Indieterria meets Vinny Peculiar

Dear Readers,

This edition of Indieterria will profile an artist who is not a new starter. To be honest, he is well established and enjoys cult status among music fans. However, discovering new music doesn’t mean only cheeking out musicians on their first demo. There is a lot to learn from artists of all ages and all periods. As John Peel would say – you cannot limit yourself to one genre or one decade. It was a pleasure and privilege (to quote a classic) to sit down with Vinny Peculiar and talk about his art and music. And we will admit, we learned few things. Now, we wait in anticipation to see Vinny perform at Marr`s Bar on September 22 for Musicians Against Homelessness. Read on!

Man of many talents

Alan Wilkes, better known as Vinny Peculiar, is one of the most respected and original artists in the music business today. Splitting his time between his native Worcestershire and adopted home in Manchester, he has established himself as a poet, musician and writer. Finding a spare second in his busy schedule, Alan sat down with us to talk about receiving his own blue plague, new album inspired by growing up in West Midlands and charitable efforts to support local events.

You are a man of many talents – a performer, musician, poet, writer and educator. What is the difference between Alan Wilkes and Vinny Peculiar? Are you one and the same or is Vinny simply your artistic alter ego?

Vinny Peculiar: Thank you, I try and dabble in a few different things. Sometimes they work out but I’m most comfortable as a musician/songwriter. The Vinny Peculiar alter ego has been around for a while now but deep down, I’m one and the same person. The real difference is, I get to elaborate and take more risks as Vinny – perhaps the function of the alter ego is a permission to lose yourself. You’ve got me over thinking this one!

So far you have released 13 albums and EP’s to great critical acclaim, with genre-defying releases such as “Other people like me” or “Non Compliance” among them.  If you could choose one record from your catalogue that you value the most, what would it be and why?

Vinny Peculiar: I’d go for “Ironing the Soul”.  This record has got me a lot of breakthrough press and I made it with a band of mates in Liverpool, during stolen overnight studio time whilst trying to hold down a proper job! There’s certain urgency about it and some of those 4am vocal takes seem suitably desperate for the songs. Nowadays, I’m spending weeks editing acoustic guitar parts on a Mac which is not quite the same buzz. “Ironing the Soul” is kind of an oldschool.

cover of Silver Meadows

Vinny Peculiar is independent music press darling. Uncut magazine called you “an under sung national treasure” and “Tony Hancock of pop”; Q Magazine heralded you to be “a warm-hearted Morrissey” and The Irish Times convinced their readers you are the missing link between Jarvis Cocker and Roger McGough. How do you feel about those comparisons? Are they something you personally agree with? 

Vinny Peculiar: Music press darling you say? Hmm, I’m not sure about that but yes; I have had some great press from the major glossy UK magazines. I think this is partly because my stuff is easy to write about. There is usually a narrative story and some quotable lyrics. UNCUT named one of my songs the fourth best song title of 2004 with “We Tried to Drown Our Music Teacher in 1974”, you can see what I mean.

Your musical style escapes every attempt at classification, forcing reviewers to come up with pretty interesting suggestions such as poetry punk, urban lyricists or even “a beautiful blend of Americana, poetry, indie-pop and busker-punk”. It must be satisfying to see them grind their teeth in frustration every time you release new material. Do you still consider yourself to be part of outside pop movement? 

Vinny Peculiar: Yes, I don’t see music as a defined genre thing; often the most incongruous elements can make a song work or not. I try to be driven by what particular song needs. It doesn’t always work, mind! My Outsider status is probably always going to be a given. I’ve never been the new EMI Darling, or even the New Old Man on the Block. I was rather a late starter in the songwriter game! What I try is to follow the Ray Davies model and just “keep on working”.  There comes a time when you write and perform because that’s what you do and over analysis is futile, so I tell myself…

Photo by David Bailey

Many of your songs are autobiographical. You grew up in north Worcestershire village of Cathill, in a strict Methodist home. Your childhood experiences, vocational training as a nurse and a serious illness in the family are recurring themes in your lyrics. Mental well-being and finding hope against the odds seems to be very important to you. 

