Indieterria presents The Columbia Library Archives

Welcome faithful citizens!

After years of preparation, and months of excitement and awaiting, the DAY OF TRUTH has arrived.
The debut album by The Blinders is finally here and now the entire world will hear the story of Johnny Dream and His Codeine Scene.

You are being watched! Johnny Dream is looking at you from the cover of “Columbia”

This musical hurricane will take you on a ride that will not be easily forgotten. To celebrate, Vanadian Avenue has opened the doors to the Columbia National Library Archives and digged out some impressive data to boast about the fruitful last couple of weeks.

The Blinders team has been working extremely hard and we would like to mention several people who made everything possible.

First of all, of course the musicians themselves: Thomas Haywood, Charlie McGough and Matty Neale. Plus Gavin Monaghan (the producer) and Joseph Wildy Murray (the engineer), who get the honorary mention as it was their experience and knowledge that created this masterpiece. They are truly the Wizards of Wolverhampton.

Second, their record label – Modern Sky UK and managers: Tim Abbott and Paul Fassam.

Third – their PR team with Caffy St Luce at the helm, their booking agent Jamie Wade and Sam Crowston – visualizer, artist, filmmaker, photographer and the man behind all graphic representation of Columbia.

Very, very special thanks to Mr Chris Hawkins and Mr Steve Lamacq – a legendary man who is the same to the new generation of musicians as John Peel was to us.

And then their families who supported them from the start, their friends and fellow bands that came to the shows, newspapers and magazines that wrote about them, journalists and DJ’s who played them, BBC 6 Music, BBC Introducing teams and BBC 1 teams, Amazing Radio, Radio X, XS Radio Manchester and other radio stations who played their music, photographers who tirelessly took millions of pictures and edited them right after the gig so people could enjoy them in the morning, promoters who booked shows and shouted on Twitter and other socials trying to sell tickets and bring crowds in, bars and clubs that hosted the band, fans for sticking with the band through thick and thin and countless of others who were there and we will never know their names.

THANK YOU to all and each one of you – you are wonderful human beings and your kindness means a world to three young lads from Doncaster.
Things would not be possible without your help.

The Blinders by Sam Crowston https://www.facebook.com/sam.crowston

The last three months before the album release have been very busy. You may not realize how much planning, work and extra hours go into social media, making of promotional materials or just simple PR. It is never ending job that keeps everything together.

We called this blog Columbia Library Archives as we tried to collect links, videos, interviews, and all sort of strange data that could show you what has been done and achieved.

Please feel free to scroll through this small collection and enjoy it. If you have missed something before, this is now your chance to discover it all over again.

To make it easier for you, we have divided our findings into groups:

Chart position:
Columbia has debuted on the official UK Top 40 on the date of its release, 21st of September 2018. The Party has released an official statement and every woman, man and a child living within the glorious borders of our nation-state is expected to read it and celebrate the success!

The statements reads:
“Having caught wind that our debut album ‘Columbia’ has entered the realms of the top 40 midweek album charts, we would just like to thank every single person who has purchased the record in the past few days. You all mean the world to us, and we really couldn’t be doing this without you. To ensure it stays there, buy it, play it, and tell all yer friends about it.

The statement is accompanied by the special celebratory video:
https://www.facebook.com/theblindersband/videos/2248414732114308/

Visualization and design by Sam Crowston:
https://samcrowstonimaging.com/the-blinders-columbia/?fbclid=IwAR2rvVckytMQG_IC9G1e1M0DZjBD3iwuroL5y84_mlyQ8nt5D2OpDZ5Qx3o

And the band would like to thank everyone who ever supported them so please continue doing!

Official statistics are as follows:

Mid Week Top 40 – 28th place
Official Top 40 – 54th place
Official Record Store Top 20- 6th place
Indie Album Top 30 – 8th place
Indie Album Breakers – 1st place
Vinyl Sales of the Week – 10th place

Mid Week Top 40 – 28th place

Indie Album Top 30 – 8th place
Indie Album Breakers – 1st place

Official Top 40 – 54th place

Official Record Store Top 20- 6th place

Vinyl Sales of the Week – 10th place

You can find the original screenshot here: https://www.facebook.com/photo.php?fbid=10155474175590563

Music-News Magazine confirms the news with article published on 25th of September: http://www.music-news.com/news/UK/115993/Christine-and-the-Queens-could-score-first-UK-Number-1-album-with-Chris

It reads: “The self-titled debut album from Brighton rockers Black Honey opens at 22, one rung higher than Iridescence, the major label debut from hip-hop group Brockhampton (23). Doncaster group The Blinders are also vying for a Top 40 finish with their debut album Columbia (28)”.

Please check out this section often as it will be updated as new info is available!

The Warpaint is leaking into the streets…
Picture courtesy of ModernSky UK
https://www.facebook.com/ModernSkyUK/photos/a.1208599892580472/1864299447010510/

Additional pictures can be found here: https://www.facebook.com/rita.dabrowicz/posts/10158424422143018

BBC Profile for The Blinders:
https://www.bbc.co.uk/music/artists/f69e03e7-86d5-49f4-9381-12a4ea3eddd0

BBC Introducing Session at legendary Maida Vale Studios in London:
https://www.bbc.co.uk/music/articles/cf8a3e9f-4346-4be5-9a12-0b38028c6268

BBC6 Music Album of the Day:
On 1st of October 2018, Columbia has been named the Album of the Day by BBC6 Music. This is one of the highest recognition that can come for a debuting album and millions of people heard 6 songs from the album being played throughout the day.

Album of the Day according to the Gospel aka BBC6 Radio! Thank you so much guys!!!

BBC has said: “Infectious tunes, big drums, hypnotic drones and dystopian visions, Columbia, the debut album from Doncaster three-piece The Blinders, is our Album Of The Day.”
You can find the link to the official announcement here:
https://www.facebook.com/BBCRadio6Music/photos/a.133411500016402/2165559410134924/?type=3&theater

Amazing Radio Album of the Week 01.10.2018-07.10.2018:

Columbia as the Album of the Week


Columbia has been chosen as an Album of the Week at Amazing Radio during the period of 1st and 7th of October. That means the album is played each day during the core hours and on Friday, the 5th of October, you will have a chance to listen to the entire album on air without interruption  from 2:00 PM sharp.
https://amazingradio.com/home/album-of-the-week-the-blinders-columbia

You can listen to the interview Chris Murray did with the band during the Kendall Calling festival.
https://amazingradio.com/home/kendal-calling-chris-murray-interviews-the-blinders 

Festivals:
The Blinders are in such a great demand that each day, a new gig or concert is being added. Those lucky ones who have the tickets, were able to see them performing on two festivals before they embark on a national tour.

The first festival called Neighbourhood Manchester Festival took place on the 6th of October and The Blinders were added as a secret guest just 12 hours before the show.  The band played at the YES the Pink Room and it was of course a sold out performance.

Neighbourhood Festival in Manchester –https://www.facebook.com/NBHDFestival/

The Blinders played at YES The Pink Room on Charles Street

Festival map: https://www.facebook.com/NBHDFestival/photos/a.1703827043238758/2148651485422976/?type=3&theater
Club’s official website: https://www.yes-manchester.com
Review: https://www.skiddle.com/news/all/Neighbourhood-Festival-Manchester-review/53370/
Pictures: https://www.facebook.com/theblindersband/posts/2166582780281711
Videos:
Brutus – https://www.youtube.com/watch?v=gImw-38FWfI
Rat in a Cage – https://www.youtube.com/watch?v=rVboZfOPJ-8
Brave New World – https://www.youtube.com/watch?v=5L-CkUfI6_U
Where No Man Comes – https://www.youtube.com/watch?v=e7NF_qmGSPc

The second festival named Twisterella Festival in Middlesbrough took place on the 13th of September. The Blinders were one of the headliners along with Estrons, Avalanche Party and Bryde. As with previous performances, tickets were selling fast and it is a good indicator that many shows will sell out on the commencing tour.  The Blinders played their 50 minute slot at The Townhouse, starting at 21:00 pm.

Twisterella official poster

Festival official website: https://twisterella.co.uk/
Line up and time schedules: https://www.facebook.com/TwisterellaFestival/photos/p.1725299877597394/1725299877597394/?type=1&theater
Article on NARC Magazine: http://narcmagazine.com/exclusive-twisterella-festival-stage-times/
An absolutely huge gallery: https://www.facebook.com/andy.lochrie.9/media_set?set=a.2334316436582013&type=3

Tour:
Please see the main new entry dedicated to the tour:
The blog will be updated daily!
https://cocamidemea.wordpress.com/2018/10/15/indieterria-presents-the-columbia-tour/

Keep your eyes open and check the latest news on:
https://www.facebook.com/pg/theblindersband/events/

Mailing List/Newsletter
Mailing list and newsletters are very useful tools helping to keep in touch with fans and informing them about new things from the band’s HQ. Like any other marketing materials, Columbia Daily (aka the newsletter) is issued in in monochrome and contains pictures, latest news and the most important links.

The Blinders newslettter

You can see the archived newsletters at:
https://us17.campaign-archive.com/home/?u=3b6499050c5a99dfa9d83f2e3&id=c9af776f56&fbclid=IwAR1B33FdCjT0qdPmPZroNbifMrDXfvVk0CGew4_kvJWDiifM4qB4Y5TFMLo
Sign up to the mailing list:
https://facebook.us17.list-manage.com/subscribe?u=3b6499050c5a99dfa9d83f2e3&id=c9af776f56

Playlist:
Spotify is one of the most popular streaming services on the Internet allowing billions of users to access the music. The Blinders are added to hundreds of small lists made by fans and industry professionals, but recently they came with a list of their own. And it is a pretty special list as it shows the band’s entire officially released catalog! It also looks wonderfully as you ca see at the attached screens below:

Public Playlist

Entire catalog listed

Catalog listing #2

Please add the list to your favourites:
https://open.spotify.com/user/3sjczc69aju809m48302nzmbz/playlist/13kIG3PdHgQJ5zGrRfYMxw?si=wyJPPCZWSg-RgNqPDk1sgA:

Q&A with the band:
www.facebook.com/theblindersband/videos/1358988564238440 (part 1)
www.facebook.com/theblindersband/videos/1559759994130483 (part 2)
www.facebook.com/theblindersband/videos/660643360983368 (part 3)

Video interviews:
https://www.youtube.com/watch?v=3qeu3jM4L1I (Kendall Calling)
https://www.instagram.com/p/Bl0Can0D6ys/ (Kendall Calling – Chris Hawkins Interview)
https://www.youtube.com/watch?v=rIq2RFj8fnI&t=15s (Sound City)
https://www.youtube.com/watch?v=abB7NKmAmFc&t=2s (Leeds Festival)
http://www.neverenoughnotes.co.uk/2018/10/interview-the-blinders-talk-about-what-theyd-cover-in-the-radio-1-live-lounge-and-why-a-columbia-two-is-never-going-to-happen/ (Never Enough Notes Columbia premiere interview)

Acoustic performances:
https://www.facebook.com/theblindersband/videos/1166069736882623 (ICB Blues)
https://www.facebook.com/theblindersband/videos/554302124983440 (Brave New World)
https://www.facebook.com/theblindersband/videos/228938084489705/ (Rat in the Cage)
https://www.youtube.com/watch?v=Q96tgY4pedg (Brave New World and Orbit on XS Radio in Manchester)
https://www.bbc.co.uk/programmes/p068vq9x (Ballad of Winston Smith at BBC Introducing Manchester)
https://www.pscp.tv/w/1yoKMVaRDBWGQ (Rat In a Cage at BBC Introducing Manchester)
https://www.facebook.com/parisianhigh/videos/1857735434343854/ (Ballad of Winston Smith for Parisian High, Paris at Le Truskel)
https://www.facebook.com/jimmysnq/videos/2149130312020086/ (Ballad of Winston Smith, Jimmy’s, Manchester)

Columbia promotional banner

Visualization Videos:
https://www.facebook.com/theblindersband/videos/521694508274694/

Leeds + Reading Festival 2018:
https://www.youtube.com/watch?v=90vKO4nkkzo (official video)
https://eudaemoniablog.com/2018/08/29/reading-leeds-2018-our-highlights/
https://www.live4ever.uk.com/2018/08/the-blinders-will-headline-bbc-music-introducing-stage-at-reading-leeds/
https://www.rgm.press/festival-review-leeds-festival-2018-my-diary-journey-through-the-festival/
http://northern-exposure.co/reading-still-rocks/
https://gigwise.com/features/3276280/18-things-we-learnt-at-reading-festival-2018
https://yorkcalling.co.uk/2018/08/22/the-blinders-headline-bbc-introducing-stage-at-leeds-
http://www.itsallindie.com/2018/09/reading-festival-2018-real-headliners.html
https://www.rgm.press/interview-the-blinders-at-leeds-festival-2018/
https://www.instagram.com/p/BoPOR5PANgT/?taken-by=matthiggs

Press articles:
https://www.theocelot.co.uk/the-blinders-in-oxford/
https://counteract.co/news/tour/the-blinders-to-hit-the-road-on-massive-22-date-autumn-uk-tour/
https://counteract.co/features/brum/10-gigs-birmingham-october-less-than-tenner/
https://www.morleyobserver.co.uk/whats-on/music/rising-stars-the-blinders-set-for-hat-trick-of-leeds-appearances-1-9316144
https://www.brightonandhovenews.org/2018/08/25/the-blinders-are-currently-enthralling-music-fans-at-reading-leeds-festivals-announce-brighton-date/
http://aboutmanchester.co.uk/home-coming-gig-for-the-blinders/
https://www.dewsburyreporter.co.uk/whats-on/music/rising-stars-the-blinders-set-for-hat-trick-of-leeds-appearances-1-9316144
https://www.theguardian.com/music/2018/jul/30/kendal-calling-festival-review-
https://www.expressandstar.com/entertainment/birmingham-entertainment/2018/08/08/birmingham-date-promotes-debut-the-blinders-album/
https://www.clashmusic.com/news/track-of-the-day-68-the-blinders
https://www.live-manchester.co.uk/the-blinders-announce-appearance-at-fopp/
https://www.clashmusic.com/news/track-of-the-day-68-the-blinders
http://www.itsallindie.com/2018/09/industry-focus-interview-with-gavin.html
https://blog.ticketweb.co.uk/music/track-track-blinders-columbia-9595
https://wordsformusic.blog/2018/10/28/september-2018-albums-of-the-month/

