Indieterria meets Anoa

Hello again!

Another day, another interview! We love working with young upcoming bands on the independent circuit and nothing gives us more pleasure than to discover new talented acts. We are extremely grateful for the chance to be able to listen and see the bands in action on stage and we cannot wait for Friday. If you are in Birmingham on 28th of September, please come to The Victoria and party with us. Vanadian Avenue is teaming up with Brighton based promoters – Modern Age Music to bring some amazing talent to town, so don`t miss out!

You can get tickets to the show at this address:

https://www.seetickets.com/tour/modern-age-birmingham-w-dirty-orange

Now, let us introduce you to our newest discovery – ANOA. This band has been touring and performing since 2016 but only recently has been flagged up on our radars. Lend them your ears and hearts dear readers, you will not be regretting it.

Poster promoting the show

Anoa 
Alex Harris,
Chris Johnston,
Mitchell Gordon,
Jared Gopal

Official bioA redolent, Leicester based, Neo-Punk set up, led by frontman Alex Harris, Anoa came crashing onto the scene late 2016. Lyrically dripping with dark sarcasm, their views are caressed with riffs that pack a punch. Known for their intensely frantic and wild live performances, the band certainly declare their arrival. Mitchell Gordon, Chris Johnston, and Jared Gopal complete the four piece. December 2nd 2016 saw the release of their self titled debut EP, featuring 4 tracks of a diverse variation. In April 2017 they released two A side singles which titled the boys with a punk styled identity; “I’m Alive, Are You?” And “Rock Bottom” allowed the quadruplet to slip into the same category as bands such as; Cabbage, Slaves & and The Sex Pistols. In late October they released their debut music video for their most vicious and bitter single, When In Kings Norton. Anoa closed the year headlining Leicester infamous venue, The Cookie. Where they celebrated the release of their most recent single, “Glorious Nuisance” which was aired by Dean Jackson on BBC Introducing East Midlands.

 

Anoa is an interesting name. It is the smallest water buffalo on Earth and also an armoured patrol carrier vehicle used by the Indonesian army. Where does your name come from?

Anoa: Our name choice probably won’t come as a surprise to you. In our younger days we’d be discussing our tiffs and tests with girls, quite often someone would pop up and say “Oh yeah, I know her”! That “I know her” in our common accent sounds very much like “Anoa” (laughing) and that’s where we pulled the name from!

You are hailing from Leicester, the home town of Kasbian, Cornershop, Maybeshewill, Basement Jaxx among other well-known acts. Tell us more about Leicester. Was it easier to start a band on an active and diverse local scene or was the competition making your beginnings much harder?

Anoa:  To answer your question about Leicester, the scenes is growing day in day out. It’s competitive, intense and frantic, but we wouldn’t have it any other way. We get on with a lot of local bands well, we all want the same thing after all. Our favourite tune to come out of the city is “100% Brimful Of Aisha” by Cornershop. Legends!

Anoa was founded at the end of 2015 and you quickly gained reputation for frantic and wild performances. Rumour has it, you scared the journalists from

ANOA in their splendor

NME who came to see you live all the way from London. We are dying to know what was happening on stage that night. If you could describe your live shows to somebody who has not had the chance to see you perform yet, what words would you use?

Anoa: The story about the NME journalist seems to be a fan-favourite (laughing).  We love it ourselves. We were informed a writer for the NME would be attending our slot when we opened up for Spring King in June 2017. We don’t think he’ll ever forget us, but we don’t think he wants to remember us either. Mitch dressed in fishnets, Harris smeared in lipstick, a guitar got smashed, think he got chinned in the mosh pit too… Poor bloke, seemed a decent fella. But yeah, we were well up for that gig and went out all guns blazing, was one to remember.  We can’t possibly settle for one word to describe our live performances, but can take a chance on 2: fucking nuts!

You are also known for sarcastic sense of humour and eccentric photo sessions like the one where you pose half naked with “We don’t bite” written across your chests.  What inspired you to choose this stage presence? Was it a conscious decision to shake and stir things a little bit?

Anoa:  We think, there’s a lot of musicians out there who are too “safe” these days. Don’t get us wrong, some bands can be static and deliver a breathtaking set, but that’s not for us. Our theatrical performances are just as important as our musical ones. We like stirring things up as well, there’s not enough people doing that. It’s nice to write a good love song but not one after another, we like to get under people’s skin and surface problems their surprising.. like the cunt who’s running this country!

Let us talk about your influences. It’s the classic Manic Street Preachers, T.Rex, The Sex Pistols, The Clash meets the modern angry wave of Cabbage, The Blinders and Idles. There is a lot of glam rock in your act as well. What inspires you to create?

Anoa:  You’ve nailed our influences there. We like to entwine old and new influences in order to create something fairly unique. Musically, we’re very punk inspired… but we do take the time to understudy performers such a, Freddie Mercury, Charlie Steen & Iggy Pop. What inspires us the most to create are situations full of anger. We’ve recently stepped into a political territory, god that makes us fucking angry! But that’s where our best work comes from. Heart on the sleeve sort of thing!

Anoa – vivid colors and real spectacle on stage

In December 2016, you released your self-titled 4 track EP. It got you a lot of radio play in the north and sent the BBC Introducing knocking on your door. You were played on BBC West Midlands, East and Manchester to very good reviews. Tell us more about this release.

Anoa: Our debut EP is very innocent in the ranks of our music. It drips with sarcasm but doesn’t quite take that step into analyzing issues in the world itself. Our EP displays our own issues, mainly lust related. Our latest single ‘Glorious Nuisance’ accurately portrays the quintessence of modern humanity. We were made up when that starting doing the rounds on the radio.

A year later, you returned with two A-side singles entitled “I’m Alive, Are You?” and “Rock Bottom” which are our absolute favourites. When were they written and in what circumstances?

Anoa: Our 2 A side singles were an important step in our scheme of work. We upped the anti musically, creating riffs with a lot more tempo and aggression and aimed to step away from writing about relationships. “I’m Alive, Are You” is basically a goodbye to our old self and allowed us to step into a category where we could create songs like “When In Kings Norton” and “Glorious Nuisance”. “I’m Alive, Are You?” gave us that beeline to become real fucking punks!

Calm before the storm

You will be playing Birmingham on 28th of September with Dirty Orange, Whitelight and Malvern based rock and rollers, The Dead Dads Club. Is it your first time in the West Midlands? What can we expect from you during the gig?

Anoa: To put it bluntly, this is our first time in the West Midlands and definitely won’t be our last, we’ll make sure of that!

2018 has been a busy year for you so far. What are your plans for the next months? Anything lined up for 2019?

Anoa: And finally our plans for the future seem to be taking shape. We’re going to be working on releasing a follow up to our debut music video, which will be accompanied by a very fierce new single. We’re aiming to edge our way onto Handmade festival in 2019 as well, having debuted there in 2017. Fingers crossed yay! Finally, we just want to express our gratitude regarding how well you’ve researched us. Thank you very much for getting to know us and for asking proper good questions.

Please follow the band on their social media:
https://www.anoamusic.com/
https://www.facebook.com/Anoamusic
https://twitter.com/Anoamusic
https://www.youtube.com/channel/UC_EbFRtBbfUlcqpFxwkLrZQ
https://www.instagram.com/__anoa__/
https://soundcloud.com/anoa_music
https://open.spotify.com/artist/3Xanv9nbTLElvbhY2EkEts?si=y5YfIlNlRy-tY-W1UvcvUA

We hope you have enjoyed our little interview with Anoa- they are charming, funny and very keen on getting their music out for people to hear it. And this is what won us over in their case. We will be down in the front during their gig at The Victoria, so please expect some serious updates to this blog – with videos and pictures in the weeks to come.

For now, thanks for reading and we will be back with you very shortly for another chapter in our ongoing journey in the Indielands.

Cheerios,

Mal+Rita

Indieterria presents The Columbia Library Archives

Welcome faithful citizens!

After years of preparation, and months of excitement and awaiting, the DAY OF TRUTH has arrived.
The debut album by The Blinders is finally here and now the entire world will hear the story of Johnny Dream and His Codeine Scene.

You are being watched! Johnny Dream is looking at you from the cover of “Columbia”

This musical hurricane will take you on a ride that will not be easily forgotten. To celebrate, Vanadian Avenue has opened the doors to the Columbia National Library Archives and digged out some impressive data to boast about the fruitful last couple of weeks.

The Blinders team has been working extremely hard and we would like to mention several people who made everything possible.

First of all, of course the musicians themselves: Thomas Haywood, Charlie McGough and Matty Neale. Plus Gavin Monaghan (the producer) and Joseph Wildy Murray (the engineer), who get the honorary mention as it was their experience and knowledge that created this masterpiece. They are truly the Wizards of Wolverhampton.

Second, their record label – Modern Sky UK and managers: Tim Abbott and Paul Fassam.

Third – their PR team with Caffy St Luce at the helm, their booking agent Jamie Wade and Sam Crowston – visualizer, artist, filmmaker, photographer and the man behind all graphic representation of Columbia.

Very, very special thanks to Mr Chris Hawkins and Mr Steve Lamacq – a legendary man who is the same to the new generation of musicians as John Peel was to us.

And then their families who supported them from the start, their friends and fellow bands that came to the shows, newspapers and magazines that wrote about them, journalists and DJ’s who played them, BBC 6 Music, BBC Introducing teams and BBC 1 teams, Amazing Radio, Radio X, XS Radio Manchester and other radio stations who played their music, photographers who tirelessly took millions of pictures and edited them right after the gig so people could enjoy them in the morning, promoters who booked shows and shouted on Twitter and other socials trying to sell tickets and bring crowds in, bars and clubs that hosted the band, fans for sticking with the band through thick and thin and countless of others who were there and we will never know their names.

THANK YOU to all and each one of you – you are wonderful human beings and your kindness means a world to three young lads from Doncaster.
Things would not be possible without your help.

The Blinders by Sam Crowston https://www.facebook.com/sam.crowston

The last three months before the album release have been very busy. You may not realize how much planning, work and extra hours go into social media, making of promotional materials or just simple PR. It is never ending job that keeps everything together.

We called this blog Columbia Library Archives as we tried to collect links, videos, interviews, and all sort of strange data that could show you what has been done and achieved.

Please feel free to scroll through this small collection and enjoy it. If you have missed something before, this is now your chance to discover it all over again.

To make it easier for you, we have divided our findings into groups:

Chart position:
Columbia has debuted on the official UK Top 40 on the date of its release, 21st of September 2018. The Party has released an official statement and every woman, man and a child living within the glorious borders of our nation-state is expected to read it and celebrate the success!

The statements reads:
“Having caught wind that our debut album ‘Columbia’ has entered the realms of the top 40 midweek album charts, we would just like to thank every single person who has purchased the record in the past few days. You all mean the world to us, and we really couldn’t be doing this without you. To ensure it stays there, buy it, play it, and tell all yer friends about it.

The statement is accompanied by the special celebratory video:
https://www.facebook.com/theblindersband/videos/2248414732114308/

Visualization and design by Sam Crowston:
https://samcrowstonimaging.com/the-blinders-columbia/?fbclid=IwAR2rvVckytMQG_IC9G1e1M0DZjBD3iwuroL5y84_mlyQ8nt5D2OpDZ5Qx3o

And the band would like to thank everyone who ever supported them so please continue doing!

