West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics,MeMe Detroit, Table Scraps, Cherry Pickles, The Novus,The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.
George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)
Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.
About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“
Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?
Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!
You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?
Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.
We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?
Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.
You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?
Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.
BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?
Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.
The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?
Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.
Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay
You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?
Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.
Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?
Seb Baldwin: We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.
April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?
Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!
Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?
Seb Baldwin: We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.
They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?
Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.
Rock and roll has always been political. The biggest legends in music business such as Bob Dylan, Jim Morison, The Boss, Joni Mitchell, The Rolling Stones, The Beatles and others are known for their commentary about social changes, human interactions and connections. They were harsh critics of wars or aggression, callers for peace and observers of the political currents for many decades. Without their strong condemnation, many of the atrocities committed all over the world, would never seen the light of the day. Songs such as “Bizzare Fruit” by Billie Holliday, Donovan’s “The War Drags On”, “We Didn’t Start The Fire” by Billy Joel, “Born in the USA” by Bruce Springsteen and the E-Street Band or Dylan’s famous “Times, They Are-a-Changing” became synonymous with the term “protest song” and touched on women’s suffrage, human rights, civil rights, anti-war movement, sexual revolution, gay rights, animal rights and environmentalism. We can easily say that each of these songs changed many minds and made the world a better place.
Punks for West Papua logo
Punk rock (especially the original movement born in 1970`s and 1980’s) has been particularly interested in politics. Sex Pistols, The Clash and Billy Bragg led a cultural revolution in the UK, attacking governmental war on trade unions, far right ideology and relentless commercialization and wasteful consumption. The German scene called for Berlin Wall to be demolished, demilitarization of divided capital and the end of Cold War. French groups called for unity on the international scene and American punks (with Black Flag, The Pixies, And The Ramones) led a successful crusade against Ronald Reagan, homelessness, corrupted police and austerity measures that affected poorest communities.
Our current punk scene is proudly carrying on the tradition of standing against injustice and on the 1st of December, members of The Membranes, The Blinders, Witch Fever and MFU (Modern Family Unit) will join activists from Manchester chapter of MCR Punks For West Papua to bring to your attention one of the worst genocides of our times, that of the ingenious population of West Papua.
The official press release for the event reads:
“Punks For West Papua Australia was first launched in 2016 as the brainchild of Jody Bartolo from the punk band Diggers With Attitude to shine a light on the threat of eco-cide from resource extraction, human rights abuses against the people at the hands of Indonesian security forces, and to inspire others to stand in solidarity for West Papuan independence.
“Indonesia is not going to continue getting away with the slaughter of the indigenous rightful owners of West Papuan land” says Ash Brennan co-founder of Punks For 4 West Papua, Australia. The Australian punk rock community created a no-holds barred Australian wide benefit, involving over 50 bands in 7 cities around the country, making Punks For West Papua the biggest, and no doubt, loudest punk rock showcase in the nation’s history. “Australian punk is loud, very loud. Pernicious resource extraction in West Papua has also been hazardous to the environment and is a major contributor of Climate Change. But the world is now watching” says Brennan.
According to Punks For West Papua Manchester co-founder Gary Hilton of Gas Music: “Little known Melanesian country West Papua has been subjected to a media black out for over 50 years. But with more than 500,000 indigenous people murdered to loot West Papua’s gold and other vast natural resources – time’s up.”
To send a thunderous message to the United Nations to intervene in West Papua, MCR Punks will challenge a world drumming record in the Summer of 2019. We invite drummers, musicians, activists, media and volunteers! If you can hit a drum you can help be part of the world record attempt to change the world for the better. To get involved in the world record drumming attempt please contact us at firstname.lastname@example.org.
The launch of MCR Punks for West Papua is scheduled for December 1st because it is a historic day in West Papua. It marks the 57th anniversary of the first raising of West Papua’s symbol of independence, the Morning Star Flag. It is illegal to raise the Morning Star in West Papua. Doing so can bring charges of treason and a 15 year jail sentence. On December 1st people in West Papua, and all over the globe, will be participating in a Global Flag Raising to show their solidarity.”
One of the organizers of the event, John Robb, editor of Louder Than War magazine and member of The Membranes says: “Punk rock was always more than three chords. It was a force of empowerment and an energy of hope. It always thought it could change the world. Maybe it’s now finally making that change.”
Young stars of Manchester scene are also vocal, giving their time and guitars to the noble cause. The Blinders and Witch Fever recorded short videos explaining why charity concert and fighting for justice is important in the modern world:
So the October/November, 22-date Columbia tour is now a history. Another page in the book is now turned and we are looking towards the future, remembering the amazing music, new friends we made and places we went to. It was a bit of a blur, we have to admit. First the preparations, album release, the visits to record stores, then the gigs and now we find ourselves back to square one!
The Blinders are watching you! Picture copyright by Modern Sky UK
What does that mean? First of all, the well deserved rest for the band, management and the technical crew who worked like house elves over the last few months. Then of course, it is the writing of the new material, recording session for the second album sometime next year and even more gigs! The Blinders’ booking team is working really hard to satisfy the demand to see them play live. The band already have multiple shows booked for December 2018 and the beginning of 2019. We will be putting them all here, in one separate blog as it is easier to keep an eye on everything that will be happening soon.
If you’d like to read some of the previous blogs about The Blinders, please use the links below.
Are you ready for the 2019? Picture copyright by Modern Sky UK
Alongside the newly added tour dates, this blog will include everything else that our other posts have taken into account: interview, articles, reviews, press mentions, newsletters, videos and pictures etc. We will try (again) to prepare some sort of an encyclopedia containing all data, sources and information that should give you a clear picture of what is happening on the road. This post will be growing as new dates are added, as new materials are found – if we miss something, please kindly point us in the right direction and we will add the missing links or pictures. If you’d like to contribute something – that’s even better! We always love hearing from other fans and since it is impossible for us to be at every gig, we welcome any help in documenting the Blinders’ journeys. Each section is clearly marked so please check them as the time goes by – you will find new information being added!
New single: On March 23rd, The Blinders released a new single “Rat In a Cage”. This song has always been a fan-favourite, but the band had no plan to release it until their trip to SXSW. After performing the song on BBC6 Showcase at British Music Embassy for Steve Lamacq, the trio was bombarded with requests for an official release. The single will be the last one from their debut album “Columbia” and the fourth after “Gotta Get Through”, “L’Etat C’Est Moi” and “Brave New World”.
The song was also chosen as it offers a glimmer of hope even in the darkest of places and “in the most desperate of times”.
The song was released as a double side 7″ single in late April 2019 through Flying Vinyl. It contains two tracks: “Rat In a Cage” and “Nuclear Love”.
Rat In a Cage as a 7″ vinyl
The single comes as a part of Flying Vinyl “The Revolution Will Not Be Digital” box through its Collectors Club feature. This box is the 50th in line and contains doubles from The Blinders, WhenYoung (“Never Let Go” and “Future”), Lazy Day (“Tell Me” and “Weird Cool”), Hotel Lux (“English Disease” and “Charades”) and Tusks (“Be Mine” and “Peachy Kin”). There is also a small booklet attached with information about the company and each band. It is beautifully released and costs just £20 pounds.
The Blinders mentioned inside the booklet
The cover of the booklet attached to the box
All singles inside and the main box cover
Side A of the vinyl single
Side B of the vinyl single
The official release statement said: “‘Rat In a Cage’ is a song about hope & resistance. It is routed in the belief that collaboration and communication are fundamental to enacting change and pressing back against that which restricts our freedoms”.
Fun fact: The artwork used on the cover features a photograph taken by Rob Fay (Arathrael Photography), an award winning photojournalist whose pictures were printed all over the world and in almost every mainstream newspaper. He is represented by Getty Images. The rat you can see on the cover is named Percy. He was named after the character from Harry Potter and belongs to the photographer. He is white and brown and yawns in the picture 🙂
You can see him in person here: https://www.gettyimages.co.uk/detail/photo/yawning-fancy-rat-royalty-free-image/132036136?adppopup=true
Mixology: Mixology is the newest idea from the band to promote the emerging artists on the UK scene. At the beginning of their career, The Blinders received huge amount of backing from local press, DJ’s and fellow musicians. Not everyone is that lucky and the trio wants to share some of their good fortunes. Mixology will help the band chose the tracks that have the best chances of pushing young bands’ careers forward. The Blinders will add the songs to their official Spotify playlist, where it will be available to all users. And if we take into account that they have more than 100.000 monthly listeners and are featured on prominent curated lists, that’s a lot of opportunities and streams for young artists!
Visualization videos: The Blinders are working closely with Sam Crowston and Nasty Men Creations to bring you the best visualizations for their tour. All videos will be added one under the other. We already have few available for your viewing pleasure!
Merch: The band has listened to their fans and a new merchandise selection has been added to their official store. Right now you can choose among seven different types of tees, bags, badges and many more items. The merch can be ordered through the band’s official website, but also will be available at the gigs. If you like anything, grab it!
There is also a brand new merch prepared for the Spring tour that will be exclusively available at the venues. You can see the band members and technical crew playing the fashionistas and having their haute couture portfolio pictures taken:
TOUR STARTS TOMORROW
we embark on our UK tour tomorrow, commencing in Birmingham, new merch available at all shows
Newest additions to the shop include: the infamous lighters, patches and posters. You can buy them at their official merch stand this summer.
Welcome to Columbia leaflet
Welcome to Columbia leaflet_back
The Blinders patch
The Blinders patch 2
The Blinders Lighter
Newsletter: The Blinders have a lovely newesletter that is being send out each month. If you’d like to be on top with all news, views, reviews and gigs or read the archived entries, please subscribe at: https://mailchi.mp/b25c7d36fed6/were-taking-columbia-to-europe?e=0d5ce7e9eb
The newsletter sent on 30th of November lists all announced gigs, so please take a look at the screenshot we took for you:
Newsletter 30th of November 2018
Safe Gigs for Women:
If you have read our reviews from the Columbia tour in November/December, you probably noticed that several shows have been disrupted by rough concert attendees. Several teenage fans and female gig goers reported negative experience to the management and the band took it extremely serious. To prevent any accidents from happening again, The Blinders teamed with Safe Gigs for Women for their UK tour. The charity is renowned for its excellent gig safety policy and will advise all how to take care of each others.
The Blinders received a huge mentioned in the biggest music business magazine, Music Week! This is a real bible for every industry person and very prestigious magazine. We couldn’t be happier! The article also shined a light on the band’s label, Modern Sky UK.
The Blinders were interviewed before going to SXSW in Austin Texas plus they performed two songs on the show: “Brave New World” and “ICB Blues”. The interview starts at 1:06:09 mark).
You can listen to it at: https://www.bbc.co.uk/sounds/play/p071ttrx
Or you can listen to our clip below:
International Reviews: “The Manchester based trio, The Blinders play each of their songs as it was their last. The intensity of their performance is enormous but it works surprisingly well creating a psychedelic garage rock genre. Punkrock meets shoegaze guitars, droning bass beat and grinding drumming, leads to an unusual combination. Live shows are something everyone has to see – the band gives everything they have to the audience: warpaint, sweat and bloodied instruments. This is pure frenzied performance influenced by Iggy Pop, Nick Cave and The Fall. The BBC has had them on their radar for a couple of years now and called them a ‘Must-See band'” – WDR.DE after ESNS performance at Vera Club in Groningen (translation from German) https://www1.wdr.de/…/bands/ueber-the-blinders-100.html
“When a festival as big as ESNS takes place in one single city, you constantly rush from one concert hall to the other to be able to see all the interesting acts. In many cases, you have to queue and you miss half of the performance trying to either get into the venue or to leave it. Besides the acts that we managed to see without interruptions, we would like to name 5 bands whose fragmented performances were of pure class. They are: The Blinders, Drahla, Ocean Wisdom, FEET and Whispering Sons. Also, a special mention goes to The Slow Readers Club, a band sharing the same label with The Blinders. We have seen maybe 6 minutes of their show but the riff and the chorus to ‘You Opened Up My Heart’ was the highlight of Eurosonic for us” – Bart Somers for IndieStyle (translation from Belgian) https://www.indiestyle.be/live/vijf-hoogtepunten-van-esns-2019
“After the Shellac performance, The Smaller Gallery is filling up fast for the next act. The Blinders enter the stage accompanied by the soundtrack from “Charlie and the Chocolate Factory” and a great dosage of smoke. Their set is composed of solid punk rock and indie music that is delivered with a lot of energy. As usual, the singer/guitarist Thomas, wears face paint that reminds us of black metal bands. Although we have seen The Blinders before (at ESNS), we truly enjoyed their gig.” – Frank De Jong & Marco Vlot at Grauzone Festival for 3VOOR12 (multimedia platform of the Netherlands Public Broadcasting VPRO for alternative and indie music) https://3voor12.vpro.nl/lokaal/den-haag/artikelen/overzicht/2019/februari/Grauzone-2019.html (translation from Dutch)
TOUR: Concerts, festival appearances and other gigs are slowly filling up the band’ schedule. 2019 seems like a very busy year as it will take them to mainland Europe and all over the UK again. To make it easy for you to keep an eye on all booked events, we decided to create a calendar! It is easy and very efficient. Of course, we will be updating the blog as the shows happen so each section you see below, will be extended. Each entry in the calendar contains full description for the event, address, links and other useful information. If the stage times or a place has not been fully confirmed yet, it is market as TBA (to be announced). The calendar will also be updated as more details are revealed.
Before the event, the band recorded a short video explaining why they support this noble cause:
Avalanche Xmas Party – now completed
Avalanche Xmas Party ft very special guests poster
Gig number 2 took place on 8th of December. For several reasons, it was one of the most unusual concerts that The Blinders played. First of all, it was organized by the headliner – The Avalanche Party and it was their personal, open to the public, Christmas Party. Secondly, the show was free entry, first come – first serve basis. Thirdly – it took place in the picturesque North Yorkshire sea village of Staithes that has a strong connection to the famous captain, James Cook. Avalanche Party and The Blinders were joined by Strange Bones and The Black Lagoons and the party started at 8:30 pm sharp. There were no reservations, tickets available only at the door and yet the place was packed tight. The venue, Captain Cook Inn, is very small and has about 80 people capacity and all of the tickets were sold out in just two days. What was happening you may ask? Well, according to reports, the show was absolutely stunning. The mosh pit was everywhere, shirts were removed quite early on and it was a blissfully sweaty affair, with singers being carried in the air by the crowd, gas masks were worn and the after party was a good old rock and roll history in the making. During the Blinder’s set, Johnny Dream took a day off and Thomas Haywood stepped in (the make up was gone!). The band performed their standards (“Brutus”, “Brave New World”, “Gotta Get Through” and “ICB Blues”) and two new ones “Lunatic with a gun” and ” Whiter”. Many fans are now calling for a full tour to be organized and we think this is a brilliant idea. Every venue would be sold out – this is not a marketing drill or “fake it till you make it” technique. This is a true fact. Each of those bands play a fantastic set, they also have their dedicated audiences, they play music that fits together and they never tourd the UK in this line up before. Since we posted information about this gig on our blog, at least 20 people contacted us asking if there will be future shows. Ladies and gents in the management for each of those killer acts – can we ask for at least several shows next year? Dear Santa, we have been very good this year!
