Indieterria meets TommyandMary

Dear Readers,

Band logo

Since we are already in July and the days are longer, we will have a double (or maybe even a triple) portion of Indieterria this month. So much music to listen to and great bands to tell you about. This episode is all about Thomas and Mary Yaman, known professionally as TommyandMary.  This is our pleasure and privilege to introduce you dear readers to punk rock duo that is building themselves a cult following in London. Based in Brixton, they work hard, play even harder and have won their fans not only by the strength of their music, but also because of the affection and respect they show each other.

We have sat down with Tommy and Mary to speak about their new album, busking, being  independent artists and song writing.

Forget about Sid and Nancy, we have got better couple in town! And they rock!

The Angels of Brixton

The Angels of Brixton

You are described as British answer to The White Stripes. Like Jack and Meg White, you are married and until recently, you have played exclusively with each other. You also divide band duties in similar way as Mary plays drums whilst Tommy concentrates on guitars and vocals. Do you consider comparisons to The White Stripes to be a badge of honour, lazy journalism or perhaps you  just don’t care?

Tommy: I think people will always compare us to The White Stripes and many other duos. I personally don’t think we sound like The White Stripes at all. I grew up  when The Strokes, Kings of Leon and The Libertines and off course The White Stripes all came out at the same time. But Jack and Meg were never my cup of tea. Mary didn`t even know who they were until someone mentioned them to her while we were busking.

Can you remember the moment when you two decided to form a band together?

Tommy: Yes, very well. We were outside my old apartment where Mary and I lived for a while. The band I was in at the time and Mary joined had split. I wanted to play solo as I found it difficult to cope with all 5 personalities I had to play with at the time. And Mary thought it would be cool if we played just us two and carried on our musical journey together.

The fondness you show for each other is unparalleled on the indie scene. Band bio says “TommyandMary are one word because we are that close”. You wear matching attires (“I prefer the drummer” – Tommy, “Unavailable” – Mary) and then there is “Angels” – powerful love song  about yourselves released as a single. We have to say – it is incredible to witness such affection.

Mary posing in her signature “Unavailable” tee

Matching attires.

Tommy wearing his “I prefer the drummer” shirt

Mary: Music is a very sensitive and fragile form of art and the fact that we are married and are in a band together just makes it even more personal. We grow together as individuals and as musicians and the love that we have for each other makes everything seem possible. I hope it shows in our music!

Another thing that sets you apart from other acts is your working ethics. For the last two years you have combined regular gigs with extensive busking. It seems the life on an independent artist is pretty intensive.

Tommy: We’ve stopped busking for now. We couldn’t stand it anymore (laughs) but I think we learnt a lot from it. It built our confidence.

Your busking escapades quickly turned into a permanent residency at the Oxford Circus attracting hundreds of people each time you played. Can you tell us how does it feels to be playing on Britain’s busiest street?

Tommy: Busking gave us an opportunity to meet some amazing people from all over the world and acquire some professional contracts. Mary got sponsored by Underground and we both got sponsored by company called W.S.Studio. Not to mention that we had once-in-a-lifetime opportunity to record our latest album “Authority” at Rupert Cobb’s Gun Hill Studios with the AMAZING Gary Wallis. So I think the goods outweighs the amounts of times we were harassed by the public and judged for being beggars by some clothing companies that had no idea about our passion for performing and playing music.

Tommy at The 100 Club

Mary posing for the Underground brand

Is it safe to be a busker in London? And  a question that must follow the first one – is it profitable  in the times of everlasting rush and gripping austerity?

Tommy:  I think anything is profitable when your passion for something is bigger than the price. And  to be honest, no it isn’t safe. Especially when there is still a minority of crazy, ignorant people in the world and as a busker you are exposed to it.

Your regular gigs took you to some of capital`s most celebrated venues. Among many 100 Club, Nambucca, Camden Assembly and now 229. How is club circuit responding to independent acts?

Tommy: We’ve definitely been to some amazing venues like 100 Club and 93 Feet East. It gave us a chance to meet some bands and musicians that have been in the game for a while longer than us. It’s inspiring but also feels overwhelming.

Mary at The 100 Club

TommyandMary supported number of prolific artists, most recently The Telescopes. How do you recall that particular show?

Tommy: Having been on the same stage as some legendary acts, we both felt like we really had to step up and not let our ancestors down.

Mary, you are known for very technical and powerful style of drumming despite downsizing your kit to bare essentials. Something similar was practiced by Palmolive  (original sticks woman of the punk heroines The Slits). What inspired you to hit things for a living?

Mary:  I can’t agree with saying that my drumming is technical at all. In fact loads of drummers criticised me about the way I sit, hold sticks and set up my drum kit. But yeah, I prefer aggressive style of drumming as it allows me to feel the songs and it is just boring otherwise. Tommy suggested busking one day and I just went with it.

As a band`s chief tunesmith, you don’t shy from tacking contemporary topics such as corporate/precarious work (“My manager is a prick”), obsession with celebrities (“Rich acting Rich For The Poor”) or going though existential crisis (“Red”). Do you believe that it is important for artists to be socially and politically active?

Tommy: I believe if an artist is only writing about ego or their own spoilt opinions, he or she is avoiding the honesty that lays in each person’s heart. Whether this is political or not, the truth is that we are all in this journey together and being ignorant, self indulgent or judgmental isn’t something that I encourage. But being empathetic to both worlds, the ego and the selflessness give me an insight into what lays in-between inaction and people’s willingness to ensemble, and this is something worth writing about. Contradiction is something that is often reflected in my thoughts and actions and I want to learn more about psychological and philosophical aspects of writing. So I don’t think politics is really my strength.

The band is on their third independent release. “Authority” was debuted earlier this year and was recorded at Gun Hill Studios in London. It is a significant change in sound compared to “The Things we love” (2015) and “Smoke Break -Side A” (2016). Your songs are layered, elaborate even. Are you satisfied with this new direction?

Sleeve to debut release Together We Love

Smoke Break -Side A – collage and pins, this record is in our musical archives and is signed!

Authority – third release

Tommy:  For our  first album “Together We Love”, I had written all the songs and Mary didn’t have much of a say or creative input. But as we grew musically together, we began to think collaboratively on our sound and direction. Our experiences started to reflect in our music and we really started to learn more about our sound and what we wanted to write about.

“Authority” is accompanied by three promotional videos (“Angels”, “Authority”, “The Rich acting Rich For The Poor”) and an alternative DIY video to “The Rich…” directed by the band, a fan documentary and a video interview. That’s an enormous amount of work put into promoting the album. Do you enjoy collaborating with others?

Tommy:  We have made a lot of friends from our music and we absolutely love spending time with them. The DIY videos that we made are all about the collaboration that we can have with our friends and using their talents to make things happen. But also it is important for us to have a great time making something together.

We heard though a grapevine that you are planning to introduce a new guitarist  to the fold.

Tommy:  A lot of bands add members after a while to create a wider range of sounds. We decided that this isn’t the direction we want to take. We want to keep it as it is. We don’t want to change. Although we were thinking of  bringing a friend in for our next show  as he is an amazing guitarist and writer. I know for sure that he will be very successful with his music in the long run. But no, we won’t be adding another band member.

Random. Last. Question. If you could travel to the golden years of rock music with whom would you tour?

