Indieterria Review – The Blinders at Leffingeleuren Festival

Dear Readers, 

Throughout the summer months, we tried to cover as many festivals as possible, where the Blinders made an appearance. We have attended several events ourselves and in many cases, we have teamed up with our special correspondents. Hopefully, this allowed fans to enjoy the experience and feel “as they were there” in person.

Having spent several weeks in Belgium, we were lucky to see the band perform at Kliko Festival, Valkhof Festival and recently at Leffingeleuren. It was a great pleasure to see the trio spread their wings on completely unchartered territory. Leaving dedicated fan base hundreds of miles away and facing the unknown can be a scary but exciting opportunity. We can tell you straight away that the band returned home with shields in their hands. If you are looking for a short description then, it was a triumph of an European tour, no doubt about it.

Leffingeleuren Festival is a respected event that has been going on for 40 years. It is not the biggest music festival around, but has the opinion of “quality over quantity”. Only the best selected acts are invited each year and if a band makes the bill, it is universally acknowledged that the music industry in Belgium has taken notice. The Blinders played quite an early slot on Saturday, 14th of September (3:30 pm) but their gig was packed so tight that many didn’t make it into the Zaal De Zwerver, the biggest stage of the festival.

Digital polaroids from the performance

Zaal De Zwerver has the capacity of 750 and is a state of the art musical venue. It has everything a venue should have – a perfect sound system, massive entrances on both sides with a wheelchair slopes, a cloakroom, merch tables, an outside and inside bar, a balcony, large and secure floor and clean toilets with onsite cleaning crew! You will never run out of toilet paper even if there are 13.000 visitors walking around. There is a separate loading bay with its own dedicated street at the back of the venue and secured car park for tour buses, artists changing rooms etc. It’s nearly 10 years old but it looks like it was built yesterday. If we tell you that it has been funded by ERDF grants courtesy of  European Union, it will sound like a political statement, and it kinda is (Bollocks to Brexit). Thinking of our beloved, threatened and underfunded venues back home, we felt a bit jealous. Maybe one day, one can dream and hope for the best.

As usual, the Blinders arrived on stage with the sirens blazing and blinding lights. First thing that we noticed was lead singer Thomas Haywood wore his iconic “Johnny Dream” make up in a different way, which was a surprise. Instead of having the war paint smeared down from his eyes onto his neck and chest, the black paint created Adam Ant-like line across his face. They started off with “Gotta Get Through” and almost immediately merged into “40 Days & 40 Nights”. “Brave New World” followed and the room was dancing and bouncing up and down. If new fans didn’t notice anything, we have seen The Blinders so many times live to quickly realize that there was something going on, which was not right. Thomas’ voice, although clear and raspy, was breaking down at times. During “Free the Slaves”, he had to resort to a whisper, skipping several lines to take a deep breath and to continue. “ICB Blues” and “Something Wicked” gave him a bit of  a respite from shouting but he looked irritated and greeted the crowd with bare minimum of words. His frustration grew further when he was unable to play his guitar at the beginning of “L’Etat C’Est Moi” and he signalled his irritation to Charlie and Matty by raising his hands and shaking his head. Luckily, the third go was a success and the concert continued without any technical  glitches to the end.

A new track “Rage” signalled second part of the show which was stunning. The band played tight and flawlessly, rampaging thorough “Hate Song”, “Rat In A Cage” and  then “Ramona Flowers” that was greeted by a loud cheer from the audience. The ode to Scott Pilgrim came with an extended outro and the rhythm section showed what the band was capable of. Matty is known for keeping an intense gaze throughout the performance but this time his stare was as powerful as the deafening beat. Charlie whirled like a force of nature from left to right, using his bass as it was a machine gun he was about to shoot into the crowd. A journalist standing next to me sent me a half-frightened/half-amused expression, but kept nodding his head in clear approval of the chaos happening on stage. “Brutus/Et Tu/Berlin Wall” closed the set with 9 minute  cacophony of distorted guitars and powerful drumming. However, after extended “Ramona Flowers”, it became apparent that Thomas was exhausted. He was completely covered in sweat, hair wet as he had taken a dive into a pool, shirt drenched. At some point, he clung to the microphone stand, with his head lowered for more than a minute, alarming Tom Castrey of Saytr Play (a fellow Mancunian band, who supported the Blinders on tour as a tech). He nearly came on stage, but Thomas managed to pick himself up and finish the performance with flying colours. The usual chants of “Down with Big Brother” were replaced with “Long live the European Union” and the band was gone.