The Blinders at Social in Doncaster – now completed
Number three show in the Blinders’ December calendar was their annual pilgrimage to their place of origin, aka Doncaster. The band played their beloved Social Club on 19th of December in their home town and Calva Louise acted as their support. Tickets were available only in person from the venue and as you may correctly guessed, it was another sold out show for the band. The doors opened at 7:30, by 8:00, Calva Louise were on stage and The Blinders rocked the crowd at 9:00. This was a very special show with massive mosh pit (loads of girls in the front we are happy to report!) and two new songs. The first one, performed as a second during their set, was actually a brand new version of a song written by Thomas Haywood about 3 years ago and was titled “Wither”. You can listen to its very, very early version on Thomas’ personal Soundcloud account: https://soundcloud.com/thomas-haywood-141688445/wither
The second new song “Lunatic With A Gun” was played as the 10th song in the set. It was premiered for the first time nearly a month earlier at the charity gig in Manchester and confused a lot of people when it suddenly stopped. This time, the public was prepared so the band didn’t have to explained it was the end of the track! The band’s set was also significantly longer than usual: it contained 14 songs and one encore “Swine”. The show lasted over an hour and 10 minutes and the order of the songs was completely new – the fans loved it. Oh, and the war paint was back so Johnny Dream survived Thekla and the Last Battle of Bristol.
Facebook page: https://www.facebook.com/socialdoncaster/
Venue address: Lazarus Court Bradford Row, Bradford Row, Doncaster DN1 3NF, England
Opening hours: 7:30-11:00pm (gig), after party till 4:00am
Tickets: £8 Pictures:
IN THE FLESH! Glasgow at SWG3 Festival – now completed
Baby Strange presents In The Fresh – poster for Glasgow show
Poster number 2
Additional poster with time schedules
Fourth event booked for 22 of December was the IN THE FLESH! mini festival in Glasgow. It was a large show with two different venues inside the massive SWG3 Studios and Warehouse. The doors opened exactly at 3 pm and the first band to perform on Stage 1 was the The Vanities (they played between 4:00 and 4:30). They were followed by Walt Disco (5:00-5:30), then Rascalton (6:00-6:30) with Neon Waltz, headlining from 7:00 till 7:45. The Stage 2 was the main stage and their programme was longer and more varied. CRYSTAL started at 4:30 till 5:00 pm, followed by Voodoos, (5:30-6:00), LUCIA (6:30-7:00), then The Blinders took the stage for a full 45 minute set (8:00-8:45) and the evening was finished by an excellent performance from BABY STRANGE. Curfew for the show was 10:00 pm. Tickets were priced at £15 and you needed to be +14 to enter.
What can we say about the show? It was another Christmas party and it went very well. Less than 100 tickets remained at the doors and the venue was filled tightly. The band gave a full performance, the set list was almost identical to the one from Doncaster with the exception of “Wither” that was replaced by “Swine”. The Blinders had a fantastic time and so did the audience who praised the trio’s energetic performance and technical abilities.
Kendal Calling New Year’s Eve, Manchester – now completed If you didn’t know where to go to celebrate the NYE, but you wanted to see the band, you had the chance to catch them twice in one night in their (adopted) hometown of Manchester. And it was not just any other regular night – it was the New Years’s Eve! The first opportunity to see The Blinders on stage was at Kendal Calling New Year’s Party. Andy Smith and his team organized a special show to celebrate not only the beginning of 2019, but also to thank all those who attended the festival in the summer.
Kendall Calling New Years’ Eve Extravaganza!
Victoria Warehouse is a large venue and several hundred people partied hard to the music of Everything Everything, Tom Greenan, Felix Hagan and The Family, and two large DJ sets from The Hacienda legend Dave Haslam and Howling Rhythm. Doors were opened at 6:30 pm, the show started exactly at 7 pm and finished around 2 am. This was one of the rare occasions to see Dave Haslam returning to the DJ booth and re-creating a true Hacienda Rave party. As you can imagine, this line up managed to attract quite a crowd. The Blinders played as a second act of the evening, right after the truly enjoyable set by Felix Hagan and The Family. Their set was 30 minute long between 20:00 and 20:30 pm. As usual, they started off with “Gotta Get Through” that merged into “Brace New World”. A strong and aggressive beginning allowed the public to jump and dance and it was good to see the Blinders on a full scale, stadium-like stage. “Where no man comes” and “ICT Blues” followed and the set was closed with “Brutus”.
Night People New Year’s Party, Manchester – now completed After finishing their duties at Kendal Calling, The Blinders made their way to Night People to play a second show of the evening. They have been the mysterious headliner advertised on the posters, probably the worst kept secret in the entire Kingdom of Mancunia as everyone knew who that headliner was. Just look at the posters below (by the way, the event has amassed 4 different promotional graphics, which is quite something) and count the question marks. Very clever, isn’t it? The New Year’s Party at Night People was in fact a small festival. 8 bands were booked to play, but sadly at the last minute, Naked Six had to cancel due to illness. The doors were opened at 7:30 and the first band to play was The Big Peach (20:45-21:15). The quintet describes themselves as “5 rock n roll outlaws making Manchester their own 1960’s wild west frontier – they sound quite interesting so please give them a spin. Carnival Club were next with their slot lasting 30 minutes (21:30-22:00). Nicknamed as “Patron Saints of Rock and Roll”, the quartet has made quite an impressions on the locals and will play a large tour in 2019. Things started getting really interesting when the third band appeared on stage. SECS were advertised as Manchester’s first super group and all we knew before the show was, it was formed by members of The Blinders, Calva Louise and Strange Bones. Once SECS started playing exactly at 22:20 (a bit fashionably late), the mystery of who exactly was in the band was revealed. Jess Eastwood of Calva Louise took the role of main vocalist and guitarist, \ of Strange Bones sang backing vocals and played lead guitar and Matty Neale of The Blinders filled his usual post as a drummer. A real surprise was to see The Blinders’ frontman, Thomas Haywood joining them on stage as a…bassist! SECS set was brilliant (but of course), energetic and the group had so much fun playing together. They played several songs including “Easy”, “I Know” and “Hang on”. We hope that they will be playing more often but this seems rather unlikely as this year will be very busy for their main bands. At 23:00 pm, The Blinders took to the stage. While playing with SECS, Thomas wore a white shirt, he was all smiles and seems relaxed. When he returned to the stage as Johnny Dream, his face was very focused, the warpaint back on. Yet during the gig, and when the sweat started washing the make up away, his smile returned, he greeted and saluted the crowd and exchanged short laughs with Charlie and Matty. It was good to see them enjoying playing for their friends and families – a much different call than when they are on tour in unfamiliar places. They played “Gotta Get Through”, “L’Etat C’est Moi”, “Hate Song”, “ICB Blues”, “Et Tu/BerlinWall/Brutus”, “Brave New World”, “Rat in a Cage”, “Ramona Flowers”, “Wither” and “Swine”, although not in that particular order 🙂 The set finished several minutes before midnight and it was the time for John Hall to do the honours and count down to announce the new year. Saytr Play, one of our discoveries in 2018, played next, the first band to rock 2019. They started with “Don’t Go East”, with “VCR”, “To Be The One”, “L.I.F.E.”, “Mother’s Love”, “Fragile”, “Band Average” and “Everyday Since” forming the rest of their set. After 1:00 am, alternative duo (and first cousins) Sly Antics appeared to entertain the public with quite an impressive concert consisting of “Motion”, “Bin Juice”, “B-Side”, “Roads”, “Choose Your Words”, “Fresh Bites”, “Reality”, “Lights Go Down” and “Sunday Fear”. Please take a closer look at them if you have a chance, those guys are really something else! Replacing Naked Six, Octoptus finished the live music for the evening with their set nearly at 02:45am. The party went on til 6 am with several DJ sets, but that’s a different story!
First TV performance and interview at Soccer AM (Sky1), London – now complete The new year started like a Hitchcock’s thriller – first the earthquake and then the tension slowly started rising up. On January 2nd, The Blinders announced that they would appear on national television for the first time in their career! They have been invited for an interview and performance to the popular Saturday morning program, Soccer AM on 5th of January! Just moments after the news appeared on the official social media channels, the Columbia I-net went into some soft of an overdrive. Fans bombarded the band with questions, exclamation marks and congratulations.
this Saturday we go live on @SoccerAM for the first time ever on the small screen, what a delight.
Just look at the comments posted online – the Blinders have the most loyal fans
The Blinders spent entire day on Friday recording the program alongside Liam Ridgewell (defender and the captain of Major League Soccer club Portland Timbers) and Ceallach Spellman (actor and TV presenter). They performed “Brave New World” live in the studio, answered a lot of questions (favourite football teams, how it felt to play two gigs on New Years Eve, what is Columbia and who is Johnny Dream) and even had a chance to shoot penalties. Thomas and Charlie sadly missed, but Matty showed the world that he is not only a skilled drummer, but can kick the ball like a pro. He also sent kisses left and right after scoring a goal. The show was broadcast on Sky1 on Saturday exactly at 10:00 am and finished at 11:30.
The performance can be seen on Soccer AM Facebook page:
After the videos and performances were uploaded online, the band basically went viral. The video to Brave New World has been viewed nearly 30.000 times in less than 12 hours. We have been monitoring the rising statistics for the entire day and Malicia did a nice post to sum it all up. But of course the numbers keep on growing and will continue to grow so please hang tight, it is going to be a nice ride! So far we managed to count: 30.000 views for their performance on Facebook, 23.000 on Twitter, Matty’s goal scored nearly 30.000 views as well. Nearly 1000 likes, over 700 comments across the band’s social channels…Amazing!
ESNS Eurosonic Noorderslag, The Netherlands – now complete Eurosonic Noorderslag (abbreviated ESNS) is one of the biggest music conference in Europe. It is an equivalent of South by South West and each year thousands of people travel to the city of Groningen to participate. There are hundreds of concerts in 47 different venues, meetings, talks and panels regarding every part of the music industry – from mech and touring to PR, legal advice and international recording deals. Every genre (from metal to folk music) was represented and everybody could find something that would make them tap their feet or dance. ESNS 2019 took place on 16th-19th January and it was The Blinders’ first international festival! More than 300 acts were confirmed, from every European county. The Blinders joined Boy Azooga, Fontaines D.C., Bülow, Pip Blom and many other established acts. Plus, the festival added them to their official Spotify list! You could say that the first trip to mainland Europe was a success even before the band landed in the Netherlands!
When The Blinders were booked to play at ESNS in the summer last year, the news of their appearance at the festival caused a huge anticipation among media and gig goers. The demand to see them live grew even further after the word of their sold out Columbia tour traveled abroad. The concert at VERA Club (one of the biggest venues in Groningen) took place on Thursday 17th of January between 23:45 and 00:30 CET. The band performed alongside Any Other (Italy), Fontaines D.C. (Ireland) and Scúru Fitchádu (Portugal) to fully packed venue. Tickets to the show were sold out weeks in advance and at least 100 people were left standing outside the club and sadly could not get in! We were lucky that riots have not started in the streets! The trio played their entire 50 minute set that English fans already know from their autumn tour, but the European fans were mesmerized! They started with “Gotta Get Through”, followed with “Brave New World”, “Free the Slaves”, “ICB Blues”, “Where No Man Comes” and of course they closed their set with the murderous marathon of “Brutus”, “Et Tu” and “Berlin Wall”. The audience gave them a long ovation after they left the stage. It will be a night the band and the public will never forget! We have to mention one thing – for the first time we had a chance to see the entire band playing in the matching clothing. Thomas Haywood took on his usual persona of Johnny Dream (black trousers and black bohemian loose shirt plus warpaint), but Charlie and Matty also wore only black. Charlie is usually dressed in dark suit with white shirt underneath (resembling Nick Cave) but this time wore only black silky shirt and dark trousers. Matty wore a dark short sleeve shirt and elegant dark trousers as well, instead of his preferred attire composed of a grey tee and a pair of jeans. One journalist jokingly described them as Men in Black!
At ESNS, The Blinders were recorded by several radio stations. The first one to broadcast their song from the conference was BBC Radio 1 with Huw Stephens. On 20th of January 2018 in his show, he played “Brave New World” giving the band a splendid review. You may notice that the song was performed in a new style! Thomas perfected his singing technique and his voice sounds much stronger and more mature.
The Blinders were mentioned on popular ESNS podcast called SHARQ TALK! The presenters talked about not hearing about The Blinders before their show at Vera. However, they rated their performance as a good, very energetic show. They were not really convinced by the warpaint and thought the bassist (Charlie) looked a bit lost in thoughts, but paid many complements to their technical skills and abilities to make cool music. They also rated The Blinders as ready for the big European festivals such as Lowlands and Pinkpop. Again, massive interest of press and media was observed with presenters saying that more than 1200 people showed up to see the gig: inside the club (capacity 450) and outside! There were also 8 photographers and a cameraman. Thank you to Joep Coolen and Anke van der Voorn for their help with translation. The Blinders are mentioned exactly at 35:40 minute mark.
