Indieterria Review – “97/91” by The Battery Farm

Dear Readers,

If you spent more than five minutes on social media in the last two years, chances are that you have seen this viral quote on how David Bowie kept the universe together. The Starman`s gone and everything is coming apart at the seams.

Band`s logo

It`s hard to deny that we are going through some very dark days and finding hope may seem like an impossible task. But we believe that there is a force out there that is much stronger than bombs, violence or any orange impostor (or his blond counterpart) in office. That force is art/music and we have plenty of incredible artists among us who do an excellent job at repairing the fabric of universe and keeping us all sane.

The beauty of art is that anyone can make it and you don`t have to have top 40 albums to contribute significantly to the eternal quest of balancing cosmic powers.

We want you to meet a brand new band that we recently discovered, who are incredibly apt at channelling the internal anxiety felt nowadays and providing sonic catharsis to listeners. They are called The Battery Farm and come from our favourite place on Earth – Manchester.  Their debut single “97/91” is a powerful anthem of thundering drums, heavy guitars and haunted vocals.  It fits perfectly in the new emerging genre of post punk revival, mixing semi spoken vocals with musical fury. The song will prove ideal both in the mosh pit or in the gym and fans of Idles, Bambara, Sons and Avalanche Party should pay closer attention.

But there is more to The Battery Farm than soundtracking the moment. Its the way they speak in the interviews, how they respect and champion other artists, their ethics. We sat down with their lead singer Benjamin Corry for an interview and the first thing he tells us is that kindness is magic.  Among all the new bands that blow their own trumpet and proclaim that they are new Oasis, how absolutely amazing is to hear that there are artists who have a different approach to life.

This is our entire conversation with The Battery Farm. Worth reading. Every. Single. Word.

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Benjamin Corry:  Hello! We are The Battery Farm, a doom punk band from Manchester playing vicious, guttural punk music pulsating with rawness, honesty, pain and passion. We are Ben Corry (vocals/guitar), Dominic Corry (guitar), Paul Worrall (bass) and Sam Parkinson (drums)

Tell us something about the project – are there any goals that you managed to achieve?

Benjamin Corry:  Me and Dom formed the band on the back of our old band breaking up. The whole mentality since we started has been to put everything together piece-by-piece and just see how far we can get. So with that in mind just managing to get the band together has felt like an achievement. The idea for The Battery Farm only came about towards the end of last year, but actually getting to the point of being able to have a functioning band feels like an achievement. That sounds well trite but it’s true. We played our first gig a couple of weeks ago, released our debut single on 15th June and played our first festival on 6th July (R-Fest in Manchester). That’s the kind of start I wanted for us and so that’s an achievement in itself. Things have started with a bang and looking at what we’ve got coming up it’s only going to get better.

Benjamin Corry photographed by Richard McCann
https://www.facebook.com/richard.mccann.739

What inspires you? What artist or genre had the biggest influence on you?

Benjamin Corry:  Our lives and the world we live in inspire us and drive our sound and our words. The songs me and Dom write are borne – both musically and lyrically – out of the sense of desperation we felt at the end of last year, when we’d just about had enough of everything. These songs are an aural lashing out at ourselves, at the rest of the world, at the human race, at politicians, at the sense of life closing in around us. Passion and fear and anger and joy and desire for something better are things that inspire us. Human stuff. In terms of artists we admire, bands like Idles, Evil Blizzard, Radiohead, Witch Fever, Nirvana and Sleaford Mods bleed into our sound. Idles in particular are doing something remarkable at the moment; I think they’re the most important band in the world. Their music is violent and frantic and pulverising but at the same time is laced with the most beautiful empathy and compassion. I think the world needs more of that. Kindness is magic.

Its all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Benjamin Corry:  “97/91” was actually written a couple of years ago. I stumbled upon an article about the murder of Suzanne Capper in the early 90s and the moral panic about it in the newspapers at the time. The article went into excruciating detail about what happened which stayed with me for months afterwards. One of the big factors in the story affecting me in the way it did was the fact that it happened in Moston, north Manchester, which is where I grew up. It sort of brought a horrific sense of reality to the whole thing – I know the street it happened on, I’ve walked past the houses, I’ve grown up with the area being a big part of my life. And it still informs a lot of my writing. To be able to envision it all so clearly made it all the more horrendous. That got me to thinking about why I reacted much more viscerally to this particular instance than I would have to the miserable horrors that go on across the world daily. The answer was because I’m familiar with the setting. It only felt real because I could see it. That is what “97/91” is about – that murder is a jumping-off point to explore the cognitive dissonance that is ingrained into people across the world that allows us to be passive in the face of the mass, grotesque violence going on in far-flung places every day. It’s a frightening, dystopian aspect of the human condition and it’s not generally something we’re aware we’re doing. I guess that’s the worst part. The song is a flailing at the worst things people are capable of. The world can be a fucking horror show, “97/91” is essentially a desperate scream in the face of it.

