Indieterria meets Dead Dads Club

Dear Readers!

The first half of 2018 is behind us but your two faithful A&R’s are not stopping for an inch! In the last week we have travelled with Nuns of the Tundra to HowTheLightsGetIn festival, witnessed them play a semi acoustic gig at Paradiddles Cafe for Before The Music  workshops (similar in form to the “Story Tellers” on MTV if you are old enough to remember it!) and wave them off to go to Swindon for a meeting with a producer!

That’s not all! The Americas and Soeur were chosen by BBC Hereford and Worcester to play at the Wychwood Festival and you can see a short video of The Americas playing one of their best gigs on Vanadian Avenue Facebook page. In short, it was a crazy 7 days  but we are having the time of our lives (as usual anyway)!

New week and we have a brand new interview for you dear readers. We have sat down with Lee Richardson, lead singer of the Dead Dads Club, to discuss Malvern blooming rock and roll scene, new tracks and their love for the DIY, guitar driven scene led by bands such as The Blinders. Dead Dads Club will support The Racket on their first national tour and you can catch them both (plus the Jack Fletcher Band) at the Sunflower Lounge in Birmingham on the 9th of June. The show is organized by the great people at Modern Age Music and you can find more information about the show here:

Poster for gig at the legendary Sunflower Lounge on 9th June 2018

https://www.facebook.com/events/216304582300587/
https://www.seetickets.com/tour/modern-age-birmingham-w-the-racket

We have to admit that we giggled like schoolgirls reading the interview and Lee’s sense of humour (bit dry and sarcastic) made it one of the funniest interviews we ever hosted on Indieterria.

So, please enjoy!

Lee Richardson (vocals, guitar)
Matt Rawlings (bass)
James Devine (drums)
Milo Ferreira-Hayes (lead guitar)

Official bio:  Hailing from Malvern, Worcestershire, The Dead Dads Club consist of four close friends: Lee, Milo, James and Matt. Lee Richardson (lead vocals) is known for composing meaningful lyrics that everyone can relate to. There is a rich deepness as much as sense of humour backed up by strong, dynamic rock and roll acoustic steele string guitar. Lee’s chords are graced by Milo Ferreira-Hayes on lead guitar. Their partnership creates a unique sound with strong arrangements and lush solos. Then comes James Devine with his powerful drumming and unmatched beats that strongly root the band inside the alternative and independent genres. Matt Rawlings’ atmospheric and hypnotic bass completes the musical equation. The Dead Dads Club tour consistently and played many important venues in West Midlands such as The Sunflower Lounge, O2 Arena and O2 Institute in Birmingham, Gifford Arms in Wolverhampton or Marr’s Bar in Worcester. They shared stages with The Racket, HVMM, Nuns of the Tundra, Jump the Shark, Matchboy, Juniper Nights, Winchester, Ruben Seabright, The Soviets and many more.

According to your bio, The Dead Dads Club are four good friends with similar musical interests and outlook on life. You listen to the same records and laugh at the same (apparently unfunny) jokes. Please introduce yourselves to the readers of Indieterria.

Lee Richardson: All right, let’s get started. First, we have JD or James Devine. Our drummer is 23-year-old history graduate. Has a tendency to throw his drumsticks mid-song and he’s a huge music fan. One of the nicest guys you’ll ever meet, although he never shuts up (laughing).  Matt Rawlings. Bass. 19 years old. Studying music at college. Saved the band when our previous bass player Liam left as I was ready to jack it in.  Intelligent but quietly reserved, and says what he needs to.  Milo. Lead guitar. 17 years old. Studying music with Matt in Hereford. Channels Jimmy Hendrix and Stevie Ray Vaughan while he continues to develop his own style.  Highly intelligent, loves the ladies (and some men).  He’ll go places.  Lee Richardson.  Rhythm guitar, vocals. 30 something. Loves the band, they’ve become his family.  Came late to the music game but is glad he did.  Also, what really brings us together is we’re fed up of what is considered “popular music” these days. Where the hell are the guitar bands in the charts?  We aim to be part of the wave of new guitar bands that will bring back indie music to the masses. Its due, and it’s going to happen. Bands like The Blinders will lead the way for this new wave.

We heard there is a good story surrounding your first meeting. How and where have you met?

Lee Richardson: Actually, there is (laughing). I met JD first, in a pub over Christmas in 2016. He’d put an Oasis track on the jukebox and in my drunken state, I stumbled over to his table and asked who the Oasis fan was.  Initially, JD thought I was coming over to start trouble so… (laughing again). Anyway, we started chatting and he joined me at some open mic night accompanying me on Cajon. At one such open mic, we were just sitting down as a tall, good looking kid walked in with a guitar and amp in hand.  He set up and started banging out “Voodoo Child (Slight Return)” by Hendrix note for note perfect.  Jaws dropped around the pub, and I was introduced to Milo 10 minutes later.  Milo, being an old soul in a young body (he’s 17), decided he was going to adopt us and he started joining JD and I on stage.  Matt came into the band last as a replacement for Liam Blakemore, who left us after becoming a father last year.

Dead Dads Club Live
Picture by Duncan Graves https://www.facebook.com/duncan.graves

The Dead Dads Club is a highly unusual name. We did a little research about it and the results are very inconclusive. We found an episode of a popular American TV series “Grey’s Anatomy” bearing that title, a book, an independently released murder-mystery stage play and a scientific paper. What is the inspiration behind the band’s name?

Lee Richardson: A friend of mine, Tristan James (who is an incredible rapper and lyricist by the way) and I were working on some songs together two years ago.  Tristan’s dad had passed away two years before and mine had just died around the time.  We made a joke that we should call ourselves The Dead Dads Club. Some found it distasteful, we found it funny and as time went on, it proved to be an attention grabber.  As the band was developing in its infancy, we moved forward without Tristan as we felt that we wouldn’t be able to accommodate rap within our music, and that Tristan’s talents needed to have the sole emphasis placed on him alone.  We still work together and have a collaboration between DDC and Tristan James coming out this year.

The original line-up of The Dead Dads Club included Liam Blakemore on bass and Milo Ferreira-Hayes on lead guitar. Currently you have a newcomer, Matt Rawlings on guitar and Milo moved on to play bass. How long have you been working with Matt? When did he join the band?

Lee Richardson: We have been working with Matt just under a year now. We were lucky to find him after Liam left the band to concentrate on his new family.

Talking about Matt, we have noticed that him and Milo have a tendency of swapping guitars during gigs. Is it done only for certain songs or are you trying to totally confuse the audience?

Lee Richardson: Matt is actually a lead guitarist first and foremost, but we dragged him into the band as we needed a bass player.  Luckily, he could hold his own on the bass.  Matt and Milo swap their instruments over on a song called “Stop”. When we recorded the studio version, Milo was laying down his lead track, when I suggested an idea of putting something “Hendrixy” into the solo. Matt immediately heard something in his head, grabbed Milo’s guitar and played the most amazing little lick that had Milo put his hands to his head in disbelief and proclaim: “You’re a @*%^”! Please insert the swear word of your choice! We all still laugh about it months later. We have another new track in development about an unsuccessful application to play at a local festival that Matt will again take guitar duties on.  And yes, we love to confuse the audience.  It’s what we do best!

Your home town of Malvern is relatively small but it has long musical tradition and a vibrant scene. You are part of the local pack along with Nuns of the Tundra, Ruben Seabright, UltraMegaOK and White Feather Collective. Any explanation for such a high concentration of talent per square mile?

Lee Richardson: Malvern has always attracted arty types from all over the country. It has also produced many talented locals in many endeavors aside from just music. There’s good music everywhere, but I think a lot of people are scared to put it out into the open as they’re worried what people will think.  Bands like the Nuns of The Tundra and The White Feather Collective have got the balls to believe in themselves and their songs and they should.  They set the standard in Malvern for sure and I’d argue further afield than that as well. The Malvern scene has been very supportive of us playing our own songs, and that has provided us with a platform to build on to play bigger towns and cities. Of course, others would say the high concentration of talent is just down to the Malvern spring water (laughing).

Lee Richards singing his heart out
Picture by Duncan Graves https://www.facebook.com/duncan.graves

Dead Dads Club’s music has been compared to The Beatles, The Stone Roses, The Doors, Oasis, Crosby Stills Young and Nash, Tom Petty and the Heartbreakers, Ryan Adams and Arctic Monkeys – that’s some of the biggest names in popular music. Tell us what inspires you to write?

Lee Richardson:  Have we?  Jesus, we should be playing Wembley by now then if that’s the case (laughing). Our influences vary, but all those bands have been massive for me when I was growing up.  I have one goal when I write and that’s to infect a person’s mind with the melody or the hook.  If I see people dancing, tapping their feet or getting emotional when they hear Dead Dads Club track, then my job is done.  My lyrics aren’t really deep or even that good. It’s hard to write meaningful lyrics when you have a heart of stone (laughing again).  Most of the tracks have been inspired by either ex-girlfriends, stalkers or life events. I don’t look at the moon on a dark starry night and have flood of beautiful Dylan-esque lyrics come to the forefront of my mind’s eye.  I’ll leave that to all the Joni Mitchells of this world.  I’m rather in-your-face rock n roll writer with attitude and swagger. That’s enough for us.

Your shows attract large number of guest musicians and singers. We are especially interested in James Burnham who joined you on stage playing electric violin many times. Any chances of seeing him performing with you again?

Lee Richardson: James was an original member of Dead Dads Club along with Liam, Milo, JD and myself. Our sound changed after Liam left the band, and it was becoming increasingly difficult to accommodate a violin within a setting that was chasing a heavier charged more electric sound.  James Burnham is probably the most talented musical mind I’ve met and I plan on doing more acoustic recordings with him as a duo to add to the songs we’ve already recorded together.

Recently you played three gigs in one day. Were you celebrating a special occasion or trying to beat the Guinness World Book record for the biggest number of gigs played in a single day?