Official statistics are as follows:

Mid Week Top 40 – 28th place
Official Top 40 – 54th place
Official Record Store Top 20- 6th place
Indie Album Top 30 – 8th place
Indie Album Breakers – 1st place
Vinyl Sales of the Week – 10th place

Mid Week Top 40 – 28th place

Indie Album Top 30 – 8th place
Indie Album Breakers – 1st place

Official Top 40 – 54th place

Official Record Store Top 20- 6th place

Vinyl Sales of the Week – 10th place

You can find the original screenshot here: https://www.facebook.com/photo.php?fbid=10155474175590563

Music-News Magazine confirms the news with article published on 25th of September: http://www.music-news.com/news/UK/115993/Christine-and-the-Queens-could-score-first-UK-Number-1-album-with-Chris

It reads: “The self-titled debut album from Brighton rockers Black Honey opens at 22, one rung higher than Iridescence, the major label debut from hip-hop group Brockhampton (23). Doncaster group The Blinders are also vying for a Top 40 finish with their debut album Columbia (28)”.

Please check out this section often as it will be updated as new info is available!

The Warpaint is leaking into the streets…
Picture courtesy of ModernSky UK
https://www.facebook.com/ModernSkyUK/photos/a.1208599892580472/1864299447010510/

Additional pictures can be found here: https://www.facebook.com/rita.dabrowicz/posts/10158424422143018

BBC Profile for The Blinders:
https://www.bbc.co.uk/music/artists/f69e03e7-86d5-49f4-9381-12a4ea3eddd0

BBC Introducing Session at legendary Maida Vale Studios in London:
https://www.bbc.co.uk/music/articles/cf8a3e9f-4346-4be5-9a12-0b38028c6268

BBC6 Music Album of the Day:
On 1st of October 2018, Columbia has been named the Album of the Day by BBC6 Music. This is one of the highest recognition that can come for a debuting album and millions of people heard 6 songs from the album being played throughout the day.

Album of the Day according to the Gospel aka BBC6 Radio! Thank you so much guys!!!

BBC has said: “Infectious tunes, big drums, hypnotic drones and dystopian visions, Columbia, the debut album from Doncaster three-piece The Blinders, is our Album Of The Day.”
You can find the link to the official announcement here:
https://www.facebook.com/BBCRadio6Music/photos/a.133411500016402/2165559410134924/?type=3&theater

Amazing Radio Album of the Week 01.10.2018-07.10.2018:

Columbia as the Album of the Week


Columbia has been chosen as an Album of the Week at Amazing Radio during the period of 1st and 7th of October. That means the album is played each day during the core hours and on Friday, the 5th of October, you will have a chance to listen to the entire album on air without interruption  from 2:00 PM sharp.
https://amazingradio.com/home/album-of-the-week-the-blinders-columbia

You can listen to the interview Chris Murray did with the band during the Kendall Calling festival.
https://amazingradio.com/home/kendal-calling-chris-murray-interviews-the-blinders 

Festivals:
The Blinders are in such a great demand that each day, a new gig or concert is being added. Those lucky ones who have the tickets, were able to see them performing on two festivals before they embark on a national tour.

The first festival called Neighbourhood Manchester Festival took place on the 6th of October and The Blinders were added as a secret guest just 12 hours before the show.  The band played at the YES the Pink Room and it was of course a sold out performance.

Neighbourhood Festival in Manchester –https://www.facebook.com/NBHDFestival/

The Blinders played at YES The Pink Room on Charles Street

Festival map: https://www.facebook.com/NBHDFestival/photos/a.1703827043238758/2148651485422976/?type=3&theater
Club’s official website: https://www.yes-manchester.com
Review: https://www.skiddle.com/news/all/Neighbourhood-Festival-Manchester-review/53370/
Pictures: https://www.facebook.com/theblindersband/posts/2166582780281711
Videos:
Brutus – https://www.youtube.com/watch?v=gImw-38FWfI
Rat in a Cage – https://www.youtube.com/watch?v=rVboZfOPJ-8
Brave New World – https://www.youtube.com/watch?v=5L-CkUfI6_U
Where No Man Comes – https://www.youtube.com/watch?v=e7NF_qmGSPc

The second festival named Twisterella Festival in Middlesbrough took place on the 13th of September. The Blinders were one of the headliners along with Estrons, Avalanche Party and Bryde. As with previous performances, tickets were selling fast and it is a good indicator that many shows will sell out on the commencing tour.  The Blinders played their 50 minute slot at The Townhouse, starting at 21:00 pm.

Twisterella official poster

Festival official website: https://twisterella.co.uk/
Line up and time schedules: https://www.facebook.com/TwisterellaFestival/photos/p.1725299877597394/1725299877597394/?type=1&theater
Article on NARC Magazine: http://narcmagazine.com/exclusive-twisterella-festival-stage-times/
An absolutely huge gallery: https://www.facebook.com/andy.lochrie.9/media_set?set=a.2334316436582013&type=3

Tour:
Please see the main new entry dedicated to the tour:
The blog will be updated daily!
https://cocamidemea.wordpress.com/2018/10/15/indieterria-presents-the-columbia-tour/

Keep your eyes open and check the latest news on:
https://www.facebook.com/pg/theblindersband/events/

Mailing List/Newsletter
Mailing list and newsletters are very useful tools helping to keep in touch with fans and informing them about new things from the band’s HQ. Like any other marketing materials, Columbia Daily (aka the newsletter) is issued in in monochrome and contains pictures, latest news and the most important links.

The Blinders newslettter

You can see the archived newsletters at:
https://us17.campaign-archive.com/home/?u=3b6499050c5a99dfa9d83f2e3&id=c9af776f56&fbclid=IwAR1B33FdCjT0qdPmPZroNbifMrDXfvVk0CGew4_kvJWDiifM4qB4Y5TFMLo
Sign up to the mailing list:
https://facebook.us17.list-manage.com/subscribe?u=3b6499050c5a99dfa9d83f2e3&id=c9af776f56

Playlist:
Spotify is one of the most popular streaming services on the Internet allowing billions of users to access the music. The Blinders are added to hundreds of small lists made by fans and industry professionals, but recently they came with a list of their own. And it is a pretty special list as it shows the band’s entire officially released catalog! It also looks wonderfully as you ca see at the attached screens below:

Public Playlist

Entire catalog listed

Catalog listing #2

Please add the list to your favourites:
https://open.spotify.com/user/3sjczc69aju809m48302nzmbz/playlist/13kIG3PdHgQJ5zGrRfYMxw?si=wyJPPCZWSg-RgNqPDk1sgA:

Q&A with the band:
www.facebook.com/theblindersband/videos/1358988564238440 (part 1)
www.facebook.com/theblindersband/videos/1559759994130483 (part 2)
www.facebook.com/theblindersband/videos/660643360983368 (part 3)

Video interviews:
https://www.youtube.com/watch?v=3qeu3jM4L1I (Kendall Calling)
https://www.instagram.com/p/Bl0Can0D6ys/ (Kendall Calling – Chris Hawkins Interview)
https://www.youtube.com/watch?v=rIq2RFj8fnI&t=15s (Sound City)
https://www.youtube.com/watch?v=abB7NKmAmFc&t=2s (Leeds Festival)
http://www.neverenoughnotes.co.uk/2018/10/interview-the-blinders-talk-about-what-theyd-cover-in-the-radio-1-live-lounge-and-why-a-columbia-two-is-never-going-to-happen/ (Never Enough Notes Columbia premiere interview)

Acoustic performances:
https://www.facebook.com/theblindersband/videos/1166069736882623 (ICB Blues)
https://www.facebook.com/theblindersband/videos/554302124983440 (Brave New World)
https://www.facebook.com/theblindersband/videos/228938084489705/ (Rat in the Cage)
https://www.youtube.com/watch?v=Q96tgY4pedg (Brave New World and Orbit on XS Radio in Manchester)
https://www.bbc.co.uk/programmes/p068vq9x (Ballad of Winston Smith at BBC Introducing Manchester)
https://www.pscp.tv/w/1yoKMVaRDBWGQ (Rat In a Cage at BBC Introducing Manchester)
https://www.facebook.com/parisianhigh/videos/1857735434343854/ (Ballad of Winston Smith for Parisian High, Paris at Le Truskel)
https://www.facebook.com/jimmysnq/videos/2149130312020086/ (Ballad of Winston Smith, Jimmy’s, Manchester)

Columbia promotional banner

Visualization Videos:
https://www.facebook.com/theblindersband/videos/521694508274694/

Leeds + Reading Festival 2018:
https://www.youtube.com/watch?v=90vKO4nkkzo (official video)
https://eudaemoniablog.com/2018/08/29/reading-leeds-2018-our-highlights/
https://www.live4ever.uk.com/2018/08/the-blinders-will-headline-bbc-music-introducing-stage-at-reading-leeds/
https://www.rgm.press/festival-review-leeds-festival-2018-my-diary-journey-through-the-festival/
http://northern-exposure.co/reading-still-rocks/
https://gigwise.com/features/3276280/18-things-we-learnt-at-reading-festival-2018
https://yorkcalling.co.uk/2018/08/22/the-blinders-headline-bbc-introducing-stage-at-leeds-
http://www.itsallindie.com/2018/09/reading-festival-2018-real-headliners.html
https://www.rgm.press/interview-the-blinders-at-leeds-festival-2018/
https://www.instagram.com/p/BoPOR5PANgT/?taken-by=matthiggs

Press articles:
https://www.theocelot.co.uk/the-blinders-in-oxford/
https://counteract.co/news/tour/the-blinders-to-hit-the-road-on-massive-22-date-autumn-uk-tour/
https://counteract.co/features/brum/10-gigs-birmingham-october-less-than-tenner/
https://www.morleyobserver.co.uk/whats-on/music/rising-stars-the-blinders-set-for-hat-trick-of-leeds-appearances-1-9316144
https://www.brightonandhovenews.org/2018/08/25/the-blinders-are-currently-enthralling-music-fans-at-reading-leeds-festivals-announce-brighton-date/
http://aboutmanchester.co.uk/home-coming-gig-for-the-blinders/
https://www.dewsburyreporter.co.uk/whats-on/music/rising-stars-the-blinders-set-for-hat-trick-of-leeds-appearances-1-9316144
https://www.theguardian.com/music/2018/jul/30/kendal-calling-festival-review-
https://www.expressandstar.com/entertainment/birmingham-entertainment/2018/08/08/birmingham-date-promotes-debut-the-blinders-album/
https://www.clashmusic.com/news/track-of-the-day-68-the-blinders
https://www.live-manchester.co.uk/the-blinders-announce-appearance-at-fopp/
https://www.clashmusic.com/news/track-of-the-day-68-the-blinders
http://www.itsallindie.com/2018/09/industry-focus-interview-with-gavin.html
https://blog.ticketweb.co.uk/music/track-track-blinders-columbia-9595
https://wordsformusic.blog/2018/10/28/september-2018-albums-of-the-month/

Album Reviews:

Long Live Vinyl October 2018 page 102

Classic Rock Magazine August 2018 page 87

“This is the most important debut album to be released this year and definitely one of the top five. Debut albums do not get any bigger or better than Columbia” – Susan Hansen for It’s All Indie
http://www.itsallindie.com/2018/09/the-blinders-eponymous-columbia-release.html

“The Blinders join Cabbage, Shame and Idles as pioneers of a movement we’ve needed for some time, giving us faith in rock music again. In 2018, punkadelia has finally caught fire. Long may they be fanning the flames” – Richard Bowen for Live4Ever
https://www.live4ever.uk.com/2018/09/album-review-the-blinders-columbia

“Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming” – Nigel Carr for Louder Than War Magazine
https://louderthanwar.com/the-blinders-columbia-album-review/

Signed CD version with sleeve

“The adopted sons of Manchester have crafted and presented their debut album Columbia to the masses to be devoured whole – and it’s a ferocious record that won’t stand to be ignored” – Jennifer Jordan for NARC Magazine
http://narcmagazine.com/album-review-the-blinders-columbia/

“With ‘Columbia’, The Blinders take their place among the vanguard of bands currently shaking the UK Indie scene out of its mid-90’s slumber” – The Grey Lantern Magazine
https://thegreylantern.com/the-blinders-columbia/

“The rage and despair is a mesmerising display of rock n rolls spirit. There is no element of pretence. No attempt to be cool. This is desperate and oozes from the gut” – Traveller’s Tune Blog
https://travellerstunes.com/review/theblinders-columbia

“The Blinders are one of 2018’s essential bands. The well-known sporting analogy says it all, the boys played a blinder” – The Ginger Quiff Blog https://thegingerquiff.com/the-blinders-columbia-album-review/

“It is guitar orientated album that is true to the live performance.  Songs are fast and yet catchy, with haunting back ground vocals and hypnotizing drums. It is the fresh perspective on what music should be in 2018 – direct, poetic, enigmatic, political, tearing out your soul and different from what is happening around. And that is what Thomas Haywood, Matty Neale and Charlie McGough bring to the table” – Malicia Dabrowicz for Vanadian Avenue
https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/

“How important is this release going to be?  Personally, I’ve waited for a band to make an album like this for twenty, maybe thirty years.  Political albums can often deter because they are hard work, but they do endure… I’m thinking about albums by Gil Scott Heron, The Clash, Billy Bragg, Public Enemy, Manic Street Preachers, The The or Dead Kennedys.  When the political scene is as warped and cruel as it is now, music should comment on it and be influenced by it.  The Blinders are making music to mark their protest; there should be more like them” – Alan Neilson for BrumLive Magazine
http://www.brumlive.com/blinders-columbia-debut-album-released-21-september-2018/

Signed LP on vinyl – back

“Politically charged trio The Blinders have taken the UK music scene by storm. Not only did their track ‘L’Etat C’est Moi’ get playlisted on BBC 6 Music, but they also landed a headline slot on the BBC Introducing stage at this summer’s Reading & Leeds festivals. Needless to say, these boys are destined for success” – Harriet Willis for The Skinny Music Blog
https://www.theskinny.co.uk/music/reviews/albums/the-blinders-columbia

“That shamanic, compelling mood is captured perfectly in ‘Columbia’. Ably produced by Gavin Monaghan (Editors, The Sherlocks, Goldblade), the album sees childhood friends Thomas Haywood, bassist/co-writer Charlie McGough and drummer Matt Neale follow Johnny Dream on his spiritual awakening, from the coruscating swagger of the opening ‘Gotta Get Through’ to the raw, beautiful and ultimately redemptive finale ‘Orbit (Salmon Of Alaska)” – (legendary)  R*E*P*E*A*T Fanzine
https://repeatfanzine.wordpress.com/2018/09/18/the-blinders-debut-album-columbia-out-this-friday-uk-tour/

“It’s a really impressive debut, and we actually found ourselves feeling suitably shocked after our first listen at how accomplished it sounds. The band make indie rock music that is supercharged and political, with groovy yet raw riffs filling each song on the album. It’s raw but the production never sounds too fuzzy, with it all sounding pretty damn perfect to us” – Jane Howkins for York Calling
https://yorkcalling.co.uk/2018/09/01/the-blinders-columbia/

“‘Hate Song’ is all urban noir menace, ‘Free The Slave’ a 28-second leviathanesque anthem, ‘Et Tu’ a heads down bass battering Adam and the Ants from Dante’s Inferno and, joining the quote dots, ‘Brutus’ a full seven minutes of charged rock darkness that variously encompasses Floyd, Enter Shikari, Metallica and Nick Cave. Impressive stuff” – Mike Davies for Roots and Branches Zine
http://roots-and-branches.com/brum-beat–the-beat/record-reviews-september.html

“Whirring riffs dominating, the war drums integral, drone sounds making you check over your shoulder as you listen. It‘s infectious, with bombastic drum beats, western twangs and jangly yet searing guitar riffs getting you ready to dance, mosh or start a revolution” –  Johnny Rogerson for Clash Magazine
https://www.clashmusic.com/reviews/the-blinders-columbia

“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog
http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia

“Perhaps once in a generation comes a movement that speaks for its outcasts, those who are undernourished but well read, those who see injustice, but have been fed only on a diet of apathy, and corruption. The blue generation before us were emotionally rescued by bands like the Manic Street Preachers, now, rising from the ashes of Brexitopia, (and the burned out ruins of the indie landfill) we have The Blinders” – Dizzy Spell for The Zine UK
https://www.thezineuk.co.uk/single-post/2018/09/19/Stepping-into-Columbia-with-The-Blinders

“Columbia is an exceptional piece of art and gets better with every listen. It truly lives up to the expectations set by the band’s immaculate live shows” – Brandon Taylor for Too Many Blogs
http://toomanyblogs.co.uk/2018/09/20/album-review-the-blinders-columbia/

CD version of Columbia

“So where does ‘Columbia’ place The Blinders? It’s an impressive debut, one that captures the essence of what they’re about and as much of the live performance as is possible within the constraints of a studio recording. It doesn’t compromise their personalities and the real core of what they’re about in search of a hit radio-friendly album, but it’s that which has caught the ear of those that champion them. They have influences but not too overt, their songs observe rather than preach, talk of politics in its social context attacking ideologies and beliefs rather than directly attacking individuals which give it more gravitas. But most important of all they remain true to themselves”  – Even the Stars Blog
http://www.eventhestars.co.uk/2018/09/the-blinders-columbia.html?m=0

“In the age of distraction, it’s hard to craft an album that grips you for a full 40 minutes and doesn’t have you reaching for the skip button, but ‘Columbia’ is a rare breed, as are The Blinders themselves. This is one to not only cherish, but to lose your voice and mind to in equal measures” – Richard Cobb for Little Indie Blogs
https://littleindieblogs.blogspot.com/2018/09/album-review-blinders-columbia.html

“Of the lineage of politically charged and anti-establishment albums, The Sex Pistols’ Never Mind The Bollocks and Pink Floyd’s The Wall, stand out as the two that most inform Columbia, which is without doubt an astounding achievement and a seismic debut for the band that labelled their sound in 2016 as ‘a spellbinding punkadelic-esque Roman orgy’. Columbia, the ‘alternate world informed by reality’ reverberates with the sound of the temple’s foundations being rocked to their very core” –  Andrew Gutteridge for Words For Music Blog
https://wordsformusic.blog/2018/09/21/album-review-the-blinders-columbia/

“The Blinders debut album ‘Columbia’ is out on Friday the 21st of September and incorporates an in-your-face sound similar to Frank Carter and The Rattlesnakes with influences from Nick Cave and The Fall. It is definitely not one to miss” – Abby Clarke for The Mic Magazine
http://themicmagazine.co.uk/2018/09/21/album-review-blinders-columbia/

“An outstanding debut, The Blinders have caused an itch with Columbia, an itch I hope they can scratch with a follow up. We sacked off the ratings system a long time ago, but Colombia feels like an Eight from a band who have the potential to deliver a Ten. Far from a classic, but ever so close. Thoroughly enjoyable and a real kick up the ass for the alternative rock scene who should take notes from this excellent piece of work” – Josh Bell for RGM: Reyt Good Magazine
https://www.rgm.press/review-the-blinders-columbia/

 

Vinyl copy of “Columbia”

“It’s impossible to fully appreciate this album in word form and I cannot stress enough how much you have to listen to it for yourself. The Blinders have truly changed the game with ‘Columbia’. They’re going to take over the world” – Lottie Catrin for Let It Happen Music Blog
https://letithappenmusicblog.com/2018/09/21/the-blinders-columbia/

“There’s truth and meaning behind every song, and they’ve injected their musical talents around it. It’s contagious, intriguing, and sounds as though taking over the world is highly possible. Who’s going to stop them?” – Captain Sound Blog
http://captainsound.co.uk/new-releases/the-blinders-columbia/

“If The Blinders were trying to get a message across, they couldn’t have achieved it in any more clarity if they’d tried. It’s poetical perfection. This, 12-track, just-under-40-minute album is, at it’s core, just a piece of music. But at it’s best, it’s a statement; a concept; it’s meant to provoke a reaction. And it does. Even during the live shows, the band, clad in face paint and dark clothing, embrace the ideology and the theme of the album entirely, immersing themselves in this make-believe world that they truly believe could become real sometime soon. The hype around this album has been second-to-none amongst independently released albums in the past ten years. But we’re here for it” – The Indie Room Blog
https://theindieroomblog.wordpress.com/

“But it is impossible not to be sucked into this scary world of slithering bass, straight-for-the-throat guitars and Thomas Haywood’s cool without being an annoying snob popular cultural references. The deliciously snarling guitars that pave the way of ‘Et Tu’ and then again on the outro to ‘Brutus’ while Haywood screams ‘Et tu, Brute?’ over the top are the stuff of genius. This isn’t songwriting, this is atmospheric musical theatre” – Leigh Sanders, Senior sub editor for the MNA portfolio and entertainments  at Express and Star and Shropshire Star.
https://www.shropshirestar.com/entertainment/music/2018/09/22/the-blinders-columbia—album-review/

Haiku review of Columbia from the Rodeo Mag

“Manifesto for
A new world order, driven
By dystopia” – Rodeo Magazine 
https://therodeoblog.blogspot.com/p/haiku-reviews.html

Haiku translated into Japanese by Emmy Ishida https://www.facebook.com/emmy.ishida3
Graphic design by Oliko
https://www.facebook.com/oliko.aleksandra

You can also read a more traditional review here:

“Doncaster trio The Blinders’ Columbia is a dystopian-infused, literary-inspired social critique on modern day society, comparing our own world to those created by Orwell and Huxley. Before listening I was apprehensive, afraid the ferocious punk sound that has dominated their early works and live shows would become too repetitive, but Columbia’s highlights are the tender moments. Acoustic number ‘The Ballad Of Winston Smith’, and Nick Cave-inspired ‘Orbit (Salmon Of Alaska) are the album highlights as Tom Haywood, under his persona of Johnny Dream”
https://therodeoblog.blogspot.com/2018/09/on-trend-future-is-bright.html

“There is a movement in the youth of today, a political shift is brewing, and who better than 3 musicians from the North to deliver the message to the masses in this, the greatest of art-forms. ‘Columbia’ is a huge statement from The Blinders, and a powerful legacy in the making” – Kevin Barrett, photographer and writer
https://kevinbarrettphotography.com/2018/09/23/album-review-the-blinders-columbia/

“If ever there were a time for heroes, it be now. A band to speak to and for the disaffected, disenfranchised youth about to be trampled on by the aftermath of us adults screwing up their future by withdrawing from the EU and leaving them with a “no deal” Britain that ensures they’ll be working until they drop and the word ‘pension’ will become as obsolete as pronouncing the letter “H” as it is spelt” – James Auton for God is in the TV blog
http://www.godisinthetvzine.co.uk/2018/09/24/the-blinders-columbia-modern-sky/

