Indieterria meets Pete Eastwood

Dear Readers,

It takes one person with a vision to make a difference. This statement rings  true for Pete Eastwood  – the founder and creator of Confessional  Festival and Night at the Museum in Blackburn. His events showcase the best emerging artists in incredible locations while also putting the town on the musical map. We sat down with Pete to discuss the beginnings of Confessional Festival, his role as a booker and promoter and why this year festival`s theme is a rain forest.

 

Poster for Confessional Festival 2019

Your social media description goes straight to the point: music promoter, booker, venue owner, band manager, film maker, mentor, head of a music festival. Please introduce yourself to the readers of Indieterria.

Pete Eastwood:  Hi, I am Pete, a mod with a punk attitude from The North.

My passion is live music, and in particular young emerging talent. I always strive to book hot new acts that are about to break. I am happy to be just called a booker these days, as that is the area I am most proud of. A friend once asked me why I use the word booker before promoter, but my line ups are what I put the most effort into. I am OCD fussy, and give myself stupid rules, like I never book the same act twice for the same event as I consider this lazy booking. I never understand why some events book the same acts year after year (lack of imagination and effort). I love the challenge of having a blank piece of paper and having to make my current event, better than any previous.

Also even though I get a huge amount of applications for artists to play (which I appreciate) I only ever book off my wish list of acts that have excited me live over the past 12 months. The word promoter comes with the role of a booker anyway, as you need to promote the acts that you are showcasing (along with them of course).

Managing or representing a young act I believe in is where I feel most at home, but I am concentrating on putting on special events these days.

Pete Eastwood himself. In a obligatory rock and roll pose.

On 6th-7th of September, Blackburn will welcome another edition of Confessional Festival. Please tell us about this event. How did it start?

Pete Eastwood: Confessional Festival started when I was offered an old disused grade 2 listed church that closed in the 1980s, as I wanted to do more that just book a gig in a gig venue. I came up with the idea of a music and arts festival once per year and from day one I wanted it to have the wow factor, which I feel we achieve.

The setting for the festival is grade II listed Holy Trinity Church in Blackburn, commonly associated with Chad Varah – the founder of Samaritans. We have to say this is an unique venue to have a music festival in. Tell us why you decided to host the festival in this particular place?

Pete Eastwood:  I got fed up with working for venues or promoters, who didn’t seem to treat the bands with much respect, or even watch the acts they booked .

I decided to put on my own events, then it was up to me how much effort I put into this. I do it under the umbrella of Fairground Events (very cool Beatles link) with the tag line Amazing Acts in Amazing Buildings. I feel part of the success of these events is the extra effort we put in and the attention to detail.

We have been wondering why the festival is actually called Confessional Festival? Are the artists required to confess something before coming on stage?

Pete Eastwood:  I am more than happy for folk to confess, but no. I remember as soon as I was offered the church, I said yes as long as I can call it Confessional (it just came to me). However a friend of mine tells me he came up with it! (laughs)

The passes for Confessional Festival 2019

The festival started in 2015 and has been going from strength to strength with each edition. What’s your secret for a perfect line up? New talent? Established acts or a mixture of both?

Pete Eastwood: Always new emerging talent, but if I have a chance of booking legends I have always loved, then of course I am going to.

Each year comes with a particular theme as well. 2019 is dedicated to rain forest. Who is behind the décor and how long it takes to prepare the church for the festival?

Pete Eastwood: The theme just comes to me each year, and we don’t do it in a tacky or cheesy way. How it works is I have a vision which I tell to my art manager legend (Kev) initially he laughs and tells me to go away. Then a few days later he calls me asking if I was serious, as he has worked out a way of doing it.

The Rainforest theme is current and very topical. We have tried to also put the effort into being ethical. Expect to see birds of paradise, Aztec temples and waterfalls.

We have worked for the past 9 months on this years event.

Holy Trinity Church from the outside

Holy Trinity Church from the inside during the festival

You have hosted some incredible names at Confessional: Cabbage, Pins, She Drew The Gun to name a few. This year’s line up has Liines, The Blinders and International Teachers of Pop among many others. Which performances would you consider the best of the festival?

Pete Eastwood: I really have liked every single act that has played, but I think Cabbage has to be up there.

Running a festival is a herculean task and few people truly know what it takes to organise one. What would be your advice for those who would like to follow in your footsteps?

Pete Eastwood: Do it for the right reasons (to make something positive happen in your town) not for money. Choose the right trustworthy team who believe in your vision.

Put in the extra effort and attention to detail and don’t book the same acts twice.

Besides Confessional, you also hold bi-annual Night At The Museum in Blackburn. You seem to specialize in finding some truly magnificent places to stage music gigs. Tell us more about Night at The Museum. 

Pete Eastwood: Night At The Museum Live happens twice per year, in a magnificent room surrounded by a 40 million pound backdrop of art, with an Egyptian mummy in the dressing room, and never has more than 120 tickets for sale. Even Jools can’t offer that. All 10 events have fully sold out in advance, so we must be doing something right.

We like our last question to be fun so please tell us, is it true that you are known as Saint Pete of Blackburn, Patron Of The Art among the musicians and concert goers?  

Pete Eastwood:  Ha it should be, but I am probably known as a mad mod that eats, sleeps and breaths music, who tries to sell tickets to every person he bumps into.

Stage times for Confessional Festival 2019

You can follow Confessional Festival online:

https://www.facebook.com/confessionalfestival/
https://twitter.com/confessionalfes
https://www.instagram.com/confessionalfestival

Tickets are still available online so grab them while you can:
https://www.fatsoma.com/confessional/m3ch9qht/confessional-festival-2019

Sister event – Night at the Museum can be found here:
https://www.facebook.com/nightatthemuseumlive

and you follow Pete Eastwood on socials:

https://www.facebook.com/pete.eastwood1
https://www.instagram.com/peteeastwood/
https://twitter.com/NATMPete

Confessional Festival happens this weekend (6th and 7th September) at Holy Trinity Church in Blackburn. See you in the Rain Forest!

Mal/Rita

Indieterria review – Second Hand Emotion by Saytr Play

Dear Readers,

This blog was completely unscheduled but sometimes you just have to accommodate an unexpected release. It landed with barely few days of warning and to be frank we had listened to the single whole three times in total before making a decision that it required a review. So here we are typing at night. If we were lazy, we could tell you that this song is a banger, a real jaw dropper, a proper killer et cetera. Technically it is true but what a lousy writing that would be!