Independent Venue Week – Trades Club, Hebden Bridge – now complete Trades Club in Hebden Bridge is one of the most popular venues in Yorkshire that hosted many international and national superstars. The Blinders have played there before and each time, their gigs were sold out. On 31st of January, the band (along with their support act, The C33’s) arrived to The Trades Club to play for the Independent Venue Week, a week long celebration of music in support of those who run the grass root venues in the UK. As usual, the tickets to the gig were gone long time in advance (sometime at the beginning of December!) and many people frantically looked for any spares online. Those who purchased their passes earlier, gained entry to the venue at 4 pm. This allowed them to see a very interesting photo exhibition entitled “Cold War Steve” before anybody else. The rest of gig goers had to wait until 8 pm when the downstairs bar and a concert hall were finally made available to the public. By 8:30 pm, the place was tightly packed and the C’33’s entered the stage to showcase their talents. We have to say that the young band did fantastically well. Their 45 minute set was very pleasant to our ears, the songs were catchy (and some of them super radio-friendly!), they also had a great deal of energy and nice stage presence. We are giving them a year or two and the indie scene will have another very strong rock group! When it comes to the headliner, we think that The Blinders are incapable of playing a bad gig, as again, they were perfect! Matty and Charlie showed their incredible technical skills, Thomas sang like his life depended on it (and at one point ended singing surrounded by crowd), and the mosh pit was crazy! The concert was dedicated to the memory of Zoran, a close friend of the group who passed away just few weeks before the show at the age of 50. One of the speakers was decorated with Slovenian flag with words “Zoran, Keep The Faith” as a tribute to him. The band also prepared a special poster that was sold at the merch stand and all money collected were later given to Zoran’s family. The show started off with “Gotta Get Through” and then came the first surprise of the evening, a brand new version of “Wither” which may be the new fan-favourite song. So far “Wither” was only available in an acoustic version on Thomas Haywood’s personal Soundcloud account, but it sounds so much better with bass, an electric guitar and a powerful drum solos. “L’Etat C’est Moi” and “Brave New World” followed with “Hate Song”, “Ballad of Winston Smith” and “ICB Blues” filling the middle part of the gig. “Where No Man Comes” opened the second part and there was another surprise awaiting! Instead of the expected “Free The Slaves”, The Blinders pulled a blinder and played a brand new song, never heard before entitled “Fantasies”. Along with recently debuted “Lunatic With a Gun”, “Fantasies” are two brand new compositions that probably could end up on The Blinders’ second album which the group is very eager to record. The ending of the gig was very emotional and powerful with “Ramona Flowers”, “Rat In a Cage” and “Et Tu”, “Brutus” and “Berlin Wall” being played. The performance ended just before 11:00 pm. A small meeting with fans was also organized before the club was closed for the night.
Independent Venue Week – Trade Club poster
Independent Venue Week 2019 at the Trades Club
Power and Control – special poster prepared for the show
Grauzone Festival, The Hague, the Netherlands – now complete February took the Blinders over to the mainland Europe again as they performed on a popular festival in the Netherlands. GRAUZONE took place on 9th of February in The Hague and the line up included Blixa Bargeld of Einstürzende Neubauten, Sonic Youth’s Lee Ranaldo, Pink Turns Blue, The Messthetics (Fugazi members), The Cosmic Dead, Nik Void, Sink Ya Teeth and an exclusive exhibition featuring the works of Genesis BREYER P-ORRIDGE. Grauzone is one of the oldest and most prestigious festivals of music and counter culture in The Netherlands.
Translation: “English band, The Blinders, hailed by their domestic press and the BBC as ‘savers of the rock ‘n roll’ (together with Idles and Shame) comes exclusively to The Hague with their frenzied, obsessive live show, a madness-bordering experience that you must see. The band already plays in England to sold-out halls and big festivals and their debut album Columbia has been called ‘album of the year’ by many”. Now this is what we call a love letter to the band!
The Blinders played Kleine Zaal (The Smaller Gallery) at the Paard, some 300 meters from BillyTown (exhibition space). Their concert was set for 23:20 – 00:20 CET, between German punk rock legends, Pinks Turns Blue and The Cosmic Dead. It has been described as one of the best shows of Grauzone Festival. The Blinders played to a full, packed room despite being an unknown band in the Netherlands. Their show at ESNS received such positive reviews that the Grauzone festival organizers knew there would be a huge interest in the band. They were forced to put an official warning on their programme to let the public know to come to the venue earlier to secure a place! Fantastic achievement for a second show abroad (and their first ever in The Hague). There are no doubts – the band is on their way to establish themselves as a major player on the international rock scene! The Blinders started off with full Columbia introduction that British fans heard before each show on their Autumn tour. Dystopian propaganda talk by Patrick T. Davies mixed with “Power of Imagination” from “Willy Wonka and The Chocolate Factory” was greeted by cheers from the audience. When the intro was done, “Gotta Get Through” sent the Dutch public jumping and head banging. Despite the set list being neatly displayed on the walls and the stage floor, the band didn’t pay any attention to it. “Wither” came second (with changed lines and shortened second chorus) and then “L’Etat C’est Moi”, “Brave New World” and “Hate Song”. It was only then that Thomas greeted the crowd with words “Good evening! We are the Blinders from…United Kingdom!” which brought a sew short laughs (probably from UK fans who recognized that he nearly said “from Doncaster”) and massive approval from the local gig goers. “Where no man comes” followed by “Free The Slave” and both sounded a bit different again. Thomas sang in a new, more toned down way where his voice was more natural and deep. “Free the Slaves” was also cut short a bit and “ICB Blues” had a longer intro allowing Matty and Charlie to jam on stage! “Swine” with its rhythmic chorus (there is no hope…) had the audience singing along and Thomas balancing on the edge of stage, almost like he thought of jumping into the crowd before he changed his mind. “Ramona Flowers” and “Rat In a Cage” had extended parts with Matty and Charlie again going into some sort of improvised loops and Thomas half whispering-half howling into the microphone. The ending was a surprise to long standing fans as a brand new intro have been introduced before “Et Tu”. It was long, almost over a minute and sounded a bit like some sort of alarm going off. It’s quite tricky to describe but we hope fans will be able to hear in on tour in April – it was a very interesting experiment! Another new element was a part of a poem or a lyrics just before “Martyrs enters the area” part. Thomas recited “Oh are we such fools to pretend that we do not fear the end” before returning to a well known routine. The monologue between “Brutus” and “Berlin Wall” (“the shadows filling Big Brother’s hall”) gave the technical crew a migraine headache when Haywood finally decided to leave the stage and mingle with the public. The guitar cable proved to be too short for a longer walk and the technicians threw themselves to the rescue before the loudspeakers stockpiled on top of each other were thrown onto the ground! Thomas finished the set among the crowd and Matty was forced to sing all by himself. As the band disappeared into the darkness, they were seen off by applause and long cheers.
After the show, fans were thrilled and vowed to see The Blinders again. Paard Club spoke to several of them and here is an example of an enthusiastic review:
“Gig goer, Maria Kleopatra said: ‘The Blinders were the coolest band I have seen today. Great music and a very enjoyable show. This is a music scene that really appeals to my taste. I feel at home here. It is dark and dark is fun!'”
Pictures: Grauzone Festival was super kind to The Blinders. They have been photographed by fans and professionals and we even there is even a real polaroid picture taken by the wonderful Pim Schrier! You can follow him at: https://www.instagram.com/pimschrier/
Thomas Haywood solo performance (acoustic show) – now complete The Blinders are preparing to hit the US in less than a month, but that doesn’t mean they have stopped spoiling their beloved fans. Thomas Haywood, the lead singer of the band, gave a very special acoustic performance on Sunday, 24th of February at The Burton Arms in Manchester. The recently renovated pub is located right next to the Band on The Wall in the Northern Quarter part of Manchester. It was closed down for many years until the owners of The Night People have taken it under their wings with intention of turning the derelict building into a cozy bar and a small hotel. It seems to be working very well as the place has already earned good reputation among the pub goers. Thomas Haywood’s acoustic performance was the first concert in a series of intimate shows that are going to showcase the best musicians from Mancunian scene. The gig was kept a secret until the last moment – it was only announced 2 days before the show, yet on Sunday evening, the entire place was packed and many visitors sadly had to listen to the performance standing outside. Thomas started his set with one of his favourite songs – Bob Dylan’s “Ballad of a Thin Man”. The Blinders’ followers can sometimes hear him play it as a warm up before shows or during the social gatherings, and we have to agree, it was the perfect opener. The set was divined into two parts: the first contained a mixture of The Blinders’ songs very well known from their debut album “Columbia” and the other was filled by covers and original material. We had a pleasure of hearing “Brave New World”, “Rat in a Cage”, “ICB Blues”, “Ballad of Winston Smith” and “Ramona Flowers” in their stripped, bare versions. Without the electric bas and drums, the songs sounded completely different but you could still appreciate the excellent song writing and their complexity. The covers included Townes Van Zandt “Waiting Around to Die” and The Brian Jonestown Massacre’s “(David Bowie I Love You) Since I was Six” that was skilfully merged with an original song entitled “Visions of Anais (Across the Lake)”. Thomas’ original compositions drew the most attention and for a very good reason – they were bloody brilliant. He sang “Grave of the King” that was written during his stay in Paris in May 2018 after visiting the tomb of Jim Morrison and “Gift of Gold” that can be found on Haywood’s personal Soundcloud page. The Blinders’ fans were also incredibly happy to finally hear “Acid Bath”, the first ever song written for the band circa 2015, way before their first EP “Hidden Horror Dance” that was released in 2016. We now know that the full title of the song is “Acid Bath (Princess of the Dark)” and we absolutely love it. The show ended with Thomas being all smiles and giggles, waving to friends and fans, before disappearing in the Beer garden for a well deserved drink.
South By South West (SXSW) – now complete South By South West is the biggest music event in the world. It brings over 100.000 visitors to Austin in Texas and being invited is considered the biggest honour. The Blinders were chosen to participate and it only shows how good the band truly is. The band played four shows over a week they spent in America and we can honestly tell you that they made a big, big impression on the Land of the free.
The news that The Blinders will play in Austin traveled faster than the speed of light. Within couple of days, several local BBC chapters informed their listeners about the happy news . You can listen to some of them below, they are very enthusiastic!
BBC Manchester (Natalie-Eve Williams & Michelle L Hussey on 16.02.2019 and 09.02.2019)
BBC Sheffield (Christian Carlisle on 16.02.2019)
A few great mentions for the band appeared on the radio during their stay at SXSW as well:
BBC Manchester (Natalie-Eve Williams & Michelle L Hussey on 16.03.2019)
BBC Sheffield (Christian Carlisle on 16.03.2019)
BBC Introducing Radio 1 (Huw Stephens on 17.03.2019)
SXSW Showcase number 1: Champions Restaurant & Sports Bar
The Blinders made their SXSW debut at a small showcase at the Courtyard Marriott Hotel. This 5 star hotel is located in Downtown Austin, in prestigious location, just across the street from Austin Convention Center, and a short distance from 6th Street, University of Texas and the State Capitol! Their showcase took place on 12th of March at 7pm local time at Champions Restaurant & Sports Bar. It was 12:00 am on 13th of March GMT in London. The show was finished by 11:30 pm. It has to be said: this place is truly impressive with 23 large screens showing the best sporting events from all over the world. A huge stage is perfect for performances and the venue can accommodate up to 200 visitors. They are known for putting up acoustic nights that are very popular with tourists and local patrons.
As for the bands’ first American concert ever, it was a very good show. The bar was not fully packed but the crowd was very decent and what’s more important, everybody enjoyed it! Thomas wore a black coat and a pair of sunglasses and looked really cool! The show was also stripped back, Matty had no drum set, but those who have seen him previously know that if you give this man a tambourine, you will have a fully working rhythm section! Charlie played an electric bass, but it seemed to be a bit silent than usual. It wasn’t their usual in-your-face, full make-up, noisy affair, but rather a toned down, half electric, half acoustic performance. It reminded us of in-store visits The Blinders did last year before their Columbia tour. The band played for 40 minutes and they performed nearly an entire album. The visitors described it as “magical” and it truly was a spectacular set.
The second show the Blinders played at the conference was for the mighty BBC 6 Music and Steve Lamacq officially introduced the band to an American audience. The band had to wake up very early to do an interview with Steve before their evening gig and they recorded several acoustic tracks for him as well including “Brave New World”, “Rat In a Cage” and “Hate Song”.
You can listen to the interview (shared with Alex Edwards, the manager of Pip Blom plus the evening performance of “Rat In a Cage” at 1:16:52 mark. It was broadcast in the UK on 15th of March 2019: https://www.bbc.co.uk/sounds/play/m00036vv
We all know that Steve Lamacq is a big, big fan of the Blinders and it wasn’t a surprise that he asked them to headline his show at Latitude 30, a very well known bar located in downtown Austin. The entire showcase was held under the banner of “British Music Embassy” for BBC6 Music in association with AIM. The performance started at 8:00 pm on 14th of March and ended at 2:00 am on 15th of March CST (Austin, Travis County, TX is located in Central Time Zone). It was between 12:00 am and 7 am on 15th of March GMT time (London).
The Blinders’ gig took place from 06:00 am till 07:00 am UK time.
The Blinders entered the stage as the last band of the evening, after the Mercury prize nominated artist, Novelist. It was a huge accomplishments and the public was ecstatic to see the Doncaster trio. Their show lasted full 50 minutes and we could hear “Wither”, “Free The Slaves”, “Brave New World”, “L’Etat C’est Moi”, “Gotta Get Through” and of course the in(famous) “Brutus/Et Tu/Berlin Wall” at the end. The band was described as “ferocious” and “in top form” by audience members. Steve was so pleased with them that he put them on the commercial advertising his entire stay at SXSW! It has been played every day on British radio multiple times. Do you know what he said about the performance? “A sound you can truly believe in.” Well said, Steve, well said!
SXSW Showcase number 3: End of Trail at Valhalla Tavern
The Blinders didn’t have much time to rest at all. Their third show was at Valhalla Tavern on 15th of March 2018 (capacity of 400), a popular bar and live music venue located in Austin’s famed Red River District. The bar is pretty famous for its collection of vintage gaming devices such as pinballs, pool, shuffleboard, skeeball, foosball and air hockey. The stage wascurated by Kelly Munro and his wonderful team from End of Trail Creative record label.
The show started at 7:00 pm on 15th of March and ended at 2:00 am on 16th of March CST.
In the UK, it started at 01:00 am on 16th of March and finished around 8 am GMT time (London).
The Blinders’ performance took place from 05:00 am till 06:00 am UK time.
SXSW profile for The Blinders listing all booked events
Joined on the bill with their best friends, Avalanche Party and Rascalton, the Blinders played one of their best shows at SXSW despite numerous technical issues. It was again described as wild, captivating and unreal. Their set, again was clocked at 50 minutes and contained “Gotta Get Through”, “L’Etat C’Est Moi”, “Brave New World”, “Wither”, “Free the Slaves”, “I Can’t Breathe Blues”, “Swine”, “Hate Song”, “Rat In A Cage” and “Brutus/Et Tu/Berlin Wall”.
We have teamed up with our special correspondent Lori Starke (chief photographer and reviewer at Pictures in a Row) who came up with this brilliant, world exclusive review!