Amazon reviews for Columbia

You can read the reviews here: https://www.amazon.co.uk/Columbia-Explicit-Blinders/dp/B07D1D8TLL/ref=ice_ac_b_dpb?ie=UTF8&qid=1537828038&sr=8-1&keywords=the+blinders+columbia#customerReviews

“Emerging from Doncaster as new bastions of explosive live music, The Blinders have become a must-see band on the UK live circuit in the past two years. Fusing punk politics, gnarly hooks and psych-lyricism, the band have found the perfect algorithm to live success. Picking up support from 14 influential playlists, including Indispensables and Walk Like A Badass, The Blinders have enjoyed a 132% increase in their playlist following in the past 7 days, taking their total to over 3.5 million. With a 5.45% increase in their artist following, the trio also seem to be building a solid fanbase” – FRTYFVE Blog, powered by Instrumental
https://www.frtyfve.com/new-music/hottest-artist-in-the-world-the-blinders

“On the back of the game-changing album ‘Columbia’, The Blinders have now cemented themselves as one of the hottest bands in the UK. The album itself is racing into the UK top 40 after rave reviews from fellow bands, fans and press – we’ve had it playing constantly since last Friday, and trust us – believe the hype!” – Mock It (the Best in New Music) Blog
https://mockitmusic.wixsite.com/mockitmusic/features/tenement-trail-the-blinders

“In tracks such as ‘Hate Song’, ‘Where No Man Comes’, the scintillating power of expression in ‘Ballad of Winston Smith’, ‘Brave New World’ and ‘Orbit (Salmon of Alaska)’, The Blinders have found the right series of buttons which makes, which demands of the debut a sense of the calm, collected, and ready to light the beacons in the anticipation of fighting a bigger battle ahead. It is a battle in which the generations above had better be wary of standing in their way ” – Ian D. Hall for Liverpool Sound and Vision
http://www.liverpoolsoundandvision.co.uk/2018/09/25/the-blinders-columbia-album-review/

“Influenced by Arctic Monkeys and Nick Cave & the Bad Seeds, there’s also a hint of Kasabian in their groove-laden alt-rock sound. This brooding collection of 12 songs is loosely based around the concept of Columbia as ‘an alternate world informed by reality’. It demands your attention from the off with a wonderful brace of singles, the insistent ‘Gotta Get Through’ and ‘L’Etat C’Est Moi’ (it means I Am The State). Like most of the album’s best moments, they’re propelled along by delicious post-industrial bass lines reminiscent of Peter Hook in his Joy Division pomp” – Gary Welford for Hartlepool Mail
https://www.hartlepoolmail.co.uk/whats-on/music/album-review-the-blinders-columbia-1-9365505

A fantastic article mentioning The Blinders and Children of the State as the next gig things! Courtesy of Sheffield Star https://www.facebook.com/sheffieldstar

“The album provides a unique and enjoyable listen, leaving you feeling fully involved with the dystopia that is Columbia, all helped by the vivid imagery of the lyrics. This band is essential to 2018, and with this album they have literally pulled a blinder” –  Katie Macbeth for Rock Chic Blog
https://rockchicme.blogspot.com/2018/10/the-blinders-columbia.html

“For a young generation on the cusp of a new political awakening, their debut will no doubt act as an accompanying soundtrack to their cause. After a few years of honing their craft and some impressive slots on the UK festival scene this year, ‘Columbia’ will be taking The Blinders places – so catch them while you can” – Ceri Saunders for ON: Yorkshire Magazine
https://www.on-magazine.co.uk/arts/music/album-reviews/columbia-the-blinders/

“The Blinders are a band worth experiencing live. Enrapturing, politically injected lyrics enable the gig-goer to encounter an alternative to what is seen in mainstream media. Catch them on their headline tour alongside White Room and Calva Louise this October and November, you won’t be disappointed” – Sahar Ghadirian for Forge Media
http://forgetoday.com/2018/10/02/review-the-blinders/

“Despite clocking in 12 songs in just over 42 minutes, ‘Columbia’ never rushes its narrative. Constantly proving that rock and roll is most definitely still alive and well, The Blinders have returned the hope that rock and politics can go hand in hand. With hints of the ‘Stones, The Smiths and Nick Cave & The Bad Seeds, it’s quite hard to not deem ‘Columbia’ as one of the most influential albums of 2018. It’s a definitive, well-polished record from a young, promising band who stand for something much more” – Paige Smiths for Not Enough Notes Blog
http://www.neverenoughnotes.co.uk/2018/10/review-the-blinders-columbia-rock-debut/

A new review from K Production

“Energetic, goth-tinged Yorkshire three-piece The Blinders take their influences from great lyricists, poets and writers such as Leonard Cohen, Bob Dylan, Nick Cave, John Lennon, Rimbaud, Allen Ginsberg, George Orwell and William Burroughs, but also count Charles Manson and the devil among their influences. Their debut album, Columbia, therefore, is a bit different to the run-of-the-mill indie bands around today. LP and CD on Modern Sky Entertainment.” – KProduction
https://www.keyproduction.co.uk/blog/2017/latest-releases-manufactured-by-key-production-group_september-round-up/

Columbia review by Jack Saunders of BBC Radio1.
Picture by Sam Crowston

“Delivering an LP of fierce dystopian rock n roll loosely based around the concept of ‘an alternate world informed by reality’, The Blinders are an example of a new breed of guitar band who are noticeably far less complacent than many from earlier on in the decade. They bash out an exciting blend of punk, indie and psychedelica, listing their influences as Dylan, Cohen, Mark E Smith, Lennon, Cave, Kerouac, Rimbaud, Orwell, Ginsberg, and S.Borroughs” – Rewind/Forward Blog
https://rwffmusic.blogspot.com/2018/09/album-review-blinders-columbia-2018.html 

“Of the lineage of politically charged and anti-establishment albums, The Sex Pistols’ Never Mind The Bollocks and Pink Floyd’s The Wall, stand out as the two that most inform Columbia, which is without doubt an astounding achievement and a seismic debut for the band that labelled their sound in 2016 as “a spellbinding punkadelic-esque Roman orgy”.  Columbia, the ‘alternate world informed by reality’ reverberates with the sound of the temple’s foundations being rocked to their very core” – Andrew Gutteridge for Words for Music Blog
https://wordsformusic.blog/2018/09/21/album-review-the-blinders-columbia/

“This increasingly rare concept album, coupled with their constant references to history and literature display an artistic intelligence perhaps uncommonly associated with such a heavy-hitting sound. Alongside the likes of Cabbage and IDLES, they are leading the way in creating a new brand of socially aware Punk. With the release of ‘Columbia’, The Blinders are dragging us into a dystopian future where Punk-Rock rules again” – James Booton for Boot Music Blog
http://jamesbooton15.wixsite.com/boot-music/single-post/2018/09/19/The-Blinders—Columbia

Selected plays (among many, many more)

International: 

London Calling logo

The Blinders have been played by at LondonCalling on A Rádio Rock by DJ Murillo Sguillaro across Latin America on 28th of September 2018. This station reaches 2 million of listeners across Brazil and other countries.
You can listen to it online: http://89play.radiorock.com.br/programa/london-calling
Or listen to our mp3: 

On 2 of November, the band was played by the legendary American radio station, KEXP 90.3 FM and they chose a rather unexpected song from “Columbia” – “The Hate Song”. Next stop for the lads? Top 20 on Billboard charts 🙂

KEXP Radio station played The Blinders!!

Domestic (as per Airplay Ninja):
Please note that this list does not include local radio-stations plays, only the national ones.
This means that all BBC Introducing plays for example are not monitored and we cannot add them here.

Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 05:21 on 12-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:31 on 11-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 00:51 on 11-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 16:59 on 10-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 10:24 on 07-Nov-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 01:41 on 07-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:26 on 06-Nov-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 01:50 on 06-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 17:25 on 04-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 04:24 on 04-Nov-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:51 on 03-Nov-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:32 on 01-Nov-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:07 on 31-Oct-2018
Brave New World – The Blinders – playing on Radio X at 22:54 on 29-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 22:05 on 28-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 16:07 on 28-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:26 on 27-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 10:30 on 24-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:39 on 22-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 22:26 on 21-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:30 on 21-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 03:22 on 20-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 13:57 on 18-Oct-2018
L’Etat C’est Moi – The Blinders – playing on Amazing Radio at 12:22 on 17-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:11 on 17-Oct-2018
Ballad Of Winston Smith (Amazing Sessions) – The Blinders – playing on Amazing Radio at 12:52 on 16-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:14 on 15-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:56 on 15-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 1 at 23:46 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 1 at 23:34 on 14-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:10 on 14-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 02:19 on 13-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 09:54 on 12-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:13 on 10-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:42 on 10-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 00:32 on 08-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:43 on 07-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:07 on 06-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:00 on 06-Oct-2018
Orbit (Salmon of Alaska) (LP Version) – The Blinders – playing on Amazing Radio at 14:36 on 05-Oct-2018
Rat In A Cage (LP Version) – The Blinders – playing on Amazing Radio at 14:33 on 05-Oct-2018
Brave New World (LP Version) – The Blinders – playing on Amazing Radio at 14:30 on 05-Oct-2018
Brutus (LP Version) – The Blinders – playing on Amazing Radio at 14:23 on 05-Oct-2018
Et Tu (LP Version) – The Blinders – playing on Amazing Radio at 14:21 on 05-Oct-2018
Ballad of Winston Smith (LP Version) – The Blinders – playing on Amazing Radio at 14:19 on 05-Oct-2018
I Can’t Breath Blues (LP Version) – The Blinders – playing on Amazing Radio at 14:16 on 05-Oct-2018
Free the Slaves (LP Version) – The Blinders – playing on Amazing Radio at 14:14 on 05-Oct-2018
Where No Man Comes (LP Version) – The Blinders – playing on Amazing Radio at 14:10 on 05-Oct-2018
Hate Song (LP Version) – The Blinders – playing on Amazing Radio at 14:07 on 05-Oct-2018
L’Etat C’est Moi (LP Version) – The Blinders – playing on Amazing Radio at 14:03 on 05-Oct-2018
Gotta Get Through (LP Version) – The Blinders – playing on Amazing Radio at 14:00 on 05-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 14:57 on 04-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:26 on 04-Oct-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:46 on 03-Oct-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:34 on 02-Oct-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 12:34 on 02-Oct-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 17:27 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on BBC Radio 6 Music at 15:09 on 01-Oct-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 13:16 on 01-Oct-2018
Orbit (Salmon Of Alaska) – The Blinders – playing on BBC Radio 6 Music at 12:26 on 01-Oct-2018
Rat In A Cage – The Blinders – playing on BBC Radio 6 Music at 08:54 on 01-Oct-2018
L’Etat C’est Moi – The Blinders – playing on BBC Radio 1 at 23:27 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:46 on 30-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:51 on 30-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:54 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 04:12 on 28-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:22 on 28-Sep-2018
Brave New World – The Blinders – playing on Radio X at 23:02 on 26-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 18:57 on 26-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 11:09 on 26-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:28 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:16 on 25-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:16 on 24-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 18:10 on 23-Sep-2018
Rat In A Cage  – The Blinders – playing on BBC Introducing Manchester at 21:52 on 22-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 17:52 on 22-Sep-2018
Et Tu – The Blinders – playing on BBC Radio 6 Music at 16:23 on 21-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:26 on 21-Sep-2018
Brave New World – The Blinders – playing on Radio X at 00:31 on 21-Sep-2018
I Can’t Breathe Blues – The Blinders – playing on BBC Radio 6 Music at 00:18 on 21-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 19:19 on 20-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 22:32 on 18-Sep-2018
Hate Song (Introducing Session, 20th Apr 2018) – The Blinders – playing on BBC Radio 6 Music at 16:26 on 19-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 13:46 on 18-Sep-2018
Brave New World – The Blinders – playing on Radio X at 22:52 on 17-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:44 on 15-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 12:47 on 13-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 00:42 on 11-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:21 on 10-Sep-2018
Gotta Get Through – The Blinders – playing on Amazing Radio at 23:42 on 08-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 06:45 on 07-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:03 on 06-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 23:20 on 04-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:56 on 04-Sep-2018
Brave New World – The Blinders – playing on Amazing Radio at 14:12 on 04-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 16:55 on 03-Sep-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 17:00 on 01-Sep-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:06 on 31-Aug-2018
Brave New World – The Blinders – playing on Amazing Radio at 15:51 on 31-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 6 Music at 17:42 on 30-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 04:53 on 29-Aug-2018
L’etat C’est Moi – The Blinders – playing on Amazing Radio at 20:59 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 18:28 on 28-Aug-2018
Brave New World – The Blinders – playing on BBC Radio 1 at 14:59 on 26-Aug-2018

Photo-session and Exhibition

The Blinders by Paul Husband (copyrighted)

Professionally taken pictures are the heart and soul of each marketing campaign. For the new album and new tour, The Blinders worked with renowned photographers to ensure that their live images (such as taken by Manchester based photography wizard Trust A Fox) or the ones taken in the studio, are of the best quality.

