Indieterria meets Sybling

Hello!  

It is a music journalist’s privilege to speak to some of the most talented people in the world. Some of the artists might be living just two doors down from you, or in the same town, but some of them might be located at the other side of the pond. Not so long ago, we had an undeniable pleasure to discover an American duo named Sybling. Two New York based sisters, stole our hearts withing minutes with their breathtakingly vocals, harmonies and eerie sounds that would make David Lynch look twice over his shoulder on his way home on a dark winter’s night. The duo are represented by the wonderful folks at Marauder Group and we  wrote to them asking if we could speak to both ladies. Much to our delight, the label and the band said yes (thank you)! We discussed their upbringing in a musical family, writing their debut EP and their eclectic musical taste ranging from Nick Drake to the British indie rock sensation, Radiohead.

Band picture by Manny Inoa

Sybling:
Alice Makwaia (vocals, multi-instruments)
Mariana Quinn-Makwaia (vocals, multi-instruments)

Not always we have a pleasure to speak to an emerging artists from the other side of the pond. Please introduce yourselves to the readers of Indieterria.

Sybling: Hello there! We are sisters, Alice Makwaia and Mariana Quinn-Makwaia of the duo Sybling.

You grew up in New York, in a musical family with musician and composer father and mother who is an actress and an acting coach. Did your parents have any influence on you to become an artist yourselves? Have they encouraged you to chose this path, or maybe they were against it knowing how hard it is in this business?

Sybling: Both of our parents are artists. As you already mentioned, our father is a musician and our mother is an actress. We grew up, the four of us, near the poverty line, in a one bedroom apartment. It was totally great (and we mean that in earnest). Our parents weren’t unhappy with the struggling artist lifestyle. They saw no problem in going into the arts. Our parents only encouraged us to do what spoke to us. And, from a young age, music did just so.

Before the creation of Sybling, both of you had an impressive musical resumes: Alice wrote musical scores for theatre and film (“The Snow Queen” by Downtown Art and “Forest Bathing” by Yaara Sumeruk) and Mariana found success as part of R’n’B outfit Smoke & Sugar. What convinced you to form a band together? Have you worked with each other before?

Sybling art by Catya Bastien

Sybling: (laughing) Making the band was an easy decision. We grew up singing together and harmonizing. In many ways, we knew each other musically better than anyone else in the world!

Sybling is inspired by a wide and eclectic range of genres: from traditional folk, to soul, jazz, funk and alternative rock. We can hear Nina Simone, Jeff Buckley, Marianne Faithful and Elliott Smith. And Stevie Wonder! Who is your inspiration?

Sybling: We’re both very inspired by alternative and folk genres. Our top inspirations are Sufjan Stevens, Nick Drake, Feist and Radiohead. Funny fact: we actually wrote “The Grim” for Radiohead! We heard the song in Thom Yorke’s voice.

You have released your debut EP on February 22, 2019. It is promoted by a lead single “Grim” and a video in which a young man is haunted by nightmarish figures with white masks covering their faces. Can you tell us more about “Grim” and the concept behind the video?

Sybling: The concept of “The Grim” video came from a sketch we made some years back. It was about someone on the subway, seated next to a suited man in a deer mask. It came from a thought that the subway is the looniest place we know! People are simultaneously physically close but oblivious to each other. We actually wrote the song when we were in High School, and it deals with the loneliness, and darkness that followed us around a lot then.

We absolutely love the cover of your EP, and the artwork  that is displayed on your social media. Who is the author?

Sybling: The cover of our EP was made by a Texas-based artist Catya Bastian. And we made the cover of our single for “Under.”

EP cover by Catya Bastien

You once said that “If one quote were to sum up the entirety of Sybling, it would be Kurt Vonnegut’s: “He is still very much alive in the past, so it is very silly for people to cry at his funeral.” A lot of your lyrics seem to deal with themes of searching for lost things and the past. The whole EP has this aura of melancholy and some sort of sadness. Perhaps we are mistaken but we feel like this record could be considered as a concept album, rather than just a collection of songs to reflect to?

Sybling: We like thinking of our EP as a concept album! Originally, we didn’t know what songs we were going to release, so it’s a bit of a fluke that they contextually fit together so succinctly!

We want to ask you about our favourite song “She is Alive in the Past”. It has beautifully crafted voice harmonies with catchy, radio friendly guitar riffs and piano. What’s really surprising, it has no lyrics. Please tell us more about it. Is there any particular story behind it?

Sybling: “She is still alive in the past” was very much an experiment. We’d had the tune in our heads for years, no lyrics. Even the finished product is a bit of a dream without a clear story. We think of it as a funeral march. We weren’t planning on recording it. Then one day, with an extra hour at the end of a session, we recorded a draft. Simple, just sparse vocals, guitar, organ, a little piano. Mari had the great idea of adding percussion, giving it that lopsided beat—which immediately reminded us, quite morbidly, of the way a zombie would walk.

“Grim” single cover

Last question – If you were to score a Netflix drama of your choice. What would it be and what songs appear on the soundtrack?

Sybling: We think, we’d have to go with Netflix’s “Russian Doll” to write music for. It takes place in the neighborhood we grew up in. We could see “She is still alive in the past” in there.

You can follow Sybling on their social media:
https://www.syblingmusic.com/bio
https://syblingmusic.bandcamp.com
https://www.instagram.com/syblingmusic
https://www.facebook.com/pg/syblingmusic
http://sybling.maraudergroup.com/

Email: syblingmusic@gmail.com|

Alice Makwaia (as a solo artist):
https://alicemakwaia.bandcamp.com/releases

Smoke & Sugar (Mariana Quinn-Makwaia side project):
https://www.instagram.com/smokeandsugarmusic
https://www.facebook.com/smokeandsugar/
https://www.youtube.com/channel/UC1KsvM0hfcgI1_7DNTW-ptw

Articles:
https://alonelyghostburning.co.uk/interviews/getting-to-know-sybling/
http://ventsmagazine.com/2019/02/21/premiere-sybling-streams-new-self-titled-ep/
https://www.broadwayworld.com/bwwmusic/article/New-York-Folk-Duo-Sybling-Release-Their-Debut-EP-20190301
https://chicagonbeyond.wordpress.com/2017/09/12/mariana-quinn-makwaia-w-smoke-sugar/

Vanadian Avenue would like to say a few “thank you’s” to Sybling manager, Mr Phillipe Roberts and to the Managing Partner/Co-Founder of Marauder Group, Mr Rev Moose for making this interview possible. It was a real pleasure!

