the other recorded album of the year. No pressure, right?

White Feather Collective: No pressure at all! The fact we’ve been nominated encourages us to continue on the path we’re on. We just have to dream bigger and continue to put more loving energy into everything we do. The overall goal is to share good music with people and keep on riding that high.

The band formed in 2014. One year later, you had about twenty recorded songs and one of them “Come On and Get Down” was used by French company WIKO Mobile in their international campaign. Can you tell us how did that collaboration come to be?

White Feather Collective: They found us on Bandcamp. It was an early demo EP we nearly didn’t put on. Looking back, it was a good job we did! The coolest part of that was the video they made to go with it and the fact it was blasting out in huge stadiums!

The White Feather Collective – photo by Duncan Graves

White Feather Collective scored some prestigious gigs: The Water Rats in Kings Cross and The Monarch in Camden. And they were sold out shows. You also regularly perform in Scotland. How does the audience across the country react to your music?

White Feather Collective: The audience seem to react very similarly everywhere we go. They are all very warm and welcoming and tell us they dig our sound. Of course, it all depends on what night you’re put on in these places, really. For example, a Wednesday night in central London can be a bit hit and miss whereas the same night in a country pub could turn crazy. It’s all about the vibes, man. But still we find it’s the best way to try out new tracks and see what people respond to. We see it as a work in progress and some songs get left for recordings and others are better to be performed live.

April 2016 saw you recording a session for BBC Introducing at the Phoenix Theatre in Ross-on-Wye. You were partnered with another group tipped for national success – nth cave. Do you have any recollections from that session?

White Feather Collective: Honestly not much (laughter)! We’d come from a gig up north the night before so we were all quite hung-over and tired. We do remember singing Roy Orbison with Andrew Marston quite a lot though and that felt nice!

In October 2016 you released your five track debut EP “Universal Harmony” and then followed by a stand-alone digital single “Doorman” in November of the same year. We tried to find one bad review of either and we simply couldn’t. Very unusual, but it seems nothing is ordinary about White Feather Collective.

White Feather Collective: No, you will not be able to find anything ordinary about us. We’re all very unusual! (laughing)

William Turner (vocals,guitar) – photo by Duncan Graves

This summer you spent mostly playing festivals (The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock) with few performances in Wales (Cardiff, Monmouth) and one in Bristol (Mr Wolf`s). Is any new material coming or are you just taking things easy?

White Feather Collective: Yes, we were lucky enough to play some great festivals. Some down in Cornwall and Glastonbury which our singer, Josh actually had to sneak into (sorry Mr. Eavis!) He was there for about ten days and we had to pull him away. We don’t think he ever wanted to leave! And yes again, there’s always new material we’re working on. At the moment we are just getting funds together to get into the studio to record  new songs.

The band started out as a quintet but recently you are down to four members. Can you tell us who departed the Collective?

White Feather Collective: We have always been a 4 piece  band but we have percussionists, keys players and singers join us for certain things, that’s why we call it the collective. Our longest serving percussionist is a friend named Robby Rotten. He’s a real dude and often joins us when he’s not riding his motorbike through Africa!

The sound of White Feather Collective has been described as psychodelic surf rock with influences stretching from The Rolling Stones and Animals to Beach Boys, Donovan, Crazy World of Arthur Brown or even Captain Beefheart. How would you describe your own music and influences?

White Feather Collective: Yes, these are some pretty big names. We all have so many influences but we all love the iconic sounding records of the sixties and the people who make BIG songs that are still so popular like The Rolling Stones, The Who and The Velvet Underground.

Roo Macphee (bass) – photo by Duncan Graves

You prefer to have a complete control of your art: writing, filming, recording, designing and producing all the aspects of your musical presence. That is a very unique approach in the era when bands employ entire armies of collaborators.

White Feather Collective: It’s a story of two halves, really.  We’re poor but we’re also creative people and truly enjoy doing it (laughter). We would love the opportunity and want to collaborate with other artists but financially it’s not viable. Naturally, we all work in the creative industry, whether it’s recording music, film making or photography. This has helped us enormously.

You have substantial following online for an unsigned band. “Come On and Get Down” has been viewed over 80 K times on Youtube while “Crossroad Shootout” has over 34 K hits. Your songs on Reverberation have been listened by thousands of visitors. We are sure you already receive proposals from the labels.  Ever thought of jumping ships and getting signed?

White Feather Collective: We’ve only received an offer once but unfortunately it wasn’t right for us at the time. It’s an incredibly important decision for a band and one that will set our direction for time to come. We’re very open to the idea and would love to sign if the right opportunity arose with the right label, but for now we’ll continue to do what we enjoy.

In the element – The White Feather Collective photographed by Duncan Graves

Any plans for the future, maybe except for the world domination?

White Feather Collective:  Nah just continue making things, living the best we can and keep trying to meet Robert Plant! (laughing again)

On Saturday, January 6th, 2017 BBC Hereford & Worcester aired a short interview with The White Feather Collective and gave this very blog a shout out. You can here the 5 minute segment on the band and our interview  right here:

https://vocaroo.com/i/s0aXrHgwHmuI

or listen online http://www.bbc.co.uk/programmes/p05rfp94

Come on SXSW – you know you want a band from Worcester play at one of your events. Or two or seven bands from Worcester, we can ship you some incredible artists!

