Indieterria meets Sahera Walker

Sahera Walker interview

Known as the Queen of Underground Scene in London, Sahera Walker is one of the most respected independent promoters working on the DIY scene. Her passion, music knowledge and intuition have been praised on numerous occasions and were recognized by industry professionals. Indieterria is following young, successful females who are taking the music business by storm and continue to change the industry rules. We have sat down with Sahera to discuss her zine, modern alternative music and her ambitious plans to turn Cafe 1001 into a hub of music, fashion and counter-culture.

Sahera Walker

Bio: Sahera is 20 year old music journalist based in East London, and she is the creative-owner of Indie Underground Blog

She started blogging in 2016, which is when she first set up her blogging site. She has since gone on to work in PR & live music, and now owns Some Might Say Magazine, and is the lead booker for live music events at Café 1001 on Brick Lane. She runs gigs for her magazine at Nambucca in Islington & The Five Bells in New Cross.

Indie Underground & Some Might Say have received support from BBC Radio 6, Flying Vinyl, Clue Records, This Feeling, The Truman Brewery, The Zine UK, Clash Magazine, 1234 Records, Roadkill Records, ArtBeats Promo, Coda Agency, Devil PR, and more. The digital and physical platforms Sahera runs all have one aim; to promote underground DIY music, and support creatives within the industry by printing, reviewing, and featuring their work. Always keen to work with new artists, Indie Underground is a growing platform which has gained an impeccable reputation for scouting new acts who go on to be huge within the indie industry

Sahera also works as a freelance photographer & journalist, focusing solely on DIY indie rock, psych rock, grunge, and post punk music

Promoter, PR professional, zine editor, writer, journalist – it’s hard to believe that one person can do it all. Who is Sahera Walker? Please introduce yourself to the readers of our blog.

Some Might Say zine promotional picture

Sahera Walker: Very kind of you! So my name is Sahera, I’m 20 years old, and I’m a music journalist and promoter based in East London. I’m the creative owner and editor of Some Might Say Zine and Indie Underground Blog, running launch parties for each zine that comes out. I have recently taken over the Live Bookings and PR for a new DIY space on Brick Lane too!

You created “Some Might Say” zine at the age of 18. Was there any specific reason why you decided to start a musical magazine?

Sahera Walker:  I really love the DIY authenticity of rock music, and to me there’s something really special about flicking through a physical print publication, and just seeing all the beautiful photos and art pieces in print, and soaking up new musical knowledge. I really love that vibe, and I wanted to bring that authenticity back into an industry where mainstream magazines are either dying out, or turning to conventional pop music instead. I used to love NME but they sold themselves out years ago, so I suppose I wanted to create my own print publication with no sponsors or external funding, its sole aim to promote fresh upcoming new music.

So far “Some Might Say” published five issues and the sixth one will be released shortly. What can we find in the newest edition?

Sahera Walker: It will be available to purchase by the end of May/ very start of June, via somemightsay.org. This Issue has taken months to work on, as it’s taking Some Might Say down a slightly more creative and unconventional route, so I hope the wait will be worth it!

Alongside with the zine, you run a popular music blog Indie Underground focusing on rock, post punk and DIY scene. In your opinion, how important is support from blogs and magazines for up and coming artists?

Sahera Walker: To me, it’s absolutely vital. The music industry is made into the thriving and vibrant scene that it is through DIY support, from people who love music and want to work, often for free, to promote and support new music. That’s where fans of bands end up becoming journalists, photographers, promoters, and bloggers, inspiring a real love and passion into their work. This supportive DIY scene is probably the most important thing for new bands, as without them who is going to fuel the underground music scene?

Several issues of Some Might Say magazine

You have put bands such as Yonaka, Calva Louise, False Heads or most recently Black Midi on many people’s radars. What captures your attention when it comes to indie bands? How do you recognize the “next big thing”?

Sahera Walker:  I do try! I think I was very lucky, when I got into music aged about 17 it was when bands like Yonaka, The Blinders, Strange Bones, Calva Louise, and False Heads were all starting out (the last three I’ve had play Some Might Say gigs for me, which I’m very proud of!), so I just naturally saw them at small venues playing to tiny handfuls of people. For me, I like unconventional bands that are passionate and exciting, and it just has to click in a special way for me to go crazy about a band. This doesn’t happen too often, as it’s more of a feeling you get from certain bands – it’s very special though, and all the bands you mentioned are ones who really gripped and excited me when I discovered them.

Gig goers often ask what they can do to help bands, something beyond buying a tee from the merch store. Would you have any suggestions?

Sahera Walker: I think going to gigs is the most important thing, as it supports not only the bands, but also the small venues and promoters who are hosting the gigs, which is fundamental to the scene as a whole. Bands that have a strong live following as well are the ones who end up being hotly tipped by journalists, on the radio, and then eventually scouted by agents and managers, so going to gigs really helps. But even the small things like social media posts, buying merch, streaming and downloading music; it all helps, and I know they mean massive amounts to the bands.

In April 2019, you joined Cafe 1001 as their official promoter and PR. Tell us more about this place. What can it offer to the emerging bands?

Sahera Walker: So Café 1001 is a venue space in Shoreditch, just opposite Rough Trade East. We are currently undergoing a really exciting refurbishment and rebrand in the venue, which will change the name and appearance into something a lot more DIY. We’re taking the venue down a more creative, subculture-philosophy inspired route, and alongside the gigs (focusing on indie/punk/grime/grunge) we want to have a lot of new DJs playing with us too. What we’re offering bands is payed gigs, in a fantastic DIY 200 capacity space, with a state of the arts PA and backline system. I also run PR campaigns and social media campaigns for my live events, so bands would be fully supported by us.