It is also worth mentioning that Marauder Group, is responsible for bringing the Independent Venue Week to America! This year, the US edition of IVW will take place on July 8-14, 2019 with more than 60 venues participating. You can find more about the  events here:
http://independentvenueweek.maraudergroup.com/
https://www.independentvenueweek.com/2019/04/independent-venue-week-announces-first-round-of-2019-us-shows-more-participating-venues/

We may try to speak to Marauder about IVW and the difference between the UK and USA versions. Keep your fingers crossed!

Please come back soon, we have a fantastic Mancunian band scheduled to speak to us next week!

Till then,
R+M

Indieterria meets Gavin Monaghan

Dear Readers,

Living in West Midlands may seem less exciting than living in London or in a Greater Manchester area. Many of the smaller villages have few buses running in the evenings and trains are expensive – which obviously has an impact on access to entertainment. But our neck of woods produces amazing music and we have some real hidden gems close to us. We want to shine a light on those assets in our blogs. Not so long ago we had interviewed RawSound TV – an incredible service for local acts. Now we had a privilege to speak to Gavin Monaghan – prominent record producer and owner of famous Magic Garden Studios in Wolverhampton. On May 3rd 2019, Magic Garden will host a fundraiser for Musicians Against Homelessness in Birmingham and the line up is just unbelievable. So read on and grab yourself a ticket while they are still available.

Meeting Gavin is a marvellous experience – he is kind, soft spoken and welcoming. He produced some of the best records we have heard and his stories will leave you mesmerised. Thank you so much for sparing some time for us.

The Wizard of Wolverhampton – photo by Lisette Rex

You have earned the title of The Wizard of Wolverhampton by musicians you worked with. Please introduce yourself to the readers of Indieterria.

Gavin Monaghan: Hello Indieterra readers! I’m Gavin, my Studio is called Magic Garden, and I’m very pleased to meet you.

You are a producer and owner of Magic Garden Recording Studios that have been going for thirty years. Can you tell us something about the studio and its rich history? Did it change over the years?

Gavin Monaghan:  I’ve been working out of Magic Garden for 30 years in the West Midlands.  I’m currently in my third and hopefully final location. It’s been a wonderful journey so far, and I’m enjoying every minute of it!

We know that Magic Garden is expanding. What new features are you planning to add to the studio?

Gavin Monaghan:  Joe, Liam and I are working with all sorts of inspiring artists in every genre, and my ambition is simply to keep doing more of the same, while practising Kai Zen (The Art of  continuous self-improvement).  I’m constantly adding new (and old) pieces of equipment and software to push things forward. We have recently finished construction on a dedicated mix and overdub room next door, which is now fully operational. It’s quite hard to contain my excitement! I look at Magic Garden as a piece of art in itself, which will hopefully never be finished.

In 2016 in interview with Louder than War you mentioned that you planned to start a record label with your colleague Mark Evans. What happened to those plans? Are they on hold or is the label up and running somewhere in the shadows?

Gavin Monaghan:  Mark and I are always looking for interesting artists to work with, and develop. We’ve currently put out three releases in single vinyl 45 format. Please feel free to send music. It’s a tiny concern designed to champion new music or help people who are already planning a release with strategies so we don’t release that much.

Magic Garden Vinyl was conceived as an idea from two old friends before The Brexit Con was perpetrated by the awful Tory/UKIP machine on the country. Unfortunately, as Vinyl is mostly manufactured in European locations, this will send the cost of vinyl through the roof (I never saw that on the side of a bus) but where there’s a will, there’s a way. Watch this space.

The list of credits to your name is enormous: Twang, Editors, Ocean Color Scene – enough to make young bands speechless. And yet you are known to work and championing up and coming acts: The Blinders, The Novus, Pagans S.O.H, The Lizards. How do you regard your role as a producer. Do you have your own way of working with artists?

Gavin Monaghan:  Every single artist and every member of every band is so different, that my approach is wildly varied depending on what they need to make the best record we can possibly create. We like to join the band for the time we are with them, and continue to do everything we can after they leave and go out into the world with what we have all created together.

I’m happy to be a sort of Rock And Roll helpline whenever I can, I’m so busy it sometimes takes a while for me to get back, but we always try to go the extra mile.

We are used to asking musicians about their influences. But what or maybe whom can influence a record producer?

Gavin Monaghan:  I’m influenced by inspiring people in every category, existing or as yet uninvented: artists, film makers, poets, activists, singers, musicians, chaos, order, kindness, humanity, animals, revolutionary concepts. Magick and changing the outcome of reality with beautiful intent. What if every good thing you could think of was true or could become so? A life without limits. I find that fascinating.

Before moving to Wolverhampton you worked in London’s most prestigious studios such as Maida Vale or the legendary Abbey Road. Why did you leave the capitol for West Midlands?

Gavin Monaghan: I originally left London to be with family. I ended up staying and it’s home now, though I do work in lots of other places (mostly residential studios) when the need arises. As long as I have speakers in front of me and beautiful music pouring out of them, I’m happy.

Gavin at work

On May 3rd 2019 Magic Garden  will organise a gig for Musicians Against Homelessness. The line up is absolutely mind blowing with Methods, Pagans SOH, The Novus, The Lizards, Moses and The Bohos attending. Can you tell us how the gig idea started?

Gavin Monaghan: I’ve been putting Magic Garden nights on in one form or another since the early 2000’s and quite a few people playing them have gone on to do really well. It’s lovely to watch them grow from a small start into something that people enjoy in a larger scale. The gigs are a lot of fun, and I’m only doing them to benefit various charities these days.

What can we expect on the night and where is the gig taking place?

Gavin Monaghan:  We can expect an incredible night of music, as every band is hand-picked for their awesomeness.

Famous last question – tell us  the weirdest thing that ever happened to you in a studio.

Gavin Monaghan: I was working in residential studio with A very famous band years ago, and a heavy silver candelabra jumped off the grand piano on its own and dented the wall while the singer was playing it. The same night, seven large crows flew into a bay window at the studio Manor House and smashed it to pieces.  Weird is definitely an understatement.