You can follow The White Feather Collective here:

Official Page: http://www.thewhitefeathercollective.com/
Facebook:
  https://www.facebook.com/thewhitefeathercollective/
Twitter: https://twitter.com/TWFCollective
Youtube: https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw
Bandcamp: https://thewhitefeathercollective.bandcamp.com/
Instagram: https://www.instagram.com/thewhitefeathercollective/

***

Please come back again as  we have a fantastic interview almost ready that will be published soon!
Have a great week and keep the 2018 safe and sound!

Best regards
Rita and Malicia

Indieterria: WorcesterWave youngest bands part 3

Hola!

The time has come to run the final chapter of our series showcasing artists from our local music scene in Worcester (and neighboring regions) that will be all over the radars in 2018.  We have saved some absolute gems and proper legends for this entry and we are hoping you will be enjoying this blog. Because we had an absolute ball preparing all the entries and profiles. It was also a lot of work, we will admit but we are absolutely in love with finding new music and bringing it to the audience. That`s what A&Rs are for and we are at your service if you ever need to find new artists to listen and fall in love with!

If you would like to familiarize yourself with previous entries, click on the links below:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/
https://cocamidemea.wordpress.com/2017/12/09/indieterria-worcesterwave-youngest-bands-part-2/

You may also have a look at the Year in Review post where we showcased the biggest players on local scene in 2017:

https://cocamidemea.wordpress.com/2017/11/24/indieterria-year-in-review/

And now dear readers, let us introduce you to a handful of kick-ass artists from our neck of country-side.

Grafton Ash

Grafton Ash

Grafton Ash are known for incredibly energetic performances

Starting off as a duo in 2014, Grafton Ash is currently a four-piece pop/rock group from Bromsgrove. Formed by childhood friends, Dan Roberts and Dan Blake, they were joined by Stephen Ashford and Sam Dimmick in early 2015. The band released their debut EP “Avalanche” in June 2015 and it quickly received very positive reviews from local radio stations. Their title track was named the Track of the Week twice by BBC Hereford and Worcester and Grafton Ash received an extensive airplay over the next 6 months. On 3rd of September 2016, they were officially included into BBC Introducing and recorded a three song session for DJ Andrew Marston alongside the Worcester/Bristol indie rock outfit, Vertigo.

Grafton Ash is touring nationally, frequently to the full-house shows in places such as at Birmingham O2 Institute, London O2 Academy, Islington and Covent Garden’s prestigious Hospital Club. They supported Flye, Tom Walker, Reef, The Feeling, The Fratellis, Racing Glaciers and recently James Blunt on 25th of November during his “Afterlove World Tour” at The Arena in Birmingham,.

Grafton Ash released their second  EP entitled “Existing” in 2017 and  they are currently in the middle of a promo tour that will last until the Spring 2018.

Website: http://graftonash.com/
Facebook: https://www.facebook.com/GraftonAsh/
Twitter: https://twitter.com/GraftonAsh
Soundcloud: https://soundcloud.com/graftonash

Silverlake

Silverlake

Sally-Ann Parker the voice of Silverlake

People behind the indie dance/pop trio, Silverlake are probably the most experienced musicians from the Worcester scene. After the breakup of their previous band, the septet Vivarama in 1998, Robin Dalleway (guitar and chief tunesmith), Tony Sherrard (aka Shez, bass) and lead singer Sally-Ann Parker (aka Miss Smartness) returned to their home town of Redditch to concentrate on a new material. Vivarama’s mix of dance rhythms with indie pop and rock sounds brought them a critical acclaim and led to several music videos being filmed for the band between 1993 and 1998. The most popular of them was “Updoor” filmed inside popular club The Flapper and Firkin in Birmingham. “Updoor” premiered on MTV Dance Night with VJ Simone Angel in 1996 and then entered regular rotation as part of Party Zone and 120 Minutes (hosted by Toby Ames). Vivarama was also supporting Lighthouse Family. The band was also awarded for their video to “Let`s Talk About Love” at Film and Television Festival in Birmingham in 1993.

Even before joining Vivarama, Robin Dalleway already had a successful music career.  In 1977, he became a founding member of jazz-punk band The Cravats (they recorded 5 sessions for John Peel at BBC Radio 1) and in 1982, he formed postpunk quartet, The Very Things with whom he released 6 singles and 3 albums (they all entered Top 40 at UK Independent Chart). The band  played two Peel sessions for Radio 1.

For many years, Silverlake recorded music without releasing it and kept their performances to minimum (appearing only a couple of times, for example at Worcester Music Festival in 2015). Their first song “Twist” still remains unreleased, but in 2010, they issued their debut album “Paradise Place” through Magnet Records. Their most current singles include “Black Ponytail”, “Drop By Drop” and “X (Marks The Spot)”. Silverlake received airplay on BBC Hereford and Worcester, BBC West Midlands and a mention at BBC Introducing.

The band is inspired by soul and funk music, the Coen Brothers and David Lynch movies, groovy Californian Pop, Miles Davis, Jackson Pollack, Roxy Music, and Chill Out/Lounge sounds.