Are you touring? Where can we see you playing live?

Benjamin Corry:  We’re at Night & Day Café in Manchester on 2nd August, then it’s our first out of town gig at Sound in Liverpool on 28th September for Low Flying Records’ Musicians Against Homelessness weekender. Low Flying have basically put together a huge MAH Festival across Merseyside. We’re on the Saturday and we can’t wait. After that we’re playing at Whittles in Oldham on 24th October. We have a couple more really good ones to announce but we’re not at liberty to discuss them just yet.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Benjamin Corry: E-mail us at batteryfarmband@gmail.com, or we’re on Facebook, Twitter and Instagram as @hebatteryfarm

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Benjamin Corry: Elvis. Every time. I’m fascinated by him. That voice, that face, those eyes, that sheer, raw, uncontrollable presence and charisma. It’d be incredible to see what he could do with our songs and our sound. I doubt he’d like us to be honest, but this is my fantasy and in this universe Elvis bloody loves the punk rock.

The Battery Farm in their rehearsal room

You can follow The Battery Farm on social media:

https://www.facebook.com/thebatteryfarm/
https://twitter.com/TheBatteryFarm
https://www.instagram.com/thebatteryfarm/
https://thebatteryfarm.bandcamp.com/
https://www.youtube.com/channel/UChp93XaDBuXnmYQY-o2bhFg
https://open.spotify.com/artist/6qWGopTzUjeSYmsXyQ8RIr?si=DfhOPdjFRgugNDIkLVLuAA

That’s it. Here`s another band to add to our “Must See Bucket List”. And if you have a chance to catch them live – do so. With artists like The Battery Farm we are more than optimistic about the future of music, and even the universe.

M/R

Indieterria Review – “Red Hot Military Audition” by The Garage Flowers

Dear Readers,

They have been described as “explosive, dark and sexy” but that would be an understatement. The Garage Flowers are the most riotous, creative and bold four piece that London has seen since The Manics` infamous stay in the capital. In the era of safe pop music and forgettable starlets, The Garage Flowers have all qualities of proper rock stars: swagger, nonchalance, determination, perseverance and real, raw talent. On the record or on stage the band will hypnotise you, will grab your attention before you can blink and will leave you being absolutely, hopelessly in love with them. Had it been 1970`s The Garage Flowers would be Gods. Or maybe they were and now returned to show all the lads in parkas in the North how to do rock and roll properly.

The Garage Flowers in bloom. Photo by Sophie McCarthy https://www.facebook.com/sofielaurenmccarthy

2019 has already been very busy for the band. They have released acoustic version of their older single “Miss Maggie May” and premiered a proper belter “Panic Street Again”. They toured both internationally and on domestic front. Now they return with “Red Hot Military Audition” – their new single. On the cover you can see The Garage Flowers dressed in military attire that make one think of Manic Street Preachers (in the Holy Bible period) or The Clash. And we have to give it to the band  – they know exactly what they are doing. “Red Hot Military Audition” has the punk attitude of The Clash, with energy of Guns n Roses and melody line that James Dean Bradfield would love to claim as his own. There are even samples – something that Manics practised a lot on The Holy Bible. And yet, the song does not feel like a mash up of influences. It doesn’t feel dated either. It`s fresh, modern day indie record that you have on repeat and will sing to yourself without even realising it. Oh NME where are you in your large print format? We need your pages at the newsagents every week so bands like The Garage Flowers can look at us from every stand and remind us that rock and roll is still alive and kicking.

Give The Garage Flowers a year or two and you will see them on SXSW and touring large venues.

We have been lucky enough to be able to sit down with  Joe Capaldi – the voice and front man of the band and ask him few questions regarding the new single. You have no idea how busy and in demand those guys are!

