Indieterria meets Raw Sound TV

Hello!

Some might say that there’s never been a better time to be a musician. Internet gives you access to billions of users, streaming platforms are easily to set up and curators are at the stretch of the palm. You can set up professional recording studio in your own bedroom as the equipment is getting better and cheaper and it is not hard to master its use. It seems, the rock and roll dream is just around the corner and ready for grabs.

Others might argue that the technological edge is the same for everybody and it is hard to break through thousands of other bands competing for attention.  There are also external factors that need to be taken into consideration: lack of funding, closure of local pubs and venues, austerity, quickly changing musical trends, constant search for something new fueled by social media and Instagram influencers. DIY musical scene can also be divided and lack of unity affects the bands and gig goers altogether. You could say that for every ray of sunshine, there is a big rainy cloud covering it.

Yet the DIY  scene is holding on despite the odds. Bands are recording, exciting music is somehow making it to the national radio stations and new opportunities are springing up here and there. Indieterria sat down to speak to Mark Piddington the man behind RawSound TV to speak about the new ideas to help emerging artists, production techniques and their plans to permanently change West Midlands musical scene.

You call yourselves an “old school MTV” style music show in the Internet era. Please introduce yourselves to readers of Indieterria.

Mark Piddington: Hi. I’m Mark Piddington. Producer and Presenter of RawSound TV. Part of the reason for the idea of RawSound TV was that I could see that there was a lack of decent live music “tv” shows. Especially for unsigned artists. A show in the style of “The Tube”, “The Word” and many other iconic TV shows from the past that I felt the older generation were missing and the younger generation were missing out on.

Raw Sound TV is live music show recorded at Glass Onion Studios in Birmingham every two weeks, broadcasting on your YouTube channel on the Sundays in-between. Your shows include interviews with unsigned and new artists doing live performances and featuring videos along with interviews with the bands and occasionally live gigs. You’ve had 4 seasons so far and are currently working on a new season which is due to broadcast on the April 14th. Can you tell us how the recording and filming process works? 

Mark Piddington: We invite bands and artists to our studio which is fully equipped for recording and filming. After they arrive and meet the crew, we set them up for a sound check/ rehearsal, during which time the crew get audio levels for recording and camera angles worked out. After a short break it’s on to recording. The red light goes on and we film them performing three live tracks. After a short break we then conduct a short interview. We go through this process twice as we usually have two live bands featured per episode. After the bands have gone we do our ‘bits to camera’ which includes introduction to the show and individual intros to the bands. It can be a long night! Then, once all this is done, its on to editing the show for broadcast on the follow Sunday which usually takes well over 40 hours over the week.

Raw Sound TV at work – photo by Danielle Clarke

How long does it takes for a band to appear on Raw Sound TV? How do you select the bands? What do you look for? 

Mark Piddington: We encourage bands and artists to get in touch with us if they want to appear on the show.  Selection is very difficult for us as there are so many fantastic bands and artists around at the moment. We know that a lot of them unfortunately won’t get to appear on the show as we are only able to feature two bands per show.  We don’t let our own personal tastes influence who appears on the show. We try to look for quality in musicianship, song writing and what/ who we feel our viewers should be seeing and would appreciate.

Besides the music show, you also offer other services: recording live performances, making and editing videos and even access to a recording studio/rehearsal space. We know many artists look for those services – so please tell us about what you also offer and how bands go about this? 

Mark Piddington: The recording studio is a separate entity to RawSound TV. I established Glass Onion Recording Studio in 2003 and have been recording bands there since.  As well as recording, I also offer rehearsal space, studio dry hire and also music video production. If anyone wish to use any of the studio facilities/services, they can contact me via any of our social media platforms or at RawSoundTV.com.

Money matters are hard to talk about – but essential for both businesses and artists alike. Can you tell us about the fees and other charges that artists approaching you should consider?

Mark Piddington: Firstly, to clarify, we are not a business. RawSound TV do not charge anything for bands and artists to appear on the show.  It is totally free.  As the crew and I do not get paid and the studio given for free, we are currently trying to get the show funded in some way so we can continue to offer this opportunity to unsigned bands without them having to pay. Having been there myself I know that young musicians don’t generally have the funds to afford what some companies charge for ‘promotion’ and what they get for their money.

You’ve featured and worked with an exciting array of West Midlands acts: Alex Ohm, The Clause, The Cosmics, The Verse, Ivory Wave, Karkosa, Lady Sanity, MeMe Detroit, The Novus, Sugarthief, Violet, Lycio, La Dharma, The Goodwater and Candid – the list is endless. If an artist or band wants to get involved, how can they reach you? 

Mark Piddington: We have worked with over eighty bands and artists in the twenty months since we started. Some of whom are most definitely destined for big things. If an artist wants to appear on this show they can contact us on our website at RawSoundTV.com and navigate to the ‘want to be on the show?’ section.

You have filmed performances in many different places in West Midlands: The O2 Institute, Castle and Falcon, Square One in Coventry and The Flapper to name just a few along with outdoor festivals such as Lunar and the Bewdley Music Festival. Is it harder to record in a small, intimate club or in a large arena? 

Mark Piddington: They both have their difficulties. As opposed to the studio which is a controlled environment set up for filming and recording, live venues are not. Therefore, we always have obstacles to overcome when filming away from the studio.  More often than not, sound recording and lighting problems are the usual suspects as we have little or no control or influence over these.

Raw Sound TV have recorded many, many bands and concerts over the last couple of years but we are sure some of the performances must have stood out from the others. Do you have any favourites? 

Mark Piddington:  That’s a very difficult question. If I’m honest the ones that have stood out for me are when the whole recording process and post production has gone smoothly or when the crew have had a particularly good session and the band have performed well and, more importantly, enjoyed themselves. It is great to see the bands’ reaction to the whole process from ‘our side’ of the process. Festivals are always good fun for the crew but the days are long and can be a logistical nightmare (especially when it rains)!

Imagine that you can film any artist in the world, where and why?

Mark Piddington: Ahh, you might want to keep your eyes peeled for something exciting we “might” be doing over the summer that will answer this question. So watch this space!

Is there anyone you’d like to invite to appear on the next series or future series? 

Mark Piddington: There is no one in particular I have in mind.  The plan is to keep on inviting the best new, unsigned bands and artists on to the show.

Last question – we are only in April, but what are your plans for the upcoming months. Anything exciting to tell us about any what you’ll be including in forthcoming shows?

Mark Piddington:  Every show is exciting for us. Being able to give young artists this kind of platform and the excitement and enthusiasm they have for the show gives myself and the crew a massive buzz and makes the whole thing worthwhile. We also get a huge lift from the positive comments on social media from the bands who have now become friends and their fans alike.

No rest for technical crew – photo by Danielle Clarke

Lights, camera, action – photo by Danielle Clarke

You can follow RawSound TV on their socials:

Official website: http://rawsoundtv.com/
Facebook: https://www.facebook.com/Rawsound.tv/
Twitter: https://twitter.com/rawsoundtv
Instagram: https://www.instagram.com/rawsoundtv/
YouTube: https://www.youtube.com/channel/UCzvfJMPXYhK65X2VRDIkifg

Please contact Mark if you’d like to be included in the next series of concerts. Also, if you have performed for RawSound TV in the past and you’d like to share your videos, please contact us and we will be more than happy to share your experiences.

We also have some incredible  artists to showcase  this month and we are thrilled to be sharing our new interviews with you soon.
Thank you for reading and see you soon!

Rita and Malicia

Indieterria meets Dirty Orange

Hello!

Welcome to our the newest chapter of Indieterria. In this edition of our blog we are hosting an act from London that is recognized as one of the brightest stars on the indie circuit in the capital – Dirty Orange. The band comes to Birmingham to play The Victoria on September 28th 2018 as part of their national tour. They will bring three established acts with them: Whitelight, ANOA and Dead Dad`s Club.

If you’d like to learn more about other acts, please see our other blogs:

Dead Dads Club interview: https://cocamidemea.wordpress.com/2018/06/04/indieterria-meets-dead-dads-club/
“Must be crazy” EP review: https://www.expressandstar.com/entertainment/wyre-forest-entertainment/2018/09/28/dead-dads-club-must-be-crazy-ep—review/
WhiteLight Interview: https://cocamidemea.wordpress.com/2018/09/25/indieterria-meets-whitelight/
Anoa Interview: https://cocamidemea.wordpress.com/2018/09/26/indieterria-meets-anoa/

We sat down with Dirty Orange to discuss their musical influences, their beginnings and the London music circuit. Hold onto your chairs and read on:

Dirty Orange
George (guitar & lead vocals)
Scott  (bass)
Connor (drums & backing vocals)
Beno (guitar)

Official bio: Dirty Orange are a four-piece rock band from South West London building a reputation for “in your face, powerful, dance along” live shows. The band released debut EP ‘X.X.X’ in 2017 which has been described as “having that jolting early Arctic Monkey’s sound” by music scene influencers GetIntoThis. The band are touted as ones to watch in 2018 by Jack Rocks & Some Might Say among others

One of the privileges of being a music journalist is that you can interview bands with rare or very unique names. Dirty Orange seems to fall into the “very unique” name category. Quick research helped us to find a bottle of French perfumes called Dirty Orange, an Australian vegan café and a definition from The Urban Dictionary saying that Dirty Orange “can relate to either alluring fragrance with a hint of danger or someone with sweet disposition that displays violent or foul character traits”. What exactly is Dirty Orange according to you guys?