Vinny Peculiar: Autobiographical, yes. I think most songwriters write about themselves under some disguise; some do it better [or worse] than others. And yes again, for me personally, holding your head up is everything. We are such a marginalized society and we need hope more than ever. I have found that sharing experiences, often everyday ones, in songs and poems really helps. I try and bring this model to the workshops – people have so much to express, much more than they realise and it can aid their self-esteem and mental well-being. That’s my plug for the workshops done!

 You have strong ties not only with Worcester but also with Manchester to the point of Manchester Evening News claiming you as the city’s own. For many years you have collaborated with the Mancunian finest – Andy Rourke of the Smiths, Bonehead of Oasis or the members of the punk group, The Fall. You also supported the renovation of the iconic Salford Lads Club with frequent gigs. Do you feel at home in the north? 

Vinny Peculiar: It’s been fascinating to be back home and closer to family. I’ve ended up writing songs based on local events and issues. At the same time, I love The North.  I’m still working on the “Silver Meadows” stage play in Liverpool. It’s taking forever to refine, get the right actors, but we are still hopeful it will come off. I was at Salford Lads Club recently and got awarded a blue plaque; other recipients included Wayne Rooney and Maxine Peake. It was a great promo idea for the club, and I was stupidly happy to receive it. I’m planning another Lads Club Fundraiser before Christmas, date to be confirmed shortly.

Your artistic escapades link you closely to the eccentric genius of Bill Drummond (KLF, SOUP ART) – master of anarchistic and thought provoking happenings and art installations. Can you tell us more about your co-operation?

Vinny Peculiar: I was the Artist in Residence [Musical] opposite Bills Artist In Residence [Visual] at The Cathedral Arts Festival In Belfast in 2005. Bill and I shared a flat for 10 days and I went on to do many house concerts with him as part of The Soup Line Project. Bill would make soup and deliver a lecture and I would play a forty minute set of songs. I still keep in touch and look forward to the all new singing, dancing and thought provoking KLF! I also have the dubious honour of being auctioned song by song by Bill in Kensington, Liverpool at the demolition of a high rise block – he managed to sell a one to one version of “Confessions of a Sperm Donor” to a local business woman for £200.  It was quite a night…

Recently your album “Silver Meadows (Fables from the Institution)” has been turned into a stage play by Liverpool writer Ian Salmon. The initial reviews are fantastic. Where did the idea come from and where can we see it?

Vinny Peculiar: The Silver Meadows songs came from my time working in long stay Learning Disability and Psychiatric Hospitals. The album is set in the mid-1980s at the dawn of Community Care. The songs are character driven, they tell little stories of big changes. We’ve had an initial full run through before an invited audience and I’m still working on the fine details of the production. These things take a long time as they involve so many different people, including funder.  It is never straightforward, but we are determined it should be seen…

On 22nd of September, you will return to Marrs Bar in Worcester to perform an acoustic set during Musicians Against Homelessness concert in support of Crisis, an nationwide charity helping homeless people to find a stable and permanent accommodation. Are you planning something special for the night?

Vinny Peculiar: I’ll be doing the Mars Bar show with Rob Steadman, my regular piano player. Rob was in Parlour Flames with me (the band I formed with Bonehead). We’ll be playing songs from the new locally themed album including “The Malvern Winter Gardener” and “Droitwich”. It is scandalous that we still have such a housing homeless crisis in the UK and we fully support the work of Crisis. I’m really pleased to have been asked to play this gig.

We know you are currently working on a new album inspired by Worcestershire and your childhood in Bromsgrove. Several demos have already been posted on Sound cloud website. What else is planned for the nearest future?

Vinny Peculiar: My forthcoming gig highlights include playing The 100 Club in London with Chris Difford, the date has not been confirmed yet.  I’m excited about that, we recently supported him in Malvern and he is a very decent chap, too. The new album will take some time to finish, it is due early next year and we will be touring to support it. I have formed a new band with local Worcester musicians: Dan Bramhall (drums), Wes Dance (guitars) and Rooney Wooster (bass) and we are recording a new live EP soon too – I will let you know when it is ready!
You can follow Vinny at the links below:

www.vinnypeculiar.com
www.facebook.com/vinny.peculiar
https://soundcloud.com/vinnypeculiarmusic

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Vinny Peculiar  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Hoping to see you soon,