Some Might Say logo at legendary London Club, Nambucca

You are known for coming up with groundbreaking ideas. Your newest one is to create a rotating exhibition aimed at avant-garde DIY artists, music zine makers, live music photographers and designers. Can you provide us with more information about it? How long will it last? will artists be able to sell their works?

Sahera Walker:  Given the DIY subculture philosophy we are implementing, I came up with the idea of running a rotating exhibition in the venue’s front room. We will have art work, photos (art based, film, portrait, and live music), and film reels on display, as well as zines in the venue. The idea is to have a launch night (June 27th) with live music to accompany, and this will be a chance for the creatives involved to network and sell their work. We will then keep some of the work up in the venue, and keep the zines in the café space for people to browse through during the day. Then every three months, we will run another exhibition, where we can refresh the art and photos we have, and bring in some new zines to the space

Let’s play! You are given a whole page in The Guardian for a music column. What bands are you recommending to the public?

Sahera Walker: So many, I could write you pages on this! I’d have to narrow it down to Black Country New Road, The Murder Capital, Weird Milk, Kid Kapichi, Fontaines DC, Uncle Tesco, Legss, Happy Hour, Pip Blom, False Heads, Squid, Haze, LICE, Avalanche Party, Strange Bones, Calva Louise and JW Paris. Just a quick note, when I spoke earlier about those rare special bands who I just click with – Kid Kapichi are my current obsession, and I would recommend them highly.

The last question (but very important one). If any artist or musician wants to get in touch – how can they reach you?

Sahera Walker: I have contact forms on my websites which are usually the best shout to play a gig at my new venue:
https://indieunderground.blog/play-for-us/,

Send your submissions to:
https://indieunderground.blog/contact/
https://somemightsay.org/contact/

Or any London based bands, you can usually find me at a scatty punk gig in Camden or Brixton, so feel free to come up and say hi!

You can follow Sahera on socials:
https://www.facebook.com/sahera.walker/
https://www.instagram.com/youareallslaves/
https://twitter.com/sahera_walker
https://open.spotify.com/user/1143822162
https://www.youtube.com/channel/UCssXbu_GT0ZU47I8xUmXEdw

https://www.instagram.com/somemightsayzine/
https://somemightsay.org/
https://www.facebook.com/somemightsayzine/

https://indieunderground.blog/
https://www.facebook.com/indieundergroundblog/

Articles:
http://northern-exposure.co/interview-sahera-walker-some-might-say/
https://www.thezineuk.co.uk/2019-futurepicks-the-music-people-on-and-off-stage/

The new issue of “Some Might Say” will land in a couple of days so don’t forget to order your copy. Supporting local zines, magazines and independent artists is vital for the scene to survive. Indieterria will keep shining light at the people behind the music – promoters, event managers, club owners, streaming services companies, radio DJ’s and hosts, photographers, managers or music scouts – they all are working in the background helping artists move from one level of their careers to another. They are essential yet they are rarely getting any credits or thanks. Let’s bring them into limelight!

Please stay tuned as we have something special planned very soon!

XXX
R+M

Indieterria meets The Empty Page

Hello again!

Let’s start with a riddle. Do you know what Frank Zappa and John Peel have in common? They both thought that the music business became too safe and too predictable. The thrill of making something exciting, the unknown and the chance of everything going awry that characterized the music-making for generations suddenly disappeared. The stimulating and (sometimes) dangerous game turned into a polished and ironed showcase for pop princesses and boy bands. And it slowly started leaking into the rock and roll, turning rebels and their muses into fashionistas and influencers buying shoes and belts.

Luckily for us and certain old school radio DJ’s, there is always an underdog band that comes out of nowhere and rescues the day. Our musical saviours are raw, energetic and completely independent. And they come from Manchester! We have sat down with the Mancunian trio, the Empty Page, few days before their gig at the Dead Dead Good Weekend on 11th of May to discuss their beginnings (in an old and cold warehouse), having a female lead singer and their plans for a glorious future.

Official bio:

Taking their name from a Sonic Youth song which in turn was inspired by Jack Kerouac, 90s alt-punk inspired Northerners The Empty Page have been making steady headway since their inception in a draughty warehouse in Ancoats, Manchester. Following an invite from rock production royalty Gggarth Richardson (RATM, Biffy Clyro, Melvins), their debut album, ‘Unfolding’ was recorded with him in Vancouver, Canada, with tracks receiving national airplay by the likes of Steve Lamacq on 6 Music and receiving praise from the underground press. As well as diligently ticking their favourite UK venues off their collective wish list, from Manchester Ritz to Hebden Bridge Trades, the band went back to Canada to play shows in Toronto after winning Indie Week UK. Carefully selected UK shows are planned for 2019.

The Empty Page picture by A supremeshot

The Empty Page are:
Giz (guitars)
Jim (drums and vocals)
Kel (bass and vocals)

You are described as a band that combines guitar noise with Northern charm. Please introduce yourself to readers of Indieterria.

Kel: I’m Kel, I play bass and sing and write the words.
Jim: I’m Jim, I play drums and sing
Giz: And  I’m Giz and I play guitar

We have heard some incredible stories about how bands came to be. But meeting in a cold warehouse must be one of the best tales so far. What were a trio of rock musicians doing on an industrial estate on the outskirts of Manc?

Jim: A friend of ours had this weird room in a freezing cold mill in Manchester full of instruments and recording gear. Full. You couldn’t move. Anyway, we needed somewhere to rehearse and record. It really was freezing. We could barely get through a full song it was that cold so in the end we started to set fire to our gear for warmth. Shame really because those songs were brilliant but we’ll never remember them, just how cold we were. Also it was quite a cheap room! (laughing)

The Empty page started to turn heads almost immediately after its conception. Your demos “The Ancoats Sessions” were heard by producer Garth “GGGarth” Richardson who worked with The Melvins and Rage Against the Machine – and he invited the band to his studio in Canada to work on your debut album “Unfolding”. It was released in 2016. Please tell us how do you remember your collaboration with Richardson?