New single from Manchester based five piece Saytr Play entitled “Second Hand Emotion” deserves so much more than few cliché compliments. The band has poured their hearts out into a three minutes track and created a dark anthem for dark times we are living though. We can think of a handful of artists that could do something similar in recent years so it puts Saytr Play in the same league as The Blinders, Strange Bones, Avalanche Party, Sunflower Bean or She Drew The Gun.

Fred Farrell during the video for Second Hand Emotion

Saytr Play photographed by Jack Whiting
https://www.facebook.com/jack.whiting.967

But don`t expect a mosh pit starter. Saytr Play are not Idles, they don`t need to kick the door open to deliver their message. They instead will offer a haunting melody, wonderfully produced and written radio friendly indie track with poetic lyrics. Their strength lies not in angry howls and screams but in how quickly you pick up the song and start singing along with it.  Gigwise – who premiered the video – summed it up this way “the single wouldn’t be out of place blasting out of the speakers at the Etihad stadium” and they are spot on. Well, we can take it from there to say that if the band keeps on putting singles like this – soon they will not only be selling out Gorilla or Ritz. They will sell out Etihad itself. Give them five years, a record deal and watch them fly.

“Second Hand Emotion” brings the same feeling as when “Almost A Kiss” by Blossom came out. You could nearly touch the fact that the band were about to hit it big. The sensation is back. If we are not mistaken then another Manchester band will soon need to find new technical help at gigs. (actually, there will be few vacancies to fill in Columbia since Document are also doing remarkably well).

The band prepared a whole package to go with the single. In a video  we can see Fred Farrell – charismatic leader of Saytr Play – dressed in immaculate white throwing himself in agony/ecstasy while the rest of the band are shown donning dark clothes like a canvass of darkness. A male figure dances around providing the only other focus point for the viewer. Funnily enough this review contains words “five years” and we can’t stop thinking that there is so much of Bowie in the video. From the elaborate make up (like a modern Nō theatre mask) to unbuttoned shirt to the  trademark black heart tattoo  Fred Farell is a glam rock god from era passed. A Maxwell Demon at his most powerful if we can throw in a movie reference.  There is a sense of mourning as Fred holds a burning candle in his hands.

The video has been directed by Matthew Boone and George Webster of Scruff of the Neck and  they did a bloody good job, let us tell you this.

Speaking to Gigwise leader of Saytr Play said “The track’s image explores the vulnerability I feel in today’s society and this idea that we have a voice. In my opinion we don’t have a voice or at least a voice that will be heard. The abstract nature of the image provokes thought. Whatever that may be is irrelevant because it’s your own unique thought! Your second hand emotion.”

The single comes with a black and white sleeve showing a huddled figure – a striking image by Sabrina Olson.

The cover for Second Hand Emotion with photography by Sabrina Olson

Louder Than War Magazine once described the band as “it’s impossible to bottle lightening, Saytr Play come pretty bloody close”. There is very little to add from us truly.

Fred Farrell, Daniel Crowther, Jamie Vere, Thomas Castrey, Juanan Garcia – you did it. Well done.

You can follow Saytr Play on socials:

https://www.saytrplay.com
https://saytrplay.bigcartel.com/
https://www.facebook.com/Saytrplay/
https://www.instagram.com/saytrplay/
https://twitter.com/SaytrPlay
https://www.youtube.com/user/SaytrPlay
https://soundcloud.com/saytr-play
https://open.spotify.com/artist/169EIOeeLOUF8KPn0hAvzG

Additional reading:
https://www.gigwise.com/news/3359866/first-play-saytr-play-premiere-stadium-ready-single-and-video-for-second-hand-emotion

The video to Second Hand Emotion was made by Scruff of the Neck
https://www.scruffoftheneck.com
https://www.facebook.com/scruffoftheneck
https://twitter.com/scruffoftheneck

Directed and edited by Matthew Boone
Shot and graded by George Webster

Second Hand Emotion is released on band`s own label Lovers Music Records
https://www.facebook.com/weareloversmusic/

Love,
M/R

Indieterria review – “Chains” by Lower Loveday

Dear Readers,

It`s always such a pleasure to review a kick ass single. Nothing makes an A&R happier than new music. But a kick ass single coming  from a band that we adore here at Vanadian Avenue is even better.  We have such a soft spot for Lower Loveday. We met them for the first time in February 2018 when the band performed a blinding set at Birmingham O2 Arena during the final of SoundWaves Music Competition. They did not win but being placed in the final five was still a great result.

Since that night at O2 Academy – we have been big fans of this West Midlands quarter. We have interview them on our blog twice (HERE & HERE), they played for our first showcase in London at legendary Nambucca, we ventured together to Salford to watch Freeda and Kashmere play and generally plotted for musical world domination from our corner in the Middle Earth.

Lower Loveday received backing from BBC Hereford and Worcester and BBC Introducing West Midlands

It is a privilege to watch a band develop and reach new heights. And believe us in the past two years Lower Loveday have had many accomplishments. They supported Only The Poets, APRE and Rory Wynne, received national airplay on BBC 6 Music (from Tom Robinson nonetheless), their music has been used by ITV (on Good Morning Britain) and have been championed by both BBC Introducing Hereford and Worcester and BBC West Midlands.

If that is not enough for ya, then add this to the mix. Their newest single “Chains” was produced by famous Sugar House in their studio in St. Helens (Merseyside).

Sugar House consist of a freelance engineering and producing duo – Lee McCarthy and Ady Hall.  Having worked with artists such as Pale Waves, Viola Beach, Mint, Glass Caves, The Empty Page or Larkins, they have built a solid reputation on the indie circuit. They contributed towards songs that  made it to the national playlists on Radio 1, BBC 6 and X Radio and some of them went into Top 40.

Digital sleeve for Chains single

“Chains” is another banger that Sugar House mastered and if the demo of the song was picked up by ITV, then the finished product will be welcomed with open arms at BBC Radio 1 in no time. It is a power pop indie, with dazzling guitar hooks and strong rhythm section. It is almost impossible to resist dancing to the song. We have seen it first hand on live gigs and it is perfect for jumping around while holding hands with other fans. But it will also be a favourite of every kitchen disco around the country.

While musical side of the song remains upbeat, there is a dark undercurrent showing itself in the lyrics. “Chains” tells a story of a man pondering his future in a world that is far from welcoming.

