Indieterria meets Table Scraps

Dear Readers

Over the last two year, we had a pleasure to speak to many wonderful bands and artists. To interview some of them, we have been waiting several months (in one case, it has even been over a year and still counting!) but it is always worth the time. And sometimes all it takes is you listen to a song, you fall in love with it and  you contact the band asking if they would be willing to talk to you and they say yes under 1 minute. We sat down with Table Scraps, right after their return from SXSW, the biggest music conference in the world, to discuss their influences, musical references and going on tour with Monster Magnet.  We hope you will enjoy reading it as much as we did, talking to the band. Now we need to see them live. Another band added to our bucket list this year!

Band logo

Official bio:  Celebrated for their bruising and feedback-drenched live shows, as well as a knack for crafting the perfect nagging hook, Birmingham’s Table Scraps have gradually fought their way to the top of the garage rock pile by conquering stages and refusing to compromise. After self-releasing a clutch of praised 7’s and an LP, as well as holding their own alongside heavyweights such as Fat White Family, IDLES and Black Lips, the ‘Scraps soon found interest after plays on Radio 1 and BBC 6 Music started to rack up. However, they insisted on continuing to do things their own way: self-recording, creating their own nightmare worlds in homemade zines and shooting their own B-movie style videos. “Autonomy”, the band’s most recent LP, surfaced in February 2018 to widespread enthusiasm and was picked up for release in the US by the legendary Burger Records. A huge European tour with stoner legends Monster Magnet (at the insistence of fan Dave Wyndorf himself) quickly brought Table Scraps to a new legion of enthusiastic continental headbangers. Wyndorf, as well as Joe Talbot of IDLES and Grace Jones, are part of a growing swathe of those who realize that it’s only a matter of time before Table Scraps go on to bigger and better things.

“Dark and brilliant” (DIY Magazine),
“Check‘em out pronto” (Metal Hammer)
“Table Scraps are awesome!” (Dave Wyndorf, Classic Rock).

Table Scraps photographed by Meg Lavender

Scott Vincent Abbott – Guitar & Vox
Poppy Twist – Drums & Vox
TJ – Bass & Vox

Joe Talbot, the lead singer of IDLES said: “If you don’t know Table Scraps, you’re a fucking idiot!”. That’s the best recommendation we have ever heard! Please introduce yourselves to the readers of Indieterria.

Table Scraps: We are Table Scraps – a three piece garage doom band from Birmingham.

Your bands name is very unusual. By definition, table scraps are the leftovers  nobody wants to touch. It is either something disgusting or something insignificant. Why did you decide to go with name like that?

Table Scraps: We’re very much inspired by the gross out tradition, which to us is as diverse as first wave punk to John Waters movies. Trash in all its glory! Disposable and throwaway is what we wanted when Scott chose Table Scraps. Particularly when there is such a modern tradition of agonizing over a band name that is deep, evocative and edgy. That whole thing bored us to the point of going the opposite way: there isn’t a less evocative word than “table” after all.

Table Scraps are being described as Idles meets Duran Duran with Mark E Smith on vocals and David Bowie/The Ramones influences. We very rarely agree with online classifications but this one seems to sum your music pretty well. Do you agree?

Table Scraps: Definitely not when it comes to Duran Duran and Scott’s vocals are far more rooted in the American vocal traditions of blues, rock’n’roll and 80s west coast punk as opposed to someone like the great MES, who is from a much more British evolution of post-punk. It is a genre we all love but don’t bear much similarity to for the most part. Idles and The Ramones are probably closer to our stable, particularly our attitudes towards what bands and songs should be like. There’s a lot of hard rock, metal, psych, garage and 60’s girl group influence that are really foundational to what Table Scraps do too. We love a bit of glam but it doesn’t pop up very often. That’s more of a London band extravagance.

“Autonomy” album cover

You are known for your specific approach to marketing. You are fiercely independent and if you can do something against the current tides or ideas, you will. Creating home made zines, recording in strange places, breaking stereotypes – you are masters of  unconventional PR. Where do you take your ideas from?

Table Scraps: A lot of our approach is very much based on practicality. We are so detached from the UK’s music industry, which is almost exclusively in London, that there isn’t really any benefit to us playing by the rules. We’ve also been there and done that when it comes to “the right way” in our younger years and it only takes one peek behind the big label curtain to realise that it’s all a load of big budget tricks that rarely work anyway.