Album Reviews:

Long Live Vinyl October 2018 page 102

Classic Rock Magazine August 2018 page 87

“This is the most important debut album to be released this year and definitely one of the top five. Debut albums do not get any bigger or better than Columbia” – Susan Hansen for It’s All Indie
http://www.itsallindie.com/2018/09/the-blinders-eponymous-columbia-release.html

“The Blinders join Cabbage, Shame and Idles as pioneers of a movement we’ve needed for some time, giving us faith in rock music again. In 2018, punkadelia has finally caught fire. Long may they be fanning the flames” – Richard Bowen for Live4Ever
https://www.live4ever.uk.com/2018/09/album-review-the-blinders-columbia

“Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming” – Nigel Carr for Louder Than War Magazine
https://louderthanwar.com/the-blinders-columbia-album-review/

Signed CD version with sleeve

“The adopted sons of Manchester have crafted and presented their debut album Columbia to the masses to be devoured whole – and it’s a ferocious record that won’t stand to be ignored” – Jennifer Jordan for NARC Magazine
http://narcmagazine.com/album-review-the-blinders-columbia/

“With ‘Columbia’, The Blinders take their place among the vanguard of bands currently shaking the UK Indie scene out of its mid-90’s slumber” – The Grey Lantern Magazine
https://thegreylantern.com/the-blinders-columbia/

“The rage and despair is a mesmerising display of rock n rolls spirit. There is no element of pretence. No attempt to be cool. This is desperate and oozes from the gut” – Traveller’s Tune Blog
https://travellerstunes.com/review/theblinders-columbia

“The Blinders are one of 2018’s essential bands. The well-known sporting analogy says it all, the boys played a blinder” – The Ginger Quiff Blog https://thegingerquiff.com/the-blinders-columbia-album-review/

“It is guitar orientated album that is true to the live performance.  Songs are fast and yet catchy, with haunting back ground vocals and hypnotizing drums. It is the fresh perspective on what music should be in 2018 – direct, poetic, enigmatic, political, tearing out your soul and different from what is happening around. And that is what Thomas Haywood, Matty Neale and Charlie McGough bring to the table” – Malicia Dabrowicz for Vanadian Avenue
https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/

“How important is this release going to be?  Personally, I’ve waited for a band to make an album like this for twenty, maybe thirty years.  Political albums can often deter because they are hard work, but they do endure… I’m thinking about albums by Gil Scott Heron, The Clash, Billy Bragg, Public Enemy, Manic Street Preachers, The The or Dead Kennedys.  When the political scene is as warped and cruel as it is now, music should comment on it and be influenced by it.  The Blinders are making music to mark their protest; there should be more like them” – Alan Neilson for BrumLive Magazine
http://www.brumlive.com/blinders-columbia-debut-album-released-21-september-2018/

Signed LP on vinyl – back

“Politically charged trio The Blinders have taken the UK music scene by storm. Not only did their track ‘L’Etat C’est Moi’ get playlisted on BBC 6 Music, but they also landed a headline slot on the BBC Introducing stage at this summer’s Reading & Leeds festivals. Needless to say, these boys are destined for success” – Harriet Willis for The Skinny Music Blog
https://www.theskinny.co.uk/music/reviews/albums/the-blinders-columbia

“That shamanic, compelling mood is captured perfectly in ‘Columbia’. Ably produced by Gavin Monaghan (Editors, The Sherlocks, Goldblade), the album sees childhood friends Thomas Haywood, bassist/co-writer Charlie McGough and drummer Matt Neale follow Johnny Dream on his spiritual awakening, from the coruscating swagger of the opening ‘Gotta Get Through’ to the raw, beautiful and ultimately redemptive finale ‘Orbit (Salmon Of Alaska)” – (legendary)  R*E*P*E*A*T Fanzine
https://repeatfanzine.wordpress.com/2018/09/18/the-blinders-debut-album-columbia-out-this-friday-uk-tour/

“It’s a really impressive debut, and we actually found ourselves feeling suitably shocked after our first listen at how accomplished it sounds. The band make indie rock music that is supercharged and political, with groovy yet raw riffs filling each song on the album. It’s raw but the production never sounds too fuzzy, with it all sounding pretty damn perfect to us” – Jane Howkins for York Calling
https://yorkcalling.co.uk/2018/09/01/the-blinders-columbia/

“‘Hate Song’ is all urban noir menace, ‘Free The Slave’ a 28-second leviathanesque anthem, ‘Et Tu’ a heads down bass battering Adam and the Ants from Dante’s Inferno and, joining the quote dots, ‘Brutus’ a full seven minutes of charged rock darkness that variously encompasses Floyd, Enter Shikari, Metallica and Nick Cave. Impressive stuff” – Mike Davies for Roots and Branches Zine
http://roots-and-branches.com/brum-beat–the-beat/record-reviews-september.html

“Whirring riffs dominating, the war drums integral, drone sounds making you check over your shoulder as you listen. It‘s infectious, with bombastic drum beats, western twangs and jangly yet searing guitar riffs getting you ready to dance, mosh or start a revolution” –  Johnny Rogerson for Clash Magazine
https://www.clashmusic.com/reviews/the-blinders-columbia

“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog
http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia

“Perhaps once in a generation comes a movement that speaks for its outcasts, those who are undernourished but well read, those who see injustice, but have been fed only on a diet of apathy, and corruption. The blue generation before us were emotionally rescued by bands like the Manic Street Preachers, now, rising from the ashes of Brexitopia, (and the burned out ruins of the indie landfill) we have The Blinders” – Dizzy Spell for The Zine UK
https://www.thezineuk.co.uk/single-post/2018/09/19/Stepping-into-Columbia-with-The-Blinders

“Columbia is an exceptional piece of art and gets better with every listen. It truly lives up to the expectations set by the band’s immaculate live shows” – Brandon Taylor for Too Many Blogs
http://toomanyblogs.co.uk/2018/09/20/album-review-the-blinders-columbia/

CD version of Columbia

“So where does ‘Columbia’ place The Blinders? It’s an impressive debut, one that captures the essence of what they’re about and as much of the live performance as is possible within the constraints of a studio recording. It doesn’t compromise their personalities and the real core of what they’re about in search of a hit radio-friendly album, but it’s that which has caught the ear of those that champion them. They have influences but not too overt, their songs observe rather than preach, talk of politics in its social context attacking ideologies and beliefs rather than directly attacking individuals which give it more gravitas. But most important of all they remain true to themselves”  – Even the Stars Blog
http://www.eventhestars.co.uk/2018/09/the-blinders-columbia.html?m=0

“In the age of distraction, it’s hard to craft an album that grips you for a full 40 minutes and doesn’t have you reaching for the skip button, but ‘Columbia’ is a rare breed, as are The Blinders themselves. This is one to not only cherish, but to lose your voice and mind to in equal measures” – Richard Cobb for Little Indie Blogs
https://littleindieblogs.blogspot.com/2018/09/album-review-blinders-columbia.html

“Of the lineage of politically charged and anti-establishment albums, The Sex Pistols’ Never Mind The Bollocks and Pink Floyd’s The Wall, stand out as the two that most inform Columbia, which is without doubt an astounding achievement and a seismic debut for the band that labelled their sound in 2016 as ‘a spellbinding punkadelic-esque Roman orgy’. Columbia, the ‘alternate world informed by reality’ reverberates with the sound of the temple’s foundations being rocked to their very core” –  Andrew Gutteridge for Words For Music Blog
https://wordsformusic.blog/2018/09/21/album-review-the-blinders-columbia/

“The Blinders debut album ‘Columbia’ is out on Friday the 21st of September and incorporates an in-your-face sound similar to Frank Carter and The Rattlesnakes with influences from Nick Cave and The Fall. It is definitely not one to miss” – Abby Clarke for The Mic Magazine
http://themicmagazine.co.uk/2018/09/21/album-review-blinders-columbia/

“An outstanding debut, The Blinders have caused an itch with Columbia, an itch I hope they can scratch with a follow up. We sacked off the ratings system a long time ago, but Colombia feels like an Eight from a band who have the potential to deliver a Ten. Far from a classic, but ever so close. Thoroughly enjoyable and a real kick up the ass for the alternative rock scene who should take notes from this excellent piece of work” – Josh Bell for RGM: Reyt Good Magazine
https://www.rgm.press/review-the-blinders-columbia/

 

Vinyl copy of “Columbia”

“It’s impossible to fully appreciate this album in word form and I cannot stress enough how much you have to listen to it for yourself. The Blinders have truly changed the game with ‘Columbia’. They’re going to take over the world” – Lottie Catrin for Let It Happen Music Blog
https://letithappenmusicblog.com/2018/09/21/the-blinders-columbia/

“There’s truth and meaning behind every song, and they’ve injected their musical talents around it. It’s contagious, intriguing, and sounds as though taking over the world is highly possible. Who’s going to stop them?” – Captain Sound Blog
http://captainsound.co.uk/new-releases/the-blinders-columbia/

“If The Blinders were trying to get a message across, they couldn’t have achieved it in any more clarity if they’d tried. It’s poetical perfection. This, 12-track, just-under-40-minute album is, at it’s core, just a piece of music. But at it’s best, it’s a statement; a concept; it’s meant to provoke a reaction. And it does. Even during the live shows, the band, clad in face paint and dark clothing, embrace the ideology and the theme of the album entirely, immersing themselves in this make-believe world that they truly believe could become real sometime soon. The hype around this album has been second-to-none amongst independently released albums in the past ten years. But we’re here for it” – The Indie Room Blog
https://theindieroomblog.wordpress.com/

“But it is impossible not to be sucked into this scary world of slithering bass, straight-for-the-throat guitars and Thomas Haywood’s cool without being an annoying snob popular cultural references. The deliciously snarling guitars that pave the way of ‘Et Tu’ and then again on the outro to ‘Brutus’ while Haywood screams ‘Et tu, Brute?’ over the top are the stuff of genius. This isn’t songwriting, this is atmospheric musical theatre” – Leigh Sanders, Senior sub editor for the MNA portfolio and entertainments  at Express and Star and Shropshire Star.
https://www.shropshirestar.com/entertainment/music/2018/09/22/the-blinders-columbia—album-review/

Haiku review of Columbia from the Rodeo Mag

“Manifesto for
A new world order, driven
By dystopia” – Rodeo Magazine 
https://therodeoblog.blogspot.com/p/haiku-reviews.html

Haiku translated into Japanese by Emmy Ishida https://www.facebook.com/emmy.ishida3
Graphic design by Oliko
https://www.facebook.com/oliko.aleksandra

You can also read a more traditional review here:

“Doncaster trio The Blinders’ Columbia is a dystopian-infused, literary-inspired social critique on modern day society, comparing our own world to those created by Orwell and Huxley. Before listening I was apprehensive, afraid the ferocious punk sound that has dominated their early works and live shows would become too repetitive, but Columbia’s highlights are the tender moments. Acoustic number ‘The Ballad Of Winston Smith’, and Nick Cave-inspired ‘Orbit (Salmon Of Alaska) are the album highlights as Tom Haywood, under his persona of Johnny Dream”
https://therodeoblog.blogspot.com/2018/09/on-trend-future-is-bright.html

“There is a movement in the youth of today, a political shift is brewing, and who better than 3 musicians from the North to deliver the message to the masses in this, the greatest of art-forms. ‘Columbia’ is a huge statement from The Blinders, and a powerful legacy in the making” – Kevin Barrett, photographer and writer
https://kevinbarrettphotography.com/2018/09/23/album-review-the-blinders-columbia/

“If ever there were a time for heroes, it be now. A band to speak to and for the disaffected, disenfranchised youth about to be trampled on by the aftermath of us adults screwing up their future by withdrawing from the EU and leaving them with a “no deal” Britain that ensures they’ll be working until they drop and the word ‘pension’ will become as obsolete as pronouncing the letter “H” as it is spelt” – James Auton for God is in the TV blog
http://www.godisinthetvzine.co.uk/2018/09/24/the-blinders-columbia-modern-sky/

Amazon reviews for Columbia

You can read the reviews here: https://www.amazon.co.uk/Columbia-Explicit-Blinders/dp/B07D1D8TLL/ref=ice_ac_b_dpb?ie=UTF8&qid=1537828038&sr=8-1&keywords=the+blinders+columbia#customerReviews

“Emerging from Doncaster as new bastions of explosive live music, The Blinders have become a must-see band on the UK live circuit in the past two years. Fusing punk politics, gnarly hooks and psych-lyricism, the band have found the perfect algorithm to live success. Picking up support from 14 influential playlists, including Indispensables and Walk Like A Badass, The Blinders have enjoyed a 132% increase in their playlist following in the past 7 days, taking their total to over 3.5 million. With a 5.45% increase in their artist following, the trio also seem to be building a solid fanbase” – FRTYFVE Blog, powered by Instrumental
https://www.frtyfve.com/new-music/hottest-artist-in-the-world-the-blinders

“On the back of the game-changing album ‘Columbia’, The Blinders have now cemented themselves as one of the hottest bands in the UK. The album itself is racing into the UK top 40 after rave reviews from fellow bands, fans and press – we’ve had it playing constantly since last Friday, and trust us – believe the hype!” – Mock It (the Best in New Music) Blog
https://mockitmusic.wixsite.com/mockitmusic/features/tenement-trail-the-blinders

“In tracks such as ‘Hate Song’, ‘Where No Man Comes’, the scintillating power of expression in ‘Ballad of Winston Smith’, ‘Brave New World’ and ‘Orbit (Salmon of Alaska)’, The Blinders have found the right series of buttons which makes, which demands of the debut a sense of the calm, collected, and ready to light the beacons in the anticipation of fighting a bigger battle ahead. It is a battle in which the generations above had better be wary of standing in their way ” – Ian D. Hall for Liverpool Sound and Vision
http://www.liverpoolsoundandvision.co.uk/2018/09/25/the-blinders-columbia-album-review/

“Influenced by Arctic Monkeys and Nick Cave & the Bad Seeds, there’s also a hint of Kasabian in their groove-laden alt-rock sound. This brooding collection of 12 songs is loosely based around the concept of Columbia as ‘an alternate world informed by reality’. It demands your attention from the off with a wonderful brace of singles, the insistent ‘Gotta Get Through’ and ‘L’Etat C’Est Moi’ (it means I Am The State). Like most of the album’s best moments, they’re propelled along by delicious post-industrial bass lines reminiscent of Peter Hook in his Joy Division pomp” – Gary Welford for Hartlepool Mail
https://www.hartlepoolmail.co.uk/whats-on/music/album-review-the-blinders-columbia-1-9365505