Their studio session has been shot by Paul Husband, another very talented photographer. And the session went so well that The Blinders’ pictures were used in Paul’s international exhibition that opened on 20th of October 2018 at the Manchester Bar in Montpelier in France! How cool is that!!

Official websites:
https://www.facebook.com/paulhusbandphotography
http://www.paulhusbandphotography.com/
The Manchester Bar:
https://www.facebook.com/manchesterbarmontpellier/
Pictures:
https://www.facebook.com/photo.php?fbid=10209585664117446&set=a.1182860230673&type=3&theater
https://www.facebook.com/Huzzie/posts/10156203558447481
https://www.facebook.com/Huzzie/posts/10156250768007481
Review (in French but Google Translate does an amazing job):
http://www.idem-mag.com/paul-husband/?fbclid=IwAR1Zz8D6luCGEJK9L1BkciTrrkLQI2JfckWzYtV6z_uD25YSMWh8iP039XI

Signing and record stores appearances:

21st of September 2018 –  FOPP Manchester

Columbia on the shelves of FOPP in Manchester

And a poster on the wall

Rat In A Cage Live: https://www.youtube.com/watch?v=p-BpE11KyWs
Brutus Live: https://www.youtube.com/watch?v=c3ZsMQiMh1g
Video by Shell Zenner: 
Pictures Steve Hampson: https://www.facebook.com/shampson3/posts/10155931689652725
Article by Louder Than War: https://louderthanwar.com/blinders-album-launch-fopp-records-mcr-21st-september-live-review/

22nd of September 2018 – Action Records, Preston

Poster promoting meet and greet with the band in Preston at Action Records

Poster for fans:
https://www.facebook.com/ActionRecordsUK/photos/a.535513003156819/2208618092512960
Pictures: https://www.facebook.com/theblindersband/posts/2158447537761902
Short video: https://twitter.com/NATMPete/status/1043793003884826624/video/1 
Ramona Flowers live: https://www.youtube.com/watch?v=k9IIk_3XRRM&feature=share 
Rare cover of Bob Dylan’s “The Ballad of a Thin Man”: https://www.instagram.com/p/BooG4prndak/

23rd of September 2018 – Jacaranda Records – Phase One, Liverpool

Jacaranda, Phase One, Liverpool

Review:
http://www.getintothis.co.uk/2018/10/the-blinders-jacaranda-phase-one-liverpool/?fbclid=IwAR3jkPI-98JwhFgzxXwSnUepK9GUKCfDAhaQ9NnF3pNAgh-6JkQqeiU_AhY
https://kevinbarrettphotography.com/2018/09/23/photo-gallery-the-blinders-jacaranda-records-phase-one/
Video:
www.facebook.com/jacrecsphaseone/videos/358599498015099/
https://www.youtube.com/watch?v=bffrWT4PPJo&feature=share
Pictures:
https://www.facebook.com/pg/jacrecsphaseone/photos/?tab=album&album_id=2154213491565612


https://twitter.com/ActionRecords/status/1044172545916882945?s=20

24th of September 2018  – HMV, Sheffield

HVM poster for Liverpool and Doncaster

Poster number 1: https://twitter.com/hmvtweets/status/1043892894694813696?s=20 

Alternative poster for HMV Sheffield

Poster number 2: https://twitter.com/hmvSheffield/status/1044159820742500352/photo/1
Pictures:
https://www.facebook.com/theblindersband/posts/2160241554249167



Video:
https://www.instagram.com/p/BoHZ1_KAGLU/

25th of September 2018  – HMV, Doncaster

HMV advert in magazines advertising Columbia

A close up showing detailed information about the release

Pictures:
https://www.facebook.com/theblindersband/posts/2160714130868576
https://www.facebook.com/theblindersband/photos/a.1497857810487548/2160891474184175/?type=3&theater


https://www.gettyimages.co.uk/photos/thomas-haywood?phrase=thomas%20haywood&sort=best#license (photosession by Shirlaine Forrest/WireImage)

Although it is not a part of the meet & greet tour, HMV Worcester  receives a honorary mention for displaying this by the main doors. You guys are amazing!
Also, we have heard that Glasgow branch had to be re-stoked twice on the premiere day! Oh me, oh my oh Roy… (but it is the wrong band!)

HMV in Worcester knows the best music when they hear it!

26th of September 2018Rough Trade,  Nottingham 

Official page: https://www.roughtrade.com/gb/events/rough-trade-nottingham-the-blinders
Pictures:

https://www.facebook.com/theblindersband/photos/a.1493204590952870/2161284390811550/?type=3&theater
https://www.facebook.com/theblindersband/posts/2161193344153988 
Video:
https://www.instagram.com/p/BoOdXeZBb-F/

27th of September 2018 – Jumbo Records, Leeds

 

Jumbo Records posters for the performance

Pictures: https://www.instagram.com/p/BoL9W8Ghl7C/?taken-by=jumborecords

Another honorable mention is given to an award winning independent record shop, Picadelly Records, Manchester for displaying this beautiful flag on their walls!
Picture:

Columbia banner is ready to be taken to the barricades

Close up number 2

And close up number 3

Works of Arts;
We all know that “Columbia” is a true work of (musical) art and it is nothing shocking that other artists are being inspired by it. If you have seen the band performing on Kendall Calling Festival, you may have noticed two beautiful artworks displayed near the tent. They were made from broken vinyl records and the pieces were assembled into the Columbia’s cover artwork, or the face of Johnny Dream. The artist behind this very unique work is Kirk Whitehouse and his art is known as the “Smashed Hits” artworks. Kirk has been working with pieces of old vinyl records for years and his artworks have been exhibited many times in the UK and abroad. They were also featured in magazines, press and in hundreds of other publications (digital and  print). Kirk is not only a very successful artist but also a volunteer and regional manager for Musicians Against Homelessness charity. His work took him recently to London where he spoke to the Parliament about the growing homelessness crisis.  He managed to convinced several MP’s to their very worth cause! Kirk lives in Birmingham with his wife and two daughters. He is open for commissions so please contact him if you’d like your own smashed hits piece of art.
You can see the picture of the Blinders posing with the Columbia artwork at the festival and with the artist in tow):

Official Facebook page: https://www.facebook.com/Smashed-Hits-Broken-vinyl-artwork-583541998364448/
Personal FB profile: https://www.facebook.com/kirk.whitehouse.3
Official Instagram: https://www.instagram.com/smashedhits/
Website: http://www.smashedhits.co.uk/

Another artist inspired by The Blinders is the excellent Nick Dillon! Manchester native, Nick is a pop (culture) artist that specializes in portraits using embossing and debossing techniques. Each artwork he makes takes about 100 hours and everything you see is done by hand. Nick’s works have been exhibited numerous times and the biggest rock stars and football clubs are among his clients.  The Columbia artwork is very unique as Nick decided to emboss all lyrics on one canvas – that’s staggering 7500 letters! We don’t know how long this piece took him but it must have been twice the usual amount of time. The artwork will be displayed on The Blinder’s London gig on 7th of November in London.

And here you can see the artwork being prepared. It looks simply breathtaking!

Short video how the finished artwork looks like:

View this post on Instagram

#theblinders hand painted

A post shared by Nick Dillon (@ntd1974) on

Official Facebook page: https://www.facebook.com/nickdillon.artwork
Website: https://www.nickdillonart.co.uk
Twitter: https://twitter.com/nickdillonart
Instagram: https://www.instagram.com/ntd1974/

Fanarts:
The Blinders’ artistic vision is encouraging fans to create as well. The first fan-arts inspired by the dystopian tale are starting to appear and we are sure, there will be more and more coming up soon. Just last month, we only had two artworks created by Polish graphic designer, Marek Zbrozlo and they feature the lead singer (Thomas Haywood) in a traditional style and his alter ego (Johnny Dream) as a comic book character. In the next few weeks, more and more artists joined in and we now  have a small art gallery on the blog!

Thomas Haywood of The Blinders – drawn by Marek Zbrozlo https://www.facebook.com/marek.zbrozlo

Johnny Dream by Marek Zbrozlo
https://www.instagram.com/zbrozlo/

Lucy Evans’ portrait of Johnny Dream
https://twitter.com/lucyevanns

Thomas Haywood as Johnny Dream by Ablott Mcr. Please viisit the gallery at: https://www.instagram.com/ablottmcr/

Expressionist mono print with colour underlay copied from a photo by Sam Crowston. Artwork by Ade Riches. You can visit the original at: https://www.facebook.com/photo.php?fbid=10158081008358298

 

MISC
The Blinders were used in the newest commercial for BEATSTREAM application that allows to listen to  any gigs on your phone.

Video on BT TV music

The Blinders on MTV Rocks

Spotify for the Blinders looks very impressive!

The Party in the State of Columbia never sleeps – as you now know very well by now. So the archives will be updated as time goes on.

Additional reading and studying materials can be obtained here:

Introduction to the band:
https://cocamidemea.wordpress.com/2018/07/07/indieterria-presents-the-blinders/

Interview with The Blinders:
https://cocamidemea.wordpress.com/2018/08/24/indieterria-meets-the-blinders/

Columbia Review:
https://cocamidemea.wordpress.com/2018/08/30/indieterria-review-columbia-by-the-blinders/

Birmingham concert review:
https://cocamidemea.wordpress.com/2018/10/27/indieterria-review-the-blinders-at-castle-and-falcon-in-birmingham/

You can follow The Blinders on inter-webs:
https://theblinders.tmstor.es/
http://facebook.com/theblindersband
http://twitter.com/theblindersband
https://instagram.com/theblinders
https://soundcloud.com/theblinders-music
https://open.spotify.com/artist/3Z8Y3Ek99rukRa1Hdo14GE?si=yx5j8oK-RpG6qE7MQtVU5Q

Or their label Modern Sky:
https://modernsky.uk/
https://modernsky.uk/blinders-debut-album-columbia-now-available-pre-order
https://twitter.com/ModernSkyUK
https://www.facebook.com/ModernSkyUK/

We will see you in (Reading) Room 101.