While so much has changed in the past ten years when it comes to income, streaming, artist discovery and so on, what doesn’t change is the fact that people want to see good bands live and people also like nice physical product. Like the majority of the population, we aren’t rich enough to buy every single LP we want so we only choose the ones that are special or different. It makes perfect sense that we would then use that in our own approach to putting our music out there. Most of our ideas come from boredom and frustration that no one else has done it already!

Let’s talk about your videos – apparently you make them yourselves. They show real directing skills and what’s really important to us, a deep understanding of pop culture. The video to “Electricity” feels like an intro to a Rob Zombie film, “Sick of Me” channels Spoke Jones, “Motorcycle (Straight to Hell)” contains references to several hit songs such as “I will walk 500 miles” by The Proclaimers and “Loser” by Beck. Our favourite video, “I’m a failure” is a very faithful homage to “Beavis and Butt-Head” (down to the same type of sofa and descriptions for each song shown on the telly) and MTV Oddities (The Brothers Grunt, Aexon Flux, or Maxxx). You are too young to remember those shows/songs from your experience – how do you know about them? Through Internet or research?

Table Scraps: Fortunately we are good looking enough to appear younger than we actually are as most of these references are not lost on us. Particularly as Poppy and TJ are children of the internet where suddenly the wealth of history and pop culture becomes an explosion of access instead of a straight line. We are collectors and obsessives so we naturally gravitate towards things that are high quality and know their references. Our dissatisfaction with bringing other people in to the creative process of Table Scraps is what drove us to make it all ourselves. That and it’s just too expensive to rely on a team of people to do everything for you.

Poppy bought her first DSLR at some point in 2014 and we began shooting videos with it immediately. We taught ourselves the whole process to the point that we make music videos for lots of other bands now which is a nice reminder of how far you can come if you just rely on yourself to do things the way you want rather than relying on other people to bring their interpretation to it and muddy your vision.

Your releases (especially your latest LP “Autonomy”) received a flood of rave reviews. DIY Magazine called you “Brilliant” and “Groundbreaking”, Louder than War claimed you defined “21st century rock and roll”, Clash Magazine described  you as “A real punch” and BBC1 gave you 12 stars out of 10. Have you expected such praise?

Table Scraps: (laughing) We think there may be a small element of misquoting going on there but appreciate it all the same! We don’t expect such praise because we don’t seek it out but it is very encouraging to get and it does help to make things happen for us. It’s particularly nice when we don’t have someone greasing the wheels for us behind the scenes and it comes straight from us. The press and radio team we had for “Autonomy” were wonderful and took the time to understand what we were doing so they did an excellent job at getting it out to more people.

Table Scraps promo picture

You went on tour with the legendary Monster Magnet! How did it go? It must have been one-of-a-kind rock and roll journey!

Table Scraps: The tour with Monster Magnet was insane and a real eye opener for us, particularly as everything about it was so out of our comfort zone. We went, virtually overnight, from a small garage rock band mostly playing in 150 cap clubs to an audience mostly comprised of tasteful garage rock fans who got the references to playing in 2000 cap venues to what we feared might be quite a tough crowd in the stoner/metal bracket. We worried that we might not translate to the size of the rooms and that we would seem out of place with such a heavy band as Monster Magnet but Dave Wyndorf loved us, understood us and Magnet’s audience and insisted that we be there.

Clearly he saw it better than we did as we were kind of the perfect fit and we really rose to the challenge as opposed to a meat and potatoes metal band and we went down incredibly well. We got a lot louder and a lot more comfortable with our hard rock/psych influences there which was very freeing. People on the continent are a lot more accommodating and we had an absolute blast. It showed us that we didn’t need to be so protective and could genuinely kill it on a big stage.

We have to ask about SXSW, you have just returned from Texas. Tell us more about your trip. How many showcases you played? Did you have fun?

Table Scraps: As it is with most things we do, official selection for SXSW was 100% something we never expected to receive. It’s probably a Midlands thing but despite our confidence and commitment to Table Scraps, our expectations are usually extremely low. Like everything else we do, we had no industry backing or money other than that we had raised ourselves and it did represent quite a big risk when we need to be careful with what we spend our money on but there was no way we could turn it down.

Fortunately we really drew people towards us at the shows and we got to play to a lot of new people who were really excited by us. Like the Magnet tour it is very representative of another hard fought step forward. We played nine shows altogether (three in one day!) and got to play at Hotel Vegas twice which was a dream come true. You realize quite quickly that lots of bands you admire and have wanted to see for a long time genuinely see you as their equal and are just as complimentary about you as you are of them. It was a really wonderful and empowering week. Americans are so enthusiastic and sincere and it’s really cute.