A fantastic article mentioning The Blinders and Children of the State as the next gig things! Courtesy of Sheffield Star https://www.facebook.com/sheffieldstar

“The album provides a unique and enjoyable listen, leaving you feeling fully involved with the dystopia that is Columbia, all helped by the vivid imagery of the lyrics. This band is essential to 2018, and with this album they have literally pulled a blinder” –  Katie Macbeth for Rock Chic Blog
https://rockchicme.blogspot.com/2018/10/the-blinders-columbia.html

“For a young generation on the cusp of a new political awakening, their debut will no doubt act as an accompanying soundtrack to their cause. After a few years of honing their craft and some impressive slots on the UK festival scene this year, ‘Columbia’ will be taking The Blinders places – so catch them while you can” – Ceri Saunders for ON: Yorkshire Magazine
https://www.on-magazine.co.uk/arts/music/album-reviews/columbia-the-blinders/

“The Blinders are a band worth experiencing live. Enrapturing, politically injected lyrics enable the gig-goer to encounter an alternative to what is seen in mainstream media. Catch them on their headline tour alongside White Room and Calva Louise this October and November, you won’t be disappointed” – Sahar Ghadirian for Forge Media
http://forgetoday.com/2018/10/02/review-the-blinders/

“Despite clocking in 12 songs in just over 42 minutes, ‘Columbia’ never rushes its narrative. Constantly proving that rock and roll is most definitely still alive and well, The Blinders have returned the hope that rock and politics can go hand in hand. With hints of the ‘Stones, The Smiths and Nick Cave & The Bad Seeds, it’s quite hard to not deem ‘Columbia’ as one of the most influential albums of 2018. It’s a definitive, well-polished record from a young, promising band who stand for something much more” – Paige Smiths for Not Enough Notes Blog
http://www.neverenoughnotes.co.uk/2018/10/review-the-blinders-columbia-rock-debut/

A new review from K Production

“Energetic, goth-tinged Yorkshire three-piece The Blinders take their influences from great lyricists, poets and writers such as Leonard Cohen, Bob Dylan, Nick Cave, John Lennon, Rimbaud, Allen Ginsberg, George Orwell and William Burroughs, but also count Charles Manson and the devil among their influences. Their debut album, Columbia, therefore, is a bit different to the run-of-the-mill indie bands around today. LP and CD on Modern Sky Entertainment.” – KProduction
https://www.keyproduction.co.uk/blog/2017/latest-releases-manufactured-by-key-production-group_september-round-up/

Columbia review by Jack Saunders of BBC Radio1.
Picture by Sam Crowston

“Delivering an LP of fierce dystopian rock n roll loosely based around the concept of ‘an alternate world informed by reality’, The Blinders are an example of a new breed of guitar band who are noticeably far less complacent than many from earlier on in the decade. They bash out an exciting blend of punk, indie and psychedelica, listing their influences as Dylan, Cohen, Mark E Smith, Lennon, Cave, Kerouac, Rimbaud, Orwell, Ginsberg, and S.Borroughs” – Rewind/Forward Blog
https://rwffmusic.blogspot.com/2018/09/album-review-blinders-columbia-2018.html 

“Of the lineage of politically charged and anti-establishment albums, The Sex Pistols’ Never Mind The Bollocks and Pink Floyd’s The Wall, stand out as the two that most inform Columbia, which is without doubt an astounding achievement and a seismic debut for the band that labelled their sound in 2016 as “a spellbinding punkadelic-esque Roman orgy”.  Columbia, the ‘alternate world informed by reality’ reverberates with the sound of the temple’s foundations being rocked to their very core” – Andrew Gutteridge for Words for Music Blog
https://wordsformusic.blog/2018/09/21/album-review-the-blinders-columbia/

“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog
http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia

Selected plays (among many, many more)

International: 

London Calling logo

The Blinders have been played by at LondonCalling on A Rádio Rock by DJ Murillo Sguillaro across Latin America on 28th of September 2018. This station reaches 2 million of listeners across Brazil and other countries.
You can listen to it online: http://89play.radiorock.com.br/programa/london-calling
Or listen to our mp3: 

On 2 of November, the band was played by the legendary American radio station, KEXP 90.3 FM and they chose a rather unexpected song from “Columbia” – “The Hate Song”. Next stop for the lads? Top 20 on Billboard charts 🙂

KEXP Radio station played The Blinders!!

Domestic (as per Airplay Ninja):
Please note that this list does not include local radio-stations plays, only the national ones.
This means that all BBC Introducing plays for example are not monitored and we cannot add them here.

Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 05:21 on 12-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:31 on 11-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:51 on 11-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 16:59 on 10-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 10:24 on 07-Nov-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 01:41 on 07-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:26 on 06-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:50 on 06-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:25 on 04-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 04:24 on 04-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:51 on 03-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:32 on 01-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:07 on 31-Oct-2018
Brave New World – The Blinders – playing on Radio X at 22:54 on 29-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:05 on 28-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 16:07 on 28-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:26 on 27-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 10:30 on 24-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:39 on 22-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 22:26 on 21-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:30 on 21-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:22 on 20-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 13:57 on 18-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 12:22 on 17-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:11 on 17-Oct-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 12:52 on 16-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:14 on 15-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:56 on 15-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 1 at 23:46 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 1 at 23:34 on 14-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:10 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:19 on 13-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:54 on 12-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:13 on 10-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:42 on 10-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 00:32 on 08-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:43 on 07-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:07 on 06-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:00 on 06-Oct-2018
Orbit (Salmon of Alaska) (LP Version) – The Blinders – playing on Amazing Radio at 14:36 on 05-Oct-2018
Rat In A Cage (LP Version) – The Blinders – playing on Amazing Radio at 14:33 on 05-Oct-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 14:30 on 05-Oct-2018
Brutus (LP Version) – The Blinders – playing on Amazing Radio at 14:23 on 05-Oct-2018
Et Tu (LP Version) – The Blinders – playing on Amazing Radio at 14:21 on 05-Oct-2018
Ballad of Winston Smith (LP Version) – The Blinders – playing on Amazing Radio at 14:19 on 05-Oct-2018
I Can’t Breath Blues (LP Version) – The Blinders – playing on Amazing Radio at 14:16 on 05-Oct-2018
Free the Slaves (LP Version) – The Blinders – playing on Amazing Radio at 14:14 on 05-Oct-2018
Where No Man Comes (LP Version) – The Blinders – playing on Amazing Radio at 14:10 on 05-Oct-2018
Hate Song (LP Version) – The Blinders – playing on Amazing Radio at 14:07 on 05-Oct-2018
L’Etat C’est Moi (LP Version) – The Blinders – playing on Amazing Radio at 14:03 on 05-Oct-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 14:00 on 05-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 14:57 on 04-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:26 on 04-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:46 on 03-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:34 on 02-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:34 on 02-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 17:27 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 6 Music at 15:09 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 13:16 on 01-Oct-2018
Orbit (Salmon Of Alaska) – The Blinders – playing on BBC Radio 6 Music at 12:26 on 01-Oct-2018
Rat In A Cage – The Blinders – playing on BBC Radio 6 Music at 08:54 on 01-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 23:27 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:46 on 30-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:51 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:54 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 04:12 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:22 on 28-Sep-2018
Brave New World – The Blinders – playing on Radio X at 23:02 on 26-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 18:57 on 26-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:09 on 26-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:28 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:16 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:16 on 24-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:10 on 23-Sep-2018
Rat In A Cage  – The Blinders – playing on BBC Introducing Manchester at 21:52 on 22-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:52 on 22-Sep-2018
Et Tu – The Blinders – playing on BBC Radio 6 Music at 16:23 on 21-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:26 on 21-Sep-2018
Brave New World – The Blinders – playing on Radio X at 00:31 on 21-Sep-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 00:18 on 21-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:19 on 20-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:32 on 18-Sep-2018
Hate Song (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 16:26 on 19-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 13:46 on 18-Sep-2018
Brave New World – The Blinders – playing on Radio X at 22:52 on 17-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:44 on 15-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:47 on 13-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:42 on 11-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:21 on 10-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:42 on 08-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:45 on 07-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:03 on 06-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:20 on 04-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:56 on 04-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:12 on 04-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 16:55 on 03-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 17:00 on 01-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:06 on 31-Aug-2018
Brave New World – The Blinders – playing on Amazing Radio at 15:51 on 31-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:42 on 30-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 04:53 on 29-Aug-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:59 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 18:28 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 14:59 on 26-Aug-2018

Photo-session and Exhibition

The Blinders by Paul Husband (copyrighted)

Professionally taken pictures are the heart and soul of each marketing campaign. For the new album and new tour, The Blinders worked with renowned photographers to ensure that their live images (such as taken by Manchester based photography wizard Trust A Fox) or the ones taken in the studio, are of the best quality.

Their studio session has been shot by Paul Husband, another very talented photographer. And the session went so well that The Blinders’ pictures were used in Paul’s international exhibition that opened on 20th of October 2018 at the Manchester Bar in Montpelier in France! How cool is that!!

Official websites:
https://www.facebook.com/paulhusbandphotography
http://www.paulhusbandphotography.com/
The Manchester Bar:
https://www.facebook.com/manchesterbarmontpellier/
Pictures:
https://www.facebook.com/photo.php?fbid=10209585664117446&set=a.1182860230673&type=3&theater
https://www.facebook.com/Huzzie/posts/10156203558447481
https://www.facebook.com/Huzzie/posts/10156250768007481
Review (in French but Google Translate does an amazing job):
http://www.idem-mag.com/paul-husband/?fbclid=IwAR1Zz8D6luCGEJK9L1BkciTrrkLQI2JfckWzYtV6z_uD25YSMWh8iP039XI

Signing and record stores appearances:

21st of September 2018 –  FOPP Manchester

Columbia on the shelves of FOPP in Manchester

And a poster on the wall

Rat In A Cage Live: https://www.youtube.com/watch?v=p-BpE11KyWs
Brutus Live: https://www.youtube.com/watch?v=c3ZsMQiMh1g
Video by Shell Zenner: 
Pictures Steve Hampson: https://www.facebook.com/shampson3/posts/10155931689652725
Article by Louder Than War: https://louderthanwar.com/blinders-album-launch-fopp-records-mcr-21st-september-live-review/

22nd of September 2018 – Action Records, Preston

Poster promoting meet and greet with the band in Preston at Action Records

Poster for fans:
https://www.facebook.com/ActionRecordsUK/photos/a.535513003156819/2208618092512960
Pictures: https://www.facebook.com/theblindersband/posts/2158447537761902
Short video: https://twitter.com/NATMPete/status/1043793003884826624/video/1 
Ramona Flowers live: https://www.youtube.com/watch?v=k9IIk_3XRRM&feature=share 
Rare cover of Bob Dylan’s “The Ballad of a Thin Man”: https://www.instagram.com/p/BooG4prndak/

23rd of September 2018 – Jacaranda Records – Phase One, Liverpool

Jacaranda, Phase One, Liverpool

Review:
http://www.getintothis.co.uk/2018/10/the-blinders-jacaranda-phase-one-liverpool/?fbclid=IwAR3jkPI-98JwhFgzxXwSnUepK9GUKCfDAhaQ9NnF3pNAgh-6JkQqeiU_AhY
https://kevinbarrettphotography.com/2018/09/23/photo-gallery-the-blinders-jacaranda-records-phase-one/
Video:
www.facebook.com/jacrecsphaseone/videos/358599498015099/
https://www.youtube.com/watch?v=bffrWT4PPJo&feature=share
Pictures:
https://www.facebook.com/pg/jacrecsphaseone/photos/?tab=album&album_id=2154213491565612


https://twitter.com/ActionRecords/status/1044172545916882945?s=20

24th of September 2018  – HMV, Sheffield

HVM poster for Liverpool and Doncaster

Poster number 1: https://twitter.com/hmvtweets/status/1043892894694813696?s=20 

Alternative poster for HMV Sheffield

Poster number 2: https://twitter.com/hmvSheffield/status/1044159820742500352/photo/1
Pictures:
https://www.facebook.com/theblindersband/posts/2160241554249167



Video:
https://www.instagram.com/p/BoHZ1_KAGLU/

25th of September 2018  – HMV, Doncaster

HMV advert in magazines advertising Columbia

A close up showing detailed information about the release

Pictures:
https://www.facebook.com/theblindersband/posts/2160714130868576
https://www.facebook.com/theblindersband/photos/a.1497857810487548/2160891474184175/?type=3&theater


https://www.gettyimages.co.uk/photos/thomas-haywood?phrase=thomas%20haywood&sort=best#license (photosession by Shirlaine Forrest/WireImage)

Although it is not a part of the meet & greet tour, HMV Worcester  receives a honorary mention for displaying this by the main doors. You guys are amazing!
Also, we have heard that Glasgow branch had to be re-stoked twice on the premiere day! Oh me, oh my oh Roy… (but it is the wrong band!)

HMV in Worcester knows the best music when they hear it!