Jim: The guy is wonderful. He’s thoughtful, respectful, he knows everything about music yet he always listens to what you want. He’s ridiculously funny but my god his “Northern” accent is dreadful! (laughs)

Kel: It was the best time. So great to lock ourselves away in a cabin in the middle of nowhere and focus on music 24/7 while drinking lots of Canadian craft beer and listening to stories of legendary musicians which we’re not allowed to repeat. We’d love to go back and record with him again but it’s just logistics really.

In February this year, you released “When The Cloud Explodes” produced by local duo Sugar House. The album, according to your page, is inspired by Northern cities like Liverpool and Manchester. Did you plan to have your new record produced locally, as if in opposition to the first one that was created so far away from home?

Kel: No, not really. We just made a decision to try a different way of putting music out there this time. We wanted to take each song individually and release it as its own thing. I do think it made sense to record that song in a humdrum town in the North though, and it doesn’t get much more humdrum than St Helens. The recording process was very different from what we did with GGGarth, we had more time for a start. So, we came out with something sounding quite different from what we have done before. Our plan now is to release a series of individual songs over the year, produced by different people and all quite distinct from one another musically. People keep asking about an album, but for now, we’re doing things step by step. Maybe an album will come later.

Let’s talk about the excellent video to you shot for the song. It was filmed in Manchester and directed by Jason Weidner, who worked previously with Desperate Journalist and Stonehouse Jack. You have also recruited two contemporary/urban dancers named Max and Chiara. How did you convince them to star in your video? What is the message behind it?

 

Kel: Jo from Desperate Journalist suggested Jason when we were looking to shoot a video at quite short notice, to cut a long and boring back story short. We hit it off right away and got planning. We’d had an idea to include dancing somehow and had been through lots of ambitious ideas, then, in the end, we decided to keep it quite simple. Jason is extremely skilled at editing and he did a brilliant job. Max got involved through a friend of ours named Bundy who we have known for years on the punk scene as he’s drummed in lots of punk bands including The Business. Max works in Bundy’s brilliant little punk bar, The Salty Dog in Northwich, so he suggested him when I put a call out for dancers. Then we asked Max if he knew anyone else and when he suggested his girlfriend Chiara. And it seemed perfect to have them star as a young couple just hanging out. They were absolute troopers. It was a hot day as you can see and we had them dance over and over again in different locations till they pretty much collapsed on the grass in Hulme Park. But they’re young and fit and they loved it. We had such a fun day together.

The song, in a nutshell, is just about the beauty of creativity. Whether that’s writing songs, making art, poetry, knitting, dancing or whatever. It’s one of the most wonderful things we have as humans and I really think it’s a lifesaver. We didn’t want to be too literal with the video, so we thought dancing would be a nice visual expression of the joys of creative freedom.

Jim: I think we filmed the whole thing on Valentine’s Day too, so once they’d finished and got their breath back, they were straight off out for a romantic date. They probably went down the arcade or to the fair or whatever fit young dancers like to go. Stock car racing? Something like that!

We can’t stop salivating over the vinyl edition of “When The Cloud Explodes” – 7 inch, released on orange wax, limited to just 330 copies. It looks unreal. Are there any copies left and if so – where can the record be purchased? Asking for a friend…

The band photographed by A supremeshot

Kel: It’s sold out on the Rough Trade website twice now, they will be restocking soon. We have some in a few record shops like Jumbo in Leeds and others, and it will be in Piccadilly Records in Manchester very soon. We are selling it on our website (theemptypageband.com) and Bandcamp as well and we will have some for sale at upcoming gigs. It’s selling really fast though, well over half gone, so I wouldn’t hang around!

Kel, a question especially for you. You gave an extensive interview to Louder Than War in 2016. You said: “I think more women should play music, because there is still a heavy trend towards males on stage at gigs, but more importantly women should just be able to do it without having to be scrutinised so much in every way.” Has the situation improved in the last three years? Are organizations such as Safe Gigs for Women really making a difference?

Kel: (deep breath) I’ve been in bands for a really, really long time and I’ve always felt I had to work a bit harder just to be treated with respect as a musician and songwriter and not just considered a “girl singer” (like it’s some kind of gimmick) or putting up with comments about my appearance rather than the actual music. I remember many moons ago, some bloke actually saying to me that they were thinking of “getting a girl singer” for their band as it was a good thing image-wise. I was furious then in my teens and I am as furious now at that attitude. There have always been women in guitar bands but I think there have been more women getting involved and getting a platform in the past few years. This has been the result of a lot of different factors including the issues relating to inequality in this industry (and in general) being openly talked about more. Women haven’t always been as welcomed, celebrated and treated as equally as they are now in the UK music scene but I think we still have a way to go and it’s complicated.

One thing that has helped is more promoters putting together representative bills. Women don’t need to be sidelined into only playing “female only” band nights. Don’t get me wrong. There are people doing that well and for the right reasons in the name of shifting the balance and being representative, and crucially this is usually done in an inter-sectional way. Power to those people. But there are others (yes, often if not always blokes) still doing that in an awful, gimmicky, frankly pervy way. Like “check out these chicks with guitars, pfwoooarr”. As a woman,  you have to be careful about which gigs you say yes to. I have been caught out in the past where the gig has seemed like a normal booking and then nearer the time, it has turned out to be something else. You have to be quite vigilant, which is really annoying when you just want to play. But there are lots of bills now that are just generally more representative. I like playing with a mix of bands that are similar to us musically and I like it even better if there is an intersectional representation of humans on that bill. Nobody likes to be tokenised.

Safe Gigs For Women are doing great things for audience safety and it’s essential that women and non-cis males who attend shows are not made to feel threatened or treated disrespectfully. These are slightly different but related issues. It’s all part of an ongoing fight and we also have to remember that this is not just a fight here in the UK but around the world. Feminism is worthless if it does not aim to make things fairer for all women all over the world. There is a long way to go.