It took several days for us to find out the reason why Thomas struggled. A serious infection and tonsillitis forced the band to cancel their performances at Indiestaad in Paradiso (the Netherlands) and Waves Vienna (Austria). They also moved or pulled out of several domestic festival in order to give the lead singer time to fully recover.

Despite the technical glitches and illness, the Blinders played a fantastic show that  brought them universal acclaim and won them many a fan in Europe. As one of the reviewers noticed, they are outgrowing middle size venues. Next stage is large festivals and 1000+ capacity places.

If you haven’t seen them live yet, don’t advertise it, but buy a ticket. Your next chance to see them live will be on the 12th of October at the Alexandra Palace in Manchester (Neighbourhood Festival).

Set List:
“Gotta Get Through”
“40 Days & 40 Nights”
“Brave New World”
“Free The Slave”
“ICB Blues”
“Something Wicked”
“L’Etat C’Est Moi”
“Rage”
“Hate Song”
“Rat In A Cage”
“Ramona Flowers”
“Brutus/Et Tu/Berlin Wall”

Time: 60 minutes
Stage Times: 3:20-4:20 CET
Stage: Zaal De Zwerver

Schedule: 14 September 2019 (Saturday)

Saturday schedule

 

 

Media Reviews:

“As with every festival, you had to make some hard choices to see all your favourite artists, but with such a good line up and fine weather, in the end it was a great day. Our highlights included seeing The Blinders, Crows, The Germans, Mystic Braves and Willy Organ” – Niels Bruwier for Dansende Beren
https://www.dansendeberen.be/2019/09/10/tien-acts-om-te-ontdekken-op-leffingeleuren-2019/

“The Blinders played a tight set dressed in black and full suits. Their influences come from early Arctic Monkeys but you can hear the echoes of Queens Of The Stone Age in the distance as well. In short – this is a sharp rock and roll with courage and allure. They display the right attitude on stage that enhances their performance. There was a nice balance between slower and faster songs, allowing some respite for the audience, but it has to be noted that each of the ‘softer’ compositions has an edge and dark aggression lurking in the music. The band is changing on stage right before your eyes – sometimes they are melodic, sometimes they are fury and a storm of angry riffs with a lot of tempo changes. The Manchester based trio are not overly innovative but they play convincingly and with precision. You can tell they are on the brink of breaking through outside of their native Great Britain. Fans of dark indie rock can add a new group to their must-see list now”- Niels Bruwier for Dansende Beren
https://www.dansendeberen.be/2019/09/15/leffingeleuren-2019-dag-2-niets-meer-aan-te-doen/

“An early party, why not? We saw The Blinders playing at Zaal de Zwerver. This  Manchester based, British trio bring great punk rock supplemented by psychedelic poetry. They released their debut album only last year and toured a lot. And it shows as they are definitely the stage creatures. They remind us of The Stooges with influences from Jon Spencer Blues Explosion. The band played ‘L’Etat C’Est Moi’, ‘Gotta Get Through’, ‘Rage’ and their latest single, Rat in A Cage’. The closing number ‘Brutus’ was a nearly 10-minute ode to rock and roll, clearly inspired by Jim Morrison. It consists of three shorter parts entitled ‘Brutus’, ‘Et Tu’ and ‘Berlin Wall’. Talking about Brutus – it was a lucky coincidence that a Belgian band with the same name was to perform later in the day. As for the Blinders, seeing them live is highly recommended” – Trees Rommelaere for Luminous Dash blog
https://luminousdash.be/festival/leffingeleuren-dag-2-14-09-2019/
https://luminousdash.be/category/live/fotos/page/3/ (photos)

