Indieterria meets Kevin Fitzgerald of Toura Toura

Dear Readers,

Bookers and promoters are usually working in the shadows, far away from the spotlight that artists enjoy. But they are crucial for the business and many a time they bring a real change to the table. We are very lucky at Indieterria to be able to speak to Kevin Fitzgerald – owner of Toura Toura and a booking agent for some of the best known figures in the industry. Kevin is incredible, detail orientated and he shared so many details from his work with us that we wished the interview never ended.

Toura Toura organizes Q&A (question and answer) sessions with the mighty Joe Talbot of the IDLES and first stop on the tour happens tomorrow in Manchester. So yes, we were more than excited to be able to ask Kevin few questions.

Toura Toura logo

You are a promoter, a manager and a PR. That’s many roles for one person. Please introduce yourself to the readers of Indieterria.

Kevin Fitzgerald: Hello, my name is Kevin. I`m a single Dad of two daughters (8 & 5 years old respectively) from Stoke and I’m the managing director of Toura Toura. My company organises Q&A sessions for people in the music industry.

Your roster includes music mogul Alan McGee, Sleeper front woman – Louise Werner and lead singer for Happy Mondays and The Black Grape – Shaun Ryder. Do you find it challenging to work with such iconic names in the business?

Kevin Fitzgerald: I’m very proud of the roster and pinch myself everyday because of the people that I work with, especially when I have only been in business for a year now. All of those artists have put their faith in someone that they didn’t know and  who had no background in their industry. I mean, to get Alan McGee, the greatest man in music in my eyes, as your first client is just ridiculous.

Alan opened up the door for everyone that I work with now. And you know he is the most down to earth, most easiest and genuine person that I have ever come across in my life.  He does everything he can to help Toura Toura. He’s always introducing me to incredible people on the Q&A circuit – which is why I work with Shaun Ryder.

Everyone is an absolute pleasure to work with. There are no egos and all they want to do is to get the job done. Their work ethic is unbelievable and I have them all on a weekly basis asking me to book more Q&As for them because they are loving going around the country talking and meeting their fans. Shaun Ryder is a great example of that. The last few months of last year he was out 4 or 5 nights in a row because he was doing both The Happy Mondays and An Evening With tour.

I don’t find working with any of the artists challenging in any way at all.

The way I deal with things – which I know is different from most agents out there – is that I actually go to virtually every single Q&A that I organise. It not only surprises the artists I work with but it builds up a relationship with them and also builds up my relationship with the venue owners.

General poster for the Joe Talbot Q&A tour

Toura Toura started out last year. You built a successful company from scratch and in such a short period of time. Can you tell us about the beginnings of the company?

Kevin Fitzgerald: Toura Toura was set up on the back of me coming through quite a tough time in my life.

My second daughter Sophie was still born in 2013 and then I lost my Dad through complications related to dementia on Father’s Day in 2017. I lost my Mum to cancer 6 months later, the day before my birthday at the start of 2018. Within a few months I split up with my wife. So, I had quite a bit of time on my hands which I needed to fill up and this is why I started Toura Toura.

I have been lucky enough to work in the industry of two passions of mine now, football and music.

In football, I have met many people from the sport industry, many players but I have never met anybody from the music world and always wondered how you can meet people from the music biz.

I have been involved in putting on many sporting evenings at the football clubs where you get a player to stand in front of a room to talk about their career. People at these events are mainly fans of said footballer and it’s their way of getting to meet what is essentially a hero of theirs for autographs and photos. That’s when a light bulb moment suddenly switched on just over 12 months ago. I thought to myself: “if a sportsman can do it why not people from the music world?” It`s all about giving their fans an insight into their career and their life or simply just the opportunity of actually meeting them.

I was very lucky and fortunate to have Alan McGee as my first ever client within a week or so of starting my company.

Your newest project is an Q&A tour with no other than Joe Talbot of mighty IDLES. How do you convince a fierce punk rocker to be quizzed in front of live audience?

Kevin Fitzgerald: To be honest with Joe Talbot it was just a long stab in the dark that paid off and again I have Alan McGee to thank for that.

Alan hosted An Evening With Shaun Ryder in Newcastle at the end of September last year and he was an amazing host, interviewing Shaun on stage before going into the audience to get questions from them. Alan really enjoyed it and said to me he would love to do more hosting.

I have always wanted to see the IDLES live and back in November I spoke to IDLES management who guest listed me for their gig in Leeds at the start of December. At the gig I thought the band were amazing and Joe stood out with how engaging he was with the crowd. Alan is very fond of the IDLES as well and we spoke about the possibility of hosting some Q&As with Joe Talbot. As you can imagine Alan loved the idea so when I thanked IDLES management for guest listening me in Leeds I asked to see if Joe would do some Q&As with Alan McGee. Luckily enough they both said yes. I don’t think I would have even have had a chance unless I had the Alan McGee handle because of the respect that Alan carries in the music world.

We heard that the Joe Talbot events will also include live music from upcoming local bands. Who will be entertaining the crowds on tour?

Kevin Fitzgerald: What I love about the Q&As is that we give up – and – coming bands the opportunity of playing in front of the best people in the music industry: Alan McGee, Shaun Ryder and now Joe Talbot. It`s a great buzz for these bands to have on their CV.

In the past events, we have had bands like The K’s, The Clockworks, Shambolics, Rosadocs, and The Jade Assembly performing and they have all gone onto better things.

On the Joe Talbot tour we have incredible set of artists: Faux Pas and Witch Fever in Manchester. We have Stone playing in Halifax. The Clockworks are returning to play at The Water Rats in London. Then in Birmingham we have The Pagans S.O.H and The Jack Fletcher Band.

And speaking about up and coming artists – you manage two acts: Magic Mod and The Barrats. Can we have a quick introduction of both? Nothing makes us happier at Indieterria than to discover some new music.

Kevin Fitzgerald:  Yes, that is  correct. I try to manage The Barratts and the Magic Mod.

I came about The Barratts because I was looking for various bands to invite to play on An Evening with Alan McGee. I was on This Feeling page and their song of the week was a song called “Lights out in London” by a band called The Barratts. I totally fell in love with it. They are indie band from Northampton who have an unique sound that is different to any of the other bands out there. They are amazing song writers, so much that The Sherlocks have been trying to take one of their songs. I still have no idea why they are not bigger or don’t have a record deal yet.

The Magic Mod is as indie as they come. He loves his Pretty Green, has toured with Paul Weller or The Libertines. He’s an amazing magician but can very easily entertain a crowd too which is why we have him hosting on some of the Q&As. He’s hosted a few of the Shaun Ryder nights and also the Alan McGee nights. The plan with him this year is to get him out entertaining crowds around the country.