M/R

Indieterria meets False Heads

Hello dear readers!

Today`s blog is very important as we wanted to conduct this interview for a very long time. It has been a privilege to watch this very special London-based band grow for nearly two years. Things are looking really bright for the trio these days: they got signed to These Bloody Thieves Records, on September 6th they will embark on a 23- dates tour across Ireland, UK, France, Netherlands and Germany. September 21st will see digital release of their new EP “Less is Better”, while physical debut will take place on October 5th at their home coming gig at Dingwalls in London. Without further delay – please welcome False Heads to our humble blog. On the eve of the release of their new single “Yellow”, we sat down with their lead singer Luke Griffiths to talk about the music, Iggy Pop and their upcoming tour.

 

Barney Nash (vocals, drums)
Luke Griffiths (vocals, guitar)
Jake Elliott (bass)

Official bio: Hailing from the outskirts of East London, False Heads formed in 2016. Behind the energy of their live shows, the trio quickly thrust themselves into punk-rock limelight, catching the attention of Punk’n’Roll legend Iggy Pop, ex-Ramones manager Danny Fields and music taste maker Rodney Bingenheimer. Having quickly graduated from playing empty rooms in London to supporting The Libertines on a sold-out tour, the buzz around the young band is undeniable. False Heads are Barney Nash (vocals & drums), Luke Griffiths (vocals & guitar) and Jake Elliott (bass).

You have been making a name for yourselves on the indie circuit since 2015 yet we still wonder, who are False Heads? Would you be so kind and introduce band members to the good citizens of West Midlands.

False Heads promo picture #1 Photo by Alex Hurst https://www.instagram.com/alexhurstphotographer

Luke Griffiths: I’m Luke and I sing and play guitar. Jake plays bass and Barney plays drums and sings as well. Thank you good citizens of West Midlands.

You chose an interesting name for the band. The term “False Head” has several meanings rooted in the theory of communication, journalism and psychology. Our favourite definitions include an informal name for the news caster or a political TV commentator coined in the 1950’s; a social mask worn by an individual hiding their true feelings and an incorrect belief in one’s superiority based on an economic or class advantages (so called “False Head” start). So where does your name really come from?

Luke Griffiths: That’s pretty fucking awesome, that you’ve got that from the name and I always thought it was evocative. Originally, I just misread “False Hood” on a list of names scribbled down and I thought I’d written “False Heads”. I just got an image of all the people I despised from where I grew up – the fake, benign, mediocre, sleep walk through life type then die whilst mocking and turning their nose up at anyone different or creative type moron. I also got the image of irritating “talking heads” on TV of politicians spouting the same drivel they’d had written for them by the same script writer. So, it just conjured up a lot of different things for me. The name seems to be more relevant now, people are carbon copies of each other and base their belief system on what they think won’t get them in trouble. It’s nonsense.

You have been championed heavily by punk rock icon, Iggy Pop himself. He has played your songs on his show on BBC 6 Music. How does it feel to have his backing? It surely seems to be a dream come true.

Luke Griffiths: Yeah, “Raw Power” was and is one of my favourite punk albums. Iggy was a huge inspiration for me and emailing him is slightly bizarre. Him naming us as one of his favourite bands in the UK was crazy. It’s an amazing honour. He’s an incredible person and he still gives a shit about new bands.

False Heads promo picture #2 Photo by Alex Hurst https://www.instagram.com/alexhurstphotographer

Iggy Pop is not the only radio personality who gave you an outstanding review on air. We could mention several others such as John Kennedy of Radio X, Steve Lamacq of BBC 6 Music or  Hew Stephens  from BBC 1. Do you feel you are on the right track to the rock and roll greatness?

Luke Griffiths:  (laughing) I guess so, but I try not to think about it too much. We just try and write the best songs we possibly can and put on a great show. But all of those people, those huge names, we are extremely grateful for the support from them.

You also won a die hard fan on the other side of the Pond in form of senior KRCQ and Sirius FM DJ, Rodney Bingenheimer (and an owner of  his own star at the Hollywood Walk of Fame!) Rodney expressed  sentiment that you are Nirvana-reborn and the best British act that came out of London scene in the last decade. Are you off to conquer the olde US of A anytime soon?

Luke Griffiths: Yes! Another mad surreal one! He’s a living legend, he helped break bands in America and says things like that about us. It’s crazy. He’s another one we need to thank. There’s been some initial conversations about it, yes but we will see.

Tell us more about your beginnings. You met at the secondary school in Upminster and you played in several bands before separating to attend university. Do you still remember the names of the early projects you were involved in? Did they have any influence on your current sound?

Luke Griffiths: We were all born in East London and then moved out to Upminster which is like half East London, half Essex. Just an odd place, really. Barney and Jake were in a band called FiftyFours and I always operated under the name False Heads. I just could never get a proper band going (laughing)! It was extremely frustrating for me, but gave me a lot of time to write until the band finally did happen. I wouldn’t say there’s much influence from those early days, although I did write the “Twentynothing” riff when I was 15. Although, the chemistry between us comes from school. I think Jake and Barney being in the same band helped the chemistry between them and Barney recorded some demos for me to go to uni with to try and make a band, so it was probably inevitable!

New Single entitled “Yellow” is debuting this Friday, 24th of August

False Heads has been going on for three years now and from the start, you have received a strong support from audience and other bands from the capitol circuit. in November 2015, you played a memorable gig at The Black Heart in Camden  and you attracted the attention of  Danny Fields, the former manager of The Ramones. He became your mentor and a friend.  We are sure you have learnt a great deal from him.

Luke Griffiths: Yes, we’ve learnt so much from him, so much. He’s done so much for us, we’re so grateful for what he has done for us. The advice he gave and honestly it is so true. He said to get a lawyer or someone to help you deal with contracts and dealings at the very least (who knows about law). The stories that guy tells us over a few drinks are unbelievable and his company is brilliant. He can outwit anyone, trust me – do not try and mug him off (laughing).  A truly wonderful human being.

Your new EP “Less is Better” will be released very shortly. Tell us more about it. How many songs can we expect on the EP? Where did you record it and who’s producing?

Luke Griffiths: It was recorded and produced by the wizard named Jonathan Hucks and mastered by Tonalex (who are also incredible). Jonny is like our Nigel Godrich at the moment. There’s four tracks on the EP. It was recorded very DIY, sort of all over the joint –  some in his room, some in a little studio near Stanstead and some in the epic Grand Cru Studios. It’s a follow on from our first release, “Gutter Press”. The themes and things I wrote about on that have only got worse. The echo chamber, social media culture is extremely damaging. We’re completely fine with censorship, we can’t tell the difference between a joke and a bigot. We have created an environment where people are scared to say what they think, then we wondered how such fucking awful things like Brexit and Trump happened? But at times, it’s also more personal than “Gutter Press”. “Retina” sort of came about from an acid trip, but every song has a few different themes going on. It’s difficult to just pin point one and I also don’t want to sound like a broken record (laughing). It’s a scary world we live in man and the hope shrinks every day, without sounding too bleak. The cover art for me was like there’s this beautiful open blue sky/colour/whatever you want to think it is and there’s so much space there for discourse. Life and building relationships and changing peoples minds yet we’re just sucked into this horrible black hole or echo chamber and people are scared to step out of it, even though it’s much more beautiful.

You also have a brand new label, These Bloody Thieves Records so congratulations are in order! We are interested to hear how your co-operation started.

Luke Griffiths: Thank you! Rob Hirst, the owner, is an incredible guy. He has been a big supporter of us for a long time. He spoke to our manager, Cargo Records, got involved and we built an amazing team around us. It’s all gravy. Rob deserves some serious credit. He is an amazing bloke with an amazing work ethic.

Tour poster – please check the dates and buy your tickets before the gigs sell out

This Autumn we will have a chance to see you on your first European tour. You will be playing UK, Ireland, Germany and France. Are you excited?

Luke Griffiths: Well, our first European tour was early on this year. Sorry to be pedantic (laughing)! We haven’t played in Ireland or Germany before yet and we cannot wait. We played France and Belgium on our last tour and played Rock Olmen Festival and InMusic Festival in Croatia. Europe is amazing for bands so we can’t wait to get back. And we fucking love Guinness so can’t wait for Ireland either. Whelans in Dublin is so iconic as well. All amazing stuff, really!

The famous last question and this is going to be hard! Name a song you wish you have written that was released in the last 12 months.

Luke Griffiths : “Blind Faith No Future”  by Strange Bones

———————-

These Bloody Thieves Records logo

After speaking to Luke and hearing the praise for their new record label, we decided to approach Rob Hirst himself and ask him few questions as well. We didn’t think he would agree to do it, but he was more than happy to speak to us. This way, instead of just one interview, we got two! And that’s why we absolutely adore the DIY scene. Musicians, record label people, PR teams, fans – they are out there for each other. It is more than just everyday kindness. This is a genuine friendship, a true interest, that can only come from those who really care. People are taking care of one another, they look out for others, they participate and support. It is amazing to see it happen! As our good friend keeps saying: “What a time to be alive!”. We at Vanadian Avenue, are extremely privileged to be a part of that movement.

But coming back to Rob and his record label. This is what he said:

Rob, your dream is coming true. You are now an owner of an independent record label! Can you tell us more about These Bloody Thieves Record. Is there any rock and roll history behind its name?

Rob Hirst: The name of the label was actually the name of the very last band I was in. A very short-lived band that I believe was the best I was in and certainly the best band name I had come up with. I just thought it would be a good way for me to continue my past into the future and I couldn’t be bothered with spending hours of thinking of a label name and branding.

How did you set it up?

Rob Hirst: As you know I already work with bands & my Spotify playlist gets hundreds of submissions a month. I was scouting for other management companies and labels. I just woke up one morning and just thought ‘I’m going to start my our label’ and I did (laughing)! I must admit I have been very fortunate with the support I have had around me, especially coming from Rich (False Heads manager) & Ditto Music.

False Heads are your first release. How did you convince them to join you?

Rob Hirst: They approached me. I’ve known the band for a while and I’m a huge supporter. As soon as they asked I knew I had a label & a solid foundation to show that this label is serious. What a band for a first release.

Besides “Less is Better” EP, do you plan any other future releases linked to False Heads?

Rob Hirst: Er! Really, everything has gone into this release. The band has a great team around them and at the moment it’s all about this release. I’m sure there will be as the band have been in the studio with legendary producer Jonathan Hucks and have a bank of unreleased material in their locker. It’s very exciting times! False Heads have nowhere near reached their potential as a band. Pretty exciting really when you consider how great this EP is.

Are you accepting submissions from an unsigned acts? If so, what are you looking for?

Rob Hirst: I am always searching and always accepting submissions. It’s one of the most exciting aspects of running a label. Nothing better that discovering a band that you instantly gravitate towards and fall in love with everything about them. I don’t have specifics for what I’m looking for. I don’t really know until it comes along and slaps me in the face and says to me ‘Here I am, love me’. The label has a couple of other acts on the radar, one close to signing who I have been following for the last four months and a single deal out next month that is due for announcement anytime now.