Daily newspaper “Het Nieuwsblad” publishing an article on Monday 15.09.2019 with a picture of The Blinders taken by Trees Rommelaere

“The Blinders played a solid rock show and they have a good singer (and guitarist) whose singing style is a reminiscent of Jim Morrison. Musically they are a cross between Stone Temple Pilots and Rollins Band in one moment then Nirvana and Jeff Beck in another. Their composition ‘Hate song’ draws inspiration from Joy Division. It was a good performance by an experienced band”- Koen Asaert for Snooze Control zine
http://www.snoozecontrol.be/reviews/8725/

“We were immediately blown away thanks to The Blinders. Old-fashioned rock/punk with a great stage presence. We hear influences from Queens of the Stone Age and Arctic Monkeys, the singer reminds us a bit of Alice Cooper because of his make-up. Their music is excellent. Those three Mancunian lads were a nice opener if you ask us” – Pieter Bouckhout for Brothers in Raw 
https://www.brothersinraw.com/single-post/2019/09/15/Festivalverslag-Leffingeleuren-2019-op-zaterdag

“What a great thing to see a band giving their best at half past three in the afternoon! The Blinders put their most powerful songs – ‘Gotta Get Through’ and ‘Brave New World’ at the beginning of their set and it brought a lot of crowd into the Great Hall. The British trio plays a certain type of rock music that many bands had attempted to play in the past before them, yet the charisma of Thomas Haywood, the lead singer and the threatening structure of their songs, make them stand out from the rest. They presented quite a show at Leffinge Festival. Are we going to see them playing much larger venues soon?” – Christophe Demunter for DA Music Magazine
https://damusic.be/live/leffingeleuren-dag-2–geen-wafels-wel-tiengangenmenu-4143.html

 

Videos:

“Something Wicked” and “L’Etat C’Est Moi”

“Rage”

“Free the Slave” and “ICB Blues”

“Gotta Get Through” and “40 Days & 40 Nights”

“Brutus/Et Tu/Berlin Wall”

After Movie. You can see Charlie (and Matty in the background) rocking on stage at 1:27 minute mark:

Leffingeleuren 2019 – Aftermovie

Festival socials:

Artist profile:
https://www.leffingeleurenfestival.be/the-blinders

https://www.leffingeleurenfestival.be/
https://www.facebook.com/leffingeleurenfestival/
https://www.instagram.com/leffingeleuren
https://twitter.com/Leffingeleuren
https://www.youtube.com/user/leffingeleuren
https://open.spotify.com/playlist/5Ps6BGwRGgTB4rgCBlCX23?si=MLLXCxAfQe2QQujjMwtOZg (official playlist features “ICB Blues” and “Brave New World”)

Gallery:

 

Other galleries:
http://www.enola.be/2019/09/15/the-blinders/ (takes a while to open)
https://www.festivalinfo.nl/artist/123571/The_Blinders/
https://www.facebook.com/pg/EyesWideShutterSpeed/photos/?tab=album&album_id=3048425591897109&ref=page_internal
https://www.facebook.com/photo.php?fbid=10220769307886363&set=a.10202921019010296&type=3&theater
https://www.facebook.com/pg/leffingeleurenfestival/photos/?tab=album&album_id=10156619991731824
https://www.facebook.com/pg/concertpixtrees/photos/?tab=album&album_id=911287822580567
https://www.facebook.com/pg/karenvandenberghefotografie/photos/?tab=album&album_id=1147366568797364
https://www.facebook.com/pg/Alex-Vanhee-Photography-212472195507965/photos/?tab=album&album_id=2459878137434015

Although we could only attend for a single day (Saturday), it was a fantastic, small and family-orientated festival that it’s worth visiting. They do not have the massive stars other festivals have, but this is not a bad thing. We actually liked their alternative attitude – the organizers are booking bands they personally like and the line up is varied. We have seen Brazilian samba rockers, Belgium’s raising stars (pop, dance and hard rock) and international artists of great esteem.  Also, we have had a word with the festival volunteers and we were told that organizers put a huge emphasis on having artists of colour and female  musicians on the bill. This is greatly appreciated and many UK festivals could learn a thing or two from them. It is possible to have 50-50 male to female artist ratio and to give females a prominent positions on posters.