You jokingly say that you are on world tour of Yorkshire this year, but you have scoped some amazing gig opportunities. You supported Desperate Journalist in March at The Deaf Institute and in May you will share the stage with The Wildhearts in Scarborough. You will also make an appearance at Dead Dead Good Weekend in Manchester and at Camden Rocks in London. What can be expected from your live shows?

Jim: A fucking good show. We throw everything we have into them. We have fun!

You have hinted on your social media that the coming months will be very busy for the band. What can we expect in the nearest future?

Kel: (laughing) More shows and more releases! Our next single, “He’s Very Good At Swimming” is coming out on June 28th accompanied by a video by Debbie Ellis/asupremeshot. It’s a song with an important subject: victim blaming, and the way the media (and arguably the justice system) foregrounds the academic and sporting achievements of the accused and picks apart every aspect of the victim’s life and lifestyle when writing about rape cases almost all the time.

Last question – you can steal one record made by a band that inspired you. Whose work is so good you’d claim it as your own?

Jim: For me it would be “The Holy Bible” by Manic Street Preachers
Kel: Yes, that and Fontaines DC  – “Dogrel”

You can follow the band at their socials:
https://theemptypageband.com/
https://www.facebook.com/thmptypg/
https://twitter.com/thmptypg
https://www.youtube.com/channel/UCRvo9IV6VKi6HRdzJRXwawA

The Empty Page will be touring a lot this summer and we can expect a lot of dates to be added to their calendar. Outside for the Dead Dead Good Weekend in Northwich, the band is booked to play Leeds on the 18th of May at CHUNK and Camden Rocks Festival in London in June. Catch them for an unforgettable lesson in independent rock and rolling. With a huge dose of unspoiled, unfiltered fun.

See you soon!
xoxxo
R+M

Indieterria meets Owen Meikle- Williams

Dear Readers,

Following our interview with record producer extraordinaire Gavin Monaghan, we continue to shine a light on people who set up high standards in the music business. Our next guest is event management student and artist manager based in Manchester – Owen Meikle – Williams. Forget everything you read about millennials spending fortunes on avocado toasts and being offended by everything. The younger generation is actually very active and does much more than we seem to notice. Hands up all you thirty-somethings who organised a full scale festival in the heart of Northern Quarter on your first year at the university. Or anyone who taught themselves music management to help others put first steps in the business. It is easy to see why Owen is making waves in Manchester. Even in the town that is used to doing things differently he is seen as a breath of fresh air. We sat down with Owen ahead of After All festival he founded to talk about event organising, the bands he manages and who he would book for his dream festival.

Festival banner

You are the main force behind After All Festival – that will take place in Manchester  on 19th May 2019. Please introduce yourself to the readers of Indieterria.

Owen Meikle-Williams: Hi everyone. I’m Owen Meikle-Williams, and I’m a first year student at BIMM University in Manchester. Live music is my absolute passion, and I’m studying event management. After All Festival on May 19th isn’t actually part of my course  but I thought I would put on a local event to showcase some fantastic bands, and raise some money for charity along the way. I’ve gone for May 19th to be as close to the 22nd as possible – “After All that has happened, let music bring us together…”

It is quite a task to organize one gig, less alone a whole festival. Can you tell us how the idea started and how long was this event in the planning?

Owen Meikle-Williams: Well, I’ve been going to gigs since I was 5 years old, so I guess this has been a few years in the planning! More seriously, I put on my first gig just over a year ago, reintroducing live music to The Briton’s Protection for the first time in many years. That gave me the bug, and the idea for After All came from then really. Serious planning started about 6 months ago, lining up venues and finding the right bands.

After All will incorporate concerts across three iconic Manchester venues: Night & Day Café, AATMA and The Castle Hotel – all less than three minutes of walk from each other.  We absolutely love it as this eliminates the hassle of commuting  between places. But shall we expect clashes between acts?

Owen Meikle-Williams: I’ve tried to mix things up a bit across the stages so minimise this, but with so many great bands on the line-up, there are bound to be a few tough choices to make. Better to have that problem I think than looking at a line-up and not seeing anything you want to watch!

You managed  to gather a jaw dropping line up: from rising Mancunian band Narcissus to visiting guests such as Birmingham based The Pagans S.O.H  We shouldn’t be saying it – but we are impressed.  Is this the final line up or do you still have some aces up your sleeve?

Owen Meikle-Williams:  Never say never…but the line up is quite full as it is at the moment.

The Festival plans to donate all profits to charity. Can you tell us more about the organisations you will support?

Owen Meikle-Williams:  We are raising money for two music related charities, both of which in turn support larger charities. Musicians Against Homeless (MAH) is a great cause, and you can’t walk around Manchester at the moment without seeing what a vital need this is. The money raised by MAH goes to support Crisis.

Walter’s Page raises money for Make a Wish, helping kids with serious illnesses get some much needed joy. If you have not come across Walters Page, I seriously suggest you check out their Facebook page. Follow the antics of Walter and Eustace, literally a pair of muppets, as they turn up on stage, off stage and in the bar with some of the best known bands on the planet.

You work with BIMM on this festival. Do you think, it is the possibility of having regional editions of After All for example in Bristol or  Birmingham  also in association with BIMM in the future?

Owen Meikle-Williams: That would be fantastic, but I’m really focused on making this year a success first. If things go well, and it is looking good at the moment, then I’ll look to try and re-run the festival next year. I’m always up for a challenge though, so maybe a multi-site one could be doable.

Owen Meikle-Williams – the man behind Manchester new indie music festival

Besides being the festival organiser you also manage local artists. We would love to hear more about them.