Says the band:  “The song was written from the point of view of a young man, reaching adulthood and deciding what to do with his life. Having had so much fun throughout his university years, the real world doesn’t seem as good as it is made out to be. The punchy beats and thunderous nature of the song, provide the perfect backdrop for the big, melodic chorus of a man calling out for help”.

“Chains” is a second single released by Lower Loveday in 2019 and follows up its older sister “The Fire That Burns Inside”.  It was released  digitally on all streaming platforms on August 30.

You can listen to the song here:


Follow Lower Loveday on the socials:

https://www.lowerloveday.com/
https://www.instagram.com/lowerloveday/
https://twitter.com/lower_loveday
https://soundcloud.com/lowerloveday
https://www.facebook.com/lowerloveday
https://www.youtube.com/channel/UClGDR9XIPOo96KRox090yTg
https://open.spotify.com/artist/32uwvjulWxUc90gc7bPXMz?si=Gs6qIX_BQfeiVkQmtJUBBw

 

And you can give kudos to Sugar House at:

https://www.sugarhousemusic.co.uk/
https://www.facebook.com/sugarhousemusic/
https://twitter.com/SugarHouseUK
https://www.instagram.com/sugarhouseuk/
https://soundcloud.com/sugarhousemusic

Local press responded to the single in a most amazing way – an interview with the band has been published in Worcester News, Hereford Times, Malvern Gazette and Droitwich Advertiser. Please see the galleries below:

 

Press articles:
https://www.malverngazette.co.uk/news/regional/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene
https://www.worcesternews.co.uk/news/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/
https://www.herefordtimes.com/news/regional/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/
https://www.droitwichadvertiser.co.uk/news/worcester_news/17872448.lower-loveday-rise-jodie-hughes-39-focus-local-music-scene/

PDF files can be find:
https://cocamidemea.files.wordpress.com/2019/08/worcester-news_31.08.2019_page-23.pdf
https://cocamidemea.files.wordpress.com/2019/08/worcester-news_31.08.2019_page-25.pdf

Independent press was also up to the task and the band received a strong coverage from music blogs and online magazines:

 

Articles:
https://www.xsnoize.com/track-premiere-indie-pop-4-piece-lower-loveday-return-with-chains/
http://www.alternativeaddiction.com/AANewsArticle/aa-indie-song-of-the-day-lower-loveday2
https://www.bornmusiconline.com/premiere-lower-loveday-chains/
https://wordsformusic.blog/2019/08/31/lower-loveday-chains-new-music/
http://indiemidlands.com/lower-loveday-chains/

See you soon,
xoxo
Rita and Malicia

Indieterria Reviews – “Remainder” by Trupa Trupa

Dear Readers,

It is with the greatest of pleasures that we present you today’s review. For the first time ever, Indieterria is hosting a band from Poland! And they are, in our opinion, one of the best bands to come out of our native country in many years.

Trupa Trupa has been present on the international market since the release of their debut album in 2015. Musically, they are closer to Fugazi and experimental shoe gaze mixed with wild psychedelic rollercoaster. This year Trupa Trupa played Off Festival and SXSW where they received rave reviews from Chicago Tribune, NPR and Rolling Stone!

Official bio: Trupa Trupa are Grzegorz Kwiatkowski, Tomek Pawluczuk, Wojtek Juchniewicz and Rafal Wojczal. They made their first international appearance in 2015 with the album “Headache” published by a British label Blue Tapes and X-Ray Records. A year later, they signed to French Ici d’ailleurs, where they released a remastered version of “Headache” on vinyl. In 2017, in cooperation with their British and French labels, the band recorded and put out “Jolly New Songs”, which was also published by the Japanese label Moorworks. In recent years, Trupa Trupa have toured extensively, playing at the SXSW, Primavera Sound, Iceland Airwaves, Colours of Ostrava, Waves Vienna, Eurosonic, Liverpool Sound City, to name just a few. In February, 2019 the band released a single “Dream about” via Sub Pop Records. The new album “Of The Sun” will be international cooperation between Glitterbeat Records (Europe & elsewhere), Lovitt Records (USA), Moorworks (Japan) and Antena Krzyku (Poland). Release date: September 13th, 2019. The band works with Paradigm Talent Agency in North America, South America, Asia, & Australia and ATC Live for Europe, and will promote the new album with tours in the USA, Europe and Japan.

Wojtek Juchniewicz by Steve Hampson

Their single “Remainder” is KEXP’s song of the day and received a solid airplay on BBC through Stuart Maconie, Gideon Cole and Tom Ravenscroft. The band has been mentioned or interviewed in Rolling Stone Magazine, Pitchfork, Wire Magazine, Clash Magazine and many others.

We have sat down with Grzesiek Kwiatkowski, the singer and guitarist of the band to speak about the new song, his fear of people and why discussing history is so important in times of social divide.

Please introduce yourself to the readers of Indieterria.

Grzegorz Kwiatkowski: My name is Grzegorz Kwiatkowski. I am the singer and guitarist of Trupa Trupa.

Trupa Trupa by Steve Hampson

Where are you based and who is in the band?

 Grzegorz Kwiatkowski: Trupa Trupa is based in Gdańsk, in the north of Poland. Except for myself, the band consists of Rafał Wojczal (guitar/keyboards), Tomek Pawluczuk (drums) and Wojtek Juchniewicz (bass guitar, guitar and vocals).

Tell us something about your new single “Remainder”? Is there any story behind it?

Grzegorz Kwiatkowski: Everything we do can be interpreted in many different ways that’s why there isn’t a single story behind this song. Wojtek wrote the lyrics so his interpretation of “Remainder”, his idea behind this track, is not the same as mine. I’m not even sure if I truly understand what inspired him to write it. I can only tell you what it means to me personally. And I think, when people start listening to the song, they realize it is a protest against denial, against conveniently forgetting about things that happened in the past. It is a song about Shoah (Holocaust), about human catastrophe.

Trupa Trupa (again) by Steve Hampson

Where did you record the song? Was it in your home town of Gdansk (Poland) or somewhere else?

Grzegorz Kwiatkowski: The song was recorded, along with our entire album “Of The Sun”, in Custom 34 recording studio in Gdansk.

The song comes with a black and white video that looks like it was filmed through a telescope. Can you tell us where it was shot and who directed it?