In short, well done!

We will post a longer review shortly so please pop in a bit later.

Till then,
Rita and Malicia

PS. Rita would like to thank Trees Rommelaere and Luk Dufait for their assistance and rock and roll moments we shared in the pit. Dank je!

Indieterria meets Pete Eastwood

Dear Readers,

It takes one person with a vision to make a difference. This statement rings  true for Pete Eastwood  – the founder and creator of Confessional  Festival and Night at the Museum in Blackburn. His events showcase the best emerging artists in incredible locations while also putting the town on the musical map. We sat down with Pete to discuss the beginnings of Confessional Festival, his role as a booker and promoter and why this year festival`s theme is a rain forest.

 

Poster for Confessional Festival 2019

Your social media description goes straight to the point: music promoter, booker, venue owner, band manager, film maker, mentor, head of a music festival. Please introduce yourself to the readers of Indieterria.

Pete Eastwood:  Hi, I am Pete, a mod with a punk attitude from The North.

My passion is live music, and in particular young emerging talent. I always strive to book hot new acts that are about to break. I am happy to be just called a booker these days, as that is the area I am most proud of. A friend once asked me why I use the word booker before promoter, but my line ups are what I put the most effort into. I am OCD fussy, and give myself stupid rules, like I never book the same act twice for the same event as I consider this lazy booking. I never understand why some events book the same acts year after year (lack of imagination and effort). I love the challenge of having a blank piece of paper and having to make my current event, better than any previous.

Also even though I get a huge amount of applications for artists to play (which I appreciate) I only ever book off my wish list of acts that have excited me live over the past 12 months. The word promoter comes with the role of a booker anyway, as you need to promote the acts that you are showcasing (along with them of course).

Managing or representing a young act I believe in is where I feel most at home, but I am concentrating on putting on special events these days.

Pete Eastwood himself. In a obligatory rock and roll pose.

On 6th-7th of September, Blackburn will welcome another edition of Confessional Festival. Please tell us about this event. How did it start?

Pete Eastwood: Confessional Festival started when I was offered an old disused grade 2 listed church that closed in the 1980s, as I wanted to do more that just book a gig in a gig venue. I came up with the idea of a music and arts festival once per year and from day one I wanted it to have the wow factor, which I feel we achieve.

The setting for the festival is grade II listed Holy Trinity Church in Blackburn, commonly associated with Chad Varah – the founder of Samaritans. We have to say this is an unique venue to have a music festival in. Tell us why you decided to host the festival in this particular place?

Pete Eastwood:  I got fed up with working for venues or promoters, who didn’t seem to treat the bands with much respect, or even watch the acts they booked .

I decided to put on my own events, then it was up to me how much effort I put into this. I do it under the umbrella of Fairground Events (very cool Beatles link) with the tag line Amazing Acts in Amazing Buildings. I feel part of the success of these events is the extra effort we put in and the attention to detail.

We have been wondering why the festival is actually called Confessional Festival? Are the artists required to confess something before coming on stage?

Pete Eastwood:  I am more than happy for folk to confess, but no. I remember as soon as I was offered the church, I said yes as long as I can call it Confessional (it just came to me). However a friend of mine tells me he came up with it! (laughs)

The passes for Confessional Festival 2019

The festival started in 2015 and has been going from strength to strength with each edition. What’s your secret for a perfect line up? New talent? Established acts or a mixture of both?