Its only rock and roll but we like it! Photo by Eric Mouroux https://www.facebook.com/eric.mouroux

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Joe Capaldi:  The Garage Flowers are

Joe Capaldi on vocals/guitar from Kings Cross, London
Mike Serapinas on bass/backing vocals from Chiswick, London
Jonny Webber on guitar/backing vocals from Finsbury Park, London
Norea Persson on drums/backing vocals from Bethnal Green, London

Tell us something about the project – are there any goals that you managed to achieve?

Joe Capaldi: Our goal is as it always was:  to have a documentary made about us and have it narrated by Alan Clayson.

What inspires you? What artist or genre had the biggest influence on you?

Joe Capaldi:  In college I’d wear cardigans (whatever the weather) and keep a bottle of red wine with me all the time. Taking swigs from it when the teacher would leave the room to get much needed attention. I also started messing my hair up consciously – with hair gum (before I wisened to hairspray) to look more like my obsession at the time – Bob Dylan. I loved the whole myth of him. Would religiously listen to his music, watch the few interviews that were on YouTube and screen “No Direction Home” endlessly.

The sleeve to Red Hot Military Audition single

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Joe Capaldi:  I put together the riff before the band was even formed, and played it for Jonny one of the first times we ever met up. It was a lot faster then and had no singing. I always loved the title but everyone used to loathe it, I eventually won them over though, or just tired them with my stubborn way.

Are you touring? Where can we see you playing live?

Joe Capaldi:  We’ve actually got some very exciting dates we’re finalising now. I’m not yet allowed to announce them though. “All apologies”  as Kurdt Kobain said in 1993.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Joe Capaldi:  You can contact us directly through our email address – thegarageflowers@outlook.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Joe Capaldi:  Ooooh great question! For me I’d say Tom Waits, at the moment I’m into putting instruments together that don’t normally go together, and creating atmosphere as well as great songs. I think he’d be great for painting a dark, demented atmosphere. VIVA WAITS.

Future looks bright. Photo by Elly Bailey https://www.facebook.com/EllyBaileyPhotography/

You can follow The Garage Flowers on social media at:

https://www.thegarageflowers.co.uk/
https://www.facebook.com/thegarageflowersband/
https://twitter.com/garageflowerss
https://www.instagram.com/the_garage_flowers/
https://soundcloud.com/thegarageflowers
https://www.youtube.com/channel/UCLTq_hTLgIq9HqMO78PkRng
https://open.spotify.com/artist/0GaTRMQodNVTRtNblmPIQW?si=c8GjOaFNScaFnjydYBRsfQ

We will update this blog in few days as there will be a video coming and we want to show you what the band has prepared! And obviously there will be tour dates to announce so please watch this space!

R/M

Indieterria Review – San Pedro “The Demon Sessions”

Hello!

Running a music blog is an exciting thing. You get to interview some of your musical heroes or new emerging acts. You meet interesting people, you go out to gigs, festivals or various cultural events. But most importantly (at least for us) you have a chance to listen to the music before anyone else. And if you are lucky, you may discover a next big thing. When we listened to one of the submissions we received last week, we immediately knew that we have found a winner.

San Pedro Logo

San Pedro is a new project of Rikki Turner, the mastermind behind several Manchester electronic outfits such as The Paris Angels, The New Southern Elektrik and The Hurt. A large collective named after the Californian town where Turner’s favourite writer, Charles Bukowski lived out his final days, San Pedro consists of musicians, DJ’s, writers, poets, artists and singers based in the UK, mainland Europe and in America. We are not sure how many people are actually involved (the collective seems to be quite mysterious and fluid) but several names have been confirmed. So far we know about singer/songwriter Millie MacBean known for her ethereal vocals, Suddi Raval (ex member of rave duo Together, best known for their hit “Hardcore Uproar” that went to the top of the national charts in 1990), Simon Wolstencroft (The Fall, Ian Brown, The Stone Roses, Johnny Marr and Freak Party), Keith Higgins (former member of The Hunt), Justin Leonard, Martin McClaren, poet Karl Hildebrandt and Antnee Egerton of The Winachi Tribe.

San Pedro picture by Paul Husband

San Pedro group picture by Paul Husband

Their debut EP entitled “The Demon Sessions” will be released by Blindside Records on July the 5th and every fan of an old school rave, electronica and house music should be on high alert.