You can follow False Heads and These Bloody Thieves Record on social media:

False Heads
https://www.facebook.com/FalseHeads
http://www.falseheads.com/
https://www.instagram.com/falseheads/
https://www.youtube.com/channel/UCqivl1sWLJyZxP3Ywei3HGw
https://twitter.com/FalseHeads

These Bloody Thieves Record
https://www.facebook.com/pg/thesebloodythieves
https://myspace.com/thesebloodythieves
https://twitter.com/TBT_Records
https://www.facebook.com/rob.hirst.754
https://open.spotify.com/user/dbjph28w55odrz4ehj79ckorm/playlist/4ZqYUJXPWs0SFcT7MEQ9FU?si=Xz7oHAGeTauD0k-9TX6nOA

Thank you Luke and thank you Rob for speaking to us! This week is fantastic for so many great new bands and we are happy to be able to witness the revolution in popular music. False Heads will release their new single entitled “Yellow” this Friday, so please come back as we will have a full review for you to enjoy.

Until then, we bid you farewell.
Keep on rocking in the free world and  make sure you listen to your vinyls/cds/digital albums loud. Very, very loud.

Rita and Malicia Dabrowicz

Indieterria meets Rita Lynch

Dear Readers,

Please forgive us if we will be acting like complete fan girls. We absolutely and dearly love Rita Lynch – our next featured artist on Indieterria. We have seen her live on January 1st, 2017 in Worcester, have her records in our musical archives and can hardly wait to see her perform at Musicians Against Homelessness on 22nd September. Read on, this is one of our favorite interviews yet!

Rita Lynch performing at NYE party at Pig and Drum in Worcester , 31 December 2016 – January 1 2017

First Lady of punk

Don’t believe when they tell you that punk is dead. The genre is not only very much alive and kicking; it is going through a period of renaissance. It may be a bit older (and wiser), less drunk and more philosophical at times, yet its message against austerity, social alienation and economic devastation rings loud and clear. Political climate is certainly helping to bridge the age gap between new audiences and the underground legends and helps deliver a musical middle finger exactly where it hurts the most. Yet, looking for rebellion is not the only reason why the kids turn to punk rock. Its biggest strength definitely lies in the authenticity and originality, constant re-definition and self-discovery. We have teamed up with Rita Lynch, the first lady of punk to speak about her career, surviving the odds and her plans for her rock and roll future.

You were first introduced to music when attending a Catholic school. Apparently, a nun has taught you how to play a guitar. Were the nuns really that supportive? Catholic schools in 60’s and 70 were rather known to suppress any form of artistic creativity.

Rita Lynch: The nun who taught me guitar was one of the better ones. She obviously enjoyed playing guitar herself and, as teachers go especially all those years ago, she was slightly more interested in creativity. She had already put one of my stories in the school magazine. She also had given me the cane, a couple of times, once for laughing in church. None of the teachers back then were that interested in a shy child like me who was always getting ill. So she was a bit of a hero to me all those years ago.

As soon as you graduated, you found yourself in the middle of London`s punk rock revolution. You founded one of nation`s first all-female rock bands – Rita & The Piss Artists, playing mostly squats and small venues. Can you recall some of the wild days and tell us who were in the band beside you?

Rita Lynch: With Rita and the Piss Artists we did a lot of drinking. We were a 4 piece band. I played bass and helped write the songs, but I did not sing. During our time we had 2 different singers. The first was a woman called Caspar; she had a brilliant voice but left us quite quickly. The next singer, Jo, wasn’t a good singer but had enough front to do it. The guitarist was not very good but the drummer had played before so we, the bass and drums, mostly held it all together. One squat gig, we played at the Demolition Ballroom on Stokes Croft, Bristol and somebody pulled the plug on us, we were so bad. We would all get very drunk, maybe take some speed and get up on stage. If we had taken it a bit more seriously, we could have done well, maybe. It was more of a sideline to the serious job of drinking. But we were doing it for a while when few women were.

The drummer from the Piss Artists, Justine Butler, just lives around the corner from me now. She went on to get a Master’s degree and had a child who is grown up now. She is a lovely woman. We meet up now and again and she has come to loads of my gigs over the years – she’s very supportive.

Once your band folded, you permanently moved to Bristol. At that time, the town had a vibrant scene with bands such as The Cortinas, Social Security and The Pigs. How did the mostly male scene react to outspoken female artist from the capital?

Rita Lynch: When I first started playing my own gigs as Rita Lynch, I was a solo acoustic performer. The sexism was terrible, the things men in the music world said to me were often rude, insulting and so misogynistic. Stuff like women dingers are always late for gigs, have tantrums at sound checks, and generally talked about as if they were spoilt children. Some of the graffiti in back stage rooms really shocked me. I was, at the time, going out with a woman and mostly socializing on the gay scene. It kind of removed me from the heterosexual world which really helped in those first few years. I was never late and always professional and built up a defence against this sexism by dressing outrageously and, with my height being nearly 6ft I kind of must have struck quite an intimidating figure. It put a wall around me and inside that I happily wrote my songs and tried to perfect and develop my own music.

You also made yourself a name as a performer/protest figure marching around in a mutilated wedding dress. What was the protest about?

Rita Lynch: I went on a lot of demos back then. But the wedding dress was mostly just for wearing in the day time. So, every day was a personal protest. I bought it for 50 pence in a charity shop and ripped it up, and would wear it just to get attention, like I was living art, walking down the street. But loads of people would stare and, as I was always barefoot in the summer, I must have looked very unusual. Apparently a young child saw me from a window and told her mum there was a real live fairy walking down the street. This was all in St. Paul’s. It was a vibrant place with big reputation for race riots. There was a lot of prostitution on the street corners and police would not go down the frontline. It had lots of drugs, crime as well and racism. It was a cool place to live very freely, if you had the nerve.

You joined cold wave outfit God Bless You as a bassist. At that time, the band consisted only of Simon Black and Dave Ryan. Within a year, you were not only a full time member, but also a co-vocalist. With you in the line up, God Bless You released several singles such as “Sugar” which are considered the beginning of your career as an artist and performer. How do you remember the collaboration with Simon and Dave?

Rita Lynch: God Bless You was amazing musically. Dave had a fantastic voice and Simon was genius with inventing simple but amazing tunes and riffs. I was with them as backing vocalist for nearly 2 years. I learnt a lot from watching them put songs together. They also introduced me to countless good bands and artists like Iggy Pop and Roxy Music. Dave was a poet and a great thinker, his lyrics were brilliant. He was hugely pivotal in inspiring me to sing and write songs. I loved being in God Bless You. Dave and Simon were my heroes.

In 1991 you released your first solo work “Call me your girlfriend”. The LP became very popular and music press compared you to Kirstin Hersh, Patti Smith, PJ Harvey and even Nico. Channel 4 made a documentary about you. Was it hard to copy with the attention of the media?

Rita Lynch: I loved the attention I got from the “Call me your Girlfriend” album but it was scary as I had been underground for so long and I also found it intimidating. It validated me but made me nervous as well. I had to write another album and I was unsure how to go. I personally thought that I could do so much better than this first album. The album got me a lot of attention on the gay scene but the record label I was with, Moles in Bath, did not promote it very well elsewhere. So, I became a ‘lesbian’ singer increasingly which was not what I wanted and I still had to make the cross over to the mainstream. Also, the record label did not distribute the album properly so people could not easily get hold of it. As a result, I was still ‘underground’ but big on the gay scene. Then both, me and my girlfriend, we got beaten up for being gay. These were harsh times to be ‘out’, I found all this very difficult. The music was getting lost and I felt uncomfortable with being heralded as a ‘lesbian icon’. I was a singer/songwriter but all the other identities were becoming more important. Being an artist, I was feeling misunderstood.

Cover of What am I – anther record from our sonic archives and also signed by the artist.

What am I – sleeve and inside of the record

Your background and lyrical themes also drew comparisons to Sinéad O’Connor – another female figure that could not be easily squeezed into a box. Looking back, do you think there were really similarities between you?

Rita Lynch: I saw Sinéad play at Gay Pride in London, I can’t remember the year. She blew my mind; I had never seen or heard anything like it before. It was one of the most important gigs I have ever seen in my life. Unforgettable. I was humbled by the experience. There are similarities in that we both grapple with sexuality, Catholicism and politics. She is Irish born, I am Irish born to immigrant parents in London. Being Irish/Catholic is an identity made more personal and volatile due to the racism of the English and the weight of the ongoing war and domination of Ireland by the English. Sinéad was and is one the most important musical influences of my life.

You have been a successful solo artist for the last 25 years. In that period you released thirteen albums under your own name, three with other bands, appeared on over thirty compilations and scored several productions (Vampire Diary, Channel 4`s Rosebud), you toured nationally and around Europe. That`s an incredible body of work. Were you expecting such a long run in this dog eat dog industry?

Rita Lynch: No. I never expected to do music in the first place, let alone to be doing it for so long. I love writing songs, I love singing and putting a good lyric together. But my love of these things has developed hugely with the passing of time. I don’t actually see myself as ‘successful’ artist. Over the years, with all the egos and vanities and nonsense that comprise much of the music business, I have tried to focus on the writing of songs and developing my particular style. I was heartbroken when my first album did not go as well as I wanted and as I got older tried to ‘give up’ music and get a proper job. I never did get a proper job. I am dedicated to making music. It is my job. I want to write as many songs as I can. My ambition with music has altered from wanting fame in a vanity way when I was younger to a true hard working attention to song writing. The music business or industry is vile. I don’t think about it much anymore, like it has nothing to do with me. I admire people who dedicate themselves to their art, even when they do not get success, I have aspired to this. I try to work hard at writing songs. I don’t go out much, whenever I get time, I do music. My son is severely autistic and it has been a challenging experience. My life is dedicated to the care of my son and music. I do a lot of gigs, solo and with my band. I am still hugely ambitious in that I have yet to write my best song. I need to communicate through music; it is my take on the human experience.

Cover of Good Advice record, from our own archives. Yes, it is signed and we treasure it.

In 2006 you reinvented yourself yet again by joining The Blue Aeroplanes. You recorded three albums with them (Skyscrappers, Good Luck Signs and Anti-Gravity). In return, John Langley and Mike Youe back you up on your tours. You seem more like good friends than just musical collaborators.

Rita Lynch:  Being in The Blue Aeroplanes was amazing. I admire their music. Also that was how I met my drummer, John Langley. This has been the best musical collaboration since God Bless You. John is the best drummer most people will ever see. He makes every song better with his drumming. When we first teamed up, I wrote the album “Good Advice”. He is massively inspiring and also introduced me to new music. We were a 2 piece for a few years. He upped my game, I had to get better so I practiced more and more and worked harder at my guitar playing. We developed hugely as a band. We sometimes make up songs on stage – improvising with John is a dream. We understand each other musically. It’s like magic. When Mike joined us a few years ago, he fitted in easily. He is a very good musician and picks stuff up very quickly. It felt just right straight away. John and I have been good friends for years and Mike is a lovely easy going person. We have a laugh as well.

In 2016, an anthology of your music “Story to tell (1988-2011)” has been released to celebrate your career and involvement in Bristol music scene. Can you tell us more about this project?

Rita Lynch: Mike Darby used to be my manager about 25 years ago. He had the idea to put out this anthology. It is a cross section of songs spanning 3 decades. I want to bring out another anthology but will do this one myself through the record label I work with now. Also, I am currently setting up to release all my future albums with them and re-release all the previous ones.

You played Worcester on New Year`s Eve at Pig and Drum. You will return to Marrs Bar this September to take part in Musicians Against Homelessness event. Will there be a chance to hear some of your new music?

Rita Lynch: Yes, I will be playing a lot of my new songs. My new album entitled “Backwards” will be released in January 2018. You will have a chance to hear some of my new material for the first time on 22nd of September.