There is a word on the streets that Table Scraps are working on new material to be released later this year. Are you planning another record or something else. What can you tell us without spoiling the surprise?

Table Scraps: We are always working on new material in our studio! We aren’t making any promises when it comes to a release date but the new material will genuinely be worth the wait. It’s most certainly indicative of our growing confidence and refusal to follow the crowd because it genuinely sounds like nothing else. It might be a bit of a curveball for some but it’s heavy, it’s fun and it’s got what I think are the best songs Scott has ever written on it. It’s all about the songs!

2019 has been a very busy year for you so far. What are your plans  for the next couple of months? More gigs? Long-deserved holidays?

Table Scraps: Back to the studio to add some finishing touches to what we’ve been working away on for the previous twelve months and then lots of good stuff which is soon to be announced. Certainly lots more gigs. We’re playing for our friends in IDLES’ after-party following their third and final headline at HEAVEN on April 6th at The Garage in London. USA Nails are brilliant and are playing too and our friends Danny Nedelko from Heavy Lungs and Steve Lamacq are DJing too. We can’t wait. So proud of The IDLES!

Table Scraps on SXSW, picture by SKCPhotography

It is our tradition to have a bit of fun with the last question. Let’s say you can compose the perfect rider for yourselves but it will be served to you on tour every night. What’s on the menu?

Table Scraps: (laughing) Whatever we want as long as there is double the amount of beer that was originally intended!

You can follow Table Scraps on their social medias:

Website: https://www.tablescrapsband.com 
Facebook: https://www.facebook.com/tablescrapshq/
Twitter: https://twitter.com/TableScrapsBand
Youtube: https://www.youtube.com/channel/UChFw0Lv7eMvylKWfXdyuZ7Q
Instagram: https://www.instagram.com/table_scraps/
Bandcamp: https://table-scraps.bandcamp.com/
Soundcloud: https://soundcloud.com/table-scraps-1

You can also learn more about this excellent trio by reading some of the articles about them:

https://counteract.co/features/band-of-the-week/band-of-the-week-004-table-scraps/
http://drownedinsound.com/releases/20233/reviews/4151646
https://www.musicglue.com/tablescraps/about
https://www.m-magazine.co.uk/newmusic/30seconds/30-seconds-interview-table-scraps/
http://diymag.com/2018/02/23/table-scraps-autonomy-album-review

Come back soon as we are planning something really cool and we cannot wait to share it with you!
See ya later,
xx
R+M

Indieterria meets The White Feather Collective

Hey everybody!

Welcome to 2018! We would like to wish you a very happy and prosperous new year and we hope it will be better than the last one. This year is going to be a very important one for our Worcester Music Scene and of course Vanadian Avenue crew will be keeping our eyes and ears open for anything music related. Please add us on Facebook if you haven’t done so yet to stay in touch with the latest information!

We would like to kick off 2018 in style with the first interview of the year. Ladies and gents, we give you the excellent White Feather Collective!

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Believe it or not, there must be definitely something in the famous Malvern spring water. After the success of fellow Malvern rockers Nuns of the Tundra at the national Firestone Battle of Bands competition and incredible releases from Dead Dads Club (they are playing Marr’s Bar with HVMM this February), here comes The White Feather Collective, swinging rock and roll quartet that has a major chance to represent England at the famous SXSW Conference & Festivals in San Antonio. We sat down with WFC to discuss their new material, previous accomplishments and sneaking into Glastonbury Festival.

 White Feather Collective are:

William Turner (vocals/guitar),
Christopher Reynolds (drums),
Josh Lambe (vocals),
Roo Macphee (bass/organ)

 

White Feather Collective – picture from the bands archive

White Feather Collective logo

You are immensely popular in West Midlands. But just in case somebody spent the last few years living under a rock. Who are The White Feather Collective?

White Feather Collective: We guess, the easiest way to describe us would be we are a four-piece rock band from Malvern. The boarder definition would be who we are is what we aim for. We want to change some part of this world through music to make creative escapism as popular as it was. We want a big scene of groovy people loving all day and night, not just to escape the current state of things but as a means to change it. It sounds daft like a hippy dream, but it is so much more. The world is run by liars you’ll never meet and we want some power shift where what we say it counts and we see the efforts of our strain. Music is just one way of getting us on the same page and talking about that.

BBC Hereford & Worcester put you forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up. Potentially, you could play at the biggest music conference in the world in Austin, Texas. Previous alumni of the BBC stage include among others The Big Moon and Idles. The first were nominated for Mercury Prize, the other recorded album of the year. No pressure, right?