Thanks for asking me to do this, I’m delighted to talk about this path I’m on, and look forward to many more studio adventures.

Gavin at Magic Garden Studios

You can follow Gavin Monaghan and Magic Garden Studios online:

https://www.facebook.com/iamgavinmonaghan
https://www.facebook.com/MagicGardenRecordingStudio/
https://twitter.com/gavinmonaghan
https://twitter.com/MagicGardenUK
https://www.instagram.com/magicgardenstudio/

Poster for Magic Garden fundraiser for Musicians Against Homelessness

On May 3rd (Friday) a fundraiser for Musicians Against Homelessness will take place at The Wagon and Horses in Birmingham (Digbeth area). You will have a chance to see some of the best new indie acts with Methods, The Pagans S.O.H, The Novus, Moses, The Bohos and The Lizards – all hand picked by Gavin and the staff at the Magic Garden Studios. We can hardly wait!

Event page:
https://www.facebook.com/events/330685257583461/

You can get your tickets (£5) at the address below:

https://www.wegottickets.com/event/468289

We are hoping you will come down with us to party in West Midlands and celebrate not only our incredible scene – but also the incredible studio and the man behind it. After all somebody mentioned 30th anniversary, right? Who knows, there may even be a cake! 🙂

M/R

Indieterria meets Memes

Dear Readers,

They appeared out of nowhere, with no warning and within a month have been BBC 6 Music single of the week, had Amazing Radio on their team and BBC Scotland taking notice. If that is not a very definition of taking the indie circuit by storm, then we don’t know what that would be. We have sat down with Memes to talk about their new single, future gigs and their lyrics. This band combines post punk fury with intelligence and wit of The Fall. Mark E Smith is probably looking down, nodding his head with approval and saying to John Peel that there are still good bands in the UK.

You can listen to Memes on 60 seconds CV on Steve Lamacq’s Recommend’s show at:
https://cocamidemea.files.wordpress.com/2018/11/memes_60-seconds_cv_steve-lamacq-recommends_25.04.2019.mp3

They are going viral and we couldn’t be happier!

Memes logo

Memes are:
John McLinden
Paul McLinden

At Indieterria, we take pride in researching each band we interview. However we weren’t able to find much about Memes. We learnt only that you come from Glasgow and that the band is made out of two friends named John and Paul. Introduce yourselves properly to our readers.

Memes: Memes is John McLinden and Paul McLinden and we are cousins and we are a new duo from Glasgow.

We love your enigmatic attitude. You have no biography on social media, just an email address and a couple of pictures are available. Tell us more about Memes. When did you start playing? Have you been involved in any previous projects?

Memes: To be honest, the mystery hasn’t really been intentional, the missing bio and lack of information on the band is mostly down to the fact that the band is being so new! That said, it’s hard for bands to maintain any mystique in the social media age, which is a shame, as it is one of the things we like about some of our favourite bands.

Memes came about from some downtime in another band we play with (we have been involved in various projects before). We just got together to record some ideas that Paul had written. We were just messing around really and DIY recording in a loft in Glasgow, but we liked the end result of ‘Blah Blah Blah’ and thought we would put a single release together to see if we could get any reaction. We only started working on Memes in February 2019.

Scottish blog Turn Up The Volume compared your music to The Fall and The Smiths with a “healthy dose” of Idles. What are your inspirations?

Memes:  Very flattering of them to say so, we would count those bands as favourites of ours for sure. We like anything that is interesting or provocative in some way. That could be anything from Talking Heads to Frank Sinatra to Steve Reich.

“Is that a picture of your grand pa?” – photography by Gary Dickie

In another review you were described as “Fast and furious lo-fi post punk that sounds like a frantic Mark E Smith after a day spent watching BBC Parliament”.  And we have to admit that your lyrics have the same wit and edge as the lead singer of The Fall. We will risk saying that he`d be a fan.  You are not afraid to be outspoken and yet do it in a subtle way. That’s a very rare quality in music these days. 

Memes:  There isn’t much in the way of being outspoken (or saying anything really) in the mainstream, but there are bands and individuals out there causing a stir. We haven’t deliberately set our stall out to say anything specific but hopefully the songs catch the imagination.

You just released your debut A side single “Blah Blah Blah”/”Funny man” and captured attention of everyone in the business. You have been a single of the week at BBC 6 Music as chosen by Steve Lamacq himself, you have been championed by Jim Gellatly on Amazing Radio, Tom Robinson from Fresh on the Net is also very fond of the song. This Feeling added the single to their Best New Bands playlist. Is this attention something you have expected?

Memes:  No, not at all. We liked the music and hoped others would, but having the airplay we have had for such a new project has been fantastic, we just have to back it up now! Music is a difficult nut to crack and we have only released two songs at the moment, but hopefully our next release will raise the game!

Talking about debuts, The Duct Tape, Edinburgh zine swears that 4 months before “Blah Blah Blah” came out you have released another song that was distributed during underground punk gathering. Sadly we haven’t been able to confirm this  piece of news anywhere else. True or not?

Memes:  Hmmm news to us! Could be another band called Memes but it definitely wasn’t us.

We would like to ask you about the story behind “Funny Man”. Are you able to disclose the person about whom the song was  written?

Memes:  It’s not about any one person in particular, just the many “funny” and supposed “characters” out there that you meet…that aren’t funny and have no character, you know the ones!

We keep mentioning The Fall in this interview and on 13th of June you will be supporting Imperial Wax Band (whose members were the longest serving and the last line up of The Fall). You must have the date marked on your calendars!

Memes:  Yeah, looking forward to that one. Given that The Fall has been mentioned as part of our sound, it will hopefully go down well with the Imperial Wax crowd.

Memes are just getting started – but you must have some plans made for the future. What can we expect? A new single more gigs or perhaps a bigger release such a EP?

Famous last question. Imagine you can play any venue in the world. Which one would you choose?

Memes:  This would have to be the Barrowlands in Glasgow, simply a great venue.