26th of September 2018Rough Trade,  Nottingham 

Official page: https://www.roughtrade.com/gb/events/rough-trade-nottingham-the-blinders
Pictures:

https://www.facebook.com/theblindersband/photos/a.1493204590952870/2161284390811550/?type=3&theater
https://www.facebook.com/theblindersband/posts/2161193344153988 
Video:
https://www.instagram.com/p/BoOdXeZBb-F/

27th of September 2018 – Jumbo Records, Leeds

 

Jumbo Records posters for the performance

Pictures: https://www.instagram.com/p/BoL9W8Ghl7C/?taken-by=jumborecords

Another honorable mention is given to an award winning independent record shop, Picadelly Records, Manchester for displaying this beautiful flag on their walls!
Picture:

Columbia banner is ready to be taken to the barricades

Close up number 2

And close up number 3

Works of Arts;
We all know that “Columbia” is a true work of (musical) art and it is nothing shocking that other artists are being inspired by it. If you have seen the band performing on Kendall Calling Festival, you may have noticed two beautiful artworks displayed near the tent. They were made from broken vinyl records and the pieces were assembled into the Columbia’s cover artwork, or the face of Johnny Dream. The artist behind this very unique work is Kirk Whitehouse and his art is known as the “Smashed Hits” artworks. Kirk has been working with pieces of old vinyl records for years and his artworks have been exhibited many times in the UK and abroad. They were also featured in magazines, press and in hundreds of other publications (digital and  print). Kirk is not only a very successful artist but also a volunteer and regional manager for Musicians Against Homelessness charity. His work took him recently to London where he spoke to the Parliament about the growing homelessness crisis.  He managed to convinced several MP’s to their very worth cause! Kirk lives in Birmingham with his wife and two daughters. He is open for commissions so please contact him if you’d like your own smashed hits piece of art.
You can see the picture of the Blinders posing with the Columbia artwork at the festival and with the artist in tow):

Official Facebook page: https://www.facebook.com/Smashed-Hits-Broken-vinyl-artwork-583541998364448/
Personal FB profile: https://www.facebook.com/kirk.whitehouse.3
Official Instagram: https://www.instagram.com/smashedhits/
Website: http://www.smashedhits.co.uk/

Another artist inspired by The Blinders is the excellent Nick Dillon! Manchester native, Nick is a pop (culture) artist that specializes in portraits using embossing and debossing techniques. Each artwork he makes takes about 100 hours and everything you see is done by hand. Nick’s works have been exhibited numerous times and the biggest rock stars and football clubs are among his clients.  The Columbia artwork is very unique as Nick decided to emboss all lyrics on one canvas – that’s staggering 7500 letters! We don’t know how long this piece took him but it must have been twice the usual amount of time. The artwork will be displayed on The Blinder’s London gig on 7th of November in London.

And here you can see the artwork being prepared. It looks simply breathtaking!

Short video how the finished artwork looks like:

View this post on Instagram

#theblinders hand painted

A post shared by Nick Dillon (@ntd1974) on

Official Facebook page: https://www.facebook.com/nickdillon.artwork
Website: https://www.nickdillonart.co.uk
Twitter: https://twitter.com/nickdillonart
Instagram: https://www.instagram.com/ntd1974/

Fanarts:
The Blinders’ artistic vision is encouraging fans to create as well. The first fan-arts inspired by the dystopian tale are starting to appear and we are sure, there will be more and more coming up soon. Just last month, we only had two artworks created by Polish graphic designer, Marek Zbrozlo and they feature the lead singer (Thomas Haywood) in a traditional style and his alter ego (Johnny Dream) as a comic book character. In the next few weeks, more and more artists joined in and we now  have a small art gallery on the blog!

Thomas Haywood of The Blinders – drawn by Marek Zbrozlo https://www.facebook.com/marek.zbrozlo

Johnny Dream by Marek Zbrozlo
https://www.instagram.com/zbrozlo/

Lucy Evans’ portrait of Johnny Dream
https://twitter.com/lucyevanns

Thomas Haywood as Johnny Dream by Ablott Mcr. Please viisit the gallery at: https://www.instagram.com/ablottmcr/

Expressionist mono print with colour underlay copied from a photo by Sam Crowston. Artwork by Ade Riches. You can visit the original at: https://www.facebook.com/photo.php?fbid=10158081008358298

 

MISC
The Blinders were used in the newest commercial for BEATSTREAM application that allows to listen to  any gigs on your phone.

Video on BT TV music

The Blinders on MTV Rocks

Spotify for the Blinders looks very impressive!

The Party in the State of Columbia never sleeps – as you now know very well by now. So the archives will be updated as time goes on.

Additional reading and studying materials can be obtained here:

Introduction to the band:
https://cocamidemea.wordpress.com/2018/07/07/indieterria-presents-the-blinders/

Interview with The Blinders:
https://cocamidemea.wordpress.com/2018/08/24/indieterria-meets-the-blinders/

Columbia Review:
https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/

Birmingham concert review:
https://cocamidemea.wordpress.com/2018/10/27/indieterria-review-the-blinders-at-castle-and-falcon-in-birmingham/

You can follow The Blinders on inter-webs:
https://theblinders.tmstor.es/
http://facebook.com/theblindersband
http://twitter.com/theblindersband
https://instagram.com/theblinders
https://soundcloud.com/theblinders-music
https://open.spotify.com/artist/3Z8Y3Ek99rukRa1Hdo14GE?si=yx5j8oK-RpG6qE7MQtVU5Q

Or their label Modern Sky:
https://modernsky.uk/
https://modernsky.uk/blinders-debut-album-columbia-now-available-pre-order
https://twitter.com/ModernSkyUK
https://www.facebook.com/ModernSkyUK/

We will see you in (Reading) Room 101.

M/R

Indieterria review – Columbia by The Blinders

 

“Dream the most dangerous of dreams” – The Blinders “Columbia”

Dear readers,

So, I have got copy of “Columbia” – the debut album by The Blinders. When I am writing this review (or rather an essay), it is exactly three weeks to physical release of the album and the world is buzzing. Tickets to upcoming tour start to fly out, the performance at Leeds and Reading festivals put the band on radars and lips of thousands of people, series of record store performances and signing sessions has been unveiled for September. Their songs are Radio 1 and 6 Music singles of the week, Guardian mentions, 300-400 tweets generated a day, real talk among A&Rs and business insiders that the album may go into top 40, every indie band I know looks up to them – you get the picture.

This is a young, promising act on the edge of great things to come. They are the new Manic Street Preachers – throwing intellectualism, poetry and art at the world, loudly commenting political reality, wearing war paint and messages on their instruments.

They are once-in-a-generation band, a trio of working class lads from Doncaster with vision, balls and talent to offer the jaded, over-saturated world of pop music something fresh.  And people are drawn to it. You will see more and more fans jumping on The Blinders bandwagon as the time goes by. I`m old enough to see this happen several times in the past. It is exciting and scary, both for the writer and the band. I`ll get to that scary part at the end of this essay.

The Blinders headlining BBC Introducing stage at Leeds Festival 2018, photo by Sam Crowston https://www.facebook.com/sam.crowston

But back to the task at hand. How do you review “Columbia”? A deeply personal record for me for myriad of reasons. Do you do a regular review about the music and the cover and lyrics? Do you do a more in-depth account throwing some of your personal experiences into the mix?

I`ll write the emotional account – because I can`t do otherwise. It would not be honest. Especially since I have been championing and shouting about The Blinders daily for the last 2,5 years. And I don’t want this review to look like it`s written by a PR person for the band.

This review is done because The Blinders won me over.

Because we share the same background and love for high art.

Because we have similar determination in life.

And because we have “met” in a “right” moment.

In store appearances scheduled after Columbia comes out on 21st September 2018

“Columbia” is an angry album.  It`s written by musicians who come of age in a dark period – full of corrupted figures that divide not just people but the world with walls and borders, planet full of CCTV cameras and reality shows, party identities, wars, destruction of the environment, zero hours contracts and social media aka Big Brother.

The band grew up in a post industrial town with outdated architecture (“granite building and 1960s concrete bridges and the factories – they were just making electric fridges” from “Orbit”), read Orwell at school (1984 is a constant motive though out several songs on the album such as “Where No Man Comes” or “Ballad of Winston Smith”) and looked carefully around to witness modern poverty (“men and women worked to death”, “darkness seems to take its hold over both the poor and old”), saturation with news (“forgotten stories on the news”), refugee crisis (“fox hunt the refugees”) and general hopelessness (“feel so helpless all time”).

This will lead to righteous anger at previous generations and the state of the world. “Who will stand against them all?” ask The Blinders in “Ballad of Winston Smith” and follow up with a passionate soliloquy in “Free The Slave” against religious leaders, political figures and society in general.

Bleakness takes the center of the stage next to anger on “Columbia”. “They gonna build the Berlin Wall, divide us in two, and kill me and you” – screams Thomas Haywood at one point and this is not the only violent moment. Police brutality is referenced on “I Can`t Breathe Blues,” dragging people in the middle of the night from their beds is mentioned in “Where No Man Comes” and  there is talk about having your throat slit in “Brutus”. “Rat in a Cage” goes as far as to offer us an apocalyptic vision of devastated earth (“polluted and poisoned and dying race, our god doesn’t want to see the end of days”).

Columbia Tour poster for Autumn 2018

It is enough to make any young man pick up an instrument and scream into the void. And this is what The Blinders are doing with exceptional skills.  Their younger listeners will agree, but what about you older, more established members of society? Do you feel the same anger and hopelessness? Do you remember yourself from the way back when you were twenty – something and  you too wanted to change the world? What do you see and what do you feel when you listen to “Columbia”?

I almost forgot how it felt when I breathed anger at lack of prospects, walls and crazed political heads. Until “Columbia” arrived in its 12 track glory and hit me right in the chest. The album caused me physical pain – at the memories of growing up in a rundown mining town (to which I hate to return even now),  living in a Grenfell Tower like building in the middle of a council estate. In a world behind the Iron Curtain at a time when Berlin Wall was still standing and people were shot for trying to get to the other side.  Give or take, The “Orbit” or “The Ballad of Winston Smith” can be about me – for I too read 1984 in class, as art and literature were the only forms of escape. In desperation to have an impact on the world I even picked a tool of trade, but it wasn’t a guitar. It was a camera…

Cover artwork for Columbia Photo by Sam Crowston
https://www.facebook.com/sam.crowston

“Columbia” was recorded in winter of 2017 at the Magic Garden studio with Gavin Monaghan as producer. It is the final stop in a long journey the band went though in the last two-three years.  It captures the spirit of their live performance to the last sparkle. If you have seen The Blinders live you will notice immediately that “Et Tu”, “Brutus” and “Berlin Wall” come one after another on the record, in the same order as they come on stage. The band likes to use all three compositions to end their shows with a proper punch. Two older songs “Brave New World” and “I Can`t Breathe Blues” albeit in newer versions made it onto the record. “ICB Blues”originally appeared on the 2016 EP “Hidden Horror Dance”, while “Brave New World” was previously released as a stand-alone single in 2017. If one follows the band, there is very little new material you can hear on the record. All three main singles “Gotta Get Through”, “L`Etat C`Est Moi” and “Brave New World” have been on the radio since March. “Brutus” and “Hate Song” are in regular rotation during live performances since last year.  If you watch Pirate Studios performance from 2017 you can see early version of “Hate Song” being named “March March March” (19:00 mins mark). “Rat in a Cage” and “Orbit (Salmon of Alaska)” appeared in live versions on socials in recent weeks, so  the only new compositions that have not been heard are “Where No Man Comes” and  short “Free The Slave”.  Is it bad? Not at all in my eyes.   I regard “Columbia” as crowning achievement of the bands potential so far.  They evolved so much in such a short time that it is incredible to observe. “Columbia” brings and ties all the ends from their career so far in one spectacular album.

Do yourself a little favour  and listen to very early demos from Thomas Haywood`s SoundCloud account. Songs such as “Ballad of Johnny Dream” and “Wither” (or even “Death of Narcissist”) had a huge influence on “Orbit” and “Ballad of Winston Smith”.  There is also a very early demo of “Ramona Flowers” and “You`re So Cold” aptly entitled “The Darkest Thing I Ever Did Feel” on the account for those who are familiar with band`s older repertoire.

It is a privilege to see any band develop, less alone a band that will define the voice of a generation. I`ve been very lucky to discover The Blinders in May (?) 2016. Music Business is a cut throat industry, there are more bands that break up than those who make it. It takes determination, sacrifices, and being single minded to stick with being in a band.

I recently interviewed The Blinders and asked them what profession they would pursue if they haven’t been making music. “We’d probably all be butchers or something” came an answer. And then they added: “At the end of the day without signing a deal [with label Modern Sky UK] we wouldn’t be talking to you about our debut album. We’d still be scrapping around trying get Brave New World recorded. We were given the chance and we took it, and we can’t more grateful for that. We are now in a situation where we can pursue art and writing for a living, so you can’t complain”.

Those words stayed with me and returned to me when listening to “Columbia”. The band put everything what they had into their music and stayed on course despite heavy odds. Both Thomas Haywood and drummer Matthew Neale left university without a degree. They were also lucky to land a recording deal. Without it, who can say how things would turn out?

If I can be very personal for a short moment again. Here comes another reason why I have such an emotional relationship with “Columbia” and the band. I mentioned that we “met” in a “right” time.  Like them, I was pursuing a dream despite heavy losses, ridicule and scrapping by. In ten years I did not manage to break into the industry I loved despite being ready to sacrifice everything for it. Even my personal safety. Even life. Then trauma came and put the end to my chosen career. I relocated to UK in February 2016 with a life long illness and lack of direction. I put together whatever was left of “old” me and started all over again slowly building up a path as an A&R on the indie circuit. Another country, another  career with apologies to David Bowie.  The Blinders were one of the first bands I took notice of. And their music stayed with me since. In an ironic twist of fate our paths seem to cross on the indie circuit. If I seen them live at a venue, the next week one of the bands I worked with would be playing  the same stage. To me and to me only “Columbia” is not just an album that shows true talent of three young lads. It is a soundtrack to my own personal journey to where I am now. The record entangled itself (or maybe I made it this way) with what happened in the last years and will always remind me of the bleakest and most victorious moments. That’s my own “concept” behind the record.

Thomas Haywood (“Johnny Dream”) performing with The Blinders (“Codeine Scene”) at The Sunflower Lounge on 16.02.2018

To anyone else it can be a striking concept album telling a story of a dystopian state of Columbia, where people disappear at nights, where police is free to murder and oppress, where population live in poverty and the young feel anger and solitude. Where Johnny Dream is calling to break out from mental cages and to support one another. Where despite the evil and the suffering there is still place for compassion, love and will to survive.

It can also be a set of twelve songs without any story behind them that try to make sense of the messed up world we live in.

It is guitar orientated  album that is true to the live performance.  Songs are fast and yet catchy, with haunting back ground vocals and  hypnotizing drums. Sometimes there`s spirit of Jim Morrison there in the spoken parts, sometimes you will hear Oasis or The Beatles or even Pink Floyd flirting with David Bowie. You can hear Mark Bolan`s groove.  There are some oriental musical themes that make me think of Kula Shaker. But mostly, mostly it is the fresh perspective on what music should be in 2018 – direct, poetic, enigmatic, political, tearing out your soul  and different from what is happening around. And that is what Thomas Haywood, Matty Neale and Charlie McGough bring to the table.