Tommy: The Clash did a lot of busking in their days. So I would have liked to play a few shows with them.  I think Mary’s drums would have been a huge factor in pushing boundaries in the late 70s (laughs). Or perhaps I could be in New York playing a few shows at CBGB`s with The Dead Boys, that would have been amazing, having been given the opportunity.

Mary: I would have played with The Rolling Stones and Queen.

TommyandMary: One Word

You can follow TommyandMary here:

https://www.tommyandmary.co.uk
https://www.facebook.com/tommyandmary/
https://twitter.com/tommyandmary
https://www.instagram.com/tommyandmary_punkduo/

Upcoming gig

0n 7/7/2017 TommyandMary will play a gig at 229 Venue in London, if you are around, grab your tix here:

http://www.ticketweb.co.uk/event/280535
http://www.seetickets.com/event/absent-kelly-introducing-bexatron/229-venue-2/1106054

See ya in the mosh pit  kids!

Rita+Mal

Indieterria meets Jesse River Dylan Murray

Dear Readers,

JRDM`s heart shaped logo

Let`s take a walk on the wild side.  Our next discovery is not only talented singer-songwriter, with a unique sense of fashion and penchant for poetry.  They also have a list of inspirations long for a mile (William Shatner, Shrek, Ted Hughes, Stefan Raab, David Attenborough, Julian Lennon to name a few), witnessed Eurovision in Vienna and have a whole box of cds from their trip to India. They play rock but their debut EP is called “Classical Music”. Feeling confused? Good, a little vertigo won’t hurt. We have been observing Jesse River Dylan Murray for weeks at the open mic nights around town and finally had a chance to question them for this month`s edition of Indieterria. We hope you will enjoy this interview, because we surely had so much fun preparing it. Can you blame us? Jesse`s cool as few tons of Persian kittens and we can barely wait for 19th of July when the EP and the jaws will drop.

Life’s got everything to do with music

Look sharp! Jesse is a skilled photographer taking all his promotional shots. Ah those pesky kids today, daring to be creative and talented!

Meeting Jesse River Dylan Murray almost feels like stumbling upon the icons of rock and roll golden era. Soft-spoken, dressed in vividly colorful attire that places them somewhere between Marc Bolan and David Bowie, Jesse instantly becomes the center of attention. Their impromptu, refreshingly innovative sessions at the open mic nights around Worcester are like a breath of fresh air. Having heard the rave reviews, we wasted no time to see them in action for ourselves. This is what we have learnt…

Jesse River Dylan-Murray – that’s a fantastic name and a well suited one for a rock star.  Please introduce yourself.

Well, it’s not a stage name in case anyone was wondering, it is my full birth name. I’m apparently named after River Phoenix & Bob Dylan. I’m a guitar-playing songwriter based in Worcester (against my will) and I inhale hope and exhale disappointment. I don’t really aim to become a rockstar – in fact the very term somewhat grates against me like splintery wood. I feel like that whole title has been & gone and comes with this set of specific ways on how to do music which I don’t want to be tied down by. I loathe describing myself almost as much as I loathe BBC Radio 2 & The X Factor.

You have studied at Nunnery Wood High School that is known for placing a great emphasis on art and music. Other graduates include Jodi Hughes, Ewan Pollock and brothers Zac and Alfie Jeavons- from Lost Tiger to the Wild. Did the artistic education help to shape you as a musician?

 I always thought Nunnery Wood was a science-biased school… I had very little interest in music generally when I was there. Pretty much all I was listening to at the time was Marilyn Manson & Michael Jackson (my goth phase & my inner child viciously grinding against each other.) It wasn’t until 2010 when I started to really get into music fanatically (starting with Alice Cooper) and I didn’t get my first guitar until the middle of 2013, a year after I’d left college. My mother’s boyfriend, who had been playing since the 60s, probably, gave me a few lessons in the beginning, but the short answer is that I was never formally educated in music nor was I at all inspired by my educational background. I hated school with a near-maniacal passion and still look back on it with disdain.

Jesse as a guitar hero (self portrait)

One of your songs entitled “Smoke without fire” received a lot of airplays on social media. It is a very complex and interesting composition. Can you tell us more about its beginnings? What is the message behind it?

This song I can actually, unlike most of my songs, pinpoint to an exact moment in time. I was having a conversation with my stepdad in a pub last March and we were talking about rumours & the media, and he said something like “People say there’s no smoke without fire, but you know there absolutely is.” And that’s what the song’s really about in my mind. Spurious rumours, dirty gossip, twisted media. From the playground level to the international level. A bit of anger there in that song

Given the opportunity, we have to ask about another of your songs – “Everyone Wants To Look At Me But Nobody Wants To Look Me In The Eye”. With its poetic yet sarcastically sad lyrics and melodic riffs, it almost sounds like a track that didn’t make the cut for The Smiths’ “The Queen is dead” album.

“Classical Music” EP cover

“I live on the outside of the outside because the rebels and the punks and the freaks and the queers don’t want to know me.” It’s a fairly straightforward song I think, with its almost comically mammoth title. Not entirely sure when I conceived that song, but I had the title stuck in my head for what felt like at least a couple of years. I mean it’s obviously about being stared at and not fitting in, as so many songs are (I’m not even a Radiohead fan) but on another level it’s a lot more. It’s about not even fitting in in the usual groups of outcasts, feeling out of place literally everywhere, accepted or otherwise, but most importantly not even having any clue what you are. To paraphrase the brilliant Chicago-originated musician Ezra Furman: “People say ‘oh just be yourself’ but I don’t have any clue what that is…”.

Your debut EP entitled “Classical music” will be released on 19th of July. What can we expect? Are any of your previously released demos included or are you going to treat your fans to something completely new?

Smoke Without Fire is on there in the center of it. Everyone Wants… is currently being worked on to be released separately. The EP will contain 6 tracks – 5 original plus an instrumental bit of classical music (hey-hey did somebody say theming ho-ho) – at a rather beefy 31 minutes and will cost £3 – that’s the same as a meal deal readers, only this lunch don’t have no consume-by date! It will also contain the bouncy anti-pop protest anthem That’s Got Nothing to Do With Music, which I’ve been bombarding poor old Worcester with for a while and will most likely be released as the leading single for this by the time this issue of SLAP comes out, available for download. So get on that.

You have recorded at the famous MayB Studios in Pershore along many established acts such as jazz sensation Hot Fingers, London legendary punk rockers Bad Habits or Worcester Music Festival veterans Amorphica. How would you describe working with one of the best music producers and engineers in the county?

The studio’s owner, Peter May`s top person. He always knows exactly what he’s doing and is pretty quick to figure out what you want if you’re not sure how to describe the sound you’re looking for. He’s in the room with you through the whole process – no soundproof glass, no separate room – so you get a proper teamwork feel to it and it’s pretty easy to communicate quickly enough and make the most of your time there (which is also pretty cheap at £10 an hour.) He is, so far, my only experience of working with a producer/engineer and I feel like I’ve lucked out. You also get to work with some pretty swanky top-notch equipment, and if you’re really nice to him he’ll even make you a lovely cup of tea.

Imagine you have a chance to gather any musicians from local or international scene to create an ultimate artistic dream team. Who would share the stage with you and why?