“The Demon Sessions” contains only 4 tracks: two versions of “The Things You See”, acid-house inspired “Theme from San Pedro” and “The View From The Drowning Pool”. The first version of “The Things You See” nicknamed the “Original Version” has been chosen as the leading single and features Millie MacBean on vocals. It reminds us of an early Utah Saints meeting 808 State, with strong ambient background beat a la U.S.U.R.A (“Open Your Mind”) or Sven Väth circa 1992 (“Accident In Paradise”). The second version of the single (called “Rikki Turner Remix”) brings softened loops and more house feelings that could have won many hearts at the Hacienda. Again, it has a strong bass beat with ambient influences but its aesthetics are closer to OPUS III and KLF than to Vath. Also, it makes heavy use of samples which gives the track additional depth. “The View From The Drowning Pool” with spoken word by Rikki Turner will probably not receive much commercial airplay due to expletive language, but has chances of become a fan-favourite song.

San Pedro “The Demon Sessions” cover artwork

The Demon Sessions is a must have for everyone who remembers the good old days of Madchester scene. Hopefully, it will introduce new generation to (quite) forgotten genres such as ambient, big beat, house and rave. Also, we are told, San Pedro Collective is planning on releasing additional material in the autumn and we cannot wait to hear what they’ll come up with next.

San Pedro release poster

You can follow San Pedro Collective online:

https://www.facebook.com/sanpedrocollectivemcr
https://www.facebook.com/BlindsideRecordsUK

Articles:
https://www.attackmagazine.com/features/interview/brief-history-acid-house-suddi-raval/
https://jammerzine.com/the-test-drive-san-pedro-the-demon-sessions/
https://www.xsnoize.com/manchesters-san-pedro-to-release-brand-new-ep-the-demon-sessions
https://artvoice.com/2019/06/25/manchester-heavyweights-san-pedro-release-new-ep-the-demon-sessions/
https://baggingarea.blogspot.com/2019/06/san-pedro.html

As usual, please support your local scene (new and old)!
We will see you shortly.
Rita and Malicia

Indieterria Review – “California” by Hey Bulldog

Dear Readers,

We have another single to review from a Manchester band and this one is a belter. If you are familiar with the scene up North – you will surely know Hey Bulldog – either from their energetic shows or their countless national radio plays and high profile festival appearances. This band has Steve Lamacaq at BBC 6, John Kennedy at Radio X and Charlie Ashcroft on Amazing Radio on a speed dial and will appear at Kendal Calling ad Cotton Clouds among other festivals this summer. On June 28th they will unleash their newest gem – “California”  much to the enjoyment of their fans.

The sleeve for “California” single

Mixing stoner rock with distinctive psychedelia made Hey Bulldog underground favourites in the North and “California” is not a radical departure from the sound established by their other singles such as “No Future (Part Two)” or “Al Lupo”. But there is something in the track that we would describe as a nod to Welsh heavyweights Feeder, especially in their “Comfort In Sound” period. Perhaps it is the urgent bass line and the punky yet melodic vocals, or maybe overwhelming sense of loss waved in between the notes?

We had a pleasure to speak to Hey Bulldog`s front man Rob Manton about the band, the new single and their gruelling touring schedule. And this is what he had to say:

Hey Bulldog live at Jimmy`s Manchester – photo by Jo Lowes
https://www.facebook.com/jo.lowes

Please introduce yourself to the readers of Indieterria.  Where are you based and who is in the band?

Rob Manton: We’re Hey Bulldog from Manchester with me Rob Manton on guitar/vocals, Matt Parry on bass/backing vocals and Ben Howarth-Lees on drums.

Tell us something about the project – are there any goals that you managed to achieve? 

Rob Manton: Opening the2nd stage at a massive festival like Kendal Calling was definitely a box ticked last year and we’re delighted to have been asked back to play again for the second year in a row this July, our first gig abroad playing a festival in Sicily was also an amazing life experience.

We’ve had incredible radio support from day one from the likes of Steve Lamacq 6 Music and John Kennedy on Radio X, Chris Hawkins on 6 Music has been mega to us too. We’re well into double figures for the amount of different songs we’ve had on national radio and the buzz of getting played alongside the best artists in the world never wears off.

We’re currently planning our first vinyl 7 inch release and also our debut album so those steps will also be great ambitions achieved for us.

Hey Bulldog at iconic Manchester venue – The Castle Hotel, photography by Dave Morely

 What inspires you? What artist or genre had the biggest influence on you?

Rob Manton: Great musicians and bands like The Jimi Hendrix Experience and Led Zeppelin who were primarily guitar, bass and drums will always be our foundation but that’s combined with artists like Neil Young and David Bowie, who consistently tried to develop and progress all the way through their careers. Modern acts like The Kills, Radiohead, LCD Soundsystem, Ty Segall, Mogwai, Nadine Shah, PJ Harvey, who combine lots of different musical elements into what they do are also the current benchmark for us.