If anyone wants to bring an event organised by Toura Toura to their town – what criteria do they need to meet and how to contact you?

Kevin Fitzgerald:  There really is no criteria for a Toura Toura event. What is unique about us is that we can hold our events anywhere from a small village hall  to a theatre in one of the major cities.

You can contact me at kevin@touratoura.com or just visit our page at https://www.facebook.com/touratourahq/

Its only February but what are your plans for this year? What can we expect  from Toura Toura though out 2020?

Kevin Fitzgerald:  This year we are planning to triple the amount of shows that we have put on and we will be adding more artists to the roster to make this happen. I have agreed a deal with singer/songwriter of another band today and with having Joe Talbot on board it takes what we are doing with the Q&A’s from the retro to things that are more current.

I would also like at some point to switch from agent to promoter.

Last (in)famous question. Imagine you have been tasked with organizing an Q&A session with the most notorious person in the history of music business. Who is in the hot seat and who is asking the questions?

Kevin Fitzgerald:  Now that’s a tough question! I’m going to make it  nice and simple. I’m a indie kid and I wouldn’t be doing what I’m doing now if it wasn’t for these guys. I have seen Oasis at Trentham Gardens, Earls Court, Main Road, Knebworth, Lancashire Cricket ground, NIA in Birmingham, 3 nights in a row at the Etihad Stadium, so it would have to be either Liam or Noel or both together. And there is only one person that I could possibly have to interview them and that would be Alan McGee.

You can follow Toura Toura on socials:

https://www.facebook.com/touratourahq/
https://twitter.com/TouraToura4
https://www.instagram.com/ltdtouratoura/

You can still buy tickets for the tour (except Water Rats in London as its sold out):

We will be reporting back on the tour, especially regarding the Birmingham event which we plan to attend. So prepare yourself for a lot of videos, photos and a detailed review. Now off you go to grab yourself a tix! Come on – join us.

M/R

Indieterria presents Alternative Christmas with The Kecks

Dear Readers,

Alternative Christmas continue at Indieterria. Many of our readers were absolute legends helping out during the fan campaign to get Jarvis Cocker`s single “Running The World” to #2 in the UK charts. We thought that after our shared Top 40 adventures, we will write about equally brilliant Christmas song recorded by a band that is making waves on indie circuit.

Those who follow our blog will be familiar with future rock stars known as The Kecks. We have interviewed them and followed their musical development for about a year now.  It is an absolute pleasure and privilege to see them evolve and develop their (incredibly huge) potential.

The Kecks came into being after mighty Manuka Hive came to an end and their arrival caught us by surprise. We were not expecting such a radiant mix of alternative rock, psychedelia, post punk and avant-garde. But sonic palette was just part of the package. The Kecks emerged from obscurity full of ideas and with a clear cut artistic vision. Blade Runner like visuals (images, videos), gender bending wardrobe, their courage to be photographed wearing dresses or holding hands in public. There was sense of adventure, rebellion, challenging of social norm in how they carried themselves on and off stage, how they merged different elements to create their own unique identity as artists and performers.

It was impossible not to fall in love with The Kecks almost instantly. And we were not the only ones. In just a year the band managed to get decent following on social media, released a successful single (Stick in My Throat), played a session for BBC Introducing, released a live video (All For Me) and played European tour that took them though Germany, Austria, The Netherlands, France and UK.

The band responded to their fans in a manner that could truly warm even the coldest of hearts.  Please allow us to quote their statement in full: “The support we’ve received in this first year has been phenomenal and we just wanted to do something as a little fun as a way of saying thanks to everyone who has taken the time to check us out this year. We look forward to catching up with you all on the road again in 2020 and have plenty of new music primed ready for your ears in the new year!”

And so they wrap up 2019 releasing a live version of Mud`s festive favourite Lonely This Christmas.

Written in 1974, this classic song went to number #1 and was performed on Top of The Pops.  The single was a homage to Elvis Presley and  members of Mud dedicated it to the King of Rock and Roll  for his 40th birthday.

The Kecks` version is very much on point and retains the slower Elvis-like singing of the original, but without the unnecessary pomp and kitsch. The song is stripped back and reinvigorated, dusted off and brought up to date for XXI century. It still sounds retro, vintage even but was given a very strong modern approach that will also appear for younger audience.

Lonely This Christmas was recorded as part of Glade Sessions. It was organised by Alexander Luebbe, produced by Carlos Andres and filmed by Yotam Schwartz.

The Kecks in all their splendour and glory

It`s not always a safe bet to take on a classic song  – but The Kecks come on top in their version of Lonely This Christmas. It shows their strength and ambition as a band.  If you can own a song written by a rock legends –then you can pretty much do anything, the sky`s the limit.

And this is what we would like to wish to The Kecks for 2020.

The band has been featured  on our blog before. We absolute adore them:

https://cocamidemea.wordpress.com/2019/06/22/indieterria-meets-the-kecks/
https://cocamidemea.wordpress.com/2019/10/24/indieterria-presents-the-kecks-on-european-tour/

More readings:
https://chaosmusicmagazine.nl/2019/12/18/chaos-brengt-je-een-alternatieve-kerst-met-deze-originele-kerstnummers

The Kecks have been getting more and more attention in the national and European blogs and magazines. If you are curious who they are and want to learn more, please check out those articles as well:

http://littleindieblogs.blogspot.com/2019/06/hamburg-based-newcomers-kecks-sing-tell.html
http://www.gigslutz.co.uk/this-feeling-track-of-the-day-the-kecks-stick-in-my-throat/
https://www.rgm.press/the-kecks-stick-in-my-throat/review/
https://www.rgm.press/the-kecks-return-to-the-uk-for-new-tour-dates/review/
https://willyoumag.com/2019/11/20/the-clause-live-at-cafe-totem-sheffield-review
https://www.musicbusinessworldwide.com/aviator-on-expanding-into-management-re-launching-its-label-and-the-future

Ready for action in 2020

You can follow the band on socials:

https://www.thekecksofficial.com/
https://www.facebook.com/thekecksofficial/
https://twitter.com/the_kecks
https://www.instagram.com/thekecksofficial/
https://soundcloud.com/thekecksofficial
https://www.youtube.com/channel/UCm0wdB5kpFtz5VjJlblmlIQ
https://open.spotify.com/artist/7rq4XneM5dE0uYeAoyMGGn?si=SD6WJsSaR9uBIck6pcusWA

We hope you enjoy the posts and the music and we want to wish you all the best in the new decade dear readers.