Dirty Orange: That’s brilliant about the French perfume and vegan cafe. But the name came about quite simply because George (vocals and guitar) and Connor (drums) look dirty and Scott (bass) has orange hair !

Live shows are said to be a high energy experiences

Your sound has been described as a perfectly balanced diet of Arctic Monkeys, The Clash, Nirvana and The Libertines. Do you agree with such classification?

Dirty Orange: (laughing) Yeah this list is a huge compliment as those bands are all massive influences on the music we write, but also there are some heavier rock influences on our sound from Motörhead to AC/DC.

You come from South London that is being described as the busiest part of the capital. How do you remember growing up there? Did having an easy access to cultural and artistic events helped you to reach the decision to pursue musical career?

Dirty Orange: Definitely! Growing up with such easy access to central London and famous music venues as well as art galleries has inspired us to pursue and write our music.

Every band started somewhere: at school, at a party, at football practice. Tell us more about your beginning as a group. Where did you meet and when did you know that you wanted to play together?

Dirty Orange: To cut a long story short, Connor, George and Scott all met doing this random summer job at a rugby club in Twickenham packaging season tickets when we were 17. We all got on so well. Connor played in a band at the time, Scott and George were into music but didn’t play. They decided to pick up their instruments a few years later and we bumped into each other on a night out where we decide to start this band and went from there. Fast forward a few years and we decided, we wanted to thicken our live sound by bringing in Beno (guitarist) who Connor went to school with so we managed to convince him up to come shred with us. Simple!

Your newest single is entitled “Hellraiser” and has been called an anthem for the young generation.  It has a very crisp sound and it is skilfully produced. Where did you record it and who is the producer?

Dirty Orange: “Hellraiser” is a massive track and a massive step up in production and fine detail for us. We were luckily enough to work with Wolsey White who has number one albums to his names and plenty of top 10 singles. We recorded the record in various different studios, all with Wolsey of course.

You have been working really hard this summer. You had some sort of a residency at Dingwalls Camden in London with several shows, you played Shindignation Festival, Red Light Sessions at August Bank Holiday Festival, Tramlines Fringe Festival, Hazfest in Kingstone, Venture Festival in Nottingham, The Great Escape Festival in Brighton and several others. And now you are back on the road again. Where do you take your strength from?  Loads of beauty sleep?

Dirty Orange: (laughing loudly) True, it has been a busy summer for us, but we never get tired from playing as it’s what we all love doing in life! We guess, we all have that extra push and energy to be playing, rehearsing and writing as much as possible! We also bounce off each other’s positivity in the band so it’s important we all have a positive mind set before every show/studio session/etc.

On September 28th you will perform in Birmingham with Dead Dad`s Club, Anoa and Whitelight. Are you planning something special for your West Midlands fans?

Dirty Orange: Oh yeah, it is going to be a massive night! It’ll be our first time playing in Birmingham so we can’t wait to see what the music scene is about and show what we got! So will be a special night!

What’s next for the Dirty Orange after the autumn tour? Are you planning to take a well deserved rest or is it back straight to the studio?

Dirty Orange: After the tour we will be taking a few weeks out as Connor is in Nashville doing some serious Dirty Orange networking! As soon as he’s back mid October, we will be writing rehearsing and gigging again. We already have November 30th planned at the Fighting Cocks in Kingston, plus 10th November in Staines with a local band that are good pals of ours.

Dirty Orange – bohemian like you

Last but very important question – if you could support any band active at this moment , whom would you choose and why?

Dirty Orange: Oooooh good question. Any band? That’s a tough question to answer so we will pick one each. For George, it would be Kings of Leon, for Scott it would be Arctic Monkeys, for Beno – Blink 182 and for Connor – Foo Fighters.

Please follow Dirty Orange on social media:

https://www.facebook.com/dirtyorangeband/
https://twitter.com/dirtyorange3
https://www.dirtyorange.co.uk/
https://www.instagram.com/dirtyorangeband/
https://open.spotify.com/artist/3tNGUtOuqPkXN7R4hIat6u?si=KLNW6wnBQFS_OgCtVxnDcw

We hope that you enjoyed this interview and we will be reporting back from the gig.

Ta for now,

Mal+Rita

 

Indieterria meets Anoa

Hello again!

Another day, another interview! We love working with young upcoming bands on the independent circuit and nothing gives us more pleasure than to discover new talented acts. We are extremely grateful for the chance to be able to listen and see the bands in action on stage and we cannot wait for Friday. If you are in Birmingham on 28th of September, please come to The Victoria and party with us. Vanadian Avenue is teaming up with Brighton based promoters – Modern Age Music to bring some amazing talent to town, so don`t miss out!

You can get tickets to the show at this address:

https://www.seetickets.com/tour/modern-age-birmingham-w-dirty-orange

Now, let us introduce you to our newest discovery – ANOA. This band has been touring and performing since 2016 but only recently has been flagged up on our radars. Lend them your ears and hearts dear readers, you will not be regretting it.

Poster promoting the show

Anoa 
Alex Harris,
Chris Johnston,
Mitchell Gordon,
Jared Gopal

Official bioA redolent, Leicester based, Neo-Punk set up, led by frontman Alex Harris, Anoa came crashing onto the scene late 2016. Lyrically dripping with dark sarcasm, their views are caressed with riffs that pack a punch. Known for their intensely frantic and wild live performances, the band certainly declare their arrival. Mitchell Gordon, Chris Johnston, and Jared Gopal complete the four piece. December 2nd 2016 saw the release of their self titled debut EP, featuring 4 tracks of a diverse variation. In April 2017 they released two A side singles which titled the boys with a punk styled identity; “I’m Alive, Are You?” And “Rock Bottom” allowed the quadruplet to slip into the same category as bands such as; Cabbage, Slaves & and The Sex Pistols. In late October they released their debut music video for their most vicious and bitter single, When In Kings Norton. Anoa closed the year headlining Leicester infamous venue, The Cookie. Where they celebrated the release of their most recent single, “Glorious Nuisance” which was aired by Dean Jackson on BBC Introducing East Midlands.

 

Anoa is an interesting name. It is the smallest water buffalo on Earth and also an armoured patrol carrier vehicle used by the Indonesian army. Where does your name come from?

Anoa: Our name choice probably won’t come as a surprise to you. In our younger days we’d be discussing our tiffs and tests with girls, quite often someone would pop up and say “Oh yeah, I know her”! That “I know her” in our common accent sounds very much like “Anoa” (laughing) and that’s where we pulled the name from!

You are hailing from Leicester, the home town of Kasbian, Cornershop, Maybeshewill, Basement Jaxx among other well-known acts. Tell us more about Leicester. Was it easier to start a band on an active and diverse local scene or was the competition making your beginnings much harder?

Anoa:  To answer your question about Leicester, the scenes is growing day in day out. It’s competitive, intense and frantic, but we wouldn’t have it any other way. We get on with a lot of local bands well, we all want the same thing after all. Our favourite tune to come out of the city is “100% Brimful Of Aisha” by Cornershop. Legends!

Anoa was founded at the end of 2015 and you quickly gained reputation for frantic and wild performances. Rumour has it, you scared the journalists from

ANOA in their splendor

NME who came to see you live all the way from London. We are dying to know what was happening on stage that night. If you could describe your live shows to somebody who has not had the chance to see you perform yet, what words would you use?

Anoa: The story about the NME journalist seems to be a fan-favourite (laughing).  We love it ourselves. We were informed a writer for the NME would be attending our slot when we opened up for Spring King in June 2017. We don’t think he’ll ever forget us, but we don’t think he wants to remember us either. Mitch dressed in fishnets, Harris smeared in lipstick, a guitar got smashed, think he got chinned in the mosh pit too… Poor bloke, seemed a decent fella. But yeah, we were well up for that gig and went out all guns blazing, was one to remember.  We can’t possibly settle for one word to describe our live performances, but can take a chance on 2: fucking nuts!

You are also known for sarcastic sense of humour and eccentric photo sessions like the one where you pose half naked with “We don’t bite” written across your chests.  What inspired you to choose this stage presence? Was it a conscious decision to shake and stir things a little bit?

