Indieterria meets Lower Loveday again

Dear Readers,

We are few days away from our first proper musical showcase at the legendary Nambucca venue in London. We truly can`t wait to see the amazing Tiger Mimic and Memes and this band – Lower Loveday. Ladies and gentlemen – we had a pleasure to meet them a year ago and had amazing time speaking to the band. Now we sat down (quickly) with Lower Loveday`s frontman Mark Washington and  the band`s drummer Tom Garbett for a refresher.  And we had few things to ask them! So read on and check out the band`s new banger of a single.

Lower Loveday logo

You can read our old interview  with the band here:

https://cocamidemea.wordpress.com/2018/02/23/indieterria-meets-lower-loveday/ 

We have spoken to the band exactly one year ago. A lot has changed in Lower Loveday – including a new member. Please introduce your new bassist to the readers of Indieterria.

Mark Washington (Lower Loveday): Yes, that year really has flown by and a lot has happened! Our new bassist is Ben Gillman from Worcester (West Midlands). He’s an excellent talent who’s played with a few bands in the area before joining us in December last year.

In March, you have released a new single entitled “Fire That Burns Inside”. Can you tell us what the song is about?

Tom Garbett: The song is all about a relationship struggle that I was having at that time and its summarising what I was feeling.  I was left in a rather awkward situation that was really hard to deal with so I decided to put my feelings down into a song. It is brutally honest in that respect. So in general it is a relationship conundrum I would say!

Lower Loveday have been championed on BBC Introducing West Midlands and BBC Hereford & Worcester

The song is promoted by a very interesting video. You show some fabulous dance moves and very colourful outfits. Who directed it and how do you remember working on the set?

Mark Washington:  Ah thanks very much! We had a lot of fun and managed to get it all shot in a day! We choreographed the dance ourselves which you can probably tell from the moves but we wanted to get people laughing and really enjoying the video as well as the song. It really had an amazing reaction! The video was brilliantly filmed and edited by Ben Parry at Indy Motion who are local to us in Evesham.

You are keeping a busy touring schedule. On April 27th you play iconic London venue Nambucca with Tiger Mimic and Memes, then on May 4th you return to O2 Institute in Birmingham to play with Open Arms. What can we expect from your live performances?

Mark Washington:  We’re really looking forward to these shows! You can expect lot of energy and good vibes a lot like our recent music video. We get the crowd involved, get them moving and try to get them to join in with the dancing and make sure they have a smile on their face too!

We heard that you are also looking to play more shows in the North. Manchester, Liverpool and Leeds are being mentioned as possible destinations. If any of the Northern promoters want to get in touch with you, what do they need to do?

Mark Washington:  Yes we have quite a few fans asking us to play further north than we have before! Promoters can reach out to us on any of our social media but the best way would be to send us an email directly to: lowerloveday@gmail.com

You can follow the band on the socials:

https://www.lowerloveday.com/
https://www.instagram.com/lowerloveday/
https://twitter.com/lower_loveday
https://soundcloud.com/lowerloveday
https://www.facebook.com/lowerloveday
https://www.youtube.com/channel/UClGDR9XIPOo96KRox090yTg

You can catch the band playing a gig in London on April 27th – all info can be found at the event page below:

https://www.facebook.com/events/658720734568060/

 

Poster for our first showcase!

All right – enough fan girling here. Lower Loveday are officially going places and to miss them would be foolish. We will see ya at Nambucca.

Love,
Mal/Rita

Indieterria meets Ivory Wave

Dear readers,

West Midlands scene, although sadly overlooked in the mainstream press, has a long and proud musical heritage. From Duran Duran and Black Sabbath to the ever popular grime scene, Birmingham and the neighbouring cities are producing high quality musical talents at an amazing speed. And slowly things are beginning to change. The new influx of bands such as The Cosmics, MeMe Detroit, Table Scraps, Cherry Pickles, The Novus, The Pagans S.O.H or The Clause are changing the popular perception that only London and Manchester are the music hot-spots to go to. The Second City’s DIY scene has never been stronger and it is ready to take on the world. Indieterria spoke to Sebastian Baldwin, the drummer of  the newest star of the scene, the Ivory Wave, about Madlands, plans and an incoming tour.