“‘What REALLY knocked your socks off this week?’ was the question posed by my friend who sat next to me between sets at what was to be my last venue of SXSW 2019. ‘The Blinders! They were mad! The bass player threw his bass out into the crowd at the end!’ He said:’Do you want to see them again? They are playing a few doors down’. So I abandoned the nights’ plan and we ran down the road to the other venue! Before going to SXSW this year, I had a vague plan to see the Blinders. They were recommended to me by a friend in London, and I had checked them out on YouTube. I thought they looked interesting. I wasn’t sure if the makeup thing was a shtick, a gimmick, or what! For me, a bands’ live show makes or breaks them. I saw them for the first time at Valhalla on Friday, 15 March. I came out of that show exclaiming ‘Holy Hounds of Hell! What did I just witness?!!’ The moshpit was mad, but not the kind that are just a bunch of assholes getting their aggression out. These people were loving the band. Avalanche Party had played immediately prior at Valhalla, and they hung around to lend support, technically and morally, to the Blinders during the gig. Jordan was handing guitars and helping troubleshoot technical problems. Thomas, the singer, was focused and theatrical, without seeming fake or phony. He looks dramatic, with black smears around his eyes and down both sides of his face. He delivers his songs with intensity. He draws us in, almost Doorsian, shaman-like. The music to me also evokes a Doorsian, dystopian vibe. Charlie on bass has read the script and holds his bass up like he is pointing a machine gun at times. It doesn’t sound as dramatic as it looks when he does it, and he also delivers a focused performance. Matty, on drums, is a beast. He pounds the drums with all he is worth, and does not quit, whether being yelled out, or if the lights go out. The Friday venue was left in shambles. During the final song, “Brutus,” Thomas climbed on a speaker stack and his mic and all of the lights went off. It took some time to get a workaround, but we remained invested as an audience while we awaited the rest of the song. My theory about the mishap is that he pulled a plug out while climbing. They finished the song, the crowd pushed forward, thrashed around, went mad, and the aforementioned bass throwing happened. We wandered out onto the streets of Austin, stunned”.
Thank you so much Lori! What a description, we cannot add anything more to it.
SXSW Showcase number 4: Modern Sky gig at Beerland
The fourth and the last confirmed event for the Blinders at the SXSW took place at a popular rock place called Beerland on 16th of March. It was again located in the Red River neighbourhood, very close to super popular nightclub named Elysium. The pub opened in 2011 and hosted rock showcases for SXSW since 2015. Not a big place (capacity of 200) but it has great reviews and is considered one of the “coolest” venues to visit at the conference. There is a pool table, a life size bust of Elvis and a large patio. The Blinders performed there alongside Japanese rock group DYGL, their label-mates SPINN, The Mystery Lights (all the way from NYC) and an electro pop duo from Australia, GreenWave Beth among others. The entry to the club was strictly +21. It was the last showcase for The Blinders’ record label, Modern Sky UK at the conference.
Modern Sky showcase poster
The show started at 7:00 pm on 16th of March and ended at 2:00 am on 17th of March CST.
In the UK, it started at 12:00 am on 17th of March and finished at around 7 am GMT time (London).
The Blinders’ performance took place from 05:00 am till 06:00 am UK time.
Again we spoke to Lori, who came to witness another performance by The Blinders. Lori said that the band played exactly the same set as the night before. They started with “Gotta Get Through”, “L’Etat C’Est Moi”, “Brave New World”, “Wither”, “Free the Slaves”, “I Can’t Breathe Blues”, “Swine”, “Hate Song”, “Rat In A Cage” and finished with “Brutus”. She added: “The Blinders’ last show at Beerland was much more controlled. One of their songs, ‘Brave New World’ was dedicated to Avalanche Party, who were there giving guitar tech and moral support again. I was ready at the end of the show to video the bass throwing. But there was no bass throwing this time. Still a great and engaging show, but more controlled, not as mad. The crowd was invested, but not mental like the previous night. There were no major mishaps. to report”.
Luckily there was no technical problems this time and the band finished their first American visit on a high note. Then they had a few days of rest, had some fun and off they went back to our time zones again!
The Blinders at La Belle Angele, Edinburgh – now complete After two years of not visiting Edinburgh, The Blinders finally returned to the capitol of Scotland on 20th of March to play at beautiful venue called La Belle Angele. The show (announced just a week and a half before it actually happened!) was a sold out even in association with Sailor Jerry (Scottish producer of the finest spiced rum there is, in case you didn’t know). Local fans haven’t disappointed and the venue was full to the last space. The show started at 8:00 pm with a short set from the support act, Fabric Bear. The Blinders were on stage by 9:30 pm and their set was very similar to those played at SXSW. But nobody was complaining! They started with the Columbia into, and “Gotta Get Through”. We heard “L’Etat C’Est Moi”, “Free The Slaves”, “ICB Blues”, “Hate Song”, “Rat in a Cage”, “Brave New World” and “Where No Man Comes”. “Ramona Flowers” and “Swine” made the well received come back to the set list instead of “Whither” and the new song that appeared on several occasions – “Lunatic With a Gun” was also dropped. The show went as smoothly as possible with people having the best of times. The band promised to return again to play Glasgow on 28th of April and their statement was greeted with huge cheers from the crowd.
ORBIT – The Blinders DJ set – now complete Three days after invading Scotland, The Blinders returned to their adopted home of Manchester to try something that they have never done before – a club night!
They did DJ sets before (Ruby Lounge in Manchester in September 2018), but this was a whole new affair. Not only the band played a specifically prepared set list (chosen by them from propositions send in by bands and fans) but they also hosted two concerts: the Scuttlers and Document. It is worth mentioning that Document debuted as a band that night and one of their member is The Blinders’ guitar technician and roadie, Max Grindle. Max is an excellent guitar and bass player and we can expect great things from them!
Orbit poster by Sam Crowston
So how did the club night go? It went swimmingly well. Again it was a sold out evening. Night People is the band’s venue of choice (they played there many a time) and they couldn’t chosen a better place. The doors opened at 11:00 pm. Document were the first on stage, followed by The Scuttlers and then The Blinders overtook the dance floor. We had a chance to hear some of the best new bands (Avalanche Party, Strange Bones, Afghan Sand Gang, The Pagans SOH among others) and some of the classics (Bob Dylan, Brian Johnston Massacre, The Doors). The party lasted until the sunlight and we still haven’t had enough. There are rumors that the club night may become a permanent event so keep your eyes open!
Thomas Haywood solo show for The Wild Launch Party at 33 Oldham Street The Wild is a new start-up fashion brand from Manchester started by Harley Luv Boon, the daughter of Mancunian music scene legend, Clint Boon. The Wild offers clothing that is 100% plastic free, inspired by rock and roll, the western style of living and 60’s and 70’s pop culture. With garments named after the iconic musicians such as Jimmy Hendrix, Stevie Nicks and David Bowie, The Wild can dress you up for any occasion: from your local indie summer festival to the Albert Halls of London.
The Wild Launch Party poster
The official launch party took place at the popular 33 Oldham Street restaurant/music club in Northern Quarter in Manchester on 11th of April 2019. There was a a fashion show (collection presentation) and live music from Mt. Fuji Band, Thomas Haywood and Saytr Play. The DJ set were provided by the emerging quartet Sauce, and Joshua Elliott.
Thomas played a short acoustic set that offered a mixture of The Blinders songs (“Ramona Flowers”, “Rat In a Cage”) and his personal favourites from Bob Dylan to his original compositions. Saytr Play, being headliners, played a full set with “VCR”, “Something In The Distance”, “Everyday Since”, “Thought of Missing Out” and “Bang Average”. This was a very intimate event and not many photographs or videos are available online, but if we come across any, we will definitely share them with you.
April and May are simply massive for the Blinders! This is when their proper tour starts and they will be travelling to Germany to play in Hamburg, Cologne and Berlin! They also have a handful of domestic gigs announced as well.
April/May UK and European tour
The Ninth Wave are supporting The Blinders on tour!
On 13th of February, it was announced that Scottish trio, The Ninth Wave will be supporting the Blinders on their tour. The band consists of Haydn Park-Patterson, Millie Kidd and Lewis Tollan. They were formed in 2016 in Glasgow and so far released several singles (“Reformation”, “Human Touch/Nothing Certain”) and “Never Crave Attention” EP on Distiller Records. 2019 is a breakthrough year for them – so far, Ninth Wave played SXSW with The Blinders and had several concerts in NYC along with The Avalanche Party.
The tickets are selling very well, so please grab one before they are sold out. All venues are running low on passes including the German ones!
See Tickets Newsletter
The dates are so far:
01. Birmingham – 26th of April
02. Manchester – 27th of April
03. Glasgow – 28th of April
04. London – 30th of April
05. Cologne – 7th of May
06. Hamburg – 8th of May
07. Berlin – 9th of May
Posters: The band prepared something special for their fans. Each show has its own special poster that has been printed in limited amount (50 copies). You will be able to purchase them at merch stand at each venue at first come, first served basis. Catch them all, buy them all and you know, get some nice looking frames at Ikea 🙂 We are not sure what size they will come in, last time the band went a bit overboard and had the posters printed in A1 size! They were larger than life!
01. Birmingham – 26th of April – happening today! The band will start their tour in Birmingham. The doors are opening at 7:00 pm so come one, come all and you shall skip the queue. The Institute is a lovely large venue and the gig should be great fun. Local heroes, The Clause are opening and half of the Birmingham music scene will be there. Please join us for a lovely evening of mosh pit, sweat, blood and tears (of joy). You are cordially invited.
After the show, the band will make their way to their favourite club in Manchester, Night People to play a DJ set. This will be the official after party to thank their family members, friends and fans for their support. The Band will be DJ’ing from 11:00pm and the celebration will lasts till 4am on Sunday. Tickets are £2 if you have the pass to Manchester show at the Ritz, and £5 if you are only coming to the club. The tickets can be purchased only at the door so try to be the first in line. Just a good, friendly piece of advice.
Good news Glasgow! The Blinders will entertain you at the official after party! There will be a DJ set, starting an hour after the gig and tickets are only £3! Firewater is one of the most popular new clubs in Glasgow and they are known for their parties! If you want to dance to some ABBA tunes, this is a good idea to come along. The celebration will last until the dawn.
Between the UK tour and German dates, the Blinders managed to squeeze their first summer festival of the season. On May 5th in Newcastle, The Blinders will attend the Hit the North Festival. 120 bands will play on 12 stages across the town and more than 40.000 people are expected to attend. The Doncaster trio will be joining Jake Bugg, Tom Grennan and the “Wonder” and “Psycho” songstress, Lauren Aquilina on stage to rock you and me (and even the Salmons of Alaska).
After touring Germany, the band will come back to the British soil to entertain their fans in Leeds. Gold Sounds is a festival dedicated to shoegaze, punk, psychedelia, noise and grunge. It will be held at Brudenell Social Club over two days in May. The show will start on 11th of May at 2 pmand will close at 2 am on the 12th. Previous guests include Yuck, Cabbage, Cloud Nothings, The Wytches, Homeshake, Turnover, The Big Moon, Merchandise & Cheatahs. Appearing at Gold Sounds 2019, besides The Blinders, are Fat White Family, Her’s, Pip Blom, The Beths, Viagra Boys, The Nude Party, Hand Habits, Just Mustard, Weakened Friends, Working Men’s Club, TRIXIE WHITLEY, Vulgarians, bdrmm, FEHM, LUMER and LYLO. Tickets cost only £35 for a weekend pass – it is a bargain for 25 bands and two stages! It has been announced that The Blinders will headline Saturday 11th of May but extended scheduling times are not yet available. We will be notifying you as soon as we know!
Saturday, 25th of May, will see The Blinders performing in Warrington at the Neighbourhood Festival! The band will be joining George Ezra, Primal Scream (headliners), You Me at Six, Nothing But Thieves, Tom Grennan, The Hunnas, Embrace, Pale Waves and Gaz Coombes (of Supergrass) among others.
Day later, on Sunday the 26th of May, the Blinders will also participate in Bearded Theory’s Spring Gathering Festival in Catton Hall in Derbyshire. The line up this year looks amazing. Suede are the headliners, Reef, Justin Sullivan of New Model Army and The Wildhearts are all making glorious come backs. The trio will be in great company so again, grab tickets while they are still here – the festival is rather small and it sold out last year. We are sure the history will repeat itself in 2019.
First of June, will take The Blinders to London to play at the famous Camden Rocks Festival! This is a last moment appointment as The Blinders kindly decided to step in after Pretty Vicious had to pulled out due to serious circumstances. This is how to support your colleagues, festival organizers and fans! Squeezing another appearance into their stretched schedule is a herculean task, but the boys are always up to help others. They actually practice this “come together, we need each other” thing! If you are not aware, Camden rocks is an independent urban festival showcasing 400 of the best new and established bands in the UK’s beating heart of music and revelry, Camden Town, on 1st & 2nd June 2019. This year’s edition features: Frank Turner and alt-rock quartet Deaf Havana as headliners, Ash, The Wonder Stuff, The Pigeon Detectives, Rat Boy, New Model Army, Wheatus, Carl Barat, A, Skinny Lister, Ginger Wildheart, Ruts DC, The Professionals, Angelic Upstarts, The Glen Matlock Band featuring Early Slick, Milk Teeth, Raging Speedhorn, Sean McGowan, Random Hand, Glamour Of The Kill, Discharge, Eliza and The Bear, The Virginmarys, Buster Shuffle, Area 11, Sonic Boom Six, The Last Internationale, Our Hollow Our Home, [SPUNGE} and many, many more. Expect the finest acts in live music plus a showcasing of some of the brightest and freshest talent around, across indie, rock, punk and metal. Anything goes in Camden and on the weekend of Camden Rocks, this is amplified to ten.
Camden Rocks Festival poster
The Blinders will play the beautiful Dingwalls from 7:30 till 8:30.pm. Tickets are still available!
Between 11th and 19th of June, The Blinders will again travel to The Netherlands to play at the independent Valkhof Music Festival. The festival takes place in Valkhof Park in the city of Nijmegen (Gelderland province, close to the German boarder). Nijmegen is a very beautiful market town that hosts a number of popular musical events and conferences throughout summer. Valkhof Festival is quite famous in Europe and brings thousands of fans of electronic, industrial, goth and indie music to town. It has 4 stages situated all over the park (one is in the ruins of medieval castle!) and 120 bands from all over the world are usually playing. Except for The Blinders, the festival’s line up includes Sudan Archives, Fontaines D.C., BO NINGEN, black midi, Jonathan Bree and Whispering Sons among others. Detailed time schedule is not available yet but the entry to the festival is free.
Valkhof Festival Logo
The Festival posted a very nice description for the band that reads: “The distance between Nijmegen and Manchester is about 760 km by car. It is far, but we are confident that The Blinders will give a splendid performance at the festival! These “Mancunians” as they are known, have the music in their DNA and their debut album ‘Columbia’ is a perfect example. The album is as raw as Sex Pistols, stubborn as The Fall and melodic as The Verve. Don’t forget the melodrama taken straight out of the records made by The Smiths! Their lyrics show inspiration drew from various sources – from Leonard Cohen, George Orwell to the mismanagement caused by Theresa May & Co. The band is just brilliant, aren’t they?”