See you soon with a lot of stuff coming up.

Mal/Rita

Indieterria meets Bunkerpop

Dear Readers,

We have recently reviewed an incredible Manchester band Weimar and now we return with equally amazing gem from the underground. It is our pure pleasure and privilege to welcome Hull`s Bunkerpop to our blog. We sat down with guitarist Paul John Sarel to speak about the bands spiritual home venue (The New Adelphi Club), their genre bending debut album and their cost friendly videos. Bunkerpop consists of living legends of Hull`s music scene and the tunes they produce are brilliant. Wit, talent and strong DIY ethics – everything that we love at Indieterria.

Bunkerpop`s logo

Bunkerpop is a band after our own hearts! You describe yourselves as “self-managed, self-released, self- promo, self everything”. At Indieterria we absolutely adore people who uphold DIY ethics. Please introduce yourselves!

Paul John Sarel:  Bunkerpop are a collection of like minded lazy fluke artists. None of this is designed to be a success but we seem to have managed to become a cult like phenomenon as we all uphold a genuine desire to entertain, make music and uphold core values that are inclusive. It’s not a coincidence that as day jobs we all work with people. We connect and we offer support in our day jobs which we try and carry across into band activities. We are Trevor Simpson (teacher), Carlos  Macklin (barman), Jonathan Wainberg (mental health nurse), Mark Blissenden (youth leader) and Paul John Sarel (youth leader).

You probably will cringe at the expression but Bunkerpop is practically a supergroup! With a huge chunk of Hull musical history attached to it. You formed in 2016 and all members come from massively influential local groups such a Fonda 500, Baby Mammoth, Nyam Nyam, The Schoolgirls or Black Delta Movement. The amount of experience, records and Wikipedia pages between all of you is stunning!  Tell us how did the band start? You obviously known each other for years, but  was there ever a moment where you met one day  in a pub and decided – let`s form a band?

Paul John Sarel:  We all knew each other from either being in bands, attending gigs or just from our local community which is based in quite a artistic and cultural zone of the city.

Some of us had played gigs together in the same bands or attended each other’s gigs in the past. Some of us played veterans football together. We’ve been around for a long time as musicians and our age span ranges from 30 years old up to 58 years old. We’re pretty energetic for a bunch of middle-aged geezers. I like to think we’re quite open to new ideas…that’s how it all started. It was just something to do, to start with but it became very exciting as we’re all from different musical backgrounds but at the same time we all enjoy taking musical risks. We had nothing to lose and it became brilliant.

Bunkerpop ready for action

Bunkerpop material has been recorded at the Gorilla Studios in Hull with sound engineer Bob Wingfield, and then mastered by Pete Maher (The White Stripes, U2). How do you remember the studio session? Were any songs prepared prior the recordings – or were you leaving it for the time when you were already in the studio?

Paul John Sarel:  The album took about a year to record. Initially we had Bob engineer three different live sessions for us where we just played our set. We then had the basic live tracks and took them to our own studio. This is where the majority of the work and overdubs was done. Mark took a lot of the responsibility on with input from the rest of the band. Some of the tunes needed a lot of changing, cutting, throwing in the bin or re-thinking. We decided quite early on to take a different approach to the live version of the band. Because most tunes we do are instrumental we knew we had to create a narrative running through the album in some way. We took a lot of time finding dialogue that wasn’t clichéd or that was trying to be cool….cause that’s not cool.

You released your double debut album in July 2019 to critical acclaim.  Louder Than War lauded you as “unique and brilliant”, BBC Introducing  said “Everything they send is incredible”, other  blogs and magazines compared you to Neu, Devo, Brian Eno and Flaming Lips. Were you expecting such a positive reactions to your material?

Paul John Sarel:  The album has a very Hull feel to it. It’s not trendy, it doesn’t conform and it refuses to take the twists you expect. It’s a bit of a “fuck off” to anyone who wants a hit record. We like a good metaphorical fight. We have a giant Hull chip on our shoulders and we’re quite feisty. I think a lot of folks can relate to that in the current political climate.

The band live is a force to be reckoned with.

We need to ask you about the video to “(Are You Ready) For Something” because it`s the best surrealistic video we have seen in a long time. A boxing match meets eating contest is an incredibly funny idea but we also heard that the band spend a whole £18.80 on the props and costumes. If that is true, Bunkerpop deserve a recognition for not only being incredibly creative, but also efficient.

Paul John Sarel:  The video did cost £18.80. We did it on a cold February morning with hangovers. Our friends Mark Richardson and Anna Bean shot it, edited and added extras. They’re both central to creative things in our community. We got Viki to be the referee. Again she’s an energetic force in the local area. When you can work and play with such talented people like them you don’t need a big budget. You just all drawer from each other’s creativity and energy. Carlos and I look very grey in the video. That’s booze for ya!

The band members are funders and curators of Fast & Bulbous’ Festival. It`s been running for  the last three years raising funds for The New Adelphi Club in Hull. The venue is known for supporting young and emerging artists, but also hosted legends such as The Cranberries, Manics, The La`s and Kaiser Chiefs. How important are independent venues such as The New Adelphi for indie circuit?

Paul John Sarel:  The Adelphi is our spiritual home. It’s shabby and brilliant. In the last month it’s hosted everything from Fat Boy Slim to a youth music gig with all the performers playing being under 18. This speaks volumes about the place. A superstar millionaire DJ to kids playing their 1st gig in the space of a fortnight.

This week there is grime, folk, post punk, country blues and high octane rock on the billing. The Adelphi is one of the most important venues in the world. It’s fiercely independent and ugly. That’s how we like it. Long live independent venues up and down the country!

Bunkerpop in their iconic hazmat suits. Good music is contagious,

There are also plans to turn Fast & Bulbous’ into a proper label. You released your own material as Bunkerpop via Fast & Bulbous’ Records. Do you have any other releases coming up or are you looking for bands and artists to release their material via the label?

Paul John Sarel:  The next Fast & Bulbous release could be out in Spring 2020. We’re hoping to put out a double 7″ gatefold with four different artists on. Each artist takes up one side. It’s quite an ambitious project but the quality of the artists means it’s gonna be a belter. It’ll Bunkerpop, Bitmap (former Salako Chap Luke), Holly Blackshaw (Crooked Weather) and Nicholas Broten (Fonda 500). We’re all top notch artists….I’ve heard the tunes already and it’s going to be a beautiful release.

We are almost at the end of the year so what can we expect from you guys in the 2020? Another album? A Tour?