Lee Richardson: We already have a record for band with the most special needs, so we’ll settle for that one for now (laughing). We played at a 21st birthday party in Malvern and did an acoustic set to start things rolling, before packing up and heading to play at The Brickroom in Worcester.  We then headed back to the party to play a full electric set.  It was a good day and the alcohol certainly helped us along the way!

You have been working hard on your new batch of songs. So far you have given us three titles: “After the War”, “Chant” and “Buttons of Gold”. Can you tell us more about those songs?

Lee Richardson: We have such a backlog of tracks, it’s hard to decide what to bring to the set next!  The first song you are asking about “After the War” was written by Matt and myself after consuming half a bottle of Jack one Sunday afternoon.  Matt’s been listening to a lot of Jeff Buckley recently and wrote the trip chords. I wrote the lyrics and melody there and then. Not sure why, but I had images of a post-apocalyptic Earth ravaged by the aftermath of fallen society.  So, I just wrote the story that was forming in my head and we had the track recorded as a demo within an hour. Another demo recording, entitled temporarily as “Chant” in short is a peace protest kind of song. I channeled the “Hey Jude” chorus and came up with my own interpretation of that massive crowd singalong. We’re currently rehearsing “Chant” to add to the set, but “After the War” will probably end up as just a standalone song. It would be very difficult to reproduce the haunting sound we got on the recording on stage, unless we used multiple effects peddles and we don’t believe in overdoing it with those. “Buttons of Gold” is brand new track inspired in a way by the sound that The Blinders have made their own.  It’s about an experience that Jimi Hendrix had when he came to London in the 1960’s with two policemen who stopped him for wearing a WW2 military veterinary core jacket but really because of the color of his skin, let’s face it.  I encourage everyone to read up on it, it’s interesting.  I won’t bore you with the details here (laughing). Anyway, we’ll be playing “Buttons of Gold” for the first time in public at the Sunflower Lounge gig on June 9th. We are supporting another good guitar band, The Racket so come and see us there.

The band in full
Picture by Duncan Graves
https://www.facebook.com/duncan.graves

Next months will surely be very busy for you. What’s in store for the Dead Dads Club? Anything we need to know?

Lee Richardson: We’re having a month off in July to re-charge and find new inspiration.  Our EP is ready to roll now, and that’ll be out in August.  We’ll be throwing a release party at Carnival records in Malvern, and playing a set there too.  The momentum has been building nicely thanks to support from the Nuns and local promoters, and we’re going to build on this massively this year, guaranteed.  Long live rock n roll…and cheeseburgers.

You can follow Dead Dads Club on social media:

Management and booking:
Officialdeaddadsclub@gmail.com
Youtube: https://www.youtube.com/channel/UCBAV3WyU2Yika85Moux8uzg
Facebook: https://www.facebook.com/officialdeaddadsclub/
Soundcloud: https://soundcloud.com/deaddadsclublive
Instagram: www.instagram.com/officialdeaddadsclub

Articles about the band:
http://www.malverngazette.co.uk/news/15889224.Bands_to_play_in_Worcester_as_part_of_Independent_Venue_Week/
http://www.worcesternews.co.uk/news/16080910.Snow_forces_Malvern_band_to_postpone_gig_-_but_the_show_goes_on_in_nearby_venue/
https://www.expressandstar.com/entertainment/2018/03/13/birmingham-show-rescheduled-for-worcester-band-nuns-of-the-tundra/

We cannot wait to see Lee, Milo, James and Matt rocking The Sunflower stage again! Last time Dead Dads Club played there, they gave their best and the audience loved them. Some tickets are still available, so do yourself a favor and come see them live.

The Blinders might be leading the musical revolution, but Dead Dads Club are following their footsteps!

Please come back soon as we have  another great interview to show you before the big day  next Saturday!!

till then,
Rita and Mal
xxx

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Indieterria meets FAITH

Dear readers!

Thank you so much for your kind reaction to our interview with The Racket! We are truly grateful for all the shares, likes and positive comments, it means a world to us! We hope that you are enjoying the interviews as much as we do preparing them and hopefully, we will see you all at the Sunflower Lounge in Birmingham for a real rock and roll banger on 9th of June!

If you’d like to learn more about the event organized by the wonderful crew at Modern Age Music or read the previous interviews we published, please click on the links below:

Poster for gig at the legendary Sunflower Lounge on 9th June 2018

Event page on Facebook:  https://www.facebook.com/events/216304582300587/
Organizer: Modern Age Music: www.ModernAgeManagement.com
Interview with As Mamas: https://cocamidemea.wordpress.com/2018/05/09/indiaterria-meets-as-mamas/
Interview with The Racket: https://cocamidemea.wordpress.com/2018/05/20/indieterria-meets-the-racket/

This interview was done as Birmingham native band FAITH was supposed to support The Racket – however after we did the interview band had to cancel. Still so, Indieterria got hold of McCabe, Jason, Tom and Matty to chat about their second EP (which will be simply called “Two”), the joys of working with long-time friends and returning to stage in their home town. As one of our musical heroes keeps saying, it’s great to be alive and it’s a pleasure to be able to discover new exciting bands.

Let us introduce you to:

FAITH

Jason Payne – Vocals & Lead Guitar
McCabe James – Rhythm/Lead Guitar
Tom Jones – Bass Guitar
Matty Neale – Drums/Percussion

Band`s logo

Official bio: Faith is a Birmingham based quartet consisting of Jason Payne (vocals and lead guitar), McCabe James (rhythm guitar), Tom Jones (bass guitar) and Matty Neale (drums and percussion). Founded in 2015 they draw their influences from The 1975, The Cult and Joy Division.

Within the walls of debut EP “One”, FAITH’s true musical introduction to the world is conjured, with a compelling combination of dark pop layers amongst an attack of strings and a rebellious pulse. Hook-filled melodies sit within hard and heavy beats as songs are laced with intelligent yet angst-filled lyrics which speak to a generation. The synth infused, deep funk underlay adds salt to the wound building up to a unique dirty, metallic dance eruption. Their recent single “Honey” received an extensive airplay on BBC Introducing in West Midland.

Local press sees you as one of the outstanding bands in town on par with The Assist, Karkosa and The Clause. Please introduce the band to the readers of Indieterria.

McCabe James: It will be my pleasure. FAITH is Jason Payne, our lead singer and guitarist. He also plays synth. Well in reality, he just pushes one button on it before each song, that’s all (laughing). Next, we have Matt Neale who plays drums. Tom Jones is on bass and backing vocals. And then there’s me, McCabe. I’m the newest member of the band on guitar and some backing vocals but I’ve known Jason and Matt for years and being in other bands.

Jason Payne: We are a four piece indie pop soon bringing to you an explosive new EP, full of silly guitar riffs and mint combination of drums/bass with an average vocal but great lyrics. That’s how I would describe us (laughs).

Matty Neale: So we’re a bit of everything, you have me Matt Neale on drums always up for a laugh and don’t take life too seriously. Jason Payne vocals can be shy but once you get to know him he is possibly the funniest person I have ever met but he’s an absolute legend and knows how to make your cheeks hurt through laughter and he also writes some banging tunes along the way. Tom Jones plays bass like a boss but also originally came up with sex bomb, it’s not unusual etc. McCabe is cockney what more is there to say apart from he’s mad as a box of frogs but is completely devoted to shredding the guitar and living life to the full. Altogether we are FAITH an original indie pop/rock band from the West Midlands.

Tom Jones: We’re just four lads that enjoy making music and having a laugh while doing it to be fair. Jase is the funniest bastard I’ve ever met and a perfectionist in every sense. McCabe knows his way round a guitar better than I know my way round the pubs in Shrewsbury (that’s well). Matt is a quality drummer and we gel well as the ‘rhythm section’ of the band. And well I just turn up half hour late to everything still pissed and get an alright sound out of a bass I suppose.

Faith ready to unleash new music

You have been praised for your eclectic song writing and compared to The 1975, Joy Division and even to The Cure. But we want to hear what new elements you bring to popular music. What makes you unique?

McCabe James: Thank you. We add a nice mix of different influences that shine through on each song but with a big guitar sound when needed. The new music has definitely progressed from our first EP  – “One”.

Jason Payne: Our old management compared us to all those bands and they don’t really have a clue about music so I wouldn’t listen to that. We`re pretty unique I can’t say we sound like anybody to be fair.

Matty Neale: Our EP Two is unique, it is the best piece of music I’ve ever heard from an unsigned band if I do say so myself. Energetic drum beats with powerful guitar riffs shredding through and catchy lyrics that have meaning. We’re a mix of old and new in one.

Tom Jones: I think we’re unique just because I can’t put my finger on our sound, even more so in the new EP but when I got asked to join I listened to some of the tracks from EP One and couldn’t get where the influences had come from but took an instant liking to the band.

FAITH knows how to have good time. Your interests on social media mentions “parties, females and sunshine”. Imagine you are in charge to plan a weekend away for Robert Smith. Where do you take him and what do you do for two days?

McCabe James: (laughing) This is a good question. We would probably take him to Amsterdam and get on it!

Jayson Payne: Who’s Robert Smith?

Matty Neale: McDonald’s drive through would defo be on the cards and maybe my nan`s.

Tom Jones: I’d take him to The Nag`s Head in Shrewsbury cause it’s the best pub in the world and show him how to down a Guinness.

Despite your young age, you are not debutantes. You have been making a mark on Birmingham scene for about six years now. In 2013, Express and Star called you “an indie band on the road to success”. The same year you played your first show at the O2 Academy. Your songs appeared on Amazing Radio, Black Country radio, BBC Hereford and Worcester, BBC West Midlands and BBC Introducing. You crossed the country on tour, filling out important venues such as Sunflower Longue in Birmingham, Slade Rooms in Wolverhampton and Nambucca in London. This is a very impressive CV indeed.