Another show announced was the mini festival with the Blossoms, The Coral, Cabbage and the Fuzzy Sun. Bad news, it is sold out again, this time in a record time of 30 minutes. Those lucky ones who were able to buy the tickets, will enjoy the great show at Stockport County FC stadium in Edgeley Park on Saturday 22nd of June 2019. You can see more info on Blossoms page: https://www.facebook.com/blossomsband/
Stockport County Football Club grounds poster
A week later, on 30th of June, the band will travel to Exeter to visit the beautiful Powderham Castle to participate in Sunday Sessions Exeter. The Blinders will join a fantastic line up including Noel Gallagher’s High Flying Birds, The Charlatans, Reverend And The Makers and The Loft Club among many other acts. Stage times are not available yet, but we will update this entry as they are announced.
On 4th of July 2019,The Blinders will join Miles Kane for one special gig at Concorde 2 in Brighton. Miles has been a big fan of the Doncaster trio for a very long time but the conflicting schedules didn’t allow them to play together until now. The show will start at 19:30 pm and is 14+ (although you’ll need to be accompanied by a responsible adult if you are under 16). As you can imagine, the tickets are gone and the show is sold out with long list of people on the reserve list. Fingers crossed, maybe it will convince Miles’s booking agent to cook up some additional dates! Fingers crossed!
July and they are off to Europe again! This summer, The Blinders will get a lot of stamps in their passports. Between 11th-14th of July, the band will travel to Eastern Europe, to Lithuania to play Devilstone Festival in Anykščiai. Devilstone is a standout open-air festival in the Baltics, Lithuania, remarkable for its broad and colourful presentation of rock, metal and alternative styles. At Devilstone, quality up-to-the-minute rock meets select extreme metal and unique electronica. Positively provocative, Devilstone is the space for musical and artistic discovery.
Since 2009, Devilstone has been taking place in midsummer, and has been growing ever since. In addition to its primary location at the Dainuva valley riverbank, the festival has taken steps into the town of Anykščiai. Devilstone concept is constantly evolving as new ideas come to life. Creativity is our driving force, resulting in unexpected solutions and ample spaces for self-expression. The Blinders will play along fellow Brits, TurboWolf, ShortParis (from Russia), SODOM (Germany), black metal heads WATAIN from Sweden, WolfHeart (Finland), King Buffallo (USA) and KO KO MO from France among others. Their show will take place on East Stage but the times have not yet been released.
The Blinders profile on the official website for the festival
Right after DevilStone, The Blinders are booked to play KLIKO Festival in The Netherlands! What do we need to know? Patronaat is one of the largest and most prestigious independent venues in the Netherlands. It is located in Zijlsingel part of Haarlem, near the city centre. The venue has been operating since 1984 and hosted international and national stars of the highest calibre. Once a year, in July, Patronaat is also the home of KLIKO Festival dedicated to grunge, psychedelic and garage rock. This year, the indoor festival will take place on 13th-14th of July and at least 25 bands will play at three different stages from 19:00 pm till 06:00 am CET! It will be the loudest all nighter in the city and you don’t want to miss it. If you want some statistics (and we all love stats!!), the Main Hall is for 1000 visitors, second stage (called the Second Hall) is able to accommodate 350 guests and the smallest rock bar (named of course, The Third Hall) will be perfect for smaller gigs up to 120 people. Annually over 500 events are organized at Patronaat (at least 3 events per week) and 140.000 people are visiting its premises.
KLIKO Fest gave the Blinders this beautiful recommendation on their official website:
“The Blinders are the band that is on everyone’s lips these days thanks to their spectacular indie rock shows. The power trio from Manchester released their long-awaited debut album ‘Columbia’ last September and it brings together the best of 60’s garage rock, Beat poetry and Orwell’s dystopia. After their steamy show at ESNS 2019, they are ready to leave a lasting impression on Kliko”. Book your tickets now!
A very nice review for the band! Thank you KLIKO!
Ola, ola! The Blinders will play Spain for the first time in their career! Now, that’s what we call a summer festival. Good bye mud and good bye rain, hello free margaritas! Benicassim Festival is taking place in the province of Castelló, on the Costa del Azahar, in a (hang on tight) beach resort! If that doesn’t make you green with envy, then you are a saint! Anyway, it has been going on since 1995 and is considered to be one of the most popular and largest festivals on the Iberian Peninsula. 2019 edition will take place between 19th and 22nd of July. The Line up include Jesse Glynne, Lana Del Ray, The 1979, George Ezra, The Big Moon, Kings of Leon and Fat Boy Slim among others. The time schedules will be available at a later date and of course, we will share them as soon as we lay our hands on them!
Benicassim Festival 2019 poster
The Blinders profile
Benicassim is a beach resort on the Spanish coast between Valencia and Barcelona, 12 km from Castellón.
The Festival site is situated on the N-340 road , KM 986.300.Exit 12km north of Castellón.
From Barcelona: AP-7 motorway , exit 45
From Valencia: AP-7 motorway, exit 46
Coordinates: 40.048068N, 0.047872E.
If you’d like to catch the Blinders in a really intimate venue, then come to Blackburn on 8th of August! They will be performing their first, full acoustic show for just 120 people for the popular Night at The Museum gig series. This will be the 10th Museum Night and it will take place…you know at the Blackburn Museum! The band will be joined by two female artists: Julia Bardo (guitarist of a popular band, Working Men’s Club) and a newcomer, Millie McLeod. The show starts exactly at 7:30 pm and will finish about 11:00. Tickets are very limited and cost £15.
On 15th-18th of August, The Blinders will be performing at The Beautiful Days festival in Devon. It is considered one of the best independent festivals in the UK. It is the Levellers’ independent family music festival organised by DMF Music which takes place at Escot Park in Devon and has been running for 16 years. The festival has several stages, amazing site art, a huge children’s area, comedy, theatre, family camping, real ale bars from Otter Brewery & a great choice of food and craft stalls. Beautiful Days has no sponsorship, branding and does not advertise. The festival won the Grass Roots Festival Award at the 2015 UK Festival Awards and Best Medium Festival in the FestivalKidz.com 2015 Awards. They were shortlisted for Best Medium Sized Festival at the 2016 UK Festival Awards. The festival also made it through to the final shortlists in the 2017 UK Festival Awards for 3 awards and won Best Medium Festival at the 2017 Festival Kidz Awards. The Blinders will join Skunk Anansie, Ziggy Marley, The Levellers, The Stranglers (Official), Sleaford Mods, Songhoy Blues, Peter Hook & The Light, The Black Seeds, Kate Rusby and at least 100 more acts that will be announced soon. The stage times are not available at the moment but we will be updating the diary!
September will see the band travelling all over Europe again, we guess the saying “No Rest for The Wicked” is actually true. On Saturday, 7th of September, the boys will play at Confessional Festival at Holy Trinity Church, Mount Pleasant in Blackburn. This new alternative festival will bring together a fantastic line up of International Teachers of Pop, Red Rum Club, White Room and Working Men’s Club among many other acts. The Blinders are co-headlining and the festival will take place in an actual church! Come all ye faithful for a service with a full sonic blessing!
On the 19th of September, the legendary Amsterdam club Paradiso will organize a mini festival called Indiestadt. The Blinders will join Algiers, Stars, Cassia, Penelope Isles and The Stroppies for a full day of new exciting music. Tickets go on sale on 26th of April and will cost 17 euros. Please be quick as the pre-orders are already opened!
The Blinders mentioned on the Paradiso website
Paradiso advertises the festival with this beautiful entry about the Doncaster trio: “The Blinders are a young band based these days in Manchester. They know what to do with a good, heavy riff! Their music is hard, blusey and full of bravado, that only British bands seems to be able to get away with. Political punk rock undertones guarantee a spectacular live shows”.
On October 5th, The Blinders will headline a brand new all day event in the South of England. It is called Dials Festival and is located in the city of Portsmouth. The festival started in 2015, and ran in 2016 and 2018 winning several national awards. 2019 will be its fourth edition. Dials will support a charitable cause and proceeds will go to Solent Mind, to continue the discussion of mental health issues with both its audience and artists. The Blinders will play alongside Another Sky, Brighton’s garage rock duo ARXX, industrial noise punks Black Futures, local indie heroes Fake Empire, Bristol’s raucous post-punk favourites Haze, dream pop pioneer HUSSY, the experimental ambient work of Johanna Bramli, Brighton noisemakers LibraLibra, space pop five-piece Pocket Sun, indie-darlings Saltwater Sun, energetic post-punks Talk Show and delicate alt rockers wych elm.
Dials Festival poster
The festival gave a fantastic review to the Blinders saying: “Headlining the festival will be UK 3-piece The Blinders. ‘An incendiary soundtrack of garage punk and swamp blues that’s best described as Nick Cave slumming it or The Eighties Matchbox Arctic Monkeys’ was how Drowned in Sound website described the band last year. Just off the back of their biggest UK dates to date, this summer The Blinders support Noel Gallagher’s High Flying Birds and play a number of outdoor festivals. DIALS is incredibly excited to bring them back indoors in October to play the main stage at The Wedgewood Rooms where punters will be able to see just why they’ve developed such a fierce reputation for incredible live shows”.
Address: The Wedgewood Rooms, 147b Albert Rd, Portsmouth, Southsea PO4 0JW
Time: from 12:00 pm till late
Age: All ages admission (under 14 with supervision from responsible adult)
Time schedules will be available shortly!
Welcome to 2018! We would like to wish you a very happy and prosperous new year and we hope it will be better than the last one. This year is going to be a very important one for our Worcester Music Scene and of course Vanadian Avenue crew will be keeping our eyes and ears open for anything music related. Please add us on Facebook if you haven’t done so yet to stay in touch with the latest information!
We would like to kick off 2018 in style with the first interview of the year. Ladies and gents, we give you the excellent White Feather Collective!
Believe it or not, there must be definitely something in the famous Malvern spring water. After the success of fellow Malvern rockers Nuns of the Tundra at the national Firestone Battle of Bands competition and incredible releases from Dead Dads Club (they are playing Marr’s Bar with HVMM this February), here comes The White Feather Collective, swinging rock and roll quartet that has a major chance to represent England at the famous SXSW Conference & Festivals in San Antonio. We sat down with WFC to discuss their new material, previous accomplishments and sneaking into Glastonbury Festival.
White Feather Collective are:
William Turner (vocals/guitar),
Christopher Reynolds (drums),
Josh Lambe (vocals),
Roo Macphee (bass/organ)
White Feather Collective – picture from the bands archive
White Feather Collective logo
You are immensely popular in West Midlands. But just in case somebody spent the last few years living under a rock. Who are The White Feather Collective?
White Feather Collective: We guess, the easiest way to describe us would be we are a four-piece rock band from Malvern. The boarder definition would be who we are is what we aim for. We want to change some part of this world through music to make creative escapism as popular as it was. We want a big scene of groovy people loving all day and night, not just to escape the current state of things but as a means to change it. It sounds daft like a hippy dream, but it is so much more. The world is run by liars you’ll never meet and we want some power shift where what we say it counts and we see the efforts of our strain. Music is just one way of getting us on the same page and talking about that.
BBC Hereford & Worcester put you forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up. Potentially, you could play at the biggest music conference in the world in Austin, Texas. Previous alumni of the BBC stage include among others The Big Moon and Idles. The first were nominated for Mercury Prize, the other recorded album of the year. No pressure, right?
White Feather Collective: No pressure at all! The fact we’ve been nominated encourages us to continue on the path we’re on. We just have to dream bigger and continue to put more loving energy into everything we do. The overall goal is to share good music with people and keep on riding that high.
The band formed in 2014. One year later, you had about twenty recorded songs and one of them “Come On and Get Down” was used by French company WIKO Mobile in their international campaign. Can you tell us how did that collaboration come to be?
White Feather Collective: They found us on Bandcamp. It was an early demo EP we nearly didn’t put on. Looking back, it was a good job we did! The coolest part of that was the video they made to go with it and the fact it was blasting out in huge stadiums!
White Feather Collective scored some prestigious gigs: The Water Rats in Kings Cross and The Monarch in Camden. And they were sold out shows. You also regularly perform in Scotland. How does the audience across the country react to your music?
White Feather Collective: The audience seem to react very similarly everywhere we go. They are all very warm and welcoming and tell us they dig our sound. Of course, it all depends on what night you’re put on in these places, really. For example, a Wednesday night in central London can be a bit hit and miss whereas the same night in a country pub could turn crazy. It’s all about the vibes, man. But still we find it’s the best way to try out new tracks and see what people respond to. We see it as a work in progress and some songs get left for recordings and others are better to be performed live.
April 2016 saw you recording a session for BBC Introducing at the Phoenix Theatre in Ross-on-Wye. You were partnered with another group tipped for national success – nth cave. Do you have any recollections from that session?
White Feather Collective: Honestly not much (laughter)! We’d come from a gig up north the night before so we were all quite hung-over and tired. We do remember singing Roy Orbison with Andrew Marston quite a lot though and that felt nice!
In October 2016 you released your five track debut EP “Universal Harmony” and then followed by a stand-alone digital single “Doorman” in November of the same year. We tried to find one bad review of either and we simply couldn’t. Very unusual, but it seems nothing is ordinary about White Feather Collective.
White Feather Collective: No, you will not be able to find anything ordinary about us. We’re all very unusual! (laughing)
This summer you spent mostly playing festivals (The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock) with few performances in Wales (Cardiff, Monmouth) and one in Bristol (Mr Wolf`s). Is any new material coming or are you just taking things easy?
White Feather Collective: Yes, we were lucky enough to play some great festivals. Some down in Cornwall and Glastonbury which our singer, Josh actually had to sneak into (sorry Mr. Eavis!) He was there for about ten days and we had to pull him away. We don’t think he ever wanted to leave! And yes again, there’s always new material we’re working on. At the moment we are just getting funds together to get into the studio to record new songs.
The band started out as a quintet but recently you are down to four members. Can you tell us who departed the Collective?
White Feather Collective: We have always been a 4 piece band but we have percussionists, keys players and singers join us for certain things, that’s why we call it the collective. Our longest serving percussionist is a friend named Robby Rotten. He’s a real dude and often joins us when he’s not riding his motorbike through Africa!
The sound of White Feather Collective has been described as psychodelic surf rock with influences stretching from The Rolling Stones and Animals to Beach Boys, Donovan, Crazy World of Arthur Brown or even Captain Beefheart. How would you describe your own music and influences?
White Feather Collective: Yes, these are some pretty big names. We all have so many influences but we all love the iconic sounding records of the sixties and the people who make BIG songs that are still so popular like The Rolling Stones, The Who and The Velvet Underground.
You prefer to have a complete control of your art: writing, filming, recording, designing and producing all the aspects of your musical presence. That is a very unique approach in the era when bands employ entire armies of collaborators.