Owen Meikle-Williams: I prefer “working with” to “managing”! I am working with a couple of up and coming singer songwriters at the moment, including Leah Karis who is playing After All festival on May 19th. It’s early days, but I’m really keen on championing local talent where I can.

Last question:  we know it is a bit too early for this – but if all goes well, would you consider to bring the festival in 2020 and if so, who would you want to headline. You have got 5 picks and unlimited budget.

Owen Meikle-Williams:  James – my all time favourite band and Manchester music Royalty.

The Slow Readers Club – now finally seem to making it big and getting the success they deserve.

The Blinders – so exciting live – I can’t wait to see how far these guys go.

Editors – so good live, and criminally underrated in the UK. I had the pleasure of seeing them in Berlin and Hamburg last year, and it is amazing to see how well mainland European audiences react to them

Andy Burrows – drummer from Razorlight, now a solo singer, I think that his type of music would perfectly suit the acoustic stage at this festival.

You can follow Owen Meikle -Williams on social media:

https://www.facebook.com/owen.meiklewilliams
https://www.facebook.com/OMWManager/
https://www.facebook.com/OfficialAfterAllFestival/
https://twitter.com/AfterAllFestiv1
https://www.instagram.com/after_all_festival/

On May 19th 2019,  eighteen acts will play across the tree established stages in Manchester to raise the funds for charity. You can find more information about the festival on their official Facebook page:

https://www.facebook.com/events/363074884283149/

Advance tickets are between £10- £12 and they will cost £15 on the day. Doors open at 17:30 PM

To avoid disappointment – please book your tickets online at:

https://www.skiddle.com/whats-on/Manchester/Night-And-Day-Cafe/After-All-Festival/13500619

Vanadian Avenue will be at After All Festival making noise and hanging out with the best people in Mancunia.  We are hoping to see some of you down the front.

M/R

Indieterria meets Memes

Dear Readers,

They appeared out of nowhere, with no warning and within a month have been BBC 6 Music single of the week, had Amazing Radio on their team and BBC Scotland taking notice. If that is not a very definition of taking the indie circuit by storm, then we don’t know what that would be. We have sat down with Memes to talk about their new single, future gigs and their lyrics. This band combines post punk fury with intelligence and wit of The Fall. Mark E Smith is probably looking down, nodding his head with approval and saying to John Peel that there are still good bands in the UK.

You can listen to Memes on 60 seconds CV on Steve Lamacq’s Recommend’s show at:
https://cocamidemea.files.wordpress.com/2018/11/memes_60-seconds_cv_steve-lamacq-recommends_25.04.2019.mp3

They are going viral and we couldn’t be happier!

Memes logo

Memes are:
John McLinden
Paul McLinden

At Indieterria, we take pride in researching each band we interview. However we weren’t able to find much about Memes. We learnt only that you come from Glasgow and that the band is made out of two friends named John and Paul. Introduce yourselves properly to our readers.

Memes: Memes is John McLinden and Paul McLinden and we are cousins and we are a new duo from Glasgow.

We love your enigmatic attitude. You have no biography on social media, just an email address and a couple of pictures are available. Tell us more about Memes. When did you start playing? Have you been involved in any previous projects?

Memes: To be honest, the mystery hasn’t really been intentional, the missing bio and lack of information on the band is mostly down to the fact that the band is being so new! That said, it’s hard for bands to maintain any mystique in the social media age, which is a shame, as it is one of the things we like about some of our favourite bands.

Memes came about from some downtime in another band we play with (we have been involved in various projects before). We just got together to record some ideas that Paul had written. We were just messing around really and DIY recording in a loft in Glasgow, but we liked the end result of ‘Blah Blah Blah’ and thought we would put a single release together to see if we could get any reaction. We only started working on Memes in February 2019.

Scottish blog Turn Up The Volume compared your music to The Fall and The Smiths with a “healthy dose” of Idles. What are your inspirations?

Memes:  Very flattering of them to say so, we would count those bands as favourites of ours for sure. We like anything that is interesting or provocative in some way. That could be anything from Talking Heads to Frank Sinatra to Steve Reich.

“Is that a picture of your grand pa?” – photography by Gary Dickie

In another review you were described as “Fast and furious lo-fi post punk that sounds like a frantic Mark E Smith after a day spent watching BBC Parliament”.  And we have to admit that your lyrics have the same wit and edge as the lead singer of The Fall. We will risk saying that he`d be a fan.  You are not afraid to be outspoken and yet do it in a subtle way. That’s a very rare quality in music these days. 

Memes:  There isn’t much in the way of being outspoken (or saying anything really) in the mainstream, but there are bands and individuals out there causing a stir. We haven’t deliberately set our stall out to say anything specific but hopefully the songs catch the imagination.

You just released your debut A side single “Blah Blah Blah”/”Funny man” and captured attention of everyone in the business. You have been a single of the week at BBC 6 Music as chosen by Steve Lamacq himself, you have been championed by Jim Gellatly on Amazing Radio, Tom Robinson from Fresh on the Net is also very fond of the song. This Feeling added the single to their Best New Bands playlist. Is this attention something you have expected?

Memes:  No, not at all. We liked the music and hoped others would, but having the airplay we have had for such a new project has been fantastic, we just have to back it up now! Music is a difficult nut to crack and we have only released two songs at the moment, but hopefully our next release will raise the game!

Talking about debuts, The Duct Tape, Edinburgh zine swears that 4 months before “Blah Blah Blah” came out you have released another song that was distributed during underground punk gathering. Sadly we haven’t been able to confirm this  piece of news anywhere else. True or not?

Memes:  Hmmm news to us! Could be another band called Memes but it definitely wasn’t us.

We would like to ask you about the story behind “Funny Man”. Are you able to disclose the person about whom the song was  written?

Memes:  It’s not about any one person in particular, just the many “funny” and supposed “characters” out there that you meet…that aren’t funny and have no character, you know the ones!