The album may be bleak as the abyss but I can see The Blinder`s future in quite a positive light. At the end of this review I`d like to refer to one single thing I  find worrying.  Here`s a small appeal to fellow music press folks – please do not treat the bands members and especially the vocalist as some sort of rock gods. I find the comparisons to “messiahs” or “Jim Morrisson” absurd and dangerous. Stage persona is not necessarily how artists are in real life. Please enjoy the show and leave the whole rock god icon in the past.  4REAL.

Columbia is out on 21st September 2018 via Modern Sky UK.

TRACKLIST:
1. Gotta Get Through
2. L’Etat C’Est Moi
3. Hate Song
4. Where No Man Comes
5. Free The Slaves
6. I Can’t Breathe Blues
7. Ballad Of Winston Smith
8. Et Tu
9. Brutus/Berlin Wall
10. Brave New World
11. Rat In A Cage
12. Orbit (Salmon of Alaska)

Introduction to the band:
https://cocamidemea.wordpress.com/2018/07/07/indieterria-presents-the-blinders/

Interview with The Blinders:
https://cocamidemea.wordpress.com/2018/08/24/indieterria-meets-the-blinders/

You can follow The Blinders on inter-webs:

https://theblinders.tmstor.es/
http://facebook.com/theblindersband
http://twitter.com/theblindersband
https://instagram.com/theblinders
https://soundcloud.com/theblinders-music
https://open.spotify.com/artist/3Z8Y3Ek99rukRa1Hdo14GE?si=yx5j8oK-RpG6qE7MQtVU5Q

Or their label Modern Sky:

https://modernsky.uk/
https://modernsky.uk/blinders-debut-album-columbia-now-available-pre-order
https://twitter.com/ModernSkyUK
https://www.facebook.com/ModernSkyUK/

Till the next time,

Malicia D.

Indieterria meets The Humdrum Express

Dear Readers,

We continue  our series of interviews with musicians we think shape music scenes and sonic landscapes around us this year.  They don`t have to be spring chickens leading revolutions and tearing roofs off the venues. They can be experienced artists, wiser in their business ways and accompanied by a trusty guitar. And they are still relevant, on point and powerful in their expression. Today, we present you Ian Passey, who is the force behind The Humdrum Express. Ian will be one of the artists that will rock Worcester for Musicians Against Homelessness.  Read on, dear friends. This is as we say: banger of an interview and an artist you have to know.

A thousand things to worry about

An esteemed artist, Ian Passey, has built a solid fan base in the West Midlands under his moniker, The Humdrum Express. Championed by BB6 Music and sharing stages with the rock and roll greatest, Ian is returning to his home turf this September to support Worcester Music Festival and play a charitable show for the national campaign, Musicians Against Homelessness. We have met Ian to discuss his many achievements, stardom and new music he is currently working on.


BBC describes you as “One man, a few instruments and a thousand things to worry about”. Who exactly is Ian Passey?

Ian Passey:  I’m a singer/songwriter based in Kidderminster. I’ve been writing songs for as long as I can remember, firstly as a member of various bands (Smedley, Jackpot, Swagger). After a bit of a break, I decided to do my own thing, initially bedroom recordings, before taking the plunge back into gigging. Ten years later, I’m still here – writing and performing with as much enthusiasm as I’ve ever had. I suppose the “thousand things to worry about” tag came from the underdog slant of the lyrics, attempting to fear the worst in a humorous way. Either that or it’s a good guess!

The Humdrum Express is your solo project. You write your own music, produce your albums and play all instruments – you are a one man band. Do you prefer to work alone?

Ian Passey:  Although that was the case a few years ago, in more recent times, I’ve really enjoyed working with other people. My last couple of albums and most recent EP has been produced by Mick Lown. Not only is he fun to work with, but also has a great knack of suggesting ideas and instrumentation to suit a particular song. It’s a refreshing way to work which helps to prevent getting stuck in a rut. As far as videos go, I’ve been teaming up with Nick J. Townsend pretty regularly. Again, he’s someone I really enjoy working with to help expand on some of my ideas. I love to get as many people involved as possible with the videos and I’m always amazed by how many love being a part of them. I’ve also got several musician friends, who have enhanced some of the recordings for which I’m extremely grateful. Long may these collaborations continue! I’m always on the lookout for new ones if anyone’s interested…

Ian Passey performing – photo by Arthur Passey

It is hard to categorize your music. Some journalists put you into spoken word or singer/songwriter category; others consider you to be a prime example of what experimental music should sound like. How do you feel about the constant need of squeezing artist into existing genres? Is there any style that could comfortably describe what you are doing or do you avoid being labelled at all?

Ian Passey:  The need for genres is something that has bugged me for years! I always put lyrics ahead of any particular musical style and I’m quite happy to change it when the need arises. I love the spoken word style as much as the classic verse/chorus/middle eight structures. It all about getting the maximum impact from a phrase, I suppose.

Your lyrics, an important part of your music, are complex and straightforward. They’ve earned you a reputation of a “bespectacled observationist, casting a cynical eye over exasperating times”. Where do you look for inspiration?

Ian Passey:   I don’t really look anywhere for it, but always seem to stumble across something. That being said, this is proving to be my leanest year, writing wise, for some time. Perhaps I should start looking?! Like most artists, I work better when there’s a deadline looming so maybe I should start thinking about album number six…

The Humdrum Express album “(Failed Escapes from the) Clones Town Blues” received great reviews from leading music journalists such as Steve Lamacq. Your newest release “The Day My Career Died” has been championed on BB6 Music. Has the exposure helped you to advance your career outside of West Midlands?

Ian Passey:   It’s been fantastic in so many ways. Being pitched alongside artists I admire has helped improve and focus my writing. The thought of being found out as an impostor drives me on to write stuff worthy of the airplay! The knock-on effect is obviously the new people all over the world who suddenly have access to your music.

You have shared stages with many legends: performance poet John Cooper Clarke, Bob Mould (Hüsker Dü), Ian McCulloch (Echo & the Bunnymen), The Wombats, Half Man Half Biscuit, The Wedding Present, Hugh Cornwell (The Stranglers) and Miles Hunt (The Wonder Stuff) to name just a few. If you could choose another person to perform with, who would that be?

Ian Passey:  Tricky question! Billy Childish would be nice as it would mean he was back playing live again. I did three dates with John Cooper Clarke around 2010 and I’d love the opportunity again, although the venues he’s packing out these days are much bigger than back then. I was due to support the Sleaford Mods a couple of years ago until the promoter in Leamington opted for a more local act instead. That would have been great, but it wasn’t to be.

You are probably the only person from Kidderminster to ever play at Glastonbury festival. How do you remember this experience?

Ian Passey:  Hazily! I’m pretty sure I’m not the only one from Kidderminster either! It was hardly the Pyramid stage but it was great fun. I seem to recall the act on before me end with a cover of “Take on me” by A-ha which the crowd lapped up. I’m not sure why, but I thought I’d end my own set in similar fashion… by tearing through “Gather in the mushrooms” by Benny Hill! Unless my memory is playing tricks, I received a standing ovation!

We have to ask you – was “Worcester Woman (Forgate Me Not)” written about a real person linked to the city or is it licentia poetica?

Ian Passey:  I’ve always viewed that one as a bit of general daftness! It’s a fictional tale that attempts to mix romance with political terminology. It doesn’t get played too often but I’m tempted to give it an airing on 22nd September, particularly as The Marr’s Bar gets a mention.

The Humdrum Express has many faithful supporters on the local scene. You have played Worcester Music Festival several times, always coming back by popular demand. This year you will also support Crisis charity by performing at Musicians Against Homelessness event on 22nd of September. You will appear on the acoustic stage.

Ian Passey:  I’ve been lucky enough to play at every Worcester Music Festival apart from the very first one. As it happens,  I’m not playing this time but will be promoting an evening as I have done for the past three years. My event will take place at The Firefly on the Sunday, featuring several of my favourite grass roots discoveries.

What are your plans for the autumn? Any upcoming tours?

Ian Passey:   I’ve got some great gigs on the horizon… I’m playing my biggest headline show to date at The Rose Theatre in Kidderminster on 7th October (tickets available from their website!) It’s a near 200 capacity all seater venue and, without giving too much away, will be much more than the usual gig format. I’ve also got dates with the likes of CUD, Mark Morriss and Half Man Half Biscuit to look forward to, so it should be a fun few months. I’m releasing a brand new single early in November with an accompanying video, so I’m pretty busy until the end of the year.

You can follow Ian and The Humdrum Express

www.thehumdrumexpress.com
https://www.facebook.com/TheHumdrumExpress/
https://soundcloud.com/thehumdrumexpress

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Ian Passey play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Indieterria meets Lost Tiger to the Wild

Dear Readers,

Lost Tiger to the Wild band logo

On September 22 2017, Worcester will be rocked by Musicians Against Homelessness campaign. The town will host an annual gig to raise funds for Crisis,  an NGO that help vulnerable people. This year yours truly are involved and our role is to bring to light and attention of general public the amazing artists who will be playing for the fundraiser.  We have already profiled nth cave for this blog. It`s time to meet Lost Tiger To The Wild.
Believe us or not, we found them via Twitter when they were still under a different name around a year and half ago, we have been in the first row on their debut gig, we may have passed a word about them to a DJ or two. It was a pleasure to watch this duo grow into confident artists. Now it is a pleasure to present them on this blog.

Hear us roar

Jokingly referred to as the rock and roll version of the Thompson Twins (who were not real twins mind you!) brothers Alfie and Zack Jeavons-Fellows are on the straight way to stardom. Their sudden appearance on Worcester music scene less than a year ago was a true musical knock out. Powerful riffs, rhythmic beats combined with talent for writing songs you cannot get out of your head, proved to be a winning combination. We have caught up with the skilled duo to speak about their early success, getting noticed and their upcoming music.

You are identical twins, we are not seeing double, are we?

Alfie Jeavons-Fellows: (laughing) Yes, we are identical twins; born a minute apart. I’m the older of us both.

Lost Tiger to the Wild is an interesting name for a band – half poetic and half cryptic. Can you explain where it came from?

Alfie Jeavons-Fellows: We found the phrase in a book. The quote read “We have lost a tiger to the wild”. We liked the way the words worked together, so we went with ‘Lost Tiger to the Wild’. For us the name is about being free and independent.

Alfie and Zac before their BBC Introducing session with Andrew Marston for BBC Hereford and Worcester Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

 

Zac, you normally play the lead guitar and sing, while your brother Alfie is wreaking havoc behind his drum kit.  However, you are known to switch places or play different instruments such as ukulele or keyboard during your performances. Is it hard to play only with your brother as a duo or do you prefer to keep it simple?

Zac Jeavons-Fellows: Playing as a duo is easier for us. We get on really well, have similar mindsets and share an approach to our music. Decision-making is much easier. And of course sorting rehearsals is simple. We are keeping it simple; it works for us at the moment.

Are you working with any other local musicians? Do you have a backing band that is supporting you on stage on special occasions? 

Alfie Jeavons-Fellows: Yes, we do. We’ve added a bass and lead guitarist for a recent live gig, which was really good for us because we were able to experiment with the solid guitar sound that Lost Tiger is about.

Many young bands look up to your own musical heroes such as Arctic Monkeys, The Kooks, Kasabian, Oasis or Catfish and The Bottlemen and their influences can easily be heard. The music you make is hard to categorize – it is rhythmic and energetic, yet very original. What inspires you to write?

Zac Jeavons-Fellows: Song writing is all about the riff for me. The lyrics come after. I can’t really tell you where the inspiration comes from. We probably draw from blues, a bit of soul and plenty of guitar rock, although we do listen to lots of different music. Lyrics generally come from experiences – some of my own and some that I see other people going through.

Read to Rock! Photo from band archives.

BBC Introducing gave you one of the best recommendations we have seen in years. “Great guys, great melodies, great live shows, great future ahead of them”.  It is not easy to impress people who listen to music for a living.

Alfie Jeavons-Fellows: (laughing again) People who listen to live music for a living are our best critics. Honest feedback is what helps us drive forwards. The BBC Introducing chaps were really good to work with, funnily enough we bumped in to Andrew Marston after our Coventry University gig and we see Andy O’Hare all over the place. Good blokes.

You are represented by prestigious Coalition Talent Entertainment Agency in London, responsible for shaping careers of well-known acts such as Shoala Ama, Pixie Lott, The Wombats or Artful Dodger. How did your partnership begin?

Alfie Jeavons-Fellows: Once our social media started to kick off, we found several agents were getting in touch. Rather than leap at the first offer we have received, we waited for a proven talent management team that could help push our careers on. Coalition got in touch in February, making some really positive noises so we met with them in London and soon agreed to work together. Being part of the Coalition stable gives us a chance to perform with lots of other professional artists.

We have to ask about our favourite track, Remember to Breathe.  You played it at the BBC session at the Railway in Redditch to rave reviews and great compliments from the crowd. It is a powerful track with thoughtful lyrics. Tell us more about this song. 

Zac Jeavons-Fellows: I have had the chorus riff for ages and loved the way it sounded with a decent fuzz pedal. Alf developed the song without lyrics a lot and it still sounds exactly the same. Coming up with lyrics to compliment the gritty sound was a struggle until I heard a bluesy song called “Remember to Breathe” written by Australian busker, Owen Campbell. It just clicked. With a little bit of tweaking, the lyrics fitted perfectly over my verse and chorus. We love it. Hope Owen will too, when he hears it.

Lost Tiger to the Wild – performing at the Marrs Bar on 5th May 2017 – their debut gig

Debut gig on May the 5th 2017 – force was definitely with the band

Lost Tiger was only founded in November 2016 and you have been performing extensively ever since. Your achievements are most impressive: on 17th of May you played at the sold out CUSU Summer Ball 2017 at the legendary Coventry University Students’ Union supporting Tinie Tempah;  on the 10th of June you supported Lethal Bizzle at University of Essex and recently you headlined a gig for UNCOVER sessions night in Worcester. Where are you going to play next?

Alfie Jeavons-Fellows: Our next gig is the Monmouthshire Filthy Girl Mud Run After party at the beginning of September. We played the sister event in Derbyshire about a month ago which was great fun. The crowd was really up for it. Top gigs are all about the audience.

On 22nd of September you will return to Marrs Bar in Worcester to take part in Musicians Against Homelessness initiative in support of Crisis (charity combating homelessness). This nation-wide musical event is championed by Alan McGee, the founder of Creation Records and manager of Primal Scream, Oasis and The Libertines. Are you preparing anything special for the night?