Anoa:  We think, there’s a lot of musicians out there who are too “safe” these days. Don’t get us wrong, some bands can be static and deliver a breathtaking set, but that’s not for us. Our theatrical performances are just as important as our musical ones. We like stirring things up as well, there’s not enough people doing that. It’s nice to write a good love song but not one after another, we like to get under people’s skin and surface problems their surprising.. like the cunt who’s running this country!

Let us talk about your influences. It’s the classic Manic Street Preachers, T.Rex, The Sex Pistols, The Clash meets the modern angry wave of Cabbage, The Blinders and Idles. There is a lot of glam rock in your act as well. What inspires you to create?

Anoa:  You’ve nailed our influences there. We like to entwine old and new influences in order to create something fairly unique. Musically, we’re very punk inspired… but we do take the time to understudy performers such a, Freddie Mercury, Charlie Steen & Iggy Pop. What inspires us the most to create are situations full of anger. We’ve recently stepped into a political territory, god that makes us fucking angry! But that’s where our best work comes from. Heart on the sleeve sort of thing!

Anoa – vivid colors and real spectacle on stage

In December 2016, you released your self-titled 4 track EP. It got you a lot of radio play in the north and sent the BBC Introducing knocking on your door. You were played on BBC West Midlands, East and Manchester to very good reviews. Tell us more about this release.

Anoa: Our debut EP is very innocent in the ranks of our music. It drips with sarcasm but doesn’t quite take that step into analyzing issues in the world itself. Our EP displays our own issues, mainly lust related. Our latest single ‘Glorious Nuisance’ accurately portrays the quintessence of modern humanity. We were made up when that starting doing the rounds on the radio.

A year later, you returned with two A-side singles entitled “I’m Alive, Are You?” and “Rock Bottom” which are our absolute favourites. When were they written and in what circumstances?

Anoa: Our 2 A side singles were an important step in our scheme of work. We upped the anti musically, creating riffs with a lot more tempo and aggression and aimed to step away from writing about relationships. “I’m Alive, Are You” is basically a goodbye to our old self and allowed us to step into a category where we could create songs like “When In Kings Norton” and “Glorious Nuisance”. “I’m Alive, Are You?” gave us that beeline to become real fucking punks!

Calm before the storm

You will be playing Birmingham on 28th of September with Dirty Orange, Whitelight and Malvern based rock and rollers, The Dead Dads Club. Is it your first time in the West Midlands? What can we expect from you during the gig?

Anoa: To put it bluntly, this is our first time in the West Midlands and definitely won’t be our last, we’ll make sure of that!

2018 has been a busy year for you so far. What are your plans for the next months? Anything lined up for 2019?

Anoa: And finally our plans for the future seem to be taking shape. We’re going to be working on releasing a follow up to our debut music video, which will be accompanied by a very fierce new single. We’re aiming to edge our way onto Handmade festival in 2019 as well, having debuted there in 2017. Fingers crossed yay! Finally, we just want to express our gratitude regarding how well you’ve researched us. Thank you very much for getting to know us and for asking proper good questions.

Please follow the band on their social media:
https://www.anoamusic.com/
https://www.facebook.com/Anoamusic
https://twitter.com/Anoamusic
https://www.youtube.com/channel/UC_EbFRtBbfUlcqpFxwkLrZQ
https://www.instagram.com/__anoa__/
https://soundcloud.com/anoa_music
https://open.spotify.com/artist/3Xanv9nbTLElvbhY2EkEts?si=y5YfIlNlRy-tY-W1UvcvUA

We hope you have enjoyed our little interview with Anoa- they are charming, funny and very keen on getting their music out for people to hear it. And this is what won us over in their case. We will be down in the front during their gig at The Victoria, so please expect some serious updates to this blog – with videos and pictures in the weeks to come.

For now, thanks for reading and we will be back with you very shortly for another chapter in our ongoing journey in the Indielands.

Cheerios,

Mal+Rita

Indieterria meets Dead Dads Club

Dear Readers!

The first half of 2018 is behind us but your two faithful A&R’s are not stopping for an inch! In the last week we have travelled with Nuns of the Tundra to HowTheLightsGetIn festival, witnessed them play a semi acoustic gig at Paradiddles Cafe for Before The Music  workshops (similar in form to the “Story Tellers” on MTV if you are old enough to remember it!) and wave them off to go to Swindon for a meeting with a producer!

That’s not all! The Americas and Soeur were chosen by BBC Hereford and Worcester to play at the Wychwood Festival and you can see a short video of The Americas playing one of their best gigs on Vanadian Avenue Facebook page. In short, it was a crazy 7 days  but we are having the time of our lives (as usual anyway)!

New week and we have a brand new interview for you dear readers. We have sat down with Lee Richardson, lead singer of the Dead Dads Club, to discuss Malvern blooming rock and roll scene, new tracks and their love for the DIY, guitar driven scene led by bands such as The Blinders. Dead Dads Club will support The Racket on their first national tour and you can catch them both (plus the Jack Fletcher Band) at the Sunflower Lounge in Birmingham on the 9th of June. The show is organized by the great people at Modern Age Music and you can find more information about the show here:

Poster for gig at the legendary Sunflower Lounge on 9th June 2018

https://www.facebook.com/events/216304582300587/
https://www.seetickets.com/tour/modern-age-birmingham-w-the-racket

We have to admit that we giggled like schoolgirls reading the interview and Lee’s sense of humour (bit dry and sarcastic) made it one of the funniest interviews we ever hosted on Indieterria.

So, please enjoy!

Lee Richardson (vocals, guitar)
Matt Rawlings (bass)
James Devine (drums)
Milo Ferreira-Hayes (lead guitar)

Official bio:  Hailing from Malvern, Worcestershire, The Dead Dads Club consist of four close friends: Lee, Milo, James and Matt. Lee Richardson (lead vocals) is known for composing meaningful lyrics that everyone can relate to. There is a rich deepness as much as sense of humour backed up by strong, dynamic rock and roll acoustic steele string guitar. Lee’s chords are graced by Milo Ferreira-Hayes on lead guitar. Their partnership creates a unique sound with strong arrangements and lush solos. Then comes James Devine with his powerful drumming and unmatched beats that strongly root the band inside the alternative and independent genres. Matt Rawlings’ atmospheric and hypnotic bass completes the musical equation. The Dead Dads Club tour consistently and played many important venues in West Midlands such as The Sunflower Lounge, O2 Arena and O2 Institute in Birmingham, Gifford Arms in Wolverhampton or Marr’s Bar in Worcester. They shared stages with The Racket, HVMM, Nuns of the Tundra, Jump the Shark, Matchboy, Juniper Nights, Winchester, Ruben Seabright, The Soviets and many more.

According to your bio, The Dead Dads Club are four good friends with similar musical interests and outlook on life. You listen to the same records and laugh at the same (apparently unfunny) jokes. Please introduce yourselves to the readers of Indieterria.

Lee Richardson: All right, let’s get started. First, we have JD or James Devine. Our drummer is 23-year-old history graduate. Has a tendency to throw his drumsticks mid-song and he’s a huge music fan. One of the nicest guys you’ll ever meet, although he never shuts up (laughing).  Matt Rawlings. Bass. 19 years old. Studying music at college. Saved the band when our previous bass player Liam left as I was ready to jack it in.  Intelligent but quietly reserved, and says what he needs to.  Milo. Lead guitar. 17 years old. Studying music with Matt in Hereford. Channels Jimmy Hendrix and Stevie Ray Vaughan while he continues to develop his own style.  Highly intelligent, loves the ladies (and some men).  He’ll go places.  Lee Richardson.  Rhythm guitar, vocals. 30 something. Loves the band, they’ve become his family.  Came late to the music game but is glad he did.  Also, what really brings us together is we’re fed up of what is considered “popular music” these days. Where the hell are the guitar bands in the charts?  We aim to be part of the wave of new guitar bands that will bring back indie music to the masses. Its due, and it’s going to happen. Bands like The Blinders will lead the way for this new wave.

We heard there is a good story surrounding your first meeting. How and where have you met?

Lee Richardson: Actually, there is (laughing). I met JD first, in a pub over Christmas in 2016. He’d put an Oasis track on the jukebox and in my drunken state, I stumbled over to his table and asked who the Oasis fan was.  Initially, JD thought I was coming over to start trouble so… (laughing again). Anyway, we started chatting and he joined me at some open mic night accompanying me on Cajon. At one such open mic, we were just sitting down as a tall, good looking kid walked in with a guitar and amp in hand.  He set up and started banging out “Voodoo Child (Slight Return)” by Hendrix note for note perfect.  Jaws dropped around the pub, and I was introduced to Milo 10 minutes later.  Milo, being an old soul in a young body (he’s 17), decided he was going to adopt us and he started joining JD and I on stage.  Matt came into the band last as a replacement for Liam Blakemore, who left us after becoming a father last year.