White Feather Collective: No pressure at all! The fact we’ve been nominated encourages us to continue on the path we’re on. We just have to dream bigger and continue to put more loving energy into everything we do. The overall goal is to share good music with people and keep on riding that high.

The band formed in 2014. One year later, you had about twenty recorded songs and one of them “Come On and Get Down” was used by French company WIKO Mobile in their international campaign. Can you tell us how did that collaboration come to be?

White Feather Collective: They found us on Bandcamp. It was an early demo EP we nearly didn’t put on. Looking back, it was a good job we did! The coolest part of that was the video they made to go with it and the fact it was blasting out in huge stadiums!

The White Feather Collective – photo by Duncan Graves

White Feather Collective scored some prestigious gigs: The Water Rats in Kings Cross and The Monarch in Camden. And they were sold out shows. You also regularly perform in Scotland. How does the audience across the country react to your music?

White Feather Collective: The audience seem to react very similarly everywhere we go. They are all very warm and welcoming and tell us they dig our sound. Of course, it all depends on what night you’re put on in these places, really. For example, a Wednesday night in central London can be a bit hit and miss whereas the same night in a country pub could turn crazy. It’s all about the vibes, man. But still we find it’s the best way to try out new tracks and see what people respond to. We see it as a work in progress and some songs get left for recordings and others are better to be performed live.

April 2016 saw you recording a session for BBC Introducing at the Phoenix Theatre in Ross-on-Wye. You were partnered with another group tipped for national success – nth cave. Do you have any recollections from that session?

White Feather Collective: Honestly not much (laughter)! We’d come from a gig up north the night before so we were all quite hung-over and tired. We do remember singing Roy Orbison with Andrew Marston quite a lot though and that felt nice!

In October 2016 you released your five track debut EP “Universal Harmony” and then followed by a stand-alone digital single “Doorman” in November of the same year. We tried to find one bad review of either and we simply couldn’t. Very unusual, but it seems nothing is ordinary about White Feather Collective.

White Feather Collective: No, you will not be able to find anything ordinary about us. We’re all very unusual! (laughing)

William Turner (vocals,guitar) – photo by Duncan Graves

This summer you spent mostly playing festivals (The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock) with few performances in Wales (Cardiff, Monmouth) and one in Bristol (Mr Wolf`s). Is any new material coming or are you just taking things easy?

White Feather Collective: Yes, we were lucky enough to play some great festivals. Some down in Cornwall and Glastonbury which our singer, Josh actually had to sneak into (sorry Mr. Eavis!) He was there for about ten days and we had to pull him away. We don’t think he ever wanted to leave! And yes again, there’s always new material we’re working on. At the moment we are just getting funds together to get into the studio to record  new songs.

The band started out as a quintet but recently you are down to four members. Can you tell us who departed the Collective?

White Feather Collective: We have always been a 4 piece  band but we have percussionists, keys players and singers join us for certain things, that’s why we call it the collective. Our longest serving percussionist is a friend named Robby Rotten. He’s a real dude and often joins us when he’s not riding his motorbike through Africa!

The sound of White Feather Collective has been described as psychodelic surf rock with influences stretching from The Rolling Stones and Animals to Beach Boys, Donovan, Crazy World of Arthur Brown or even Captain Beefheart. How would you describe your own music and influences?

White Feather Collective: Yes, these are some pretty big names. We all have so many influences but we all love the iconic sounding records of the sixties and the people who make BIG songs that are still so popular like The Rolling Stones, The Who and The Velvet Underground.

Roo Macphee (bass) – photo by Duncan Graves

You prefer to have a complete control of your art: writing, filming, recording, designing and producing all the aspects of your musical presence. That is a very unique approach in the era when bands employ entire armies of collaborators.

White Feather Collective: It’s a story of two halves, really.  We’re poor but we’re also creative people and truly enjoy doing it (laughter). We would love the opportunity and want to collaborate with other artists but financially it’s not viable. Naturally, we all work in the creative industry, whether it’s recording music, film making or photography. This has helped us enormously.

You have substantial following online for an unsigned band. “Come On and Get Down” has been viewed over 80 K times on Youtube while “Crossroad Shootout” has over 34 K hits. Your songs on Reverberation have been listened by thousands of visitors. We are sure you already receive proposals from the labels.  Ever thought of jumping ships and getting signed?

White Feather Collective: We’ve only received an offer once but unfortunately it wasn’t right for us at the time. It’s an incredibly important decision for a band and one that will set our direction for time to come. We’re very open to the idea and would love to sign if the right opportunity arose with the right label, but for now we’ll continue to do what we enjoy.