 Thinking locally, I’m a big fan of Ellie Williams and her end-of-the-world song writing and absolutely bellowing pipes. Looking forward to her EP when it comes out and I’d love to work with her. I also like Ben Dallow quite a lot – locally nicknamed “Britpop Ben” for I suppose his rather Gallagher-esque appearance and drone. He has a great non-stop style of guitar playing where he mixes rhythm and lead really well, and gives the impression of being so ice-cool you could hit him with your car and he might not even notice. There’s also Rueben Lovett, Cheltenham-based guitar player and a brilliant writer. Only ever seen him live once so far, right after I’d just left the stage at Marrs Bar’s open mic. I was so sweaty and needed to step outside to cool off, but found myself rooted to the spot by this unique charisma he has. A bit punky but largely just special. Don’t know about a bassist and drummer though… just a load of writers & mostly guitar players lacking the foundations. Chaos.

Sit down next to me (auto-portrait)

Your fashion sense is very unique and you have been compared to David Bowie’s stage persona of Ziggy Stardust and Adam Ant’s Prince Charming. What inspire you?

 My sense of fashion just exploded one day in Cheltenham, when I was 15 years old. I was there seeing my very first ever gig, and my friends & I found this vintage clothes shop on a side street called Browsers. And I’m talking ridiculous vintage here: flares, tassels, glitter, shoulder-pads, zebra-print. I’d never been somewhere like there before. Prior to that I was on the tail-end of my goth phase and moving into the zone of checkered shirts (God knows why) but in that shop something in my head clicked and said “Hang on… I can wear anything!” And I went to that gig that night wearing this ridiculous heavy red velvet waistcoat with 2-foot-long tassels dangling from it (still got it too.) My sense of fashion just evolved from there and that wear-anything philosophy. I’ve since lost sight of the point of even gender-pigeonholing and mix in the make-up, heels & dresses with the suits, leather jackets & jumpsuits. I want it all. I just get bored very, very easily and don’t like to stick to one style for long.

What are your plans for the rest of the year? Where can we see you play live?

 My EP launch party will be at The Chestnut on Wednesday July 19th – that’s free entry as well – and I’ll have my very first paid gig at the Brecon Fringe Festival on August 13th. Beyond that I’ll keep inflicting myself upon the open mics of Worcestershire – primarily The Marrs Bar, Firefly & Chestnut – until I move away. I’m still small time. I’ve only been performing regularly for about 14 months. You’ve caught me in what are hopefully only the very early stages. Just another noise-maker in a line of noise-makers. Though my noise is often a few decibels apart from the night’s standard – either quieter or louder, depending on my general mood and whether I want to croon about a mythical Greek monster or bellow & growl about alcohol. Do come see the noise, though. It will be – deep breaths now – FUN.

Poster for the EP launch party on July 19th 2019

You can follow Jesse at:
https://www.facebook.com/JRDMcreations/
https://soundcloud.com/jesse-river-dylan-murray

You can find this interview in the July edition of Slap Magazine:

http://www.slapmag.co.uk/slap-issues/issue-71-july-2017.pdf 

or download the file from here:

issue-71-july-2017

Nearly a centerfold! Jesse featured in SLAP Magazine July 2017

As we said, before we sat down to talk with Jesse, we seen them several times performing live and each time Jesse would blow us away. Their stage presence is immaculate and the clothes and killer shoes are just unearthly. It`s like Richey Edwards raiding Bernard Butler`s wardrobe in the 1990s. Or Freddie Mercury, or Syd Barrett or Brian Molka or Marc Bolan or Stevie Nicks…it`s like walking on set of Velvet Goldmine, Breakfast on Pluto live… we can go on until tomorrow morning.

We took some shots for you, so you can judge for yourselves.

Jesse`s amazing stage outfits.

Dressed to slay we tell you.

Classic look and killer heels

We will see you on the 19th July for the EP launch. As Jesse said – it will be FUN.

xxx
Mal+Rita D.

**** Update 26/07/2017****

New Poster for the EP launch

Pushing at the boundaries – “Classical Music” EP launch

Chestnut Inn in Worcester is an unusual place. For starters it looks like it should belong in Hay On Wye. Books and antiques can be found in every corner. On second glance, the pub feels like a crossover between Leaky Cauldron and Peel Archive.  Fat, red cat roams around demanding cuddles from the customers, big portraits of rock and blues stars on the walls seem alive and there are vinyl records in big piles near the bar. No wonder that  Chestnut was chosen as a venue for Jesse River Dylan Murray`s EP launch on 19 July 2017.

The Chestnut Inn in Worcester

This place is like Cash in the Attic episode

Some of those records are really old and still being used!

Large portraits that give Chestnut Inn quite a character

Chestnut Inn decor is out this world, we tell you.

That is self explanatory!

A wild child of Worcester music scene, Jesse cannot be easily squeezed  into a box and they have more aces in their sleeve than a skilled gambler.  One moment channelling Bowie, the next singing like Tom Waits, Jesse easily changes from glam to indie to alternative with charm and buoyancy that captivates the audience. We can tell you that when we entered The Chestnut, the house was full.

Before Jesse hit the stage, we had a pleasure to listen to two support acts: Stephen L Wright (locally known as Nobby Wright) and Benjamin Dallow.  Stephen L. Wright continues a proud tradition of classic blues and we are sure that sooner than later Nobby will find himself on the other side of the Pond. Ben Dallow (who filled in for Redwood as she could not perform due to conflicting schedules) on the other hand is fully immersed in British rock. There is a lot of Oasis and Paul Weller influences in Ben`s music but since when comparison to the Modfather is a bad thing? Dallows version of Jam`s That’s Entertainment was fresh and done in his own style, so no complaints from us here. It also should be noted that Ben`s performance was arranged the night before the EP launch at a last minute but it worked out perfectly. That’s the beauty of our local music scene.

Ben Dallow during his performance

Rock`n`Roll star

We think we need to introduce Ben to Mikey Johns of This Feeling.

Once Ben Dallow finished his set – it was all about Jesse and their music. With their signature guitar, full make up on and snow white shirt, Murray mirrored Richey Edwards in passion and  stage persona and equalled American indie sensation Michete in outspokenness.  They played the EP in full and when that was not enough, they turned to a cover (brilliant version of Heroin by Velvet Underground).

For a young performer Jesse surely has dedicated friends – some of them came as far as London for the launch and at the end of the night, Jesse was presented  with a huge bouquet of summer flowers. Not Morrissey-esque flowers but equally sweet.

Bold in their performance, but there was a bit of stage fright too, we think.

Rocking to a crowded room

Jesse on stage

a view from the first row

In their element

Not everything was perfect. Jesse like many other acts has to learn on the job and perhaps the set was too longish but we did not really mind. Even if we had to buy the EP from one of Jesse`s friends and not the artist themselves.

It was a fun night – full of excellent music, chaos, silly conversations, too many pints and had all the marks of “I was there” moment. If given right amount of endurance in this dog-eat-dog industry, Jesse River Dylan Murray has all the talent and persona to become not just a local starlet – but a full grown rock and roll start in their own right.

Better than Moz.