 

You can follow Rita at:

http://ritalynch.co.uk/
https://www.facebook.com/rita.lynch.121

Musicians Against Homelessness charity concert will take place on September 22nd 2017 at Marrs Bar

If you want to see Rita Lynch  play Musicians Against Homelessness concert, tickets are a £5 and can be bought from the links below:

https://www.wegottickets.com/event/413506
http://www.marrsbar.co.uk/events/musicians-against-homelessness-2/
https://www.facebook.com/events/106395143421500

To find out more about MAH visit Musicians Against Homelessness on Facebook  https://www.facebook.com/mahgigs/

Please note that due to a serious hand injury Rita will open the gig and her set will be shorter than expected. But it may be also streamlined on Facebook and it will be different than her usual sets, so you better be at Marr`s Bar 8:00 pm sharp! 😉

Take care,

Mal+Rita

Indieterria meets TommyandMary

Dear Readers,

Band logo

Since we are already in July and the days are longer, we will have a double (or maybe even a triple) portion of Indieterria this month. So much music to listen to and great bands to tell you about. This episode is all about Thomas and Mary Yaman, known professionally as TommyandMary.  This is our pleasure and privilege to introduce you dear readers to punk rock duo that is building themselves a cult following in London. Based in Brixton, they work hard, play even harder and have won their fans not only by the strength of their music, but also because of the affection and respect they show each other.

We have sat down with Tommy and Mary to speak about their new album, busking, being  independent artists and song writing.

Forget about Sid and Nancy, we have got better couple in town! And they rock!

The Angels of Brixton

The Angels of Brixton

You are described as British answer to The White Stripes. Like Jack and Meg White, you are married and until recently, you have played exclusively with each other. You also divide band duties in similar way as Mary plays drums whilst Tommy concentrates on guitars and vocals. Do you consider comparisons to The White Stripes to be a badge of honour, lazy journalism or perhaps you  just don’t care?

Tommy: I think people will always compare us to The White Stripes and many other duos. I personally don’t think we sound like The White Stripes at all. I grew up  when The Strokes, Kings of Leon and The Libertines and off course The White Stripes all came out at the same time. But Jack and Meg were never my cup of tea. Mary didn`t even know who they were until someone mentioned them to her while we were busking.

Can you remember the moment when you two decided to form a band together?

Tommy: Yes, very well. We were outside my old apartment where Mary and I lived for a while. The band I was in at the time and Mary joined had split. I wanted to play solo as I found it difficult to cope with all 5 personalities I had to play with at the time. And Mary thought it would be cool if we played just us two and carried on our musical journey together.

The fondness you show for each other is unparalleled on the indie scene. Band bio says “TommyandMary are one word because we are that close”. You wear matching attires (“I prefer the drummer” – Tommy, “Unavailable” – Mary) and then there is “Angels” – powerful love song  about yourselves released as a single. We have to say – it is incredible to witness such affection.

Mary posing in her signature “Unavailable” tee

Matching attires.

Tommy wearing his “I prefer the drummer” shirt

Mary: Music is a very sensitive and fragile form of art and the fact that we are married and are in a band together just makes it even more personal. We grow together as individuals and as musicians and the love that we have for each other makes everything seem possible. I hope it shows in our music!

Another thing that sets you apart from other acts is your working ethics. For the last two years you have combined regular gigs with extensive busking. It seems the life on an independent artist is pretty intensive.

Tommy: We’ve stopped busking for now. We couldn’t stand it anymore (laughs) but I think we learnt a lot from it. It built our confidence.

Your busking escapades quickly turned into a permanent residency at the Oxford Circus attracting hundreds of people each time you played. Can you tell us how does it feels to be playing on Britain’s busiest street?

Tommy: Busking gave us an opportunity to meet some amazing people from all over the world and acquire some professional contracts. Mary got sponsored by Underground and we both got sponsored by company called W.S.Studio. Not to mention that we had once-in-a-lifetime opportunity to record our latest album “Authority” at Rupert Cobb’s Gun Hill Studios with the AMAZING Gary Wallis. So I think the goods outweighs the amounts of times we were harassed by the public and judged for being beggars by some clothing companies that had no idea about our passion for performing and playing music.

Tommy at The 100 Club

Mary posing for the Underground brand

Is it safe to be a busker in London? And  a question that must follow the first one – is it profitable  in the times of everlasting rush and gripping austerity?

Tommy:  I think anything is profitable when your passion for something is bigger than the price. And  to be honest, no it isn’t safe. Especially when there is still a minority of crazy, ignorant people in the world and as a busker you are exposed to it.

Your regular gigs took you to some of capital`s most celebrated venues. Among many 100 Club, Nambucca, Camden Assembly and now 229. How is club circuit responding to independent acts?

Tommy: We’ve definitely been to some amazing venues like 100 Club and 93 Feet East. It gave us a chance to meet some bands and musicians that have been in the game for a while longer than us. It’s inspiring but also feels overwhelming.

Mary at The 100 Club

TommyandMary supported number of prolific artists, most recently The Telescopes. How do you recall that particular show?

Tommy: Having been on the same stage as some legendary acts, we both felt like we really had to step up and not let our ancestors down.

Mary, you are known for very technical and powerful style of drumming despite downsizing your kit to bare essentials. Something similar was practiced by Palmolive  (original sticks woman of the punk heroines The Slits). What inspired you to hit things for a living?

Mary:  I can’t agree with saying that my drumming is technical at all. In fact loads of drummers criticised me about the way I sit, hold sticks and set up my drum kit. But yeah, I prefer aggressive style of drumming as it allows me to feel the songs and it is just boring otherwise. Tommy suggested busking one day and I just went with it.

As a band`s chief tunesmith, you don’t shy from tacking contemporary topics such as corporate/precarious work (“My manager is a prick”), obsession with celebrities (“Rich acting Rich For The Poor”) or going though existential crisis (“Red”). Do you believe that it is important for artists to be socially and politically active?

Tommy: I believe if an artist is only writing about ego or their own spoilt opinions, he or she is avoiding the honesty that lays in each person’s heart. Whether this is political or not, the truth is that we are all in this journey together and being ignorant, self indulgent or judgmental isn’t something that I encourage. But being empathetic to both worlds, the ego and the selflessness give me an insight into what lays in-between inaction and people’s willingness to ensemble, and this is something worth writing about. Contradiction is something that is often reflected in my thoughts and actions and I want to learn more about psychological and philosophical aspects of writing. So I don’t think politics is really my strength.

The band is on their third independent release. “Authority” was debuted earlier this year and was recorded at Gun Hill Studios in London. It is a significant change in sound compared to “The Things we love” (2015) and “Smoke Break -Side A” (2016). Your songs are layered, elaborate even. Are you satisfied with this new direction?

Sleeve to debut release Together We Love

Smoke Break -Side A – collage and pins, this record is in our musical archives and is signed!

Authority – third release

Tommy:  For our  first album “Together We Love”, I had written all the songs and Mary didn’t have much of a say or creative input. But as we grew musically together, we began to think collaboratively on our sound and direction. Our experiences started to reflect in our music and we really started to learn more about our sound and what we wanted to write about.

“Authority” is accompanied by three promotional videos (“Angels”, “Authority”, “The Rich acting Rich For The Poor”) and an alternative DIY video to “The Rich…” directed by the band, a fan documentary and a video interview. That’s an enormous amount of work put into promoting the album. Do you enjoy collaborating with others?

Tommy:  We have made a lot of friends from our music and we absolutely love spending time with them. The DIY videos that we made are all about the collaboration that we can have with our friends and using their talents to make things happen. But also it is important for us to have a great time making something together.

We heard though a grapevine that you are planning to introduce a new guitarist  to the fold.

Tommy:  A lot of bands add members after a while to create a wider range of sounds. We decided that this isn’t the direction we want to take. We want to keep it as it is. We don’t want to change. Although we were thinking of  bringing a friend in for our next show  as he is an amazing guitarist and writer. I know for sure that he will be very successful with his music in the long run. But no, we won’t be adding another band member.

Random. Last. Question. If you could travel to the golden years of rock music with whom would you tour?

Tommy: The Clash did a lot of busking in their days. So I would have liked to play a few shows with them.  I think Mary’s drums would have been a huge factor in pushing boundaries in the late 70s (laughs). Or perhaps I could be in New York playing a few shows at CBGB`s with The Dead Boys, that would have been amazing, having been given the opportunity.

Mary: I would have played with The Rolling Stones and Queen.

TommyandMary: One Word

You can follow TommyandMary here:

https://www.tommyandmary.co.uk
https://www.facebook.com/tommyandmary/
https://twitter.com/tommyandmary
https://www.instagram.com/tommyandmary_punkduo/

**** Update 28/07/2017****

Poster for the Absent Kelly indie night on 7th July 2017

TommyandMary played a very well received gig at 229 Venue in London on 7th July 2017 as part of Absent Kelly`s indie night series. So good was the night in fact, that they were given a rave review in Louder Than War magazine and  photographer Marcus Jamieson-Pond dedicated them a whole gallery on his website!

Louder Than War review in full, 16th July 2017

You can see the kick ass review online at Louder Than War (which happens to be this blog`s fav music mag!)

http://louderthanwar.com/absent-kelly-presents-bexatron-live-review/

And the image gallery can be found here:

https://www.tommy-and-mary-229.jampondphotography.com/album

 

See ya

Rita+Mal

****Update 03.09.2017****

Folks, we`d love to tell you to hang onto your seats, but you will be floored anyway, so find yourself a comfortable spot and listen up. Tommy and Mary had just finished headlining gig last night at The Cellar/The Finborough Arms in Kensington and were so generous to share with us a very cool collection of their concert posters. Exclusive for the blog! We are very lucky. Eye candy those posters are but also serve as a proof that the band played a string of cult venues in half a year: The 100 Club, Nambucca, 93 Feet East, Camden Assembly and The Cellar. All those years of playing and busking and persistence certainly paid off. Nothing builds a brand for a band like doing their own thing and pushing at the boundaries.

Poster for The 100 Club gig on 25.01.2017 while supporting legendary The Telescopes

Poster for the gig at Camden Assembly on 25th March 2017

Poster for gig at Nambucca on May 3rd 2017

Poster for the gig at 93 Feet East gig on 11.08.2017

Poster for a gig at The Cellar/ Finborough Arms in Kensington on 2nd September 2017

Another achievement of the band is even better than playing all the venues in the capital. Tommy and Mary debuted on BBC 6 Music on 18th August 2017 as part of 6 Music Recommends. Picked by the legendary DJ and broadcaster Steve Lamacq himself, they were hailed for being “nicely uncompromising” and  tacking a myriad of topics from having annoying housemates to precarious work.  If you don’t know who Lammo is, let us tell you this much – he is recognized as one of handful other DJs (with Mary Ann Hobbs and Jo Whitley) to fill the gap left by John Peel and is often regarded as a trend setter. Being on his show is a stamp of good quality and a sign that band is on the right way.

Personally what we found exciting is that Tommy and Mary`s Insecurities were played right after Paul Draper`s new single (yes, the man from Mansun!) and received the same amount of introduction on air.

Here is a screenshot of the BBC website

Screengrab from BBC 6 website

And here`s a (very) bad quality recording of the song and what Steve said:

https://vocaroo.com/i/s0bj1xgiKKAb

We hope you like it,

We are so excited for the band, we really are. Surely  more good things to come from them!

Laters,

Mal/Rita