Alfie Jeavons-Fellows: The Marrs Bar is the home of original music in Worcester so we’ll definitely be playing our own music. If everything goes well, we’re hoping to debut a couple of new tracks. We’re really pleased to be part of the event.

Debut gig at the Marrs Bar.

Outside of your musical careers, you are very keen on sports, especially rugby. You both play for Stourbridge RFC, also with great success. We hope you are not thinking about a sudden career-change.

Zac Jeavons-Fellows:  No, don’t worry! We’re really into music; it’s what we really want to do.

Last but not least – the fun question. Tell us the most rock and roll thing that has happened to you so far. 

Alfie Jeavons-Fellows: I think it’d be best if we keep that one to ourselves… if you ask us face to face we may answer differently.

You can follow Lost Tiger to the Wild at:

https://www.facebook.com/LostTigerBand/
https://twitter.com/LostTigerBand
https://www.youtube.com/channel/UCNcu1GbXFLTrl_UP-L9lHsw
https://www.instagram.com/LostTigerBand/

 

Lost Tiger to the Wild in Slap Magazine

You can read this interview in September issue of Slap Magazine:

http://www.slapmag.co.uk/issue-73/september-2017/

or you can download the copy here:

issue-73-september-2017

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Lost Tiger to the Wild  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

We will see you soon enough for more music,

Mal+Rita

Indieterria meets TommyandMary

Dear Readers,

Band logo

Since we are already in July and the days are longer, we will have a double (or maybe even a triple) portion of Indieterria this month. So much music to listen to and great bands to tell you about. This episode is all about Thomas and Mary Yaman, known professionally as TommyandMary.  This is our pleasure and privilege to introduce you dear readers to punk rock duo that is building themselves a cult following in London. Based in Brixton, they work hard, play even harder and have won their fans not only by the strength of their music, but also because of the affection and respect they show each other.

We have sat down with Tommy and Mary to speak about their new album, busking, being  independent artists and song writing.

Forget about Sid and Nancy, we have got better couple in town! And they rock!

The Angels of Brixton

The Angels of Brixton

You are described as British answer to The White Stripes. Like Jack and Meg White, you are married and until recently, you have played exclusively with each other. You also divide band duties in similar way as Mary plays drums whilst Tommy concentrates on guitars and vocals. Do you consider comparisons to The White Stripes to be a badge of honour, lazy journalism or perhaps you  just don’t care?

Tommy: I think people will always compare us to The White Stripes and many other duos. I personally don’t think we sound like The White Stripes at all. I grew up  when The Strokes, Kings of Leon and The Libertines and off course The White Stripes all came out at the same time. But Jack and Meg were never my cup of tea. Mary didn`t even know who they were until someone mentioned them to her while we were busking.

Can you remember the moment when you two decided to form a band together?

Tommy: Yes, very well. We were outside my old apartment where Mary and I lived for a while. The band I was in at the time and Mary joined had split. I wanted to play solo as I found it difficult to cope with all 5 personalities I had to play with at the time. And Mary thought it would be cool if we played just us two and carried on our musical journey together.

The fondness you show for each other is unparalleled on the indie scene. Band bio says “TommyandMary are one word because we are that close”. You wear matching attires (“I prefer the drummer” – Tommy, “Unavailable” – Mary) and then there is “Angels” – powerful love song  about yourselves released as a single. We have to say – it is incredible to witness such affection.

Mary posing in her signature “Unavailable” tee

Matching attires.

Tommy wearing his “I prefer the drummer” shirt

Mary: Music is a very sensitive and fragile form of art and the fact that we are married and are in a band together just makes it even more personal. We grow together as individuals and as musicians and the love that we have for each other makes everything seem possible. I hope it shows in our music!

Another thing that sets you apart from other acts is your working ethics. For the last two years you have combined regular gigs with extensive busking. It seems the life on an independent artist is pretty intensive.

Tommy: We’ve stopped busking for now. We couldn’t stand it anymore (laughs) but I think we learnt a lot from it. It built our confidence.

Your busking escapades quickly turned into a permanent residency at the Oxford Circus attracting hundreds of people each time you played. Can you tell us how does it feels to be playing on Britain’s busiest street?

Tommy: Busking gave us an opportunity to meet some amazing people from all over the world and acquire some professional contracts. Mary got sponsored by Underground and we both got sponsored by company called W.S.Studio. Not to mention that we had once-in-a-lifetime opportunity to record our latest album “Authority” at Rupert Cobb’s Gun Hill Studios with the AMAZING Gary Wallis. So I think the goods outweighs the amounts of times we were harassed by the public and judged for being beggars by some clothing companies that had no idea about our passion for performing and playing music.

Tommy at The 100 Club

Mary posing for the Underground brand

Is it safe to be a busker in London? And  a question that must follow the first one – is it profitable  in the times of everlasting rush and gripping austerity?

Tommy:  I think anything is profitable when your passion for something is bigger than the price. And  to be honest, no it isn’t safe. Especially when there is still a minority of crazy, ignorant people in the world and as a busker you are exposed to it.

Your regular gigs took you to some of capital`s most celebrated venues. Among many 100 Club, Nambucca, Camden Assembly and now 229. How is club circuit responding to independent acts?

Tommy: We’ve definitely been to some amazing venues like 100 Club and 93 Feet East. It gave us a chance to meet some bands and musicians that have been in the game for a while longer than us. It’s inspiring but also feels overwhelming.

Mary at The 100 Club

TommyandMary supported number of prolific artists, most recently The Telescopes. How do you recall that particular show?

Tommy: Having been on the same stage as some legendary acts, we both felt like we really had to step up and not let our ancestors down.

Mary, you are known for very technical and powerful style of drumming despite downsizing your kit to bare essentials. Something similar was practiced by Palmolive  (original sticks woman of the punk heroines The Slits). What inspired you to hit things for a living?

Mary:  I can’t agree with saying that my drumming is technical at all. In fact loads of drummers criticised me about the way I sit, hold sticks and set up my drum kit. But yeah, I prefer aggressive style of drumming as it allows me to feel the songs and it is just boring otherwise. Tommy suggested busking one day and I just went with it.

As a band`s chief tunesmith, you don’t shy from tacking contemporary topics such as corporate/precarious work (“My manager is a prick”), obsession with celebrities (“Rich acting Rich For The Poor”) or going though existential crisis (“Red”). Do you believe that it is important for artists to be socially and politically active?

Tommy: I believe if an artist is only writing about ego or their own spoilt opinions, he or she is avoiding the honesty that lays in each person’s heart. Whether this is political or not, the truth is that we are all in this journey together and being ignorant, self indulgent or judgmental isn’t something that I encourage. But being empathetic to both worlds, the ego and the selflessness give me an insight into what lays in-between inaction and people’s willingness to ensemble, and this is something worth writing about. Contradiction is something that is often reflected in my thoughts and actions and I want to learn more about psychological and philosophical aspects of writing. So I don’t think politics is really my strength.

The band is on their third independent release. “Authority” was debuted earlier this year and was recorded at Gun Hill Studios in London. It is a significant change in sound compared to “The Things we love” (2015) and “Smoke Break -Side A” (2016). Your songs are layered, elaborate even. Are you satisfied with this new direction?

Sleeve to debut release Together We Love

Smoke Break -Side A – collage and pins, this record is in our musical archives and is signed!

Authority – third release

Tommy:  For our  first album “Together We Love”, I had written all the songs and Mary didn’t have much of a say or creative input. But as we grew musically together, we began to think collaboratively on our sound and direction. Our experiences started to reflect in our music and we really started to learn more about our sound and what we wanted to write about.

“Authority” is accompanied by three promotional videos (“Angels”, “Authority”, “The Rich acting Rich For The Poor”) and an alternative DIY video to “The Rich…” directed by the band, a fan documentary and a video interview. That’s an enormous amount of work put into promoting the album. Do you enjoy collaborating with others?

Tommy:  We have made a lot of friends from our music and we absolutely love spending time with them. The DIY videos that we made are all about the collaboration that we can have with our friends and using their talents to make things happen. But also it is important for us to have a great time making something together.

We heard though a grapevine that you are planning to introduce a new guitarist  to the fold.

Tommy:  A lot of bands add members after a while to create a wider range of sounds. We decided that this isn’t the direction we want to take. We want to keep it as it is. We don’t want to change. Although we were thinking of  bringing a friend in for our next show  as he is an amazing guitarist and writer. I know for sure that he will be very successful with his music in the long run. But no, we won’t be adding another band member.

Random. Last. Question. If you could travel to the golden years of rock music with whom would you tour?

Tommy: The Clash did a lot of busking in their days. So I would have liked to play a few shows with them.  I think Mary’s drums would have been a huge factor in pushing boundaries in the late 70s (laughs). Or perhaps I could be in New York playing a few shows at CBGB`s with The Dead Boys, that would have been amazing, having been given the opportunity.

Mary: I would have played with The Rolling Stones and Queen.

TommyandMary: One Word

You can follow TommyandMary here:

https://www.tommyandmary.co.uk
https://www.facebook.com/tommyandmary/
https://twitter.com/tommyandmary
https://www.instagram.com/tommyandmary_punkduo/

**** Update 28/07/2017****

Poster for the Absent Kelly indie night on 7th July 2017

TommyandMary played a very well received gig at 229 Venue in London on 7th July 2017 as part of Absent Kelly`s indie night series. So good was the night in fact, that they were given a rave review in Louder Than War magazine and  photographer Marcus Jamieson-Pond dedicated them a whole gallery on his website!

Louder Than War review in full, 16th July 2017

You can see the kick ass review online at Louder Than War (which happens to be this blog`s fav music mag!)

http://louderthanwar.com/absent-kelly-presents-bexatron-live-review/

And the image gallery can be found here:

https://www.tommy-and-mary-229.jampondphotography.com/album

 

See ya

Rita+Mal

****Update 03.09.2017****

Folks, we`d love to tell you to hang onto your seats, but you will be floored anyway, so find yourself a comfortable spot and listen up. Tommy and Mary had just finished headlining gig last night at The Cellar/The Finborough Arms in Kensington and were so generous to share with us a very cool collection of their concert posters. Exclusive for the blog! We are very lucky. Eye candy those posters are but also serve as a proof that the band played a string of cult venues in half a year: The 100 Club, Nambucca, 93 Feet East, Camden Assembly and The Cellar. All those years of playing and busking and persistence certainly paid off. Nothing builds a brand for a band like doing their own thing and pushing at the boundaries.

Poster for The 100 Club gig on 25.01.2017 while supporting legendary The Telescopes

Poster for the gig at Camden Assembly on 25th March 2017

Poster for gig at Nambucca on May 3rd 2017

Poster for the gig at 93 Feet East gig on 11.08.2017

Poster for a gig at The Cellar/ Finborough Arms in Kensington on 2nd September 2017

Another achievement of the band is even better than playing all the venues in the capital. Tommy and Mary debuted on BBC 6 Music on 18th August 2017 as part of 6 Music Recommends. Picked by the legendary DJ and broadcaster Steve Lamacq himself, they were hailed for being “nicely uncompromising” and  tacking a myriad of topics from having annoying housemates to precarious work.  If you don’t know who Lammo is, let us tell you this much – he is recognized as one of handful other DJs (with Mary Ann Hobbs and Jo Whitley) to fill the gap left by John Peel and is often regarded as a trend setter. Being on his show is a stamp of good quality and a sign that band is on the right way.

Personally what we found exciting is that Tommy and Mary`s Insecurities were played right after Paul Draper`s new single (yes, the man from Mansun!) and received the same amount of introduction on air.

Here is a screenshot of the BBC website

Screengrab from BBC 6 website

And here`s a (very) bad quality recording of the song and what Steve said:

https://vocaroo.com/i/s0bj1xgiKKAb

We hope you like it,

We are so excited for the band, we really are. Surely  more good things to come from them!

Laters,

Mal/Rita

Indieterria meets Jesse River Dylan Murray

Dear Readers,

JRDM`s heart shaped logo

Let`s take a walk on the wild side.  Our next discovery is not only talented singer-songwriter, with a unique sense of fashion and penchant for poetry.  They also have a list of inspirations long for a mile (William Shatner, Shrek, Ted Hughes, Stefan Raab, David Attenborough, Julian Lennon to name a few), witnessed Eurovision in Vienna and have a whole box of cds from their trip to India. They play rock but their debut EP is called “Classical Music”. Feeling confused? Good, a little vertigo won’t hurt. We have been observing Jesse River Dylan Murray for weeks at the open mic nights around town and finally had a chance to question them for this month`s edition of Indieterria. We hope you will enjoy this interview, because we surely had so much fun preparing it. Can you blame us? Jesse`s cool as few tons of Persian kittens and we can barely wait for 19th of July when the EP and the jaws will drop.

Life’s got everything to do with music

Look sharp! Jesse is a skilled photographer taking all his promotional shots. Ah those pesky kids today, daring to be creative and talented!

Meeting Jesse River Dylan Murray almost feels like stumbling upon the icons of rock and roll golden era. Soft-spoken, dressed in vividly colorful attire that places them somewhere between Marc Bolan and David Bowie, Jesse instantly becomes the center of attention. Their impromptu, refreshingly innovative sessions at the open mic nights around Worcester are like a breath of fresh air. Having heard the rave reviews, we wasted no time to see them in action for ourselves. This is what we have learnt…

Jesse River Dylan-Murray – that’s a fantastic name and a well suited one for a rock star.  Please introduce yourself.

Well, it’s not a stage name in case anyone was wondering, it is my full birth name. I’m apparently named after River Phoenix & Bob Dylan. I’m a guitar-playing songwriter based in Worcester (against my will) and I inhale hope and exhale disappointment. I don’t really aim to become a rockstar – in fact the very term somewhat grates against me like splintery wood. I feel like that whole title has been & gone and comes with this set of specific ways on how to do music which I don’t want to be tied down by. I loathe describing myself almost as much as I loathe BBC Radio 2 & The X Factor.

You have studied at Nunnery Wood High School that is known for placing a great emphasis on art and music. Other graduates include Jodi Hughes, Ewan Pollock and brothers Zac and Alfie Jeavons- from Lost Tiger to the Wild. Did the artistic education help to shape you as a musician?