Set list

Credits:

Jesse River Dylan Murray:

https://www.facebook.com/JRDMcreations

Stephen L Wright (also known as Nobby Wright)
https://soundcloud.com/nobby-wright

Ben Dallow
https://www.facebook.com/benjamin.dallow

The Chestnut Inn
https://www.facebook.com/TheChestnutInn/

 

Indieterria meets nth cave

Hello  Dear Readers,

nth cave logo

For June edition of Indieterria we have prepared an interview with another incredible artist from local scene in Worcestershire.  And nothing makes us more happier than to bring good indie music to your attention. But there`s a first to this month`s column. nth cave must be the youngest band we have ever sat down with. It`s both awesome and intimidating experience to witness such young artists with such huge potential. You see them play live a sold out house and you can only imagine how they will develop as musicians and artists. We hope you will enjoy the interview and when we are all old and grey, we can tell our grand children: “we were there, we seen them at the very beginning of their careers”.  And that will not be a lame claim to fame!

Talent to the nth degree

nth cave posing before their BBC Introducing session Photo by Andy O`Hare https://www.facebook.com/andy.ohare1

They are young, fearless and immensely talented. Appreciated by critics and audience alike, the quintet mysteriously named nth cave is taking the West Midlands music scene by storm.  They are yet to release their debut album and their members may not be old enough to enter the venues they play unaccompanied,  but their music and stage presence are drawing crowds that would make senior or well accomplished acts jealous. We sat down with brothers,  Hector and Fergus Brazier to learn more about the wunder kids of Worcestershire.

 nth cave is a very unusual name. Can you tell us where does it come from?

nth cave: The first period of nth caves existence we went pretty much unlabeled, because we weren’t really regularly gigging and we had no real original material to share with anyone. At this point, our high school music teacher would refer to us as “Danni and the Elements”, which we met with quite a large amount of disdain, but we had no real other ideas for band names so we kind of went with it for a bit. After a while we started doing a few gigs and had started to write some original song ideas. At this point we were desperate for any name other than “Danni and the Elements”. We started playing about with some ‘band name generators’ on the internet. After a few hundred attempts it churned out “nth cave” which we all agreed ‘isn’t really too terrible’. And I think that’s how we all feel now. It’s not too terrible but it really isn’t great. It just does its job as a band name. Our music really speaks for itself, I think, and the fact there’s no real “epic story” or anything behind our name represents our rejection of some of the more pretentious and faux-intellectual characteristics that a lot of other bands strive for.

You started out as a 4 piece but expanded by adding Lauren Mulhearn on bass. Your original bassist Alfie Newman moved then to second guitar. How did the line up change affected you musically? Is it easier or harder to play as a quintet?

nth cave:  nth cave was always intended really to be a quintet. We actually started out in high school as a five piece. However the second guitarist just had too many other commitments (jobs and family stuff etc…) and this, combined with a growing amount of musical difference, led to us and him growing apart. So we started gigging as a four piece, but with the majority of the songs and covers being designed for a band with duel guitars, there was a notable ’emptiness’ about our sound. This is when we started looking for a bassist, who appeared in the form of Lauren Mulhearn via Twitter DMs. After a couple of rehearsals she was up to speed with our whole set and we started gigging as a five. This was met immediately with positive responses. With the second guitar adding stability to the foundation of the songs this consequently allows for notably more freedom and expression in both the lead guitar and vocals

nth cave performing at Marrs Bar photo by Duncan Graves https://www.facebook.com/duncan.graves

Homecoming gig at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

Your guitar player Fergus and drummer Hector are brothers. Yay or nay for having your sibling in a band? Is any sibling rivalry involved in the music making process?

Fergus: Nah there’s no rivalry, as long as we’ve both played instruments we’ve jammed together so we’re normally pretty aware of each other’s styles and mannerisms in music.

Hector: There’s no problem with siblings bring in bands together, I doubt that anyone can’t think of a band with brothers or sisters. Oasis, Peace, Cage the Elephant, The Jesus and Mary Chain, and that’s only a few. Oasis may not have ended that well but their initial success or any bands success isn’t hindered by having siblings together in the band.

 You recorded your BBC Introducing session at the Phoenix Theatre in Ross on Wye in April 2016. How do you remember this experience?

 nth cave:  nth cave’s BBC Introducing session was a brilliant opportunity for us, as a band. However I would say that it came about at the wrong time for us. At the time of the session we were still playing as our original lineup and consequently we were musically driven in a fairly different direction to the one which are now. As well as this we still had little to no popularity at all and we had yet to even make a dent in Worcester’s local music scene. This meant that our session (unsurprisingly), as generous as it was from BBC Introducing Hereford and Worcester, went pretty much ignored. Since then we’ve really grown as a band and developed a lot more of a style. Despite this, the most recent music that we’ve sent to BBC Introducing was acknowledged but not broadcast which is a shame because we all really appreciate the work that BBC Introducing do for unsigned artists, and we just wish we could ‘get in on that’.

Still as a quartet – nth cave before expanding photo by Josh Foster https://www.facebook.com/phojf

Sonically you place yourself between Wolf Alice and Nirvana. Who else would appear on your wall of fame?

Hector: Personally I see nth cave as the coming together of a wide array of genres and styles, with band members contributing to our songs based upon their own musical upbringing. With individual influences ranging from jazz to hip-hop to pop punk our music is filled with hyper-subtle references to some of this music. I would like to point out at this point that nth cave are most certainly not a “jazz, hip-hop, pop punk group”. That honestly sounds disgusting.  It is because of this fact, however, that sometimes it can be quite hard to place our “middle ground” musically. Artists such as Wolf Alice and Nirvana are fairly influential to the majority of the band and its because of this that we place ourselves (somewhere) within the “alternative/indie” genre.

Fergus: nth cave’s “Wall of Fame” really does have to include some of the artists that we regularly cover like The Strokes, Pixies and The Wytches. I would say, it’s through covering artists like this that we have really started to improve our own, work taking influence from the upbeat guitar driven pop sound of The Strokes, the intense dynamics of Pixies, and even some of the sonic elements found within the heavy lo-fi surf rock of The Wytches.

While our singer’s voice has been regularly compared with artists such as Broadcast and Stereolab, her largest influence, vocally, comes from the work of Kasabian.

As well as these artists, bands such as Led Zeppelin, Radiohead, Pond and The Velvet Underground, I fact the bands writing style is particularly influenced by the likes of The Velvet Underground and that whole alternative New York scene, as far as I’m concerned Lou Reed, as well as being the ‘god father of punk’ is the father of all worthwhile western music. These artist would all feature nth cave’s ‘Wall of Fame’.

nth cave is making a name for itself on national independent scene in record time. You started in late 2013, two years later you were featured on Andrew Marston BBC show. This year you played all important venues between Bristol and Birmingham. You leave your competition far behind.

Homecoming gig at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

nth cave playing live at Marrs Bar – photo by Lissy Witch https://www.facebook.com/LissywitchPhoto/

 nth cave: We’re pretty happy with what we’ve achieved over the past year gigging, mainly in Worcester and Birmingham. We’re set to play in Hereford next month but are yet to play in Bristol. The music scene right now is great down there so hopefully we’ll make it. It’s a dream of ours to be able to play in every city in the UK so we have a long way to go yet.

Our favourite track is entitled “Bass”. You even shot a popular video at the Birmingham City University. Can you tell us something about the song? Working with film students must have been a fascinating experience.

 nth cave: So the student who was our main contact for it was Petko Stankov who was a technician at an acoustic gig we played. He decided that we were the kind of band he wanted for his music video module so he chose one of our songs and we got an audio recording session and a video recording session at BCU. We’ve had loads of good feedback from it and we were really impressed by how professional it looks so thank you to Petko and his team for making it and thank you to everyone who watched and shared it. We heard from someone recently that part of the most recent Star Wars film was filmed in the same studio as our video which is insanely cool if it’s true. One shame about the video is we didn’t have Lauren in the band when we were working on it; it would have been great.