 It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Rob Manton:  Our new single ‘California’ is out on 28th June. It was inspired by a chance meeting I had with lo-fi garage rock legend and now sadly the late great Rex ‘Tatarex’ Thompson. His band The Summer Hits released a handful of singles between 1992-1996 and were played on BBC Radio 1 by legendary DJ John Peel. I met Rex a few years ago in California when he was dj`ing at Burger Records event I was at with my friends who knew him. We got chatting and talked about music and his time in the UK over a couple of days, he was a massive character that anybody who met would never forget so when I heard he had died about a year later I wanted to make a bass driven stoner rock track in tribute to him.

Tour poster

Are you touring? Where can we see you playing live?

Rob Manton:  To promote the new single we’ve got a date in London and a string of festivals over the summer that we really excited to play.

28th June,              Sebright Arms, London                        Event Page                                  Tickets

5th July,                 Not A Cult Festival,  Malvern                Event Page                                  Tickets

19th July,               Blackthorn Festival, Cheshire                Event Page                                  Tickets

26th July,               Kendal Calling, Cumbria                        Event Page                                  Tickets

17th August,          Cotton Clouds, Saddleworth                 Event Page                                  Tickets

If any bookers or promoters want to get in touch – what is the best way to contact you?

Rob Manton:   Just send us an email at info@hey-bulldog.com

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Rob Manton:  David Bowie would have been a pretty cool producer. Working with somebody like Jamie Hince from the Kills or James Murphy from LCD Soundsystem in a legendary studio like Electric Ladyland or Abbey Road would be incredible and really interesting to hear how they would want us to sound. We’d also love to be able to record with our current mixers Boe Weaver at their own Studio Humbug in the Isle of Wight, the dream would be to go out to the Rancho de la Luna studio in the Joshua Tree and record with them their too!

Bringing guitar infused fury to a venue near you – Hey Bulldog photographed by Steve Hampson
https://www.facebook.com/shampson3

Listen to “California”

 

You can follow the band on socials:

http://www.hey-bulldog.com/
https://www.facebook.com/heybulldogmusic
https://heybulldog.bandcamp.com
https://twitter.com/heybulldog
https://www.instagram.com/heybulldogmusic/
https://www.youtube.com/user/heybulldogmusic/
https://soundcloud.com/heybulldog
https://open.spotify.com/artist/5OLxViZI8qMwA9VV3NzsKW?si=lBbyVNGbSi2K-MvMZXclIw

All right folks, Hey Bulldog receives a full stamp of approval from us and we urge you to see them live in nearer future – because we live in a wonderful times for indie music and great bands seem to pop up all over the shop. Tony Wilson was right – best music does come from Greater Manchester area so don`t miss out!

We have more music to discover so please come again!

R/M

Indieterria Photo Review – Cabbage/Afghan Sand Gang/Thomas Haywood at Night & Day Cafe, Manchester

Dear Readers, 

A lot is being said recently about mental health crisis yet it still reminds a taboo. Mental disorders such as depression, anxiety, schizophrenia, eating disorders (bulimia and anorexia) and addictive behaviours (drug use, alcohol dependence) carry a lot of stigma. People suffering from mental illness are often misunderstood, treated badly or even are subjected to prolonged abuse or bullying. hey are twice more likely to be physically or verbally attacked and receive less support in comparison to those who suffer from cancer or other long term illnesses.  According to NHS, nearly 30% of all population of the United Kingdom suffers from or is declaring depression and mood swings. Almost 17% of women and 12% of men are prescribed medication for common and rare disorders. And while almost 80% of all females diagnosed with depression are seeking treatment, only 5% of men are doing the same. This has tragic consequences.

Boys are raised not to cry or show any emotions that could render them vulnerable. They have to be strong in every circumstances. If they are not, their masculinity and their worth are called into question. In a society where seeking help is considered a  failure, man are dying. The statistics are shocking: three out of four suicides (76%) are by men and suicide is the biggest cause of death for men under 35. 73% of adults who go missing are men. 87% of rough sleepers are men. Men are also three times more likely to abuse illegal substances in an attempt so self medicate.

Liam Smith fundraiser – sold out!

On Monday, 24th of June, three of Manchester best bands: Cabage, Afghan Sand Gang and Thomas Haywood (representing The Blinders) came together to play a show at the legendary Night & Day Cafe in Manchester, to collect funds for the family of Liam Smith, a young man who lost his battle with depression in Australia.