George Johnson (vocals)
Luke Morris (bassist)
Connor McMinn (guitar, vocals)
Rob Clarke (keyboard, vocals)
Seb Baldwin (drums, vocals)

Official Bio: Birmingham band Ivory Wave have released their new single ‘Gold’. The band have landed support slots with DMA’S, The Twang and Superfood to name a few as well as playing festivals such as Isle of Wight, Truck and Shiiine On. Their growing army of fans are now packing out venues up and down the U.K. “Gold” is an infectious swagger drenched banger that relentlessly surges hyped up energetic tones into your ears. With a punchy bassline creating a funk flavoured strutting foundation, this track is fun vibrant and full of youthful adrenaline. Slick guitars glide and jingle between snappy drums, while flickering speckles of scintillation through swirling soundscapes. With attitude smothered vocals and pure unadulterated raw energy this swanky groove infested track is an instant shot of vitality and is sure to have you dancing and bopping carelessly.

About the track front-man George Johnson said: “Gold is about realizing your full potential, grabbing it with both hands and running with it.“

Ivory Wave picture taken by James Kay

Ivory Wave is a very poetic name. The story goes it was used in a conversation you once overheard in a pub and thought it would make a great name for a band. Is this true?

Seb Baldwin: (laughing) That’s exactly the case! Our singer George and bassist Luke were sat in a pub discussing potential names and caught the name from a nearby conversation!

You are based in Birmingham and according to your bio, you formed at the beginning of 2016. Please introduce yourselves to the readers of Indieterria and tell us more about your beginnings. How did you meet?

Seb Baldwin: Ivory Wave is made up of singer George Johnson, bassist Luke Morris, guitarist Connor McMinn, Rob Clarke on keys and of course me. We’d all played in different bands before and ended up forming through mutual friends and connections. We wrote the first few songs and it all just clicked.

We listen to hundreds of bands per year but we can safely say that nobody plays like you do. You remind us of the golden days of The Hacienda, Mancunian rock mixed with rave beats, but with a contemporary twist. Ivory Wave is not just a nostalgia play, but something brand new. It is fresh and exciting. What do you think?

Seb Baldwin: It is the same with us! We all listen to such a wide and varied mixture of music and styles that it’s hard to pin point specific influences down. We’ve all listened to most of what came out of Manchester scene so there are undoubtedly nods to that sound. But we have never laboured to create something that replicates a specific sound but rather focused on writing something that feels real and genuine to us.

You have been compared (but of course!) to every Madchester legend there is, from 808 State, Stone Roses, The Charlatans, New Order and Inspiral Carpets to Happy Mondays and even The Beautiful South. But you come from Birmingham! How did that happen that a Brummie quintet started playing Manchester inspired music in the middle of West Midlands?

Seb Baldwin: I think it is because we listened to all those bands growing up and although we have never consciously tried to write anything that sounds like them, those sounds have crept into the music we produce.

BBC Introducing in West Midlands described Ivory Wave as a “perfect combination of rave, acid hip hop and classic rock a la Duran Duran”. This is the first description of that sort we ever heard! Who inspires you to write?

Seb Baldwin: We are inspired by such a wide range of different artists, it wouldn’t feel fair to name few individuals. The key to our sound has always been the range of different genres that our music tastes cover. From hip-hop to rock, from pop right across the spectrum to grime, we all indulge in a wide enough range that when it comes to writing our own music, we all bring different dynamics and angles to what we put out.

The band is known to keep to “no label, no management, no agent” rule. Although you are not the only ones in the business to do so (Jordan Allen, Strange Bones or The Clause also decided to follow that path) it means doing everything yourselves. Does day to day managing of the band affairs have an impact on the creative process?

Seb Baldwin: Most definitely. To take the time to manage the bands social media, book shows, engage and organise meetings with a people across a range of parts of the industry to name a few things, all while we are working full time obviously takes a decent wedge of time away from creating music and playing.

Ivory Wave supporting the excellent DMA’S at the sold out gig at O2 Academy in Birmingham. Picture by James Kay

You are credited with creating the “Madlands” musical movement. Who else, besides you is in the league and what bands should we all be looking out for?

Seb Baldwin: (laughing) This is a common misconception! Jacky-P, ex-BBC WM Introducing presenter and DJ for Scxrlxrd actually coined the term, although we are more than happy to champion it. And we have to name every band in the area who is pushing for the common goal of putting the Second City back on the map musically: The Clause, Riscas, The Novus, Violet and Sugerthief to name but a few as the list goes on and on and on.