Dead Dads Club Live
Picture by Duncan Graves https://www.facebook.com/duncan.graves

The Dead Dads Club is a highly unusual name. We did a little research about it and the results are very inconclusive. We found an episode of a popular American TV series “Grey’s Anatomy” bearing that title, a book, an independently released murder-mystery stage play and a scientific paper. What is the inspiration behind the band’s name?

Lee Richardson: A friend of mine, Tristan James (who is an incredible rapper and lyricist by the way) and I were working on some songs together two years ago.  Tristan’s dad had passed away two years before and mine had just died around the time.  We made a joke that we should call ourselves The Dead Dads Club. Some found it distasteful, we found it funny and as time went on, it proved to be an attention grabber.  As the band was developing in its infancy, we moved forward without Tristan as we felt that we wouldn’t be able to accommodate rap within our music, and that Tristan’s talents needed to have the sole emphasis placed on him alone.  We still work together and have a collaboration between DDC and Tristan James coming out this year.

The original line-up of The Dead Dads Club included Liam Blakemore on bass and Milo Ferreira-Hayes on lead guitar. Currently you have a newcomer, Matt Rawlings on guitar and Milo moved on to play bass. How long have you been working with Matt? When did he join the band?

Lee Richardson: We have been working with Matt just under a year now. We were lucky to find him after Liam left the band to concentrate on his new family.

Talking about Matt, we have noticed that him and Milo have a tendency of swapping guitars during gigs. Is it done only for certain songs or are you trying to totally confuse the audience?

Lee Richardson: Matt is actually a lead guitarist first and foremost, but we dragged him into the band as we needed a bass player.  Luckily, he could hold his own on the bass.  Matt and Milo swap their instruments over on a song called “Stop”. When we recorded the studio version, Milo was laying down his lead track, when I suggested an idea of putting something “Hendrixy” into the solo. Matt immediately heard something in his head, grabbed Milo’s guitar and played the most amazing little lick that had Milo put his hands to his head in disbelief and proclaim: “You’re a @*%^”! Please insert the swear word of your choice! We all still laugh about it months later. We have another new track in development about an unsuccessful application to play at a local festival that Matt will again take guitar duties on.  And yes, we love to confuse the audience.  It’s what we do best!

Your home town of Malvern is relatively small but it has long musical tradition and a vibrant scene. You are part of the local pack along with Nuns of the Tundra, Ruben Seabright, UltraMegaOK and White Feather Collective. Any explanation for such a high concentration of talent per square mile?

Lee Richardson: Malvern has always attracted arty types from all over the country. It has also produced many talented locals in many endeavors aside from just music. There’s good music everywhere, but I think a lot of people are scared to put it out into the open as they’re worried what people will think.  Bands like the Nuns of The Tundra and The White Feather Collective have got the balls to believe in themselves and their songs and they should.  They set the standard in Malvern for sure and I’d argue further afield than that as well. The Malvern scene has been very supportive of us playing our own songs, and that has provided us with a platform to build on to play bigger towns and cities. Of course, others would say the high concentration of talent is just down to the Malvern spring water (laughing).

Lee Richards singing his heart out
Picture by Duncan Graves https://www.facebook.com/duncan.graves

Dead Dads Club’s music has been compared to The Beatles, The Stone Roses, The Doors, Oasis, Crosby Stills Young and Nash, Tom Petty and the Heartbreakers, Ryan Adams and Arctic Monkeys – that’s some of the biggest names in popular music. Tell us what inspires you to write?

Lee Richardson:  Have we?  Jesus, we should be playing Wembley by now then if that’s the case (laughing). Our influences vary, but all those bands have been massive for me when I was growing up.  I have one goal when I write and that’s to infect a person’s mind with the melody or the hook.  If I see people dancing, tapping their feet or getting emotional when they hear Dead Dads Club track, then my job is done.  My lyrics aren’t really deep or even that good. It’s hard to write meaningful lyrics when you have a heart of stone (laughing again).  Most of the tracks have been inspired by either ex-girlfriends, stalkers or life events. I don’t look at the moon on a dark starry night and have flood of beautiful Dylan-esque lyrics come to the forefront of my mind’s eye.  I’ll leave that to all the Joni Mitchells of this world.  I’m rather in-your-face rock n roll writer with attitude and swagger. That’s enough for us.

Your shows attract large number of guest musicians and singers. We are especially interested in James Burnham who joined you on stage playing electric violin many times. Any chances of seeing him performing with you again?

Lee Richardson: James was an original member of Dead Dads Club along with Liam, Milo, JD and myself. Our sound changed after Liam left the band, and it was becoming increasingly difficult to accommodate a violin within a setting that was chasing a heavier charged more electric sound.  James Burnham is probably the most talented musical mind I’ve met and I plan on doing more acoustic recordings with him as a duo to add to the songs we’ve already recorded together.

Recently you played three gigs in one day. Were you celebrating a special occasion or trying to beat the Guinness World Book record for the biggest number of gigs played in a single day?

Lee Richardson: We already have a record for band with the most special needs, so we’ll settle for that one for now (laughing). We played at a 21st birthday party in Malvern and did an acoustic set to start things rolling, before packing up and heading to play at The Brickroom in Worcester.  We then headed back to the party to play a full electric set.  It was a good day and the alcohol certainly helped us along the way!

You have been working hard on your new batch of songs. So far you have given us three titles: “After the War”, “Chant” and “Buttons of Gold”. Can you tell us more about those songs?

Lee Richardson: We have such a backlog of tracks, it’s hard to decide what to bring to the set next!  The first song you are asking about “After the War” was written by Matt and myself after consuming half a bottle of Jack one Sunday afternoon.  Matt’s been listening to a lot of Jeff Buckley recently and wrote the trip chords. I wrote the lyrics and melody there and then. Not sure why, but I had images of a post-apocalyptic Earth ravaged by the aftermath of fallen society.  So, I just wrote the story that was forming in my head and we had the track recorded as a demo within an hour. Another demo recording, entitled temporarily as “Chant” in short is a peace protest kind of song. I channeled the “Hey Jude” chorus and came up with my own interpretation of that massive crowd singalong. We’re currently rehearsing “Chant” to add to the set, but “After the War” will probably end up as just a standalone song. It would be very difficult to reproduce the haunting sound we got on the recording on stage, unless we used multiple effects peddles and we don’t believe in overdoing it with those. “Buttons of Gold” is brand new track inspired in a way by the sound that The Blinders have made their own.  It’s about an experience that Jimi Hendrix had when he came to London in the 1960’s with two policemen who stopped him for wearing a WW2 military veterinary core jacket but really because of the color of his skin, let’s face it.  I encourage everyone to read up on it, it’s interesting.  I won’t bore you with the details here (laughing). Anyway, we’ll be playing “Buttons of Gold” for the first time in public at the Sunflower Lounge gig on June 9th. We are supporting another good guitar band, The Racket so come and see us there.

The band in full
Picture by Duncan Graves
https://www.facebook.com/duncan.graves

Next months will surely be very busy for you. What’s in store for the Dead Dads Club? Anything we need to know?

Lee Richardson: We’re having a month off in July to re-charge and find new inspiration.  Our EP is ready to roll now, and that’ll be out in August.  We’ll be throwing a release party at Carnival records in Malvern, and playing a set there too.  The momentum has been building nicely thanks to support from the Nuns and local promoters, and we’re going to build on this massively this year, guaranteed.  Long live rock n roll…and cheeseburgers.

You can follow Dead Dads Club on social media:

Management and booking:
Officialdeaddadsclub@gmail.com
Youtube: https://www.youtube.com/channel/UCBAV3WyU2Yika85Moux8uzg
Facebook: https://www.facebook.com/officialdeaddadsclub/
Soundcloud: https://soundcloud.com/deaddadsclublive
Instagram: www.instagram.com/officialdeaddadsclub

Articles about the band:
http://www.malverngazette.co.uk/news/15889224.Bands_to_play_in_Worcester_as_part_of_Independent_Venue_Week/
http://www.worcesternews.co.uk/news/16080910.Snow_forces_Malvern_band_to_postpone_gig_-_but_the_show_goes_on_in_nearby_venue/
https://www.expressandstar.com/entertainment/2018/03/13/birmingham-show-rescheduled-for-worcester-band-nuns-of-the-tundra/

We cannot wait to see Lee, Milo, James and Matt rocking The Sunflower stage again! Last time Dead Dads Club played there, they gave their best and the audience loved them. Some tickets are still available, so do yourself a favor and come see them live.

The Blinders might be leading the musical revolution, but Dead Dads Club are following their footsteps!

Please come back soon as we have  another great interview to show you before the big day  next Saturday!!

till then,
Rita and Mal
xxx

Indieterria meets The Racket

Hello, hello!

Band`s logo

We always say that the time goes really fast when you are having fun and it is true. So many gigs, so many outings, open air mic nights and  it is almost the end of May! But the most exciting months are still head of us.