The statement released before the concert read: “After the tragic death of our close friend and Mossley brother, Liam Smith, we Cabbage along with The Blinders and Afghan Sand Gang are hosting a fundraiser event at Night & Day Cafe on Monday 24th June. Liam lost his battle with mental health and took his own life on the other side of the world in Australia. This leaves his family in the predicament of an astronomical bill for his repatriation and funeral costs. So many people have been kind enough to donate a large portion of the 20k required to Liam’s Gofundme page, currently standing at £15,000. We are hoping our fundraiser can be the final donation required. Tickets on sale now from Gigs and Tours. A huge thank you in advance for anyone that can contribute and come along. This is also an urgent message to encourage people to speak out if they have any problems of their own and are suffering in silence. Cabbage x”

Tickets sold out within minutes and many people went to contribute to the donation page that is still open at: https://uk.gofundme.com/repatriation-amp-funeral-cost
If you’d like to donate, please do so as the family is undergoing an incredibly hard time and they will need a lot of support. Thank you!

Vanadian Avenue teamed up with Steve Hampson, Louder Than War magazine photographer to bring you a photo coverage of the event. We think that words are not necessary at all to describe what was happening. We want to show you the images taken that night. They speak for themselves. We would like to thank Steve for his images and  for the ability to highlight this incredibly important  event. We need to start talking about mental illness differently: without fear or blame. Only then, we can concentrate on fighting the common enemy.

Thomas Haywood (The Blinders)
Set list: “Ballad of Winston Smith”, “I Will Always Be Here Waiting For You” (original song), “Circles” (original song), “Phantom Lover” (third and last original song), “Ramona Flowers” and “Ballad of Tin Man” (Bob Dylan cover).

Thomas Haywood performing solo. Picture by Steve Hampson, used with permission

Thomas Haywood performing solo. Picture by Steve Hampson, used with permission

Thomas Haywood performing solo. Picture by Steve Hampson, used with permission

Thomas Haywood performing solo. Picture by Steve Hampson, used with permission

Thomas Haywood performing solo. Picture by Steve Hampson, used with permission

Afghan Sand Gang
Set list: “Mantra”, “Scribe”, “Envy”, “White Lies” “Glistener and Descension” and two new unnamed tracks.

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Afghan Gang Sand. Picture by Steve Hampson, used with permission

Cabbage
Set list: “Uber Capitalist Death Trade”, “Arms Of Pleonexia”, “Terrorist Synthesizer”, “Dinner Lady”, “Kevin”, “Tell Me Lies About Manchester” (dedicated to Ray Boddington of the Piccadilly Rats), “Necroflat In The Palace”, “These Boots Were Made For Walking” (Nancy Sinatra cover)

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Cabbage. Picture by Steve Hampson, used with permission

Steve Hampson:
Steve Hampson is one of Manchester’s premier music photographers. Music been a passion of his for as long as he can remember, since he was old enough to sneak into gigs down at the local pub. And his camera is something he’s never been able to live without. A Manc born and bred, Steve has been attending gigs in the city for over 30 years, and he is now following in the footsteps of outstanding photographers like Kevin Cummings. Steve loves nothing more than descending the steps into a dingy basement in the Northern Quarter and photographing the next big thing or one of the country’s most iconic acts. From The Who to The Courteeners, Alabama Shakes to Patti Smith, Steve is never far from the music.

https://www.facebook.com/shampson3
http://www.stevehampson.co.uk/
https://twitter.com/rangerpeg

Thank you to all who made this evening a success!
M+R

Indieterria Review – “My Walk” by Pietro Blanca

Dear Readers,

Indieterria continues to showcase artists around Manchester who answered our call to submit their songs. The beauty of project “Hello Manchester” was to allow musicians to speak about their art on their own terms and bring to the light new and upcoming music from the city. It doesn’t matter if the artists were accomplished bands or people who create at their leisure. All music is equal and worth being shared. So far he had the incredible band Hot Minute and electronic indie duo Edits featured as part of our series.

Guitar man – Pietro Blanca is ready to take on the Manchester scene.