Mal+Rita

Indieterria meets Lost Tiger to the Wild

Dear Readers,

Lost Tiger to the Wild band logo

On September 22 2017, Worcester will be rocked by Musicians Against Homelessness campaign. The town will host an annual gig to raise funds for Crisis,  an NGO that help vulnerable people. This year yours truly are involved and our role is to bring to light and attention of general public the amazing artists who will be playing for the fundraiser.  We have already profiled nth cave for this blog. It`s time to meet Lost Tiger To The Wild.
Believe us or not, we found them via Twitter when they were still under a different name around a year and half ago, we have been in the first row on their debut gig, we may have passed a word about them to a DJ or two. It was a pleasure to watch this duo grow into confident artists. Now it is a pleasure to present them on this blog.

Hear us roar

Jokingly referred to as the rock and roll version of the Thompson Twins (who were not real twins mind you!) brothers Alfie and Zack Jeavons-Fellows are on the straight way to stardom. Their sudden appearance on Worcester music scene less than a year ago was a true musical knock out. Powerful riffs, rhythmic beats combined with talent for writing songs you cannot get out of your head, proved to be a winning combination. We have caught up with the skilled duo to speak about their early success, getting noticed and their upcoming music.

You are identical twins, we are not seeing double, are we?

Alfie Jeavons-Fellows: (laughing) Yes, we are identical twins; born a minute apart. I’m the older of us both.

Lost Tiger to the Wild is an interesting name for a band – half poetic and half cryptic. Can you explain where it came from?

Alfie Jeavons-Fellows: We found the phrase in a book. The quote read “We have lost a tiger to the wild”. We liked the way the words worked together, so we went with ‘Lost Tiger to the Wild’. For us the name is about being free and independent.

Alfie and Zac before their BBC Introducing session with Andrew Marston for BBC Hereford and Worcester Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

 

Zac, you normally play the lead guitar and sing, while your brother Alfie is wreaking havoc behind his drum kit.  However, you are known to switch places or play different instruments such as ukulele or keyboard during your performances. Is it hard to play only with your brother as a duo or do you prefer to keep it simple?

Zac Jeavons-Fellows: Playing as a duo is easier for us. We get on really well, have similar mindsets and share an approach to our music. Decision-making is much easier. And of course sorting rehearsals is simple. We are keeping it simple; it works for us at the moment.

Are you working with any other local musicians? Do you have a backing band that is supporting you on stage on special occasions? 

Alfie Jeavons-Fellows: Yes, we do. We’ve added a bass and lead guitarist for a recent live gig, which was really good for us because we were able to experiment with the solid guitar sound that Lost Tiger is about.

Many young bands look up to your own musical heroes such as Arctic Monkeys, The Kooks, Kasabian, Oasis or Catfish and The Bottlemen and their influences can easily be heard. The music you make is hard to categorize – it is rhythmic and energetic, yet very original. What inspires you to write?

Zac Jeavons-Fellows: Song writing is all about the riff for me. The lyrics come after. I can’t really tell you where the inspiration comes from. We probably draw from blues, a bit of soul and plenty of guitar rock, although we do listen to lots of different music. Lyrics generally come from experiences – some of my own and some that I see other people going through.

Read to Rock! Photo from band archives.

BBC Introducing gave you one of the best recommendations we have seen in years. “Great guys, great melodies, great live shows, great future ahead of them”.  It is not easy to impress people who listen to music for a living.

Alfie Jeavons-Fellows: (laughing again) People who listen to live music for a living are our best critics. Honest feedback is what helps us drive forwards. The BBC Introducing chaps were really good to work with, funnily enough we bumped in to Andrew Marston after our Coventry University gig and we see Andy O’Hare all over the place. Good blokes.

You are represented by prestigious Coalition Talent Entertainment Agency in London, responsible for shaping careers of well-known acts such as Shoala Ama, Pixie Lott, The Wombats or Artful Dodger. How did your partnership begin?

Alfie Jeavons-Fellows: Once our social media started to kick off, we found several agents were getting in touch. Rather than leap at the first offer we have received, we waited for a proven talent management team that could help push our careers on. Coalition got in touch in February, making some really positive noises so we met with them in London and soon agreed to work together. Being part of the Coalition stable gives us a chance to perform with lots of other professional artists.