The next big date in our rock and roll diary is the 9th of June when we will be going back to the beautiful Sunflower Lounge to see the newest indie rock sensation, The Racket. The quartet is now on their headlining national tour and they decided to pop into the legendary Brum venue to show the West Midland folk how to play, fast, powerful songs and how to thoroughly enjoy the experience. The gig is brought on by the amazing crew at Modern Age Music and we cannot wait to step into the mosh pit.

If you are interested in purchasing tickets for the Birmingham show, please click on the link below:
https://www.facebook.com/events/216304582300587/

Poster for The Racket gig on 9th July 2018 at the Sunflower Lounge

To prepare well for this musical feast, we sat down with the band to ask them several questions, from their early days in their hometown of Widnes, to musical inspirations, their newest single and some of the rock and roll antics that will definitely go down well into the  history of  modern music. The interview is one of the longest we did and we had a real blast. Thank you The Racket and hope you had as much fun answering these question as we had asking them and putting them on here!

The Racket – social media profile picture

Callum Codd
Mike White
Dom Eaton
Colby O’Sullivan

Official bio: The Racket is an alternative rock four-piece from Widnes that receives more and more attention on an independent music scene. The band have played their own headline sold out shows at Liverpools Zanzibar Club and Manchester’s Night and Day. They completed their first UK tour in 2017 supporting Louis Berry on numerous dates up and down the country then topped off with a hometown gig with Trampolene. Such creativity, melded with high energy enthusiasm, has been rewarded by them being listed by This Feeling as one of the big in 2018 bands. Their trajectory is steep and they are building momentum with every lager stained, sweat drenched show – and that’s just the front row. Having recently finished recording with Al Groves in the Motor Museum, the second release is finished and will be coming out later this year to coincide with their first music video. The band is currently on headline national tour with several summer festivals booked in including Great Escape, Confessional and On The Hill Festival as the main support to CAST. The Racket will play The Sunflower Lounge in Birmingham on 9th of June 2018 with support from The Jack Fletcher Band, FAITH and As Mamas.

You describe yourself simply as a “four-piece from Widnes”. Please introduce the band members to the readers of Indieterria.

Callum: I’m Callum. I’m guitarist and singer.
Michael: Hi, I’m Michael and I play the guitar.
Dom: I’m Dom, the drummer.
Colby: And I’m Colby. I play the bass.

Your home town boasts of strong musical heritage. Widnes lies closely to Spike Island where The Stone Roses held their legendary festival, it inspired “Homeward Bound” by Paul Simon (a song written at a local train station) and is referred in works of Belle and Sebastian (“Stars of Tracks and Fields”) and Elvis Costello (“Watch Your Step”). Jane Weaver and Mel C call Widnes home. The town also has a famous music venue – The Studio. Have your city and its history had any effect on your band?

The Racket. Picture by Culture City management https://www.culturecity.co.uk/the-racket/

Callum: To be honest the history of Widnes hasn’t influenced me at all and probably never will! It’s the present, the way people go about their daily routines today and their lifestyles. It interests me to write and sing about the people around me. Mostly just normal things, born mainly out of frustration but also out of enjoyment. I think all the best comedians, actors, songwriters are the ones who are down to earth and talk about normal things.

Michael: Widnes is just where we have grown up and lived. As for an effect on the band, well it’s the special people from Widnes that have carried us through since day 1 to where we are today. Without their backing, we’d be playing The Hammer and Pincers on a Friday night doing shit covers!

Dom: I don’t think it’s something we think about often. The town itself hasn’t had an impact too much, it’s more the people around us that have influenced us. Widnes is just like any other town in the UK and our songs are relatable because they’re about issues and problems that happen to people our age up and down the country.

Colby: I wasn’t very interested by music while growing up. I was way more into football, up until around 2005 and 2006 when there was a lot of new bands coming through like The Arctic Monkeys. I would say, from that time on, I was influenced by music more than anything else.

The Racket is being compared to The Sex Pistols, Libertines and The Cribs. We can think of a dozen indie bands who would be mortified by the pressure to deliver. Comparisons to the greats seems to invigorate you. Do you have a way to handle music related stress?

Callum: We don’t often get stressed. We’re all good mates and we’re doing it because we love it. If people want to compare us to others, then so be it.

Michael: Every band gets comparisons as soon as they start. It gets boring when people ask, what sort of music are you? Get off your arse and go see a band live and it might just blow your mind! I think it’s in our nature to compare music to what’s gone before, but there’s no stress or pressure. We’re just doing what we’re doing and still would be whether people think we sound like The Sex Pistols or Danny Dyer’s Chocolate Homunculus.

Dom: It’s great being compared to The Sex Pistols and The Libertines because we’re fans of these bands but we’ve heard it that often now, that for me, it has become a bit meaningless. This is our band, we want to do our own thing, create our own sound and make our own impact. What invigorates me most is playing live and knowing that you’re playing to a crowd of people that want to hear your music and are going for it just as much as you are. Of course, we’re serious about the music and where we want to take it but we’re still four really good mates having a laugh and doing it cause we enjoy it. For me there’s no pressure on us.

Colby: It’s always nice to be compared to good bands from the past but I don’t think it affects us in anyway. We just want what they’ve got or had and it’s our music out there for everyone to hear an enjoy.

On the set of their first music video by Sitcome Soldiers Ltd https://www.facebook.com/sitcomsoldiers

In one interview you mentioned that your songs are born out of “boredom, teen angst and social commentary”. Which song you have penned so far makes you truly proud of and what it is about? 

Callum: Going back to what I said earlier about normal, mundane things. There’s a song I’ve wrote called “Two Minutes Hate” which is exactly 2 minutes long and goes through the routine of someone who gets up, goes to work, comes home, has their tea, goes to bed, repeat. Frankly, it’s most people I know! This is why, I think I’ve managed to capture it quite well. Quite proud of that one, but I also love the song called “Why Are You Watching Me” mainly cause of the riff!

Talking about teen angst, the photo promoting your single “Faded Days” shows your bare bottoms lined up along a wall. The picture is accompanied by a quote taken from the lyrics that states you are fed up being “bend over backwards for a man who’s in a suit”. Very risqué yet incredibly brave for a young band. Did it get you in any trouble?

Callum: (laughing) Not yet, no! Hopefully it does sometime otherwise we would have just stuck on normal picture there! And it’s funny you pointed out that lyric because we genuinely had it on there! We love playing footy and that’s how you end a football match where I’m from!

Michael: (laughing as well) The only trouble I had was having to look at Dom’s hairy arsehole all day!

Dom: We haven’t got into any trouble for it yet, still time though (laughing). I don’t know why anyone would complain though. I’ve been told on at least two occasions, I have a great arse.

Colby: Let’s just say, for the cover of “Faded Days” we wanted to do something everyone can relate to the lyrics in the song so…(laughing)

You will be playing important indie festival this summer – Liverpool Calling with all the hottest acts on the circuit: Sheafs, Soeur, False Heads, Himalayas, Strange Bones or Emily Capell. What do you prefer: large stages or intimate venues?

 

The Racket performing live in Liverpool on 19th of April (supporting Trampolene). Picture by Tom Adam https://www.instagram.com/tomadampics

Callum: Definitely the small ones. Getting loads of energy in front of us in a small room is something special. Honestly one of the best feeling you’ll ever have. At the same time though, we’ve not played many “big” stages yet. From what we’ve done so far, I’d definitely choose the little scenes any day.

Michael: There’s no feeling like playing to a packed tiny room. People falling on stage and knocking mic stands over. I think when we’ve played the bigger venues, I don’t like being more than a step away from the rest of the band.

Dom: Playing intimate venues is great. Being so close to the audience allows you to feed off their energy and excitement, it’s a great feeling being in that moment. Playing bigger venues is something I’m looking forward to doing more because I think it becomes more of a challenge then A test to see if we can get what we want to say across to a bigger audience.

Colby: It’s always nice playing in front of new people at festivals and getting out there with your music but there’s nothing like a small gig with the fans that follow you to every gig. They always put on a good show for us to watch while we’re playing. We never mind them watching us!

The new single “Know It For A Fact” has received rave reviews and is promoted on BBC Introducing Merseyside. We have to admit it is incredibly powerful track, which surely will start mosh pits. You are one of few bands that manage to bring the fury and dynamics from the live performance onto the record without losing an edge. Any secrets to your recordings?

Callum: The last single was recorded live with hardly any takes and minimal over dubs. I think that makes it sound exciting. This time, we have done it differently. We worked with Al Groves at The Motor Museum and he has done an amazing job. I think just the amount of time we spent getting the best, most exciting, angry drum take possible made everything else a lot easier. Full day for the drums for one song!

Dom: I think it’s just a case of spending enough time on getting great takes and getting the sound right. I was definitely conscious of putting the same amount of energy into the recording as I do when playing live and hopefully that’s something that come across. Al Groves, who we worked with on “Know It For A Fact”, has done a great job and it’s his input and ideas that have made it what it is.