In the element – The White Feather Collective photographed by Duncan Graves

Any plans for the future, maybe except for the world domination?

White Feather Collective:  Nah just continue making things, living the best we can and keep trying to meet Robert Plant! (laughing again)

On Saturday, January 6th, 2017 BBC Hereford & Worcester aired a short interview with The White Feather Collective and gave this very blog a shout out. You can here the 5 minute segment on the band and our interview  right here:

https://vocaroo.com/i/s0aXrHgwHmuI

or listen online http://www.bbc.co.uk/programmes/p05rfp94

Come on SXSW – you know you want a band from Worcester play at one of your events. Or two or seven bands from Worcester, we can ship you some incredible artists!

You can follow The White Feather Collective here:

Official Page: http://www.thewhitefeathercollective.com/
Facebook:
  https://www.facebook.com/thewhitefeathercollective/
Twitter: https://twitter.com/TWFCollective
Youtube: https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw
Bandcamp: https://thewhitefeathercollective.bandcamp.com/
Instagram: https://www.instagram.com/thewhitefeathercollective/

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Please come back again as  we have a fantastic interview almost ready that will be published soon!
Have a great week and keep the 2018 safe and sound!

Best regards
Rita and Malicia

Indieterria – Year in review

Hello!

It is nearly December and we cannot believe how quickly this year has gone! The past 11 months were super busy but many things were accomplished. Worcester music scene is growing stronger and stronger by the day and we thought it would be fun to prepare a short review.

We have taken 9 of the most popular musical acts from our faithful city, we looked through their official websites and posts on social media pages to find out what they have been up to and what they have achieved. The results? We can describe them only with one word  – breathtaking. If somebody would told us that 2017 will be so productive and so kind to our local musicians, we would have never believed them.

Please read our report below and we hope you will feel as proud as we feel right now.

There is also another reason why we decided to do this  review.

You have probably heard by now that BBC Introducing Hereford & Worcester was asked to put forward one artist from our county to go to famous music business trade and conference SXSW in Austin, Texas next year.

There is a whole discussion on BBC H&W page, so we decided to make it easier for you and point out what leading artists from Worcestershire accomplished in recent times. Now its up to you dear readers to decide who may go to America in 2018. Read on and let your voice be heard.

You can see the entire discussion here:

 

HVMM

1. HVMM (hard rock/alternative)

– Signed to Independent Label Alliance (US based label)
– Released EP “Talk To Me Like I`m Dead”
– Release of debut EP followed by a sold out gig at Marrs Bar and a release party at Rise (Independent Record Store)
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Lacerate” has been played nationally on BBC 6 Music (Steve Lamacq), Kerrang Radio (Alex Baker), Radio X (John Kennedy), Amazing Radio and multiple smaller radio stations in the UK and US.
– Band continues to record in Spain and London with legendary producer Martin “Youth” Glover
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Headlined a sold out show in London (Seabright Arms) as part of Hackney Wonderland
– Portal TeamRock.com named HVMM their “Band of the Week”, large features in Classic Rock, Gig Sluts and other large music portals online.
– Band tours nationally
– Released videos to “Lacerate”, “Going Postal” and “Beggars and Thieves”

You can listen to the band here: https://soundcloud.com/wearehvmm
You can visit band`s page here: https://www.wearehvmm.com/

If you think HVMM deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Nuns of the Tundra

2. Nuns of the Tundra (indie /psychedelic rock)

– Unsigned act
– Released self titled EP
– Successful EP launch at Marr’s Bar in Worcester supporting Soeur (sold out)
– Recorded a session for BBC Introducing Hereford & Worcester
– Their singles “Robot Love” and “Float away” were championed by Andrew Marston of BBC Hereford and Worcester. “Mind`s Eye” has been streamed over  000 on Spotify
– Band continues to record locally at Funky Bunker in Malvern with producer Scott Mahoney
– Named as one of leading acts from Worcestershire (“WorcesterWave”) by Worcester News
– Strong touring presence locally (Bristol, Birmingham, Evesham) .Their performance at at BBC Introducing stage at Lakeview Festival at Eastnor Castle received very positive reviews (“they blew the tent poles off”)
– The band were featured in several articles in Malvern Gazette, Worcester News and Worcester Observer. Overblown Magazine called Nuns of the Tundra “the saviours of mainstream rock”
– The band is currently is in the finals of the third edition of the “Battle of the Bands” organized by Firestone. You can vote for them here: http://battleofthebands.firestone.eu/
– Released 4 singles : “Robot Love”, Mind’s eye”, “Float away” and “Dead in the desert”. Animated video to “Float away” made in co-operation with London based art company YESMAN was accepted into several international short film festivals including the prestigious  NYC Indie Film Festival