Pete Eastwood: Always new emerging talent, but if I have a chance of booking legends I have always loved, then of course I am going to.

Each year comes with a particular theme as well. 2019 is dedicated to rain forest. Who is behind the décor and how long it takes to prepare the church for the festival?

Pete Eastwood: The theme just comes to me each year, and we don’t do it in a tacky or cheesy way. How it works is I have a vision which I tell to my art manager legend (Kev) initially he laughs and tells me to go away. Then a few days later he calls me asking if I was serious, as he has worked out a way of doing it.

The Rainforest theme is current and very topical. We have tried to also put the effort into being ethical. Expect to see birds of paradise, Aztec temples and waterfalls.

We have worked for the past 9 months on this years event.

Holy Trinity Church from the outside

Holy Trinity Church from the inside during the festival

You have hosted some incredible names at Confessional: Cabbage, Pins, She Drew The Gun to name a few. This year’s line up has Liines, The Blinders and International Teachers of Pop among many others. Which performances would you consider the best of the festival?

Pete Eastwood: I really have liked every single act that has played, but I think Cabbage has to be up there.

Running a festival is a herculean task and few people truly know what it takes to organise one. What would be your advice for those who would like to follow in your footsteps?

Pete Eastwood: Do it for the right reasons (to make something positive happen in your town) not for money. Choose the right trustworthy team who believe in your vision.

Put in the extra effort and attention to detail and don’t book the same acts twice.

Besides Confessional, you also hold bi-annual Night At The Museum in Blackburn. You seem to specialize in finding some truly magnificent places to stage music gigs. Tell us more about Night at The Museum. 

Pete Eastwood: Night At The Museum Live happens twice per year, in a magnificent room surrounded by a 40 million pound backdrop of art, with an Egyptian mummy in the dressing room, and never has more than 120 tickets for sale. Even Jools can’t offer that. All 10 events have fully sold out in advance, so we must be doing something right.

We like our last question to be fun so please tell us, is it true that you are known as Saint Pete of Blackburn, Patron Of The Art among the musicians and concert goers?  

Pete Eastwood:  Ha it should be, but I am probably known as a mad mod that eats, sleeps and breaths music, who tries to sell tickets to every person he bumps into.

Stage times for Confessional Festival 2019

You can follow Confessional Festival online:

https://www.facebook.com/confessionalfestival/
https://twitter.com/confessionalfes
https://www.instagram.com/confessionalfestival

Tickets are still available online so grab them while you can:
https://www.fatsoma.com/confessional/m3ch9qht/confessional-festival-2019

Sister event – Night at the Museum can be found here:
https://www.facebook.com/nightatthemuseumlive

and you follow Pete Eastwood on socials:

https://www.facebook.com/pete.eastwood1
https://www.instagram.com/peteeastwood/
https://twitter.com/NATMPete

Confessional Festival happens this weekend (6th and 7th September) at Holy Trinity Church in Blackburn. See you in the Rain Forest!

Mal/Rita

Indieteria introduce The Festival Season

Dear artists!

Ever year, around November, applications for summer festivals are being opened and we receive a lot of questions regarding them. Where can we find them? How to look for them?  How long are they open? – are the most common questions. We work with a large group of unsigned and signed artists and we inform them about each opportunity as they arrive. But keeping an eye out and a hand on the pulse can be very hard when you are juggling daily work, music career and family life. This post has been months in the making. We were debating how to make it easier for unsigned bands to apply for festivals and in the beginning, we we were posting links on our Facebook Page.

Few days ago, Malicia had an eureka moment and we decided to gather all links into one big database and post it on our blog.

So here there are! Go crazy and apply to as many as you want – just note that they might close at any moment! Be quick, or be late!