Facebook: https://www.facebook.com/SILVERLAKED/
Twitter: https://twitter.com/silverlake_band


Ewan Pollock

Ewan Pollock

Ewan playing Worcester Music Festival in 2016

Singer/songwriter Ewan Pollock (or as he is known locally “the boy with a guitar”) is the first person on our list that is not native to Worcestershire. He was born in Glasgow but moved to Worcester as a child and adopted The Faithful City as his hometown. He specializes in acoustic folk/rock genre and is inspired by the works of Glen Hansard, fellow Scotsman Paolo Nutini, Frank Turner and George Ezra.

Since 2013, Ewan has performed at many events around Worcester and beyond. In 2014 he reached finals of the nationwide singing competition”Open Mic UK” in Birmingham receiving positive reviews from judges and audience.  He played at Worcester Music Festival three times (in 2014, 2015 and 2016), participated in Free Radio Summer Sessions at the Crown Gate Shopping Centre (where he was chosen the most promising artist) in 2015 and 2016, Worcester Moto Show (High Street stage), Festival at the Fountains (South Quay stage), Worcester Foodie Festival (as part of “Young and Talented” stage on the High Street), Christmas in Worcester (Worcester BID stage) and Severn Sounds Festival‏ at Pavilion in the Park stage. He has also graced the stages of The Old Pheasant, Café Blis (supporting Worcester Soup charitable project), The Marr’s Bar, The Firefly (all in Worcester) and Sunflower Lounge in Birmingham.

Ewan released his first digital standalone single “Home comfort” in 2015 and a demo EP “Make it count” in 2016 (“Lady in the Dark”, Distractions”, “Make it count” and “Too late”).  The leading single “Lady in the Dark” was played on BBC Hereford and Worcester radio and was featured on podcast show by popular online DJ Matt Barker in November 2016 (Matt is a presenter of the MattBarkerRadio and broadcasts on 60+ radio stations worldwide via the Deuce Radio Show).

Ewan is currently working on new music and has several concerts already booked for winter and spring 2018.

Facebook: https://www.facebook.com/ewan.pollock.1
Twitter: https://twitter.com/EPollockMusic
Youtube: https://www.youtube.com/channel/UCsgjpmq6Jc4jyl4ES0IZyLQ
Soundcloud: https://soundcloud.com/ewanmusic-1


Elephant Peel

Elephant Peel

Elephant Peel live at Firefly in Worcester on October 19th 2017

Official bio:  A bunch of free-thinking, rock n roll survivalists came together in Worcester and produced a plethora of gorgeous, chin-out songs. Honing their craft, fittingly, in an attic studio above a notorious watering-hole (overlooking their home town of Worcester), they’re great lads but they ain’t here to take nonsense off anyone! Reminiscent of The Kinks, 13th Floor Elevators and sharing elements of your other favourite classic bands. They write a hell of a tune and have a great stage presence to boot.

Formed in 2016, Elephant Peel is a brand new band on Worcestershire scene, but it is quickly making a name for itself. The quintet consists of experienced musicians: Joe Thomlinson (vocals and harmonica), lead guitarist Matthew Randall (aka Randall), drummer Guy Bradnock, bassist Sean Gandy and Matt Crawford (nicknamed Crawford) responsible for rhythm guitar/backing vocals. Before forming Elephant Peel, Joe played in two well known Worcester bands: Virals and Something Men that also featured Matt Crawford and Sean Gandy. Something Men released 4 stand alone digital singles “Mud Brown Mistress”, “Birdy Roof”, “Go Diddley” and “Last Night (Was The Last Time)” that received a lot of airplay on local and internet radio stations. “Birdy roof”/“Mud Brown Mistress” was also released in a physical copy as a double-sided 7’’ single through EZPZ Records in September 2011. It was chosen a Song of the Week by BBC Hereford and Worcester in November the same year.

After Something Men disbanded in early 2012, Joe started working with Matt and Sean again which led to the formation of Elephant Peel. They recently  released a demo single “Universal Stream” and played a string of popular local gigs including headlining two sold out concerts at Heroes (organized by Surprise Attack) and The Firefly (part of Boneyard Sessions). The band is inspired by Syd Barrett, The Kinks, The Beatles, Richard Hell, Jennifer Gentle and Graham Coxon.

2018 will see Elephant Peel in the studio (they are now working on more material to be released in the first quarter) and on the road (concerts are already booked and will be announced soon).

Facebook: https://www.facebook.com/elephantpeel
Soundcloud: https://soundcloud.com/elephantpeelband


Chloë Elliot

Chloe Elliot

Chloe Elliot performing at the Christmas Lights Switch On ceremony in Worcester, November 23rd, 2017

At 16 years old Stourport-on-Severn native, Chloë Elliot is considered a pop star in the making. She started singing as a child and further developed her singing and song writing abilities at performing arts school in Birmingham, where she received classical training in theatre, dance and stage presentation. Of course, she passed every exam with a distinction.

Chloë spends her free time from school either in the studio recording the songs she wrote or performing. In the last year and a half, she performed more than 60 times as a solo artist in Herefordshire, Worcestershire and Greater Birmingham area receiving positive reviews. Her song “One” was selected as the “Song of the week” by BBC Hereford & Worcester which lead to her being interviewed on-air by popular DJ Tammy Gooding.