You can listen to the band here: https://soundcloud.com/nunsofthetundra
You can visit band`s page here:  http://nunsofthetundra.com/

If you think Nuns of the Tundra deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Population:7

 

3. Population:7 (rap/funk/neo-soul)

– Unsigned collective and one of the largest in the country (currently 9 members)
– Released three independent albums “Dead city” (featuring Tina Maynard and Anya Pulver of Soeur on vocals), “WHYP7” and “Fiero”
– Their concert at Worcester Music Festival was named best live performance by the audience. They also supported ska legends The Toasters.
– Recorded a session for BBC Introducing Hereford & Worcester
– Debuted on BBC 6 Music (Tom Robinson`s MixTape). Andrew Marston of BBC Hereford and Worcester described them as Incredible live performers. Fun, energetic and have the crowd enjoying themselves as much as the band!”
– The Collective is working on a project entitled “Lowlight” with possible theatrical release.
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band is constantly touring locally (Bristol, Birmingham, string of local festivals such as Under The Hill FestDubs In the Middle and Mello Festival).
– Described as one of the best bangers from the Midlands by Birmingham rapper Lady Sanity in Dummy Magazine
– They supported Benji and Hibbz at sold out concert in Birmingham
– Released several videos to singles such as “I say”, “Blindspot” and “Swag” with thousands views on YouTube

You can listen to the band here: https://soundcloud.com/population-7
You can visit band`s page here:  https://population7.bandcamp.com/

If you think Population:7 deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know her
https://www.facebook.com/bbcintrohw/posts/16037890596850

The Americas

4. The Americas (rock`n`roll)

– Unsigned act
– Released demo (“Tenth Day of May”), 2 digital singles (“Something`s Gonna Happen”, “Hot Minute”)
– Played to the full house at Worcester Music Festival, sell out every home coming gig
– They recently recorded session for BBC Introducing Hereford & Worcester, they have featured on BBC Introducing West Midlands
– Their music received airplay from national radio stations such as Radio X (Gordon Smart), BBC Hereford and Worcester, Free Radio and many independent online radio stations
– The Americas just finished recording their debut EP
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– They are the only band from Worcestershire on the famous This Feeling circuit. Headlined sold out show at The Finsbury in London. The Americas supported The Twang (sold out show at O2 Academy Birmingham), Broken Witt Rebels, Bluetones, Blaenavon and Trampolene
– They played some of the most important festivals in the country: Beyond The Tracks, Reading, Y Not, Tramlines, Isle of Wright
– Online magazine Gigslutz awarded them the title of the Best Newcomers and described them as “Infectious, frenetic, cool. One to watch”. Their concert was named “the week’s best gig” by the New Musical Express. The Line of Best Fit championed them by saying they “revitalize rock`n`roll”. The Americas received positive reviews from Mikey Johnns of This Feeling, Hall or Nothing music promoter Caffy St. Luce
– Band tours nationally. They performed at the BBC Amplify conference in London
– The Americas released video to single “Hot Minute” 

You can listen to the artist here: https://soundcloud.com/theamericasyeah
You can visit band`s page here:  https://www.facebook.com/theamericasyeah/

If you think The Americas deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

nth cave

5. nth cave (shoegaze/dreampop)

– Unsigned but tipped as the most promising band from Worcester
– Double A single demo released (Bass/Pop Party Princess)
– The band played to a full house for Worcester Music Festival, Worcester Pride and  took part in Musicians Against Homelessness charity fundraiser
– Recorded session for BBC Introducing BBC Hereford & Worcester
– Debuted  by Steve Lamacq on BBC 6 Music with a rave review (“band to watch out for”)
– The band prepares to enter the studio in January
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– nth cave begin to gain ground outside the county with concerts in Birmingham (02 Academy 2) and Liverpool (Club Babe).
– SLAP Magazine described them as “young, fearless and immensely talented”.  They have been heavily championed by BBC Hereford and Worcester
– Members of the band are known for broad interests in music and broadcasting. Fergus (guitar) has been awarded BBC apprenticeship, while Hector (drums) and Alfie (bass) participate in Boneyard Promotions, organizing concerts and open mic nights in Worcester and Hereford.
– nth cave released video for their single “Bass” 

You can listen to the band here: https://soundcloud.com/nthcave
You can visit band`s page here:  https://www.facebook.com/nthcave/