After a string of successful singles, it is time for a full release. Can you tell us more about your first album?

nth cave:  Well we’re still deciding what would best for us, to release an EP or a full album. Either way we want to go to the studio soon but there aren’t any actual album plans yet, but we do have lots of ideas for its artistic structure and a lot of album name suggestions. For now though we’re happy with working on our material and gigging. We really, really hope there will be an album eventually though.

nth cave demo that is currently in our music archives

SLAP:  Your future is already looking bright but things will only get better. What can we expert from you guys in the next months to come?

 nth cave:  To be honest we’ve got no set big plans other than the occasional gig. We are however hoping to hear back from a couple of festivals that we’ve applied to play at. As far as our own material goes, it’s just a case of getting some recording sessions done. We certainly have enough original work to put together an album, it just all depends on what opportunities arise for us. We’re hoping to work more with Boneyard Sessions to increase exposure for some of the more talented (yet under-appreciated) bands in the Worcester music scene. So overall we want to get our original material together and get ourselves out there as much as we can, and hey, if someone wants to offer us a sweet record deal? We’d consider it. Hopefully this’ll be the busiest and most progressive year for nth cave and we’ll just keep up what we’re doing and see where it takes us.

Screenshot from Slap Magazine

 You can follow nth cave online at:

https://www.facebook.com/nthcave
https://soundcloud.com/nthcave
https://twitter.com/nthcave
www.instagram.com/nthcave

You can also read this interview online as a part of SLAP Magazine

http://www.slapmag.co.uk/issue-70/june-2017/

Or download this file from here:

issue-70-june-2017

nth cave has been announced as one of the first bands to play this year`s Worcester Music Festival. And we cannot be more excited.

http://www.worcestermusicfestival.co.uk/bands/nth-cave/

Come back again, next edition of Indieterria will be slightly different. For the first time, we will have a solo artist in the hot seat!

xxxooo

Rita +Mal

Indieterria meets Michael Knowles

We go political!

Michael Knowles blows a kiss towards audience at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

Everything`s political as Skunk Anansie song goes. And May issue of Indieterria will be all that and even a bit philosophical.

We are steering back our ship to Worcester shores to introduce you to Michael Knowles – leader of The STDs and one of the most controversial figures in the Midlands. How politically incorrect is Mr Knowles? His new single is called “Theresa May is a cunt” and contains language so strong you may want to dig out your “Cop Killers” and “Straight Outta Comptons” out of the basement instead. We can see you rolling your eyes and ears dear readers. So we will ante up and tell you that besides being potty-mouthed, Michel Knowles has a voice of 4,5 octaves, a pitch perfect hearing and is a trained in music production.

Aha, controversial yet talented – now that is a hard mixture to swallow for some. It is much easier to dismiss musicians and artists as immature and looking for attention when  they are painted as  common nobodies. Much harder to do so when artists are seen as complex humans who have their strengths and exercise the right to freedom of speech.

The current world of pop music has been derived of controversial and outspoken characters to the point that you cant even hear songs on the radio that were in heavy rotation 20 years ago in the middle of the day. Try requesting Nine Inch Nails` Closer nowadays on the radio and see what they will play you.

Indie scene had always a place for counter culture and the obscene and we are happy to report that independent and unsigned artists are stepping in to fill the hole. Shame have fantastic “VISA Vulture” with its libelous video to match, The Blinders paint messages on their guitars and Michael Knowles and The STDs hammer the message nicely from our town.   You may see it as unnecessary and infantile – but we see it a form of balance. Music is broad enough to incorporate Little Mix and The STDs in all their respective popness and cockiness.

Fear not. The interview below is all nice and dandy and you may find out that controversial  figures can have a lot of cleaver things to say. We loved the passion Michael has for his musical heroes. So sit back and read on:

Michael Knowles performing live at Drum and Pig pub/music venue on its final night before a temporary closure and management takeover. Worcester, February 25, 2017

 

Michael Knowles – a stream of consciousness

Technology is a wonderful thing. For example, it allows you to interview artists even late at night from the comfort of your own office. You type the questions into instant messenger and wait for the answers to arrive. Piece of cake. On the downside, technology can`t replicate that old fashioned feeling of excitement that every music journalist feels when meeting a new and promising act in person. And you need to know Michael Knowles surely earned himself a name to be regarded as exciting and controversial in equal measures. He fronts a band called The STD`s, dresses like it`s 1980s and is known for performances that are politically incorrect yet hilariously funny. No journalist would pass  the opportunity to see what makes Michael tick and we are no exception.

This is what we have found out:

Tell us about the band. How many of you and how did you start?

There were only three of us to start with: Steve Church, Dean Thomas Carter and myself. Steve and I had worked together in the past on an album I never released. Dean and I had played together in the house band of The Flag in Worcester (back then known as The Tap). One day we went to this kid`s backyard studio and we all fit really well so we started looking for a bassist as at the start Steve was on guitar.  Over time we’ve had some great musicians join us on – George, James or Tadd. They have come and gone to find new projects. Right now the line up is Steve on bass, The Jack (Tad Jones) on guitar, Dean on drums and myself on vocals. Plus I play guitar too.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

So four guys in a rock and roll band that is nothing like Worcestershire ever seen.

This is true.

You have a very distinct image – very 80s classic rock. On purpose or is it just how you guys roll?

To be honest,  we’ve only really dressed up for gigs a few times but now I mean we don’t really want to have to look through stuff to wear!

So there`s image change on the cards? You know you have already made yourself a name of new Steel Panther in town!

It depends where we shop next (laughs) and really I thought we had the reputation of a noisy bunch.

Noisy yes. But people rather see you as classic rock revival. Quite an interesting twist on David Lee Roth and Poison.

Well, that wasn’t our intention.

What was your intention then?

Just to be noisy and chaotic.

We could add early Alice In Chains to the influences you represent.

There was never really a plan. Still isn’t.

You still evolving sonically?

We’ve got a lot of new stuff in the pipeline. We always do.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

If you were to describe new songs- what would you say? Shall we buy earplugs in advance?

Possibly. There’s  material about some dark times and then whatever we write in the meantime. Plus a concept album.

So no more comic rock and songs about female attributes?

Probably not. But who knows? Let’s face it there’s no plan.

You said that world doesn’t need love songs anymore. That world needs anger.

This is true. I think a lot of anything I’ve written that could be considered “love songs” are usually bitter sweet. With a hint of sarcasm and a lot of anger.

Well, Ledbury Song is very angry but at the same time hilariously funny. You have audience roaring with laughter.

It is less of a song, more of a rant really.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

We don’t know if you agree- but we see your lyrics as a mix of Tenacious D with Morrissey-esque cynical humour and playing with words.

I doubt I could ever be compared to Morrissey. I’m never that poetic (laughs)

The Ledbury Song has the same motif as Everyday Is Like A Sunday:  dislike for a small town that is becoming like a prison for a young person. Moz also wants to bomb the town and he is not poetic about it.

I haven’t heard it but I agree with him.

You come from a small place?

A small town. Small in size and small minded. Hard to be anyone there.