Grzegorz Kwiatkowski: The video to “Remainder” was directed by Nick Larson but Aleksander Makowski helped him a lot on the set so it’s rather a cooperation between the two of them. I have discussed the meaning of the song with them before the shoot and they seem to agree with my interpretation. The video too tells the story of a humanitarian disaster.

Are you touring? Where can we see you playing live?

Grzegorz Kwiatkowski: Yes. We work with ATC Live and Paradigm Talent Agency so we are really in great hands when it comes to touring. This fall, we will play in America, Great Britain, France, Switzerland, Denmark, the Netherlands and Poland. So far, we have booked four shows in the UK: in London (Sebright Arms on 27th of September), Brighton (The Hope & Ruin on 2nd of December), Glasgow (The Hug and Pint on 4th of  December) and Leeds (Hyde Park Book Club on 5th of December).

You can purchase tickets online:
London: https://www.songkick.com/concerts/38535964-trupa-trupa-at-sebright-arms
Brighton: https://www.songkick.com/concerts/38990036-trupa-trupa-at-hope-and-ruin
Leeds: https://www.songkick.com/concerts/38982813-trupa-trupa-at-hyde-park-book-club
Glasgow: tickets available soon

Your new album “Of The Sun” will be released in September through Glitterbeat Records (Europe & elsewhere), Lovitt Records (USA), Moorworks (Japan) and Antena Krzyku (Poland). What can we expect on the record?

Tour poster

Grzegorz Kwiatkowski: Each song we put on the album is open to individual interpretation. For me, the record feels like a “Samuel Becket Lonely Hearts Club Band”. It is about time and nothingness. It deals with social issues on “Remainder”. And it is important to talk about these things. You see, few month ago, we wouldn’t be speaking about politics, but the mayor of Gdansk, Pawel Adamowicz, was murdered by a person radicalized by a right-wing hate speech. It was a huge shock for the entire country but it particularly strongly affected us. Gdansk is a city of freedom, (this is where the Solidarity movement started – Vandian Avenue), so the shock was even bigger. The band is now more aware of how the world around us has changed in the last couple of years, how bad it really became. We almost felt the history knocking on the door of our rehearsal room. I dedicated our SXSW shows to our murdered president.

I have always been rather afraid of people so that hasn’t changed. But now I realize, we live in a crazy, fucked-up Brexit-Trump times. Our reality has always been cruel and a lot has been done to cover up the brutality and violence. In the past however, people were more pretending, they wore masks. They were hiding their intentions. And suddenly, they feel empowered to say whatever they want. They do things in the most egoistic ways. Not all of them, but many do. They dont care about others. I feel this is a very risky situation. Evil can spread around faster than ever.

New single “Remainder”:
https://idol.lnk.to/Remainder

Tour: 
https://www.facebook.com/trupatrupa/photos/p.2530909726960137/2530909726960137/?type=1&theater

You can follow Trupa Trupa on socials:
http://www.trupatrupa.com/
https://www.facebook.com/trupatrupa/
https://twitter.com/trupatrupaband
https://www.instagram.com/trupa_trupa/
https://www.youtube.com/channel/UCafPyfB3DfnALknzO4NMYCw

Articles:
https://soundcloud.com/trupa-trupa/david-fricke-of-rolling-stone-about-new-album-and-remainder-on-siriusxm
https://rockandrollglobe.com/shoegaze/trupa-trupa-coming-to-america/
https://www.gigwise.com/news/3329600/watch-trupa-trupa-share-video-for-new-song-longing
https://www.clashmusic.com/features/dreams-and-reflections-trupa-trupa-interviewed

“Of The Sun”, Trupa Trupa’s new album will be released in September and we will be reviewing it as soon as it gets into our hands.
You can preorder your copy now fom Bandcamp:
https://trupatrupa.bandcamp.com/album/of-the-sun

The band is also working hard at adding new dates to their UK tour so keep your eyes open for possible gigs in Manchester, Liverpool, Bristol and Birmingham!
We would like to thank Steve Hampson for his beautiful pictures taken during band’s rehearsal in Gdansk in July.

Support your (international) scene!
XXX
Rita and Malicia

Indieterria meets Joseph Murray

Dear Readers,

Some time ago we had a pleasure and privilege to speak to Gavin Monaghan, the founder of legendary West Midlands` studios – Magic Garden. The interview proved so popular that we were asked to go back and write some more about the studio and its personnel.  And we are happy to oblige. Part of what we do at Indieterria is to highlight the assets that young and up and coming bands have at their disposal. And nothing is more essential than a good recording studio and talented producers/engineers. Bands, artists and those of you who one day plan to produce albums professionally – please meet Joe Murray. He is one of the best engineers in the country and he has a lot of incredible things to say about working with musicians, mixing and making the magic happen.

If that is not the best interview we did this year then we don`t know how to do interviews.

Joe Murray at work

You are second in command at the iconic Magic Garden Recording Studios.  Please introduce yourself to readers of Indieterria.

Joseph Murray: Hey everyone. My name is Joseph (Joe) Murray and I’m here to try to answer these wonderful questions and hopefully not bore y’all to deathhh!

Gavin Monaghan – the owner of  Magic Garden described you as a man of many talents. You act as engineer, producer and mixer. You and Gavin work very closely with each other. How do you divide the workload on a regular day in the office?

Joseph Murray:  That is very kind of him as always. One of my favourite things about music is that there is no such thing as a regular day, which keeps things exciting and creative! I think due to how long and how closely we’ve worked together on mountains of records, we’re able to share the workload in various different ways to get the best out of the track and the band. So here’s a rough example of working with a random 3-4 piece band:

Step one: The Band shows up and before anything we have a look around and a general chat. The main thing is putting the band at ease and trying to make sure everyone`s comfortable and “vibing”. The band`s music is massively important and the recording will live forever,  so of course there can be a few nerves here and there.  I try to make sure the band knows I’m on their side and their music means as much to me as to them!

Step two: After all the gear is loaded in and coffees have been made, we’ll all gather in the control room and have a talk about the song and the vision for the track. It`s crucial to get an idea of where we’re heading.

Step three: Once we’ve discussed the in’s and out`s and any ideas on how we should track the record, there’ll be a little bit of mind reading between Gavin and myself and I will head next door to the live room with the drummer to get a better idea of what kit they are using. Whether they can use studio`s various shells or maybe they’ve brought their own or perhaps they just got their prize snare. I’ll then give all the drums a tune which is HUGELY important and often overlooked! The drummer and myself will have a nice in-depth chat about what they like and we will find two, maybe three snares to narrow it all down.