Paul John Sarel:  Bunkerpop have quite a few gigs lined up and we’re booked in to play Scunthorpe, Barrow, Nottingham, Hull, Sheffield, Manchester and Leeds. They’ll be a few festivals in 2020 too. We’ll possibly start recording a new album too. We have the demos for 4 songs already and we’re writing new tunes all the time. It’s all very exciting.

Last (in)famous question – if you could book the biggest stars of pop music into The Adelphi for a all nighter. What bands would you book and who is headlining?

Paul John Sarel: Gosh….if we could choose to book an Adelphi all nighter with our heroes and inspirations it’d probably look something like this (with the aid of a time machine):

Talking Heads big band line up as headliners. Sly & the Family Stone, Fela Kuti, Kraftwerk, William Oneyabor, Can, Velvets, Roxy with Eno, Flaming Lips, Fonda 500, Bunkerpop.

You can follow Bunkerpop on the socials:

https://www.facebook.com/HullBunkerpop/
https://www.instagram.com/bunkerpopband/
https://soundcloud.com/user-554608742
https://www.youtube.com/user/MrHotMIM
https://bunkerpopband.bandcamp.com/
https://open.spotify.com/artist/3Uuj2nCneKmPA58KY5577l?si=vRAnIn42RWeNRGcht2CdVw

 

Additional readings:

https://www.imnotfromlondon.com/bunker-pop-mentality-album-review-bunkerpops-bunkerpop-album/
http://www.soundspheremag.com/spotlight/band/band-spotlight-bunkerpop/
http://www.hullmusicarchive.co.uk/artist-bunkerpop/

We are so excited to be discovering acts like Bunkerpop and cant wait to see what they will produce in the future.

Good luck guys.

Mal/Rita

Indieterria presents Weimar

Dear Readers, 

We have said it before, but Vanadian Avenue is always on the look out for unusual bands, unique musical styles or new trends in music. Sometimes we find interesting artists on our own, sometimes we receive a tip or sometimes the artists take their time to contact us themselves.

And this is how we learnt about Manchester quartet called Weimar. Last week, lead singer of the band, Aidan Cross sent us an email asking if we would be interested in  reviewing his newest double A single. After listening to both songs, and seeing the accompanying videos we had to say yes!

Weimar is a Manchester-based band consisting of singer-songwriter and rhythm guitarist Aidan Cross (The Bacillus, Black Light Mutants), lead guitarist Stephen Sarsen (Frank Is Dead, The Bacillus, Playground), bassist John Armstrong (The Speed of Sound) and drummer Anthony Edwards (The Deceased).

Weimar Republic of Mancunia by Zac Gale

Official bio: “Combining a range of influences and naming themselves Weimar after the German Weimar Republic of the 1920s in which experimental art, music and cabaret saw a boom, Weimar combine an eclectic range of influences, with their songs containing elements of Art Rock, Post-Punk, Cabaret, Chanson, Prog Rock, Funk, Alt Folk, Gothic Rock, Music Hall and Dark Circus. Lyrically they cover themes of the dark side of culture and human nature, drawing on a socio-political awareness as well as historical inspiration. In the spirit of the Weimar Republic itself, the emphasis is on the need for freedom of expression and rebellion in the face of political and social oppression. In the current turbulent political era, which has already sparked talk of ‘Weimar Britain’, this approach has a profound relevance to contemporary culture”.

The songs “Marvel to the State” and “Undesirable Master” were released on 22nd of November 2019 and they feature the guest vocals of Rose Niland, singer with Rose & the Diamond Hand and Poppycock. The Double A side single was also released digitally on German Shepherd Records, and on CD via Weimar’s own label Marlene’s Hat.

So what can we say about the singles? First thing that comes to mind is that Weimar is reviewer’s real nightmare when it comes to classification. We can easily imagine that if those songs were released back in the 1990’s, Steve Lamacq would tear all his hair out trying to come up with a name for what they do. This is a real mixture of genres – from the classical French chanson, to pop to rock and alternative. There is a lot of Divine Comedy, a lot of the Smiths, The Fall and a bit of a cabaret. To complicate the matters even further – we can swear that “Marvel to the State” has been ispired by 1920’s and 1930’d european jazz. And if we throw trip hop and pop into the cauldron, then we have a real bomb ready to go off.

Weimar in black and white by Zac Gale

The PR note released alongside the singles is confirming what we heard for ourselves:

“Stylistically, both new songs are significantly different from Weimar’s previous single. ‘Marvel To The State’ is written as a celebration of female figures throughout history who have stood up in the face of oppressive politics. It is a duet between Weimar’s frontman Aidan Cross and Rose Niland, set to a jazz-funk inspired backing, with a more upbeat and pop-oriented feel than the previous single. ‘Undesirable Master’ meanwhile, is a romantic torch song with an ethereal backing vocal from Niland. Both songs are accompanied by promo videos directed by Nikos Pavlou. Niland co-stars in the video for “Marvel” while the “Undesirable Master” video guest stars screen thespian Indigo Azidahaka, also vocalist with Granola Suicide.”

We are not the only ones impressed with both songs. Other reviewers were also truly generous with compliments:

“You know when you get that chill up your back when you hear music that is genuinely different and exciting…..? The most important band to come out of Manchester since Magazine.” – Bob Osborne, Aural Delights Blog

“What makes Weimar stand out from so many other guitar bands is their emphatic execution of highly observant songs informed by life’s surreal and unnerving experiences, underpinned by instrumentation which is accomplished – almost oblivious to how good it actually is. Guitars jangle, jolt and drive emotion in equal measure, matched with point-hitting drums… with enigmatic singer and musician Aidan Cross captivating the crowd.” – Emily Oldfield, Louder Than War

We have to admit that Weimar is one of the most unusual bands we have discovered this year and it will be a pleasure to watch them grow. The band is currently working on their debut album while continuing to gig regularly. The album is scheduled to be released in the spring of 2020.

Weimar in black and whte (again) by Zac Gale

You can follow the band on their socials:
https://weimarbanduk.com/
https://www.facebook.com/WeimarTheBand/
https://twitter.com/WeimarBandUK
https://www.instagram.com/weimarbanduk/
https://soundcloud.com/weimartheband
https://www.youtube.com/channel/UCRVRYJayyyN0Q46AA_74Aig

 

With bands such as The Blinders, Dirty Laces, Scuttlers, The Document, Saytr Play, The Red Stains, Witch Fever, Liines, Gloves, The Membranes, The Battery Farm and many others (we could go on forever!) Manchester music scene is one of the best in the world. Keep your eyes and ears open as the Kingdon of Mancunia is four steps ahead of everyone.