Her debut single entitled “3 Reasons” was released in early September 2017 and went into heavy rotation on BBC Hereford and Worcester Radio.  It won her the recognitions for the “Song of the Day” and “Song of the week”. It was also named the post popular song among young listeners in November.  Chloe was invited to BBC Introducing at Christmas Lights Switch on in Worcester by DJ Andrew Marston and her performance was seen by thousand of visitors on the High Street.

2018 may be a breakthrough year for the young artist. She has recently preformed for scouts from   two biggest record labels in the world (Universal and Warner) and she is already booked for several shows in the early spring and summer.

Chloë is influenced by John Mayer, Shawn Mendes and James Bay.

Website: http://chloeelliot.com/music/
Soundcloud: https://soundcloud.com/chloepaigemusicxo
Facebook: https://www.facebook.com/chloeelliotmusic
Youtube: https://www.youtube.com/channel/UCzwimF__Wov3WRB-hPpwPPQ
Twitter: https://twitter.com/thechloeelliot
Instagram: https://www.instagram.com/chloeelliotmusic


Winchester

Winchester – photo by Theodore Swaddling

Winchester in black and white

Official bio: Winchester are a new British 3 piece that drags high octane prog, metal and hardcore screaming into the popular arena. Their emotional riff-laden assault course crashes and flows through cinematic soundscapes with no room for boundaries. Drawing from the intense social climate of today, Winchester have nurtured a sound and a concept that rings true with the twists and turns of tomorrow. With a live show that manages to re-create and somehow elevate their epic sound, this is something fresh that you will not want to miss. Life Begins.”

Worcester/Cardiff/Bristol based band Winchester are three piece outfit balancing between progressive rock and old school hardcore à la Biohazard, Pro-Pain or Crowbar with heavy metal inspired vocals instead of rap. The trio consists of producer-turned musician Scott Mahoney (responsible for excellent debuts of Nuns of the Tundra and HEXEN) on guitar, Adam Catalan on lead vocals and bass and Max Edkins on drums.

Winchester was founded in late 2015 and the band deliberately stayed quiet despite touring nationally and internationally (Germany, Belgium France in 2016). Lack of social media presence, stripped contact with the press and performing live resulted in a very raw yet appealing sound that was captured in the studio and perfected by legendary record producer Dan Weller (SikTh, Enter Shikari, Young Guns). Winchester spent more than a month preparing their full debut album entitled “Life begins at these dead ends” and it will premiere on 9th of February 2018. The album is available for pre-order now on all major platforms.

The first single from the album, “Life begins” was released 15th of December 2017 and received positive reviews from online rock magazines and from BBC Wales DJ Adam Walton. It will be followed by second single “Diamond” in late January 2018.

At this moment, Winchester is on promo tour in the UK. On 18th of November, they played  popular club Hobos in Bridgend with As Lions and Greyhaven UK and on 29th of November they headlined sold out show in Bristol’s The Fleece with Holding Absence, Loathe and Phoxjaw. They will play Bristol again on 28th of February along with Loathe and there are talks of their gigs supporting Sever and Time & The Valuator later in the summer.

Winchester draws inspirations from the music of Muse, Biffy Clyro, Fightstar, Northlane, The Architects and Enter Shikari. They are represented by Imperial Music, an artist and event management company based in South Wales.

Website: https://www.winchester.band/
Facebook: https://www.facebook.com/winchesteruk
Twitter: https://twitter.com/winchukband
Instagram: https://www.instagram.com/winchukband/
Youtube: https://www.youtube.com/channel/UCBjfxh5-cDoBgaBsRGFF0Sg
Official management: james@imperialmusic.co.uk


As Mamas

As Mamas

As Mamas performing live at the opening of Paradiddles in Worcester December 15th 2017

Founded over two years ago, Worcester-native psychedelic rock and roll duo, As Mamas consists of Harrison Baird-Whitman (guitar, vocals and harmonica) and Joe Devine (drums and percussion). Influenced by the Californian 60’s music, the group managed to create a very unique style, the-one-of-its-kind on the Worcester indie scene.

As Mamas released their debut self titled EP on 16th of July 2016. It was recorded in an original 60’s caravan (that was turned into a studio) and was produced, mixed and mastered by the band. It included four stand alone singles: “The Lights Are On but Everyone’s Wasted”, “World Wide Blues”, “Mama Moved” and “Zenobia”.  Their single “The Lights Are On but Everyone’s Wasted” received a lot of airplay on Birmingham Radio, Free Radio, BBC Hereford and Worcester, 102 Touch FM (Shakespeare’s County & tThe Vale) and was featured on a compilation album “ENTER THE VOID” released by Donut Records in August 2017.

For the last year and a half, the duo has been touring the UK extensively. Along with The Americas, As Mamas are the only West Midlands acts that appeared on This Feeling circuit. As solo artists, they played Birmingham on several occasions including the Sunflower Lounge with The Whitelights (during their EP launch), Ten Tombs, supported The Cosmics alongside LCKD and Quinn (October) and appeared at Birmingham Blues Fest Saturday at the Big Bulls Head in Digbeth (July). They have also graced the stages in Worcester appearing at the Firefly club supporting Solsara alongside Happy Bones and in Heroes with Elephant Peel and Slumb Party (October and November respectively).