Step four: When we’re hearing everything back through the mics, we’ll then move on to start tracking against the vibey guide track Gavin and the rest of the band have put together.  We’ll do this till we’ve got the “magic” and then I’ll spend a little while putting together the best of each take whilst the band get some sustenance or a nap.

Step five: Then it’s time for the big bad BASS, which 9 times out of 10 we will capture through a high quality direct signal and an amp for vibe. Having the direct signal means that when we’ve wandered into guitar land, we can re-amp the direct bass through various oddities and balance the mid-range against the real guitars.

Step six: And speaking of guitars – another bit of mind reading takes place and Gavin dons the chef`s hat and starts crafting the bands melodic elements. At this point,  I`ll take what we’ve got so far into my mix room and start doing some session file housekeeping so that once Gavin has tracked the rest of the musical components it`s a matter of bringing it all together. From here I’ll start working on my Mix! Every day is completely different: some days I’m producing an electronic artist in one room and Gavin is recording an acoustic songwriter next door and on other occasions I’m mixing an album whilst Gavin’s producing vocals for another project. Every sessions is different so I’m open and ready for most anything (animal attacks included).

Joe worked with many established acts – here in the picture he is shown with Paper Buoys

About two months ago we interviewed  Gavin himself and he mentioned that the studio was being refurbished. Can you update us on the progress of the works? How does Magic Garden grow?

Joseph Murray:  The studio is always changing and growing, which again keeps things fresh we’re always on the hunt for the next big thing or a mysterious hidden gem.

At the moment, we’re putting focus on the benefits of a hybrid approach so far as getting the most out of the computer whilst also squeezing out the analog goodness of the hardware units. The main room is centred around two different analog consoles from two different eras to give us options and choices, when it comes to different genres or bands or even song by song.

One of the desks is a vintage 70’s German broadcast, which gives us great clarity, punch and in general just makes most things sound a little more lively. Then to the side, we’ve got a fantastic gem of a 60’s British desk which again gives us vibe, colour and some nice, rich saturation.

We’ve also got a stock of various preamps – for even more flavours. I find that if you can get the recording chain working WITH the sound from the start, life is just easier later. They’re all tools, like paintbrushes – some are great for huge broad tonal strokes and others are better for fine movements and just a little bit of highlighting.

Meanwhile in the “B” Room, we’ve focused on the finishing side of projects and put the emphasis again on a hybrid approach focusing on the summing side and making sure that the hardware used is as flavourful as possible. In both rooms we’ve got matched monitors to make it easier to transition projects and maintain the same vibe and vision. There’s also a vast microphone collection ranging from the standards to the weird and wonderful and that floats between the rooms

What we are trying to do via this blog is to highlight options available for people who want to break into the music business. And we not only mean artists or bands, but also future technical experts: producers and sound engineers. Judging from your experience –  if somebody wants to find themselves on the other side of the mixing desk – where should they do?

Joseph Murray:  I can obviously only speak for myself and my own experiences, so my advice would be… you should be prepared to work hard (and long) and make sure you love music. Luckily music is so multifaceted and there are so many moving parts that I guarantee there are jobs you’ve never even heard of.

I’ve always thought that the technical side of the recording process can come second and will be worked on for years and years and years… So as long as you’ve got the attitude and decent taste you’re onto a winner. I would also say to remain open minded, you could walk in wanting to be the producer but find that you actually enjoy the engineering side more or even the sound design aspect. Be fearless-ish.

Prepared for any weather.

What are the do`s and don’ts of your profession. If you were to pen a list of helpful and unhelpful habits of studio personnel, what would you include?

Joseph Murray:  I think that attitude is probably one of the most important aspects to studio life. It’s long days, usually all in the same room. You’re dealing with people and it`s important that they know you’re on the same team and you only want what`s best for the song at the end of the day. Being able to write a good clear track sheet is always helpful, making (good or bad) coffee is always appreciated, in fact make lots of coffee. Take notes, ask questions, listen to  e v e r y t h i n g .

For don’ts – each studio or professional will have a different view on what not to do but my main one is don’t make mine or anyone else in the rooms life harder and that`s about it.

You have been instrumental in creating one of our favourites albums of last year – “Columbia”  by The Blinders. Tell us more about the recording process behind this record? Was it easy to work on it? Or maybe it was a truly dystopian experience?

Joseph Murray:  That`s great to hear and thank you very much! It was a brilliant album to be a part of for many reasons. Firstly, I lurvve the guys and they’re great to just hang out. Secondly the songs were top notch and they’re performers through and through, which makes creating an exciting record a joy. The process for the album wasn’t too out of the ordinary and just felt organic. They’re a band with a collective vision and unwavering commitment to get to it. They each know what they like and what they want whilst also being collaborative and open to suggestions and guidance. We were able to develop the songs in such a way that I reckon got the best out of everyone!

A parent shouldn’t have favourites but we need to ask  – which album you worked on so far is your pride and joy?

Joseph Murray: (laughs) Well I try to make whatever I’m working on at the moment be my favourite. I like the idea that for the time the band are in the studio with me I join them as an auxiliary member and in doing so it’s not about a personal ego or a personal preference, it`s about collaboration and doing your best for the band. We’re Family!

There are records I’m proud to been part of because of their musical or emotional significance, there are records I’m proud of because of my input and contribution and records that I’m proud to be part of because of the experience, so I wouldn’t say I have a favourite. It`s like being part of all of these different little tribes!

Besides working in the studio, we have seen you delivering am impressive stand up comedy sets at Musicians Against Homelessness gig in Birmingham in April. Was it one off or have you been doing it for a while now?

Joseph Murray: Ah, well thank you very much! That was actually my first set. I’ve never considered myself a stand up comedian, just a guy who spouts various amounts of nonsense and likes to hear people laugh. It was for a very good cause and as I’m a musician who is most definitely against homelessness how could I say no! If you’re also a musician who is against homelessness, I suggest having a look into what Musicians Against Homelessness do!

Joe Murray delivering stand up comedy set at Musicians Against Homelessness gig in Birmingham. Photo by Annie Monaghan
https://www.facebook.com/annie.monaghan.984

Every sound engineer have their favourite tools to use. What piece of equipment you just have to have at hand?