Ivory Wave supported established acts as The Twang and DMA`s and appeared on festivals such a Truck, Shiiine On and Isle of Wight. This year, you are already booked for Live at Leeds and Lakefest among others. Are you eager to take your music to the next level?

Seb Baldwin:  We are all grinding and pushing as hard as we are able. Getting to play bigger and better shows is already an amazing and humbling confirmation that our music is being well received and that we are establishing ourselves more and more as time goes on. Onwards and upwards.

April and May will see you hitting the road and going to Preston, Manchester, Nottingham and Leeds. Are you planning to add more dates? What about London or Glasgow? Any plans on playing there?

Seb Baldwin: We cannot say much yet, but we have a number of shows in the pipeline and will be announcing details of all of these soon!

Your current single “Gold” was released in January 2019 to a phenomenal response. It was a song of the week for BBC West Midlands and gave you several spins on BBC 6 Music by Steve Lamacq himself. The song also amassed over 18K streams on Spotify. We can easily say that this song is going through the roof. Did you expect such a positive response from public and music business alike?

Seb Baldwin:  We had been playing “Gold” for well over a year in our live set, and although we all loved it as a track we hadn’t thought of it as a standalone single until the fans started to beg for its release. After an influx of tweets and messages asking us to release it next, we went back into the studio and the result it out for the world to hear.

They say “ride the wave until the grave” – so we want to know, where is Ivory Wave taking you next?

Seb Baldwin: We are in this for the long run, although we couldn’t call exactly where we will end up. We are all driving at the band building and growing as time goes on. Long live Ivory Wave.

Articles:
https://counteract.co/interview/interview-ivory-wave-discuss-their-biggest-gig-to-date/
https://www.shiiineon.com/blog/ivorywave/
http://www.uniquelullaby.co.uk/2019/01/interview-w-ivory-wave.html
https://wordsformusic.blog/2019/01/27/band-profile-ivory-wave/
https://www.musicglue.com/ivorywaveuk/bio

Catch Ivory Wave on tour and you can now win two tickets  for their homecoming gig in Birmingham.
Good luck!

Please come back soon as we have some very interesting interviews and reviews coming later this month.
Catch you soon!

R+M

Indieterria meets Raw Sound TV

Hello!

Some might say that there’s never been a better time to be a musician. Internet gives you access to billions of users, streaming platforms are easily to set up and curators are at the stretch of the palm. You can set up professional recording studio in your own bedroom as the equipment is getting better and cheaper and it is not hard to master its use. It seems, the rock and roll dream is just around the corner and ready for grabs.

Others might argue that the technological edge is the same for everybody and it is hard to break through thousands of other bands competing for attention.  There are also external factors that need to be taken into consideration: lack of funding, closure of local pubs and venues, austerity, quickly changing musical trends, constant search for something new fueled by social media and Instagram influencers. DIY musical scene can also be divided and lack of unity affects the bands and gig goers altogether. You could say that for every ray of sunshine, there is a big rainy cloud covering it.

Yet the DIY  scene is holding on despite the odds. Bands are recording, exciting music is somehow making it to the national radio stations and new opportunities are springing up here and there. Indieterria sat down to speak to Mark Piddington the man behind RawSound TV to speak about the new ideas to help emerging artists, production techniques and their plans to permanently change West Midlands musical scene.

You call yourselves an “old school MTV” style music show in the Internet era. Please introduce yourselves to readers of Indieterria.

Mark Piddington: Hi. I’m Mark Piddington. Producer and Presenter of RawSound TV. Part of the reason for the idea of RawSound TV was that I could see that there was a lack of decent live music “tv” shows. Especially for unsigned artists. A show in the style of “The Tube”, “The Word” and many other iconic TV shows from the past that I felt the older generation were missing and the younger generation were missing out on.

Raw Sound TV is live music show recorded at Glass Onion Studios in Birmingham every two weeks, broadcasting on your YouTube channel on the Sundays in-between. Your shows include interviews with unsigned and new artists doing live performances and featuring videos along with interviews with the bands and occasionally live gigs. You’ve had 4 seasons so far and are currently working on a new season which is due to broadcast on the April 14th. Can you tell us how the recording and filming process works? 