Memes ready to take on the world – photo by Gary Dickie

You can follow the band on social media:

https://www.facebook.com/memestheband/
https://soundcloud.com/memestheband
https://www.youtube.com/channel/UCAozXPvxbmFDRGmKhGVK8fQ
https://twitter.com/memestheband
https://open.spotify.com/artist/4UHOCHsbn2JNwXQJWzO2WT?si=zx3wwhmwQqWzSmIWdyeo8w

Memes can be contacted at: memestheband@hotmail.com

Additional reading :
https://turnupthevolume.blog/2019/04/08/scottish-post-punks-memes-hit-hard-twice-with-double-debut-single-blah-blah-blah-and-funny-man/

Memes will share the stage with hottest new indie bands – Tiger Mimic and Lower Loveday at iconic venue Nambucca on April 27th 2019. The event is free entry:

Showcase poster

You can find more info on socials at:
https://www.facebook.com/events/658720734568060/

We will be reporting on Memes in the future since they are about to go though the roofs. Just give them few months, they will give Sleaford Mods a good run! (and we like Mods, actually them and Memes on a tour is such a good idea!).

R/M

Indieterria meets Tiger Mimic

Dear Readers,

There are many bands on the indie circuit:  the cool ones, the mysterious ones, the ones you like. And then there are bands that you simply love from the first note. It`s so good to be a music obsessive – as Steve Lamacq says – you can fall in love at least twice a week! So yeah – here we go again being head over heels with a new band. They are Tiger Mimic, they are based in London and they will headline Vandian Avenue first showcase on April 27th at the iconic Nambucca.

We cannot tell you how excited we are and how grateful too. We sat down with Jess Rhodes  of Tiger Mimic to speak to her about the band history, their excellent debut EP and even video games.

This is the band you need to know. No excuses!

 

Tiger Mimic Logo

Official bio: Tiger Mimic is a London-based band with a sound that ranges from bitcrushed anthems to sinister bass grooves to rapid-fire rock poetry and more. Their debut EP, “Elephant Skeleton”, was recorded with Grammy Award winning producer Matt Lawrence at London’s Livingston Studio. Released in January 2019, its five songs showcase their diverse range of styles and influences.

Tiger Mimic:
Jess Rhodes  (vox, synth)
Bram Johnson  (guitar,  vox)
Ben Willis  (bass, vox)
George Latham  (drums)

You named the band after a butterfly that mimics appearance of its poisonous cousin, but you are one of the most original bands we have heard this year. Please introduce yourselves to the readers of Indieterria.

Jess Rhodes: Ah, thank you so much. That’s a very kind thing to say. We’re Tiger Mimic, we’re based in London, and usually we say we’re an “indie rock” band just to keep it simple, but we do have a lot of different influences. Jess sings and plays synth, Bram sings and plays guitar, Ben plays bass and sings back-up, and George plays drums.

You may have just released your debut EP, but the band has quite a history – including a relocation to another continent. Jess and Bram started out their respective projects while living and working in NYC. They met Ben and George after coming to London. Do you think that having musicians from both sides of the Pond helped to forge your unique sound?

Jess Rhodes: I was actually born and grew up (mainly) in Europe! I was exposed to music from every genre. My mom loved Arabic and Kurdish music (I didn’t really) but sometimes people tell me my melodies have a middle-eastern tinge to them, so it’s funny how you can get influenced by what you get exposed to growing up.

Moving from NYC to London was the best decision ever, and the fact that we met Ben & George was crazy lucky. We all have diverse influences and grew up listening to so many different things, but there is also a lot of overlap, so it’s hard to say how much effect geography had. Each member brings their own style to the band, though, and it has definitely given us a sense that nothing is off limits when it comes to writing songs.

Tiger Mimic – photo by Alan Wells
https://www.facebook.com/thealanwells/

When preparing to this interview we have found information that Jess is classically trained operatic singer. Can we confirm if this is true? We interviewed some amazing and unique artists on the blog but a soprano with a degree from Italian music conservatoire would be a first!

Jess Rhodes: I was indeed classically trained. I studied with amazing teachers in Paris, Italy, and NYC. I actually only did 6 months in Milan, and then decided to move to NY. I then went a different route and studied theatre. I love singing opera, I haven’t practiced in a while, but it’s something I really enjoy singing at times. However, I didn’t have a deep passion for it, and if you’re not 100% dedicated, you can forget about it. I wanted to write my own songs, and so I did. Once you’re trained to sing a certain way, it’s actually quite hard to break that, and so I really struggled to find my voice for a while. I always felt I needed to be as loud as when I sung opera, and then I realised I really didn’t.

Your EP “Elephant Skeleton” was released in January 2019. For this record you worked with Matt Lawrence, Grammy winning producer known for helping Adele. The story is that after hearing your demos Matt wanted to work with you and most of the material was written in his studio. Were you scared to collaborate with such a big calibre name?

Jess Rhodes: We were a little anxious before meeting him that we wouldn’t be a huge priority for someone with a CV like his, but he put that to bed immediately. It was amazing to work with him! He’s such a nice, talented, humble person. We actually didn’t write much in the studio, though, most of the songs had been written in NY and Paris right before coming to London. There were a few little flourishes and lyric tweaks and things like that, but the songs were pretty fully fleshed out when we went in.

Matt did give us some great guidance in rehearsals before heading into the studio, but he always posed it as a question, such as “Well, would this song be better if you added a bridge?”, or “What would it sound like if this part had a slightly different groove?”

One of the things we really appreciated was that he liked the music and didn’t want to change what we were already doing, but he would put forward these questions that made us consider whether we had explored all the possibilities with a given song. It was good to be challenged like that and I think we came out of that process with a much more critical ear for our work.

The future looks bright – photo by Alan Wells
https://www.facebook.com/thealanwells/

The EP is promoted by two singles – “Don’t Cover Up My Eyes” and the title track. We want to ask you about the video to “Elephant Skeleton”. It shows a 8 bit point and shoot game where an animal tries to recover his bones while the band members serve as evil bosses. Where did you get the idea from and who directed it. Also – will there be a continuation?

Jess Rhodes: The video game idea started sort of accidentally. Bram made a really short video of a dandelion seed floating over some hills just as a short promotional video teaser for Elephant Skeleton and it had that sort of lo-fi, video game look to it. We started talking about turning it into a full length idea and that’s when we decided to make the story about the elephants.

After one night of goofy brainstorming, we drew a little storyboard and then Bram put the whole thing together. He’s not trained in animation, so it was a huge learning curve and took quite a while, but it was fun watching it come together bit by bit. We sometimes think about cooking up a sequel video, but Bram is still a little traumatised from staring at a computer screen for months, so it’ll have to be for a future song.