Joseph Murray: I often will rant about how you can make a record anywhere using anything because it’s the songs that matter and a good song will always be a good song. That being said, it’s nice to have the luxury of your favourite tools and it`s more often a question of what you’re comfortable using. The most important thing for me is my ears and monitors. Everything else is a bonus. My desert island bag would probably have in it a particular snare we’ve acquired that I don’t know much about other than it sounds incredible and seems to just balance the rest of the kit really nicely! Not to compare myself to Van Gogh but if he didn’t have his favourite brush I reckon he’d still paint a masterpiece.

We know that working with Gavin is a dream come true – he is the Wizard of Wolverhampton after all. However, let’s pretend you can work with any other producer (alive or dead) on any album in existence. Who do you choose to collaborate with and what’s the title of the record?

Joseph Murray: I feel that music is always changing and evolving and growing, so I struggle to pick a favourite album or producer. There are thousands of records that I would love to be part of. Some albums that come to mind straight away are the Berlin era recordings by David Bowie, especially “Heroes” produced by Tony Visconti whilst Brian Eno and Iggy Pop were hanging around too. That would of been an experience, especially seeing Tony recording Robert Fripp creating melodic feedback just by walking around the room.

I also think being with Nigel Godrich recording “OK Computer” would of been amazing, to be at the genesis of this new turn in modern music.

There are so many more – Bob Marley`s “Exodus” (not just for the weather), The Beach Boys` “Pet Sounds”, Marvin Gaye`s “What`s Going On”, Wu-Tang Clan`s ”36 Chambers”, Beastie Boys` “Ill Communication” and of course Fleetwood Mac`s “Rumours”.

Thank you very much for talking to us!

Joseph Murray: Thank you so much for your brilliant questions and I hope my answers made some sort of sense! Keep It Loud and One Love.

You can follow Joseph Murray on the socials:

https://www.facebook.com/josephjosephmurraymurray
https://www.instagram.com/josephjosephmurraymurray/

And Magic Garden Recording Studios can be found here:

https://www.facebook.com/MagicGardenRecordingStudio/
https://twitter.com/MagicGardenUK
https://www.instagram.com/magicgardenstudio/

There is an awesome playlist that showcases all the recordings made at Magic Garden on Spotify:

Yeah we know, we are so lucky to have such incredible studio in West Midlands and people like Joe and Gavin to take care of all the local (and not so local) artists. If you look for a place to bring your art to life – please get in touch with Magic Garden.

R/M

Indieterria meets The Cosmics

Dear Readers,

The Cosmics has been shaping West Midlands music scene for three years now. They announced their arrival on the local scene with a punkadelic anthem “Johnny” and do not show any signs of slowing down. It does not happen often that so early in their career a band will achieve best of both worlds – cult status in their home town and respect of their musical peers.Ask anyone in West Midlands and they will tell you – The Cosmics are unlike any other band. Not only in sound but how quickly they progress from one stage to another, like they have found a secret formula to make it in the music business. We can only think of one other act in the last four years with such distinctiveness, influence and uniqueness – The Blinders.

This blog will be longer than others – that is because we wanted to do a proper introduction to the band. We interviewed them, we went to see them on their first European tour and gathered some press coverage of their debut EP.

Ladies and Gentlemen of the indie circuit – please meet a trio that will define the future of music in the UK – The Cosmics.

**** The interview ****

Before the band travelled abroad to play shows in The Netherlands, Belgium and France, we have sat down with bassist and vocalist Erin Grace to talk about the band`s Glastonbury appearance, their EP and working on exclusive pressings of their singles via Flying Vinyl. This is what Erin told us:

The Cosmics photographed by Psychedelic Eye
https://www.facebook.com/psychedelic.eye.photography

Many bands claim that they are as close as relatives. You don’t have to – you are one very talented family.  Please introduce yourself to the readers of Indieterria.

Erin Grace:  Thank you! We are Erin Grace (bass/vocals), Connor Boyle (guitar) and Danny Boyle (drums).

The Cosmics formed in 2015 and within one year gathered incredible support. In 2017 BBC Introducing invited you to play their stage at the biggest festival of all – Glastonbury. Tell us how do you remember that show?

Erin Grace:  Glastonbury was an unforgettable dream come true, it felt very surreal, being on stage, there was huge  feelings of excitement, it’s something we always dreamt of but never thought would happen when we first started the band.

Since Glasto you have been going from strength to strength – the list of your achievements is longer than  life span of many indie acts: rave reviews from Steve Lamacq and Hugh Stephens, radio play on BBC 1, BBC 6, Amazing Radio, Radio X, coverage from BBC Introducing West Midlands. You played Isle of Wight and Reading Festival.  Your ascent to veterans of indie circuit was swift. Do you feel overwhelmed by your own success?

Erin Grace:  We don’t feel overwhelmed by anything, we just appreciate every opportunity we’ve had and we’re grateful for this journey as a band.

You shared stages with Starcrawler, Surfbort, The Murder Capital, Goat Girl and Birmingham finest -Table Scraps. Its equivalent of playing in Premier League of Indie Circuit. Do you book your own shows or do you prefer to use agents or external promoters?

Erin Grace: It depends what kind of show we’re going for, we love DIY shows and we also use promoters that suit us. Sometimes we book our own shows, though if we’re supporting a band or playing outside of Birmingham, we use promoters.

We have to ask you about your unique stage dress code: vintage dresses or costumes inspired by 60s and 70s have become your trademark. You have also been included in Fred Perry Subculture series.  How important is stage attire to you and was this aspect of your shows something that you wanted to explore?

Erin Grace:  Outfits are relatively important, they can express a mood or an era, we all love vintage fashion too so it just feels natural to wear what we love.

Your debut single “Johnny” came out in 2017 on Flying Vinyl – a company specializing in limited releases on vinyl. You returned to working with them last year when you took part in Flying Vinyl`s first compilation “Paranoid Futures”.  We would love to hear how your collaboration began?

Erin Grace:  Flying Vinyl approached us a few years ago when “Johnny” first came put and ever since, we love what they do!

The Cosmics ready for action – photography by Jessica H_Ingram
https://www.facebook.com/jessicahingramphotography

You just released your debut EP. It was recorded by Rory Attwell (Palma Violets, The Vaccines) and produced by Andy ‘Hippy’ Baldwin (Sundara Karma, The Orb, Blur, Oasis). You got to work with some established names. Where was it recorded and how long it took for the EP to be finished?