Xoxox
Rita and Malicia D.

Indieterria meets Avalanche Party

Honourable comrades!

Avalanche Party is one of the most important new bands on the indie scene at the moment. Formed in 2014, AP (as they are known to their fans) built an impressive resume in a relatively short period of time. They travelled throughout the UK and mainland Europe, performed in NYC and at the famous SXSW in Texas, recorded at the desert studios somewhere in the Death Valley in California. They also played at all the important summer festivals and shared stages with the best of the best in rock music.

The band is known for its wild, mesmerizing shows, full of drama, sweat and hypnotic music. And for their specific, dry, half-sarcastic, half-abstract sense of humour. Just few days before their gig in Birmingham and the release of their debut album, we sat down with vocalist and front-man, Jordan Bell to discuss their videos, trips to America and what can we expect from the Avalanche Party in 2020.

Avalanche Party photographed by Jason Ferdinando

BBC Radio 1 calls you “The most exciting rock & roll band in the UK right now.” But let’s take things to the very beginning. How and where did Avalanche Party form?

Jordan Bell: Keep an open yoghurt in your kitchen fridge for long enough and over time, it will morph and grow into something quite remarkably different from the yoghurt you once knew. Until you can no longer bear to keep it in your refrigeration station and have no choice but to toss it out into the big bad world. It was kind of like that. We’re from North Yorkshire, if it makes a difference. Where the wild things are and the OneStops aren’t.

You managed to keep the news of your debut album completely under wraps. There were no mentions, no leaks, no warnings and then on 27th of August a bomb was dropped. In the era where people lead their entire existence online, did you think it was important to keep your fans unaware of what was coming?

Jordan Bell: Definitely and that’s something which extends past fans and straight into the band itself. Two members didn’t even know the album had been recorded and our manager still doesn’t. Keep it to yourselves.

The album “24 Carat Diamond Trephine” is finally due on 22nd of November. We are intrigued by the title? Trephine are commonly used in bone surgery and dentistry, but we are certain that NHS cannot afford a 24 carat ones. Where does the title come from? Is there a particular meaning behind it?

Jordan Bell: Trephines are still knocking around but the album title is based on the more primitive versions used for trepanning – the old practice of cutting holes in the head to let out the evil spirits responsible for strange behaviours. There seems to be some kind of parallel between that and listening to music which makes sense. It’s a 24 carat diamond one because, it’s not just any old Trephine. This one’s special, it cuts right to the heart of the matter. As far as we know, a 24 Carat Diamond Trephine is the only reliable Trephine for evil spirit excavation, these days.

Avalanche Party by Jason Ferdinando

To promote your debut, the band released three singles in span of four months: “7”, “El Dorado” and “Rebel Forever”. They are completely different from each other: “7” is two minute cacophony of noise, “El Dorado is an experimental ballad of 6 minutes and “Rebel Forever” is quite a catchy, mainstream, radio-friendly track. The upcoming album seems to be very varied in terms of genres and song length. What can we expect from it? Was it a conscious decision to make it as variable as possible?

Jordan Bell: Well yeah it is, we’ll give you that one. We made a conscious decision to attempt as many different genres as possible, because Kane’s uncle, Simon said, we need to try and be like a band that appeals to a massive audience. Like Swedish House Mafia or Catfish & The Shottybottlemen. We went away and thought about it for a bit. Next time we saw him, he said, “Well? Who have you chosen with a massive audience in a particular musical genre that you can be like? Preferably a genre with a long musical history, so you can appeal to the mams and dads and grandies, too?” “Yes”, we said. “Who is it? Miley Cirrhosis? Post Maloon?” “Both”, we said. He nearly fell off his whippet.

Buy it and see.

Avalanche Party always had incredible videos – cinematic, pop culture inspired with complicated, sometimes brutal storylines. The video to “7” shows what only can be described as some sort of illegal experiment, “El Dorado” takes the viewer to America for a mini road movie where nothing really happens and “Rebel Forever” is a dream-like, kaleidoscopic drug-induced nightmare. How important is the visual side of storytelling for you? Are you going to use the videos on tour in some way?

Jordan Bell: “El Dorado” is actually a live video we shot at our last gig in Birmingham! (laughing)

Let’s stick to the videos for a while longer – Bobby Bentham, lead singer of Strange Bones and your personal friend, plays the subject of the experiment in “7”. How do you recall working with him on the set? We have to say he’s terrifyingly convincing.

Jordan Bell: Bobby was perfect for the role given he is THE method acting champion of the world. It was a very, very nice afternoon requiring very little direction or instruction, which began with him floating east by the medium of transpennine express and peaked with me serving him watermelons through the air to flamboyantly slice with a samurai sword in slow motion. He fucking nailed it. And the knife throwing. His gran was in the Yakuza for a bit, so he picked up some stuff. When the zombie apocalypse comes, he’ll be fine. In fact, I’m moving into his house. He’s a great friend and Strange Bones are the fucking dons. He taught me how to swim, but that’s another story.

Jordan Bell live, picture by Jason Ferdinand

Few days ago, the band announced that NHS professionals have a free entry to your gigs on this tour. That’s a very generous way of supporting the National Health Service. Is this your way of protesting against the cuts and showing the solidarity with the workers?

Jordan Bell: It’s a nice thing to do for people, who give a lot, working insane hours and dealing with insane shit for fuck all. The harrowing stuff they have to see and do on a daily basis is truly incredible and they have saved the lives of many, many people near and close to us all.

2019 was a breakthrough year for the band. First SXSW and American festivals, then a session for legendary radio station KEXP for The International Clash Day in London. You recently returned to US to play more gigs. And you are about to embark on a 19 dates long national tour. It must be both incredibly exciting time, but also a challenging one.

Jordan Bell: Big up KEXP. Yeah, but we can see the progression in our music and in ourselves and it’s easy to keep going. It feels far more exciting than challenging. And as our tour manager, Jimmy Mac says – you can sleep when you’re dead! Or in his case, whenever he hits the nice straight bit going past that house in the middle of the M62.

After the UK tour is done and a well deserved Christmas break, can we expect an EU tour in the spring of 2020?

Jordan Bell: No, Brexit means Breakfast (laughing). Joke, it’s a joke! Yeah, we’re going back to the mainland, maybe even sooner than spring. We always have a great time over there and it feels like it’s been too long since we last went, so lets see which way the wind blows.