Colby: There’s no real secrets to how we record our records. We just go into the studio knowing what we want the song to sound like. For “Know It For A Fact”, we knew we had to do a powerful recording, because that’s how the song comes across live. It is important for us that it should come across exactly the same when you are listening to the track at home.

The band performing live at the Magnet Liverpool on 4th of February. Picture by John Hollingsworth https://www.johnhollingsworth.biz/

On 9th of June 2018 you will be playing at the legendary Sunflower Lounge. Is it your first time performing in Birmingham? What can we expect during the show?

Callum: I never been to Birmingham before but expect a set of fast, loud rock and roll tunes. It’s also a Saturday night so expect a lot of drinking to get done! (laughing)

Michael: We’ve only ever been to Birmingham New Street station on our first trip to London as the band, so to us it’s a new experience. You’ll have to show us some good pubs for before the show! As for the gig, expect some poor attempts at Brum accents in between songs. (laughing)

Dom: It is our first time in Birmingham and I’m really looking forward to it. I think what people can expect is just a lot of energy and a lot more sweat. We’re going to put everything into it and show people why they should be paying attention to us.

Colby: As others said, we have never played Birmingham before. I’m expecting a good night, plenty of drinking. We play every gig loud and fast so the crowd should love it

This tour is your first as a headliner. You will be playing dates all over the country across the month of June, ending with a gig in Liverpool. Is there anything you want to do, any places you want to visit?

Callum: It’ll be good to go back to our favourite pubs in different cities like The Harley in Sheffield, Good Mixer in London, just as long as Sunday morning, we’re in The Bradley in Widnes!

Michael: I’m looking forward to London. We know there has been demand for a gig down there for a while, so that’s set to be a good one. Sheffield is always fun. Finishing the tour in Liverpool to our crowd will be the perfect end!

Dom: I’m just looking forward to visiting new cities, new venues and playing for new people. We’ll be out of our comfort zone. It’s our first headline tour so I’m just buzzing off that.

Colby: Really looking forward to headlining each night. The one I’m looking forward to the most is probably Sheffield. We had a really good time last time we played there and hopefully we will have the same great atmosphere again.

The band performing live at the Magnet Liverpool on 4th of February. Picture by John Hollingsworth https://www.johnhollingsworth.biz/

Last obligatory question: where do you see yourselves in five years’ time. We predict Pyramid Stage at Glasto. Your picks?

Callum: Well, The Pyramid Stage is the big one for me, always has been! I think as long as we’re still together playing music we love, whatever that be at that time is the most important. Right now, who we are, and what we’re doing is perfect and the future is looking bright for us.

Dom: As long as we’re still together, playing the music we want to play and enjoying it, then I think I’ll be sound, I’m also ambitious and the thought of playing bigger venues and bigger and better gigs and doing all the major festivals definitely motivates me. I want us to be successful and to not only be around in five years but for people to know who we are.

Colby: (laughing) Probably jail for strangling Mike at some point!

You can learn more about The Racket by visiting their social media pages:

Management: https://www.culturecity.co.uk/the-racket/
Facebook: https://www.facebook.com/TheRacketMusicUK/
Twitter: https://twitter.com/theracketuk
Instagram: https://www.instagram.com/theracketmusic/

More articles about the band:
http://liverpoolnoise.com/band-feature-the-racket-widnes-music/
https://hotvox.co.uk/artists/racket

Please come back soon as we will have interesting interviews and reviews coming up shortly!
Have a good week and don’t forget to drop us a message or leave a comment.

xoxox
Rita and Malicia

 

Indiaterria meets As Mamas

Ahoy!

Welcome back to Indieterria, dear readers. We hope you had a fantastic bank holiday weekend. The weather was great and we finally caught some sunshine after being constantly hidden away in the office (during the day) or lurking in the dark venues and dive bars (at nights) looking for the next big thing on the English music scene. Trying not to become vampires, on Saturday we went to Cardiff to see Manic Street Preachers at the MotoArena and it was a dream come true! After 25 years we finally had a chance to see Manics perform live in their home town! The gig was sold out, over 7 000 people sang their hearts out and we met a dear friend Rebecca (aka Crossfire) whom we’ve known for more than 20 years. It was the first time we have seen each other in person. In short – it was a beautiful day and you can expect a large report later on.

Now, we are back to business and we are more than ecstatic to introduce you to a trio that had been on our rock and roll radar for over a year now. They started as a duo, recorder their first EP at the back of a classic caravan and blew our minds with perfect mixture of psychedelia, classic rock and huge dosage of blues. They are growing better and better and the release of their second EP only prove that they are already outgrowing the small West Midland scene.

The golden era of rock and roll is coming back and with bands such as The Lizards, TSAhe Americas, Raptor and Insomnichord, we might be looking at the second revival of the British psychedelic rock! We have sat down with our today’s guests, As Mamas to discuss their very unusual name (we HAVE NOT seen that coming!), musical influences from both sides of the pond and the changes to their sound brought by a new band member.

Ladies and gents…We give you:

.

As Mamas still as duo

As Mamas
Harrison Baird-Whitman (guitar, vocals and harmonica)
Joe Devine (drums and percussion)
Jacob Coley (bass) 

As Mamas is the grooviest name we have on Worcester scene. It brings the swinging 60’s to mind and all the classic, ground-breaking bands like the Mamas and the Papas. Where does your name come from?

As Mamas: (laughing) It is a funny story. When we first started, we wanted to be called “The Tits”. There was just the two of us and we thought the line “Who doesn’t love a pair of tits” would get us far. We then realised, we probably wouldn’t get too far with a name or line like that so we threw “The Tits” into a translator and randomly chose Portuguese. Now we’re “The Breasts”.

You recently incorporated Jacob Coley on bass. What abilities does he bring to the table?

As Mamas: The guy is a little fucking genius! When we first practiced with him, we thought maybe we’d have to go through some chords or long practice with him but Jacob just picked up all our songs like that! It’s also a completely different feel for the band and for Joe (Mr. Drums) who’d never played with a bassist before. Having that lo sound to ride with! Jacob is not only a bassist but is also producing the new tracks we’ve recorded. He is showing us things we have never seen or heard of before. We love him!

Psychodelic picture of the band as a trio

You have been compared to early Black Keys but there is so much more happening in your music. Syd Barrett, Caravan, 13th Floor Elevators, Led Zeppelin, the Beatles, Funkadelic, Jefferson Airplane, and even Grateful Dead could be named as possible influences. Do you agree?

As Mamas: Thank you! We get compared to the Black Keys frequently which is understandable but we take inspiration from all those bands mentioned. We’ve been listening to the 13th Floor Elevators a lot over the past few months so some of our new material has pinches of them in. We all have different tastes but those bands and artists have certainly influenced Harrison. He digs the Grateful Dead and the entire psychedelic movement they were a part of along with bands such as The Acid Tests and The Merry Pranksters. Their music is what dreams are made of!

To date you have recorded two EP’s (“As Mamas” from 2016 and “Parte Dois” released in March 2018). We know it is like asking to compare your children but what are the strong and the weak points of both releases?

As Mamas: Harrison would say that say the first EP doesn’t hold much in terms of strong points but we’re always critical of what we’ve done. Although, we will always dig the tracks and what kind of music we were doing then! The recordings and production on the first EP is sort of shabby but that was when we did everything out of the caravan in Harrison’s back garden. Saying that though, we still play the first track and still get the same joy out of playing it but it could be simply down to Jacob joining us (laughing). It’s hard to compare the two releases. “Parte Dois” is more mature. We had grown musically and gotten better at our instruments and song writing. The sound of it is definitely “bigger”. It just came with learning more about production. We now know more of what to add, and what not to add. Putting a bit of organ here and a bit of percussion there, you know.

And more traditional picture of the band performing at Paradiddles in Worcester, March 2018

Second EP “Parte Dois” is heavily inspired by American delta blues (Howlin Wolf, Muddy Waters, Bo Diddly) and garage rock of 60’s and 70’s (The Standells, The Kinks, the Sonics) but it has a modern twist to it. Reviewers hear a lot of traditional psychodelia mixed with a bit of Arctic Monkeys, The Peace and Night Beats.  Who else was thrown into your own inspirational melting pot?

As Mamas: We think the first EP was more inspired by the blues! Harrison was listening to a lot of reggae and rocksteady when he was writing the songs for “Parte Dois”. It comes through particularly well on “Idle Eyes” for sure. “Foolish Vibrations” was meant to be a real slow reggae track but thankfully Joe made it what it was. Night Beats were a big influence and still are. Other bands that inspired that were The Doors, always The Doors. Then the Growlers, Modern Lovers and several others. Again, we are all different but we’re usually on the same page and listening to the same stuff!