As Mamas regularly performs in London as well, usually to the clubs at full capacity. Their recent sold out shows include gig at Amersham Arms (alongside MONIKA, James Beau Barcley and Spinner) and Reverberation Psych Fest at Victoria Dalston with Strange Cages, Dusty Mush and Insomnichord.

Other notable shows include BBC Introducing Session at The Booth Hall with Raptor and New Revival (April 21st 2017), charitable concert at Alestones in Tardebigge Court in support of Anawim (women’s refugee organization) on October 28th and  supporting popular Nederland group MY BABY on 7th of April.

Their latest video and a new single entitled “19th Floor” were released on September 11th and were directed by Caitlin Setterfield. “19th Floor” will be featured on their next EP “Parte Dois” to be released on 10th of March 2018. The band will play a show to celebrate the launch with a gig at the Sunflower Lounge. Tickets sale date and supports will be announced soon, so stay tuned.

Soundcloud: https://soundcloud.com/asmamas
Facebook: https://www.facebook.com/asmamasband
Youtube: https://www.youtube.com/user/asmamasband
Bandcamp: https://asmamas.bandcamp.com
Instagram: https://www.instagram.com/asmamasband/

Time Of The Mouth (TOTM)

Time of the Mouth

Time of the Mouth perform at the opening of Paradiddles in Worcester on December 15th 2017

Time of the Mouth is Kidderminster based punk rock trio that has been around longer than any of the previous bands we have written about (with the exception of Silverlake). Over the years, the outfit gathered a strong fan base in West Midlands and beyond. It looks like 2018 could be a breakthrough year for them.

TOTM was formed at the beginning of 2010 and went through different line ups changes. Since 2015, the band consists of Chris Jones (vocals and lead/rhythm guitar), Ash Greenway (bass and backing vocals) and Jake Fox (drums and backing vocals). Their back catalogue can only be described as the most impressive. They released their first EP “Third Time lucky” in May 2012 (including singles “Amy”, “The Only Way Out”, “Tears” and “Take Me With You”). “The Only Way Out” proved to be so popular that it was played not only on local BBC Hereford and Worcester radio, but also in America, Australia and Japan. Their second EP “Snorkeling with Jesus” was published on May 2nd 2014. It was a 5 single EP containing “Lost”, “6 Feet Under”, “Snorkeling with Jesus”, “Euphoria” and “Another Level”. Again, two singles “Euphoria” and “Lost” received a lot of radio airplay on BBC Hereford and Worcester, Birmingham Radio and Touch FM. Their stand alone single “Urgent Joe” released in 2013 was named the single of the week by BBC Hereford and Worcester.

Their newest EP entitled “What Would Dave do” was released on August 11th 2017 and contains 4 singles: “Going Back”, “My Disguise”, “Too Obvious” and “ELG3”. A promotional video to “My Disguise” was filmed at Shredder Live Lounge Studios in Birmingham.  A stand alone single “Miss The Madness” was also released on May 26th 2017.  It is worth adding that its music video features a popular actress Eleanor Ham known from BBC series “The Doctors”, “The 4 O’Clock Club” and theater productions of “Les Miserables” and “Cinderella”.

TOMT is known from very energetic live show and frequently tours nationally. They have performed in London, Birmingham (at prestigious The O2 Academy Birmingham & the LG Arena Birmingham), Bristol (Louisiana), Nottingham, Sheffield, Cardiff, Worcester (The Marrs’ Bar, Paradiddles), and Manchester among many other places. They also perform at many summer festivals between May and October (including Tower Stage at Drunken Monkey Festival). The band is inspired by Less Than Jake!, Reel Big Fish, Green Day, Spunge, Fall Out Boy, The Used, Placebo and Bowling For Soup.

 Facebook: https://www.facebook.com/pg/TimeOfTheMouth
Twitter: https://twitter.com/TimeoftheMouth
Youtube: https://www.youtube.com/channel/UCCjoLeUVunGSrq6YZyYKN2Q
Soundcloud: https://soundcloud.com/timeofthemouth

And it`s a wrap our dear readers. Three long chapters full of bands that will rock your socks off and make you dance in your kitchen in the coming 12 months are yours to enjoy.  We will hopefully see you somewhere at a local gig, next to the speakers. If we meet – come and say hi and tell us if our predictions were correct

There will be more to come on Indieterria in 2018 but we we will be changing our format a bit to get more interesting. You will see 🙂

Till then, stay beautiful

Mal&Rita

Indieterria: WorcesterWave youngest bands part 2

Hello again!

Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:

https://cocamidemea.wordpress.com/2017/12/01/indieterria-worcesterwave-youngest-bands-part-1/

Part three can be found under this link:

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City?  We hope so, as we have  some superb artists to show you!

Happy Bones (Iggy Cuthbert)

Happy Bones playing live photo by Alex Knight

Happy Bones (aha Iggy Cuthbert) by Josh Foster

Official bio:  Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.

 Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.

Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”

As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.

Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.

Facebook: https://www.facebook.com/iggyhappybones
SoundCloud: https://soundcloud.com/iggyc
Bandcamp: https://happybones.bandcamp.com

Benjamin Dallow

Benjamin Dallow

Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz

Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.

He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.

Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack.  As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.