Debut album – track list

The famous last question – trips to US, especially to SXSW are known to be culinary adventurous. We heard stories of the UK bands being hospitalized after trying the nuclear hot Austin sauce or having margaritas for every meal. What was your diet like at the conference? 

Jordan Bell: I ate great. Have you seen the size of the carrots over there? Superb. I survived for 3 days on just one single Carrot. Apart from that, I can see why people could struggle but personally – absolutely no problems.  Our friends in Trail Of Dead took us for the full Austin BBQ experience, our hosts made amazing blueberry pancakes, showed us Cookie Dough and made great egg foo young. And at the festival, we grabbed everything free & edible that wasn’t nailed to Lady Gaga!

Follow Avalanche Party on their socials:
https://www.avalancheparty.com/
https://www.facebook.com/AvalancheParty
https://twitter.com/avalanche_party
https://www.instagram.com/avalancheparty/
https://www.youtube.com/channel/UCVQHS8es36atxJMBqh8jAlQ

 

And while we are waiting for the debut album, the band released a fourth single to a song called “Howl”. You can watch the AP guys perform in some sort of distorted version of “Top of the Pops” below:

“24 Carat Diamond Trephine” is released in three days time, but several influential websites, zines and blogs already listened to it and gave it fantastic reviews. We have gathered several of them for your reading pleasure:

24 Carat Diamond Trephine is an eleven track joyride that veers from the poetic and introspective to a ferocious barrage of explosive energy. Brimming with their infamous live urgency, it’s a masterfully curated album that ranges from full-throttle sonic assault (7, HAHA) to refrained moments of cool clarity to catch your breath (Hey Misdemeanour, Every Last Drop). The legendary James Aparicio (Grinderman, Spiritualized) was the man tasked with taming the beast and it’s a production that does no such thing. It’s an album barely contained, constantly teetering on the edge of insanity but is completely alluring throughout.

24 Carat Diamond Trephine is undoubtedly a fist-raising crowd pleaser, but like contemporaries Fat White Family, Viagra Boys or The Blinders, they’ve used it as an opportunity to enforce their own birds-eye view of the world. They tackle hefty themes of anger and fear, the capitalist machine that drives us ever closer to the great flaming End, cloak-and-dagger corporate greed, the environment, lyrics of love, death and an individual’s walk through a world they were spat into, laughing as they go” – Rough Trade Magazine
https://www.roughtrade.com/gb/avalanche-party/24-carat-diamond-trephine/

“‘24 Carat Diamond Trephine’ is an album of transformation, just as the process that turns leaves to coal, and coal to diamonds. ‘Cruel Madness’ is less At The Drive-In, more The Mars Volta and the kind of theatrical rock the likes of Alex Turner and Muse might favour, the ‘new day, new dawn’ lyric a blatant burn but also a statement of the company this band now sees itself in. Closer, ‘Rebel Forever’ is an instant classic revisiting ‘Howl’’s giddy and unexpected high points and reprising the ‘El Dorado’ theme in the lyrics; and with just enough Psycho Killer energy that should see it become a restless reference point for the band; a moment in time, a place, a memory…” – Steve Spithray for God is in the TV Zine
http://www.godisinthetvzine.co.uk/2019/11/18/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“There’s so much to explore on this album and it’s likely to take a few listens before it starts to really blossom into its true form. But there’s no escaping this is an extremely impressive and ambitious debut that aside from a few nods to influences is unlike anything else out there. The band have managed to showcase their genre-bending best and sewn it all together to create a Frankenstein’s monster of an album that’s indicative of their terrifying potential” –  Richard Cobb for Little Indie Blog
http://littleindieblogs.blogspot.com/2019/11/album-review-avalanche-party-24-carat.html

“My favourite track at the moment is ‘Howl’ the current single. It is a very Bowieesque slab of prime heavy riff-laden early 70s rock with a gospel-style chorus. If you are not moved to dance to ‘Howl’ then you might well be clinically dead! This is possibly the finest song that the band have released so far. It is also accompanied by a fabulous video which features a cameo appearance on tambourine from the multi-talented Charlie Swainston! The track which proves how great a band Avalanche Party is is the psychedelic rock circus that is ‘Milk And Sunlight Is A Heavy Dream’. Vocals, backing vocals, keys, bass, guitars, and drums all align perfectly and the chorus will not let you go. James Aparicio has captured the essence of what makes Avalanche Party such a great live band in his production. From the massed Panzer Tank Division sonic assault of ‘HA HA’ to the deeply mellow buzz of ‘Hey Misdemeanour’ the former Grinderman and Spiritualized producer does not put a foot or a fader wrong. I can already picture a crowd incursion from Jordan during ‘Playing Field Blues’ using his rock star evil stare to hypnotise his audience into becoming Avalanche Party‘s helpless mosh puppets. It redefines heavy, scuzzy garage blues into something very 21st Century. I never thought that I would see myself finding a U2 influence from Avalanche Party, but ‘Every Last Drop’ is the kind of song that Bono would kill to have written. I can see the lighters and lit up mobile phone screens waving in the air at festivals to accompany this gorgeous modern, dirty power ballad. Dark menace runs through the veins of ‘Cruel Madness’ and draws you into a dark, descent of a dream to a world that might be populated by all your fears and phobias. The album closes with ‘Rebel Forever’ which opens and is underpinned with a warped fairground organ riff which gives the tune a Cockney Rebel feel and in many ways sums up Avalanche Party. They are rebels and I hope they will remain rebellious forever!” – With Just A Mint of Mayhem Blog
https://withjustahintofmayhem.blog/tag/avalanche-party/

“The two most important things to know about Avalanche Party are they write life affirming songs that give you faith guitar music. What’s more they’re hungry and have ideas. ‘24 Carat Diamond Trephine’ is chocked full of both of these. It’s an album that was worth the five year wait as it finally delivers on Avalanche Party’s initial unruly promise of writing a heartfelt vitriolic lament while trying to cave our heads in through viscous indie rock, whilst doubling down on killer melodies” – Nick Roseblade for Clash Magazine
https://www.clashmusic.com/reviews/avalanche-party-24-carat-diamond-trephine

“Most bands are at their best on their first album and spend the rest of their careers trying to reach the same dizzy heights. If this is Avalanche Party’s piece de resistance, then so be it. Its early days, but I feel whatever they do in the future, this will be go down in history as their ‘In Utero’, their very own ‘The Holy Bible’. ’24 Carat Diamond Trephine’ is Avalanche Party’s defining moment, and one of the best debut album of the year.” – Ben Hughes for RPM Online http://rpmonline.co.uk/2019/11/27/avalanche-party-24-carat-diamond-trephine-so-knee-records/