Mark Piddington: We invite bands and artists to our studio which is fully equipped for recording and filming. After they arrive and meet the crew, we set them up for a sound check/ rehearsal, during which time the crew get audio levels for recording and camera angles worked out. After a short break it’s on to recording. The red light goes on and we film them performing three live tracks. After a short break we then conduct a short interview. We go through this process twice as we usually have two live bands featured per episode. After the bands have gone we do our ‘bits to camera’ which includes introduction to the show and individual intros to the bands. It can be a long night! Then, once all this is done, its on to editing the show for broadcast on the follow Sunday which usually takes well over 40 hours over the week.

Raw Sound TV at work – photo by Danielle Clarke

How long does it takes for a band to appear on Raw Sound TV? How do you select the bands? What do you look for? 

Mark Piddington: We encourage bands and artists to get in touch with us if they want to appear on the show.  Selection is very difficult for us as there are so many fantastic bands and artists around at the moment. We know that a lot of them unfortunately won’t get to appear on the show as we are only able to feature two bands per show.  We don’t let our own personal tastes influence who appears on the show. We try to look for quality in musicianship, song writing and what/ who we feel our viewers should be seeing and would appreciate.

Besides the music show, you also offer other services: recording live performances, making and editing videos and even access to a recording studio/rehearsal space. We know many artists look for those services – so please tell us about what you also offer and how bands go about this? 

Mark Piddington: The recording studio is a separate entity to RawSound TV. I established Glass Onion Recording Studio in 2003 and have been recording bands there since.  As well as recording, I also offer rehearsal space, studio dry hire and also music video production. If anyone wish to use any of the studio facilities/services, they can contact me via any of our social media platforms or at RawSoundTV.com.

Money matters are hard to talk about – but essential for both businesses and artists alike. Can you tell us about the fees and other charges that artists approaching you should consider?

Mark Piddington: Firstly, to clarify, we are not a business. RawSound TV do not charge anything for bands and artists to appear on the show.  It is totally free.  As the crew and I do not get paid and the studio given for free, we are currently trying to get the show funded in some way so we can continue to offer this opportunity to unsigned bands without them having to pay. Having been there myself I know that young musicians don’t generally have the funds to afford what some companies charge for ‘promotion’ and what they get for their money.

You’ve featured and worked with an exciting array of West Midlands acts: Alex Ohm, The Clause, The Cosmics, The Verse, Ivory Wave, Karkosa, Lady Sanity, MeMe Detroit, The Novus, Sugarthief, Violet, Lycio, La Dharma, The Goodwater and Candid – the list is endless. If an artist or band wants to get involved, how can they reach you? 

Mark Piddington: We have worked with over eighty bands and artists in the twenty months since we started. Some of whom are most definitely destined for big things. If an artist wants to appear on this show they can contact us on our website at RawSoundTV.com and navigate to the ‘want to be on the show?’ section.

You have filmed performances in many different places in West Midlands: The O2 Institute, Castle and Falcon, Square One in Coventry and The Flapper to name just a few along with outdoor festivals such as Lunar and the Bewdley Music Festival. Is it harder to record in a small, intimate club or in a large arena? 

Mark Piddington: They both have their difficulties. As opposed to the studio which is a controlled environment set up for filming and recording, live venues are not. Therefore, we always have obstacles to overcome when filming away from the studio.  More often than not, sound recording and lighting problems are the usual suspects as we have little or no control or influence over these.

Raw Sound TV have recorded many, many bands and concerts over the last couple of years but we are sure some of the performances must have stood out from the others. Do you have any favourites? 

Mark Piddington:  That’s a very difficult question. If I’m honest the ones that have stood out for me are when the whole recording process and post production has gone smoothly or when the crew have had a particularly good session and the band have performed well and, more importantly, enjoyed themselves. It is great to see the bands’ reaction to the whole process from ‘our side’ of the process. Festivals are always good fun for the crew but the days are long and can be a logistical nightmare (especially when it rains)!

Imagine that you can film any artist in the world, where and why?

Mark Piddington: Ahh, you might want to keep your eyes peeled for something exciting we “might” be doing over the summer that will answer this question. So watch this space!

Is there anyone you’d like to invite to appear on the next series or future series? 