Do you think you would be different if you were born in London?

I’ve been to London and I hate that place. Too big and far too busy. Everyone in a hurry to go nowhere.

So perhaps there`s a positive side of being born in a small town?

I think the point is everyone hates where they are from eventually but it’s always where you call home.

Who would you put in your top 5 artists?

I’d say Tool, Amen, early Slipknot and honestly Trent Reznor and Bill Hicks.

Michael Knowles & The STDs performing live on 14th January 2017 at Marrs Bar
Photo by Andy O`Hare
https://www.facebook.com/andy.ohare1

Very broad influences.

I just love their attitudes and way of creating. I love how Bill Hicks was born in the religious South yet could deconstruct the archaic institutions that he was thrust into. I love how angry Slipknot were and to a 13 year old outcast they represented hope that you might be a freak but there was a place in this world for you. Amen taught me that record companies are just stupid. Tool taught me the beauty of feedback and how atmosphere can really make the hairs on your neck stand up. And Trent is just the god of chaos in noise.

You talk so poetically about music. You will put Moz out of business one day.

It’s all I have really. My whole life has been music and everything else has come and gone but there was always solace in music.

You sing, write, compose, play instruments – that’s lot of talents.

I see it as separate parts of one whole encompassing thing that is just me.

Where do you think the music will take you or the band?

It’s less about what music can do and more about how far we take it. We’re not looking to be billionaire rock stars with handlers. Our goals are to play every show and know at least half the audience.

And will that be enough?

It was always enough to have fans to grow with than trying to appease the masses.

You can follow Michael Knowles online at:

https://www.facebook.com/MKandSTDs
https://www.instagram.com/michael_knowles21
https://soundcloud.com/michael-knowles-music
https://soundcloud.com/michael-knowles-music/michael-knowles-the-stds

https://www.facebook.com/michael.knowles.5832343

At the beginning of April 2017, Michael Knowles and The STDs began recording of their new material using premises at Marrs Bar in Worcester as a studio. The result is album (that still needs to receive a release date) and a single “Theresa May is a cunt”. You can listen it here:

https://michaelknowlesthestds.bandcamp.com/track/theresa-mays-a-cunt

As we said – you may not agree with the bands sentiments but taking into consideration news item such as: HERE  or HERE, it makes us wonder if the song should not be at least six minutes longer. To act as a vent for the anger and frustration, if not anything else.

 

Our interview with Michael Knowles has been kindly reprinted in Slap Magazine and you can see your copy at the link below:

http://www.slapmag.co.uk/slap-issues/issue-69-may-2017.pdf

Or download copy  here:

issue-69-may-2017

Some images for our records if anything else fails:

Slap Magazine feature – May 2017 edition

Photo of the article

Kudos to Andy O`Hare from BBC Hereford & Worcester for allowing us some of his photos.

And if you found this edition of Indieterria too much, bear with us. Next time we are going to the church!

Malicia

**** Update 02/06/2017****

We have awesome news to report. This summer, UK will see a gigantic series of gigs and concerts under banner of “Musicians Against Homelessness”. This initiative was started in 2016 by legendary A&R and founder of Creation Records – Alan McGee. Its aim is simple – to gather funds for Crisis, charity that helps fight homelessness.

Literary everyone involved in the initiative works/plays for free (that includes us as well)  and every penny raised is passed to Crisis. One of MAH events will take part in Hereford at the legendary Booth Hall (Never been? You have only yourself to blame) on July 8th as part of Hereford Punk Festival. If you are in the area, please come down and have fun because Rich Lovell and Minky Cuadra of Underground Revolution did pure magic and got together two sets of pure punk, rock and poetry madness.

Hereford Punk Festival – line up in aid of Crisis

Hereford Punk Festival – MAH event just looks incredible

Michael Knowles is obviously on the bill and that will be just a fantastic opportunity to listen to his new material tested on the stage. He will not play lullabies, we warn you.

If you want  to learn more, here are some links worth checking:

Musicians Against Homelessness
https://www.facebook.com/mahgigs/

The Booth Hall
https://www.facebook.com/TheBoothHallHereford

Rich Lovell
https://www.facebook.com/rich.lovell.37

Minky Cuadra
https://www.facebook.com/profile.php?id=100010293331172

Underground Revolution
https://www.facebook.com/groups/undergroundrevolution/

Crisis
https://www.crisis.org.uk/

 

Oh and STD`s album launch happens one month before  the gig in Hereford on June  9th at Marrs Bars in Worcester. So get your copy and you will be set up for sing a-long. It will be also one day after the snap elections, so you know 🙂

https://www.facebook.com/events/1786676631644926/

Humor is the devil`s friend – album cover

The STDs in all their glory

 

Xxxooo
Rita+Mal

Indieterria meets The Fidgets

Hello Dear Music Explorers,

The Fidgets are not worse than Lisa Loeb. They have some fashionable glasses as seen in the band`s logo

Indieterria has retreated to more familiar waters . Once a month we will be giving exposure to a local artist from music scene in Worcester- acts that we believe have original sound, work hard and bring something new to the sonic table. First on our list are The Fidgets – jangle pop duo that may put our city on a musical map quicker than you are able to say Sgt. Pepper’s Lonely Hearts Club Band.  Mixing influences ranging from The Beatles, Chuck Berry, The Rolling Stones to The Kinks and The Byrds, The Fidgets begin where Cast and The LA`s have left in the 90s. That makes them unique on the whole indie scene at the moment.  The newest act with similar sound are The No-Ones (project that  includes Peter Buck of REM), so you can see how high is the bar for Max and Ryan.

Not only we sat with The Fidgets for an interview, but also got to hear their new single.  We tell you – this town has some amazing scene and we are here to chronicle it!

Move along people – much to see below!

Max and Ryan photographed by Josh Foster https://www.facebook.com/joshf627

From buskers to cathedral town heroes

These days, it is hard to imagine the High Street in Worcester without two distinctive figures busking around. With their signature glasses on,  guitars in hands and voices in perfect unison – The Fidgets have become an important feature in Worcester.  A ray of hope to put the town back on a music map. With a vision and passion, The Fidgets cultivate pop melodies and vocal harmonies placing themselves in a league on their own on an indie scene saturated with noise and postpunk rebellion. We`ve met the band to see what they have got in store for 2017.

You are one of the most prolific bands in West Midlands at the moment. But for those who may not be familiar with your history, please introduce yourselves.

Hi! We’re The Fidgets!! The two of us – that would be Ryan Skidmore and Max Stockin – met in 2012 when Max answered an ad placed by Ryan on http://www.joinmyband.com for musicians inspired by ‘60s pop music, and especially The Beatles. We played live for the first time in March 2013 (coming up for four years!) and we’ve played God knows how many times since then – the 500th gig was early last year.

Your music is a mix of classic rock, blues, northern soul and mod revival. Quite unusual for today`s pop music climate. Who are your sonic heroes?

The Beatles, of course! Everything comes back to them, it’s been nothing short of an obsession for years! Around that, our influences are really varied, we both love ‘50s and ‘60s pop in general and the two of us each have our own little avenues. Max is very into Blues and Country music, he’s a big fan of Teddy Thompson, and he’s a huge fan of Chuck Berry. Ryan is a very big fan of modern pop and is currently very much into The 1975 and Ed Sheeran. We both love loads of stuff, but the bulk of our influence definitely comes from the ‘60s.