McCabe James: Thank you. Well, we are trying our best! Right now, we’ve been off the scene for a while. We have been rehearsing, writing and recording for the past year and a half since I’ve been in the band so it was a long break for us. After this, we feel like we have to start from scratch in a way but we’ve had a pretty good response to our new single “Honey” even if the Facebook likes don’t prove it (laughing). We just love what we make and we hope the audience will like it as well.

Faith in monochrome

The band’s first EP “One” came out in October 2015. It was immediately promoted by BBC Introducing and received positive reviews in local press and zines. How do you recall the recording session?

McCabe James: I have to admit the recording process for our first EP was a lot easier than the recording for our second one. All our songs were written before we got into the studio to record “One”. This time it’s different. We are in the studio now, writing the material and recording it at the same time.

Matty Neale: I’d been out the night before and went straight to the recording session. Took me about 500 times to get the beats right because I was still wrecked but managed to smash it then fell asleep listening to “Your Love Is Wasted On Me” feeling sorry for myself.

Tom Jones: I don’t because I wasn’t there but if it’s anything like the ones I’ve been at, Jase would just have everyone in tears for ten hours straight.

Over the years, you have had several line-up changes. The core of the band seems to be centred around Jason Payne (vocalist and lead guitar) and Matty Neale (drums and percussion). Can you tell us about your composing process? Do Jason and Matty compose all the songs or does the band work together?

McCabe James: Jason, Matt and myself go a long way together. We were in a band called “The State Of Things” about five or six years ago. After TSOT parted ways, we eventually reunited and went on to form FAITH. Everyone is involved in composing and writing music. We all have our own styles and preferences but what really counts is everyone is engaged in our creative process. We all contribute equally towards writing.

Jason Payne: The songs are usually a quick group process instrumentally but a long, painful process lyrically. I don’t like to put my lyrics out there if something doesn’t sound right or doesn’t have a meaning.

Matty Neale: It’s weird but we work as a band so well that one of the lads could hit a chord and I’ll put a beat to it or vice versa. Then Jase will put some lyrics on it and before you know it we have a new tune. We all add bits or parts we want to as long as it sounds sick!

Tom Jones: A lot of the time Jase will come to us with an idea and then we’ll all have an input into what we put into the song but a few times we’ve just played some random stuff in practice and accidentally wrote a song in half an hour. I think we all gel really well as a band to be fair and that helps when writing new material.

Cover of “One” EP

FAITH has been crafting the second EP entitled simply “Two” since last year. What can we expect and do you have the release date yet?

McCabe James: We do not have a release date so far, no. What can you expect? Well, we’ve progressed a lot as a band. Since I joined in, we have changed the style a bit. Our music got bit more groovier and funkier. Our personal music tastes also developed and I’m sure you will be able to hear it on our new EP when it is released.

Jason Payne: No release date as of yet but it is pretty fucking decent I’ll give us that.

Matty Neale: You can expect it to be 10 times better than Arctic Monkeys new album to put it that way. Hoping to release it in the summer.

Tom Jones: We have got a proposed date but it’s our secret for the minute! As for the EP it’s the best thing I’ve ever been involved in and we all think it’s the dog bollocks to be honest. I think we all enjoyed writing these tunes and getting them down and I think that shows in the music.

First single to promote your upcoming EP, “Honey” is already hitting radio stations.  It is regarded as the indie anthem of summer. Can you tell us more about the song?

McCabe James: What can I say? “Honey” is basically a song Jase wrote about his misses! (laughing)

Jason Payne: Song is about my misses, always moaned at me for years for not having a song written about her and now she does and she’s happy, and what a tune it is.

Matty Neale: It`s catchy and upbeat with story telling lyrics.

Tom Jones: It’s an upbeat catchy tune and it’s one of my favorites to play. Great for summer.

Jayson Payne

On June 9th, you will be returning to Sunflower Longue to support The Racket. Will you play any of your new material?

McCabe James: We are very excited to perform alongside The Racket, The Jack Fletcher Band and As Mamas.  Definitely, we will be playing our new songs at the gig as well as the older ones. We can’t wait to see you all there.

Jason Payne: (in a very enthusiastic voice) Yeah!

Matty Neale: (in the same time as Jason) Yes!

Tom Jones: (agreeing) Yes.

One last question. You can make your one wish come true. What would that be, except for the world peace of course!

McCabe James: (laughing) I wish we could do this full time so we can finally quit our shit day jobs!

Jason Payne: To play to more than 5 people obviously!

Matty Neale: I would absolutely love for our tunes to be heard around the UK and the world. One of my main wishes is to play our set on The Pyramid Stage at Glastonbury. That would be a dream come true!

Tom Jones: Play massive gigs and have as many people as possible listening to our music. Sounds cliche but it’s what we love.

If you’d like to follow FAITH on social media, please use the links below:

Facebook: https://www.facebook.com/weareFAITHx/
Soundcloud: https://soundcloud.com/wearefaithx
Twitter: https://twitter.com/weareFAITHx
Instagram: https://www.instagram.com/wearefaithx/

We absolutely love FAITH. They are funny, full of enthusiasm and they work/play hard in equal measure. We are heartbroken that they will not support The Racket on this tour but we will do our utmost to catch them live in the near future.

For now, that`s all from us dear readers and keep your eyes open for upcoming editions of Indieterria.

Mal+Rita

Indieterria meets The Racket

Hello, hello!

Band`s logo

We always say that the time goes really fast when you are having fun and it is true. So many gigs, so many outings, open air mic nights and  it is almost the end of May! But the most exciting months are still head of us.

The next big date in our rock and roll diary is the 9th of June when we will be going back to the beautiful Sunflower Lounge to see the newest indie rock sensation, The Racket. The quartet is now on their headlining national tour and they decided to pop into the legendary Brum venue to show the West Midland folk how to play, fast, powerful songs and how to thoroughly enjoy the experience. The gig is brought on by the amazing crew at Modern Age Music and we cannot wait to step into the mosh pit.

If you are interested in purchasing tickets for the Birmingham show, please click on the link below:
https://www.facebook.com/events/216304582300587/

Poster for The Racket gig on 9th July 2018 at the Sunflower Lounge

To prepare well for this musical feast, we sat down with the band to ask them several questions, from their early days in their hometown of Widnes, to musical inspirations, their newest single and some of the rock and roll antics that will definitely go down well into the  history of  modern music. The interview is one of the longest we did and we had a real blast. Thank you The Racket and hope you had as much fun answering these question as we had asking them and putting them on here!

The Racket – social media profile picture

Callum Codd
Mike White
Dom Eaton
Colby O’Sullivan

Official bio: The Racket is an alternative rock four-piece from Widnes that receives more and more attention on an independent music scene. The band have played their own headline sold out shows at Liverpools Zanzibar Club and Manchester’s Night and Day. They completed their first UK tour in 2017 supporting Louis Berry on numerous dates up and down the country then topped off with a hometown gig with Trampolene. Such creativity, melded with high energy enthusiasm, has been rewarded by them being listed by This Feeling as one of the big in 2018 bands. Their trajectory is steep and they are building momentum with every lager stained, sweat drenched show – and that’s just the front row. Having recently finished recording with Al Groves in the Motor Museum, the second release is finished and will be coming out later this year to coincide with their first music video. The band is currently on headline national tour with several summer festivals booked in including Great Escape, Confessional and On The Hill Festival as the main support to CAST. The Racket will play The Sunflower Lounge in Birmingham on 9th of June 2018 with support from The Jack Fletcher Band, FAITH and As Mamas.

You describe yourself simply as a “four-piece from Widnes”. Please introduce the band members to the readers of Indieterria.

Callum: I’m Callum. I’m guitarist and singer.
Michael: Hi, I’m Michael and I play the guitar.
Dom: I’m Dom, the drummer.
Colby: And I’m Colby. I play the bass.

Your home town boasts of strong musical heritage. Widnes lies closely to Spike Island where The Stone Roses held their legendary festival, it inspired “Homeward Bound” by Paul Simon (a song written at a local train station) and is referred in works of Belle and Sebastian (“Stars of Tracks and Fields”) and Elvis Costello (“Watch Your Step”). Jane Weaver and Mel C call Widnes home. The town also has a famous music venue – The Studio. Have your city and its history had any effect on your band?

The Racket. Picture by Culture City management https://www.culturecity.co.uk/the-racket/

Callum: To be honest the history of Widnes hasn’t influenced me at all and probably never will! It’s the present, the way people go about their daily routines today and their lifestyles. It interests me to write and sing about the people around me. Mostly just normal things, born mainly out of frustration but also out of enjoyment. I think all the best comedians, actors, songwriters are the ones who are down to earth and talk about normal things.

Michael: Widnes is just where we have grown up and lived. As for an effect on the band, well it’s the special people from Widnes that have carried us through since day 1 to where we are today. Without their backing, we’d be playing The Hammer and Pincers on a Friday night doing shit covers!

Dom: I don’t think it’s something we think about often. The town itself hasn’t had an impact too much, it’s more the people around us that have influenced us. Widnes is just like any other town in the UK and our songs are relatable because they’re about issues and problems that happen to people our age up and down the country.

Colby: I wasn’t very interested by music while growing up. I was way more into football, up until around 2005 and 2006 when there was a lot of new bands coming through like The Arctic Monkeys. I would say, from that time on, I was influenced by music more than anything else.

The Racket is being compared to The Sex Pistols, Libertines and The Cribs. We can think of a dozen indie bands who would be mortified by the pressure to deliver. Comparisons to the greats seems to invigorate you. Do you have a way to handle music related stress?

Callum: We don’t often get stressed. We’re all good mates and we’re doing it because we love it. If people want to compare us to others, then so be it.