 I always thought Nunnery Wood was a science-biased school… I had very little interest in music generally when I was there. Pretty much all I was listening to at the time was Marilyn Manson & Michael Jackson (my goth phase & my inner child viciously grinding against each other.) It wasn’t until 2010 when I started to really get into music fanatically (starting with Alice Cooper) and I didn’t get my first guitar until the middle of 2013, a year after I’d left college. My mother’s boyfriend, who had been playing since the 60s, probably, gave me a few lessons in the beginning, but the short answer is that I was never formally educated in music nor was I at all inspired by my educational background. I hated school with a near-maniacal passion and still look back on it with disdain.

Jesse as a guitar hero (self portrait)

One of your songs entitled “Smoke without fire” received a lot of airplays on social media. It is a very complex and interesting composition. Can you tell us more about its beginnings? What is the message behind it?

This song I can actually, unlike most of my songs, pinpoint to an exact moment in time. I was having a conversation with my stepdad in a pub last March and we were talking about rumours & the media, and he said something like “People say there’s no smoke without fire, but you know there absolutely is.” And that’s what the song’s really about in my mind. Spurious rumours, dirty gossip, twisted media. From the playground level to the international level. A bit of anger there in that song

Given the opportunity, we have to ask about another of your songs – “Everyone Wants To Look At Me But Nobody Wants To Look Me In The Eye”. With its poetic yet sarcastically sad lyrics and melodic riffs, it almost sounds like a track that didn’t make the cut for The Smiths’ “The Queen is dead” album.

“Classical Music” EP cover

“I live on the outside of the outside because the rebels and the punks and the freaks and the queers don’t want to know me.” It’s a fairly straightforward song I think, with its almost comically mammoth title. Not entirely sure when I conceived that song, but I had the title stuck in my head for what felt like at least a couple of years. I mean it’s obviously about being stared at and not fitting in, as so many songs are (I’m not even a Radiohead fan) but on another level it’s a lot more. It’s about not even fitting in in the usual groups of outcasts, feeling out of place literally everywhere, accepted or otherwise, but most importantly not even having any clue what you are. To paraphrase the brilliant Chicago-originated musician Ezra Furman: “People say ‘oh just be yourself’ but I don’t have any clue what that is…”.

Your debut EP entitled “Classical music” will be released on 19th of July. What can we expect? Are any of your previously released demos included or are you going to treat your fans to something completely new?

Smoke Without Fire is on there in the center of it. Everyone Wants… is currently being worked on to be released separately. The EP will contain 6 tracks – 5 original plus an instrumental bit of classical music (hey-hey did somebody say theming ho-ho) – at a rather beefy 31 minutes and will cost £3 – that’s the same as a meal deal readers, only this lunch don’t have no consume-by date! It will also contain the bouncy anti-pop protest anthem That’s Got Nothing to Do With Music, which I’ve been bombarding poor old Worcester with for a while and will most likely be released as the leading single for this by the time this issue of SLAP comes out, available for download. So get on that.

You have recorded at the famous MayB Studios in Pershore along many established acts such as jazz sensation Hot Fingers, London legendary punk rockers Bad Habits or Worcester Music Festival veterans Amorphica. How would you describe working with one of the best music producers and engineers in the county?

The studio’s owner, Peter May`s top person. He always knows exactly what he’s doing and is pretty quick to figure out what you want if you’re not sure how to describe the sound you’re looking for. He’s in the room with you through the whole process – no soundproof glass, no separate room – so you get a proper teamwork feel to it and it’s pretty easy to communicate quickly enough and make the most of your time there (which is also pretty cheap at £10 an hour.) He is, so far, my only experience of working with a producer/engineer and I feel like I’ve lucked out. You also get to work with some pretty swanky top-notch equipment, and if you’re really nice to him he’ll even make you a lovely cup of tea.

Imagine you have a chance to gather any musicians from local or international scene to create an ultimate artistic dream team. Who would share the stage with you and why?

 Thinking locally, I’m a big fan of Ellie Williams and her end-of-the-world song writing and absolutely bellowing pipes. Looking forward to her EP when it comes out and I’d love to work with her. I also like Ben Dallow quite a lot – locally nicknamed “Britpop Ben” for I suppose his rather Gallagher-esque appearance and drone. He has a great non-stop style of guitar playing where he mixes rhythm and lead really well, and gives the impression of being so ice-cool you could hit him with your car and he might not even notice. There’s also Rueben Lovett, Cheltenham-based guitar player and a brilliant writer. Only ever seen him live once so far, right after I’d just left the stage at Marrs Bar’s open mic. I was so sweaty and needed to step outside to cool off, but found myself rooted to the spot by this unique charisma he has. A bit punky but largely just special. Don’t know about a bassist and drummer though… just a load of writers & mostly guitar players lacking the foundations. Chaos.

Sit down next to me (auto-portrait)

Your fashion sense is very unique and you have been compared to David Bowie’s stage persona of Ziggy Stardust and Adam Ant’s Prince Charming. What inspire you?

 My sense of fashion just exploded one day in Cheltenham, when I was 15 years old. I was there seeing my very first ever gig, and my friends & I found this vintage clothes shop on a side street called Browsers. And I’m talking ridiculous vintage here: flares, tassels, glitter, shoulder-pads, zebra-print. I’d never been somewhere like there before. Prior to that I was on the tail-end of my goth phase and moving into the zone of checkered shirts (God knows why) but in that shop something in my head clicked and said “Hang on… I can wear anything!” And I went to that gig that night wearing this ridiculous heavy red velvet waistcoat with 2-foot-long tassels dangling from it (still got it too.) My sense of fashion just evolved from there and that wear-anything philosophy. I’ve since lost sight of the point of even gender-pigeonholing and mix in the make-up, heels & dresses with the suits, leather jackets & jumpsuits. I want it all. I just get bored very, very easily and don’t like to stick to one style for long.

What are your plans for the rest of the year? Where can we see you play live?

 My EP launch party will be at The Chestnut on Wednesday July 19th – that’s free entry as well – and I’ll have my very first paid gig at the Brecon Fringe Festival on August 13th. Beyond that I’ll keep inflicting myself upon the open mics of Worcestershire – primarily The Marrs Bar, Firefly & Chestnut – until I move away. I’m still small time. I’ve only been performing regularly for about 14 months. You’ve caught me in what are hopefully only the very early stages. Just another noise-maker in a line of noise-makers. Though my noise is often a few decibels apart from the night’s standard – either quieter or louder, depending on my general mood and whether I want to croon about a mythical Greek monster or bellow & growl about alcohol. Do come see the noise, though. It will be – deep breaths now – FUN.

Poster for the EP launch party on July 19th 2019

You can follow Jesse at:
https://www.facebook.com/JRDMcreations/
https://soundcloud.com/jesse-river-dylan-murray

And you can buy the EP here:

https://jrdm.bandcamp.com/album/classical-music

You can find this interview in the July edition of Slap Magazine:

http://www.slapmag.co.uk/slap-issues/issue-71-july-2017.pdf 

or download the file from here:

issue-71-july-2017

Nearly a centerfold! Jesse featured in SLAP Magazine July 2017

As we said, before we sat down to talk with Jesse, we seen them several times performing live and each time Jesse would blow us away. Their stage presence is immaculate and the clothes and killer shoes are just unearthly. It`s like Richey Edwards raiding Bernard Butler`s wardrobe in the 1990s. Or Freddie Mercury, or Syd Barrett or Brian Molka or Marc Bolan or Stevie Nicks…it`s like walking on set of Velvet Goldmine, Breakfast on Pluto live… we can go on until tomorrow morning.

We took some shots for you, so you can judge for yourselves.

Jesse`s amazing stage outfits.

Dressed to slay we tell you.

Classic look and killer heels

We will see you on the 19th July for the EP launch. As Jesse said – it will be FUN.

xxx
Mal+Rita D.

**** Update 26/07/2017****

New Poster for the EP launch

Pushing at the boundaries – “Classical Music” EP launch

Chestnut Inn in Worcester is an unusual place. For starters it looks like it should belong in Hay On Wye. Books and antiques can be found in every corner. On second glance, the pub feels like a crossover between Leaky Cauldron and Peel Archive.  Fat, red cat roams around demanding cuddles from the customers, big portraits of rock and blues stars on the walls seem alive and there are vinyl records in big piles near the bar. No wonder that  Chestnut was chosen as a venue for Jesse River Dylan Murray`s EP launch on 19 July 2017.

The Chestnut Inn in Worcester

This place is like Cash in the Attic episode

Some of those records are really old and still being used!

Large portraits that give Chestnut Inn quite a character

Chestnut Inn decor is out this world, we tell you.

That is self explanatory!

A wild child of Worcester music scene, Jesse cannot be easily squeezed  into a box and they have more aces in their sleeve than a skilled gambler.  One moment channeling Bowie, the next singing like Tom Waits, Jesse easily changes from glam to indie to alternative with charm and buoyancy that captivates the audience. We can tell you that when we entered The Chestnut, the house was full.

Before Jesse hit the stage, we had a pleasure to listen to two support acts: Stephen L Wright (locally known as Nobby Wright) and Benjamin Dallow.  Stephen L. Wright continues a proud tradition of classic blues and we are sure that sooner than later Nobby will find himself on the other side of the Pond. Ben Dallow (who filled in for Redwood as she could not perform due to conflicting schedules) on the other hand is fully immersed in British rock. There is a lot of Oasis and Paul Weller influences in Ben`s music but since when comparison to the Modfather is a bad thing? Dallows version of Jam`s That’s Entertainment was fresh and done in his own style, so no complaints from us here. It also should be noted that Ben`s performance was arranged the night before the EP launch at a last minute but it worked out perfectly. That’s the beauty of our local music scene.

Ben Dallow during his performance

Rock`n`Roll star

We think we need to introduce Ben to Mikey Johns of This Feeling.

Once Ben Dallow finished his set – it was all about Jesse and their music. With their signature guitar, full make up on and snow white shirt, Murray mirrored Richey Edwards in passion and  stage persona and equaled American indie sensation Michete in outspokenness.  They played the EP in full and when that was not enough, they turned to a cover (brilliant version of Heroin by Velvet Underground).

For a young performer Jesse surely has dedicated friends – some of them came as far as London for the launch and at the end of the night, Jesse was presented  with a huge bouquet of summer flowers. Not Morrissey-esque flowers but equally sweet.

Bold in their performance, but there was a bit of stage fright too, we think.

Rocking to a crowded room

Jesse on stage

a view from the first row

In their element

Not everything was perfect. Jesse like many other acts has to learn on the job and perhaps the set was too longish but we did not really mind. Even if we had to buy the EP from one of Jesse`s friends and not the artist themselves.

It was a fun night – full of excellent music, chaos, silly conversations, too many pints and had all the marks of “I was there” moment. If given right amount of endurance in this dog-eat-dog industry, Jesse River Dylan Murray has all the talent and persona to become not just a local starlet – but a full grown rock and roll start in their own right.

Better than Moz.

Set list

The day after thank you note from the artist.

Credits:

Jesse River Dylan Murray:
https://www.facebook.com/JRDMcreations

Stephen L Wright (also known as Nobby Wright)
https://soundcloud.com/nobby-wright

Ben Dallow
https://www.facebook.com/benjamin.dallow

The Chestnut Inn
https://www.facebook.com/TheChestnutInn/

EP launch review in SLAP Magazine, August 2017

Our review has been now published in August issue of Slap Magazine. You can read the magazine online (turn to page 43) here:

http://www.slapmag.co.uk/issue-72/august-2017/

Or download a copy from here:

issue-72-august-2017

JRDM – pink bullet logo

If you need to purchase a copy of the EP – please click on the link below. It costs just £3 and supports a very talented performer who, like many on Worcester music scene, is fully independent and  DIY.

https://jrdm.bandcamp.com/album/classical-music

Cover of the digital single That`s got nothing to do with music that accompanied the EP launch

The EP is accompanied by a free download digital single “That`s got nothing to do with music”. Jesse decided not only to give one song completely free for their listeners, but also offered lyrics (it`s actually a very long and contemplative poem) and hi res artwork.  We really believe this is a fair deal – from a very promising artist. You know what to do!

https://jrdm.bandcamp.com/track/thats-got-nothing-to-do-with-music

On 12th July, the single was debuted at BBC Introducing Hereford & Worcester to a warm welcome from listeners and the broadcaster Andrew Marston himself

That`s Got Nothing To Do With Music debuted on BBC Introducing Hereford & Worcester on July 12th 2017

And if you need any more recommendation to get yourself a copy of “Classical Music” – please have a look at the photo posted recently by Steve Lamacq (of New Musical Express, Radio 1 and BBC 6 Music fame). Jesse`s EP has landed on his desk and was scheduled for listening. We think this is uber cool and only shows what potential JRDM has!

 

EP has made its way to 6 Music!

Hope you enjoy the review, coming up – everybody`s fav section – images from two great local photographers!

M/R

**** Update 28/07/2017****

It`s been a week since the EP launch (you can buy it HERE) and  we are getting some amazing shots from the night. Please let us show you photographs done by Andy O`Hare. Andy is a journalist of local chapter of BBC (BBC Hereford and Worcester) and also a staff member at the local SLAP Magazine. He is often seen in front rows, documenting local music scene with his camera in hand– the amount of gigs he attended would make John Peel envious!

Andy was so kind to come and photograph the EP launch despite a very busy schedule. And he allowed us  to republish some of his shots on our blog.

Diolch Andy!

Please visit Andy at:

https://www.facebook.com/andy.ohare1

Peace out,
Mal+ Rita

**** Update 02/08/2017****

EP launch in the lens of Duncan Graves
https://www.facebook.com/duncan.graves

More coverage dear readers! Let us present you with some stunning works of Duncan Graves. Originally from Manchester, Duncan relocated to Worcester and has been one of the cornerstones of the scene for many years. He is a freelance photographer working with local bands and  magazines and documenting the music community we have in town.

Duncan was so kind to come and shot the EP launch and he agreed for his images to be part of this humble blog. And thanks to him, we can finally close the gap in our coverage as we did not have any shots of Stephen L Wright performing.