Erin Grace:  The EP was released on 13th June and we recorded it all in London, we went to record on few separate occasions over the course of a year so each song was written at a different time.

You also launched the EP in London. How did that go?

Erin Grace:  The EP launch went better than we expected, it was great having our friends on the line up. The show was a lot of fun and The Old Blue Last is a great venue.

The record is promoted by single “Eyes” and a very curious video. Cyclops on skateboards. Please tell us where did you film the video. Some part of it look like Digbeth. Who directed it?

Erin Grace:  We filmed everything for the “Eyes” music video in Birmingham, some bits in the city centre and others in suburban areas. Our drummer Danny directed it and filmed the video.

Before “Eyes”, you released “Trust Is Blind”.  We really want to know the story behind this song. In the video you look like a character from Lynch movie – you smile to the camera and yet the viewer has a feeling that any given moment you will break into tears. Then in a blink, you charge on stage where you tear down the decorations in a  fury that would suit Courtney Love at the heights of her Hole days. Like to keep your viewers on their toes?

Erin Grace:  “Trust is Blind” surrounds themes of betrayal and dishonesty, it’s about trust being broken. Yeah, we wanted to add twist into this track, we enjoy experimenting with noise.

We are hearing that the EP has been selling well and you got played on legendary American radio KEXP. So where do The Cosmic go from here? Any plans for the future?

Erin Grace:  We plan to keep gigging in cities and countries we’ve never played before and we’ll continue to make new music!

You can follow the band on their socials:

https://www.facebook.com/thecosmicsband
https://twitter.com/thecosmicsband
https://www.instagram.com/thecosmicsuk/
https://thecosmicsuk.bandcamp.com/
https://www.youtube.com/channel/UCx3KjGaX2RJvXI5e7nljvGA
https://soundcloud.com/user-838453312
https://open.spotify.com/artist/0aocL5HcJzJlZJtAZH6caL?si=OYgzbMbGTZ-TwFXsFRmQ7Q

 

 **** The EP ****

The Cosmics presenting cover and the vinyl of their debut EP

The self titled debut EP has gathered rave reviews across the industry. These are just some of the reactions that we have gathered for the purpose of this blog. There are many more out there ranging from big established brands (The Clash Magazine) to local newspapers and blogs (Birmingham Review, Independent Music News), radio stations (Brum Radio, BBC West Midlands, BBC Introducing). The EP received airplay from Steve Lamacq (BBC 6 Music), Huw Stephens (BBC Radio 1), X Radio, Amazing Radio, KEXP in US among others. No management, no booker, no label or radio plugger. Just the strength of their music.

Front cover of the EP and A side of the vinyl pressing.

The Clash Magazine:
“New cut “Eyes” is a short, sharp shock, driven by that urgent vocal and those taut guitar lines. The sound of The Cosmics thrashing away in the unholy night, it carries some uncanny reverberations. Tune in now.”
https://www.clashmusic.com/news/the-cosmics-rev-it-up-on-eyes

Circuit Sweet:
“Lead single “Eyes”, taken from the self-titled record,  perfectly encapsulates the kind of 60’s beat that The Cosmics perform with such perfect refrain before collapsing almost entirely into a much more modern take on the garage-fuzz sound. Addictively catchy, the band walk the line between surf and noise effortlessly while showcasing a raw talent for song writing”.
https://circuitsweet.co.uk/2019/04/brand-new-garage-fuzz-from-birminghams-the-cosmics-debut-ep-announced-for-june/

The vinyl pressing of the EP

The 405:
“On this release they’ve perfectly captures the debauchery of their live performances”
https://www.thefourohfive.com/music/article/the-cosmics-capture-the-youthful-grit-and-glamour-of-their-sound-in-the-video-for-eyes-405-premiere-155

Backseat Mafia:
“The thing about The Cosmics is they’ve mastered sounding like they’re from the 60s girl band sound, strained through a messy, edgy garage punk filter. That’s because they have the melodies at heart that could have made it onto a classic soul all-nighter, but instead of organ and bass, they’ve got this frayed guitar sound that leaks feedback and lashes itself to the track. Brilliant stuff.”
http://www.backseatmafia.com/track-the-cosmics-drained/

Travellers Tunes:
“The immediacy of the record is undeniable. Singer Erin Grace co-opts a Shangri-La’s vocal for the verse before effortlessly sliding into a furious punk rock delivery in the chorus.”
https://travellerstunes.com/review/thecosmics-drained

Back cover of the EP and B side of the vinyl pressing.

**** The Tour ****

Before going abroad, The Cosmics played dates in Birmingham, London, Glasgow and Manchester.  As we had to go to continental Europe for a bit ourselves, we have decided to catch up with the band on the road and bring you an exclusive coverage of their gigs though videos and photos. This is what we have found and you can judge for yourselves that The Cosmics had a lot of fun! Tours can be great!

Tour poster

On 20th of June, The Cosmics travelled to Ghent in Belgium to participate in Girls Go Boom, a one day festival organised at a popular Muziekcentrum KinkyStar. Located in the historical (and tourist) city centre of Ghent, the venue has a capacity of 80 people and is known for supporting independent and emerging acts, not only local to Belgium but also from all over the world. In the last two years, nearly 100 bands from Europe, Canada, USA and Australia played at the Kinky Star and majority of their shows are sold out. Manchester darlings, WITCH FEVER (whom we have seen recently at the Albert Square during Manchester International Festival alongside The Pagans SOH and The Blinders) performed for Girls Go Boom in October 2018 and completely blew the audience away. We had a pleasure to speak to one of the organisers of the festival and we were told that the team are big fans of indie/post punk music from the UK. The Cosmics were chosen as their songs caught the team’s eye (and the ear as well) while browsing the newest releases on BandCamp. It is worth adding that Girls Go Boom book only female fronted and fully female bands (including LGBTQ+ artists who identify as females). They are the only promoter in Belgium who does it and their shows comes with a set of quite obvious rules. They include no homophobia, no racism and no sexism, girls in the front, safe space for sexual and racial minorities and no patriarchal bullshit. Everyone is cordially invited  – men, women, non binary or gender fluid persons. Their motto is “It doesn’t matter who you are, you will always be among friends”. We can only applaud their initiative as it was one of the nicest, safest shows we have seen in a long time. The venue was packed to the last place, everybody danced (and pogo’ed), drank beer, sang and had a lovely time. And there was no pushing, no shouting, no aggression, the photographers could work uninterrupted without fear of having their equipment destroyed. Every gig goer received a complimentary badge at the door and the entry was free. We need something similar in the UK as some of the gigs we go to are a parade for bullies and football hooligans. Organisations such as Safe Gigs For Women are doing a splendid job but there is a long road ahead of us.