We keep mentioning The Fall in this interview and on 13th of June you will be supporting Imperial Wax Band (whose members were the longest serving and the last line up of The Fall). You must have the date marked on your calendars!

Memes:  Yeah, looking forward to that one. Given that The Fall has been mentioned as part of our sound, it will hopefully go down well with the Imperial Wax crowd.

Memes are just getting started – but you must have some plans made for the future. What can we expect? A new single more gigs or perhaps a bigger release such a EP?

Famous last question. Imagine you can play any venue in the world. Which one would you choose?

Memes:  This would have to be the Barrowlands in Glasgow, simply a great venue.

Memes ready to take on the world – photo by Gary Dickie

You can follow the band on social media:

https://www.facebook.com/memestheband/
https://soundcloud.com/memestheband
https://www.youtube.com/channel/UCAozXPvxbmFDRGmKhGVK8fQ
https://twitter.com/memestheband
https://open.spotify.com/artist/4UHOCHsbn2JNwXQJWzO2WT?si=zx3wwhmwQqWzSmIWdyeo8w

Memes can be contacted at: memestheband@hotmail.com

Additional reading :
https://turnupthevolume.blog/2019/04/08/scottish-post-punks-memes-hit-hard-twice-with-double-debut-single-blah-blah-blah-and-funny-man/

Memes will share the stage with hottest new indie bands – Tiger Mimic and Lower Loveday at iconic venue Nambucca on April 27th 2019. The event is free entry:

Showcase poster

You can find more info on socials at:
https://www.facebook.com/events/658720734568060/

We will be reporting on Memes in the future since they are about to go though the roofs. Just give them few months, they will give Sleaford Mods a good run! (and we like Mods, actually them and Memes on a tour is such a good idea!).

R/M

Indieterria meets Ivory Wave

Dear readers,

West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics, MeMe Detroit, Table Scraps, Cherry Pickles, The Novus, The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of  the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.

George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)

Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.

About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“

Ivory Wave picture taken by James Kay

Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?

Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!

You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?

Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.

We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?

Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.

You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?

Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.

BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?

Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.

The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?

Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.

Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay

You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?

Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.

Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?

Seb Baldwin:  We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.

April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?

Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!

Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?

Seb Baldwin:  We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.

They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?

Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.

Articles:
https://counteract.co/interview/interview-ivory-wave-discuss-their-biggest-gig-to-date/
https://www.shiiineon.com/blog/ivorywave/
http://www.uniquelullaby.co.uk/2019/01/interview-w-ivory-wave.html
https://wordsformusic.blog/2019/01/27/band-profile-ivory-wave/
https://www.musicglue.com/ivorywaveuk/bio

Catch Ivory Wave on tour and you can now win two tickets  for their homecoming gig in Birmingham.
Good luck!

Please come back soon as we have some very interesting interviews and reviews coming later this month.
Catch you soon!

R+M

Indieterria meets Raw Sound TV

Hello!

Some might say that there’s never been a better time to be a musician. Internet gives you access to billions of users, streaming platforms are easily to set up and curators are at the stretch of the palm. You can set up professional recording studio in your own bedroom as the equipment is getting better and cheaper and it is not hard to master its use. It seems, the rock and roll dream is just around the corner and ready for grabs.

Others might argue that the technological edge is the same for everybody and it is hard to break through thousands of other bands competing for attention.  There are also external factors that need to be taken into consideration: lack of funding, closure of local pubs and venues, austerity, quickly changing musical trends, constant search for something new fueled by social media and Instagram influencers. DIY musical scene can also be divided and lack of unity affects the bands and gig goers altogether. You could say that for every ray of sunshine, there is a big rainy cloud covering it.

Yet the DIY  scene is holding on despite the odds. Bands are recording, exciting music is somehow making it to the national radio stations and new opportunities are springing up here and there. Indieterria sat down to speak to Mark Piddington the man behind RawSound TV to speak about the new ideas to help emerging artists, production techniques and their plans to permanently change West Midlands musical scene.

You call yourselves an “old school MTV” style music show in the Internet era. Please introduce yourselves to readers of Indieterria.

Mark Piddington: Hi. I’m Mark Piddington. Producer and Presenter of RawSound TV. Part of the reason for the idea of RawSound TV was that I could see that there was a lack of decent live music “tv” shows. Especially for unsigned artists. A show in the style of “The Tube”, “The Word” and many other iconic TV shows from the past that I felt the older generation were missing and the younger generation were missing out on.

Raw Sound TV is live music show recorded at Glass Onion Studios in Birmingham every two weeks, broadcasting on your YouTube channel on the Sundays in-between. Your shows include interviews with unsigned and new artists doing live performances and featuring videos along with interviews with the bands and occasionally live gigs. You’ve had 4 seasons so far and are currently working on a new season which is due to broadcast on the April 14th. Can you tell us how the recording and filming process works? 

Mark Piddington: We invite bands and artists to our studio which is fully equipped for recording and filming. After they arrive and meet the crew, we set them up for a sound check/ rehearsal, during which time the crew get audio levels for recording and camera angles worked out. After a short break it’s on to recording. The red light goes on and we film them performing three live tracks. After a short break we then conduct a short interview. We go through this process twice as we usually have two live bands featured per episode. After the bands have gone we do our ‘bits to camera’ which includes introduction to the show and individual intros to the bands. It can be a long night! Then, once all this is done, its on to editing the show for broadcast on the follow Sunday which usually takes well over 40 hours over the week.

Raw Sound TV at work – photo by Danielle Clarke

How long does it takes for a band to appear on Raw Sound TV? How do you select the bands? What do you look for? 