If you think nth cave deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

The Humdrum Express

6. The Humdrum Express /Ian Passey (singer/songwriter)

– Unsigned and self releasing artist
– Ian has a long career which spans over thirteen releases (album and EPs), the newest being a stand-alone single “E-Petition” released in November 2017
– The Humdrum Express has recently taken part in Musicians Against Homelessness charity fundraiser in Worcester, curated folk stage at Worcester Music Festival and played a sold out show at the Ross Theatre in Kiddeminster.
– During his career Ian has been featured numerous times on BBC Introducing Hereford & Worcester and BBC West Midlands
– His six last singles have been in regular rotation on BBC 6 Music and other national stations. In total over 30 different shows across a variety of stations.
– Ian is currently preparing to record his new album
– “E-Petition” single went viral in October 2017, with articles about the zombie themed video appearing across local media – Stourbridge News, Dudley News, Kidderminster Shuttle and local radio stations (Severnvalley Radio)
– The Humdrum Express shared stages with many great artists such as performance poet John Cooper Clarke, Bob Mould (Hüsker Dü), Ian McCulloch (Echo & the Bunnymen), The Wombats, Half Man Half Biscuit, The Wedding Present, Hugh Cornwell (The Stranglers), Miles Hunt (The Wonder Stuff), Mark Morriss (The Bluetones), The Membranes
– The Kidderminster Shuttle describe Ian Passey as an artist “known for his fast-paced lyrical style who mixes social commentary with familiar cultural references, surreal characters and subtle puns”
– The Humdrum Express has a series of videos under his belt. The latest – is “E-Petition”

You can listen to the artist here: https://soundcloud.com/thehumdrumexpress
You can visit artist`s page here:  https://www.thehumdrumexpress.com/

If you think The Humdrum Express deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Soeur

7. Soeur (alternative/noise)

– Unsigned band (but for how long?)
– Released debut EP “What separates us” and singles “No Fire”, “Left Living” and the title track “What separates us”
– Soeur shows usually sells out quickly as it happened in Worcester, Birmingham, Bristol, Bath, Leeds and Sheffield
– They have been featured on BBC Introducing twice: BBC Introducing Hereford and Worcester and BBC Introducing In the West. Their single “No fire” was championed by Andrew Marston and Huw Stephens
– Received impressive amount of airplay on local and national radio stations: BBC Hereford and Worcester, BBC Radio Bristol, Free Radio Birmingham, Radio X, BBC Radio 1 (Rock Show with Daniel P Carter), BBC6 Music and many more
– They recorded their debut session at the legendary BBC Maida Vale studios in London in September. It was broadcasted live on Radio 1 along with the band’s interview
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– Soeur played at Reading Festival, Leeds Festival and headlined two sold out shows in London – Named as “one of the best unsigned acts” by Radio 1, “unforgettable” by BBC Introducing and “kick-ass attitude, catchy tunes and filthy riffs” by popular online magazine Tab the Feed
– Their single “No fire” was added to official Spotify playlist called “Rocked – the best new rock songs from the UK”
– Released videos to “Pass out”, “No fire” and “Left Living”

You can listen to the band here: https://www.youtube.com/channel/UCVcb7WVDBjUwEcj0hVR4Fig
You can visit band`s page here:  https://www.soeursoeursoeur.com

If you think Soeur deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Thousand Mountain

8.Thousand Mountain (match rock/instrumental)

– Unsigned band
–  Released self titled demo and currently are working on their first EP
– Thousand Mountain performed at Worcester Music Festival, The Sunflower Lounge and The Flapper in Birmingham and headlined Musicians Against Homelessness concert at Marr’s Bar in Worcester in support of Crisis
– They supported American spoken word legends The Listener, Press to Meco, Rubio and Sleepmakeswaves among others
– Have been featured on BBC Introducing Hereford and Worcester
– Their single “Falling” was played on Birmingham Radio, BBC Hereford and Worcester and received national airplay on BBC 6 Music Recommends with Steve Lamacq
– “Falling” was also available to listen online nationally on BBC iPlayer for the period of 2 months
– Named as one of leading bands from Worcestershire (“WorcesterWave”) by Worcester News
– The band was featured in several others articles form Worcester News, Worcester Observer and Slap Magazine
– They were interviewed by national Free Radio during prime time broadcast slot (driving home news)
– Thousand Mountain are working with the biggest concert promoters in Worcestershire and Birmingham and constantly touring
– Live videos to “Kraken”, “Open Doors” and “Falling” are available on their  Youtube channel