Facebook: https://www.facebook.com/benjamin.dallow
Worcester Music Festival:
  http://www.worcestermusicfestival.co.uk/bands/Benjamin-Dallow/

Becky Rose Seabright

Becky Rose promo picture

Becky Rose live

 At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.

 In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.

Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016.  Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).

She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.

Youtube: www.youtube.com/beckyrosemusic
Reverbnation: www.reverbnation.com/beckyrose
Myspace: www.myspace.com/thisisbeckyrose

RVRMN

RVRMN posing for promo picture in Worcester

RVRMN up on the roof

Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.

RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.

RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna

Website: http://rivermanofficial.wixsite.com/page
Facebook: https://www.facebook.com/RivermanPage
Twitter: https://twitter.com/RivermanPage
Instagram: https://www.instagram.com/_riverman_/
Soundcloud: https://soundcloud.com/rivermanpage
Spotify: https://open.spotify.com/album/3d2jDGHN6UP2CrGsWV7Q8v

Neil Ivison and Stone Mountain Sinners

Stone Mountain Sinners promo1

Stone Mountain Sinners promo2

Official bio: Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.

Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.

Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity.  Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).

Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.

Stone Mountain Sinners
Website: https://www.stonemountainsinners.co.uk
Facebook: https://en-gb.facebook.com/stonemountainsinners/
Twitter: https://twitter.com/StoneSinners  

Neil Ivison
Facebook:
https://www.facebook.com/neil.ivison
Facebook: https://www.facebook.com/NeilIvisonMusic/
Instagram: https://www.instagram.com/neilivison
Twitter: https://twitter.com/neilivisonmusic

HEXEN

HEXEN promo picture1

HEXEN promo picture2

Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.

Ren has worked closely with several notable Welsh and Worcester musicians.  She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).

She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.

Scott Mahoney has nothing but praises for HEXEN for their work together:

“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.

Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.

HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.

Facebook:  https://www.facebook.com/itshexen
Twitter: https://twitter.com/itshexen
Instagram: https://www.instagram.com/itshexen/
Bandcamp: https://itshexen.bandcamp.com

Vertigo

Harry Lee Jones – the mastermind behind Vertigo

Cover for the single “Breath”

Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.

Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!

Website:  http://harryjoneslfc.wixsite.com/vertigo/vertigo
Facebook: https://www.facebook.com/harryjones27
Facebook: https://www.facebook.com/Vertigo-1710755979198462
Soundcloud: https://soundcloud.com/vertigodada
Soundcloud (new demo for “Gucci”) https://soundcloud.com/vertigodada/gucci-the-first-demo
Soundcloud (“Breath”): https://soundcloud.com/vertigodada/breathe
Youtube: https://www.youtube.com/channel/UCj0K77SGJnPWsz417sYERKw

Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.

It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!

Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.

Indieterria: WorcesterWave youngest bands part 1

Hello!

It’s December already and soon 2017 will be a history. Despite what the popular songs says, it was a very good year for Worcester and Worcestershire groups. After numerous articles in the press, sold out gigs, sessions for BBC Introducing, national radio plays and won competitions, we can be proud of our musical scene and its accomplishments.

If you are searching for brand new bands to look out for in 2018, to quote again another popular song, please don’t look any further. Your faithful A&R’s at Vanadian Avenue spent the entire last week composing a list of emerging groups that will keep you headbanging, pogo’ing and singing along for the next 12 months. Some bands are well established, some are just starting and some have their resume filled with important names, legendary venues and songs on the charts.

This guide has two parts already and we will be adding more in the future:
You can read the next chapters here:

https://cocamidemea.wordpress.com/2017/12/09/indieterria-worcesterwave-youngest-bands-part-2/

https://cocamidemea.wordpress.com/2017/12/24/indieterria-worcesterwave-youngest-bands-part-3/

Please keep your eyes open and you will be attending the best concerts without the need of travelling anywhere outside of Worcester! There is so much happening in our city, it’s really hard to keep track of every event out there.

To make it easier for you music lovers, please read our guide to the bands that will rock 2018. We salute them!

Navajo Ace

Navajo Ace

Navajo Ace acoustic

Official bio: Worcester band Navajo Ace formed in 2016 and are quickly garnering themselves a reputation as an interesting underground band that make music with power and soul. The band combines a broad spectrum of influences, breathing new life into a sound somewhere between the grittier end of 90s college alt rock, shoegaze and Emo before it became a dirty word.

Named after the DC Comics Native American superhero character, Johnny Cloud from 1960’s “All-American Men of War” (created by writer Robert Kanigher and artist Irv Novick), Navajo Ace is an Americana/college rock four-piece based in Worcester. The band started playing together early in 2016 and their current line up consists of Adam Barnes (vocals and guitar), Thom Dewhurst (guitar and backing vocals), Christian Burton (bass) and Crag Sharpe (drums). On August 6th 2017, they released their 5 track EP “Five Turnings” (“Tiger in the Tank”, “Underneath Cars”, “Awkward Place”, “Five Turnings” and “Drop The Needle”). The EP has been recorded at a well known studio JT Soar in Nottingham, produced by Phil Booth & Navajo Ace and mastered by Jesse Cannon at Cannon Found Soundation (Limp Bizkit, Man Overboard, NOFX, The Misfits) in New York.  In September, their song “Awkward Place” debuted on BBC Hereford and Worcester and the band received positive reviews from Andrew Marston of BBC Introducing and Louder Than War magazine.