White Feather Collective: It’s a story of two halves, really. We’re poor but we’re also creative people and truly enjoy doing it (laughter). We would love the opportunity and want to collaborate with other artists but financially it’s not viable. Naturally, we all work in the creative industry, whether it’s recording music, film making or photography. This has helped us enormously.
You have substantial following online for an unsigned band. “Come On and Get Down” has been viewed over 80 K times on Youtube while “Crossroad Shootout” has over 34 K hits. Your songs on Reverberation have been listened by thousands of visitors. We are sure you already receive proposals from the labels. Ever thought of jumping ships and getting signed?
White Feather Collective: We’ve only received an offer once but unfortunately it wasn’t right for us at the time. It’s an incredibly important decision for a band and one that will set our direction for time to come. We’re very open to the idea and would love to sign if the right opportunity arose with the right label, but for now we’ll continue to do what we enjoy.
In the element – The White Feather Collective photographed by Duncan Graves
Any plans for the future, maybe except for the world domination?
White Feather Collective: Nah just continue making things, living the best we can and keep trying to meet Robert Plant! (laughing again)
On Saturday, January 6th, 2017 BBC Hereford & Worcester aired a short interview with The White Feather Collective and gave this very blog a shout out. You can here the 5 minute segment on the band and our interview right here:
The time has come to run the final chapter of our series showcasing artists from our local music scene in Worcester (and neighboring regions) that will be all over the radars in 2018. We have saved some absolute gems and proper legends for this entry and we are hoping you will be enjoying this blog. Because we had an absolute ball preparing all the entries and profiles. It was also a lot of work, we will admit but we are absolutely in love with finding new music and bringing it to the audience. That`s what A&Rs are for and we are at your service if you ever need to find new artists to listen and fall in love with!
If you would like to familiarize yourself with previous entries, click on the links below:
And now dear readers, let us introduce you to a handful of kick-ass artists from our neck of country-side.
Grafton Ash are known for incredibly energetic performances
Starting off as a duo in 2014, Grafton Ash is currently a four-piece pop/rock group from Bromsgrove. Formed by childhood friends, Dan Roberts and Dan Blake, they were joined by Stephen Ashford and Sam Dimmick in early 2015. The band released their debut EP “Avalanche” in June 2015 and it quickly received very positive reviews from local radio stations. Their title track was named the Track of the Week twice by BBC Hereford and Worcester and Grafton Ash received an extensive airplay over the next 6 months. On 3rd of September 2016, they were officially included into BBC Introducing and recorded a three song session for DJ Andrew Marston alongside the Worcester/Bristol indie rock outfit, Vertigo.
Grafton Ash is touring nationally, frequently to the full-house shows in places such as at Birmingham O2 Institute, London O2 Academy, Islington and Covent Garden’s prestigious Hospital Club. They supported Flye, Tom Walker, Reef, The Feeling, The Fratellis, Racing Glaciers and recently James Blunt on 25th of November during his “Afterlove World Tour” at The Arena in Birmingham,.
Grafton Ash released their second EP entitled “Existing” in 2017 and they are currently in the middle of a promo tour that will last until the Spring 2018.
People behind the indie dance/pop trio, Silverlake are probably the most experienced musicians from the Worcester scene. After the breakup of their previous band, the septet Vivarama in 1998, Robin Dalleway (guitar and chief tunesmith), Tony Sherrard (aka Shez, bass) and lead singer Sally-Ann Parker (aka Miss Smartness) returned to their home town of Redditch to concentrate on a new material. Vivarama’s mix of dance rhythms with indie pop and rock sounds brought them a critical acclaim and led to several music videos being filmed for the band between 1993 and 1998. The most popular of them was “Updoor” filmed inside popular club The Flapper and Firkin in Birmingham. “Updoor” premiered on MTV Dance Night with VJ Simone Angel in 1996 and then entered regular rotation as part of Party Zone and 120 Minutes (hosted by Toby Ames). Vivarama was also supporting Lighthouse Family. The band was also awarded for their video to “Let`s Talk About Love” at Film and Television Festival in Birmingham in 1993.
Even before joining Vivarama, Robin Dalleway already had a successful music career. In 1977, he became a founding member of jazz-punk band The Cravats (they recorded 5 sessions for John Peel at BBC Radio 1) and in 1982, he formed postpunk quartet, The Very Things with whom he released 6 singles and 3 albums (they all entered Top 40 at UK Independent Chart). The band played two Peel sessions for Radio 1.
For many years, Silverlake recorded music without releasing it and kept their performances to minimum (appearing only a couple of times, for example at Worcester Music Festival in 2015). Their first song “Twist” still remains unreleased, but in 2010, they issued their debut album “Paradise Place” through Magnet Records. Their most current singles include “Black Ponytail”, “Drop By Drop” and “X (Marks The Spot)”. Silverlake received airplay on BBC Hereford and Worcester, BBC West Midlands and a mention at BBC Introducing.
The band is inspired by soul and funk music, the Coen Brothers and David Lynch movies, groovy Californian Pop, Miles Davis, Jackson Pollack, Roxy Music, and Chill Out/Lounge sounds.
Singer/songwriter Ewan Pollock (or as he is known locally “the boy with a guitar”) is the first person on our list that is not native to Worcestershire. He was born in Glasgow but moved to Worcester as a child and adopted The Faithful City as his hometown. He specializes in acoustic folk/rock genre and is inspired by the works of Glen Hansard, fellow Scotsman Paolo Nutini, Frank Turner and George Ezra.
Since 2013, Ewan has performed at many events around Worcester and beyond. In 2014 he reached finals of the nationwide singing competition”Open Mic UK” in Birmingham receiving positive reviews from judges and audience. He played at Worcester Music Festival three times (in 2014, 2015 and 2016), participated in Free Radio Summer Sessions at the Crown Gate Shopping Centre (where he was chosen the most promising artist) in 2015 and 2016, Worcester Moto Show (High Street stage), Festival at the Fountains (South Quay stage), Worcester Foodie Festival (as part of “Young and Talented” stage on the High Street), Christmas in Worcester (Worcester BID stage) and Severn Sounds Festival at Pavilion in the Park stage. He has also graced the stages of The Old Pheasant, Café Blis (supporting Worcester Soup charitable project), The Marr’s Bar, The Firefly (all in Worcester) and Sunflower Lounge in Birmingham.
Ewan released his first digital standalone single “Home comfort” in 2015 and a demo EP “Make it count” in 2016 (“Lady in the Dark”, Distractions”, “Make it count” and “Too late”). The leading single “Lady in the Dark” was played on BBC Hereford and Worcester radio and was featured on podcast show by popular online DJ Matt Barker in November 2016 (Matt is a presenter of the MattBarkerRadio and broadcasts on 60+ radio stations worldwide via the Deuce Radio Show).
Ewan is currently working on new music and has several concerts already booked for winter and spring 2018.
Elephant Peel live at Firefly in Worcester on October 19th 2017
Official bio: A bunch of free-thinking, rock n roll survivalists came together in Worcester and produced a plethora of gorgeous, chin-out songs. Honing their craft, fittingly, in an attic studio above a notorious watering-hole (overlooking their home town of Worcester), they’re great lads but they ain’t here to take nonsense off anyone! Reminiscent of The Kinks, 13th Floor Elevators and sharing elements of your other favourite classic bands. They write a hell of a tune and have a great stage presence to boot.
Formed in 2016, Elephant Peel is a brand new band on Worcestershire scene, but it is quickly making a name for itself. The quintet consists of experienced musicians: Joe Thomlinson (vocals and harmonica), lead guitarist Matthew Randall (aka Randall), drummer Guy Bradnock, bassist Sean Gandy and Matt Crawford (nicknamed Crawford) responsible for rhythm guitar/backing vocals. Before forming Elephant Peel, Joe played in two well known Worcester bands: Virals and Something Men that also featured Matt Crawford and Sean Gandy. Something Men released 4 stand alone digital singles “Mud Brown Mistress”, “Birdy Roof”, “Go Diddley” and “Last Night (Was The Last Time)” that received a lot of airplay on local and internet radio stations. “Birdy roof”/“Mud Brown Mistress” was also released in a physical copy as a double-sided 7’’ single through EZPZ Records in September 2011. It was chosen a Song of the Week by BBC Hereford and Worcester in November the same year.
After Something Men disbanded in early 2012, Joe started working with Matt and Sean again which led to the formation of Elephant Peel. They recently released a demo single “Universal Stream” and played a string of popular local gigs including headlining two sold out concerts at Heroes (organized by Surprise Attack) and The Firefly (part of Boneyard Sessions). The band is inspired by Syd Barrett, The Kinks, The Beatles, Richard Hell, Jennifer Gentle and Graham Coxon.
2018 will see Elephant Peel in the studio (they are now working on more material to be released in the first quarter) and on the road (concerts are already booked and will be announced soon).
Chloe Elliot performing at the Christmas Lights Switch On ceremony in Worcester, November 23rd, 2017
At 16 years old Stourport-on-Severn native, Chloë Elliot is considered a pop star in the making. She started singing as a child and further developed her singing and song writing abilities at performing arts school in Birmingham, where she received classical training in theatre, dance and stage presentation. Of course, she passed every exam with a distinction.
Chloë spends her free time from school either in the studio recording the songs she wrote or performing. In the last year and a half, she performed more than 60 times as a solo artist in Herefordshire, Worcestershire and Greater Birmingham area receiving positive reviews. Her song “One” was selected as the “Song of the week” by BBC Hereford & Worcester which lead to her being interviewed on-air by popular DJ Tammy Gooding.
Her debut single entitled “3 Reasons” was released in early September 2017 and went into heavy rotation on BBC Hereford and Worcester Radio. It won her the recognitions for the “Song of the Day” and “Song of the week”. It was also named the post popular song among young listeners in November. Chloe was invited to BBC Introducing at Christmas Lights Switch on in Worcester by DJ Andrew Marston and her performance was seen by thousand of visitors on the High Street.
2018 may be a breakthrough year for the young artist. She has recently preformed for scouts from two biggest record labels in the world (Universal and Warner) and she is already booked for several shows in the early spring and summer.
Chloë is influenced by John Mayer, Shawn Mendes and James Bay.
Official bio: Winchester are a new British 3 piece that drags high octane prog, metal and hardcore screaming into the popular arena. Their emotional riff-laden assault course crashes and flows through cinematic soundscapes with no room for boundaries. Drawing from the intense social climate of today, Winchester have nurtured a sound and a concept that rings true with the twists and turns of tomorrow. With a live show that manages to re-create and somehow elevate their epic sound, this is something fresh that you will not want to miss. Life Begins.”
Worcester/Cardiff/Bristol based band Winchester are three piece outfit balancing between progressive rock and old school hardcore à la Biohazard, Pro-Pain or Crowbar with heavy metal inspired vocals instead of rap. The trio consists of producer-turned musician Scott Mahoney (responsible for excellent debuts of Nuns of the Tundra and HEXEN) on guitar, Adam Catalan on lead vocals and bass and Max Edkins on drums.
Winchester was founded in late 2015 and the band deliberately stayed quiet despite touring nationally and internationally (Germany, Belgium France in 2016). Lack of social media presence, stripped contact with the press and performing live resulted in a very raw yet appealing sound that was captured in the studio and perfected by legendary record producer Dan Weller (SikTh, Enter Shikari, Young Guns). Winchester spent more than a month preparing their full debut album entitled “Life begins at these dead ends” and it will premiere on 9th of February 2018. The album is available for pre-order now on all major platforms.
The first single from the album, “Life begins” was released 15th of December 2017 and received positive reviews from online rock magazines and from BBC Wales DJ Adam Walton. It will be followed by second single “Diamond” in late January 2018.
At this moment, Winchester is on promo tour in the UK. On 18th of November, they played popular club Hobos in Bridgend with As Lions and Greyhaven UK and on 29th of November they headlined sold out show in Bristol’s The Fleece with Holding Absence, Loathe and Phoxjaw. They will play Bristol again on 28th of February along with Loathe and there are talks of their gigs supporting Sever and Time & The Valuator later in the summer.
Winchester draws inspirations from the music of Muse, Biffy Clyro, Fightstar, Northlane, The Architects and Enter Shikari. They are represented by Imperial Music, an artist and event management company based in South Wales.
As Mamas performing live at the opening of Paradiddles in Worcester December 15th 2017
Founded over two years ago, Worcester-native psychedelic rock and roll duo, As Mamas consists of Harrison Baird-Whitman (guitar, vocals and harmonica) and Joe Devine (drums and percussion). Influenced by the Californian 60’s music, the group managed to create a very unique style, the-one-of-its-kind on the Worcester indie scene.
As Mamas released their debut self titled EP on 16th of July 2016. It was recorded in an original 60’s caravan (that was turned into a studio) and was produced, mixed and mastered by the band. It included four stand alone singles: “The Lights Are On but Everyone’s Wasted”, “World Wide Blues”, “Mama Moved” and “Zenobia”. Their single “The Lights Are On but Everyone’s Wasted” received a lot of airplay on Birmingham Radio, Free Radio, BBC Hereford and Worcester, 102 Touch FM (Shakespeare’s County & tThe Vale) and was featured on a compilation album “ENTER THE VOID” released by Donut Records in August 2017.
For the last year and a half, the duo has been touring the UK extensively. Along with The Americas, As Mamas are the only West Midlands acts that appeared on This Feeling circuit. As solo artists, they played Birmingham on several occasions including the Sunflower Lounge with The Whitelights (during their EP launch), Ten Tombs, supported The Cosmics alongside LCKD and Quinn (October) and appeared at Birmingham Blues Fest Saturday at the Big Bulls Head in Digbeth (July). They have also graced the stages in Worcester appearing at the Firefly club supporting Solsara alongside Happy Bones and in Heroes with Elephant Peel and Slumb Party (October and November respectively).
As Mamas regularly performs in London as well, usually to the clubs at full capacity. Their recent sold out shows include gig at Amersham Arms (alongside MONIKA, James Beau Barcley and Spinner) and Reverberation Psych Fest at Victoria Dalston with Strange Cages, Dusty Mush and Insomnichord.
Other notable shows include BBC Introducing Session at The Booth Hall with Raptor and New Revival (April 21st 2017), charitable concert at Alestones in Tardebigge Court in support of Anawim (women’s refugee organization) on October 28th and supporting popular Nederland group MY BABY on 7th of April.
Their latest video and a new single entitled “19th Floor” were released on September 11th and were directed by Caitlin Setterfield. “19th Floor” will be featured on their next EP “Parte Dois” to be released on 10th of March 2018. The band will play a show to celebrate the launch with a gig at the Sunflower Lounge. Tickets sale date and supports will be announced soon, so stay tuned.
Time of the Mouth perform at the opening of Paradiddles in Worcester on December 15th 2017
Time of the Mouth is Kidderminster based punk rock trio that has been around longer than any of the previous bands we have written about (with the exception of Silverlake). Over the years, the outfit gathered a strong fan base in West Midlands and beyond. It looks like 2018 could be a breakthrough year for them.