Michael: Every band gets comparisons as soon as they start. It gets boring when people ask, what sort of music are you? Get off your arse and go see a band live and it might just blow your mind! I think it’s in our nature to compare music to what’s gone before, but there’s no stress or pressure. We’re just doing what we’re doing and still would be whether people think we sound like The Sex Pistols or Danny Dyer’s Chocolate Homunculus.

Dom: It’s great being compared to The Sex Pistols and The Libertines because we’re fans of these bands but we’ve heard it that often now, that for me, it has become a bit meaningless. This is our band, we want to do our own thing, create our own sound and make our own impact. What invigorates me most is playing live and knowing that you’re playing to a crowd of people that want to hear your music and are going for it just as much as you are. Of course, we’re serious about the music and where we want to take it but we’re still four really good mates having a laugh and doing it cause we enjoy it. For me there’s no pressure on us.

Colby: It’s always nice to be compared to good bands from the past but I don’t think it affects us in anyway. We just want what they’ve got or had and it’s our music out there for everyone to hear an enjoy.

On the set of their first music video by Sitcome Soldiers Ltd https://www.facebook.com/sitcomsoldiers

In one interview you mentioned that your songs are born out of “boredom, teen angst and social commentary”. Which song you have penned so far makes you truly proud of and what it is about? 

Callum: Going back to what I said earlier about normal, mundane things. There’s a song I’ve wrote called “Two Minutes Hate” which is exactly 2 minutes long and goes through the routine of someone who gets up, goes to work, comes home, has their tea, goes to bed, repeat. Frankly, it’s most people I know! This is why, I think I’ve managed to capture it quite well. Quite proud of that one, but I also love the song called “Why Are You Watching Me” mainly cause of the riff!

Talking about teen angst, the photo promoting your single “Faded Days” shows your bare bottoms lined up along a wall. The picture is accompanied by a quote taken from the lyrics that states you are fed up being “bend over backwards for a man who’s in a suit”. Very risqué yet incredibly brave for a young band. Did it get you in any trouble?

Callum: (laughing) Not yet, no! Hopefully it does sometime otherwise we would have just stuck on normal picture there! And it’s funny you pointed out that lyric because we genuinely had it on there! We love playing footy and that’s how you end a football match where I’m from!

Michael: (laughing as well) The only trouble I had was having to look at Dom’s hairy arsehole all day!

Dom: We haven’t got into any trouble for it yet, still time though (laughing). I don’t know why anyone would complain though. I’ve been told on at least two occasions, I have a great arse.

Colby: Let’s just say, for the cover of “Faded Days” we wanted to do something everyone can relate to the lyrics in the song so…(laughing)

You will be playing important indie festival this summer – Liverpool Calling with all the hottest acts on the circuit: Sheafs, Soeur, False Heads, Himalayas, Strange Bones or Emily Capell. What do you prefer: large stages or intimate venues?

 

The Racket performing live in Liverpool on 19th of April (supporting Trampolene). Picture by Tom Adam https://www.instagram.com/tomadampics

Callum: Definitely the small ones. Getting loads of energy in front of us in a small room is something special. Honestly one of the best feeling you’ll ever have. At the same time though, we’ve not played many “big” stages yet. From what we’ve done so far, I’d definitely choose the little scenes any day.

Michael: There’s no feeling like playing to a packed tiny room. People falling on stage and knocking mic stands over. I think when we’ve played the bigger venues, I don’t like being more than a step away from the rest of the band.

Dom: Playing intimate venues is great. Being so close to the audience allows you to feed off their energy and excitement, it’s a great feeling being in that moment. Playing bigger venues is something I’m looking forward to doing more because I think it becomes more of a challenge then A test to see if we can get what we want to say across to a bigger audience.

Colby: It’s always nice playing in front of new people at festivals and getting out there with your music but there’s nothing like a small gig with the fans that follow you to every gig. They always put on a good show for us to watch while we’re playing. We never mind them watching us!

The new single “Know It For A Fact” has received rave reviews and is promoted on BBC Introducing Merseyside. We have to admit it is incredibly powerful track, which surely will start mosh pits. You are one of few bands that manage to bring the fury and dynamics from the live performance onto the record without losing an edge. Any secrets to your recordings?

Callum: The last single was recorded live with hardly any takes and minimal over dubs. I think that makes it sound exciting. This time, we have done it differently. We worked with Al Groves at The Motor Museum and he has done an amazing job. I think just the amount of time we spent getting the best, most exciting, angry drum take possible made everything else a lot easier. Full day for the drums for one song!

Dom: I think it’s just a case of spending enough time on getting great takes and getting the sound right. I was definitely conscious of putting the same amount of energy into the recording as I do when playing live and hopefully that’s something that come across. Al Groves, who we worked with on “Know It For A Fact”, has done a great job and it’s his input and ideas that have made it what it is.

Colby: There’s no real secrets to how we record our records. We just go into the studio knowing what we want the song to sound like. For “Know It For A Fact”, we knew we had to do a powerful recording, because that’s how the song comes across live. It is important for us that it should come across exactly the same when you are listening to the track at home.

The band performing live at the Magnet Liverpool on 4th of February. Picture by John Hollingsworth https://www.johnhollingsworth.biz/

On 9th of June 2018 you will be playing at the legendary Sunflower Lounge. Is it your first time performing in Birmingham? What can we expect during the show?

Callum: I never been to Birmingham before but expect a set of fast, loud rock and roll tunes. It’s also a Saturday night so expect a lot of drinking to get done! (laughing)

Michael: We’ve only ever been to Birmingham New Street station on our first trip to London as the band, so to us it’s a new experience. You’ll have to show us some good pubs for before the show! As for the gig, expect some poor attempts at Brum accents in between songs. (laughing)

Dom: It is our first time in Birmingham and I’m really looking forward to it. I think what people can expect is just a lot of energy and a lot more sweat. We’re going to put everything into it and show people why they should be paying attention to us.

Colby: As others said, we have never played Birmingham before. I’m expecting a good night, plenty of drinking. We play every gig loud and fast so the crowd should love it

This tour is your first as a headliner. You will be playing dates all over the country across the month of June, ending with a gig in Liverpool. Is there anything you want to do, any places you want to visit?

Callum: It’ll be good to go back to our favourite pubs in different cities like The Harley in Sheffield, Good Mixer in London, just as long as Sunday morning, we’re in The Bradley in Widnes!

Michael: I’m looking forward to London. We know there has been demand for a gig down there for a while, so that’s set to be a good one. Sheffield is always fun. Finishing the tour in Liverpool to our crowd will be the perfect end!

Dom: I’m just looking forward to visiting new cities, new venues and playing for new people. We’ll be out of our comfort zone. It’s our first headline tour so I’m just buzzing off that.

Colby: Really looking forward to headlining each night. The one I’m looking forward to the most is probably Sheffield. We had a really good time last time we played there and hopefully we will have the same great atmosphere again.

The band performing live at the Magnet Liverpool on 4th of February. Picture by John Hollingsworth https://www.johnhollingsworth.biz/

Last obligatory question: where do you see yourselves in five years’ time. We predict Pyramid Stage at Glasto. Your picks?

Callum: Well, The Pyramid Stage is the big one for me, always has been! I think as long as we’re still together playing music we love, whatever that be at that time is the most important. Right now, who we are, and what we’re doing is perfect and the future is looking bright for us.

Dom: As long as we’re still together, playing the music we want to play and enjoying it, then I think I’ll be sound, I’m also ambitious and the thought of playing bigger venues and bigger and better gigs and doing all the major festivals definitely motivates me. I want us to be successful and to not only be around in five years but for people to know who we are.

Colby: (laughing) Probably jail for strangling Mike at some point!

You can learn more about The Racket by visiting their social media pages:

Management: https://www.culturecity.co.uk/the-racket/
Facebook: https://www.facebook.com/TheRacketMusicUK/
Twitter: https://twitter.com/theracketuk
Instagram: https://www.instagram.com/theracketmusic/

More articles about the band:
http://liverpoolnoise.com/band-feature-the-racket-widnes-music/
https://hotvox.co.uk/artists/racket

Please come back soon as we will have interesting interviews and reviews coming up shortly!
Have a good week and don’t forget to drop us a message or leave a comment.

xoxox
Rita and Malicia

 

Indiaterria meets As Mamas

Ahoy!

Welcome back to Indieterria, dear readers. We hope you had a fantastic bank holiday weekend. The weather was great and we finally caught some sunshine after being constantly hidden away in the office (during the day) or lurking in the dark venues and dive bars (at nights) looking for the next big thing on the English music scene. Trying not to become vampires, on Saturday we went to Cardiff to see Manic Street Preachers at the MotoArena and it was a dream come true! After 25 years we finally had a chance to see Manics perform live in their home town! The gig was sold out, over 7 000 people sang their hearts out and we met a dear friend Rebecca (aka Crossfire) whom we’ve known for more than 20 years. It was the first time we have seen each other in person. In short – it was a beautiful day and you can expect a large report later on.

Now, we are back to business and we are more than ecstatic to introduce you to a trio that had been on our rock and roll radar for over a year now. They started as a duo, recorder their first EP at the back of a classic caravan and blew our minds with perfect mixture of psychedelia, classic rock and huge dosage of blues. They are growing better and better and the release of their second EP only prove that they are already outgrowing the small West Midland scene.

The golden era of rock and roll is coming back and with bands such as The Lizards, TSAhe Americas, Raptor and Insomnichord, we might be looking at the second revival of the British psychedelic rock! We have sat down with our today’s guests, As Mamas to discuss their very unusual name (we HAVE NOT seen that coming!), musical influences from both sides of the pond and the changes to their sound brought by a new band member.

Ladies and gents…We give you:

.

As Mamas still as duo

As Mamas
Harrison Baird-Whitman (guitar, vocals and harmonica)
Joe Devine (drums and percussion)
Jacob Coley (bass) 

As Mamas is the grooviest name we have on Worcester scene. It brings the swinging 60’s to mind and all the classic, ground-breaking bands like the Mamas and the Papas. Where does your name come from?