Mark Piddington: There is no one in particular I have in mind.  The plan is to keep on inviting the best new, unsigned bands and artists on to the show.

Last question – we are only in April, but what are your plans for the upcoming months. Anything exciting to tell us about any what you’ll be including in forthcoming shows?

Mark Piddington:  Every show is exciting for us. Being able to give young artists this kind of platform and the excitement and enthusiasm they have for the show gives myself and the crew a massive buzz and makes the whole thing worthwhile. We also get a huge lift from the positive comments on social media from the bands who have now become friends and their fans alike.

No rest for technical crew – photo by Danielle Clarke

Lights, camera, action – photo by Danielle Clarke

You can follow RawSound TV on their socials:

Official website: http://rawsoundtv.com/
Facebook: https://www.facebook.com/Rawsound.tv/
Twitter: https://twitter.com/rawsoundtv
Instagram: https://www.instagram.com/rawsoundtv/
YouTube: https://www.youtube.com/channel/UCzvfJMPXYhK65X2VRDIkifg

Please contact Mark if you’d like to be included in the next series of concerts. Also, if you have performed for RawSound TV in the past and you’d like to share your videos, please contact us and we will be more than happy to share your experiences.

We also have some incredible  artists to showcase  this month and we are thrilled to be sharing our new interviews with you soon.
Thank you for reading and see you soon!

Rita and Malicia

Indieterria meets Table Scraps

Dear Readers

Over the last two year, we had a pleasure to speak to many wonderful bands and artists. To interview some of them, we have been waiting several months (in one case, it has even been over a year and still counting!) but it is always worth the time. And sometimes all it takes is you listen to a song, you fall in love with it and  you contact the band asking if they would be willing to talk to you and they say yes under 1 minute. We sat down with Table Scraps, right after their return from SXSW, the biggest music conference in the world, to discuss their influences, musical references and going on tour with Monster Magnet.  We hope you will enjoy reading it as much as we did, talking to the band. Now we need to see them live. Another band added to our bucket list this year!

Band logo

Official bio:  Celebrated for their bruising and feedback-drenched live shows, as well as a knack for crafting the perfect nagging hook, Birmingham’s Table Scraps have gradually fought their way to the top of the garage rock pile by conquering stages and refusing to compromise. After self-releasing a clutch of praised 7’s and an LP, as well as holding their own alongside heavyweights such as Fat White Family, IDLES and Black Lips, the ‘Scraps soon found interest after plays on Radio 1 and BBC 6 Music started to rack up. However, they insisted on continuing to do things their own way: self-recording, creating their own nightmare worlds in homemade zines and shooting their own B-movie style videos. “Autonomy”, the band’s most recent LP, surfaced in February 2018 to widespread enthusiasm and was picked up for release in the US by the legendary Burger Records. A huge European tour with stoner legends Monster Magnet (at the insistence of fan Dave Wyndorf himself) quickly brought Table Scraps to a new legion of enthusiastic continental headbangers. Wyndorf, as well as Joe Talbot of IDLES and Grace Jones, are part of a growing swathe of those who realize that it’s only a matter of time before Table Scraps go on to bigger and better things.

“Dark and brilliant” (DIY Magazine),
“Check‘em out pronto” (Metal Hammer)
“Table Scraps are awesome!” (Dave Wyndorf, Classic Rock).

Table Scraps photographed by Meg Lavender

Scott Vincent Abbott – Guitar & Vox
Poppy Twist – Drums & Vox
TJ – Bass & Vox

Joe Talbot, the lead singer of IDLES said: “If you don’t know Table Scraps, you’re a fucking idiot!”. That’s the best recommendation we have ever heard! Please introduce yourselves to the readers of Indieterria.

Table Scraps: We are Table Scraps – a three piece garage doom band from Birmingham.

Your bands name is very unusual. By definition, table scraps are the leftovers  nobody wants to touch. It is either something disgusting or something insignificant. Why did you decide to go with name like that?

Table Scraps: We’re very much inspired by the gross out tradition, which to us is as diverse as first wave punk to John Waters movies. Trash in all its glory! Disposable and throwaway is what we wanted when Scott chose Table Scraps. Particularly when there is such a modern tradition of agonizing over a band name that is deep, evocative and edgy. That whole thing bored us to the point of going the opposite way: there isn’t a less evocative word than “table” after all.