Mark Piddington: We encourage bands and artists to get in touch with us if they want to appear on the show.  Selection is very difficult for us as there are so many fantastic bands and artists around at the moment. We know that a lot of them unfortunately won’t get to appear on the show as we are only able to feature two bands per show.  We don’t let our own personal tastes influence who appears on the show. We try to look for quality in musicianship, song writing and what/ who we feel our viewers should be seeing and would appreciate.

Besides the music show, you also offer other services: recording live performances, making and editing videos and even access to a recording studio/rehearsal space. We know many artists look for those services – so please tell us about what you also offer and how bands go about this? 

Mark Piddington: The recording studio is a separate entity to RawSound TV. I established Glass Onion Recording Studio in 2003 and have been recording bands there since.  As well as recording, I also offer rehearsal space, studio dry hire and also music video production. If anyone wish to use any of the studio facilities/services, they can contact me via any of our social media platforms or at RawSoundTV.com.

Money matters are hard to talk about – but essential for both businesses and artists alike. Can you tell us about the fees and other charges that artists approaching you should consider?

Mark Piddington: Firstly, to clarify, we are not a business. RawSound TV do not charge anything for bands and artists to appear on the show.  It is totally free.  As the crew and I do not get paid and the studio given for free, we are currently trying to get the show funded in some way so we can continue to offer this opportunity to unsigned bands without them having to pay. Having been there myself I know that young musicians don’t generally have the funds to afford what some companies charge for ‘promotion’ and what they get for their money.

You’ve featured and worked with an exciting array of West Midlands acts: Alex Ohm, The Clause, The Cosmics, The Verse, Ivory Wave, Karkosa, Lady Sanity, MeMe Detroit, The Novus, Sugarthief, Violet, Lycio, La Dharma, The Goodwater and Candid – the list is endless. If an artist or band wants to get involved, how can they reach you? 

Mark Piddington: We have worked with over eighty bands and artists in the twenty months since we started. Some of whom are most definitely destined for big things. If an artist wants to appear on this show they can contact us on our website at RawSoundTV.com and navigate to the ‘want to be on the show?’ section.

You have filmed performances in many different places in West Midlands: The O2 Institute, Castle and Falcon, Square One in Coventry and The Flapper to name just a few along with outdoor festivals such as Lunar and the Bewdley Music Festival. Is it harder to record in a small, intimate club or in a large arena? 

Mark Piddington: They both have their difficulties. As opposed to the studio which is a controlled environment set up for filming and recording, live venues are not. Therefore, we always have obstacles to overcome when filming away from the studio.  More often than not, sound recording and lighting problems are the usual suspects as we have little or no control or influence over these.

Raw Sound TV have recorded many, many bands and concerts over the last couple of years but we are sure some of the performances must have stood out from the others. Do you have any favourites? 

Mark Piddington:  That’s a very difficult question. If I’m honest the ones that have stood out for me are when the whole recording process and post production has gone smoothly or when the crew have had a particularly good session and the band have performed well and, more importantly, enjoyed themselves. It is great to see the bands’ reaction to the whole process from ‘our side’ of the process. Festivals are always good fun for the crew but the days are long and can be a logistical nightmare (especially when it rains)!

Imagine that you can film any artist in the world, where and why?

Mark Piddington: Ahh, you might want to keep your eyes peeled for something exciting we “might” be doing over the summer that will answer this question. So watch this space!

Is there anyone you’d like to invite to appear on the next series or future series? 

Mark Piddington: There is no one in particular I have in mind.  The plan is to keep on inviting the best new, unsigned bands and artists on to the show.

Last question – we are only in April, but what are your plans for the upcoming months. Anything exciting to tell us about any what you’ll be including in forthcoming shows?

Mark Piddington:  Every show is exciting for us. Being able to give young artists this kind of platform and the excitement and enthusiasm they have for the show gives myself and the crew a massive buzz and makes the whole thing worthwhile. We also get a huge lift from the positive comments on social media from the bands who have now become friends and their fans alike.

No rest for technical crew – photo by Danielle Clarke

Lights, camera, action – photo by Danielle Clarke

You can follow RawSound TV on their socials:

Official website: http://rawsoundtv.com/
Facebook: https://www.facebook.com/Rawsound.tv/
Twitter: https://twitter.com/rawsoundtv
Instagram: https://www.instagram.com/rawsoundtv/
YouTube: https://www.youtube.com/channel/UCzvfJMPXYhK65X2VRDIkifg

Please contact Mark if you’d like to be included in the next series of concerts. Also, if you have performed for RawSound TV in the past and you’d like to share your videos, please contact us and we will be more than happy to share your experiences.

We also have some incredible  artists to showcase  this month and we are thrilled to be sharing our new interviews with you soon.
Thank you for reading and see you soon!

Rita and Malicia

Indieterria meets MeMe Detroit

Hello!

West Midlands music scene is one of the the most original and diverse scenes in the United Kingdom. It has always been very strong with acts such as Duran Duran, Black Sabbath and the girl band Cleopatra coming out of Birmingham and changing the national musical landscapes. Grime, hip-hop, psychedelia, experimental rock, lyrical and even choral music – West Midland have it all.  We would like to invite you to meet another talented artist from our region that is making a name for herself. Maria Theresa Rodriquez, better known as a MeMe Detroit sat down with Indieterria to discuss growing up within musical family, acting career and who she would take to Glastonbury with her.

logo

Face paint and battle stance

Maria Theresa Rodriquez (vocals and guitar)
Paris Moon Fennell (bass)
Nick Sharman (live drummer)

There are many theories as to what “MeMe Detroit” stands for. Brum Radio speculated that it is the name of your alter ego that you take up on stage, BBC Introducing wrote that it was taken from an old American movie. What or maybe who is MeMe Detroit? 

Maria: “MeMe Detroit” is in fact the alter ego of me, Maria Theresa Rodriguez. MeMe comes from the nickname given to me by my Grandma as a kid. The Detroit part? That just happened to be written my other half’s T-shirt when thinking of a name! (laughing)

Everything about you is a bit mysterious. In interviews you refer to MeMe as a “project” but you perform with the same musicians. We need to ask is MeMe Detroit a solo endeavour or a full fledged band? Who accompanies you on stage?