As Mamas: (laughing) It is a funny story. When we first started, we wanted to be called “The Tits”. There was just the two of us and we thought the line “Who doesn’t love a pair of tits” would get us far. We then realised, we probably wouldn’t get too far with a name or line like that so we threw “The Tits” into a translator and randomly chose Portuguese. Now we’re “The Breasts”.

You recently incorporated Jacob Coley on bass. What abilities does he bring to the table?

As Mamas: The guy is a little fucking genius! When we first practiced with him, we thought maybe we’d have to go through some chords or long practice with him but Jacob just picked up all our songs like that! It’s also a completely different feel for the band and for Joe (Mr. Drums) who’d never played with a bassist before. Having that lo sound to ride with! Jacob is not only a bassist but is also producing the new tracks we’ve recorded. He is showing us things we have never seen or heard of before. We love him!

Psychodelic picture of the band as a trio

You have been compared to early Black Keys but there is so much more happening in your music. Syd Barrett, Caravan, 13th Floor Elevators, Led Zeppelin, the Beatles, Funkadelic, Jefferson Airplane, and even Grateful Dead could be named as possible influences. Do you agree?

As Mamas: Thank you! We get compared to the Black Keys frequently which is understandable but we take inspiration from all those bands mentioned. We’ve been listening to the 13th Floor Elevators a lot over the past few months so some of our new material has pinches of them in. We all have different tastes but those bands and artists have certainly influenced Harrison. He digs the Grateful Dead and the entire psychedelic movement they were a part of along with bands such as The Acid Tests and The Merry Pranksters. Their music is what dreams are made of!

To date you have recorded two EP’s (“As Mamas” from 2016 and “Parte Dois” released in March 2018). We know it is like asking to compare your children but what are the strong and the weak points of both releases?

As Mamas: Harrison would say that say the first EP doesn’t hold much in terms of strong points but we’re always critical of what we’ve done. Although, we will always dig the tracks and what kind of music we were doing then! The recordings and production on the first EP is sort of shabby but that was when we did everything out of the caravan in Harrison’s back garden. Saying that though, we still play the first track and still get the same joy out of playing it but it could be simply down to Jacob joining us (laughing). It’s hard to compare the two releases. “Parte Dois” is more mature. We had grown musically and gotten better at our instruments and song writing. The sound of it is definitely “bigger”. It just came with learning more about production. We now know more of what to add, and what not to add. Putting a bit of organ here and a bit of percussion there, you know.

And more traditional picture of the band performing at Paradiddles in Worcester, March 2018

Second EP “Parte Dois” is heavily inspired by American delta blues (Howlin Wolf, Muddy Waters, Bo Diddly) and garage rock of 60’s and 70’s (The Standells, The Kinks, the Sonics) but it has a modern twist to it. Reviewers hear a lot of traditional psychodelia mixed with a bit of Arctic Monkeys, The Peace and Night Beats.  Who else was thrown into your own inspirational melting pot?

As Mamas: We think the first EP was more inspired by the blues! Harrison was listening to a lot of reggae and rocksteady when he was writing the songs for “Parte Dois”. It comes through particularly well on “Idle Eyes” for sure. “Foolish Vibrations” was meant to be a real slow reggae track but thankfully Joe made it what it was. Night Beats were a big influence and still are. Other bands that inspired that were The Doors, always The Doors. Then the Growlers, Modern Lovers and several others. Again, we are all different but we’re usually on the same page and listening to the same stuff!

We absolutely love the single “The Lights Are On but Everyone’s Wasted”. It is one of your fan favourites and recently was chosen as a song of the week by BOAC Internet radio. Surely it is not about falling asleep on the floor after a party with the corridor lights on (or is it)?

As Mamas: (laughing loud) “The Lights Are On but Everyone’s Wasted” is always rad to play live. Good one to get in the groove to. It can be about whatever people want but Harrison is pretty sure he wrote it about letting your mind run away with drugs and going a bit insane. We got quite a few songs about going mad!

Elegantly psychodelic

As Mamas are constantly on the go performing in Worcester (Paradiddles, The FireFly, The Marr’s Bar), Bristol, Birmingham (selling out Sunflower Longue) and London (Amersham Arms, Reverberation Psych Fest) among others. You have played as a part of This Feeling circuit. Tell us about your favourite show? Where was it and with whom you have shared the stage?

As Mamas:  We gotta say our favourite show was one we played recently with Rhino and the Ranters at the Night Owl in Birmingham. The venue is just perfect, real cool atmosphere and a sort of 60s feel to it. Plus everyone who works there seems to really dig what they’re doing. Then Rhino and the Ranters are one of the best live bands we’ve had the pleasure of seeing, always fun with them. And in the future, we will play Bristol for the first time on the 12th of May at Mr Wolf’s along with Arno and DJ Hiphoppapotamus.

Last year (April 21st 2017) you were invited to play at the Booth Hall in Hereford along with Raptor and New Revival. How do you remember the performance? 

As Mamas: We are honest, we were probably a few drinks in! Our memories are pretty terrible but we remember we played this groovy little blues jam. And it’s always sweet to play with Raptor. They’ve been with us since the beginning really.

Imagine you can put your song on a soundtrack to any movie. Which film do you choose and what scene it illustrates?

As Mamas playing live

As Mamas: Shit, that’s a hard one! We have always pictured our song “Midnight Floor” being over a bar fight or some real gory Tarantino scene. So either a bar fight scene in “Roadhouse” or that scene in “Django Unchained” where Django’s getting all geared up to take on Monsieur Candy’s house.

As Mamas have been incredibly hard this year and we see no signs of you stopping. Where can we see you playing live next? What are your plans for the next few months?

As Mamas: Yeah we don’t plan on stopping anytime soon! Gigs, gigs, gigs – this is what it’s all about. We play live next at the Firefly in Worcester with Elephant Peel supporting Thee MVPs which is sick! That’s gonna be a crazy good show. Plans for the next few months are probably gig more and finish off recording what we think will be our album. We’ve also got some plans to collaborate with another band and release a split single but we haven’t asked them yet and it’s still very much just blue prints but you watch this space!

You can follow As Mamas online by clicking on their plethora of social media sites:

Probably our favourite picture!

Soundcloud: https://soundcloud.com/asmamas
Facebook: https://www.facebook.com/asmamasband
Youtube: https://www.youtube.com/user/asmamasband
Bandcamp: https://asmamas.bandcamp.com
Instagram: https://www.instagram.com/asmamasband/

As usually, if you’d like to be featured on Indieterria, please send us a message and we will be listening to your music.
Any genre is welcomed – from rave to black metal, from A to Z – we are open minded and we are not afraid to discover new lands!

Email us at rdabrowicaz at yahoo dot com and see the magic happen 🙂

Till we meet again,
R+M

Indiaterria meets Karkosa – Korean version

Hello!

We never thought that our  interview with Karkosa would be that popular! Thanks to all of you who shared and liked our post – it means so much to us! And we also went viral. Our interview turned out to be very popular among the Korean fans of the band!

We would like to thank Mia Choi, our lovely translator who worked so hard to translate this interview in a day and a half! That must be a new world record, we are sure about that!

You can find the English version of the interview here:
https://cocamidemea.wordpress.com/2018/04/16/indieterria-meets-karkosa/

And now for all of  Karkosa’s fans in Korea, here it is! Enjoy!!

———————————————————————————————

언젠가 우리는 우리의 유튜브 채널에 이 블로그에서 인터뷰한 밴드의 특집을 기획하고 싶다. 그들의 밴드명은 카르코사(Karkosa)이고 여러분은 향후 몇 달 뒤면 그 이름을 더 자주 듣게 될 것이다.

카르코사

우리는 년초 런던에서 진행된 인디콘 컨퍼런스에서 카르코사를 만났다. 그들은 우리에게 아주 훌륭한 인상을 남겼고, 카르코사의 리드 보컬 마이클 워녹(Michael Warnock)과 마주 앉아 짧은 대화를 할 수 있어 기뻤다. 그들은 우리가 만나 본 사람들 중 가장 친절하고, 노력하는 사람들이었다! 그들의 독특한 밴드명, 인디 어워드에 후보로 오른 것과 심지어 지구 반대편 팬들을 얻게 된 것까지, 무수히 많은 얘깃거리들이 있었다. 카르코사는 더 많은 것들에 도전하고 있고, 우리는 그들이 가능한 빨리 그에 도달하도록 계속해서 응원할 것이다.

Big in Birmingham

공식 소개: 영국의 인디 락 밴드 카르코사는 마이클(Michael)과 잭(Jack) 워녹(Warnock) 형제에 의해 2014년 버밍엄에서 결성되었다. 리드 기타에 톰 러쉬튼(Tom Rushton), 베이스 기타에 라이언 트롯(Ryan Trott), 그리고 키보드에 윌 클루스(Will Clews)를 영입한 뒤, 밴드는 한 묶음의 곡들을 작곡, 녹음해 온라인에 게시했다. 그들의 멜로딕하고 폭발적인 락 사운드는 캣피쉬 앤 더 보틀맨(Catfish and the Bottlemen), 로얄 블러드(Royal Blood), 그리고 더 아마존스(The Amazons)에서 크게 영감을 받았다. 카르코사의 첫 싱글 The Devil’s Greatest Trick이 2016년에 발매되었고, 이어 2017년에 싱글 Monarchy, Sheffield, Where the River Flows가 발매되었다.

마이클 워녹 Michael Warnock (보컬/리듬기타)
톰 러쉬튼 Tom Rushton (리드기타)
잭 워녹 Jack Warnock (드럼)
라이언 트롯 Ryan Trott (베이스)
윌 클루스 Will Clews (키보드)

흑백의 카르코사

소개를 보니 카르코사는 4년 전 버밍엄에서 결성되었네요. 인디테리아(Indieterria) 독자들에게 밴드 소개와 밴드의 시작에 대한 이야기를 부탁드려요.