Table Scraps are being described as Idles meets Duran Duran with Mark E Smith on vocals and David Bowie/The Ramones influences. We very rarely agree with online classifications but this one seems to sum your music pretty well. Do you agree?

Table Scraps: Definitely not when it comes to Duran Duran and Scott’s vocals are far more rooted in the American vocal traditions of blues, rock’n’roll and 80s west coast punk as opposed to someone like the great MES, who is from a much more British evolution of post-punk. It is a genre we all love but don’t bear much similarity to for the most part. Idles and The Ramones are probably closer to our stable, particularly our attitudes towards what bands and songs should be like. There’s a lot of hard rock, metal, psych, garage and 60’s girl group influence that are really foundational to what Table Scraps do too. We love a bit of glam but it doesn’t pop up very often. That’s more of a London band extravagance.

“Autonomy” album cover

You are known for your specific approach to marketing. You are fiercely independent and if you can do something against the current tides or ideas, you will. Creating home made zines, recording in strange places, breaking stereotypes – you are masters of  unconventional PR. Where do you take your ideas from?

Table Scraps: A lot of our approach is very much based on practicality. We are so detached from the UK’s music industry, which is almost exclusively in London, that there isn’t really any benefit to us playing by the rules. We’ve also been there and done that when it comes to “the right way” in our younger years and it only takes one peek behind the big label curtain to realise that it’s all a load of big budget tricks that rarely work anyway.

While so much has changed in the past ten years when it comes to income, streaming, artist discovery and so on, what doesn’t change is the fact that people want to see good bands live and people also like nice physical product. Like the majority of the population, we aren’t rich enough to buy every single LP we want so we only choose the ones that are special or different. It makes perfect sense that we would then use that in our own approach to putting our music out there. Most of our ideas come from boredom and frustration that no one else has done it already!

Let’s talk about your videos – apparently you make them yourselves. They show real directing skills and what’s really important to us, a deep understanding of pop culture. The video to “Electricity” feels like an intro to a Rob Zombie film, “Sick of Me” channels Spoke Jones, “Motorcycle (Straight to Hell)” contains references to several hit songs such as “I will walk 500 miles” by The Proclaimers and “Loser” by Beck. Our favourite video, “I’m a failure” is a very faithful homage to “Beavis and Butt-Head” (down to the same type of sofa and descriptions for each song shown on the telly) and MTV Oddities (The Brothers Grunt, Aexon Flux, or Maxxx). You are too young to remember those shows/songs from your experience – how do you know about them? Through Internet or research?

Table Scraps: Fortunately we are good looking enough to appear younger than we actually are as most of these references are not lost on us. Particularly as Poppy and TJ are children of the internet where suddenly the wealth of history and pop culture becomes an explosion of access instead of a straight line. We are collectors and obsessives so we naturally gravitate towards things that are high quality and know their references. Our dissatisfaction with bringing other people in to the creative process of Table Scraps is what drove us to make it all ourselves. That and it’s just too expensive to rely on a team of people to do everything for you.

Poppy bought her first DSLR at some point in 2014 and we began shooting videos with it immediately. We taught ourselves the whole process to the point that we make music videos for lots of other bands now which is a nice reminder of how far you can come if you just rely on yourself to do things the way you want rather than relying on other people to bring their interpretation to it and muddy your vision.

Your releases (especially your latest LP “Autonomy”) received a flood of rave reviews. DIY Magazine called you “Brilliant” and “Groundbreaking”, Louder than War claimed you defined “21st century rock and roll”, Clash Magazine described  you as “A real punch” and BBC1 gave you 12 stars out of 10. Have you expected such praise?

Table Scraps: (laughing) We think there may be a small element of misquoting going on there but appreciate it all the same! We don’t expect such praise because we don’t seek it out but it is very encouraging to get and it does help to make things happen for us. It’s particularly nice when we don’t have someone greasing the wheels for us behind the scenes and it comes straight from us. The press and radio team we had for “Autonomy” were wonderful and took the time to understand what we were doing so they did an excellent job at getting it out to more people.

Table Scraps promo picture

You went on tour with the legendary Monster Magnet! How did it go? It must have been one-of-a-kind rock and roll journey!