Looking into the future.
photography by Josh Foster https://www.facebook.com/joshf627

The band seems to be moving on up at incredible speed. Your first EP (“I`m Alright”) came out in 2015 to local acclaim and well attended gigs . You followed last year with another EP “Its Only You” and immediately were invited to do BBC Introducing session. It must have been a quite an experience.

I suppose things are moving a bit fast! It never looks that way from the inside, you don’t have time to think about it, everything just goes by in a bit of a blur, it’s only when you look back that you realize what you’ve done. 2016 was big for us! We did a handful of things for the BBC which was exciting! Of course, The Introducing session was fantastic, and the crowd at the Christmas Lights Switch-On was amazing.

BBC Hereford & Worcester placed you at no 7 of the best bands for 2017. Slap Magazine previously described your music as “brilliant”. With such a strong support from local audience and the press, The Fidgets truly are on a brink of better things to come. Does the band feel it too?

Honestly we don’t know what’s going to happen! It definitely feels like things are getting bigger now, but we’ve been in the game a lot longer than anyone remember us for! We’re very excited for the future, but we try not to get cocky!

Recently Worcester News ran a controversial article about new busking scheme to be introduced in town, placing you on the front cover of the paper. Are you getting used to attention?

Definitely, yeah. We’ve been well known around Worcester since the tail end of 2015 and it’s rare for us to go out without being recognized now. It has really picked up recently though! Around Christmas time we were chased through Crowngate Shopping Center by a teenager and her mum for a signed CD and a hug! That kind of thing is getting quite common. It’s brilliant, but it hasn’t stopped being strange!

Worcester News with The Fidgets on the cover,
Every publicity is good publicity

Sometimes you expand for your performances. Would you tell us about the musicians you work with?

We’ve put together a backing band! Dave Whittaker, our bassist, was a friend socially first, we saw each other a lot at the Marr’s Bar on Wednesday open mic nights and he’s a great player. He was the natural choice. Our drummer Jack Bowles went to Sixth Form with Ryan in Bromsgrove, and Ryan had his eye on him from a band even before he was in one. He’s amazing.

Gracing the covers. The Fidgets in Slap Magazine
Cover photo by Josh Foster
https://www.facebook.com/joshf627

Your new single “Everywhere I Go” comes out in March. It will be accompanied by a video. Can you tell us more about it?

We’ve had to put off the release of the single until later in the month unfortunately (technical difficulties!) We shot the video around the Jewellery Quarter in Birmingham, and we’ve just had a first full draft come through as we speak. We’re very proud of it, it’s a big step up from what we’ve done before and it’s the first of our videos to feature anyone other than ourselves.

The band has been teasing big things to come in 2017. What should we expect? New material? Festival appearances?

Well, we can’t give away too much I’m afraid! But 2017 is already looking like a big one. Yes there will definitely be new material with an EP being released in May and yes we are already booked in for festivals in the summer at Mello Festival and Severn Sounds Festival on the main stage and there’s guaranteed to be more confirmed soon. Watch this space!

Slap Magazine cover
Photo by Josh Foster
Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

You have also been involved in collaboration with Royal Shakespeare Company. Can you disclose any details about this project?

Ah we’re very happy to be a part of it! I’d love to tell you what it is but I don’t have a copy of our contract handy and it’s possible we’ve been sworn to secrecy! Besides, we don’t like to spoil our surprises. When there’s something to know, you’ll know!

The Fidgets went from busking to heroes of a cathedral city. Where do you see yourself in the years to come?

Heroes is a bit strong, but thank you very much! We’re very proud of where we’ve got to already and things can only get better in the future! We’ve got all sorts of big ambitions but everyone knows if you tell wishes they don’t come true!! Just keep an eye on the charts and we’ll see what happens shall we? We like big dreams. Unrealistic is our thing!

Eager to prove themselves but playing cards to their chest – The Fidgets are on their way into promising future. With a new release, a single, home coming gigs and an upcoming festival season – they cannot fail. Here`s to the boys that sing.

***

The Fidgets  – “Everywhere I Go” (single review)

The cover for Everywhere I go single, photo by Josh Foster
https://www.facebook.com/joshf627

Worcestershire based duo, The Fidgets are releasing their new single “Everywhere I Go” this month. SLAP magazine was lucky to hear it first and we can report that this melodious, 60’s inspired love song is going to be a new fan favorite.

“Everywhere I go” opens up a new chapter in the bands history, proving that The Fidgets have evolved and matured considerably since their last release “It’s only you” in 2016 and became a truly unique, pure-blooded rock and roll act deserving their place on the BBC Hereford and Worcestershire list of bands to look out for this year.

The mid tempo, Beatlesque three minute single is filled with perfect harmonies, catchy riffs and will undoubtedly have the crowds swinging and singing along. It also has a distinctive Northern vibe to it, with Max Stockin sounding eerily similar to  Noel Gallagher’s High Flying Birds.

Fans of classic rock, The LA’s and The Cast will have a chance to catch The Fidget rocking the Marrs Bar on March 17th.

Banner for the single release on Spotify

The single is accompanied by obligatory music video:

If you are on Spotify, listen here:

 

***

 

The Fidgets in full line up with Jack Bowles and Young-Dave Whittaker recording a session for BBC Introducing 18.09.2016

If you wan to follow The Fidgets – please use these links:

http://www.thefidgets.com/
https://soundcloud.com/the-fidgets
https://www.facebook.com/thefidgetsband
https://twitter.com/TheFidgets
https://www.instagram.com/the_fidgets/

Part of the band`s charm are the session musicians that support Max and Ryan on stage: drummer Jack Bowler (EMPYRE/Willow Robinson) and  Young-Dave Whittaker. This rhythm section is so powerful, they are locally nicknamed as Worcester`s own  Andy Rourke and Mike Joyce.  Kid you not.  Many a band lined up to work with Dave and Jack but to no avail. Max and Ryan know that you should never change a winning team.

You can follow Young-Dave and  Jack below:

https://www.facebook.com/jack.bowles.520
https://www.facebook.com/youngdave.whittaker

 

Slap Magazine interview (page one)
Photography by Josh Foster
https://www.facebook.com/joshf627

 

Slap Magazine interview (page two)
Photography by Josh Foster
https://www.facebook.com/joshf627

You can  see this interview in Slap Magazine for March 2017

http://www.slapmag.co.uk/slap-issues/issue-67-march-2017.pdf

or you can download the copy here:

issue-67-march-2017

That`s all from us for now. We hope you had fun reading.

Mal/Rita

****Update 18.03.2017****

It`s their party and they can rock if they want to!

We have written on our blog before that The Fidgets were to headline a home coming gig on March 17th at Marrs Bar in Worcester. What we have not mentioned to the band is that we planned to treat them to an unexpected cake-and-candles party. See, both Ryan and Max celebrate their bday within one week from each other and it was just too good not to use this opportunity.  So Vanadian Avenue ventured to the gig armed with two huge chocolate torts, candles, napkins, lighters, paper trays and a spatula.

The Fidgets took their headlining duties very seriously and  delivered 1,5 h set filled with their original material and covers. Guests came on stage to join the band for certain performances and the entire audience had a wonderful time, one by one slipping into the darkest corner of the venue to sign cards for the birthday boys.