Today we meet Pietro Blanca – solo artist and a lead singer of alt rock band Clifftop Empire. And we are so happy to discover Pietro.  Let us tell you why. In March this blog had a pleasure to interview one of the most international acts ever Shiva May Care – where every member comes from different country, speaks different language but all together they create kick ass rock music. Shiva is based in Manchester and was founded by Italian multi instrumentalist and producer Federico Cossu. We are over the moon to discover that Federico is not the only hugely talented Italian artist who chose Manchester to be his home. Pietro Blanca also resides in Mancunia.

If you ever had a chance to listen to Italian guitar masters (Beppe Gambetta or Pino Daniele to just name a few) then you know that the secret of their hugely popular pop and rock music lies in combining classical guitar techniques with ear catching melodies. Continental guitarists don’t just pick up an instrument to play indie – they find their inspiration in folk, medieval, jazz and even flamenco music. Most of them are classically trained. And then bring all those elements into rock music. There is a reason why Sanremo Music Festival both inspired Eurovision and Montreux  Jazz Festival and is responsible for launching careers of Laura Pausini or Eros Ramazotti among countless stars.

The versatility, range of influences from psychedelia to The Beatles and Mark Knopfler (in his Golden Heart era) is evident in Pietro Blanca`s “My Walk” single – dreamy and yet sorrowful song that was just made to be played on the radio on a lazy summer days.  It may surprise you that it lasts just two minutes but such miniature compositions are nothing new in pop music. Just remember “Velocity Girl” by Primal Scream stands at 1:22 minutes.

We had asked Pietro few questions about his music and this is what he had to say:

Pietro during a solo show in Manchester famous Norther Quarter

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band?

Pietro Blanca: Hello, my name is Pietro. I am folk/pop singer and songwriter based in Manchester.

Tell us something about your project – are there any goals that you managed to achieve?

Pietro Blanca:  I started my current project in 2010, when I’ve decided to create some music on my own. I was 14 years old when I discovered the guitar for the first time. Through the years, I got into different genres: from mixture of folk and pop like Kings of Convenience, The Cranberries and José Gonzàlez, to heavy metal, like Metallica, System of a Down and Meshuggah. After playing metal with my first band for 5 years, my mind went into a totally different direction! (laughs). My first demo came out in 2010 (“Andare Lontano/Nessuna Esistenza”) and the first EP was released in 2016 (“Mirrors Beyond The Sea”).

What inspires you? What artist or genre had the biggest influence on you?

Pietro Blanca:  I`m inspired by many artists but most likely by Kings of Convenience, José Gonzàlez, The Cranberries and Imogen Heap.

It`s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written.

Pietro Blanca: The single is called  “My Walk”. The song has been written right when I was thinking to leave my country to go abroad. Moving away meant a huge change in my life but also a new adventure to embrace.

 

Are you touring? Where can we see you playing live?

Pietro Blanca: At the moment I’m not touring as a solo artist but I am always checking out open mic nights in Manchester and wherever else is possible. I’ve been focusing on another project called Clifftop Empire in my spare time.

If any bookers or promoters want to get in touch – what is the best way to contact you?

Pietro Blanca performing with Clifftop Empire in Sheffield

Pietro Blanca:  The best way to reach me is through my Facebook page – Pietro Blanca Music.

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Pietro Blanca:  I’d love recording some music with Devin Townsend, he is a great artist in whatever genre he plays.

You can follow Pietro on social media:

https://www.facebook.com/pietroblancamusic/
https://twitter.com/PietroBlanca
https://www.instagram.com/pietro_blanca/
https://soundcloud.com/pietro-blanca
https://www.youtube.com/user/pietroblanca
https://open.spotify.com/artist/68TkewCVzLMXtMCpoMtpUn?si=gsTYG0RwSdyANZRKW3ForA

 

You can listen to Pietro`s demos Andare Lontano/Nessuna Esistenza (“Going Away/No Existence”) at this address:

https://www.jamendo.com/album/62053/andare-lontano-nessuna-esistenza

If you would like to check Pietro`s other musical project – alt rock trio Clifftop Empire, you can do so via following links:

https://www.facebook.com/ClifftopEmpire/
https://soundcloud.com/user-434835923

Thank you kindly for reading and there is lots more in Hello Manchester to discover. We will be seeing you soon.

R/M

Indieterria Review – “Magic” by Hot Minute

Dear Readers, 

June is all about reviewing new singles and discovering new artists. We start in Greater Manchester and will slowly move towards different scenes across the county.

We wanted to hear about the music from the artists directly, so we made an open call to musicians in the area. The response was amazing and we are thrilled to be presenting these mini reviews to you.