The band just played first major festival – Cro Cro Land, taking to the stage next to such established acts as Bang Bang Romeo and The Lovely Eggs. We imagine it must have been a lot of fun and a lot of nerves in equal measure. Did you like it?

Jess Rhodes: Oh my God. It was the most incredible day ever. We would’ve gone to Cro Cro even if we hadn’t been invited to play, because the lineup was absolutely sick. I can usually get quite nervous before a gig, and although that was our biggest gig, I wasn’t as stressed as I thought I’d be! Maybe it’s because there was such a huge supportive community feeling going on the whole day!

Bram, on the other hand, had non-stop nightmares the night before about getting bumped from the show or something else going wrong, so it was a huge relief for him when we actually walked out on stage. Seriously, though, everyone involved was incredible. Angela Martin, Julia Woollams, the bands, journalists, photographers, event staff, engineers (sound and light), just everyone was so wonderful.

Your music has been described as a mix of guitar based indie, ska and 1960s pop bands. But outside how the music critics see you – do you have your own term for your sound?

Jess Rhodes: It’s like you say, we get a lot of different reactions to our sound, so we actually struggle a bit to settle on a genre when people ask. Indie Rock has been our go-to, since it’s a fairly broad category, but a lot of people have really specific (and sometimes angry) opinions about what Indie Rock actually is, so we have yet to find a term that satisfies everyone. Any ideas?

Poster for Nambucca headline gig

Tiger Mimic will headline iconic London venue Nambucca on 27th April – what can we expect from your live shows?

Jess Rhodes: Oh man, we can’t wait! We’ll be playing with the awesome Lower Loveday and Memes, and we already know it’s gonna be a great night! Nambucca is a really great venue, too, and we’re so happy to play there again.  Our live show has a lot of dynamic shifts, trading vocal parts, harmonies, and riffs. One thing we’ve always appreciated hearing after a show is that each song sounds completely different from each other, but they all still sound like us. That’s about as cool of a compliment as we could hope for.

We want to ask you about the story behind your song “I Took Off My Body”. It is probably the saddest song on the EP lyrics wise. At points it feels traumatic especially in the age of Me Too movement.

Jess Rhodes:  I Took Off My Body was actually written a few days before we went in to record it. Bram had this really cool instrumental guitar part and was playing it for fun, and I just started improvising over it and insisted we take it to the studio. It tells the story of someone removing the many layers of their body in an effort to find themselves inside (waiting in the dark, waiting for a light).

It’s a reflection on the world’s tendency to make judgements with their eyes, while ignoring whoever is inside that body. It is definitely a problem that’s been going on for a long time. It’s really sad that we live in a world where we have to be on our guards at all times.

For instance, I went to a gig a few days ago and a man kept bothering me, so I moved to the other side, and talked about it to a friend who was there too. Turned out he had also touched her and another woman inappropriately. So in the span of 5 minutes, he managed to make 3 (or more) women feel extremely uncomfortable. He was just seen by everyone else as the “annoying drunk guy” but his behaviour should be seen for what it is: completely unacceptable and absolutely disgusting. The Me Too movement is incredible, I think it shows just how powerful victims can actually be when they get together, and also shows how there should be no stigma or shame around the word “victim”. The only people who should feel shame are the perpetrators, harassers, and abusers.

Tiger Mimic are ready to take over – photo by Alan Wells
https://www.facebook.com/thealanwells/

In one year you have accomplished more than many bands in their whole life span: working with top producers, releasing EP, playing festivals. What else have you got planned for 2019 and beyond?

Jess Rhodes: Aw, that’s nice of you to say. We definitely try to work as hard as we can on this, it’s our dream and the main reason we came over to London. We’ve been lucky to connect with a lot of awesome people, there are so many unsung heroes around town who are so supportive of the scene and that’s been incredible.

As for 2019, we’re heading down to Brighton for the first time in May for the Brighton Mix-Up festival, which is super exciting. We’re hoping to get back in the studio in May too, if we can swing it, we have a lot of new songs ready to go. After that we’ll see what comes up. There are a few exciting rumours floating around, but nothing we can share yet, so hopefully we’ll have some big announcements soon.

Last question – if Tiger Mimic could become characters in a video game what title would it be? Final Fantasy? Tomb Raider? Mortal Kombat or would you have your own title. You can pick any game.

Hmmm… aside from the Elephant Skeleton video, in which we’ve already been game-ified, here are some nerdy answers for you:

Ben Willis: I’d be Commander Shepard from Mass Effect. I still remember my first inter-species love affair with fondness.

Bram Johnson: I’d be Manny Calavera from Grim Fandango. He’s a grim reaper in a crime noir version of the Mexican Land Of The Dead who spends years going to any lengths trying to save a soul that was cheated out of their rightful afterlife. I always liked that he was a regular guy, no bulging muscles or guns or anything, just tenacity.

Jess Rhodes: I’d be Sindel from Mortal Kombat. I’d love to be able to kick ass just by whipping my hair!

George couldn’t be reached for comment, but we’ll ask him next time we rehearse. Important information to know.

We absolute love Tiger Mimic. They are one in a million.

You can follow the band on socials:

https://www.tigermimic.com/
https://www.facebook.com/tigermimicband/
https://www.instagram.com/tiger.mimic
https://twitter.com/TigerMimic
https://www.youtube.com/channel/UC7qT0D9stk05ym53ziRGwzg
https://soundcloud.com/tigermimic
https://open.spotify.com/artist/296hyITffv9hw30ypToBi7?si=Khrq4iL0RT6Rbm2Bf0426g

You can purchase the EP “Elephant Skeleton” at the link below:

http://www.smarturl.it/tigermimic

If you fancy a bit of extra reading – here are some fantastic articles about the band from other independent blogs:

https://www.musicmusingsandsuch.com/musicmusingsandsuch/2018/9/16/interview-tiger-mimic
https://gigradar.co.uk/introducing-tiger-mimic/
https://www.croydonist.co.uk/tiger-mimic/
https://thegirlsattherockshow.com/song-of-the-day-tiger-mimic-dont-cover-up-my-eyes/

Tiger Mimic will headline the Nambucca on April 27th in London. The entry is free. You can find the info for the event on socials:

https://www.facebook.com/events/658720734568060/

We hope you enjoyed this little blog. We will be back
M/R

Indieterria meets Ivory Wave

Dear readers,

West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics, MeMe Detroit, Table Scraps, Cherry Pickles, The Novus, The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of  the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.