We have to ask about our favourite track, Remember to Breathe.  You played it at the BBC session at the Railway in Redditch to rave reviews and great compliments from the crowd. It is a powerful track with thoughtful lyrics. Tell us more about this song. 

Zac Jeavons-Fellows: I have had the chorus riff for ages and loved the way it sounded with a decent fuzz pedal. Alf developed the song without lyrics a lot and it still sounds exactly the same. Coming up with lyrics to compliment the gritty sound was a struggle until I heard a bluesy song called “Remember to Breathe” written by Australian busker, Owen Campbell. It just clicked. With a little bit of tweaking, the lyrics fitted perfectly over my verse and chorus. We love it. Hope Owen will too, when he hears it.

Lost Tiger to the Wild – performing at the Marrs Bar on 5th May 2017 – their debut gig

Debut gig on May the 5th 2017 – force was definitely with the band

Lost Tiger was only founded in November 2016 and you have been performing extensively ever since. Your achievements are most impressive: on 17th of May you played at the sold out CUSU Summer Ball 2017 at the legendary Coventry University Students’ Union supporting Tinie Tempah;  on the 10th of June you supported Lethal Bizzle at University of Essex and recently you headlined a gig for UNCOVER sessions night in Worcester. Where are you going to play next?

Alfie Jeavons-Fellows: Our next gig is the Monmouthshire Filthy Girl Mud Run After party at the beginning of September. We played the sister event in Derbyshire about a month ago which was great fun. The crowd was really up for it. Top gigs are all about the audience.

On 22nd of September you will return to Marrs Bar in Worcester to take part in Musicians Against Homelessness initiative in support of Crisis (charity combating homelessness). This nation-wide musical event is championed by Alan McGee, the founder of Creation Records and manager of Primal Scream, Oasis and The Libertines. Are you preparing anything special for the night?

Alfie Jeavons-Fellows: The Marrs Bar is the home of original music in Worcester so we’ll definitely be playing our own music. If everything goes well, we’re hoping to debut a couple of new tracks. We’re really pleased to be part of the event.

Debut gig at the Marrs Bar.

Outside of your musical careers, you are very keen on sports, especially rugby. You both play for Stourbridge RFC, also with great success. We hope you are not thinking about a sudden career-change.

Zac Jeavons-Fellows:  No, don’t worry! We’re really into music; it’s what we really want to do.

Last but not least – the fun question. Tell us the most rock and roll thing that has happened to you so far. 

Alfie Jeavons-Fellows: I think it’d be best if we keep that one to ourselves… if you ask us face to face we may answer differently.

You can follow Lost Tiger to the Wild at:

https://www.facebook.com/LostTigerBand/
https://twitter.com/LostTigerBand
https://www.youtube.com/channel/UCNcu1GbXFLTrl_UP-L9lHsw
https://www.instagram.com/LostTigerBand/

 

Lost Tiger to the Wild in Slap Magazine

You can read this interview in September issue of Slap Magazine:

http://www.slapmag.co.uk/issue-73/september-2017/

or you can download the copy here:

issue-73-september-2017

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Lost Tiger to the Wild  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

We will see you soon enough for more music,

Mal+Rita

Indieterria meets Michael Knowles

We go political!

Michael Knowles blows a kiss towards audience at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

Everything`s political as Skunk Anansie song goes. And May issue of Indieterria will be all that and even a bit philosophical.

We are steering back our ship to Worcester shores to introduce you to Michael Knowles – leader of The STDs and one of the most controversial figures in the Midlands. How politically incorrect is Mr Knowles? His new single is called “Theresa May is a cunt” and contains language so strong you may want to dig out your “Cop Killers” and “Straight Outta Comptons” out of the basement instead. We can see you rolling your eyes and ears dear readers. So we will ante up and tell you that besides being potty-mouthed, Michel Knowles has a voice of 4,5 octaves, a pitch perfect hearing and is a trained in music production.

Aha, controversial yet talented – now that is a hard mixture to swallow for some. It is much easier to dismiss musicians and artists as immature and looking for attention when  they are painted as  common nobodies. Much harder to do so when artists are seen as complex humans who have their strengths and exercise the right to freedom of speech.

The current world of pop music has been derived of controversial and outspoken characters to the point that you cant even hear songs on the radio that were in heavy rotation 20 years ago in the middle of the day. Try requesting Nine Inch Nails` Closer nowadays on the radio and see what they will play you.