TOTM was formed at the beginning of 2010 and went through different line ups changes. Since 2015, the band consists of Chris Jones (vocals and lead/rhythm guitar), Ash Greenway (bass and backing vocals) and Jake Fox (drums and backing vocals). Their back catalogue can only be described as the most impressive. They released their first EP “Third Time lucky” in May 2012 (including singles “Amy”, “The Only Way Out”, “Tears” and “Take Me With You”). “The Only Way Out” proved to be so popular that it was played not only on local BBC Hereford and Worcester radio, but also in America, Australia and Japan. Their second EP “Snorkeling with Jesus” was published on May 2nd 2014. It was a 5 single EP containing “Lost”, “6 Feet Under”, “Snorkeling with Jesus”, “Euphoria” and “Another Level”. Again, two singles “Euphoria” and “Lost” received a lot of radio airplay on BBC Hereford and Worcester, Birmingham Radio and Touch FM. Their stand alone single “Urgent Joe” released in 2013 was named the single of the week by BBC Hereford and Worcester.
Their newest EP entitled “What Would Dave do” was released on August 11th 2017 and contains 4 singles: “Going Back”, “My Disguise”, “Too Obvious” and “ELG3”. A promotional video to “My Disguise” was filmed at Shredder Live Lounge Studios in Birmingham. A stand alone single “Miss The Madness” was also released on May 26th 2017. It is worth adding that its music video features a popular actress Eleanor Ham known from BBC series “The Doctors”, “The 4 O’Clock Club” and theater productions of “Les Miserables” and “Cinderella”.
TOMT is known from very energetic live show and frequently tours nationally. They have performed in London, Birmingham (at prestigious The O2 Academy Birmingham & the LG Arena Birmingham), Bristol (Louisiana), Nottingham, Sheffield, Cardiff, Worcester (The Marrs’ Bar, Paradiddles), and Manchester among many other places. They also perform at many summer festivals between May and October (including Tower Stage at Drunken Monkey Festival). The band is inspired by Less Than Jake!, Reel Big Fish, Green Day, Spunge, Fall Out Boy, The Used, Placebo and Bowling For Soup.
And it`s a wrap our dear readers. Three long chapters full of bands that will rock your socks off and make you dance in your kitchen in the coming 12 months are yours to enjoy. We will hopefully see you somewhere at a local gig, next to the speakers. If we meet – come and say hi and tell us if our predictions were correct
There will be more to come on Indieterria in 2018 but we we will be changing our format a bit to get more interesting. You will see 🙂
Welcome back to the second part of the Vanadian Avenue official guide to the new, exciting and emerging bands on the Worcestershire Music Scene.
If you have missed the first part of this blog, don’t panic. Please click on the link below and you will be able to read everything about the bands mentioned there:
Are you ready for another dosage of the super talented and ready-to-take-on-the-world musician from The Faithful City? We hope so, as we have some superb artists to show you!
Happy Bones (Iggy Cuthbert)
Happy Bones playing live photo by Alex Knight
Happy Bones (aha Iggy Cuthbert) by Josh Foster
Official bio: Happy Bones is a Worcester based folk project written by Iggy Cuthbert. Joined by Daniel Merry who provides backing vocals and rhythm guitar. Melancholic, sleep deprived and intimate folk tunes. Sung in a trembling voice, the influences range from Elliott Smith to Conor Oberst.
Worcester born and based singer/songwriter Igor “Iggy” Cuthbert is a busy body. He is a solo artist (performing under the name of Happy Bones), a poet, visual artist and a music promoter. As Happy Bones, Iggy played extensively in Worcestershire alongside nth cave, Thousand Mountains, Solsara, Ben Dallow, Iosif Norrisache (Joe Norris), Luke Steele, Sam Clines and others. He was also a lead singer and guitarist for the band Shia and lead guitarist for another alternative outfit, Gooche.
Happy Bones released a self-titled debut EP in 2017 to very positive reviews. Iggy described it as “a project I wrote and recorded in 15 days. The EP was full of mistakes, wrong notes and skipped beats. It’s intended to be honest and intimate. I wrote the songs as sketches and ideas and I hope whoever listens to them keeps that in mind.”
As a music promoter, Iggy is a member of The Boneyard Sessions along with Hector and Fergus Brazier and Alfie Newman of nth cave. He works with music venues in Herefordshire and Worcestershire organizing open mic nights, spoken word sessions and concert for local and international artists such as the German indie-rock outfit, The Black Rattles.
Iggy curated a stage for Worcester Music Festival at the Old Pheasant headlined by popular Worcester quartet, RVRMN.
Benjamin Dallow at Firefly concert, picture by Malicia Dabrowicz
Brought up in Worcester and Evesham, Ben Dallow spent several years living away from West Midlands residing in Liverpool and Bristol. His music has been described as a classic rock, with mix of psychedelia and a lot of brit pop. It shouldn’t come as a surprise as his influences include Paul Weller, The Jam, Oasis, The Stone Roses, Primal Scream and Ocean Colour Scene. Known among his friends as “Brit-pop Ben” due to his musical style and image, Ben has been performing in Worcester music clubs and venues, sharing stages with many established and local acts.
He played at 9th and 10th edition of Worcester Music Festival (2016 and 2017 respectively) and curated a music night on September 15th at the Firefly under “Ben Dallows Presents” banner. He introduced several new acts to Worcester scene including Plastic Scene, Ghosts in the Photographs, Elephant Peel, Pink Diamond Revue and The Actions.
Alongside poet Joe Norris, Ben is a part of Random Name Generator artistic project created to popularize poetry and acoustic music in Worcestershire. Random Name Generator closely works with other local promoters including The Hive, Worcester University, Boneyard Sessions, Slap Magazine and Sudden Attack. As a solo artist, Ben supported Birmingham based electronic/hybrid music trio Lycio in November 2017 at the Bottles and Jesse River Dylan Murray during the launch of his debut EP entitled “Classical Music” in July. He was also involved in Worcester Canal Festival in 2016 and 2017.
At only 26 years old, Becky has a resume of an artist and performer twice her age. In the last 4 years, she has performed more than 250 times nationally, with her biggest concerts being held in Birmingham, London (Troubadour Club and Amnesty International Headquarters) and Manchester.
In June 2012 while still a student at University of Worcester, she performed an original song for The Queen and the Duke of Edinburgh to commemorate the opening of The Hive, the biggest library in Worcestershire. Her performance was recorded and broadcast live on BBC Hereford and Worcester. It also received mentions in the national press and radio.
Two years later, after beating nearly 37000 candidates from the UK and Ireland, Becky was selected to attend the BBC Introducing Musician’s Masterclass at Abbey Road Studios in London where she met artists such as Calvin Harris and Mark Ronson and the bosses of companies including Columbia Records and XL Recordings. As an unsigned artist, her songs received national airplay on BBC 6 Music and Radio 1. Becky’s music has been championed by Andrew Marston and she was invited to record her sessions for BBC Introducing in Hereford and Worcester twice in 2013 and 2016. Becky was also interviewed after her fiancé and fellow musician, Ruben Seabright decided to propose on stage in the middle of Dr Stanley’s Medicine Show! Mrs Seabright performed several times at Worcester Music Festival to full houses. She is the only Worcestershire artist with number one hit in the charts! One of her songs made it to the top spot on Amazing Radio Top 20 which led to her receiving professional music tutoring from Air Management of Air Studios in London (Radiohead, Travis, Doctor Who franchise).
She is inspired by Boradway musicals, Queen, Danny Elfman, Regina Spektor and Hans Zimmer. Becky works now for Worcester University as an events manager and performs extensively.
Founded in 2013, Worcestershire quartet RVRMN (pronounced “Riverman”) consists of Joe Powell (lead vocals, guitar), Ben Growcott (drums), Will Maeers (lead guitar, backing vocals) and Morgan Whitebeam (bass). 2017 has been a breakthrough year for the young band. They released their debut EP “Back to Bed” in February and embarked on a tour to promote it that took them to Birmingham (The Flapper), Bristol (Louisiana), Hereford, Worcester (The Marrs’ Bar), Walsall, and Wolverhampton. They have returned to Birmingham twice more over the summer to headline young bands nights at O2 Academy. They also played at several summer festivals (Nozstock, Offenham Festival) to great reviews in local press including a positive review from Slap Magazine.
RVRMN performed at Worcester Music Festival three times (2014, 2016 and 2017). The last time saw them performing twice in one day, first at St Swithuns Institute and then at The Swan with Two Nicks. On 29th of November they have been invited to record their session for BBC Introducing Hereford and Worcester along with the Americas, Ben Goodwin and Jakebob.
RVMN is influenced by The 1975, Hodera, Bon Iver and The Hunna
Official bio:Sometimes, timing is everything. When Neil Ivison’s first band (the Janice Long championed Misers) imploded, he soon found his way back out on the road working as a touring guitar tech with the 1975 & Wolf Alice among others. Meanwhile, Sarah Warren’s eponymously named band were also about to call time on 10 years of hard gigging through the UK and & Europe. During a rare day off from an intensive US tour schedule, in a hotel room in the Californian desert, beside the 29 Palms Highway and less than 2 miles from the infamous Joshua Tree Motel (where 42 years previously, Gram Parsons had met his untimely end), Neil, finally admitting that his passion for writing songs and playing his own gigs had become eroded, took the decision to finish the current tour and return to the UK to work on new music, inspired by the regular jaunts to the southern States of the US. Neil: “That same afternoon, I was aimlessly browsing social media and noticed Sarah had written a post announcing the end of The Sarah Warren Band. Having been a fan of her incredible voice ever since I first heard it, I immediately dashed off a quick email to see if she’d be interested in working on something new together. I think I just put “Any Chance?!” in the subject line”. Luckily, Sarah’s mutual appreciation for Neil’s work with The Misers meant that she was more than eager to see what could come out of collaborating together but not before she had grabbed her musical cohort, die hard Americana fan and ex Warren Band bassist Nick Lyndon. The 3 got together over several months in the autumn of 2016 to kick around some ideas with Nick & Neil forming a prolific song writing partnership, giving birth to 12 new tracks in the first 2 weeks alone, as well as revisiting some old songs that were rejuvenated with new & dynamic male/female vocal arrangements. Once the songs started to take shape the trio dug out their address books, made a few calls and were soon bolstered by Roger Roberts on Hammond/Piano and Vocals and former RedBeards sticks man Duke Delight on Drums and began rehearsing in earnest.
Worcester/Hereford based band, Stone Mountain Sinners consist of Neil Ivison (vocals, guitar,) Sarah Warren (lead vocals), Nick Lyndon (bass), Roger Roberts (keyboard/hammond) and Duke Delight (drums). Both Sarah and Nick previously played together in an established Worcestershire outfit The Haunted Souls, while Duke was a member of the RedBeards.
Before joining SMS, Neil Ivison also had a successful career with his previous band, The Misers and as a solo artist. The Misers toured nationally and worldwide playing legendary venues such as Astoria, Royal Albert Hall and Club 100 in London, The Viper Room in Los Angeles or Fillmore in San Francisco usually at full capacity. Neil performed live and on records with members of Squeeze, The Sex Pistols, The Cult, Guns n’ Roses, The Specials, Morrissey, Ocean Colour Scene, The Proclaimers, The Wildhearts, Groove Armada & Tenpole Tudor. Many of his performances were broadcast live on BBC Radio 2 and Sky Arts. He was also championed by Janice Long (BBC 2 journalist awarded the prestigious BASCA Gold Badge for her unique contribution to music in 2016). Most recently Neil scored a Top 10 record in the UK Album charts as vocalist on The Professionals album “What in the World” (released on October 27th 2017 through Automaton Records).
Stone Mountain Sinners have appeared locally on several occasions including a short set on April 30th at the Swan with Two Nicks (Malicia’s gig of the year). The popular pub in Worcester city center was packed to the last place and a huge crowd gathered outside trying to get in. Their gigs around Evesham (The Regal and The Royal Oak) became the talk to the town bringing Robert Plant to see them. On 7th of December, the band made their London debut at the Bordlerline, supporting Men They Couldn’t Hang. The Sinners will release their debut EP in the late spring 2018.
Ren Wolfe, better known under the pseudonym of HEXEN is Worcester native singer/songwriter, costume designer, model and visual artist. She currently resides and works in Cardiff. HEXEN describes herself as “pop noir” or “goth pop” and finds inspiration in pulp novels, occult and sexploitation movies from the 60’s and 70’s. She is also interested in horrors and witchcraft motives and their influence over pop culture. Her favourite band is The Cure.
Ren has worked closely with several notable Welsh and Worcester musicians. She sang backing vocals on a well received single “Float away” by Nuns of the Tundra and supported them on stage during promotion of their EP in Worcester (Marr’s Bar) and in Bristol (Louisiana).
She released her debut EP “Holy Hell” on 14th of August 2017 to excellent reception from press and Spotify community where her songs received thousands of listens and likes. The three song release (“Baptism”, “Sacrifice” and “Salvation”) tell a story of an elaborate revenge and can be classified as a concept EP, something very rare on an indie circuit. It was produced by Scott Mahoney at Strange Trees Media and mastered by Joe Caithness.
Scott Mahoney has nothing but praises for HEXEN for their work together:
“The EP was written completely in the flat. HEXEN wrote some beautiful songs and then came to me. We worked on the music together to get the songs to where they are now. We went into the studio in Malvern, up in the middle of the Hills to record the vocals and extra layers, and then I went away and mixed it all together. The whole process took a few months from demos to finished tracks, and there are more tracks currently being worked on”.
Over the summer, Reverbnation placed Ren in their top 5 pop chart for Wales in 2017, Our Culture Mag (blog) described her as “dark pop artist, her powerful and moving music is starting to put her on the radar” and she was interviewed for BBC Wales by DJ Bethan Elfyn in June 2017. Ian Critchley of Louder Than War Magazine described her EP as “atmospheric, emotive and brimming with soul, heaven for pensive ears. Baroque and Roll for all the lost souls”.
HEXEN was championed by DJ Adam Walton at BBC Wales. In May 2017, he included her on BBC Introducing Wales and in July, she became their Artist of the Week. She was also named one of the emerging new artists on BBC Wales three times: in May, August and September 2017. HEXEN’s songs are included in several official Spotify play lists dedicated for rising indie stars: “Wonky Sensitive”, “Fringe Music Fix”, “Find A Song” and “Pop Daily”.