George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)

Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.

About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“

Ivory Wave picture taken by James Kay

Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?

Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!

You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?

Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.

We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?

Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.

You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?

Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.

BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?

Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.

The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?

Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.

Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay

You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?

Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.

Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?

Seb Baldwin:  We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.

April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?

Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!

Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?

Seb Baldwin:  We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.

They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?

Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.

Articles:
https://counteract.co/interview/interview-ivory-wave-discuss-their-biggest-gig-to-date/
https://www.shiiineon.com/blog/ivorywave/
http://www.uniquelullaby.co.uk/2019/01/interview-w-ivory-wave.html
https://wordsformusic.blog/2019/01/27/band-profile-ivory-wave/
https://www.musicglue.com/ivorywaveuk/bio

Catch Ivory Wave on tour and you can now win two tickets  for their homecoming gig in Birmingham.
Good luck!

Please come back soon as we have some very interesting interviews and reviews coming later this month.
Catch you soon!

R+M

Indieterria meets Shiva May Care

Dear Readers,

We are in March already and it is high time to introduce another band to the never ending pages of Indieterria. We are back to the Kingdom of Mancunia to meet the wildest hard-rocking bunch in the North. And what fun gang they are! This five piece is truly international – with members coming from four different nations – all making a wonderful racket around Northern Quarter. Don`t expect the usual brit-pop-y sounds from them. This band is unlike anything you can hear in Manchester – they mix punk, hard rock, metal and even J-Rock to arrive at their own, very distinctive musical voice. A bonus is sense of humour, loyalty to their collaborators and friendship for each other. Show us another group like this in the region and we will buy you a lunch at Night & Day.

Grab your hair spray, your torn jeans and Motley Crue tees – its time to meet Shiva May Care!

Band Logo

Shiva May Care

Michael Morris – vox
Jet Lag (Federico Cossu) – guitar, vox
Jenny (Giorgia di Pancrazio) – bass
Raul Ochoa – guitar
Luke Thorpe  – drums, vox

Official bio: Born in 2017 as an collaboration between Federico Cossu (J3T L4g) and Stefano Carbone (who left the band few months later) Shiva May Care is a five piece based in Manchester. They play hard rock with glam, punk and metal inspirations. The band is actively gigging on the local scene with sold out shows at Hula Bar, Rebellion, Night People and Pop Bar in Hyde under their belt.

You are one of the most outstanding bands that came out Manchester scene recently music wise. Please introduce yourselves to readers of Indiererria.

Federico Cossu:  Thanks for calling us outstanding.  We really appreciate it. Hello Indierreria, we are Shiva May Care: Federio Cossu on guitar, Michael Morris on vocals, Raul Ochoa on guitar, Luke Thorpe on drums and Giorgia “Jenny” Di Pancrazio on bass. How are you doing?

Is there any story behind the band`s name? Who is the mysterious Shiva?

Federico Cossu:  Well, we liked the idea of a band with a “Devil May Care” attitude, but we needed something more exclusive than that, more personal. We are not hot-headed guys, we try to be good! For this reason Shiva takes place of the Devil.

Shiva May Care was born just two years ago as a collaboration between guitarist Federico Cossu (known on the Manc scene as J3T L4G) and another local musician Stefano Carbone. Now you expanded to a five piece. Can you tell us about the beginnings of the band and how this particular line up came together?

Federico Cossu:  We all met in pubs and clubs, we were friends of friends. I met Stefano at an house party  and we decided to start a band out of the blue. At that time, I used to work in the same company as our first singer, Massimo Zitti, so it was natural to ask him to join the band. We just wanted  to have fun and  play loud rock and roll. Stefano introduced me to Raul and I met Luke at Whiskey Jar in Manchester, amazing place, great vibes and inspiring music environment.  Massimo had to leave for Canada so Michael joined the band and our sound went in the hard rock/ metal direction. Our bassist Giorgia joined us last year to complete the line up.

The band is their glamorous splendour

The band is a proper international affair – with members coming from UK, Italy and Mexico. Your work with a producer from New Caledonia. You are basically a heavier version of Superorganism!  Do you think that coming from different cultures and speaking different languages is an advantage when it comes to song writing process? How do you overcome potential misunderstandings?

Federico Cossu: Oh yes, it’s definitely an advantage. But to answer your question – coming  from different countries where you struggle to find good music allows you to get deeper into the genres as you are not being constantly bombed by the big hits.  And we love Manchester, it’s a multicultural hive where people can express themselves as they wish.

I come from a small town where probably only me and my brother know “The Gift” by the Jam! In Manchester you hear these tunes being played every night at bars! It’s great, it`s like a dream!

Different backgrounds  bring  more points of view to the song writing process and, fortunately, the language misunderstandings  are not present as we work really naturally on our songs. I often show a lyric or idea to the band and  Michael and  the guys will make their own interpretation of it, in order to make it sound personal and more to their liking.

They care a lot – about music, fans and each other

Even if we wanted to squeeze you into a musical box, we would not be able to. There is so much going on in your sound – traditional hard rock, glam, punk, metal and even visual kei (Japanese rock). If we were to summarize your style we would have to define it as Motley Crew meets L`Arc-En-Ciel at a party in Mother Love Bone`s basement.  You have your own name for the genre you play: punk`n`roll.  Where did your sound originate?

Federico Cossu:  Wow, that sounds like a good party. No one has invited us though!

Well, the genre punk’n’roll is something I know since I was a kid, we didn’t invented it. I’m personally a big fun of Social Distortion, Backyard Babies, The Hives, Hardcore Superstar, Radio Birdman, Gluecifer, Turbonegro and Hellacopters. I’ve always known these bands as punk`n`roll bands, especially referring to all the Scandinavian rock scene.

To summarize, you pick The Stooges, Ramones, MC5, New York Dolls, Dictators and stick a distorted  rocket under their asses: congrats, you`ve got punk and roll, action rock, death punk and so on.

All these influences have been probably mixed up with Luke, Michael, Raul and Georgia’s influences, such as ’80 classic rock and new romantic, metal and hair metal, blues and stoner rock. However, I wouldn’t get stuck with genres names and labels, it’s a never-ending battle, it’s only rock and roll after all.

Hopefully in the future, you will find us on the soundtrack to a new anime or a video game (laughs).