We absolutely love the single “The Lights Are On but Everyone’s Wasted”. It is one of your fan favourites and recently was chosen as a song of the week by BOAC Internet radio. Surely it is not about falling asleep on the floor after a party with the corridor lights on (or is it)?

As Mamas: (laughing loud) “The Lights Are On but Everyone’s Wasted” is always rad to play live. Good one to get in the groove to. It can be about whatever people want but Harrison is pretty sure he wrote it about letting your mind run away with drugs and going a bit insane. We got quite a few songs about going mad!

Elegantly psychodelic

As Mamas are constantly on the go performing in Worcester (Paradiddles, The FireFly, The Marr’s Bar), Bristol, Birmingham (selling out Sunflower Longue) and London (Amersham Arms, Reverberation Psych Fest) among others. You have played as a part of This Feeling circuit. Tell us about your favourite show? Where was it and with whom you have shared the stage?

As Mamas:  We gotta say our favourite show was one we played recently with Rhino and the Ranters at the Night Owl in Birmingham. The venue is just perfect, real cool atmosphere and a sort of 60s feel to it. Plus everyone who works there seems to really dig what they’re doing. Then Rhino and the Ranters are one of the best live bands we’ve had the pleasure of seeing, always fun with them. And in the future, we will play Bristol for the first time on the 12th of May at Mr Wolf’s along with Arno and DJ Hiphoppapotamus.

Last year (April 21st 2017) you were invited to play at the Booth Hall in Hereford along with Raptor and New Revival. How do you remember the performance? 

As Mamas: We are honest, we were probably a few drinks in! Our memories are pretty terrible but we remember we played this groovy little blues jam. And it’s always sweet to play with Raptor. They’ve been with us since the beginning really.

Imagine you can put your song on a soundtrack to any movie. Which film do you choose and what scene it illustrates?

As Mamas playing live

As Mamas: Shit, that’s a hard one! We have always pictured our song “Midnight Floor” being over a bar fight or some real gory Tarantino scene. So either a bar fight scene in “Roadhouse” or that scene in “Django Unchained” where Django’s getting all geared up to take on Monsieur Candy’s house.

As Mamas have been incredibly hard this year and we see no signs of you stopping. Where can we see you playing live next? What are your plans for the next few months?

As Mamas: Yeah we don’t plan on stopping anytime soon! Gigs, gigs, gigs – this is what it’s all about. We play live next at the Firefly in Worcester with Elephant Peel supporting Thee MVPs which is sick! That’s gonna be a crazy good show. Plans for the next few months are probably gig more and finish off recording what we think will be our album. We’ve also got some plans to collaborate with another band and release a split single but we haven’t asked them yet and it’s still very much just blue prints but you watch this space!

You can follow As Mamas online by clicking on their plethora of social media sites:

Probably our favourite picture!

Soundcloud: https://soundcloud.com/asmamas
Facebook: https://www.facebook.com/asmamasband
Youtube: https://www.youtube.com/user/asmamasband
Bandcamp: https://asmamas.bandcamp.com
Instagram: https://www.instagram.com/asmamasband/

As usually, if you’d like to be featured on Indieterria, please send us a message and we will be listening to your music.
Any genre is welcomed – from rave to black metal, from A to Z – we are open minded and we are not afraid to discover new lands!

Email us at rdabrowicaz at yahoo dot com and see the magic happen 🙂

Till we meet again,
R+M

Indiaterria meets Karkosa – Korean version

Hello!

We never thought that our  interview with Karkosa would be that popular! Thanks to all of you who shared and liked our post – it means so much to us! And we also went viral. Our interview turned out to be very popular among the Korean fans of the band!

We would like to thank Mia Choi, our lovely translator who worked so hard to translate this interview in a day and a half! That must be a new world record, we are sure about that!

You can find the English version of the interview here:
https://cocamidemea.wordpress.com/2018/04/16/indieterria-meets-karkosa/

And now for all of  Karkosa’s fans in Korea, here it is! Enjoy!!

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언젠가 우리는 우리의 유튜브 채널에 이 블로그에서 인터뷰한 밴드의 특집을 기획하고 싶다. 그들의 밴드명은 카르코사(Karkosa)이고 여러분은 향후 몇 달 뒤면 그 이름을 더 자주 듣게 될 것이다.

카르코사

우리는 년초 런던에서 진행된 인디콘 컨퍼런스에서 카르코사를 만났다. 그들은 우리에게 아주 훌륭한 인상을 남겼고, 카르코사의 리드 보컬 마이클 워녹(Michael Warnock)과 마주 앉아 짧은 대화를 할 수 있어 기뻤다. 그들은 우리가 만나 본 사람들 중 가장 친절하고, 노력하는 사람들이었다! 그들의 독특한 밴드명, 인디 어워드에 후보로 오른 것과 심지어 지구 반대편 팬들을 얻게 된 것까지, 무수히 많은 얘깃거리들이 있었다. 카르코사는 더 많은 것들에 도전하고 있고, 우리는 그들이 가능한 빨리 그에 도달하도록 계속해서 응원할 것이다.

Big in Birmingham

공식 소개: 영국의 인디 락 밴드 카르코사는 마이클(Michael)과 잭(Jack) 워녹(Warnock) 형제에 의해 2014년 버밍엄에서 결성되었다. 리드 기타에 톰 러쉬튼(Tom Rushton), 베이스 기타에 라이언 트롯(Ryan Trott), 그리고 키보드에 윌 클루스(Will Clews)를 영입한 뒤, 밴드는 한 묶음의 곡들을 작곡, 녹음해 온라인에 게시했다. 그들의 멜로딕하고 폭발적인 락 사운드는 캣피쉬 앤 더 보틀맨(Catfish and the Bottlemen), 로얄 블러드(Royal Blood), 그리고 더 아마존스(The Amazons)에서 크게 영감을 받았다. 카르코사의 첫 싱글 The Devil’s Greatest Trick이 2016년에 발매되었고, 이어 2017년에 싱글 Monarchy, Sheffield, Where the River Flows가 발매되었다.

마이클 워녹 Michael Warnock (보컬/리듬기타)
톰 러쉬튼 Tom Rushton (리드기타)
잭 워녹 Jack Warnock (드럼)
라이언 트롯 Ryan Trott (베이스)
윌 클루스 Will Clews (키보드)

흑백의 카르코사

소개를 보니 카르코사는 4년 전 버밍엄에서 결성되었네요. 인디테리아(Indieterria) 독자들에게 밴드 소개와 밴드의 시작에 대한 이야기를 부탁드려요.

마이클 워녹: 제 생각엔 제 동생 잭(드럼)과 제가 그것보다 좀 더 일찍, 그러니까 5년 전쯤 밴드를 시작한 것 같아요. 저희의 첫 공연은 아빠의 40번째 생신 파티에서 였어요. 그때와는 멤버가 조금 바뀌었지만요. 저는 톰 러쉬튼(리드기타), 윌 클루스(키보드)를 우리가 함께 음악을 공부한 BOA칼리지에서 만났어요. 가장 마지막으로 영입된 멤버는 잭과 같은 학교를 다닌 라이언 트롯(베이스)이에요. 우리 말로는, 우리가 더 아마존스, 캣피쉬 앤 더 보틀맨, 로얄 블러드의 영향을 받은 인디 락 밴드라고 이야기하곤 해요.

카르코사는 밴드 이름으로는 아주 독특한데, 이상하게도 기억하기에는 쉬워요. 어떻게 이 이름을 짓게 되었는지 궁금합니다. 저희가 예상하기로는 미국 작가 비어스의 단편 「카르코사의 주민(An Inhabitant of Carcosa)」에 나오는 가상 도시에서 밴드 이름을 따 온 것이라고 생각이 드는데, 맞나요?

마이클 워녹: (웃음) 네, 맞추셨네요! 카르코사라는 이름은 로버트 체임버스의 「노란 옷 왕(The King in Yellow)」이라는 책에서도 등장해요. “고대의 신비로운 가상 도시”로 묘사되죠. 사실 그 이름을 사용하기로 한 건 저희 아빠의 아이디어였어요. 카르코사의 C 철자를 K로 바꾸어 사용하게 됐죠. 독특하기도 하고 우리 맘에도 들고요.

새 싱글 “Lonely Kid”는 아주 흥미로운 곡이에요. 아티스트 앰버(Amber Le Grys)가 디자인한 앨범 표지가 단순하면서도 굉장히 눈에 띄고요. 이 곡에 대해 더 소개해 주시겠어요?

“Lonely Kid” 싱글 앨범 표지

 마이클 워녹: “Lonely Kid”는 2017년 7월부터 쓰기 시작한 곡이에요. 이 곡은 칼리지에서 대부분의 친구들이 떠나고 그들의 관계들을 맺어갈 적에 제가 느꼈던 것들을 담고 있어요. 저는 저 혼자 있는 게 괜찮았어요. 또한 저는 보통 제목에 적힌, “lonely(외로운, 혼자의)”라는 단어에 대한, 슬프다는 고정관념을 깨는 무언가를 만들고 싶었어요. 앰버가 만든 아트워크가 꽤나 곡의 분위기를 잘 살려준 것 같아요. 당신이 말했듯이 단순하지만, 굉장히 효과적이죠. 저희의 이전 아트워크들과는 달라요. 곡의 클라이막스 부분은 파라모어(Paramore)의 “Ain’t it fun”의 브릿지에서 영감을 얻었어요.