Maria: MeMe Detroit started off as a solo endeavour, however as the live show came together, it morphed into a bit of both. My band members are now a massive part of it. Paris Moon Fennell is a kick ass bassist and she just oozes cool. We’re currently auditioning for a new full time drummer but have the awesome Nick Sharman in as our current live drummer.

Tell us about the striking make up you are wearing during performances? It looks like a tribal tattoo. Is there any meaning behind it? 

Maria: I wanted to do something that says, “This is MeMe Detroit”, something I could almost morph into, a branding kind of thing. I sat in front of a mirror for several hours, getting a numb butt and trying out different make up and colour designs before settling on what you see on stage now. It was inspired a little by Daryl Hannah’s look in the original “Blade Runner” film.

You grew up in Stratford-upon-Avon in a mixed raced family with Colombian and English family members. Was your childhood any different than that of your peers?

Maria: I wouldn’t say it was different, although I used to secretly pray that the teachers wouldn’t read out my full name during registration (laughing)! There was a small element of bullying in school that came with being “half foreign” which I’m not gonna lie, did affect me but I think now I’m older, it made me want to shout out about my background and heritages even more! I’m proud as fuck of my British and of my Colombian ethnicity. Also, I got to have well cool holidays as a kid visiting British seaside towns and South A-fucking-America!

Has your upbringing shaped you as an artist? 

Maria: My whole family were and still are all pretty big music fans so I was constantly surrounded by music of all genres growing up. My dad used to play Latin hits, turning the volume up really loud in the car and winding down all the windows driving through the town centre to embarrass me as a kid! Whilst my Grandma would play dress up with me and get me singing and performing plays & musicals! Then there was the box of vinyl that’s been passed through generations, each adding their element. Having that huge influence of multi-genres in my every day life has definitely shaped me as an artist.

Maria as MeMe Detroit

Despite developing an acute allergy to Shakespeare in your youth, you worked as an actress, with much success. Is your stage and film experience useful in your current career?

Maria: Ha ha ha! Funny you should ask! We’ve just shot a new video which we’ve approached as more of a short film. It’s mega handy being able to act when you’re in need of an actor for a video. And it is helpful when shooting videos in general, especially live streams!

You debuted in 2016 with an EP entitled “‘Live to Love You’ll Love to Live” to  one of the best reviews for an independent release we have ever heard.  Punk rock legend, John Robb (The Membranes) called you “outstanding”, Louder Than War magazine wrote that you “bridge the gaps between indie, grunge and blues rock” and BBC West Midlands insisted that your music is “simply spectacular”. Have you ever thought of receiving such positive reaction to your work?

Maria: No I have not. You always dream of it but I’m also my own worst critic! I do believe in my work now though more than ever so to have that backed up by such awesome comments and reviews is really humbling and just is really bloody ace!

Tell us more about your newest material “Life In the now”. You have described it in previous interviews as your best compositions so far. Where have you recorded it and how many tracks are on it?

Maria: “Life In The Now” was recorded at Park Studios in Birmingham with producer Alastair Jamieson. There’s 5 tracks on it including singles, “Soc Med Junkies”, “Churchside Inn” & “De Moe”. I wanted to make a powerful in-your-face record with a running theme of positivist underneath it, a fun fuelled blast of Uplifting Angst.

You will be touring quite a bit in the coming months: Birmingham, Stourbridge, Oxford, Mossley – can you tell us what people can expect from your live performances. Also, is there a chance to catch you at any of the summer festivals this year?

Maria: For me, playing live is really what being a musician is all about but it would be nothing without the fans. They’re as much a part of it as we are. Being up there and getting to be completely engulfed in a music fuelled intoxication, music that you’ve made and then getting to share that magnetic euphoria with a crowd of people all on the same level. Nothing fucking beats it!

So far on the festival front, We’ll be at Lichfield Arts Fuse festival in July.

Meme Detroit loves a good laugh!

The word on the circuit is that there may be a new single shortly. If it’s true, are you able to reveal anything about the song? 

Maria: That it is! We are actually releasing a single version of the track “Will You Be My Lie” which is taken from the “Life In The Now” EP. It’ll be released in May alongside the short film/video and with a brand new remix by an awesome artist called DantannaBeatz, which incidentally, I have just heard for the first time this eve and it’s killer!

Cheeky question but we just can’t help ourselves. Imagine you were given the right to curate a stage at Glasto and you can take 5 acts from West Midlands. Who gets to play? 

Maria: Ooh! That’s a tough one. I’d have to say: Blue Nation, Sulpher, Chloe Mogg, Lady Sanity and The Pagans S.O.H

MeMe live in action

You can follow Maria on social media at:

http://www.memedetroitepk.com/
https://www.facebook.com/MeMeDetroitofficial/
https://twitter.com/memedetroit
https://soundcloud.com/memedetroit
https://open.spotify.com/artist/7g5I0NVNGr5FaI4e7Xke6X?si=GH1HeQfTQRKmYF4EC1kYaw

 

You can stream and buy Meme`s music from the link below:
http://smarturl.it/lifeinthenowep

Live in Birmingham

Me Me Detroit will perform at The Victoria in Birmingham on Saturday, 23rd of March alongside London based bands MOSES, Dirty Orange, and Malvern rockers, The Dead Dads Club. The show is organised by Modern Age Music. Tickets costs £5 and the doors are opening at 7:00 pm.

More information: https://www.facebook.com/events/1954968431464900/
Tickets: https://www.skiddle.com/whats-on/Birmingham/The-Victoria/Modern-Age-Music-Birmingham/13465152/

See you soon!
M+R Dabrowicz

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