Fronted by Worcester native, Harry Jones, the Bristol based project Vertigo is one of the best kept secrets on the West Midlands and Bristol indie scenes. Formed in 2015, the band underwent several line up changes and at this moment consists of Charlotte Tunnicliffe on drums, Aaron House on bass and Harry Lee Jones on vocals and guitar. Vertigo are somewhat elusive and do not perform much, but each of their concerts is always well attended (such as the sold out gig at The Fleece in Bristol). Their debut single entitled “Breath” received a fantastic response from local media and the band was quickly spotted by BBC DJ Andrew Marston. They were included into BBC Introducing in Hereford and Worcester on 3rd of September 2016 along with Grafton Ash. “Breath” also received an extensive play on BBC Hereford and Worcester radio. The band is inspired by Jesus and the Mary Chain, The Stone Roses, The Beatles and The Velvet Underground.
Vertigo is now working on new material to be released in the second half of 2018. Judging by their new demos, we can expect great things from them. They are Rita’s discovery of 2017. Honestly, she has not been so excited about a band since The White Lies and they went on to have a spectacular career!
Wheew! What a ride! One can get a serious case of vertigo being surrounded by so much talent in such a small place. We keep saying it, but we are extremely proud of our musicians, the entire scene and the people who work so hard in the background to make the gigs and events happen. Hats off to you, ladies and gentlemen.
It is not possible to mention all the bands that are playing clubs, bars and venues in Worcester, but we are constantly on the lookout and if we see anybody worth a mention, we will be more than happy to add them to the next edition!
Stay tuned, stay sharp and stay vigilant,
Rita and Mal D.
It is nearly December and we cannot believe how quickly this year has gone! The past 11 months were super busy but many things were accomplished. Worcester music scene is growing stronger and stronger by the day and we thought it would be fun to prepare a short review.
We have taken 9 of the most popular musical acts from our faithful city, we looked through their official websites and posts on social media pages to find out what they have been up to and what they have achieved. The results? We can describe them only with one word – breathtaking. If somebody would told us that 2017 will be so productive and so kind to our local musicians, we would have never believed them.
Please read our report below and we hope you will feel as proud as we feel right now.
There is also another reason why we decided to do this review.
You have probably heard by now that BBC Introducing Hereford & Worcester was asked to put forward one artist from our county to go to famous music business trade and conference SXSW in Austin, Texas next year.
There is a whole discussion on BBC H&W page, so we decided to make it easier for you and point out what leading artists from Worcestershire accomplished in recent times. Now its up to you dear readers to decide who may go to America in 2018. Read on and let your voice be heard.
You can see the entire discussion here:
1. HVMM (hard rock/alternative)
– Signed to Independent Label Alliance (US based label)
– Released EP “Talk To Me Like I`m Dead”
– Release of debut EP followed by a sold out gig at Marrs Bar and a release party at Rise (Independent Record Store)
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Lacerate” has been played nationally on BBC 6 Music (Steve Lamacq), Kerrang Radio (Alex Baker), Radio X (John Kennedy), Amazing Radio and multiple smaller radio stations in the UK and US.
– Band continues to record in Spain and London with legendary producer Martin “Youth” Glover
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Headlined a sold out show in London (Seabright Arms) as part of Hackney Wonderland
– Portal TeamRock.com named HVMM their “Band of the Week”, large features in Classic Rock, Gig Sluts and other large music portals online.
– Band tours nationally
– Released videos to “Lacerate”, “Going Postal” and “Beggars and Thieves”
– Unsigned act
– Released self titled EP
– Successful EP launch at Marr’s Bar in Worcester supporting Soeur (sold out)
– Recorded a session for BBC Introducing Hereford & Worcester
– Their singles “Robot Love” and “Float away” were championed by Andrew Marston of BBC Hereford and Worcester. “Mind`s Eye” has been streamed over 000 on Spotify
– Band continues to record locally at Funky Bunker in Malvern with producer Scott Mahoney
– Named as one of leading acts from Worcestershire (“WorcesterWave”) by Worcester News
– Strong touring presence locally (Bristol, Birmingham, Evesham) .Their performance at at BBC Introducing stage at Lakeview Festival at Eastnor Castle received very positive reviews (“they blew the tent poles off”)
– The band were featured in several articles in Malvern Gazette, Worcester News and Worcester Observer. Overblown Magazine called Nuns of the Tundra “the saviours of mainstream rock”
– The band is currently is in the finals of the third edition of the “Battle of the Bands” organized by Firestone. You can vote for them here: http://battleofthebands.firestone.eu/ – Released 4 singles : “Robot Love”, Mind’s eye”, “Float away” and “Dead in the desert”. Animated video to “Float away” made in co-operation with London based art company YESMAN was accepted into several international short film festivals including the prestigious NYC Indie Film Festival
– Unsigned collective and one of the largest in the country (currently 9 members)
– Released three independent albums “Dead city” (featuring Tina Maynard and Anya Pulver of Soeur on vocals), “WHYP7” and “Fiero”
– Their concert at Worcester Music Festival was named best live performance by the audience. They also supported ska legends The Toasters.
– Recorded a session for BBC Introducing Hereford & Worcester
– Debuted on BBC 6 Music (Tom Robinson`s MixTape). Andrew Marston of BBC Hereford and Worcester described them as “Incredible live performers. Fun, energetic and have the crowd enjoying themselves as much as the band!” – The Collective is working on a project entitled “Lowlight” with possible theatrical release.
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band is constantly touring locally (Bristol, Birmingham, string of local festivals such as Under The Hill Fest, Dubs In the Middle and Mello Festival).
– Described as one of the best bangers from the Midlands by Birmingham rapper Lady Sanity in Dummy Magazine – They supported Benji and Hibbz at sold out concert in Birmingham
– Released several videos to singles such as “I say”, “Blindspot” and “Swag” with thousands views on YouTube
– Unsigned act
– Released demo (“Tenth Day of May”), 2 digital singles (“Something`s Gonna Happen”, “Hot Minute”)
– Played to the full house at Worcester Music Festival, sell out every home coming gig
– They recently recorded session for BBC Introducing Hereford & Worcester, they have featured on BBC Introducing West Midlands
– Their music received airplay from national radio stations such as Radio X (Gordon Smart), BBC Hereford and Worcester, Free Radio and many independent online radio stations
– The Americas just finished recording their debut EP
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– They are the only band from Worcestershire on the famous This Feeling circuit. Headlined sold out show at The Finsbury in London. The Americas supported The Twang (sold out show at O2 Academy Birmingham), Broken Witt Rebels, Bluetones, Blaenavon and Trampolene
– They played some of the most important festivals in the country: Beyond The Tracks, Reading, Y Not, Tramlines, Isle of Wright
– Online magazine Gigslutz awarded them the title of the Best Newcomers and described them as “Infectious, frenetic, cool. One to watch”. Their concert was named “the week’s best gig” by the New Musical Express. The Line of Best Fit championed them by saying they “revitalize rock`n`roll”. The Americas received positive reviews from Mikey Johnns of This Feeling, Hall or Nothing music promoter Caffy St. Luce
– Band tours nationally. They performed at the BBC Amplify conference in London
– The Americas released video to single “Hot Minute”
– Unsigned but tipped as the most promising band from Worcester
– Double A single demo released (Bass/Pop Party Princess)
– The band played to a full house for Worcester Music Festival, Worcester Pride and took part in Musicians Against Homelessness charity fundraiser
– Recorded session for BBC Introducing BBC Hereford & Worcester
– Debuted by Steve Lamacq on BBC 6 Music with a rave review (“band to watch out for”)
– The band prepares to enter the studio in January
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– nth cave begin to gain ground outside the county with concerts in Birmingham (02 Academy 2) and Liverpool (Club Babe).
– SLAP Magazine described them as “young, fearless and immensely talented”. They have been heavily championed by BBC Hereford and Worcester
– Members of the band are known for broad interests in music and broadcasting. Fergus (guitar) has been awarded BBC apprenticeship, while Hector (drums) and Alfie (bass) participate in Boneyard Promotions, organizing concerts and open mic nights in Worcester and Hereford.
– nth cave released video for their single “Bass”
6. The Humdrum Express /Ian Passey (singer/songwriter)
– Unsigned and self releasing artist
– Ian has a long career which spans over thirteen releases (album and EPs), the newest being a stand-alone single “E-Petition” released in November 2017
– The Humdrum Express has recently taken part in Musicians Against Homelessness charity fundraiser in Worcester, curated folk stage at Worcester Music Festival and played a sold out show at the Ross Theatre in Kiddeminster.
– During his career Ian has been featured numerous times on BBC Introducing Hereford & Worcester and BBC West Midlands
– His six last singles have been in regular rotation on BBC 6 Music and other national stations. In total over 30 different shows across a variety of stations.
– Ian is currently preparing to record his new album
– “E-Petition” single went viral in October 2017, with articles about the zombie themed video appearing across local media – Stourbridge News, Dudley News, Kidderminster Shuttle and local radio stations (Severnvalley Radio)
– The Humdrum Express shared stages with many great artists such as performance poet John Cooper Clarke, Bob Mould (Hüsker Dü), Ian McCulloch (Echo & the Bunnymen), The Wombats, Half Man Half Biscuit, The Wedding Present, Hugh Cornwell (The Stranglers), Miles Hunt (The Wonder Stuff), Mark Morriss (The Bluetones), The Membranes
– The Kidderminster Shuttle describe Ian Passey as an artist “known for his fast-paced lyrical style who mixes social commentary with familiar cultural references, surreal characters and subtle puns”
– The Humdrum Express has a series of videos under his belt. The latest – is “E-Petition”
– Unsigned band (but for how long?)
– Released debut EP “What separates us” and singles “No Fire”, “Left Living” and the title track “What separates us”
– Soeur shows usually sells out quickly as it happened in Worcester, Birmingham, Bristol, Bath, Leeds and Sheffield
– They have been featured on BBC Introducing twice: BBC Introducing Hereford and Worcester and BBC Introducing In the West. Their single “No fire” was championed by Andrew Marston and Huw Stephens
– Received impressive amount of airplay on local and national radio stations: BBC Hereford and Worcester, BBC Radio Bristol, Free Radio Birmingham, Radio X, BBC Radio 1 (Rock Show with Daniel P Carter), BBC6 Music and many more
– They recorded their debut session at the legendary BBC Maida Vale studios in London in September. It was broadcasted live on Radio 1 along with the band’s interview
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Soeur played at Reading Festival, Leeds Festival and headlined two sold out shows in London – Named as “one of the best unsigned acts” by Radio 1, “unforgettable” by BBC Introducing and “kick-ass attitude, catchy tunes and filthy riffs” by popular online magazine Tab the Feed
– Their single “No fire” was added to official Spotify playlist called “Rocked – the best new rock songs from the UK”
– Released videos to “Pass out”, “No fire” and “Left Living”
– Unsigned band
– Released self titled demo and currently are working on their first EP
– Thousand Mountain performed at Worcester Music Festival, The Sunflower Lounge and The Flapper in Birmingham and headlined Musicians Against Homelessness concert at Marr’s Bar in Worcester in support of Crisis
– They supported American spoken word legends The Listener, Press to Meco, Rubio and Sleepmakeswaves among others
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Falling” was played on Birmingham Radio, BBC Hereford and Worcester and received national airplay on BBC 6 Music Recommends with Steve Lamacq
– “Falling” was also available to listen online nationally on BBC iPlayer for the period of 2 months
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band was featured in several others articles form Worcester News, Worcester Observer and Slap Magazine
– They were interviewed by national Free Radio during prime time broadcast slot (driving home news)
– Thousand Mountain are working with the biggest concert promoters in Worcestershire and Birmingham and constantly touring
– Live videos to “Kraken”, “Open Doors” and “Falling” are available on their Youtube channel
9. Lost Tiger to the Wild (indie/alternative rock)
– Unsigned duo but under the care of prestigious Coalition Talent agency
– Released debut single in November 2017
– Duo played a string of successful home town gigs at Marrs Bar, to full house
– Recorded a session for BBC Introducing Hereford & Worcester
– Band has been championed by Andrew Marston of BBC Hereford & Worcester
– Lost Tiger are currently recording
– They supported Tinie Tempah at the Coventry University Summer Ball and X Factor finalists, Jack and Joel. Only weeks after at the Teesside University Ball, Lost Tiger opened for Wheatus, Karen Harding, Fuse ODG and Pendulum
– Headlined the Birmingham Christmas Market for Free Radio
– The band enjoys a phenomenal social media presence – having over 11.000 followers on Instagram
– Released videos to their debut single “Come Out With Me”
Keep your fingers crossed for your favourite artists and let The BBC Introducing Herefor and Worcester know who would you like to see on the other side of The Pond!
See you soon,
Rita and Malicia D.
**** Update 16/12/2017****
The waiting and anticipation is over. BBC Hereford and Worcestershire had made their decision to put forward one local act before the broadcaster`s panel that decides who will play at BBC Stage at SXSW – the world`s biggest music business trade show.
And that local band is White Feather Collective.
We have decided to add the band to the best of 2017 as they are very accomplished artists and we will soon interview them as part of our Indieterria project. White Feather Collective were very surprised to learn that BBC H&W considered them for an overseas trip. This is what they have to say:
Each year BBC Introducing takes a handful of British artists to SXSW in Austin, Texas. Each act is performing live as part of BBC Stage. Previous year included artists such The Big Moon, Idles and Shame – you can say the champions league of indie circuit. Idles debut album “Brutalism” is a record of the year, Shame are recognized as one of the most influential new bands in the country, while The Big Moon were nominated to Mercury Prize.
Only the best among indie artists are taken to America and The White Feather Collective face a tough competition from other entitled acts from all across the country. But don’t think they don’t stand a chance. Because they do! We compiled a short note of what they have accomplished and it is a safe bet to say they are making a mark on Worcester music scene. Please send kudos and keep your fingers crossed for yet another alumni of WorcesterWave (yes, this is a real name for our scene. Thank you Andrew Marston!)
White Feather Collective
The White Feather Collective (psychodelia/surf-rock/folk)
– Not yet signed
– Released five track debut EP “Universal Harmony” and a stand-alone digital single “Doorman”
– Their song “Come On and Get Down” was used by French company WIKO Mobile in their international campaign on TV and radio
– Have been featured on BBC Introducing and were put forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up.
– The band played at The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock to universal acclaim
– Headlined sold out shows in their home town of Malvern, London (The Water Rats in Kings Cross and The Monarch in Camden), Bristol (Mr Wolf’s) and in Scotland
– Their YouTube channel received more than 200,000 individual views, with “Come On and Get Down” being viewed more than 80,000 times and “Crossroad Shootout” more than 34,000 times separately
– The band’s vocalist and guitar player, Will Turner wrote music for Grand Designs, The One Show, BBC News and Santander Bank
– Band tours nationally
– Released videos to “Come On and Get Down”, “Crossroad Shootout”, “The Inside” and “You Got The Time”
White Feather Collective – the future is looking bright