3월은 여러분들에게 아주 바쁜 달이었어요. 3월 17일, 출신지인 버밍엄 O2 Institute에서 서포트 밴드 North Parade, Elliot Sturman과 함께 헤드라이너로 공연하기도 했고요. 그런 다음 캠던의 Dublin Castle에서 공연하러 런던으로 이동했죠? 그 때가 런던에서의 첫 공연이었나요?

마이클 워녹: 저희가 헤드라이너로 섰던 공연은 굉장했어요. 저희가 마지막 공연을 맡는 게 흔치 않은 기회라는 점뿐 아니라, 저희의 멋진 새 베이스 드럼 로고와 ‘카르코사’라고 적힌 배너를 걸고 공연하는 첫 무대였다는 점에서도 의미가 있어요. 게다가 저희는 이제껏 가장 많은 티켓을 팔았어요! 전반적으로 저희도 굉장히 즐거웠고, 관객분들도 좋아해 주시는 것 같았어요! 캠던에서의 공연은 이전까지 저희가 한번도 해본 적 없던 것이라는 점에서 훨씬 더 신났어요. 새로운 지역에서뿐 아니라, 새로운 관객들 앞에서 공연하는 것이기도 하잖아요. 정말 놀라웠던 사실은, 관객분들이 엄청나게 즐겨주셨다는 거에요. 심지어 저희가 마지막 순서여야 했다고 말씀하시면서 말이에요! 아무튼, 굉장한 주말이었고, 또 다시 거기서 공연할 수 있기를 기대하고 있어요!

라디오 DJ 스티브 켈리(Steve Kelly)가 여러분에 대해서 꽤 적지 않은 동료 진행자들이 그들의 곡 ‘Sheffield’를 좋아한다. 과장이 아니라, 그 곡의 기타워크는 The Eagles, 내가 가장 곡인 ‘Hotel California’급 수준이다. 내 생각에 ‘Sheffield’는 아마 우리가 라디오 스테이션에서 틀었던 최고의 곡이고, 앞으로도 자주 선곡할 것이다.” 라고 한 바 있습니다. 이렇게 락 음악사에서 가장 사랑받은 곡과 비유되는 건, 보통 평범한 칭찬이 아니죠.

법을 어기고 있는 카르코사… (역주: 사진에 ‘자리에 앉으시오. 일어서지 마시오.’ 라고 적혀있음)

 마이클 워녹: 저희가 스티브 같은 사람과 연줄이 있다는 건 정말 행운이에요. 저희가 처음 만난 이후부터, 그는 쭉 저희를 응원해주었거든요! 저희는 그와 첫 라디오 인터뷰를 진행했었고, 저희의 헤드라인 공연에서 그를 개인적으로 만날 수 있어서 정말 기뻤어요. 그는 저희를 보러 엄청 먼 Blackpool부터 와 주었다니까요! 저희는 그를 5월에 다시 만나기를 기대하고 있어요. 그가 저희 밴드에 쏟아주시는 엄청난 열정을 보는 건 기분 좋은 일이니까요.

그 밖에도 많은 곳에서 인정받고 있죠. BBC Introducing West Midlands에서는 여러분의 연달아 발매된 세 싱글들(“Monarchy”, “Sheffield”, “Where the River Flows”)을 방송했고, 마지막 곡은 2017년 7월 금주의 곡으로 꼽히기도 했으니까요. 또한 여러분들은 리즈, 에든버러, 바스, 플리머스를 돌며 성공적인 국내 투어를 마쳤고, 끝내줬던 Sunflower Lounge 공연을 포함해 몇몇 공연은 매진시키기도 했어요. 그간 열심히 노력한 게 드디어 빛을 보네요, 그렇지 않나요?

 마이클 워녹: 그럼요. 저희는 이 모든 것들을 “사다리 오르기”라고 보고 있어요. BBC Introducing에서 방송된 것은 꽤나 멋진 일이었죠. 그치만 저희는 더 작은 라디오 방송들에서 선곡되는 게 훨씬 더 즐거웠어요. 진행자들이 항상 저희 음악에 대해 더 많은 것들을 말해주었거든요! Sunflower Lounge에서 공연하는 것도 굉장히 즐거웠어요. 우리 음악에 맞춰 모슁(역주: 락 공연에서, 몸을 부딪혀 가며 격렬하게 춤 추는 것)하는 팬들이 있었거든요. 관객들에게 가까이 갈 수록 항상 더 큰 활기가 느껴지곤 해요.

우리는 당신의 수상 프로듀서 개빈 모나그한(Gavin Monaghan)과의 콜라보에 대해 물어봐야 할 필요가 있겠네요. 더 셜록스(The Sherlocks)와 함께한 그의 최근 작업들은 갈채를 받고 있어요. 울버햄튼에 있는 그의 유명한 스튜디오(매직 가든)에 다녀왔나요? 몇 곡을 녹음했나요? 그리고 우리는 언제 그 곡들을 들을 수 있죠?

마이클 워녹: 개빈과의 녹음은 알려져 있는 만큼 매우 신났어요. 저희는 수많은 멋진 수집품들로 가득 찬 그의 매직 가든 스튜디오에서 작업했어요! “Where the River Flows” 한 곡만 녹음했지만 또 다시 Gavin과 작업하고 싶어요!

2018년은 당신들에게 돌파구가 될 만한 해인 것 같아 보이네요. 지역 언론으로부터의 주목, 공연 매진, 카르코사의 미래가 특히나 밝아 보이는군요. 다음 달엔 당신의 열성 팬들을 위해 스토어에 무엇이 준비돼 있죠? 우리가 지켜봐야 할 새로운 공연이나 싱글들이 있나요?

카르코사 홍보 사진

마이클 워녹: 올해는 지금까지 엄청났고, 이제 겨우 4월이에요! 지금까지, 저희가 참여할 훌륭한 공연들이 아직도 많이 있고, 저희는 또한 버밍엄 뮤직 어워드에서 최고의 인디/얼터너티브 밴드 후보에 지목됐어요! 현재는 Isle of Wight festival에서 공연할 수 있는 HotVox 투표에서 선두를 달리고 있어요. 대한민국에서 저희 음악이 입소문을 타고 있는 덕분에요. 저희는 올해 저희가 또 무얼 할 수 있는지 기대하고 있어요. 그리고 만약 메이저 페스티벌에서 공연할 수 있다면 저희 모두의 꿈이 이루어지는 셈이겠죠!

아래 링크에서 저희를 투표할 수 있습니다.
https://hotvox.co.uk/artists/karkosa

이건 흔히 있는 일이 아닌데요! 버밍엄 밴드가 세계 반대편에서 입소문을 타다니! 한국에서 여러분이 유명한 이유가 뭔지 아시나요?

마이클 워녹: (웃음) 솔직히 말하면, 저희도 잘 모르겠어요! 저희는 SNS에서 저희를 팔로우할 여유가 있는 모든 사람들과 관계를 맺으려고 노력했어요. 처음엔 그저 적은 수의 팔로워 였는데, 정말 며칠 만에 저희가 천명이 넘는 한국 팔로워들에게 답장을 보내고 있더라고요! 주로 인스타그램과 트위터에서요. 그들은 저희 음악의 링크를 공유해주었고, Isle of Wight festival 투표도 도와주었어요. 저희는 언젠간 그곳에서 공연하기를 기대하는 중이에요!

카르코사를 SNS에서 팔로우하세요:
www.karkosa.co.uk/
https://en-gb.facebook.com/officialkarkosa/
https://twitter.com/officialkarkosa
https://soundcloud.com/karkosa
https://www.youtube.com/watch?v=SLFIGmi7Cwo

유용한 링크들:
https://bromsgrovestandard.co.uk/news/northfield-band-and-worcester-singer-through-in-austin-socials-search-for-a-star/
https://artists.nme.com/artist/karkosa/

우리는 앞으로도 우리의 최애 버밍엄 5인조 밴드, 카르코사의 행보를 지켜볼 예정입니다.
지금으로서는, 당신도 버밍엄 뮤직 어워드-라이징스타 투표를 통해 그들을 응원할 수 있습니다. 투표는 4월 24일에 마감됩니다.

투표 링크:

https://www.facebook.com/thebirminghammusicawards/posts/831404343728207
https://www.survey-maker.com/poll1927441x550C4e13-538

Text: Malicia and Rita Dabrowicz
Translation: Mia Choi

고맙습니다!!