Stephen L. Wright by Duncan Graves
https://www.facebook.com/duncan.graves

Folk hero- Stephen L. Wright, photo by Duncan Graves
https://www.facebook.com/duncan.graves

Benjamin Dallow – photo by Duncan Graves
https://www.facebook.com/duncan.graves

That`s entertainment – Ben Dallow photographed by Duncan Graves
https://www.facebook.com/duncan.graves

Jesse photographed by Duncan Graves
https://www.facebook.com/duncan.graves

 

Duncan`s a top lad. You can send kudos (and your gig dates) to him here:

https://www.facebook.com/duncan.graves

***

EP on the inside

EP back

We will round up  our coverage of Jesse`s EP with this statement. Classical Music has been sitting in our stereo for good three weeks now and we just love it to bits. It is such a nice little local record and surely one of the best debts we have seen on our scene in a long while. Actually, we spoke to folks who have been attending local gigs for years and what pops up in almost every conversation is the excitement people feel. Peace and The Tights  are brought up (two local bands that hit it big) and how they made the town proud.  What is also being noticed is Jesse`s much more ambitious approach and his strive to forge his own stage persona. Imagine, if this kid grows to be new Bowie – mentioned one gig veteran we ran into at the Market Hall Records one Saturday morning when we were all digging through newly arrived rarities. And there was no sarcasm in his voice. That man been going to shows around West Midlands for thirty five years and seen the good, the bad and the ugly of local music. If Jesse is able to win over such hardened listeners, then what really can stop him? All the best Jesse, we have our fingers crossed!

Ps. We really think you look better with flowers than Moz. Thanks for reading this blog!

Jesse is shocked. Mission accomplished! ^-^

Indieterria crew is so so happy with how this blog tuned out – and we hope you agree with us dear readers. Weeks of following the artist, at least 11 updates and corrections and we think we nailed it. Its rock and roll and we are so excited to bring you all the details and angles to the story:)

Mal & Rita

Indieterria meets nth cave

Hello  Dear Readers,

nth cave logo

For June edition of Indieterria we have prepared an interview with another incredible artist from local scene in Worcestershire.  And nothing makes us more happier than to bring good indie music to your attention. But there`s a first to this month`s column. nth cave must be the youngest band we have ever sat down with. It`s both awesome and intimidating experience to witness such young artists with such huge potential. You see them play live a sold out house and you can only imagine how they will develop as musicians and artists. We hope you will enjoy this interview and when we are all old and grey, we can tell our grand children: “we were there, we seen them at the very beginning of their careers”.  And that will not be a lame claim to fame!

Talent to the nth degree

nth cave posing before their BBC Introducing session Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

They are young, fearless and immensely talented. Appreciated by critics and audience alike, the quintet mysteriously named nth cave is taking West Midlands music scene by storm.  They are yet to release their debut album and they may not be old enough to enter the venues they play unaccompanied,  but their music and stage presence are drawing crowds that would make senior or well accomplished acts jealous. We sat down with brothers,  Hector and Fergus Brazier to learn more about the wunder kids of Worcestershire.

 nth cave is a very unusual name. Can you tell us where does it come from?

nth cave: In the first period of nth cave`s existence we went pretty much unlabeled, because we weren’t really regularly gigging and we had no real original material to share with anyone. At this point, our high school music teacher would refer to us as “Danni and the Elements”, which we met with quite a large amount of disdain, but we had no real other ideas for band names so we kind of went with it for a bit. After a while we started doing a few gigs and had started to write some original song ideas. We were desperate for any name other than “Danni and the Elements”. We started playing about with some ‘band name generators’ on the internet. After a few hundred attempts, it churned out “nth cave” which we all agreed ‘isn’t really too terrible’. And I think that’s how we all feel now. It’s not too terrible but it really isn’t great. It just does its job as a band name. Our music really speaks for itself, I think, and the fact there’s no real “epic story” or anything behind our name represents our rejection of some of the more pretentious and faux-intellectual characteristics that a lot of other bands strive for.

You started out as a 4 piece but expanded by adding Lauren Mulhearn on bass. Your original bassist Alfie Newman moved then to second guitar. How did the line up change affected you musically? Is it easier or harder to play as a quintet?

nth cave:  nth cave was always intended really to be a quintet. We actually started out in high school as a five piece. However the second guitarist just had too many other commitments (jobs and family stuff etc…) and this, combined with a growing amount of musical difference, led to us and him growing apart. So we started gigging as a four piece, but with the majority of the songs and covers being designed for a band with duel guitars, there was a notable ’emptiness’ about our sound. This is when we started looking for a bassist, who appeared in the form of Lauren Mulhearn via Twitter DMs. After a couple of rehearsals she was up to speed with our whole set and we started gigging as a five. This was met immediately with positive responses. With the second guitar adding stability to the foundation of the songs this consequently allows for notably more freedom and expression in both the lead guitar and vocals

nth cave performing at Marrs Bar photo by Duncan Graves https://www.facebook.com/duncan.graves

Your guitar player Fergus and drummer Hector are brothers. Yay or nay for having your sibling in a band? Is any sibling rivalry involved in the music making process?

Fergus Brazier: Nah there’s no rivalry, as long as we’ve both played instruments we’ve jammed together so we’re normally pretty aware of each other’s styles and mannerisms in music.

Hector Brazier: There’s no problem with siblings bring in bands together, I doubt that anyone can’t think of a band with brothers or sisters. Oasis, Peace, Cage the Elephant, The Jesus and Mary Chain, and that’s only a few. Oasis may not have ended that well but their initial success or any bands success isn’t hindered by having siblings together in the band.

 You recorded your BBC Introducing session at the Phoenix Theatre in Ross on Wye in April 2016. How do you remember this experience?

 nth cave:  nth cave’s BBC Introducing session was a brilliant opportunity for us, as a band. However I would say that it came about at the wrong time for us. At the time of the session we were still playing in our original lineup and consequently we were musically driven in a fairly different direction to the one which are now. As well as this we still had little to no popularity at all and we had yet to even make a dent in Worcester’s local music scene. This meant that our session (unsurprisingly), as generous as it was from BBC Introducing Hereford and Worcester, went pretty much ignored. Since then we’ve really grown as a band and developed a lot more of a style. Despite this, the most recent music that we’ve sent to BBC Introducing was acknowledged but not broadcast which is a shame because we all really appreciate the work that BBC Introducing do for unsigned artists, and we just wish we could ‘get in on that’.

One of band members is missing – photo by Josh Foster https://www.facebook.com/phojf

Sonically you place yourself between Wolf Alice and Nirvana. Who else would appear on your wall of fame?

Hector Brazier: Personally I see nth cave as the coming together of a wide array of genres and styles, with band members contributing to our songs based upon their own musical upbringing. With individual influences ranging from jazz to hip-hop to pop punk, our music is filled with hyper-subtle references to some of this music. I would like to point out at this point that nth cave are most certainly not a “jazz, hip-hop, pop punk group”. That honestly sounds disgusting.  It is because of this fact, however, that sometimes it can be quite hard to place our “middle ground” musically. Artists such as Wolf Alice and Nirvana are fairly influential to the majority of the band and it`s because of this that we place ourselves (somewhere) within the “alternative/indie” genre.

Fergus Brazier: nth cave’s “Wall of Fame” really does have to include some of the artists that we regularly cover like The Strokes, Pixies and The Wytches. I would say, it’s through covering artists like this that we have really started to improve our own work, taking influence from the upbeat guitar driven pop sound of The Strokes, the intense dynamics of Pixies, and even some of the sonic elements found within the heavy lo-fi surf rock of The Wytches.

While our singer’s voice has been regularly compared with artists such as Broadcast and Stereolab, her largest influence, vocally, comes from the work of Kasabian.

As well as these artists, bands such as Led Zeppelin, Radiohead, Pond and The Velvet Underground had an impact. In fact the bands writing style is particularly influenced by the likes of The Velvet Underground and that whole alternative New York scene. As far as I’m concerned Lou Reed, as well as being the ‘god father of punk’ is the father of all worthwhile western music. These artists would all feature nth cave’s ‘Wall of Fame’.

nth cave is making a name for itself on national independent scene in record time. You started in late 2013, two years later you were featured on Andrew Marston BBC show. This year you played all important venues between Bristol and Birmingham. You leave your competition far behind.

nth cave: We’re pretty happy with what we’ve achieved over the past year gigging, mainly in Worcester and Birmingham. We’re set to play in Hereford next month but are yet to play in Bristol. The music scene right now is great down there so hopefully we’ll make it. It’s a dream of ours to be able to play in every city in the UK so we have a long way to go yet.

Our favourite track is entitled “Bass”. You even shot a popular video for it at the Birmingham City University. Can you tell us something about the song? Working with film students must have been a fascinating experience.

nth cave: Petko Stankov who was a technician at an acoustic gig we played was a major force behind it. He decided that we were the kind of band he wanted for his music video module so he chose one of our songs and we got an audio recording session and a video recording session at BCU. We’ve had loads of good feedback from it and we were really impressed by how professional it looks so thank you to Petko and his team for making it and thank you to everyone who watched and shared it. We heard from someone recently that part of the most recent Star Wars film was filmed in the same studio as our video which is insanely cool if it’s true. One shame about the video is we didn’t have Lauren in the band when we were working on it; it would have been great.

After a string of successful singles, it is time for a full release. Can you tell us more about your first album?

nth cave:  Well we’re still deciding what would be best for us, to release an EP or a full album. Either way we want to go to the studio soon but there aren’t any actual album plans yet, but we do have lots of ideas for its artistic structure and a lot of album name suggestions. For now though we’re happy with working on our material and gigging. We really, really hope there will be an album eventually though.

nth cave demo that is currently in our music archives

Your future is already looking bright but things will only get better. What can we expert from you guys in the next months to come?

 nth cave:  To be honest we’ve got no set big plans other than the occasional gig. We are however hoping to hear back from a couple of festivals that we’ve applied to play at. As far as our own material goes, it’s just a case of getting some recording sessions done. We certainly have enough original work to put together an album, it just all depends on what opportunities arise for us. We’re hoping to work more with Boneyard Sessions to increase exposure for some of the more talented (yet under-appreciated) bands in the Worcester music scene. So overall we want to get our original material together and get ourselves out there as much as we can, and hey, if someone wants to offer us a sweet record deal? We’d consider it. Hopefully this’ll be the busiest and most progressive year for nth cave and we’ll just keep up what we’re doing and see where it takes us.

Screenshot from Slap Magazine

 You can follow nth cave online at:

https://www.facebook.com/nthcave
https://soundcloud.com/nthcave
https://twitter.com/nthcave
www.instagram.com/nthcave

You can also read this interview online as a part of SLAP Magazine

http://www.slapmag.co.uk/issue-70/june-2017/

Or download this file from here:

issue-70-june-2017

nth cave has been announced as one of the first bands to play this year`s Worcester Music Festival. And we cannot be more excited.

http://www.worcestermusicfestival.co.uk/bands/nth-cave/

Come back again, next edition of Indieterria will be slightly different. For the first time, we will have a solo artist in the hot seat!

xxxooo

Rita +Mal

**** Update 03/09/2017****

We had to catch up with nth cave again for an update.  There is so much to report: the band will be playing a highly anticipated charity gig as part of Musicians Against Homelessness on 22nd of September at Marrs Bar and was featured on BBC 6 Music  by Steve Lamacq himself.  So let`s pass the mic to Fergus and Hector Brazier again. Read on:

Autumn is opening a new chapter for the band. For the first time on the 8th of September, you will be playing a show in Liverpool for Club Babe’s OXJAM WEEKENDER. You must be truly excited.

nth cave: Yeah, we’re looking forward to it. We played Club Babe in Hereford a few months ago with Hedgehog and the Clementines (who are also playing in Liverpool) so we get to play with them again and we’re stoked to return to Club Babe again. Massive thanks to Roscoe for inviting us.

nth cave dedicate a lot of time and resources towards humanitarian projects. You will be playing two charitable gigs for Worcester community in September. First as a part of Worcester Music Festival on September 16th (for St Paul Hostel) and then Musicians Against Homelessness on Sept 22nd (benefit for Crisis). It seems being engaged in the affairs of local communities is very important for you.

nth cave: We try to do what we can. We’ve never really been fussed about making money, we just want to play music and bring people together especially when it’s for a charitable cause. This year is going to be our firs Worcester Music Festival so we want to contribute all we can for Saint Paul’s Hostel. And hopefully we can do more with MAH as well in the future. We’re also playing at Worcestershire Pride in September which is going to be very fun since LGBT is something nth cave really supports and stands up for.

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

You are also heavily involved in the promotion of other acts though Boneyard Promotions. Can you give us some insight into this project?

nth cave: Boneyard Sessions is Hector and Fergus’ project with Iggy Cuthbert (stage name Happy Bones) and we may not be the best promotional company out there but we definitely think we brought some really amazing talent to Worcester like Tom Forbes, Sam Clines, Junior Weeb and Mad Love. One of the main aims of Boneyard is to expand the Worcester music scene but also to provide artists with paid gigs (we pay all our acts) as it’s really important to us to try and give musicians as much support as possible to develop and then move on to bigger things. Boneyard Sessions are running a night at Drummonds for Worcester Music Festival so you can catch us there, and we think our other show in September is going to be amazing so watch out for that.

Fergus was recently offered a job at the Beeb. Congratulations are in order. What else in store? A permanent move to London?

nth cave: For Fergus, yes he will be moving to London for that. We’re hoping this means we can get ourselves further afield than Worcester and Birmingham so we might get some London show soon! The same goes for Danni moving to Chester for University; we’re hoping that that means access to the Liverpool (and maybe Manchester) music scene.

The demo version of your song “Pop Party Princess” has been played by the legendary Radio DJ Steve Lamacq on his show “BBC 6 Music Recommends” on the 4th of August. He praised you saying that he is going to watch the band’s progress. This is huge accomplishment to be played on national radio station among esteemed artists and popular newcomers such as The Big Moon (nominated for this year’s Mercury Prize). You must be very proud.

nth cave: We were totally not expecting it at all! We definitely wouldn’t consider ourselves anywhere close to the level of the other artists played on his show so if people think that we are or will become a popular newcomer is really flattering and we certainly hope we’re making a difference. Getting us on Steve’s radar hopefully represents a step for us being played on Radio 6!

Anything else you’d like to share with us? What can we expect from you in the last quarter of 2017?

nth cave: The last quarter of 2017 might be a bit quiet for gigging but it will definitely involve writing new songs, refining ourselves and spreading our wings to as many cities in the country as possible. We have a handful of gigs in September but after that it might be a while before you see any activity from us. But we do have a little something planned for New Year which you should definitely look out for!

If you want to hear nth cave on Steve Lamacq show, here`s a audio:

https://vocaroo.com/i/s1YaUCFm6gT8

If you want to see nth cave play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Stay tuned for more,

Mal+Rita