UK Festivals (aka Domestic)

TRUCK FESTIVAL
26-28 July 2019, Oxfordshire
https://truckfestival.com/contact/band-app/

Blackthorn Music Festival
19 – 21 July 2019, Stockport
http://www.blackthornmusicfestival.co.uk/apply

Isle of Wight Festival
13-16 July 2019, Newport, Isle of Wight
New Blood competition is organised by London Based agency Hot Vox
https://hotvox.co.uk/isle-wight-festival
Application:
https://docs.google.com/forms/d/e/1FAIpQLSc9rMAhdsT6uD-hrgnglcfd3_o-h1S_DKvm_AobYfu1-Xyzqw/viewform

Boardmasters Festival
7 – 11 August 2019, Newquay
https://marcatoapp.com/forms/19-boardmasters/applytoplayboardmasters19

Electric Fields Festival
4-6 July 2019, Drumlanrig Castle, Thornhill
https://docs.google.com/forms/d/e/1FAIpQLSfVJaaobAy_pByBQ6HOWmsKzcSXgF1AALdszfCT1aPoVLWtGA/viewform

Merthyr Rising
24- 26 May 2019, Merthyr Tydfil, Wales
http://www.merthyrrising.uk/news_post/rising-rebels-2019
https://docs.google.com/forms/d/e/1FAIpQLSeGXqGdfvR62jwEPinYyeyXPhlTQaqyEuzqsfOMzhAVufo6ag/viewform

Camden Rocks Festival
1-2 June 2019, London
https://camdenrocksfestival.com/band-submission/

Nozstock The Hidden Valley
18-21 July, Bromyard
https://applications.eventree.co.uk/apply/index/id/1164

Green Man Festival
15 – 18 August 2019, Crickhowell
Send a Soundcloud link to artists@greenman.net
Or use this link below: https://www.greenman.net/rising/

Live at Leeds – 4 May 2019, Leeds
Slam Dunk Festival – 25 May 2019, Leeds – both festivals belong to Future Sounds Group
Music Submissions: sally@futuresoundgroup.com
Live in Leeds: https://www.musicglue.com/live-at-leeds-2019/

110 Above Festival
2-4 August, Gopsall Hall Farm, Leicestershire
Artist applications: Artists@110above.com
https://www.110above.com/information

2000 Trees Festival
11 – 13 July 2019, Upcote Farm, Withington
https://www.surveymonkey.co.uk/r/2000treesBandApp

Nibley Festival
5 -6 July 2019, North Nibley Cotswolds
https://nibleyfestival.co.uk/info/band-contact/

HoyFest
4 October 2019, Cardiff, Wales
https://forms.office.com/Pages/ResponsePage.aspx?id=DQSIkWdsW0yxEjajBLZtrQAAAAAAAAAAAAZAAOQHyZtUNElLREg5S1FPRldBUTMwUEFNM05EUzNDWC4u

Hanwell Hootie
11 May 2019 London
https://www.musicglue.com/hanwell-hootie-2019/

Victorius Festival
23-25 August Southsea, Portsmouth
https://www.victoriousfestival.co.uk/contacts/

Cornbury Festival
5 -7 July 2019, The Great Tew Park, Oxfordshire
https://www.cornburyfestival.com/contact-us
Apply to Play
Send your short clip or link to mail@cornburyfestival.com

Farm Festival
25 – 27 July 2019, Somerset
http://farmfestival.co.uk/bands-and-djs/
Send your music to  music@farmfestival.co.uk

Standon Calling
25-27 July 2019, Standon, Hertfordshire
Application will open soon:
https://standon-calling.com/get-involved/band-submissions/

Are You Listening? Festival
27 April 2019, Reading
http://areyoulistening.org.uk/tickets
Bands interested in playing at the festival, please email the organizers at dave@heavypop.co.uk and include a link to your music and a paragraph of background info.