마이클 워녹: 제 생각엔 제 동생 잭(드럼)과 제가 그것보다 좀 더 일찍, 그러니까 5년 전쯤 밴드를 시작한 것 같아요. 저희의 첫 공연은 아빠의 40번째 생신 파티에서 였어요. 그때와는 멤버가 조금 바뀌었지만요. 저는 톰 러쉬튼(리드기타), 윌 클루스(키보드)를 우리가 함께 음악을 공부한 BOA칼리지에서 만났어요. 가장 마지막으로 영입된 멤버는 잭과 같은 학교를 다닌 라이언 트롯(베이스)이에요. 우리 말로는, 우리가 더 아마존스, 캣피쉬 앤 더 보틀맨, 로얄 블러드의 영향을 받은 인디 락 밴드라고 이야기하곤 해요.

카르코사는 밴드 이름으로는 아주 독특한데, 이상하게도 기억하기에는 쉬워요. 어떻게 이 이름을 짓게 되었는지 궁금합니다. 저희가 예상하기로는 미국 작가 비어스의 단편 「카르코사의 주민(An Inhabitant of Carcosa)」에 나오는 가상 도시에서 밴드 이름을 따 온 것이라고 생각이 드는데, 맞나요?

마이클 워녹: (웃음) 네, 맞추셨네요! 카르코사라는 이름은 로버트 체임버스의 「노란 옷 왕(The King in Yellow)」이라는 책에서도 등장해요. “고대의 신비로운 가상 도시”로 묘사되죠. 사실 그 이름을 사용하기로 한 건 저희 아빠의 아이디어였어요. 카르코사의 C 철자를 K로 바꾸어 사용하게 됐죠. 독특하기도 하고 우리 맘에도 들고요.

새 싱글 “Lonely Kid”는 아주 흥미로운 곡이에요. 아티스트 앰버(Amber Le Grys)가 디자인한 앨범 표지가 단순하면서도 굉장히 눈에 띄고요. 이 곡에 대해 더 소개해 주시겠어요?

“Lonely Kid” 싱글 앨범 표지

 마이클 워녹: “Lonely Kid”는 2017년 7월부터 쓰기 시작한 곡이에요. 이 곡은 칼리지에서 대부분의 친구들이 떠나고 그들의 관계들을 맺어갈 적에 제가 느꼈던 것들을 담고 있어요. 저는 저 혼자 있는 게 괜찮았어요. 또한 저는 보통 제목에 적힌, “lonely(외로운, 혼자의)”라는 단어에 대한, 슬프다는 고정관념을 깨는 무언가를 만들고 싶었어요. 앰버가 만든 아트워크가 꽤나 곡의 분위기를 잘 살려준 것 같아요. 당신이 말했듯이 단순하지만, 굉장히 효과적이죠. 저희의 이전 아트워크들과는 달라요. 곡의 클라이막스 부분은 파라모어(Paramore)의 “Ain’t it fun”의 브릿지에서 영감을 얻었어요.

3월은 여러분들에게 아주 바쁜 달이었어요. 3월 17일, 출신지인 버밍엄 O2 Institute에서 서포트 밴드 North Parade, Elliot Sturman과 함께 헤드라이너로 공연하기도 했고요. 그런 다음 캠던의 Dublin Castle에서 공연하러 런던으로 이동했죠? 그 때가 런던에서의 첫 공연이었나요?

마이클 워녹: 저희가 헤드라이너로 섰던 공연은 굉장했어요. 저희가 마지막 공연을 맡는 게 흔치 않은 기회라는 점뿐 아니라, 저희의 멋진 새 베이스 드럼 로고와 ‘카르코사’라고 적힌 배너를 걸고 공연하는 첫 무대였다는 점에서도 의미가 있어요. 게다가 저희는 이제껏 가장 많은 티켓을 팔았어요! 전반적으로 저희도 굉장히 즐거웠고, 관객분들도 좋아해 주시는 것 같았어요! 캠던에서의 공연은 이전까지 저희가 한번도 해본 적 없던 것이라는 점에서 훨씬 더 신났어요. 새로운 지역에서뿐 아니라, 새로운 관객들 앞에서 공연하는 것이기도 하잖아요. 정말 놀라웠던 사실은, 관객분들이 엄청나게 즐겨주셨다는 거에요. 심지어 저희가 마지막 순서여야 했다고 말씀하시면서 말이에요! 아무튼, 굉장한 주말이었고, 또 다시 거기서 공연할 수 있기를 기대하고 있어요!

라디오 DJ 스티브 켈리(Steve Kelly)가 여러분에 대해서 꽤 적지 않은 동료 진행자들이 그들의 곡 ‘Sheffield’를 좋아한다. 과장이 아니라, 그 곡의 기타워크는 The Eagles, 내가 가장 곡인 ‘Hotel California’급 수준이다. 내 생각에 ‘Sheffield’는 아마 우리가 라디오 스테이션에서 틀었던 최고의 곡이고, 앞으로도 자주 선곡할 것이다.” 라고 한 바 있습니다. 이렇게 락 음악사에서 가장 사랑받은 곡과 비유되는 건, 보통 평범한 칭찬이 아니죠.

법을 어기고 있는 카르코사… (역주: 사진에 ‘자리에 앉으시오. 일어서지 마시오.’ 라고 적혀있음)

 마이클 워녹: 저희가 스티브 같은 사람과 연줄이 있다는 건 정말 행운이에요. 저희가 처음 만난 이후부터, 그는 쭉 저희를 응원해주었거든요! 저희는 그와 첫 라디오 인터뷰를 진행했었고, 저희의 헤드라인 공연에서 그를 개인적으로 만날 수 있어서 정말 기뻤어요. 그는 저희를 보러 엄청 먼 Blackpool부터 와 주었다니까요! 저희는 그를 5월에 다시 만나기를 기대하고 있어요. 그가 저희 밴드에 쏟아주시는 엄청난 열정을 보는 건 기분 좋은 일이니까요.

그 밖에도 많은 곳에서 인정받고 있죠. BBC Introducing West Midlands에서는 여러분의 연달아 발매된 세 싱글들(“Monarchy”, “Sheffield”, “Where the River Flows”)을 방송했고, 마지막 곡은 2017년 7월 금주의 곡으로 꼽히기도 했으니까요. 또한 여러분들은 리즈, 에든버러, 바스, 플리머스를 돌며 성공적인 국내 투어를 마쳤고, 끝내줬던 Sunflower Lounge 공연을 포함해 몇몇 공연은 매진시키기도 했어요. 그간 열심히 노력한 게 드디어 빛을 보네요, 그렇지 않나요?

 마이클 워녹: 그럼요. 저희는 이 모든 것들을 “사다리 오르기”라고 보고 있어요. BBC Introducing에서 방송된 것은 꽤나 멋진 일이었죠. 그치만 저희는 더 작은 라디오 방송들에서 선곡되는 게 훨씬 더 즐거웠어요. 진행자들이 항상 저희 음악에 대해 더 많은 것들을 말해주었거든요! Sunflower Lounge에서 공연하는 것도 굉장히 즐거웠어요. 우리 음악에 맞춰 모슁(역주: 락 공연에서, 몸을 부딪혀 가며 격렬하게 춤 추는 것)하는 팬들이 있었거든요. 관객들에게 가까이 갈 수록 항상 더 큰 활기가 느껴지곤 해요.

우리는 당신의 수상 프로듀서 개빈 모나그한(Gavin Monaghan)과의 콜라보에 대해 물어봐야 할 필요가 있겠네요. 더 셜록스(The Sherlocks)와 함께한 그의 최근 작업들은 갈채를 받고 있어요. 울버햄튼에 있는 그의 유명한 스튜디오(매직 가든)에 다녀왔나요? 몇 곡을 녹음했나요? 그리고 우리는 언제 그 곡들을 들을 수 있죠?

마이클 워녹: 개빈과의 녹음은 알려져 있는 만큼 매우 신났어요. 저희는 수많은 멋진 수집품들로 가득 찬 그의 매직 가든 스튜디오에서 작업했어요! “Where the River Flows” 한 곡만 녹음했지만 또 다시 Gavin과 작업하고 싶어요!

2018년은 당신들에게 돌파구가 될 만한 해인 것 같아 보이네요. 지역 언론으로부터의 주목, 공연 매진, 카르코사의 미래가 특히나 밝아 보이는군요. 다음 달엔 당신의 열성 팬들을 위해 스토어에 무엇이 준비돼 있죠? 우리가 지켜봐야 할 새로운 공연이나 싱글들이 있나요?

카르코사 홍보 사진

마이클 워녹: 올해는 지금까지 엄청났고, 이제 겨우 4월이에요! 지금까지, 저희가 참여할 훌륭한 공연들이 아직도 많이 있고, 저희는 또한 버밍엄 뮤직 어워드에서 최고의 인디/얼터너티브 밴드 후보에 지목됐어요! 현재는 Isle of Wight festival에서 공연할 수 있는 HotVox 투표에서 선두를 달리고 있어요. 대한민국에서 저희 음악이 입소문을 타고 있는 덕분에요. 저희는 올해 저희가 또 무얼 할 수 있는지 기대하고 있어요. 그리고 만약 메이저 페스티벌에서 공연할 수 있다면 저희 모두의 꿈이 이루어지는 셈이겠죠!

아래 링크에서 저희를 투표할 수 있습니다.
https://hotvox.co.uk/artists/karkosa

이건 흔히 있는 일이 아닌데요! 버밍엄 밴드가 세계 반대편에서 입소문을 타다니! 한국에서 여러분이 유명한 이유가 뭔지 아시나요?