“The wild record is a possessive trip that spits as you as it scuttles past. It’s disgusting but in all the right ways and mirrors a similar disturbance to contemporaries such as Fat White Family and Viagra Boys. Not many bands can capture their live excitement in an album- especially in a debut- however, Avalanche Party have perfectly crafted their unique sound at an early stage and have created something outstanding. Let the Avalanche Party magic bring you along on its hectic ride” – Jasmine Hodge for Jasmine Hodge Reviews
http://jasminehodge.blogspot.com/2019/11/avalanche-party-24-carat-diamond.html

“Welcome the immersive 24 Carat Diamond Trephine, one of the strongest pieces of artwork 2019 has been lucky enough to be graced with. Sharply corrosive, and harrowingly bleak, Avalanche Party’s debut album is a haunting and melodic mix of heavy edged punk, fuzzy psych rock, and shimmery euphoria, and the band have truly excelled themselves, mashing their heavy punk presence with something so stark and chilling that the album conjures up eclectic and dispersed emotions from the very start” – Sahera Walker for Indie Underground Blog
https://indieunderground.blog/2019/11/21/a-hauntingly-harrowing-and-stunning-debut-from-avalanche-party-24-carat-diamond-trephine/

 

We cannot wait to see AP in Birmingham this Saturday.

Support your scene kids!

Malicia and Rita

Indieterria Reviews – “Rebel Forever” by Avalanche Party

Dear readers,

On 13th of September, we had the pleasure of reviewing “El Dorado”, a second single by Avalanche Party promoting their upcoming debut album “24 Carat Diamond Trephine”. And now a month (and few days) later, we are presented with another single entitled “Rebel Forever”. This is the third promotional single released since July, the first being “7” and probably the last one before the album hits the shelves on 22nd of November. As two previous singles, “Rebel Forever” also comes with a fascinating video – in true AP fashion, it is dark, cinematic and quite beautiful.

Avalanche Party photographed by Jason Ferdinando

Writing the previous review, we reached the conclusion that “El Dorado” was the best song written by the band so far. It was experimental, bold and sublime. Having  listened to “Rebel Forever” over 200 times in the last 24 hours, we have now officially changed our mind. The new track is now our all-time favourite, vastly superior to previous releases and (we have to say it) extremely radio friendly at the same time!

There is nothing wrong with the radio-friendliness, mind you. “Rebel Forever” is a catchy (again, a compliment), addictive song that will get stuck inside your head for hours and the chorus is a true masterpiece. The lyrics are linking “Rebel” to the second single when the front man, Jordan Bell sings: “Make a golden bird/ It flies over the mountain ranges/It flies over the seas and across the world/Till it reaches the El Dorado”. Should we take it as a hint that the songs on the  upcoming album might all be linked somehow? Is “24 Carat Diamond Trephine” going to be a concept album? We will have to wait to find out but judging by the musical company the band keeps and their own releases, maybe risking a statement that we have a renaissance of concept albums in the North, is not too far stretched?

Standing at 3 minutes and 36 seconds, “Rebel Forever” can easily be placed in the middle between “7” and ” El Dorado”.  Not only because of the length of all three songs (“7” is just two minute long while “El Dorado is nearly 6 minute), but also because of the videos that illustrate all three tracks. “7” is a nightmarish visualization of somebody (in that role, truly convincing lead singer of Strange Bones, Bobby Bentham), being tortured and injected with a poison, clearly as a part of some horrific Russian/KGB experiment (there is a word “shell” on the syringe written in Cyrillic if anybody has any questions or doubts). The injections causes not only foaming at the mouth but also hallucinations and intense pain to the subject. It ends with the subject destroying the interrogation room and stabbing pictures of the Avalanche Party members with knives.

The video to “El Dorado” is like a quiet break between two outbursts of anger. It reminded us of a road movie, it was quiet, almost melancholic, idyllic but with an undertone of danger in it. And “Rebel Forever” takes us back to some strange location again, another experiment cell or maybe a motel room? There is not much furniture except a mattress in the middle of the room, a bottle of absinthe on the floor and strange collection of artworks and curiosum: taxidermied bird and a pair of moths, small goat figurine in an ornate glass jar, a picture of an bleeding ear, a skull and a statue of a Greek goddess without hands. A young man is laying on the make shift bed, clearly delirious from the drink or maybe something else as well. As usual with AP video clips, it’s hard to find straight answers. We can only wonder if the man was drugged against his will and left in this remote place to die or has ingested the drink himself with the intentions of getting high. Whatever the reason, he’s experiencing a  vivid, almost kaleidoscopic swirl of images and visions. Sometimes he seems to be drowning in water, grasping for air, in another moment he is looking calmly at changing colours stretching out his arms. There are two references to “El Dorado” in “Rebel Forever”. At the beginning of the video, we see a recording of the cowboy walking through the plateau known from “El Dorado” and there is a framed picture of him shooting a gun. We have a sneaky suspicion that the unnamed cowboy and the hallucinating man somehow know each other and will meet up at some point.

Avalanche Party by Jason Ferdinando

“Rebel Forever” came with a PR note attached and it is as cryptic as the video itself, but it provides us with a bit of background information about the shoot and it’s location:

“The video was filmed over the course of a few days in deep, dark Berkshire. It shows a trip through time and the great outdoors and has two main stars. Django is a scaly fiend of the reptile family Chamaeleonidae who spends his time eating rump steak and shedding his dark and succulent past. Ron is a horrible WMC toilet of a cat who would rather the world left him alone. This broadcast was made possible by Welsh wizard Kyle ‘Eagle Burger’ Howells and his unflinching vigour, boundless generosity and eye for a mood. Rebel Forever.”