Shiva May Care – the wildest kids in Northern Town

You have just released your debut A side single “Til The Music Is Loud”/”Stubborn Lovers” produced by Mathieu Garcia at Red Sand Studio. We know Mathieu from his project Gold For Kids and incredible single he released last year “City of Your Name”. How did you find working with Red Sand Studio? 

Federico Cossu:  We felt at home! Mathieu is a friend and we love his solo projects. I remember he was working on his track “Plastic Guns” when we started talking about recording Shiva`s first songs. His music knowledge and skills are impressive and he has been able to catch the essence of Shiva May Care as a band. He also added effects, keyboards and backing vocals ideas to our songs.

Have you recorded any other songs with  Mathieu Garcia?

Federico Cossu:  We recorded together “Shiva Dance” – our live show opening track, which you will find on streaming platforms in the coming months. It is a small ethnic rock composition that became incredible thanks to Mathieu`s arrangement skills and taste. He added deep Asian and tribal percussions mixed up with modern sounds, giving it a “V for Vendetta” kind of vibe. For this song, we collaborated with two close friends: Nina Bakhshayesh on cello and  Kitty “Albino” Tha Eastankittan on vocals.

Mathieu contributed to the maturing of the band and we wish him the very best in his own career.

You are also teasing release of another single in mid March entitled “Stay With Me”. Do you plan any promotional videos for this song? What can we expect?

Federico Cossu: We are working with Luca de Falco on music video for Stay With Me. We tried to think out of the box, avoiding the usual hard rock clichés when it comes up to video clips. It will be great,  we had such a positive feedback towards the single so far. It’s a song that everyone can relate to and for the video we are bringing in this great Manchester dancer, Aisha Clasen. You will be able to enjoy her interpretation of the song through her performance next month.

The only way is UP!

Shiva May Care is regularly playing live shows around Manchester, recently at Lock 91. And your shows  are always described as very upbeat and dynamic. What`s the best part of playing on stage?

Federico Cossu: The best part of playing on stage is playing on stage I guess. There’s nothing better than expressing yourself, high on adrenaline in front of people who are waiting to have some fun. That’s the best drug ever. However, everything happens too quickly, as my ex used to tell me, so you need another gig  ASAP.

We are definitely seeing you live this year.  Are you planning a tour perhaps?

Federico Cossu:  We won’t plan any tours at the moment, we wish to see our fan base grow locally first. We will definitely be planning some gigs to promote Stay with Me. The next show will be at Jimmy’s on the 2nd of April and we will appear at Zombie Shack on the 5th of May for Below The Bridge event.

Radio Salford described your bassist  Giorgia di Pancrazio as the best bass player  to come out of Manchester since Peter Hook himself.  Any comments on that?

Federico Cossu:  We will take the compliment with pleasure, thanks for that. Georgia is great. And we will do our best to honour her talent  at our future live shows. Hopefully, love won’t tear us apart.

The band has sense of humour and doesn’t take themselves too seriously.

We love your merch. The Shiva logo that appears on your t-shirts is one of the best designs we have seen in a long time. Can you reveal who is the artist behind it?

Federico Cossu:  The artwork comes from the mind of Matt Shock, Sardinian art designer. With him, just like with Mathieu, we immediately got the essence of Shiva May Care. The design was born from a photo I’ve taken in Market Street in Manchester of a girl wearing a jacket with a snake emblem on it. Matt added some Hellacopters influences and our Shiva logo was born. You definitely have to check Matt`s works, he is currently working on all our next artworks too.

Last question – but we have to ask. What are the things that Shiva may care about? Any ideas?

Federico Cossu:  Shiva may care about making good music. And we definitely care about people who will listen to our songs. We want the public to have fun while we are striving to encourage people not to waste their lives, all between a jump, a shout and a good riff. We really wish to see boys and girls of  Manchester (and beyond) beating depression, drug and alcohol abuse if they are suffering of any of these problems. There’s a huge potential within each of us and it would be a shame not to use it. We also care about  our pets… God, we love our pets and good coffee.

Shiva May Care merch stand is colourful and very artistic

You can follow the band on social media:

https://www.facebook.com/shivamaycare
https://twitter.com/ShivaMayCare
https://www.instagram.com/shivamaycare/
https://soundcloud.com/shivamaycare
https://open.spotify.com/artist/5l8feZRdChITHw7dp0L0gc?si=ww1Tiem0S5C0aOPiQbRoZw

Federico Cossu (aka J3T-L4G)
https://soundcloud.com/jet-lag13

We hope you found Shiva May Care interesting and we will surely report back on their musical endeavours in the future. For now, turn the volume up and enjoy the wild ride with the awesome band!

Laters,

Mal+ Rita

Indieterria meets The Novus

Dear Readers!

It`s Valentines! What`s a better way to celebrate the day than interviewing a band we have fallen in love with? Let us tell you about this particular bunch of talented friends who are shaking up entire indie scene in West Midlands and turn heads wherever they go. Despite their young age – they are determined and focused, they relentlessly play up and down the country, including gigs in London, they gathered themselves invitation from This Feeling and a mention in NME by Alan McGee himself.  They are more than ready to leave their mark on the scene and follow the likes of The Blinders, False Heads or Avalanche Party to bigger things and bigger stages.  We won`t be surprised to  see them going to SXSW next year.

Ladies and Gentlemen of the independent music circuit – please meet The Novus. We had pleasure and privilege to sit down with vocalist Connor Hill to speak about their upcoming tour,  Birmingham music scene ad recording with Wizard of Wolverhampton.

The Novus

Tom Rhodes (guitar)
Tyla Challenger (bass)
Euan Woodman (drums)
Connor Hill (vox)

 

The word “Novus” means “new” in Latin. What does it mean to you? A new beginning? A new chapter in your lives? New music? Or maybe the explanation is very simple and it just sounded like a good name for a band?

Connor Hill: The Novus does mean new in Latin. Not many people know that initially (laughs)! It also does mean a new beginning I guess – myself Tom and Tyla were in a band before and wanted something new and more us – but ‘The New’ sounded quite boring. We went through loads of names, but The Novus for us sounded like it fitted well; and no one else had the name.

You come from Stourbridge and Birmingham, the second biggest city in the UK. Brum has a powerful musical scene: from indie to metal, grime and rap. Tell us about your beginnings. How did you meet and when did you know you wanted to play music together?