마이클 워녹: (웃음) 솔직히 말하면, 저희도 잘 모르겠어요! 저희는 SNS에서 저희를 팔로우할 여유가 있는 모든 사람들과 관계를 맺으려고 노력했어요. 처음엔 그저 적은 수의 팔로워 였는데, 정말 며칠 만에 저희가 천명이 넘는 한국 팔로워들에게 답장을 보내고 있더라고요! 주로 인스타그램과 트위터에서요. 그들은 저희 음악의 링크를 공유해주었고, Isle of Wight festival 투표도 도와주었어요. 저희는 언젠간 그곳에서 공연하기를 기대하는 중이에요!

카르코사를 SNS에서 팔로우하세요:
www.karkosa.co.uk/
https://en-gb.facebook.com/officialkarkosa/
https://twitter.com/officialkarkosa
https://soundcloud.com/karkosa
https://www.youtube.com/watch?v=SLFIGmi7Cwo

유용한 링크들:
https://bromsgrovestandard.co.uk/news/northfield-band-and-worcester-singer-through-in-austin-socials-search-for-a-star/
https://artists.nme.com/artist/karkosa/

우리는 앞으로도 우리의 최애 버밍엄 5인조 밴드, 카르코사의 행보를 지켜볼 예정입니다.
지금으로서는, 당신도 버밍엄 뮤직 어워드-라이징스타 투표를 통해 그들을 응원할 수 있습니다. 투표는 4월 24일에 마감됩니다.

투표 링크:

https://www.facebook.com/thebirminghammusicawards/posts/831404343728207
https://www.survey-maker.com/poll1927441x550C4e13-538

Text: Malicia and Rita Dabrowicz
Translation: Mia Choi

고맙습니다!!

Indieterria meets Karkosa

Hi!!

We hope you had a nice and relaxing Easter break. Here at Vanadian Avenue we are unable to rest or sit still (one of our biggest flaws!) and we had to find something music related to do. And there was plenty to things to be done! We have set up a Youtube channel, edited hundreds of pictures, did a nice small social media campaign and even had some time to eat a bit of chocolate. Talk about very productive long weekend!

From now on, you will be able to see videos of the performances we attend. So far, we have fantastic clips from Iggy Cuthbert (aka Happy Bones), mighty The Americas and the indie sweethearts, Junior Weeb! Soon we will add other great bands from the WorcesterWave scene: Nuns of the Tundra, Thousand Mountain, Dead Dads Club and many more. Please be on the look-out for the best new and unsigned bands from West midlands.

You can visit our channel at:
https://www.youtube.com/channel/UCiWtRmMIq6atchlvnDSBCpQ

One day we are hoping to feature on our YouTube channel the band interviewed in this blog. They are named Karkosa and you will be hearing about them often in the coming months.

Since Karkosa is very popular in Korea, you can read translated version of this blog here:
https://cocamidemea.wordpress.com/2018/04/23/indiaterria-meets-karkosa-korean-version/

The good lads of Karkosa

We met Karkosa at Indiecon conference in London at the beginning of the year. They made a great impression on us and we are very happy that we were able to sit down with Karkosa’s lead singer Michael Warnock for a short chat. Those guys are one of the nicest and the hardest working people we have met! There were so many things to discuss: their unusual name, being nominated for an indie award and even winning fans on the other side of the globe. Karkosa’s on their way to greater things and we will be keeping our fingers crossed for them to get there as soon as possible.

Big in Birmingham 

Official bio: British Indie rock band Karkosa was formed in Birmingham in 2014 by brothers Michael and Jack Warnock. After recruiting Tom Rushton on lead guitar, Ryan Trott on bass and Will Clews on keyboard, the band wrote and recorded a batch of songs and published them online. Their melodic, propulsive rock sound is heavily inspired by Catfish and the Bottlemen, Royal Blood and The Amazons. The Devil’s Greatest Trick – band’s inaugural release arrived in 2016 and was followed by singles Monarchy, Sheffield and Where the River Flows in 2017.

Michael Warnock (vocals/ rhythm guitar)
Tom Rushton (lead guitar)
Jack Warnock (drums)
Ryan Trott (bass)
Will Clews (keyboard)

 

Karkosa in black and white

Your biography mentions that Karkosa formed about 4 years ago in Birmingham. Please introduce yourselves to the readers of Indieterria and tell us a bit more about your beginnings.

Michael Warnock: I think my brother Jack (drums) and I started the band a little earlier than that, about 5 years ago. Our first gig was at our dad’s 40th birthday party. The line-up has changed quite a bit since then. I met Tom Rushton (lead guitar) and Will Clews (keyboard) at BOA College where we studied music together. The last member of the band to join was Ryan Trott (bass) who went to school with Jack. In our own words, we are an indie rock band with influences from The Amazons, Catfish and the Bottlemen and Royal Blood.

Karkosa is a very unusual name for a band, yet strangely it is easily memorable. We are very curious where it comes from. Our best bet would be you are named after the fictional city from a short story entitled “An Inhabitant of Carcosa” by American writer Ambrose Bierce. Are we correct?

Michael Warnock: (laughing) Yes, you are correct! The name Carcosa is also featured in a book called “The King in Yellow” by Robert W. Chambers. It is documented as being a fictional “ancient and mysterious city”. It was actually my dad’s idea to use that name. We changed out all the C’s for K’s to get Karkosa. Which we liked and it was unique.

Your new single entitled “Lonley Kid” is a very interesting composition. It also comes with minimalistic  and very striking cover designed by artist Amber Le Grys.  Can you tell us more about this song?

Cover of “Lonely Kid” single

Michael Warnock: We started writing “Lonely Kid” back in July 2017. It reflects how I felt at the time when most of my friends had left college or had their relationships to deal with. I was fine being on my own. I also wanted to create something that broke the stereotype of songs with word “lonely” in the title, being sad. I think the song’s spirit was captured quite nicely by the artwork which Amber made. As you said, it is simple, yet effective which is different to our previous artwork. The song’s climax was inspired by the bridge of “Ain’t it fun” by Paramore.

March was a very busy month for you. You headlined a hometown gig at the O2 Institute in Birmingham on 17th of March being supported by North Parade and Elliot Sturman. Then you travelled to London to play at Camden’s Dublin Castle. Was that your first time playing in the capitol?

Michael Warnock: Our headline gig was great as it was not only a rare occasion of us playing last but it was also the first time we got to play with our new bass drum logo and Karkosa banner which was really cool! We also sold the biggest amount of tickets for a gig ever! Overall, we had a lot of fun and the audience seemed to love it! Our Camden gig was a lot more exciting for me as it was something we hadn’t done before. Not only were we performing in a new location, but we were also performing to a new crowd. The surprising part was the fact that people started enjoying themselves, even stating that we should have been on last! Either way, it was a great weekend and we look forward to going back there again!

Radio DJ Steve Kelly had this to say about you: “Quite a few of my fellow presenters loved their song named ‘Sheffield’. No exaggeration, but the guitar work on it is up there with ‘Hotel California’ by The Eagles, which is my favourite track ever. I think ’Sheffield’ is probably the best track we’ve had on the station and I’ll be giving you regular airtime”. This is no ordinary praise, being compared to one of the most beloved songs in the history of rock music.

Karkosa is fighting the law…

Michael Warnock: We are very lucky to have a contact such as Steve as he has constantly gave us a lot of support, ever since we first got in touch with him! We did our first radio interview with him and it was real pleasure to meet him in person at our headline gig.  He came all the way from Blackpool to see us! We look forward to seeing him again in May, and it’s nice to see his incredible dedication to the band!

The list of recognitions is not over yet: BBC Introducing West Midlands played your three consequently released singles (“Monarchy”, “Sheffield” and “Where the River Flows”) with the last track becoming a song of the week in July 2017. You also had a very successful national tour that saw you playing in Leeds, Edinburgh, Bath, Plymouth and selling out several dates including at legendary Sunflower Lounge.  Hard work is finally paying off, isn’t it?

Michael Warnock: It certainly does. We view a lot of this stuff as “climbing the ladder”. Getting played on BBC Introducing was pretty cool, however we found that getting played on some of the smaller radio stations was even more enjoyable. The presenters always had more to say about our music! Playing at The Sunflower Lounge is also a lot of fun as we’ve had fans moshing to our music and there’s always a bigger buzz when you’re closer to the audience.

We have to ask you about your collaboration with award winning producer Gavin Monaghan (Editors, Jaws, The Twang, Ocean Colour Scene). His recent work with The Sherlocks brought him  universal acclaim. Did you travel to his famous studio (Magic Garden) in Wolverhampton? How many songs were recorded and when can we listen to them?

Michael Warnock: Recording with Gavin was pretty exciting based on his recognition. We were working at his Magic Garden Studios which was filled with lots of cool memorabilia! We only recorded one song, “Where the River Flows” however we hope to work with Gavin again!

2018 looks like a breakthrough year for you guys. With huge interest from local press and sold out shows, Karkosa’s future is looking particularly bright. What do you have in store for your loyal fans in the coming months? Any gigs or new singles we need to be on the lookout for?

Promo picture of Karkosa

Michael Warnock:  This year has been awesome and it’s only April! So far, we’ve still got a lot of great gigs lined up and we were also nominated for best indie/alternative band at the Birmingham Music Awards! We are currently winning the HotVox vote to play at the Isle of Wight festival, mainly due to our music going viral in South Korea. We look forward to seeing what else comes our way this year and it would be a dream come true for all of us to play a major festival!

You can vote for us at this link:
https://hotvox.co.uk/artists/karkosa

Now this is something we don’t hear very often! West Midlands band going viral on the other side of the world! Do you have any idea what made you popular in Korea?

Michael Warnock: (laughing) To be honest we are not exactly sure! We try to engage with anyone that takes time to follow us on social media. At first, it was just a few followers, then literally over a couple of days we were replying to over a thousand followers from South Korea, mainly on Instagram and Twitter. They have been sharing links to our music and have helped us with this vote for Isle of Wight festival. We’re now hoping to play out there at some point!