Indie scene had always a place for counter culture and the obscene and we are happy to report that independent and unsigned artists are stepping in to fill the hole. Shame have fantastic “VISA Vulture” with its libelous video to match, The Blinders paint messages on their guitars and Michael Knowles and The STDs hammer the message nicely from our town.   You may see it as unnecessary and infantile – but we see it a form of balance. Music is broad enough to incorporate Little Mix and The STDs in all their respective popness and cockiness.

Fear not. The interview below is all nice and dandy and you may find out that controversial  figures can have a lot of cleaver things to say. We loved the passion Michael has for his musical heroes. So sit back and read on:

Michael Knowles performing live at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

 

Michael Knowles – a stream of consciousness

Technology is a wonderful thing. For example, it allows you to interview artists even late at night from the comfort of your own office. You type the questions into instant messenger and wait for the answers to arrive. Piece of cake. On the downside, technology can`t replicate that old fashioned feeling of excitement that every music journalist feels when meeting a new and promising act in person. And you need to know Michael Knowles surely earned himself a name to be regarded as exciting and controversial in equal measures. He fronts a band called The STD`s, dresses like it`s 1980s and is known for performances that are politically incorrect yet hilariously funny. No journalist would pass  the opportunity to see what makes Michael tick and we are no exception.

This is what we have found out:

Tell us about the band. How many of you and how did you start?

There were only three of us to start with: Steve Church, Dean Thomas Carter and myself. Steve and I had worked together in the past on an album I never released. Dean and I had played together in the house band of The Flag in Worcester (back then known as The Tap). One day we went to this kid`s backyard studio and we all fit really well so we started looking for a bassist as at the start Steve was on guitar.  Over time we’ve had some great musicians join us on – George, James or Tadd. They have come and gone to find new projects. Right now the line up is Steve on bass, The Jack (Tad Jones) on guitar, Dean on drums and myself on vocals. Plus I play guitar too.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

So four guys in a rock and roll band that is nothing like Worcestershire ever seen.

This is true.

You have a very distinct image – very 80s classic rock. On purpose or is it just how you guys roll?

To be honest,  we’ve only really dressed up for gigs a few times but now I mean we don’t really want to have to look through stuff to wear!

So there`s image change on the cards? You know you have already made yourself a name of new Steel Panther in town!

It depends where we shop next (laughs) and really I thought we had the reputation of a noisy bunch.

Noisy yes. But people rather see you as classic rock revival. Quite an interesting twist on David Lee Roth and Poison.

Well, that wasn’t our intention.

What was your intention then?

Just to be noisy and chaotic.

We could add early Alice In Chains to the influences you represent.

There was never really a plan. Still isn’t.

You still evolving sonically?

We’ve got a lot of new stuff in the pipeline. We always do.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

If you were to describe new songs- what would you say? Shall we buy earplugs in advance?

Possibly. There’s  material about some dark times and then whatever we write in the meantime. Plus a concept album.

So no more comic rock and songs about female attributes?

Probably not. But who knows? Let’s face it there’s no plan.

You said that world doesn’t need love songs anymore. That world needs anger.

This is true. I think a lot of anything I’ve written that could be considered “love songs” are usually bitter sweet. With a hint of sarcasm and a lot of anger.

Well, Ledbury Song is very angry but at the same time hilariously funny. You have audience roaring with laughter.

It is less of a song, more of a rant really.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

We don’t know if you agree- but we see your lyrics as a mix of Tenacious D with Morrissey-esque cynical humour and playing with words.

I doubt I could ever be compared to Morrissey. I’m never that poetic (laughs)

The Ledbury Song has the same motif as Everyday Is Like A Sunday:  dislike for a small town that is becoming like a prison for a young person. Moz also wants to bomb the town and he is not poetic about it.

I haven’t heard it but I agree with him.

You come from a small place?

A small town. Small in size and small minded. Hard to be anyone there.

Do you think you would be different if you were born in London?

I’ve been to London and I hate that place. Too big and far too busy. Everyone in a hurry to go nowhere.

So perhaps there`s a positive side of being born in a small town?

I think the point is everyone hates where they are from eventually but it’s always where you call home.

Who would you put in your top 5 artists?