Navajo Ace are constantly touring nationally (Nottingham, Lincoln, Bristol, Plymouth) and locally (sold out gigs at Heroes Bar with nth cave, Worcester Music Festival and acoustic set at Bottles in Worcester). They supported Moose Blood, Bivouac and legendary bassist Mike Watt (Minutemen, Big Walnuts, Yonder, Porno for Pyros, The Stooges).  The band is inspired by the music of Some Skeletons, Transmissions, 36 Strategies, Thousands of Reflections and Rosebud.

Facebook: https://www.facebook.com/navajoace
Twitter:  https://twitter.com/navajoaceband
Soundcloud:  https://soundcloud.com/navajoace
Louder Than War review: http://louderthanwar.com/something-that-shines-introducing-navajo-ace/

Novaview

Joanna Edwards on vocals

Novaview live on stage

Formed in Worcester early in 2017, Novaview is the youngest group to join the WorcesterWave scene and one with a massive potential. The group consists of four band members: Luke Rhodes on guitar, Joanna Edwards on vocals, bass player Jack Godwin bass and drummer Tate Ellison. Inspired by My Bloody Valentine, Sonic Youth and Smashing Pumpkins, this very young shoegaze/dreampop quarter is now working hard on their demo songs that will be released in 2018. We hope their new material will include a remastered version of “In Limbo”, a beautifully crafted and very catchy song they currently have on their Soundcloud account.

Novaview debuted in October at the Boneyard Sessions concert at The Firefly in Worcester and made a big impression on the audience and music promoters. It is worth mentioning that Joanna Edwards has an unique, almost ethereal voice that can only be compared to that of Hope Sandoval’s of American dreampop giants, Mazzy Star. Vanadian Avenue will be closely watching their progress as their prospects are big and bright like the starry skies in the middle of winter (the most luminous time of year if you wondered).

Facebook: https://www.facebook.com/novaviewuk/
Twitter: https://twitter.com/Novaviewuk
Soundcloud: https://soundcloud.com/novaview

Junior Webb

Junior Weeb playing live

Junior Weeb on the green grass

Official bio:  Junior Weeb are an indie funk/alternative rock four-piece hailing from Droitwich Spa, Worcestershire. With hard-hitting bass grooves, soulful vocals and sticky guitar licks, Junior Weeb take their influences from a catalogue of different genres hoping to create a finished product that pleases your ears.

Hailing from the Worcestershire town of Droitwich Spa, former Victorian health resort and a well known beauty spot, Junior Weeb is an indie/alternative rock quartet with massive dose of energy. They easily pass it to their audience during their live performances causing serious cases of pogo, headbanging and singing along. The group consist of Chris Phee (rhythm guitar and lead vocals), Max Killing (bass guitar and backing vocals), Joe Webby (lead guitar and an obvious inspiration behind the name) and Quentin Hill (drums).

The band known affectionately as the Juniors (or alternatively as The Weebs) has been together for over a year and spent the majority of that time recording their demos and touring. They supported Muncie Girls, The Riscas, Ivory Wave, The Americas (at the O2 Academy in Birmingham) and Soeur at the sold out show at the Marr’s Bar in Worcester.  They will return to Birmingham this Christmas to play alongside Mama Roux and The Icon.

On April 21th 2017, their debut single “No right” was chosen as the track of the week by this Feeling circuit and a month later, popular website GigSlutz gave the boys a glowing review describing their music as a “dreamy, psychedelic affair with just a hint of Oasis”. With recommendations such as this and a strong following, Junior Weeb is on the best way to make it to the charts in the next couple of years.

Facebook: https://www.facebook.com/juniorweebband
SoundCloud: https://soundcloud.com/juniorweeb
Twitter: https://twitter.com/juniorweeb

Jodie Hughes/The Lightweights

The Lightweights

The Lightweights at The Marr’s Bar by Indri Richardson

Before joining forces with The Lightweights, Jodie Hughes was a well established singer/songwriter in her own right. At the age of 16, Worcester School of Rock and Performance alumna, Jodie became the youngest person ever to perform at Worcester Music Festival and at the Independent Music Week in her hometown to support Anteros and The Assist. The Lightweights are three-piece indie/punk rock band from Worcester consisting of Jodie Hughes on lead vocal and guitar, Alex Russell on bass and Euan Richardson on drums. Second guitarist, Fiona Berry occasionally joins their performances but doesn’t seem to be a permanent member of the band anymore.

The Lightweights had a very busy summer performing at the Live Experience Festival, Battle of the Bands at the Rugby Club, MappFest in Malvern, Bowfest in Bromsgrove and Worcester Carnival. Recently the band supported Jacklines at Birmingham O2 Institute, the RPM’s and Thousand Mountain at the Marrs Bar in Worcester and participated in the 10th edition of Worcester Music Festival. The band is currently in the studio working on their debut EP.