When the last song came to an end  cakes were brought on to the stage and signed cards were handed. Max and Ryan had each a chance to blow the candles and make a wish.  Each member of the public was given a piece of the chocolate tort (you should always bring a spatula to the party) and the audience roared an out of tune birthday song.  Top night. Some pictures for you to enjoy below:

The Fidgets perform at Marrs Bar on March 17th 2017

Performance ends with a bow

Cakes!

Make a wish

Till the next time kids. We are off to find some alka seltzer.

Mal/Rita

Indieterria meets Tigerside

Hello,

 

Tigerside (from left): Riven, Esther, Greggs, John and David.

Tigerside (from left): Riven, Esther, Greggs, John and David.

Welcome to the first week of Indieterria. If you are not sure what we do here, read the intro.

We are on a year-long journey to create an atlas of new sonic landscapes for 2017 by introducing readers to artists that have something original and innovative to communicate. They may not be huge or ready to hit Top 40. Some of them may be on a way to greater things, but we will also look at artists who are unsigned and  still perfecting  their craft. It doesn’t matter how established you are in a long run. If you have got that spark, your own way of doing things or something interesting to show, you may find yourself featured on our musical map.

On the margins, we will also tag venues and other places to give our readers a deeper understanding of the local scene that the band came from.

We begin our travels  with Tigerside- a five piece from Salford, Manchester.  So, welcome everybody to Mancunia – the fabled land that gave us Hacienda & Anthony H Wilson, The Smiths & The Roses, New Order & Joy Division, Es & the baggy pants. Something is definitely in the water in Mancunia as they have more bands per square mile than the capital of grunge!

Paul aka Greegs

Paul aka Greegs

John Nash leading Tigerside

John Nash leading Tigerside

The idea for Tigerside (do not mistake with French  drone/ambient project My Tiger Side fronted by  Rémi Saboul) has been born a decade ago during Glastonbury Festival. It took few more years for  members of the band to relocate to Salford and properly concentrate on the project. Some line up changes occurred but are shrouded now in mystery. Currently the band consist of John Nash (on vocals), Esther Maylor (vocals, harmonies), Paul/Greggs (guitars), Riven (electronics/keyboards) and David Eagle (drums).

If you know Manchester scene a bit, you must be grinning like a Chesire Cat this very moment. If not – let us tell you a secret. Esther Maylor is known in town as  a member of another band with strong following –  b i e d e r b e c k.  She is also the landlady of Eagle Inn pub/venue in Salford.

Examining the  band`s pictures Tigerside look like they just enrolled into university, but don’t let that deceive you. All band members are in their 30s and come with quite an experience on stage and a whole list of musical heroes.  The band grew up listening to Radcliffe and Lard Show on BBC Radio 1 (that`s Mark Radcliffe and Marc Riley if you are not familiar) and quote The Verve, Underworld, REM, Human League and Madchester scene as inspirations. They have been featured on BBC Introducing Manchester twice and sold out domestic venues such as Sound Control, Gullivers, Ruby Lounge (here they were supported by another rising star of Mancunia – The Blinders). Their London gig at Dublin Castle also sold out to the last place we are told. 2017 will see them playing festivals in Sweden and perhaps a steady supply of homecoming gigs.

Riven

Riven

John Nash live

John Nash live

Tigerside also come with an  unique ability to confuse music journalists. They describe themselves as  “postpunkhousepop”. Now try to describe that to your editor or readers. When we asked them for a bio, the band sent us this absolutely brilliant tagline. Let us quote it in full – because it would make early Manics green with envy:

“[Tigerside are] the sound of an afterhours party in a back street Salford boozer where everyone’s in and everybody knows your name. In the gutter and singing at the stars; it`s a baggy thing, a rocking thing but most of all a dancing thing. It`s chaos and a commotion and they’ll be your best friends through it all”.

Guys! Send this to Creation Management and you are guaranteed that Alan McGee himself will walk to your next gig!

If we had to define the sound of Tigerside, we would mention the likes of M83, Bastille, The XX  – so anything within the range of electropop/indie electronic and synthpop if one is to throw around musical labels. But you can`t box this band so easily as you may think.  Surprisingly there is a lot of Madchester sounds and rhythms in there (La La Samba), space and melody that bring Hooky`s The Light to mind (Pen Lea) or …even elements of classic U2 at their height (Song For The  Crow). John Nash channels Ian Curtis on stage with his strange dances and charisma, while Esther Maylor brings an element in harmonies that remind us of Sarah Snow from Maltese/Danish act No Snow/No Apls.

Other reviews we read mentioned Pink Floyd…

Head spin, isn’t it? That’s the real beauty of this band.  Whoever is able to trace all ingredients that go into musical elixir of Tigerside will undoubtedly receive a Mercury Prize or Godlike Genius award .

Some links for you dear readers:

YouTube offers a great live footage of Pen Lea

You may also hear the band though their Soundcloud and other social media quoted below:

https://www.facebook.com/tigerside
https://twitter.com/Tigerside
https://soundcloud.com/tigerside
https://www.reverbnation.com/tigerside

Tigerside are managed by Cathy Gregory and you can book the band via Cathytigerside@outlook.com

We recommend that you do.  Tigerside receives a stamp of approval from Vanadian Avenue and if any of our readers ever has the opportunity to listen to the band live – do not hesitate. You are in for a wild, yet very satisfying ride.

Malicia/Rita

 

Indieterria – all-on-board

All you good, good people – listen to this!

If you are confused, check with the sun

If you are confused, check with the sun

Music on Vanadian Avenue always had a strong presence. Few years ago, we ran a very successful series of interviews: Burton C Bell (Fear Factory/Ascension of The  Watchers), Valerie Kaye (Valium  of legendary  Pist On), Edu Mussi (Echoes and Shadows), John & Brittany or Steve Howard of Arado among others:

https://cocamidemea.wordpress.com/category/interview/

Last year, we used Twitter to start showcasing new bands and discovered gems like Liines, TommyAndMary or The Lucettas:

http://www.weareliines.com/
http://www.tommyandmary.co.uk/
https://soundcloud.com/the-lucettas

This year we want to try something different.  Again.

We will compose our own  alternative/counterculture best of 2017 – by presenting one artist a week  though-out  the year.  We will give MNE a run for their money (they just produced a list of 100 bands to watch this year and most of them have been on the radar for at least two years) and create proper sound of 2017 as it unfolds.

So welcome to our new installment – Indieterria.

This section of the blog takes its name by mashing a famed night club (Danceteria) with a Latin word terra and focuses on the indie music.

We like to think of it as a musical atlas for new sonic landscapes. We`ll allow artists to take us on a journey  and see what we can find. One or two trips a month. We hope to discover islands, landmasses and  even entire continents.

All entries will be showcased below for easy access:

Discovery 1: Tigerside (Salford, Manchester)
Discovery 2: The Fidgets (Worcester)
Discovery 3: Jodie Hughes/The Lightweights (Worcester)
Discovery 4: Michael Knowles and The STDs (Ledbury/Hereford/Worcester)
Discovery 5: nth cave (Worcester)
Discovery 6: Jesse River Dylan Murray (Worcester)

If you like what we do on Indieterria or you would like to suggest an artist to showcase, you can let us know via blog, email or social media (we are setting those up, we know it’s a high time):

https://www.facebook.com/VanadianAvenue
Mal/Rita