I’d say Tool, Amen, early Slipknot and honestly Trent Reznor and Bill Hicks.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

Very broad influences.

I just love their attitudes and way of creating. I love how Bill Hicks was born in the religious South yet could deconstruct the archaic institutions that he was thrust into. I love how angry Slipknot were and to a 13 year old outcast they represented hope that you might be a freak but there was a place in this world for you. Amen taught me that record companies are just stupid. Tool taught me the beauty of feedback and how atmosphere can really make the hairs on your neck stand up. And Trent is just the god of chaos in noise.

You talk so poetically about music. You will put Moz out of business one day.

It’s all I have really. My whole life has been music and everything else has come and gone but there was always solace in music.

You sing, write, compose, play instruments – that’s lot of talents.

I see it as separate parts of one whole encompassing thing that is just me.

Where do you think the music will take you or the band?

It’s less about what music can do and more about how far we take it. We’re not looking to be billionaire rock stars with handlers. Our goals are to play every show and know at least half the audience.

And will that be enough?

It was always enough to have fans to grow with than trying to appease the masses.

You can follow Michael Knowles online at:

https://www.facebook.com/MKandSTDs
https://www.instagram.com/michael_knowles21
https://soundcloud.com/michael-knowles-music
https://soundcloud.com/michael-knowles-music/michael-knowles-the-stds

https://www.facebook.com/michael.knowles.5832343

At the beginning of April 2017, Michael Knowles and The STDs began recording of their new material using premises at Marrs Bar in Worcester as a studio. The result is album (that still needs to receive a release date) and a single “Theresa May is a cunt”. You can listen it here:

https://michaelknowlesthestds.bandcamp.com/track/theresa-mays-a-cunt

As we said – you may not agree with the bands sentiments but taking into consideration news item such as: HERE  or HERE, it makes us wonder if the song should not be at least six minutes longer. To act as a vent for the anger and frustration, if not anything else.

 

Our interview with Michael Knowles has been kindly reprinted in Slap Magazine and you can see your copy at the link below:

http://www.slapmag.co.uk/slap-issues/issue-69-may-2017.pdf

Or download copy  here:

issue-69-may-2017

Some images for our records if anything else fails:

Slap Magazine feature – May 2017 edition

Photo of the article

Kudos to Andy O`Hare from BBC Hereford & Worcester for allowing us some of his photos.

And if you found this edition of Indieterria too much, bear with us. Next time we are going to the church!

Malicia

**** Update 02/06/2017****

We have awesome news to report. This summer, UK will see a gigantic series of gigs and concerts under banner of “Musicians Against Homelessness”. This initiative was started in 2016 by legendary A&R and founder of Creation Records – Alan McGee. Its aim is simple – to gather funds for Crisis, charity that helps fight homelessness.

Literary everyone involved in the initiative works/plays for free (that includes us as well)  and every penny raised is passed to Crisis. One of MAH events will take part in Hereford at the legendary Booth Hall (Never been? You have only yourself to blame) on July 8th as part of Hereford Punk Festival. If you are in the area, please come down and have fun because Rich Lovell and Minky Cuadra of Underground Revolution did pure magic and got together two sets of pure punk, rock and poetry madness.

Hereford Punk Festival – line up in aid of Crisis

Hereford Punk Festival – MAH event just looks incredible

Michael Knowles is obviously on the bill and that will be just a fantastic opportunity to listen to his new material tested on the stage. He will not play lullabies, we warn you.

If you want  to learn more, here are some links worth checking:

Musicians Against Homelessness
https://www.facebook.com/mahgigs/

The Booth Hall
https://www.facebook.com/TheBoothHallHereford

Rich Lovell
https://www.facebook.com/rich.lovell.37

Minky Cuadra
https://www.facebook.com/profile.php?id=100010293331172

Underground Revolution
https://www.facebook.com/groups/undergroundrevolution/

Crisis
https://www.crisis.org.uk/

 

Oh and STD`s album launch happens one month before  the gig in Hereford on June  9th at Marrs Bars in Worcester. So get your copy and you will be set up for sing a-long. It will be also one day after the snap elections, so you know 🙂

https://www.facebook.com/events/1786676631644926/

Humor is the devil`s friend – album cover

The STDs in all their glory

 

Xxxooo
Rita+Mal