Jodie Hughes:
Facebook: www.facebook.com/jodie.katrinahughes99
Facebook: https://facebook.com/jodiehughesmusic
SoundCloud: https://soundcloud.com/jodiehughesmusicandstuff
Reverb Nation: https://www.reverbnation.com/jodiehughes

The Lightweights
Facebook: www.facebook.com/thelightweightsband
Instagram: https://www.instagram.com/thelightweightsband/

Jesse River Dylan Murray

Jesse River Dylan Murray picture by Andy O’Hare

Jesse live on stage

23 year old Jesse River Dylan Murray is the singer/songwriter based in Worcester. His strong voice, impressive range effortlessly changing from falsetto to bass and striking scenic image has been compared to David Bowie, Mark Bolan and Johnny Cash. Named after River Phoenix and the bard himself (Bob Dylan), Jesse is designed for fame. His debut EP “Classical Music” has been released in July 2017 to positive reviews. JRDM has been very busy this year touring and gigging in every corner of West Midlands and beyond (The Brecon Fringe Festival, Wales) , performing with numerous local acts such as Reuben Seabright, Ben Dallow, nth cave, Nuns of the Tundra (at the Marrs Bar), Boneyard Sessions and Doozer McDooze (for Worcester Music Festival). He is often performing at the Open Mic nights at the Chestnut Pub in Worcester. 2018 seems to be another busy year for him as Jesse is already booked for summer festivals such as Breathfest.

Facebook: https://www.facebook.com/Jesse.River.Dylan.Murray.Warner
Facebook: https://www.facebook.com/JRDMcreations/
Soundcloud: https://soundcloud.com/jesse-river-dylan-murray
Bandcamp: https://jrdm.bandcamp.com/album/classical-music

The Ben Vickers Collective

The Collective

Ben and his Collective playing at Firefly in Worcester, picture by Malicia Dabrowicz

Reggae, ska and funk musician Ben Vickers is somewhat of a Worcester music scene legend. Performing since he was 11 years old (right after he received his first guitar), Droitwich resident Ben played, jammed and shared the stage with almost every local musician. He has worked at well established music shops in the city center (RGS Worcester and Cranes Music) and tutored countless amateur musicians helping them develop better guitar-playing skills. He was also in popular Worcester band, Hometown Tourists.

However, Ben is best known for playing acoustic solo sets that draws big crowds. He has played at The Marrs Bar, The Firefly, Heroes, The Chestnut, Bottles and many other local venues. He is also involved in running popular open mic nights and jam sessions. Ben performed at Youthcomm’s Minifest, Sunshine Music Festival in Upton, Worcester Music Festival, Worcester Show and was featured on BBC Introducing by Andrew Marston. In 2015, he released 4 song EP entitled “Keep it Real Funky” which received a lot of radio play at BBC Hereford and Worcester.

Ben’s newest musical endeavour is called The Collective. It is a five-piece outfit consisting of very experienced musicians. Except Ben Vickers (lead guitar and vocals), The Collective include Poppy Waterman-Smith (piano and vocals), Matthew Todd (bass guitar), Ryan Lerigo-Jones (drums) and Pat McArdle (percussion, melodica and samples). The Collective plays a mixture of ska, roots rock reggae rhythms with touches of jazz and soul. It is worth mentioning that Poppy’s powerful voice and scene presence gained the attention of Seal, who invited her to perform as an opening act for his concert in Manchester in July 2016. In November, the band released their first EP (recording of Davis Amps live session).

Ben Vickers:
Facebook:
https://www.facebook.com/pg/vickersbeard
Soundcloud: https://soundcloud.com/vickersbeard
Twitter: https://twitter.com/6stringwiszard

The Collective:
Facebook: https://www.facebook.com/thecollectivereggae/
Bandcamp: https://thecollectivereggae.bandcamp.com

Ruben Seabright

Ruben Seabright

Ruben playing live

Malvern native, the 29 year old singer/songwriter, Ruben Seabright is the owner of one of the most recognizable and the most powerful voices in Worcester. Ruben comes from artistic and musical family and he has been performing along with his parents and siblings locally since a very young age. He has released his debut album entitled “Depths” in 2013 and has been performing extensively ever since. Ruben shared the stage with Soeur, Nuns of the Tundra, This Wicked Tongue, Ben Vickers, Vault of Eagles, Thousand Mountain and many more. Recently he has supported Nigel Clark (of Dodgy), Heck (formerly Baby Godzilla) and Kill the Romantic. He has been featured on BBC Introducing Hereford and Worcester in 2016. Ruben is currently working on his new material to be released as an EP next year.

Ruben is hosting a number of open mic nights in Worcester and Malvern where he performs solo or in the company of his father, Paul “Toad” Seabright, member of successful Worcestershire groups Health Warning and Sons of Spock (winners of Three Counties Band of the Year award).

Please keep your eyes on the entire Seabright clan as the talent runs in the family! Ruben is married to fellow musician, Becky Rose Seabright and he is a brother-in-law to writer Katie Lowe, whose debut book “The Furies” has been purchased by Harper Collins for an international publication in 2018 (and they paid a 6 figure sum for it as well)!

Facebook: https://www.facebook.com/RubenSeabright/
Twitter: https://twitter.com/rubenseabright
Soundcloud: https://soundcloud.com/ruben-seabright
Instagram: https://www.instagram.com/rubenseabright/

Please come back soon as we are not finished yet!
The second part of our  guide will be released next week (or even sooner as we are really dying to show you the rest of the bands).

Have a great evening,
Malicia and Rita Dabrowicz