XPO North
3-4 July 2019, Iverness, Scotland
https://xponorth.co.uk/submissions/music/

Bushstock 
15 June 2019, London, Shepherd’s Bush
https://www.bushstock.co.uk/apply-to-play

Live in Chester
4-7 July 2019, Chester
https://www.musicglue.com/chester-live-2019/apply-to-play

Black Deer Festival (Americana and Country/Blues)
21 – 23 June 2019 Eridge Park, Kent 
https://blackdeerfestival.com/news/play-at-black-deer/

Tiree Music Festival
12-14 July, Tiree Island, Scotland
https://tireemusicfestival.co.uk/artist-submissions/

BrainChild Festival
12-14 July 2019, East Sussex
Applications close on 15th of March so please hurry up!
https://docs.google.com/forms/d/e/1FAIpQLScV0oA54dH68Ucv8t-OD4lt9LF0xAIKRLPGXgtqAy9rIyguww/viewform

The Long Road Festival
6-8 September 2019, Stanford Hall Leicestershire (Americana and Roots)
https://www.thelongroad.com/news/artist-registration-long-road-2019-now-open/

Festivals Abroad (aka Away)

If your band is looking to travel outside of the UK or move to the next level of their career, participating in an international gigs is a no brainer.  We receive a lot of questions how to book a show in the EU or even in the USA, and there is no straight answer to this question. The best way is always to hire a professional booker, but those companies can ask for 20%-30% of your earnings per gig to cover their costs. Some bands book their own shows by contacting venues or local promoters in each country and sort out their own travels and housing arrangements. This can be costly and we do not recommend sleeping in your vans. This 1980’s approach may be working in certain cases but is draining and can be destructive. With AirBnB and hotel deals easily available on your mobile phones, it is much wiser to book the tour properly. But we digress. There is also another way, maybe a bit trickier and not as successful but you can look for open applications online. There are plenty out there and they do work as many DIY artists we spoke to booked their performances this way. Some applications can be paid (around £15-20), but the amounts are tiny when compared to what can be gained. A festival slot for a price of two burgers and a soda? Bargain!

The hardest part is always the beginning – musicians do not know where to go. We recommend speaking to your friends and networking with other bands, promoters or record labels. If you have nobody to help you, check the social media pages of artists that inspire you and find out where they will play that season or where they go on tour. Write down each venue, festival or event along with the dates and visit their official websites. Look for Contact, Apply, Submission or FAQ sections to find out if they offer open applications. You can also email the organisers or give them a call. Check social media for each event, applications are  also advertised on Facebook or on Twitter. Sign up for newsletters so you don’t miss deadlines or important news.

Some very useful pages that will help you to start looking:

We have made it a bit easier for you and  below you will find some of the current openings. But please hurry up, the applications stay open for short period of time and if you are late, then you will have to wait a full year to apply again.

SeaSessions Festival 
21-23 of June 2019, Donegal Ireland
Artists/Bands looking to play – bands@seasessions.com
https://seasessions.com/contact/


Rise Festival
14 – 21 December 2019, Les 2 Alps Resort, France
Contact email for artists: hello@risefestival.co.uk

Hopscotch Music Fest
5-7 September 2019 Raleigh North Carolina, US
Applications for artists:
https://podio.com/webforms/22266458/1564667

Live At Heart
4 – 7 September 2019, Orebro Sweden
Application: http://liveatheart.se/applications/

Sweden Rock (application for 2020)
Sölvesborg, Sweden
https://www.swedenrock.com/en/festival/artists/band-applications-2020

Joshua Tree Music Festival
The Joshua Tree Lake Campground, Joshua Tree, CA, US
Artists can apply for three annual festivals at the site here:
https://www.joshuatreemusicfestival.com/artists
or file application at
https://docs.google.com/forms/d/1F715iwSjmCTioym1-QhYN3yGl1yMwTvzrR8Qw5m2UCw/viewform?edit_requested=true

Reeperbahn Festival
 
18-21 September 2019, Hamburg, Germany
https://www.reeperbahnfestival.com/en/info/band-application
https://www.reeperbahnfestival.com/en/reeperbahnfestival/band-application/band-application

Enjoy the links and hopefully the summer festival season will be kind to you.
Best  wishes,
R+M