You can follow Karkosa on social media:
www.karkosa.co.uk/
https://en-gb.facebook.com/officialkarkosa/
https://twitter.com/officialkarkosa
https://soundcloud.com/karkosa
https://www.youtube.com/watch?v=SLFIGmi7Cwo

And here are some additional useful links:
https://bromsgrovestandard.co.uk/news/northfield-band-and-worcester-singer-through-in-austin-socials-search-for-a-star/
https://artists.nme.com/artist/karkosa/

We will be watching Karkosa in the next months to see how our favourite Birmingham quintet is doing.
For now, you can also support them by casting your vote at The Birmingham Music Awards’ Rising Star/One to Watch 2018. The vote will end on 24th of April!

https://www.survey-maker.com/poll1927441x550C4e13-53

Till we meet again,
Rita and Malicia

Indieterria meets Misha Dawn

Hello hello!

We are starting a brand new month with a BANG! April is going to be a very exciting month with several of our favourite bands performing far and wide, making waves on the independent music circuit and rocking huge crowds of people. Please be on the lookout for Nuns of the Tundra, Thousand Mountain (as they are releasing their debut EP shortly!!), The Americas and Junior Weeb among others.  The spring belongs to them and we will be reporting extensively about their achievements.  Of course, we will always find the time to look for a world-class talent and today we would like to introduce you dear readers to a truly bright star. Her name is Misha Dawn and she has charmed everyone who has ever heard her sing!

The Lady herself – Misha Dawn Patterson

Diva in the making 

Misha Dawn is every record label’s dream come true. She comes with a full package: looks, voice, multiple talents and experience. With her resume the size of a telephone book and her almost effortless ability of penning perfect songs, Misha is a force to be reckoned with. Before she dethrones Leona Lewis as the next British Queen of Pop, Indieterria sat down with her to discuss being a child prodigy, growing into a confident artist and getting highest grades from the harshest judging panel on popular reality TV program, The X-Factor.

Misha Dawn Patterson

Actress, Dancer, singer, songwriter, producer – you seem to have many faces and as many occupations! Please tell us who is Misha Dawn?

Misha Dawn: I’m a Gloucester born artist.  I write lyrics that will confront emotions, happiness and heart break. I am a person who strives to be the very best I can be in everything that I do! I am also a very creative and I like to have a “Plan B’ which is also the title of a song I just wrote! (laughing)
I love experiencing new things all the time along with travelling abroad and seeing/meeting different cultures. My early professional singing career has consisted of singing 50’s-80’s music in care homes.

You started your career very early, at the tender age of 7. Since then you appeared in numerous shows, musicals, radio programmes and live performances. Including appearing on live TV regarding a CD which you wrote also at the same time! Was it hard to be growing up in the spotlight?

Misha Dawn: I would have to answer that with a yes and no. As a child I was awfully shy and have had to seriously work on becoming confident which most people find hard to believe! I am not saying it wasn’t a passion of mine to be in the spotlight (I dreamt about it every day and I still do) but I had to fight against one feeling saying “YES THIS IS WHAT YOU WANT” and the other saying “RUN, EVERYONES WATCHING”. Once I got over my hurdle, I enjoyed everything so much more and I am now completely addicted to performing.

I am fortunate now that I don’t have major stage fright, for those of you who watched me on ‘Dinner Date’ TV show will know I have a bigger fear of flying bugs!

Misha Dawn with Sam and Ashley Worskett at the O2 Academy in Birmingham

It is almost hard to believe but you are also classically trained dancer! Has your comprehensive education helped you in your artistic endeavours?

Misha Dawn:  That’s 100% right. Dancing since the age of 3 had helped me tremendously. From dance performances, rhythm, appreciating different styles of music such as classical, jazz, modern and much more. However, at 12 years old, my injuries put an end to a professional ballet career and my life took a new turn. When I’m on stage, you will notice that I incorporate dance into my singing performances and I love it! I couldn’t imagine singing while standing still.

We would like to ask you about two milestones in your career: appearing on the cover of national WI Life magazine (May/June 2016 edition) and taking part in the X Factor in 2017. You passed 4 rounds with flying colour. Both must have been amazing experiences.

Misha & Ashley

Misha Dawn:  They were both a dream come true. Just thinking about it now, I cannot believe they happened and how lucky I am to have experienced them! I have always wondered what it would be like to have my face on the front cover of a magazine growing up and have watched X factor growing up for as long as I can remember and still doing so now! Getting 4 yes’s from the judges was amazing.

Your music blends, soul, jazz, hip-hop, pop and rock. You have been compared to Beyoncé, Sia and Jesse J. We could add Mica Paris and Mary J Blidge to the mix, especially when you are on stage rocking out with a full band. Your performance at recent Soundwave Music Competition at O2 Academy in Birmingham reminded us of Mary J Blidge singing an alternative version of “One” with U2.

Misha Dawn:  Wow what can I say! For my performance at the O2 to be compared to Mary J Blidge singing with U2 is incredible. It has taken me many, many years of grafting to get where I am and with a comment like that it shows my hard work has paid off! I will continue to grow and every time I perform I make a promise to myself that I will always be better than he last time. My biggest rival is myself.

Talking about your live band, can you introduce your guitarist and drummer to our readers? You share a special bond with them, it was a pure joy watching you perform together.

Misha Dawn: Thank you very much! My guitarist is called Ashley Worskett, he is inspirational and my drummer is called Sam Worskett. Both are brilliant musicians and I am so glad I found them by taking a chance on advertising online for band members. I’m buzzing to see what the future holds performing with them at festivals, parties, events – you name it!

Ashley Worskett – Misha`s guitarist and we swear a new Bernard Butler!

Your latest single “Live It Up” is a well written and produced track that could be a launching pad to Top 20. Tell us more about it. 

Misha Dawn:  Thank you very much! I wrote and produced the song myself a couple of years ago and released the music video on YouTube quite recently. I really wanted a feel-good track for all ages, something you can play when you’re going out, in the car, feeling low, or whatever the reason may be. I made sure my “Live it Up” music video was ‘jammed packed’ full of fun and friends. I have put it on all major downloading sites such as Spotify, iTunes, Google Play, Amazon and if it did get to the top 20…I would be utterly lost for words.

It’s only April and 2018 has already been a very busy year for you. What are your plans for the nearest months?

Misha Dawn:  I really want to get out there and play for fans and supporters. For the next few months I will be working on a new single of mine which I am so excited for. It is my best song yet. I wrote and produced it and I’m planning to have it uploaded onto all major downloading sites and Youtube. Music video will soon follow, so please be on the lookout and tell me what you think! Also, I’m booking a lot shows and I would like to perform with other artists such as Ella Eyre who is an inspiration to me in the music world.

Misha at the o2 Academy in Birmingham, 24.02.2018

You can follow Misha on social media:
https://www.mishadawn.com/
https://www.facebook.com/MishaDawnOfficial
https://www.instagram.com/mishadawn
https://twitter.com/MishaDawn_
https://www.youtube.com/channel/UCGkad0FIbHHALgftQBJ3F2A

Additional article you may find interesting:
http://www.starnow.co.uk/Misha3star

After our meeting with Misha at the SoundWave competition in Birmingham, we are sure she will go a long, long way. Vanadian Avenue will be closely monitoring Misha’s next steps and hopefully we will be able to chronicle her journey to stardom.

Please visit us soon as our next blog will be even more esciting!

See you soon,
Rita and Mal

**** Update 17/04/2018****

Misha, Ashley and Samuel on stage – this was such a powerful performance!

Misha’s concert at the SoundWave Competition at the O2 Arena in Birmingham left us truly impressed. Not only we were amazed by her extraordinary performing abilities but we were equally dazzled with her backing band. To learn more about them, we spoke to guitar player Ashley Worskett (we swear he is a new Bernie Butler!) to discuss the beginnings of their successful collaboration, musical influences and recent trip to London town.

 Would you like to tell us how did you and Misha meet and how long have you worked together?

Ashley Worskett: I started working with Misha after responding to her advert on a popular casting website. She gave me a call, I sent her some demo tapes and she liked them. She also needed a drummer so I suggested my brother Sam, who was 16 at the time. Sam is also a violinist and he had just returned from a music tour in Venice. He is still at school, but he agreed to do the gig to help Misha out.

We all met for the first time at a rehearsal studio. We all got on well, learnt the songs and 2 days later performed at the O2 Academy. So it was all a bit of a crazy!

Ashley and Samuel playing with Misha at o2 Academy in Birmingham

Your performance on stage during the SoundWave competition was fantastic. Please tell us more about yourself. Who is Ashley Worskett, how long have you been you playing and who inspires you?

Ashley Worskett:  I am 20 years old musician that have been performing drama for several years. I attended a highly regarded drama theatre in Warwick and I am currently a student at the University of Gloucester. I’ve been playing guitar for 5 years. My main musical inspiration comes from the virtuoso heavy metal guitarists from the 80’s, people like Eddie Van Halen and Nuno Bettencourt of Extreme. I like listening to bands like Whitesnake, Mötley Crüe and Metallica. Jake E Lee and George Lynch of Dokken and Lynch Mob are also ripping guitarists that I take inspiration from!

You recently travelled to London. Did you have fun?

Ashley Worskett:  Yeah! London was amazing. I had to get up at 1 am to catch the bus from where I live in Cheltenham, to get to the film studio in London for 7 am. I was taking part in a feature film, being produced by one of the major studios. It’s a biopic about a well-known rock band from the 70’s and 80’s and it’s due for release later this year. It was an exciting day, and great to be working with truly professional people in the film industry!

We are sure that Misha, Sam & Ashley Worskett are people worth watching in the nearest future. We always say that the talented kids are the  future and we have enough talent in West Midlands for several decades.

xxx
M+R