Hot Minute were the first to get in touch with their music. This all female pop group has been together for only couple of months but their chemistry is undeniable. All three girls are studying and living in Manchester and their first single called “Magic” turned a lot of heads and had many feet tapping.

Hot Minute logo

They call themselves a “synth-pop outfit” and this is a very fitting description. “Magic” is a perfect marriage of the 80’s bubblegum pop a la Bananarama, Alphaville, Sandra and Tiffany with crisp, modern production. There are obvious references to K-Pop/J-pop in their sound and promotional aesthetics. Brilliantly neon pictures taken by Rhian Melvin have a strong dystopian and futuristic feeling to them, a cross between Nar Shaddaa and Los Angeles out of “The Blade Runner”.  The beat of the song is fast, the groove is right and the lyrics are easy to remember – by the second chorus you’ll catch yourself dancing around the kitchen singing along. And this is exactly what you’d expect from a good pop song. It has all the right proportions, it stucks with you for hours and you can listen to it on repeat for three days straight without getting bored.

What’s the most important, the girls can play and sing well. In the last decade, pop music relied more on looks and autotuning than singing abilities and it is  refreshing to see that the talent is being brought back to the mainstream. The harmonies in “Magic” are just magical. Believe us, the song is simply irresistible. In short – this is a proper pop banger. You will fall in love with this track, just like we did. In the first 10 seconds. And if you don’t, then we are sorry to say, but there is no hope for you.

The trio photographed by Rhian Melvin at Jimmy’s in Manchester (or maybe in some dive cantina on the Smugler’s Moon?)

Intrigued by their sound, we asked Hot Minute a few questions and this is what they had to say:

Please introduce yourself to the readers of Indieterria. Where are you based and who is in the band? 

Hot Minute: Hey! We’re Hot Minute, Manchester’s newest all female synth pop trio comprised of Keely Hutchinson on vocals, Courtney Williams on synths and Bella Casson on guitar.

Tell us something about the project – are there any goals that you managed to achieve (festivals, radio plays, meeting your musical heroes, EPs, albums released)?

Hot Minute: This is our debut single release as Hot Minute and for us it couldn’t have gone better! We’ve been playlisted by YouTube Music and had an abundance of really lovely blog coverage and some radio play.

“Magic” front cover. Magic is strong with this one…

What inspires you? What artist or genre had the biggest influence on you?

Hot Minute: Our inspirations are women in the industry, Japan and K-Pop. In terms of bands, we love CHVRCHES, Muna, The Midnight, Depeche Mode and The Human League.

It’s all about the music – and we want to hear about your new single. Is there a story behind the song, where and how was it written?

Hot Minute: Magic is about taking the negative and turning it into a positive. The message of the song isn’t exactly a happy one but the tone and feel of the song is very upbeat. We started this band based off the mutual prejudices we’d experienced separately, taking those negative experiences and making them into something we could use to benefit us and we mimicked that in our first single to get that point across. It’s not the cards you’re dealt it’s how you play them.

Are you touring? Where can we see you playing live?

Hot Minute: We aren’t touring currently, but we have a gig in September with Section 25 in Blackburn!

If any bookers or promoters want to get in touch – what is the best way to contact you?

Hot Minute: You can hit us up on our email itshotminute@gmail.com and you can also find us on our socials:

Twitter: https://twitter.com/itshotminute?
Instagram: https://www.instagram.com/itshotminute/

Imagine you can record an album with any artist, dead or alive in a studio of your choice. Who would be on your record?

Hot Minute: This one took a lot of thinking, but we eventually came to the collective decision of Daft Punk and we’d probably go for Alucard Studios. That was a tough one!

 

Or read more hot reviews for “Magic” online:
http://indietronica.org/2019/05/30/hot-minute-magic/
https://anerdyperspective.com/2019/06/05/hot-minute-magic-debut-single-review/
https://thegirlsattherockshow.com/listen-to-hot-minutes-new-single-magic/
https://reverbium.com/2019/05/29/manchester-synth-pop-band-hot-minute-release-new-single-magic/

The trio is probably the first ever pop band that we have reviewd on Indieterria. They are worth every blog post and every review, as we think the girls have not only talent but a huge potential to become something special. Given proper opportunities, they could turn into international stars in a very short period of time! We will be following their progress closely and if any pop music scout is looking for a new discovery, then here they are.

They might be called Hot Minute, but hopefully they will stick around for a long, long time.

M+R

P.S. A big thank you to Pete Eastwood who told us first about the group and who made this interview possible!