It seems that the new song made a strong impression not only on us, but on other reviewers as well. We have found some fantastic opinions so please read on:

“Hard-touring underground rock outfit Avalanche Party simply refuse to stop. Capable of sustaining lung-bursting, multi-national spells on the road, the five-piece give 100% each and every night. And with With another massive UK tour on the cards, Avalanche Party have shared their bolshy, bruising new single ‘Rebel Forever'”.
https://www.clashmusic.com/news/avalanche-party-share-bold-clip-for-rebel-forever

“The band have now shared new single ‘Rebel Forever’, taken from their eagerly anticipated debut album to be release on November 22nd. ‘Rebel Forever’ is a gothic, pulsating album highlight that’s now accompanied by a suitably nightmarish video” –
https://circuitsweet.co.uk/2019/10/avalanche-party-share-new-video-rebel-forever-and-announce-us-dates/

“Twisty, hallucinogenic hoodoo from darkest Yorkshire, courtesy of garage punks Avalanche Party offers any indication. A dark, psychedelic yet hooky whoosh of gothic allure, woozy guitars and atmospheric electronics, it’s elegantly unhinged stuff”
https://www.loudersound.com/features/tracks-of-the-week-new-music-from-wolfmother-taylor-hawkins-and-more

“The garage punks knock out a belter of raucously melodic evocation on ‘Rebel Forever’, which may surprise some of their fans, as this feels almost ‘pop-ish’ compared to some of their earlier more heavier numbers. It’s still dark – aided by nightmarishly constructed images in its accompanying video – but both the style and production sound better than ever”
http://littleindieblogs.blogspot.com/2019/10/track-of-week-avalanche-party-will.html

“Avalanche Party’s delirious ‘Rebel Forever’ was made for gloomy, gray days (much like this one). Calling to mind the dark decadence that lent itself to the Berlin of Iggy and David, the song’s razorblade riffs and ever-so unhinged vocals lend an elegant, somewhat controlled violence to the band’s sound”  http://www.logicfuzzy.com/2019/10/video-of-day-avalanche-party.html

“‘Rebel Forever’” is a gothic, pulsating album highlight that’s now accompanied by a suitably nightmarish video. Playing out is a dark, paranoid hallucination taking place in a cabin in the lonely northern countryside, we’re invited to take a trip in more ways than one.
https://repeatfanzine.wordpress.com/2019/10/18/yorkshires-feral-garage-punk-quintet-avalanche-party-share-new-single-rebel-forever-and-announce-us-live-dates/

Avalanche Party will be on tour shortly and you can catch them live at the  following dates:

13th November – Preston at The Ferret – http://bit.ly/3465jnQ
14th November – Liverpool at Jimmy’s Liverpool – http://bit.ly/2MInFG5
15th November – Glasgow at Broadcast – http://bit.ly/32bVaUK
16th November  – Leeds at Hyde Park Book Club – http://bit.ly/2HznRDc
20th November – London at The Shacklewell Arms – http://bit.ly/2UiAx6S
21st November  – St Albans at The Horn – http://bit.ly/2ZsHUyn
23rd November – Birmingham at Actress and Bishop (official) – http://bit.ly/2Pkqcbr
29th November  – Newport at Le Pub – http://bit.ly/2ZsH2Je
30th November  – Bath at Moles – http://bit.ly/2NFcoG1

1st December – Milton Keynes at The Craufurd Arms (Live Music Venue) –http://bit.ly/30K3vin
4th December – Sheffield at Record Junkee – http://bit.ly/2ZxfW3E
5th December – York at The Fulford Arms – http://bit.ly/2zxi10Y
6th December  – Hull at The New Adelphi Club – http://bit.ly/2La1N2Y
12th December – Southampton at The Joiners – http://bit.ly/30IbJHP
13th December  – Notthingham at The Angel Microbrewery – https://bit.ly/2kADjqH
14th December  – Middlesbrough at Westgarth Social Club – http://bit.ly/2zsgucu

 

You can preorder their debut album through Rough Trade as well. It will come in red vinyl as an exclusive:

Come  and see one of the best bands on the alternative scene now on tour.
We will be seeing them in Birmingham.

Catch you on the road,
Rita and Mal

Indieterria presents – The Kecks on European Tour

Dear readers,

It is always with a great pleasure that we introduce you to an emerging talent. And seeing the artist progressing, growing, going on tours, recording and generally becoming better and better at their craft, is one of the reasons we continue writing and keeping this blog.

In June this year, we interviewed The Kecks, a young four piece indie rock band that grabbed our attention with their music, unique stage image and being innovative in a genre that sees hundreds of bands playing very similar tunes. We promised to keep an eye on them and we are staying true to our word.

The Kecks on Tour

2019 has been a very successful year for The Kecks and yet they are far from sitting down to rest. When every other band is now preparing for Christmas, the lads from Kecks are hitting the road to play UK, Germany, France and the Netherlands. The tour will commence at the famous Molotow Club in Hamburg on 26th of October (just in a couple of days!) and will finish on 17th of January at Cassiopeia with a massive show alongside the Talk Show.

You can see the entire tour listed below:

26th October – Molotow Cocktail Festival, Hamburg DE,
Tickets: https://www.facebook.com/events/2382978868463735/

31st October – Smoke, Groningen NL,
Tickets: https://www.facebook.com/events/751717945275994/

1st November – Le Nid de Poule, Lyon FR,
Tickets: https://www.facebook.com/events/428055024763233/

2nd November – Supersonic, Paris FR,
Tickets: https://www.facebook.com/events/349547939094494/ 

14th November – The Monarch, London UK
Free entry, https://www.facebook.com/events/2297421773811681/

15th November – The Pipeline, Brighton, UK,
Tickets: https://www.facebook.com/events/2373445422907103/

16th November – Cafe Totem, Shieffield UK,
Tickets: https://www.facebook.com/events/405700696817429/

17th November – Aatma, Manchester UK,
Tickets: https://www.facebook.com/events/2446994828867804/

23rd November – Molotow, Hamburg DE,
Tickets: https://www.facebook.com/events/937696006599854/

21st December – MTC, Koln, DE,
Tickets: TBA

17th January – Cassiopeia Berlin, DE with Talk Show,
Tickets: https://www.facebook.com/events/1456368057850215/

To celebrate their success over the last ten months, the band prepared a special version of “All For Me” for their fans which debuted on their Youtube channel on 24th of October.

The band even released a small statement alongside the video: “Making a last grasp effort to cling on to the summer sunshine The Kecks took some time out from a studio session deep in the East German countryside to capture a raw, intimate and personal one take stripped back acoustic version of future single ‘All For Me’. This stripped back version shows a completely new dimension to the band and is a huge departure from fiery debut ‘Stick In My Throat’ which was released in June of this year via AWAL. The snarling, simmering and emotionally charged debut complete with a weird and wonderful trip of a visual filmed and directed in collaboration with the bands close friend Carlos ‘Mexi Kravitz’ Andres was what originally grabbed the attention of the likes of Radio X , BBC Introducing, NDR and FKP Scorpio”

If you have a chance, please come and catch The Kecks playing live before the end of December. 2020 is looking like a breakthrough year for the band and they will be playing much bigger venues. There is magic in the smallest, most intimate places, where you can stand next to the band and see every drop of sweat on their faces.

And nothing in the whole wide world can replace this feeling.

See you soon!
xxx
R+M