The Cosmics performed alongside Piss KittiVaginas, what else?, Dragon’s Daughters, DJ’s MOSHI MOSHI and Melissa Juice. Their show started exactly at 22:00 CET (21:00 UK time) and lasted about 40 minutes. The band played their recent singles “Trust Is Blind” and “Eyes” along with fan favourites: “Cundy Come Down” and “Brainfuzz” taken off their self titled debut EP. “Velma”, “Johnny”, “I Quit” and “Inishfree” filled the rest of the set.

It was wild and energetic ride, filled with solid dose of sound distortion and vibrations. Lead singer, Erin Grace, is known for her expressive performance and we could see her falling to her knees, bashing the strings of her bass like her life depended on it and move as in a trance. Twin brothers, Conor (guitar) and Danny Boyle (drums) were closely following Erin’s trail with thunderous beat and aggressive riffs. And the crowd loved every minute of the spectacle, responding with admiration to each song. At the end, the Birmingham based trio received a standing ovation and many cheers for the show. Judging by the reactions, The Cosmics have bright future in front of them. If you haven’t seen them yet, please do as they are on rise and soon they will be playing big stages instead of intimate venues.

 

You can learn more about Kinky Star at: http://www.kinkystar.com/media.php
and Girls Go Boom Festival at: https://www.girlsgoboom.com/0

The performance was live streamed on Kinky’s Star website and you can watch it at: https://www.facebook.com/MuziekcentrumKinkyStar/videos/487192875376482/

Two days later, on 21st of July, we met with the band again, this time in Antwerp. They were about to play another EU show at an independent venue called Cafe Cabron. Sadly, we couldn’t stay for the gig itself, but we have taken them for a small photo shoot around the beautiful The Grote Markt of Antwerp. It is so easy to fall in love with The Cosmics. They come as a full package – not only their music is a killer, but they have the looks, the talent and confidence that will take them far.

The show has been organised by Zing Zang Zong and was to start at 9:00 pm.
The Cosmics were to be supported by Belgian duo, De Batteries.
Form what we have heard – it was another success for the band, but that is a standard outcome for the Birmingham trio.

More information about the gig:
https://www.facebook.com/events/858188711217531/
https://www.facebook.com/zzzgarageclub/
https://www.facebook.com/CafeeCabron/

We are hoping to catch the band at another show this tour so watch out this space for additional content and more compliments regarding the band. If you still haven`t noticed West Midlands has the best scene and we are so happy to be part of it.

See ya down the front? You bet!

M/R

Indieterria Review – San Pedro “The Demon Sessions”

Hello!

Running a music blog is an exciting thing. You get to interview some of your musical heroes or new emerging acts. You meet interesting people, you go out to gigs, festivals or various cultural events. But most importantly (at least for us) you have a chance to listen to the music before anyone else. And if you are lucky, you may discover a next big thing. When we listened to one of the submissions we received last week, we immediately knew that we have found a winner.

San Pedro Logo

San Pedro is a new project of Rikki Turner, the mastermind behind several Manchester electronic outfits such as The Paris Angels, The New Southern Elektrik and The Hurt. A large collective named after the Californian town where Turner’s favourite writer, Charles Bukowski lived out his final days, San Pedro consists of musicians, DJ’s, writers, poets, artists and singers based in the UK, mainland Europe and in America. We are not sure how many people are actually involved (the collective seems to be quite mysterious and fluid) but several names have been confirmed. So far we know about singer/songwriter Millie MacBean known for her ethereal vocals, Suddi Raval (ex member of rave duo Together, best known for their hit “Hardcore Uproar” that went to the top of the national charts in 1990), Simon Wolstencroft (The Fall, Ian Brown, The Stone Roses, Johnny Marr and Freak Party), Keith Higgins (former member of The Hunt), Justin Leonard, Martin McClaren, poet Karl Hildebrandt and Antnee Egerton of The Winachi Tribe.

San Pedro picture by Paul Husband

San Pedro group picture by Paul Husband

Their debut EP entitled “The Demon Sessions” will be released by Blindside Records on July the 5th and every fan of an old school rave, electronica and house music should be on high alert.

“The Demon Sessions” contains only 4 tracks: two versions of “The Things You See”, acid-house inspired “Theme from San Pedro” and “The View From The Drowning Pool”. The first version of “The Things You See” nicknamed the “Original Version” has been chosen as the leading single and features Millie MacBean on vocals. It reminds us of an early Utah Saints meeting 808 State, with strong ambient background beat a la U.S.U.R.A (“Open Your Mind”) or Sven Väth circa 1992 (“Accident In Paradise”). The second version of the single (called “Rikki Turner Remix”) brings softened loops and more house feelings that could have won many hearts at the Hacienda. Again, it has a strong bass beat with ambient influences but its aesthetics are closer to OPUS III and KLF than to Vath. Also, it makes heavy use of samples which gives the track additional depth. “The View From The Drowning Pool” with spoken word by Rikki Turner will probably not receive much commercial airplay due to expletive language, but has chances of become a fan-favourite song.

San Pedro “The Demon Sessions” cover artwork

The Demon Sessions is a must have for everyone who remembers the good old days of Madchester scene. Hopefully, it will introduce new generation to (quite) forgotten genres such as ambient, big beat, house and rave. Also, we are told, San Pedro Collective is planning on releasing additional material in the autumn and we cannot wait to hear what they’ll come up with next.

San Pedro release poster

You can follow San Pedro Collective online:

https://www.facebook.com/sanpedrocollectivemcr
https://www.facebook.com/BlindsideRecordsUK

Articles:
https://www.attackmagazine.com/features/interview/brief-history-acid-house-suddi-raval/
https://jammerzine.com/the-test-drive-san-pedro-the-demon-sessions/
https://www.xsnoize.com/manchesters-san-pedro-to-release-brand-new-ep-the-demon-sessions
https://artvoice.com/2019/06/25/manchester-heavyweights-san-pedro-release-new-ep-the-demon-sessions/
https://baggingarea.blogspot.com/2019/06/san-pedro.html

As usual, please support your local scene (new and old)!
We will see you shortly.
Rita and Malicia