You can listen to the band here: https://soundcloud.com/thousand-mountain
You can visit band`s page here:  https://www.facebook.com/ThousandMountain/

If you think Thousand Mountain deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Lost Tiger

9. Lost Tiger to the Wild (indie/alternative rock)

– Unsigned duo but  under the care of prestigious Coalition Talent agency
– Released debut single in November 2017
– Duo played a string of successful home town gigs at Marrs Bar, to full house
– Recorded a session for BBC Introducing Hereford & Worcester
– Band has been championed by Andrew Marston of BBC Hereford & Worcester
– Lost Tiger are currently recording
– They  supported Tinie Tempah at the Coventry University Summer Ball and X Factor finalists, Jack    and Joel. Only weeks after at the Teesside University Ball, Lost Tiger opened for Wheatus, Karen Harding, Fuse ODG and Pendulum
– Headlined the Birmingham Christmas Market for Free Radio
– The band enjoys a phenomenal social media presence – having over  11.000 followers on Instagram
– Released videos to their debut single “Come Out With Me”

You can listen to the band here: https://www.youtube.com/losttiger
You can visit band`s page here:  https://www.facebook.com/LostTigerBand/

If you think Lost Tiger deserve to go to SXSW, please let BBC Introducing Hereford & Worcestershire know here:
https://www.facebook.com/bbcintrohw/posts/1603789059685051

Keep your fingers crossed for your favourite artists and let The BBC Introducing Herefor and Worcester know who would you like to see on the other side of The Pond!

See you soon,
Rita and Malicia D.

**** Update 16/12/2017****

The waiting and anticipation is over. BBC Hereford and Worcestershire had made their decision to put forward one local act before the broadcaster`s panel that decides who will play at BBC Stage at SXSW – the world`s biggest music business trade show.

And that local band is White Feather Collective.

We have decided to add the band to the best of 2017 as they are very accomplished artists and  we will soon interview them as part of our Indieterria project. White Feather Collective were very surprised to learn that BBC H&W considered them for an overseas trip. This is what they have to say:

Each year BBC Introducing takes a handful of British artists to SXSW in Austin, Texas. Each act is performing live as part of BBC Stage. Previous year included artists such The Big Moon, Idles and Shame – you can say the champions league of indie circuit. Idles debut album “Brutalism” is a record of the year, Shame are recognized as one of the most influential new bands in the country, while The Big Moon were nominated to Mercury Prize.

Only the best among indie artists are taken to America and The White Feather Collective face a tough competition from other entitled acts from all across the country. But don’t think they don’t stand a chance. Because they do! We compiled a short note of what they have accomplished and it is a safe bet to say they are making a mark on Worcester music scene. Please send kudos and keep your fingers crossed for yet another alumni of WorcesterWave (yes, this is a real name for our scene. Thank you Andrew Marston!)

 

White Feather Collective

The White Feather Collective (psychodelia/surf-rock/folk)

– Not yet signed
– Released five track debut EP “Universal Harmony” and a stand-alone digital single “Doorman”
– Their song “Come On and Get Down” was used by French company WIKO Mobile in their international campaign on TV and radio
– Have been featured on BBC Introducing and were put forward to the panel that chooses the BBC Music Introducing South By South West (SXSW) showcase line-up.
– The band played at The Orchard Venue in Ledbury, West Fest, Mello Fest, Lakefest, Nozstock to universal acclaim
– Headlined sold out shows in their home town of Malvern, London (The Water Rats in Kings Cross and The Monarch in Camden), Bristol (Mr Wolf’s) and in Scotland
– Their YouTube channel received more than 200,000 individual views, with “Come On and Get Down” being viewed more than 80,000 times and “Crossroad Shootout” more than 34,000 times separately
– The band’s vocalist and guitar player, Will Turner wrote music for Grand Designs, The One Show, BBC News and Santander Bank
– Band tours nationally
– Released videos to “Come On and Get Down”, “Crossroad Shootout”, “The Inside” and “You Got The Time”

White Feather Collective – the future is looking bright

You can visit White Feather Collective on Facebook: https://www.facebook.com/thewhitefeathercollective/

Listen to the band here: https://thewhitefeathercollective.bandcamp.com/
or you can visit band`s page here: http://www.thewhitefeathercollective.com/

Alternatively, see their videos via their official YouTube channel:
https://www.youtube.com/channel/UCMn_Umrhabb1wzGfRNRVlpw

We will keep this post updated when the BBC panel makes a final decision regarding the SXSW alumni 2017.

xxx
Mal and Rita