Table Scraps: The tour with Monster Magnet was insane and a real eye opener for us, particularly as everything about it was so out of our comfort zone. We went, virtually overnight, from a small garage rock band mostly playing in 150 cap clubs to an audience mostly comprised of tasteful garage rock fans who got the references to playing in 2000 cap venues to what we feared might be quite a tough crowd in the stoner/metal bracket. We worried that we might not translate to the size of the rooms and that we would seem out of place with such a heavy band as Monster Magnet but Dave Wyndorf loved us, understood us and Magnet’s audience and insisted that we be there.

Clearly he saw it better than we did as we were kind of the perfect fit and we really rose to the challenge as opposed to a meat and potatoes metal band and we went down incredibly well. We got a lot louder and a lot more comfortable with our hard rock/psych influences there which was very freeing. People on the continent are a lot more accommodating and we had an absolute blast. It showed us that we didn’t need to be so protective and could genuinely kill it on a big stage.

We have to ask about SXSW, you have just returned from Texas. Tell us more about your trip. How many showcases you played? Did you have fun?

Table Scraps: As it is with most things we do, official selection for SXSW was 100% something we never expected to receive. It’s probably a Midlands thing but despite our confidence and commitment to Table Scraps, our expectations are usually extremely low. Like everything else we do, we had no industry backing or money other than that we had raised ourselves and it did represent quite a big risk when we need to be careful with what we spend our money on but there was no way we could turn it down.

Fortunately we really drew people towards us at the shows and we got to play to a lot of new people who were really excited by us. Like the Magnet tour it is very representative of another hard fought step forward. We played nine shows altogether (three in one day!) and got to play at Hotel Vegas twice which was a dream come true. You realize quite quickly that lots of bands you admire and have wanted to see for a long time genuinely see you as their equal and are just as complimentary about you as you are of them. It was a really wonderful and empowering week. Americans are so enthusiastic and sincere and it’s really cute.

There is a word on the streets that Table Scraps are working on new material to be released later this year. Are you planning another record or something else. What can you tell us without spoiling the surprise?

Table Scraps: We are always working on new material in our studio! We aren’t making any promises when it comes to a release date but the new material will genuinely be worth the wait. It’s most certainly indicative of our growing confidence and refusal to follow the crowd because it genuinely sounds like nothing else. It might be a bit of a curveball for some but it’s heavy, it’s fun and it’s got what I think are the best songs Scott has ever written on it. It’s all about the songs!

2019 has been a very busy year for you so far. What are your plans  for the next couple of months? More gigs? Long-deserved holidays?

Table Scraps: Back to the studio to add some finishing touches to what we’ve been working away on for the previous twelve months and then lots of good stuff which is soon to be announced. Certainly lots more gigs. We’re playing for our friends in IDLES’ after-party following their third and final headline at HEAVEN on April 6th at The Garage in London. USA Nails are brilliant and are playing too and our friends Danny Nedelko from Heavy Lungs and Steve Lamacq are DJing too. We can’t wait. So proud of The IDLES!

Table Scraps on SXSW, picture by SKCPhotography

It is our tradition to have a bit of fun with the last question. Let’s say you can compose the perfect rider for yourselves but it will be served to you on tour every night. What’s on the menu?

Table Scraps: (laughing) Whatever we want as long as there is double the amount of beer that was originally intended!

You can follow Table Scraps on their social medias:

Website: https://www.tablescrapsband.com 
Facebook: https://www.facebook.com/tablescrapshq/
Twitter: https://twitter.com/TableScrapsBand
Youtube: https://www.youtube.com/channel/UChFw0Lv7eMvylKWfXdyuZ7Q
Instagram: https://www.instagram.com/table_scraps/
Bandcamp: https://table-scraps.bandcamp.com/
Soundcloud: https://soundcloud.com/table-scraps-1

You can also learn more about this excellent trio by reading some of the articles about them:

https://counteract.co/features/band-of-the-week/band-of-the-week-004-table-scraps/
http://drownedinsound.com/releases/20233/reviews/4151646
https://www.musicglue.com/tablescraps/about
https://www.m-magazine.co.uk/newmusic/30seconds/30-seconds-interview-table-scraps/
http://diymag.com/2018/02/23/table-scraps-autonomy-album-review

Come back soon as we are planning something really cool and we cannot wait to share it with you!
See ya later,
xx
R+M

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