Connor Hill:  Myself, Tom and Tyla (guitarist and bassist) met at school when we were 11. We were all in bands throughout school together and we only initially connected with music so I guess we knew we were wanting to play together. Tom and Tyla asked me if I wanted to be part of this new band they were creating and that was that! We met Euan (drummer) at a gig he was playing at and managed to poach him and that’s how the band formed.

The new kids on the indie scene

No rest for the indie band

The Novus has been compared to The Clash meets Kings of Leon (half way) with a bit of Joy Division, Deep Purple and Black Sabbath thrown into the mix. Would you agree with being squeezed into the new garage/psychedelia genre alongside IDLES, The Blinders, Avalanche Party and Shame? We have to admit that your music is more melodic and blues-y at times. There’s definitely The Doors and Jimi Hendrix hidden somewhere under all those distorted guitars.

Connor Hill: To be compared to the names mentioned is mad for us, we love all the bands mentioned and the garage/psych scene is an amazing one to even be considered to be a part of. We do take a big inspiration from Jimi Hendrix as well but we listen to such a wide range of music, we have lots of little inspirations from different places. Every review of us someone hears something slightly different, which is good for us to see where people think we fit.

On 2nd of November 2018, Raw Sound TV filmed your concert at O2 Institute 2 in Birmingham. The show received very positive reviews. Connor you were described as “teenage Mike Hucknall joining Pearl Jam or Rage Against the Machine”. We don’t see any likeness to the Simply Red singer (maybe the hair do?) but the resemblance to Eddie Vedder and Zach De la Rocha is quite convincing. During performances you jump into the crowd, run from one end of the stage to the other, command the crowd to come closer. Would you agree with this description?

Connor Hill:  (bursts into laughter) Hucknall is definitely to do with the hair- wish I did look like him!! I guess I would agree to an extent, but for me, my stage presence is more of an alter ego than me personally – which is what I love so much about performing. For me, I don’t really take that much of an inspiration from people to do with my stage presence but more just go with what my head thinks I should do and roll with it.

One of the bands of 2019? Why not!

This is not a drill – this is rock and roll

Despite forming in early 2017, you shared stages with Karkosa, Velvet Tides, Riscas, Ivory Wave and Pale White to name just a few. You have a strong following in your home town and now you are off to pastures anew to conquer other parts of the UK. Is the tour with This Feeling helping? How many shows have you played with them already?

Connor Hill:  We aren’t doing a tour with This Feeling right now. Not yet anyway, but we have played a few shows in Birmingham with them. It’s always a good night and we get a good few cans of Red Stripe out of it so that’s enough to win me over!

At the end of last year, several zines and promoters put you on their list to watch for 2019. On 29th of January you played alongside Young Garbo, Chris Grant, Nadia Sheik and Christian Pattemore at Social in London. Was this your debut in L-Town or have you played there before?

Connor Hill:  We’ve played London a couple of times before but we do have plenty planned for the capital in the future. It`s always a warm reception and we love playing there!

The Novus are known for their incredible performances.

The Novus

You are working on new music and we heard that you have chosen The Wizard of Wolverhampton himself – Gavin Monaghan (The Pagans SOH, Editors, The Sherlocks, The Blinders) as producer. Are you able to tell us anything? Will you be recording at his Magic Garden studios or somewhere else? Is it going to be an EP or a full fledged debut album?

Connor Hill:  We are going into recording with Gavin in the next couple of months and recording a few tracks, nothing confirmed as to yet but we have some good plans lined up for them. Gavin is a genius and we connect with him and Joe at Magic Garden so well. He isn’t just a producer, he is someone who helps you think about further development of your music to make it the best you can be and that man knows everyone! They are great people to be around and the vibe at Magic Garden Studios is great, we love making music there. All I can say I guess is stay tuned for what’s to come because we are really excited about it.

It’s only February but your calendar is getting busier and busier. Where can we see you later this year? Any booked festivals or gigs we need to attend?

Connor Hill:  So far we have the following dates:

15th February – Actress and Bishop (TF), Birmingham (supporting Gertz)
Event Page    Tickets

28th February – The Sunflower Lounge, Birmingham (supporting Willie J Healey)
Event Page    Tickets

8th March – The Tin Can, Coventry (supporting FEET)
Event Page    Tickets

23rd March – The Snug Coffee House, Atherton (supporting Honeyspider)
Event Page    Tickets

13th April – Camden Assembly, London (Youth Music charity gig)
Event Page    donations welcomed

These are just the ones that are confirmed, we do have quite a few in the pipeline!

To truly appreciate this band – you need to see them live

The Novus live

Live and kicking

Last question are always fun at Indieterria. Let’s pretend that you were invited to any party in the world and you can take two rock and roll legends with you. Where are you going and who’s coming with you?

Connor Hill:  Jimi Hendrix and Flea from RHCP would probably be my choice. Flea I imagine would be a laugh, Jimi would just be the guy that gets us into everywhere because everyone knows him. I would probably go to somewhere like Vegas with them – would be jokes. If you want to find out about the other boys, catch them at a gig and they’ll be happy to have a conversation. Big love.

You can follow the band on social media at the following links:

https://www.facebook.com/thenovusband
https://twitter.com/TheNovusBand
https://www.instagram.com/thenovusband/
https://soundcloud.com/thenovusband
https://www.youtube.com/channel/UCCRt2uOIvTYDQ8vYaoPEX-w
https://open.spotify.com/artist/3mPpz1sdOXNi3vLokDVbHm?si=JvlBswE-QYap-6PJ7emuww

We don`t usually link to entire gigs, but you need to see The Novus live and RawSoundTV recorded their performance at the end of last year – and it is a jaw dropper. If you have 30 minutes to spare – see the footage and then book yourself a ticket for the real experience. You will not regret. Believe your friendly A&Rs on this – we know talent when we hear it. And The Novus are pure talent.

We will be reporting back on The Novus on this blog. Not only because we are very curious what they have created with Gavin & Joe at the Magic Garden Studios (by the way – Happy 30th Anniversary  guys! What would the local and national music scene do without you?), but because we simply want to follow their journey to bigger, better things.  There is so much promise and so much passion in this band – and more importantly – so much love for music and art. How can we resist? How can anyone resist?

Till the next time,
Mal+Rita

 

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